#nick mira sample

[granite-beats]

beat made with xpand2 and nick mira sample pack

[beatsbythekilo]

BEATS BY THE KILO -LIVE Breaking Down How to Make Beats & Songs With rio leyva making beats live fl studio paryo making beats live fl studio tutorial nick mira live nick mira making beats producer community nick mira stream paryo making beat nick mira rio leyva making beats,nick mira live stream nick mira cook up fl studio 20 paryo making loops music producer cashmoneyap how to make melodies music production cxdy how to sample pvlace gunboi mpc nickmira its2ezzy beats ableton free beat type beats dro kenji rio leyva Discount When You Go To www.vidiq.com/BeatsbyTheKilo on Breakfast Club The Joe Budden Podcast M.E.O. My Expert Opinion Math Hoffa Everybody loses, about about how u handle it that defines u!! - ME

[mainshoney]

Juice wrld birthday

Juice WRLD last known girlfriend was Instagram influencer Ally Lotti. He was frequently compared to rappers Travis Scott and Post Malone. As an artist, Juice WRLD was known for his genre-bending music. In addition to music sales, shows, features, and streaming platforms, he also sold merchandise ranging from hats to hoodies. His net worth was estimated at $4 million USD prior to his death. Juice WRLD was around 5ft 7in tall and he was of African-American descent. The rapper was pronounced dead at roughly 3:15 a.m. He was transferred and treated at the Advocate Christ Medical Center in Oak Lawn, Illinois. He suffered from a medical emergency upon landing at the Midway Airport in Chicago, Illinois. His official cause of death was a seizure. Juice WRLD died on December 8, 2019, at the age of 21. Prior to his death, he was working on a joint tape with Ski Mask The Slump God called ‘Evil Twins.’ The album spawned the singles “Robbery” and “Hear Me Calling.” Juice WRLD’s 2019 songs include “Hate Me” with Ellie Goulding, “Graduation” with Benny Blanco, and “Bandit” with YoungBoy Never Broke Again. It was released by Grade A and Interscope. In February 2019, Juice WRLD and Nicki Minaj embarked on their ‘The Nicki Wrld Tour.’ His second studio album, Death Race for Love, dropped the following month. It charted at #2 on the Billboard with songs like “Fine China” and “No Issues.” Guest appearances were made by Young Scooter, Yung Bans, Gunna and others. The joint mixtape, Wrld on Drugs, with Future arrived in October 2018. The track-listing for Goodbye & Good Riddance also includes “Lean Wit Me”, “Scared Of Love”, “I’m Still” and “Used To.” The lead single “Lucid Dreams” became his highest-charting single, peaking at #2 on the Billboard Hot 100. The album’s production was handled by Nick Mira, Benny Blanco, Cardo, and a few others. It sold 39,000 copies during the opening week. The album peaked at #6 on the Billboard 200 and #9 on the Canadian Albums chart. His debut studio album, Goodbye & Good Riddance, followed in May 2018. Juice WRLD inked a $3 million contract with Interscope Records in March 2018. A remixed version of Lucid Dreams featuring Lil Uzi Vert was released in 2018. Other notable tracks from ‘9 9 9’ include “Moonlight”, “Sticks & Stones” and “Eye Contact (Look Me In My Eyes).” Juice WRLD closed out 2017 with the 3-tracked EP, Nothings Different (2017). They were directed and edited by Cole Bennett of Lyrical Lemonade. The official videos for “All Girls Are The Same” and “Lucid Dreams” were released in February 2018 and May 2018 respectively. It was spearheaded by the singles “All Girls Are The Same” and “Lucid Dreams.” Those 2 tracks have been played 300+ million times collectively on SoundCloud. His debut mixtape, 9 9 9, was released in June 2017. Juice WRLD first signed with the ‘Internet Money’ collective. It was led by the singles “Too Smooth” and “Runnaway Freestyle.” In 2016, Juice WRLD dropped a number of songs including “Hold Me Down”, “Let Em Know” and “I Know One Thing.” The bulk of his songs were produced by Sidepce and Nick Mira. A sample of his early music included “Forever”, “Lost My Mind”, “Make It There”, “Mmmmm” and “Just Letting You Know.” His first project, Juiced Up The EP, was released in January 2016. His influences included rock music and artists like Chief Keef, Lil Durk, Kid Cudi and Travis Scott. In 2015, Higgins began posting songs on SoundCloud under the moniker JuiceTheKidd. He began writing and freestyling during his freshman year of high school. As a child, he learned the piano, guitar, and drums. Higgins grew up in a Christian home where he listened to very little rap music.

