part 3 to eddie’s tattoo saga, feat. girl-dads!steddie
part 1, part 2
The first time Eddie’s oldest daughter draws on his arm with her Crayola markers, Eddie immediately gets it tattooed onto him permanently.
She’s barely two so it’s mostly scribbles, but she’d never done it before, and she’d looked up at him with this big, proud, cheesing smile when she was done, and Ed had been caught so off guard with just how insanely much he loved her – that indescribable love parents felt for their children that, before becoming a parent, Eddie had thought he’d be able to beat the stereotypes and describe, but Moe proved him to be incorrect just about the second she came along – and he hadn’t known what else to do.
He doesn’t even really think about it, just takes a photo so his artist will get the colors right and has her put it in an empty spot on the sleeve he’s been working on for years.
With Eddie and Steve’s second daughter, Robbie, it goes mostly the same. She's just about two years old and draws a collection of swirling scribbles on the back of his hand. Steve advises him to not get it tattooed in the same spot, and Eddie can understand why it might not always be opportune to have permanent child-scribbles in such a visible spot, so, again, he has his artist use it to fill in a gap in the sleeve on his left arm.
When their littlest girl, Hazel, is born, Ed intentionally leaves a spot on his bicep open for whenever she feels so inclined to draw on him like her big sisters had. She takes her sweet time, so much so that Eddie starts to get nervous that she might never end up doing it at all, and he wasn’t going to ask her. It had to be a natural thing, obviously. In the end, she’s nearly five years old, sitting in his lap with a pack of markers while he reads a book to her (Charlotte’s Web, because it was the first chapter book he’d read aloud to both Moe and Robbie, and now it's Hazel’s turn), coloring inside the lines of the tattoos he already has when she gets to the empty space on his arm he’d left just for her. A little bit later, it’s filled with a marker drawing of a blue house next to a green tree, with a yellow sun above the chimney.
“It’s our house,” Hazel tells him.
Eddie calls to schedule the tattoo session the second he finishes the next chapter.
He gets the okay from his artist to bring Hazel with him to the appointment, which he hadn’t done with Moe and Robbie because they’d been too little. They hadn’t had the disposition for it either, but Hazel is their sweetest baby, all solemn and shy, and the session is right before her usual naptime, so once he’s in the chair, she just sits in his lap and quietly watches his artist work until she dozes off about halfway through the process.
Eddie spends much of that session lost in thought – he’s becoming introspective in his old age (forty-five and some change).
He’s thinking about all the tattoos he’s gotten, all the spontaneous ones he’s gotten for Steve and for their girls. He’s thinking about what that means.
In the family that Eddie and Steve have built, Steve is the one taking all those pictures and home videos and stuff. He’s the one who gets photos printed, framing their favorites and hanging them around the house and setting small ones on side tables, sticking others to the fridge with little magnets they’ve collected over the years, storing the rest in overstuffed shoe boxes he swears he’ll organize into photo albums someday (but their life is so hectic he probably won’t ever get around to it).
This is Eddie’s version of that.
This is his way of displaying to the world how much he loves his family, this thing that he’d spent years pretending he didn’t want because that was easier to sit with than the belief that it wasn’t even attainable for him, that now he gets to have.
It’s fucking incredible, is what it is, and it deserves to be documented.
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sometimes we forget how much of a light house is in cuddy’s life that her PERSON!!!
this is exactly what i needed in my inbox for personal reasons so thank you :") but yeah... they're both weird!!! is the thing!!!! and house is so loud about it because that's how he avoids being accused of anything and cuddy tries to undermine her weirdness because that's how she avoids being accused of anything, but both of those mechanisms are a way of not being one's true self to the fullest. because if you are determined not to do what you consider to be the things only other people can do and you believe in this because it was proven to you time and time again that you don't exactly fit in, you might miss out on the simplicity you're unexpectedly able to appreciate and engage in. and if you're constantly trying to meet everyone's expectations, where is the space for you to be you? and house IS a light in cuddy's life in this very unexpected, unusual way because he somehow still preserves while living in a way that's completely against the idea of what life should or is supposed to be. something cuddy struggles with throughout the entire show almost... even the things she wants that fit the perfect life narrative she tries to make herself want them more. i am instantly brought to tears thinking about her wish to have a kid which seemed more real to me than her attempts to find a romantic partner... because i really feel like she wanted to have someone who would at least hear her if not be like her -> that's why wilson is so significant to her. he's wilson! he hears what nobody else can hear... but she also wanted somebody to love without worrying about whether she was doing it right. so the fact that she admits not to feel what she thought she would feel towards rachel makes such compelling character drama... because the most crucial thing that cuddy does wrong is the fact that she thinks not to fit within the realm of supposed and should is to fail. and that brings me back to house because he does not care about the supposeds and the shoulds and he is a great doctor, maybe even because of this very thing more than anything else. and yes that does disrupt cuddy's whole worldview, but it's also hopeful i think. because if not sticking to the rulebook works for someone else, maybe she's not doing anything wrong when she's not married with kids by the time her mother deems appropriate. maybe she's not doing anything wrong it she gets overwhelmed by how much work she has to deal with. this is EXACTLY why house is the one to help out in that cuddy centric episode. because that's what he is to her. he jumps out of the ordinary and makes it work. so it's okay for cuddy to be cuddy. so there's no right way to feel something. and it's pretty fascinating because that same thing is what easily turns into one of house's greatest flaws (the fact that he won't let himself do or god forbid enjoy something ordinary or boring), but to cuddy it's inspirational. (the horror on her face when he admits that he values her over his work comes to mind) and there is something very human about all that which is mainly why theirs is my favourite relationship on the show. humans do that! we see something in someone and find light in it, but to that person to believe that something they've been called crazy for (by others or themselves) or have felt bad about to the point of it becoming an integral part of their very being and simultaneously an inevitable source of some kind of twisted, survival-rooted pride can be viewed in a different way is world-changing and on the edge of world-ending. that's the main conflict between these 2 characters i think. the fact that the very thing that they're inspired by in one another is what terrifies them when they get too close to each other. loving the other one is easy. it's loving themselves enough to be a person with them that's paralysing.
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So Claude’s birthday completely blindsided me and uhhh I don’t have anything new prepared SO I will share some old Claude centered art from last year that I haven’t shared here!
This was drawn right after I finished Verdant Wind before I played the BL route and started down my DimiClaude rabbit hole.
“Preparing for Fódland’s new Dawn”
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