#Peter Brewis

[hellkitepriest]

@ Peter Brewis: my girlfriend and i want to smoke low mids with you

[bandcampsnoop]

12/7/23.

A band I go back to time and time again is Field Music. The Brewis brothers (David and Peter) are like Old Faithful - you can count on them to regularly produce, and you're always amazed. And I mean that. From their debut S/T and "Tones of Town" to this release, "Flat White Moon" they've shown high standards and high quality.

"Flat White Moon" continues the sound they've been crafting since the mid-2000s with perhaps a bit more leaning to Yes and Genesis. They still have nods to Sparks and they still sound like a less punky Futureheads.

This was released in 2021 via longtime label Memphis Industries. If Field Music truly compares to Old Faithful, then we should be getting a new album or project at any moment.

[senorboombastic]

Listen to the fifth episode of ’60 Minutes or less’, the new podcast from Birthday Cake For Breakfast – featuring Peter Brewis of Field Music!

Words: Andy Hughes Off the back of the first four ‘60 Minutes or less‘ episodes – featuring guests Joe Casey of Protomartyr, Paul Hanley of The Fall, Philip Frobos of Omni and Jonathan Higgs of Everything Everything – it’s a trip to present our fifth episode, featuring Peter Brewis! A North East musician of note, alongside brother David, Peter is the other half of the brilliant Field Music.…

[abattoirstars]

handy dandy guide for the discerning music fan

peter brewis is the shorter of the brewis brothers. he is low down, like a "p"

david brewis is the taller of the brewis brothers. he keeps going up, like a "d"

[blastikmusik]

Most Interesting Mixtapes 2023 - Week 24

JJUUJJUU - No Way In Rone & Orchestre national de Lyon - Ghosts (Looping) LAAKE - DONTGIVEITUP Anda Morts - Adidas Für Mama Knocked Loose - Deep in the Willow / Everything is Quiet Now PostmodernJukebox feat. Tatum Langley - Basket Case HONEYMOAN - Sit Right Natural Wonder Beauty Concept - Natural Wonder Beauty Concept Vitesse X - Ricochet Peter Brewis - Lemoncadabra Matthew Halsall - Water Street (Edit) Lambrini Girls - White Van Strange Ranger - Way Out Brett Domino - A song about space Jacob Collier - The Sun Is In Your Eyes (Live From The Hollywood Bowl) MEUTE x pølaroit - Verden

[parkerbombshell]

Rules Free Radio Jan 2 2023

Tuesdays 2pm - 5pm  EST Rules Free Radio With Steve  Caplan bombshellradio.com On the next Rules Free Radio with Steve Caplan, we'll wrap up 2023 by mixing in some of the music that came out this past year and hearing a few new ones that came out recently. A new single from Joe Delvecchio, The Incurables, Fireking, Raw Terra, and one from a new anniversary release of The Wheel by Rosanne Cash. There'll be a bunch of classics including Todd Rundgren, The Zombies, Let’s Active, Dire Straits, Robyn Hitchcock doing Dylan, Love, Springsteen, The Beach Boys, David Bowie, Harry Nilsson, Laura Nyro and Labelle, and a bunch more. And as you know, we lost a ton of people this past year including someone just after Christmas, Tom Smothers. He was a comedian, musician, free speech advocate, and activist in the 60s and 70s. Along with his brother, Dick, they had a progressive comedy for a few years that CBS canceled in the early 70s because of The Smothers Brothers commentary about the government and their anti-war stance about the war in Vietnam, which they presented on their show. They also featured some of the most popular music artists of the day. We start the show with a tribute to Tom Smothers by featuring not just The Smothers Brothers comedy, but actual audio from some of their shows and other music Tom was involved with. The Smothers Brothers - Mom Always Liked You Best! John Lennon & Tom Smothers - Give Peace a Chance Jefferson Airplane - White Rabbit The Doors - Wild Child The Who - My Generation Jimi Hendrix - I Don't Live Today The Smothers Brothers - Jenny Brown H. Hawkline - Milk For Flowers Todd Rundgren - Long Flowing Robe Joe Delvecchio - Faith and Kindness The Incurables - When You The Rolling Stones - We Love You Peter Noone & The Weeklings - Friday On My Mind Dubioza Kolektiv - Hay Libertad Gogol Bordello (w/ Bernard Sumner) - Solidarity (“Right To Freedom” Mix) Fireking - Today The James Clark Institute - Whatever O'Clock In The Morning The Zombies - I Want Her She Wants Me The Woods - So Long Before Now Let's Active - Every Dog Has His Day Bobby Sutliff - Blinders David Bowie - Suffragette City Raw Terra - Dont Blame Me Man Dire Straits - Industrial Disease Romeo Void - Never Say Never The Wolfgang Press - Mama Told Me Not To Come Sizzla - Subterranean Homesick Blues Creation Rebel - Whatever It Takes Katey Sagal - Love & Other Games of Chance Robyn Hitchcock - Tangled Up in Blue Rosanne Cash - I'll Change For You Bethany Cosentino - Hope You're Happy Now David Brewis - High Time Harry Nilsson - Remember (Christmas) Laura Nyro & Labelle - Spanish Harlem Billy Joel - Until The Night Bruce Springsteen - Backstreets Love with Arthur Lee - You Set the Scene The Beach Boys - Surf's Up Read the full article