[jononeillbeats]

[Instrumental] "Alone" - Nick Mira guitar 2021 type beat

[kungisking]

Download here: https://bit.ly/3urdpUv 

[heavenoutside]

and idk if i can make it to the finish line because i am so scared of being seen but ive mainly been thinking about the act of making music as asymmetrical collaboration ; arranging other peoples MIDI / samples and interpreting them in ways they probably weren't intended to be interpreted (taking nick mira type beat hip hop midis and making ambient string pieces out of them )_ also just making music to make music to make and inject things i like into it idk it was or will be called short cuts as a reference to the robert altman film but also as a reference to sampling/midi being a shortcut to bypass having any sort of music theory background im just rambling because i internalise everything and tumblr is my journal

[claudia1829things]

"VANITY FAIR" (2004) Review

"VANITY FAIR" (2004) Review William Makepeace Thackery's 1848 novel about the life and travails of an ambitious young woman in early 19th century has generated many film and television adaptations. One of them turned out to be the 2004 movie that was directed by Mira Nair. 

"VANITY FAIR" covers the early adulthood of one Becky Sharp, the pretty and ambitious daughter of an English not-so-successful painter and a French dancer during the early years from 1802 to 1830. The movie covers Becky’s life during her impoverished childhood with her painter father, during her last day as a student at Miss Pinkerton’s Academy for Young Ladies, where she meets her only friend Amelia Sedley – the only daughter of a slightly wealthy gentleman and her years as a governess for the daughters of a crude, yet genial baronet named Sir Pitt Crawley. While working for the Crawleys, Becky meets and falls in love with Sir Pitt’s younger son, Captain Rawdon Crawley. When Sir Pitt proposes marriage to Becky, she shocks the family with news of her secret marriage to Rawdon. The couple is ostracized and ends up living in London on Rawdon’s military pay and gambling winnings. They also become reacquainted with Amelia Sedley, who has her own problems. When her father loses his fortune, the father of her beau, George Osborne, tries to arrange a marriage between him and a Jamaican heiress. Leery of the idea of marrying a woman of mixed blood, he marries Amelia behind Mr. Obsorne's back, and the latter disinherits him. Not long after George and Amelia's marriage, word reaches Britain of Napoleon's escape from Elba and control of France. Becky and Amelia follow Rawdon, George, and Dobbin, who are suddenly deployed to Brussels as part of the Duke of Wellington's army. And life for Becky and those close to her prove to be even more difficult. The first thing I noticed about "VANITY FAIR" was that it was one of the most beautiful looking movies I have ever seen in recent years. Beautiful and colorful. A part of me wonders if director Mira Nair was responsible for the movie's overall look. Some people might complain and describe the movie's look as garish. I would be the first to disagree. Despite its color - dominated by a rich and deep red that has always appealed to me - "VANITY FAIR" has also struck me as rather elegant looking film, thanks to cinematographer Declan Quinn. But he was not the only one responsible for the film's visual look. Maria Djurkovic's production designs and the work from the art direction team - Nick Palmer, Sam Stokes and Lucinda Thomson. All did an excellent job of not only creating what I believe to be one of the most colorful and elegant films I have ever seen, but also in re-creating early 19th century Britain, Belgium, Germany and India. But I do have a special place in my heart for Beatrix Aruna Pasztor's costume designs. I found them absolutely ravishing. Colorful . . . gorgeous. I am aware that many did not find them historically accurate. Pasztor put a bit more Hollywood into her designs than history. But I simply do not care. I love them. And to express this love, the following is a brief sample of her costumes worn by actress Reese Witherspoon:

I understand that Witherspoon was pregnant at the time and Pasztor had to accommodate the actress' pregnancy for her costumes. Judging from what I saw on the screen, I am beginning to believe that Witherspoon's pregnancy served her role in the story just fine. Now that I have raved over the movie's visual look and style, I might as well talk about the movie's adaptation. When I first heard about "VANITY FAIR", the word-of-mouth on the Web seemed to be pretty negative. Thackery's novel is a long one - written in twenty parts. Naturally, a movie with a running time of 141 minutes was not about to cover everything in the story. And I have never been one of those purists who believe that a movie or television adaptation had to be completely faithful to its source. Quite frankly, it is impossible for any movie or television miniseries to achieve. And so, it was not that surprising that the screenplay written by Julian Fellowes, Matthew Faulk and Mark Skeet would not prove to be an accurate adaptation. I expected that. However, there were some changes I could have done without. Becky Sharp has always been one of the most intriguing female characters in literary history. Among the traits that have made her fascinating were her ambitions, amorality, talent for manipulation and sharp tongue. As much as I enjoyed Reese Witherspoon's performance in the movie - and I really did - I thought it was a mistake for Fellowes, Faulk and Skeet to make Becky a more "likeable" personality in the movie's first half. One, it took a little bite not only out of the character, but from the story's satirical style, as well. And two, I found this change unnecessary, considering that literary fans have always liked the darker Becky anyway. Thankfully, this vanilla-style Becky Sharp disappeared in the movie's second half, as the three screenwriters returned to Thackery's sharper and darker portrayal of the character. I was also a little disappointed with the movie's sequence featuring Becky's stay at the Sedley home and her seduction of Amelia's older brother, Jos. I realize that as a movie adaptation, "VANITY FAIR" was not bound to be completely accurate as a story. But I was rather disappointed with the sequence featuring Becky's visit to the Sedley home at Russell Square in London. Perhaps it was just me, but I found that particular sequence somewhat rushed. I was also disappointed by Nair and producer Jannette Day's decision to delete the scene featuring Becky's final meeting with her estranged son, Rawdy Crawley. This is not out of some desire to see Robert Pattinson on the screen. Considering that the movie's second half did not hesitate to reveal Becky's lack of warmth toward her son, I felt that this last scene could have remained before she departed Europe for India with Jos. Despite my complaints and the negative view of the movie by moviegoers that demanded complete accuracy, I still enjoyed "VANITY FAIR" very much. Although I was a little disappointed in the movie's lighter portrayal of the Becky Sharp, I did enjoy some of the other changes. I had no problem with the addition of a scene from Becky's childhood in which she first meets Lord Steyne. I felt that this scene served as a strong and plausible omen of her future relationship with the aristocrat. Unlike others, I had no problems with Becky's fate in the end of the movie. I have always liked the character, regardless of her amoral personality. And for once, it was nice to see her have some kind of happy ending - even with the likes of the lovesick Jos Sedley. Otherwise, I felt that "VANITY FAIR" covered a good deal of Thackery's novel with a sense of humor and flair. I have always found it odd that most people seemed taken aback by an American in a British role more so than a Briton in an American role. After all, it really depends upon the individual actor or actress on whether he or she can handle a different accent. In the case of Reese Witherspoon, she used a passable British accent, even if it was not completely authentic. More importantly, not only did she give an excellent performance, despite the writers' changes in Becky's character, she was also excellent in the movie's second half, which revealed Becky's darker nature. Witherspoon was ably assisted with a first-rate cast. The movie featured fine performances from the likes of James Purefoy, Deborah Findlay, Tony Maudsley, Geraldine McEwan, Eileen Atkins, Douglas Hodge, Natasha Little (who portrayed Becky Sharp in the 1998 television adaptation of the novel), and especially Romola Garai and Jonathan Rhys-Meyers as Amelia Sedley and George Osborne. But I was especially impressed by a handful of performances that belonged to Bob Hoskins, Rhys Ifans and Gabriel Byrne. Bob Hoskins was a delight as the slightly crude and lovesick Sir Pitt Crawley. Rhys Ifans gave one of his most subtle performances as the upright and slightly self-righteous William Dobbins, who harbored a unrequited love for Amelia. Jim Broadbent gave an intense performance as George's ambitious and grasping father. And Gabriel Byrne was both subtle and cruel as the lustful and self-indulgent Marquis of Steyne. In the end, I have to say that I cannot share the negative opinions of "VANITY FAIR". I realize that it is not a "pure" adaptation of William Makepeace Thackery's novel or that it is perfect. But honestly, I do not care. Despite its flaws, "VANITY FAIR" proved to be a very entertaining movie for me. And I would have no problem watching it as much as possible in the future.

[worldfreewareofficial]

Loops 4 Producers Essential Piano [WAV] (Premium)

Loops 4 Producers Essential Piano [WAV] (Premium)

Loops 4 Producers Essential Piano [WAV] free Download Latest. It is of Loops 4 Producers Essential Piano [WAV] free download. Loops 4 Producers Essential Piano [WAV] Overview ‘Essential Pianos’ is an Piano loops sample pack. This hiqh-guality piano sample park was inspired by alpinists like Nick Mira, John Leqend, Ed Sheeran, Arianna Grande, Scott Storch and more. You May Also Like Latest Post…

[burningbelieverfestival]

Nick Mira Omnisphere Bank Reddit

Ireal book android cracked apk windows 10. Download links: Nick Mira – Athena (Omnisphere Bank): fresh link / link 2. 50 Original Omnisphere Patches + 10 Loops crafted by Nick Mira of Internet Money. Make positive to click on the refresh button on the bottom corner of the Omnisphere browser to load patches and enjoy this free Nick Mira. NICK MIRA MAKES MELODIES AND BEATS FROM SCRATCH WITH OMNISPHERE Athena Omnisphere Bank Preview ️ Follow Nick Mira Twitch 👾 Ins. Wavsupply - Nick Mira - Havoc (Omnisphere Bank) WavSupply - Nick Mira – Chernobyl (Omnisphere Preset Bank) (OMNISPHERE) Wavsupply - Nick Mira - Shogun WavSupply Pharaoh Vice Nostalgia Omnisphere Bank WavSupply - Roy Major – Downrange (Omnisphere Bank).

Jan 28th, 2018

Never

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Nick Mira Omnisphere Bank Reddit Windows 10

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Juice Wrld

Jared Higgins was born December 2, 1998, also otherwise known as Juice WRLD,  an American rapper from Calumet Park, Illinois, from the suburbs of Chicago, Illinois. Juice was first signed to Internet Money Records then subsequently signed to Interscope on March 13, 2018

Juice first gained major popularity from his track “All Girls Are The Same” , which gained even more recognition when popular director Cole Bennett made a music video for it. https://youtu.be/h3EJICKwITw . He’s often compared to Post Malone for his similar sounding voice and style.