[earprotectionrequired]

[HEAR] Peter Brewis (fm @fieldmusicmusic) “Dog Bark Dark” @Day_Saving_Recs

[thedimpause]

♫ My Top 5 #lastfm artists: The Beatles (14), The Smile (13), Peter Doherty & Frédéric Lo (12), David Brewis (9) & David Brewis & Eve Cole (1) via @tweeklyfm

[protobrieile]

[adscinema]

Phil Mulloy - Intolerance III - The Final Solution (2004)

https://www.philmulloy.tv

[hellkitepriest]

@abattoirstars, unprompted: “i think peter brewis is very well spoken and kind”

[bandcampsnoop]

4/30/23.

John Monroe & Field Music "Songs from the Shelf" is a collaboration of the aforementioned names. I'm not really sure who John Monroe is, but I'm guessing he is a fellow musician from Sunderland, UK. This is released on Daylight Saving Records which serves as a vehicle for the "extracurricular activities" of David and Peter Brewis as well as Ian Black (SLUG).

This really sounds like Field Music, which is understandable. John Monroe's vocals, melodies and song structure all sound like the Brewis brothers. And that's a great thing.

I know that Field Music gets compared to XTC, but I really hear a lot of Sparks. And, I really think this recalls the work of Bryan Scary and the Shredding Tears.

[senorboombastic]

Do Not Miss - November 2023

Words: Andy Hughes If you’re a sad act, chances are your November activities are centered around fireworks (fireworks are for shithouses). But you’re not a sad act. You’re really cool (you are after all on Birthday Cake For Breakfast), which means you’ve likely got a calendar filled with tip-top fun-times throughout the month. With so much going on though, it’s hard to whittle it down sometimes,…

[cock-connoisseurs-union]

I just watched 2 episodes of Family Guy against my will...

no way while watching it did i know what’s gonna happen next nor was i even remotely prepared for what indeed happened

[abattoirstars]

you must be peter brewis if you think we're fuckin

my sensitive ass:

[sinceileftyoublog]

You Tell Me (self-titled) Album Review

(Memphis Industries)

BY JORDAN MAINZER

You Tell Me, the self-titled debut from the new band consisting of Field Music’s Peter Brewis and Admiral Fallow’s Sarah Hayes, is an album about communication, or lack thereof. Thankfully, the musical communication is at a high level. A futurist folk record with infectious melodies, a sense of humor, a penchant for the dramatic, and inventive instrumental sources, You Tell Me explores what each artist does well.

Brewis and Hayes make the most out of both quiet and loud moments. Opener “Enough To Notice” ascends from silence to reveal crossing keyboard lines, pulsating and staccato, while “Get Out Of The Room” is sharp enough to balance acoustic guitars, harmonies, synth saxophones, clicks and snaps. You Tell Me explore various time signatures, aesthetics, and eras, whether the 80′s glam pop of bad office romance ditty “Water Cooler” or the baroque folk of “Springburn”. Their ability to compose and arrange contrasts their characters’ solitude and bad interpretations of each other. “You told me you were moving to Spain!” Hayes sings exasperated on “Springburn”. “We’re making memories,” she sings facetiously on “Foreign Parts”, not specifying whether the memories are good or bad for a reason.

It’s “Clarion Call” that’s the best song on the record because it’s the clearest and most honest. After a barrage of tracks that are quality but ambivalent, “Clarion Call” is Hayes’ tribute to pushing forward. “I can barely look after myself,” she sings at one point. But it’s the song’s eternal question of “If not now, when?” that chugs along its upbeat piano, synth harpsichord, and woodwind. The longest track on the album, it ebbs and flows, its journey a microcosm for the reality the characters face after they stop deluding and distracting themselves about relationships with others. Hayes may continue this deception--“Everything was meant, everything is clear,” she tries to convince herself on the stark “Jouska”--but at the very least, artistic collaboration is lucid and pure.

7.0/10