“All Girls Are the Same” flips the rap stereotype of the artist conquering a plethora of women with a vulnerable, Cudi-esque song about sorrow caused by repeated heartbreak. Once again, Cole Bennett and Lyrical Lemonade have catapulted another artist into the spotlight. The official music video for this song racked up over a half million views in two days and even pushed Juice WRLD’s other video, “Autograph (on my line),” over 100,000 views in less than 3 days. 

[Chorus] Hey, these girls are insane All girls are the same They're rotting my brain, love Think I need a change Before I go insane, love (twice)

Juice explains vividly on POWER 92 about the song “Really that song was kinda like a compilation of everything I’ve been to like all the negatives as far as relationships. Cause I mean. you know, I would have had to have been through a lot to even come to the conclusion to make a statement that: “all girls are the same”. Obviously all girls aren’t the same, but if you’re going through a repetitive heartbreak and stuff you’re gonna think that. So that’s pretty much how that came.”

On “Lucid Dreams (Forget Me)” Juice WRLD explores the mental anguish someone feels after experiencing a break-up.Lucid dreaming refers to a state of conscious where a person is aware they are dreaming. With enough experience, a dreamer can slowly begin to control the contents of their dreams. Juice uses the idea of controlling a lucid dream as an analogy for his mental state; to avoid the pain of seeing his ex-lover in his dreams, Juice seeks to replace them—for good. https://youtu.be/mzB1VGEGcSU

[Chorus] I still see your shadows in my room Can't take back the love that I gave you It's to the point where I love and I hate you And I cannot change you, so I must replace you, oh Easier said than done I thought you were the one Listenin' to my heart instead of my head You found another one But I am the better one I won't let you forget me

Something Juice said from an interview  with ElevatorMag “Yeah. My producer Nick Mira used a sample from the band Sting, and I was like “Wow, I gotta really take off on this.” Most of my music is from real-life experiences, so the song was bittersweet. I was going through some hard shit and figured why not make some music about it.” Random: Juice WRLD has also said on an interview with No Jumper that his favorite artist is Chief Keef and his favorite album is Kanye West’s 808s & Heartbreaks.

I hope you enjoy this weeks blog. Hopefully you will check his music out and fall in love.

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Drinking That Lean Is Deadly !! R.I.P. Blessings.... Multi-platinum rap star Juice Wrld has been pronounced dead. He was 21. According to TMZ, the “Lucid Dreams” rapper (born Jarad Anthony Higgins) suffered a seizure while walking through Chicago’s Midway airport on Sunday morning (December 8). When paramedics arrived on the scene, law enforcement sources reported he was bleeding from the mouth. Although he was still conscious while being transported to the hospital, he was pronounced dead not too long after arrival. As of press time, Juice Wrld’s cause of death is unclear. Despite never disclosing any health issues, he openly admitted to a lean addiction in July, but declared he was officially done with the habit. Juice Wrld’s popularity exploded in 2017 with his Nick Mira-produced track “Lucid Dreams,” which peaked at No. 2 on the Billboard Hot 100 charts and is currently 5x platinum, with nearly a billion streams on Spotify alone. The song, which samples Sting’s 1993 hit “Shape Of My Heart,” became the subject of a threatening lawsuit by Sting himself. However, in an interview with Billboard, Sting called “Lucid Dreams” a “beautiful interpretation that is faithful to the original song’s form.” https://www.instagram.com/p/B50sr3RF0yX/?igshid=1fcbw1wp3398d

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Roleplay ad!!

Hey, guys! Name's Rhys, twenty one years old, and living in the CT. Currently, I am looking for both fandom and original roleplays-- I do want to mention beforehand, I don't want to be the one upholding the creation of story development. For the past few years, I've been forced into this, and I am especially burned out with having to deal with it all by myself. I need teamwork, cooperation, or a partnership won't work out, sorry. I do third person, past/present tense, and paragraph form. Semi-lit, please be prepared to do more than just a few sentences. Four-five paragraphs preferred, but I totally understand if the situation just calls for shorter responses, but not all of the time. The link right below this is a doc to some of my writing samples. Feel free to check them out! https://docs.google.com/document/d/18n3iuj4m9X1hBo9P2IezrKdTfkTrSKt0H34ZP6v3hHs I do m/m, f/f, m/f, f/m, any relationships; trans/nb, trans/cis, nb/cis, etc. I welcome all the LGBT, as I am of the queer community myself! Email or google docs only, please. LIMITS ------ -No unrealistic stereotypes of queer relationships, please. Yaoi, yuri, seme/uke, etc. Can't do that. Characters need to both have versatile roles; switching, so it's fair for everyone. Though, my characters do tend to be a lot more dominating! {{Very welcoming of BDSM, dom/sub, but this does not mean someone needs to be penetrated every single time in order for the dom to dominate. Get it? This can also apply to heterosexual relationships. I would literally love to see female characters who top, if you know what I mean. It's a pretty common thing, but not many people here seem down with it lol}} -Furries; blegh, no thanks. Beastiality, nekos, anything of sexual animal-related nature is a no-go, fam. -Vore, scat, bathroom stuff, pedophilia. You know the drill! ((I am not opposed to consensual, legal age and non-reproducing incestuous relationships in FICTION! Sex is fine, just no children resulting from it. Reminder; this is fictional.)) Okay, so despite those few limits, I am actually pretty welcoming of anything else. Smut, of course. Some kink a little out there that you want to suggest? Let's do it, dude. I am open to polyamorous relationships, any queer shit you're willing to throw at me lmao I am super OOC friendly and I am pretty much a garbled mess when I get to know you! I am open to crooked relationships, ones that don't function right, fluff and all cuteness, unconditional love-- my interests fluctuate! I am down, 24/7, guys! Here's a list of fandoms and pairings below. ------ ***=Craving Borderlands -Handsome Jack/Rhys*** -Handsome Jack/Rhys/Nisha*** -Rhys/Axton -Handsome Jack/Nisha*** -Fiona/Athena -Fiona/Vaughn -Rhys/Vaughn Until Dawn -Josh Washington/Chris -Chris/Mike -Jess/Mike -Sam/Beth -Matt/Jess -Emily/Matt/Jess Life is Strange -Max Caulfield/Chloe Price -Max Caulfield/Kate Marsh/Victoria Chase -Nathan Prescott/Warren Graham*** -Rachel Amber/Chloe Price*** -Rachel Amber/Frank Bowers DC -Dick Grayson/Jason Todd*** -Bruce Wayne/Dick Grayson -Dick Grayson/Koriand'er -Dick Grayson/Wally West*** -Oliver Queen/Dinah Lance -Harley Quinn/Pamela Isley -Bruce Wayne/Clark Kent -Diana Prince/Clark Kent/Bruce Wayne Marvel -Steve Rogers/Tony Stark -Tony Stark/Bruce Banner -Steve Rogers/Bucky Barnes -Bucky Barnes/Sam Wilson -Clint Barton/Pietro Maximoff -Peter Parker/Harry Osborn*** -Peter Parker/Wade Wilson -Gwen Stacy/Peter Parker/Harry Osborn Uncharted -Nathan Drake/Samuel Drake -Nathan Drake/Harry Flynn*** -Chloe Frazer/Nadine Ross -Samuel Drake/Rafe Adler*** Game of Thrones -Arya Stark/Gendry Waters -Sansa Stark/Margaery Tyrell -Daenerys Targaryen/Jon Snow TTGOT -Asher Forrester/Gwyn Whitehill -Rodrik Forrester/Arthur Glenmore*** -Mira Forrester/Margaery Tyrell -Gared Tuttle/Finn -Gared Tuttle/Josera Snow The Walking Dead -Rick Grimes/Shane Walsh -Rick Grimes/Negan*** -Daryl Dixon/Paul “Jesus” Rovia -Luke/Nick -Javier Garcia/David Garcia*** -Clementine/Gabriel Garcia*** The Mortal Instruments -Simon Lewis/Raphael Santiago -Simon Lewis/Jace Lightwood*** -Isabelle Lightwood/Lydia Branwell -Alec Lightwood/Magnus Bane Be More Chill -Jeremy Heere/Michael Mell*** -Chloe Valentine/Brooke Lohst -Jake Dillinger/Rich Goranski Dear Evan Hansen -Evan Hansen/Connor Murphy*** Infamous: Second Son -Delsin Rowe/Reggie Rowe -Delsin Rowe/Eugene Sims -Delsin Rowe/Hank Daughtry Steven Universe -OC/OC verse welcome! Dream Daddy: A Dad Dating Simulator -Anyone/your dadsona (for the love of god someone give me a good, not cliche john doe dadsona and you will win my heart!! I just want to play a dad lol bring me some great ass ocs) Heathers -Kurt Kelly/Ram Sweeney -Heather Chandler/Veronica Sawyer -Veronica Sawyer/Jason “JD” Dean - Some basic ideas that I do have pretty big doc ideas for; -The Last of Us inspired, using the general plot of the game. -Literally anything zombie-apocalypse inspired -Sugar daddy or mommy/Sugar baby*** -Big shot CEO/Rookie -Gladiator/Royal heir -Criminal/Law enforcer -Hero/Villain, Hero/Anti-hero, etc. -Jock/Nerd (this trope is my shit omg) -Medieval families, arranged marriages -Extrovert/Introvert*** -One night stands turned into something more -Childhood sweethearts -Supernatural; demon/spirit, demon/hunter, demon/human, angel/human, angel/demon -Best friends turned lovers -A few marine biologists go to an island off the coast to study the marine life there, which in turn, turns out to be something much bigger. ((Loosely based mermaid plot, can go into much bigger detail!))*** -Super expansive GOT-like fantasy plot with backgrounds, continents, etc. -Rivaling supernatural gangs (say, werewolf packs or vampire clans) -Soul mates; it can be like some of those AU’s where you don’t see color until you meet them, your tattooed timer counts down until then, or maybe even soul mates continuously reincarnating and one of the two has killed them for centuries in order to be “immortal”. For the first time, the victimized partner gets close enough that the other begins to fall and they start aging, together. -Young person (A) inherits an old mansion in a rural town from an unknown relative. A finds that the town is off-- people are starting to disappear, and no bodies are being found. A discovers their relative was hunting the “beast” by all of the information piled up in the attic and salt smeared in the cracks of the floors. B is a disguised demon in the small population-- they initially intended to get rid of A’s relative in fear of being exposed.. but it turns out, there is a much bigger threat than B or any of the other inconspicuous supernaturals among the town--- a monster is coming, and with it, a potential end to the world as they know it. Will B and A team up together? Can A look past B’s true evils, and can B learn to help a descendant of the infamous ‘monster’ hunters? -A doesn’t have any memories of their life, only being conscious and staring down at a mutilated body in a ditch. When they meet B, they learn why; welcome to limbo, they say. You just died. A has unfinished business; finding out who murdered them, why, and what else is holding them here. B is a reaper intent on helping lost souls pass over-- they were never born, and A shows them the delights of life before it’s taken. B learns to love A, and A doesn’t want to leave limbo. While A’s soul is clinging between realities, B must make a pivotal decision; squeezing tight on the concept of love, and letting A go. (BONUS!! REINCARNATION; A & B ARE GIVEN THE GIFT OF LIVING AGAIN, TOGETHER.) -Coming of age story between two childhood friends who are separated by circumstance, and after ten years, reunite and learn that your first love doesn’t have to be the one that got away. -Two friends drop their whole lives to go on a road trip once they turn thirty-- they elope together, leaving their unhappy lives behind them and in this grand scheme of mental breakdowns and tearful smiles, they find that love may be the only cure to a broken existence. ..and many more!! Thanks so much! If you've read through, please contact me at dotiscat@gmail.com and mention kiwi somewhere in your email. n_n Rhys xoxo

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REVIEWING THE CHARTS: 28th July 2019

This is going to be pretty short and rushed I imagine, but we’ll see.

Top 10

Now, we have a funny top four, similarly to last week, full of Ed Sheeran, but not at our top spot, as “Senorita” by Shawn Mendes and Camila Cabello is back at #1 for a second week after our number-two took it last week.

Our number-two, by the way, down one spot from last week, is “Beautiful People” by Ed Sheeran featuring Khalid. Now, the rest of the top four is Ed Sheeran.

First of all, at number-three, we have “I Don’t Care” featuring Justin Bieber returning at number-three, which, due to nonsensical chart rules, must be some kind of record for highest re-entry ever on the chart. We’ll talk about this more in the dropouts section.

Oh, yeah, and to my surprise, “Cross Me”, also by Ed Sheeran, featuring Chance the Rapper and PNB Rock is not moving at number-four. I figured this one would be in freefall.

Thanks to a Justin Bieber remix, and well, not much else, Billie Eilish’s “bad guy” is up eleven spaces to number-five? I’m puzzled about this one, honestly, if anyone could tell me what happened here I’d appreciate it; this should be floundering in the top 30 right now.

Thanks to the rise of “bad guy”, however, Lewis Capaldi’s “Hold Me While You Wait” is down a spot to number-six. Please drop off quicker, I’m begging you.

Also down a single spot on the chart is AJ Tracey’s “Ladbroke Grove” at number-seven.

Eilish claims another victim as MIST and Fredo’s “So High” is also down one spot to number-eight. Don’t worry, all of these songs will rebound.

Oh, and “Wish You Well” by Sigala and Becky Hill is also down a space to number-nine, but I’m still disputing the fact that song exists.

The #10 spot is, once again, held by Lil Nas X’s “Old Town Road” featuring Billy Ray Cyrus, Young Thug, Mason Ramsey and now that guy from BTS. Congratulations on a record-breaking 17th week at #1 in the US, but here in Britain, it seems oddly stable at #10, I expect streaming cuts to kill it any time now.

Climbers

Freya Ridings’ “Castles” is up eight more spaces off the debut two or so weeks ago, entering the top 20 at #18 and becoming her second ever single to chart there. I’m not complaining, it’s a pretty good song. Outside of the top 20, we have only one other gain here, and that’s “Ritual” by Tiesto, Jonas Blue and Rita Ora gaining more traction than I expected 12 spaces up to #28. I hope this doesn’t reach the top 20, it’s pretty trite and honestly would make an awful fit for Ora’s next album whenever in the next decade that comes out.

Fallers

We have plenty of these, however. First of all, “Goodbyes”  by Post Malone and Young Thug continues its unfortunate slow-burning dive down five spots to #17, with “Someone You Loved” close in front by Lewis Capaldi at #19, thankfully down five spaces from last week. It’s not fast enough, but I’m just glad this is on its way out. D-Block Europe’s “Home” is down five to #25 after surprisingly staying pretty stable on its second week. The biggest surprise here, yet at the same time not a surprise to me at all, is Krept & Konan’s “I Spy” with Headie One and K-Trap collapsing down 14 positions to #32. While most British trap has a pretty short chart run, I at least expected this to last longer than any given D-Block Europe song. Oh, and “One Touch” by Jess Glynne and Jax Jones is on its way out down seven spots to #35 after pretty much flopping, especially considering it’s a Glynne lead single.

Dropouts & Returning Entries

Thanks to a nonsensical UK chart rule that to be fair made sense for situations like an Ed Sheeran album bomb, “Take Me Back to London” featuring Stormzy disappears entirely from its number-three debuts last week, and was replaced by “I Don’t Care”, which dropped out from #2 last week. It must be really confusing for those who don’t know all the chart rules to see stuff like this. Elsewhere, we have a couple dropouts so the new arrivals can move in, with “Bounce Back” by Little Mix proving that the damage control single doesn’t work, after dropping out of the top 40 in its sixth week from #34. Miley Cyrus’ “Mother’s Daughter” is out from #36, which isn’t a surprise, and neither is “Love of My Life” by Remedee, Not3s and Young Adz dropping out off the debut at #37. Young Thug’s “The London” with J. Cole and Travis Scott is also out from #38 and since we have no returning entries, let’s get straight to the new arrivals.

NEW ARRIVALS

#40 – “RAN$OM” – Lil Tecca

Produced by Nick Mira and Taz Taylor – Peaked at #11 in Canada and #19 in the US

I really did not want to talk about this song. This is... “Lil Tecca”’s first UK Top 40 hit (Yes, that is his name, it’s dreadful) and the 16-year-old’s first major-label single. He has like eight songs out and he’s essentially a younger, less interesting or even convincing A Boogie wit da Hoodie clone. A Boogie even has a song called “Ransom” that sparked a lot of buzz in him back when he started out. Some may say it’s the melodic New York trap scene repeating itself, I say it’s a clear “Homage” (Read: trend-hopping and copying another rapper for the sake of this complete nobody getting a lot bigger, especially now he has a label behind him). Nobody is talking about how he’s probably some kind of industry plant because nobody cares about the person, Lil Tecca, they care about the song, “Ransom”. This guy has no star power at all or even any potential as a legitimately interesting artist. Okay, let’s stop stalling and get to the meat and potatoes of this song, which are that hook and that video. The video, while uninteresting, was directed by Cole Bennett of Lyrical Lemonade and hence propelled the song to, you know, any sense of popularity, which it wouldn’t have gathered before at all, at least not to the heights of a worldwide smash and top 20 hit in the US. God, this guy infuriates me. I’m definitely going to talk about this song a bit more in January, if you catch my drift, but essentially, this song is melodic trap boiled down to its essence, with a Lil Tjay type beat carrying a Juice WRLD type rapper. There’s one barely-a-verse which lasts about 24 seconds, but the issue is the song is two minutes and 11 seconds long, and, yes, that chorus is infectious but not nearly as powerful as he thinks it is to carry the song for this long, especially since he has no charisma. It sounds like a Python programme wrote and performed a rap song, it really is some of the most monotonous, non-descript garbage to come out of SoundCloud rap. I hate this, it’s definitely on my worst list for 2019, and next!

#38 – “Sorry” – Joel Corry

Produced by Joel Corry

Is it bad that my first observation about this song is that some rapper is going to mention this in a sappy out-of-character love ballad? I mean, think about it, “Sorry” and Joel Corry rhyme. It’s going to happen. Anyway, who’s Joel Corry, you ask? Good question. His Wikipedia page or lack thereof redirects me to a record label called Ostereo which seems pretty successful, and they have a tiny paragraph on Corry. Apparently, he started establishing himself as a DJ on the MTV reality show Jersey Shore. This isn’t looking great, I know, but bear with me, he’s also a body-builder and now presents a radio show on KISS FM. Okay, so, really, much like Lil Tecca, he’s a complete nobody who got picked up by some big label who couldn’t care less about artistic intent, except this is a little more intriguing, considering Ostereo is an independent label and Joel Corry is a DJ, so I’m assuming it’s EDM and I’m right, but it seems snipped from a DJ set. You can tell in the intro, it sounds like the end of a song and an abrupt bleep transition, maybe that’s just for artistic effect but it doesn’t sound great. This is pretty standard deep pop-house, with an unnamed female vocalist singing over a lot of snare and keys, with plenty orchestral stabs to remind you a song is playing. Albeit oddly-mixed at times, the build-up is pretty affective, the drums sound cheap as hell though, as does that drop, it’s really anti-climactic and doesn’t really work at all. The final build-up and drop is admittedly pretty epic though, it gets rid of the anti-climactic minimalism and leaves just a club-ready synth melody over a lot of strings, it sounds really cool is what I’m saying. The build-up itself is manic as well, very interesting, and the singer seems to be a sample from Monsta Boy’s “Sorry! (I Didn’t Know)” featuring Denzie, and, yes, I know samples aren’t typically considered guest spots but the female vocalist is instrumental to this song and its success so surely a featured credit wouldn’t hurt. It’s not Denzie, and by the way, this is so much better than that Monsta Boy song thanks to how Denzie is one of the most incompetent singers known to man, and this female vocalist is actually pretty talented despite singing the exact same lyrics, and referencing Brandy, as in “The Boy is Mine” Brandy, which was unexpected. I’ve searched it up and I can’t find her anywhere, not even on the Genius page, so to me this is just a bit of a douche move.

Edit: I’ve done some extra research and the vocalist is Hayley May. It’s also from the Love Island soundtrack apparently, which makes me like the song a lot less on principle. I’d love to see more from May though, she doesn’t even have a writing credit on this song.

#36 – “Hate Me” – Ellie Goulding and Juice WRLD

Produced by Jason Evigan and The Monsterz & the Strangerz – Peaked at #18 in Hungary and #82 in the US

Oh, Ellie Goulding exists. Yeah, I forgot about that. Listen, I don’t hate Ellie Goulding, far from it, I think she’s fine, but at least lately after about 2015 or so, she has not been nearly as interesting as I want her to be, especially because the songwriting chops are definitely there. When I saw her collaborate with emo-rapper Juice WRLD of all people, I knew this would be far from interesting or good so I’m honestly starting to lose hope in that upcoming album, especially since her other singles “Sixteen” and “Close to Me” were far from special. This is Goulding’s 22nd(!) UK Top 40 hit and Juice WRLD’s third, and, yeah, this isn’t great. That hook is really desperate and this would work if her delivery wasn’t bratty and the lyrics really don’t fit and it feels very cluttered and rushed, like they’re just trying to get it over with... which makes sense, I mean that’s the topic of the song but it’s not convincing, because she wants an answer and she wants it quick, so she’d stop at nothing, surely, but the song’s really short and doesn’t really have any lasting impact. Juice WRLD doesn’t freaking exist, gladly, he doesn’t even join in with the chorus really, which by the third repetition gets really aggravating. The production is an airy mess with trap percussion and cloudy synths that cover Juice WRLD’s vocoder-fuelled performance to the point of not being able to recognise him. It’s not good at all, but I feel it’s just tolerable and bland enough for me to not dislike it. I never thought I’d say this, but Lil Peep did it better.

#12 – “How Do You Sleep?” – Sam Smith

Produced by Ilya – Peaked at #4 in Singapore and #29 in the US

Sam Smith’s second single from this upcoming new album and era, after the success of “Dancing with a Stranger” with Normani, seems to be a lot more energetic especially in comparison with his other two albums he’s released. He seems to have ditched the shoddy pop-soul and has gone straight into more danceable territory, which I’m not complaining about. I loved him on “Latch” and “La La La”, and thought “Dancing with a Stranger” was pretty cool, but other than that there’s not a single song by Smith that I like. Anyway, this is his 14th UK Top 40 hit, and you know what, it’s not bad at all. I love the twinkling synths that carry the song’s main melody, they’re cute but paired with trap percussion and intense sub bass can come off as both oddly sinister as well as infatuated, fitting with the content and subject matter of this song, in which Smith questions how his partner sleeps when he has Smith tangled in a toxic relationship which he can’t get out of, and that “love will keep them up tonight”. I love the second verse, where Smith admits he’s lost himself in his relationship through his subtly Auto-Tuned vocals that are still pretty impressive. The chorus is incredibly catchy while still being powerful and despite all this, that drop kind of sucks. After a great vocoder vocal bridge, the drop is really weak and squeaky, especially with that screechy synth tone, which doesn’t sound as melodramatic or pained as the rest of the song, and instead sounds incredibly lazy. It might grow on me, as the weeping of the drop is kind of humorous right now but could easily fit in with the song’s overall tone and mood, but we’ll see. Overall, this song surprised me, it’s actually really good bar from the trap and EDM elements possibly bogging it down a bit, I think Smith’s songwriting is definitely what shines here instead of Ilya’s production, which is disappointing since I usually love his production.

Conclusion

Yeah, I’m shocked too, but Best of the Week goes to Sam Smith for “How Do You Sleep?”, and Honourable Mention is reluctantly going to “Love Island anthem”, “Sorry” by Joel Corry featuring Hayley May, even if it’s not all that good, only decent. Dishonourable Mention is going to Ellie Goulding and Juice WRLD for “Hate Me” because of course it is, and Worst of the Week should be pretty damn obvious, it’s Lil Tecca’s for “RAN$OM”. Follow me on Twitter @cactusinthebank for more musical ramblings and I’ll see you next week.

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