#Peter Jay Sharp Theater

[writemarcus]

Joshua Harmon Announced as Honorary Festival Playwright of Samuel French's Off Off Broadway Short Play Festival

The top 30 playwrights will be narrowed down to 10-12 finalists, from which six will be selected.

by Chloe Rabinowitz Jul. 28, 2022  

Samuel French's Off Off Broadway Short Play Festival has announced that Joshua Harmon (Prayer for the French Republic) is this year's honorary festival playwright.

The distinguished lineup of judges will include playwrights Dennis A. Allen II, Eboni Booth, Karen Hartman and Bryna Turner, along with Executive Director of National New Play Network Nan Barnett, dramaturg Ken Cerniglia, Artistic Director of New Dramatists Emily Morse, Artistic Director of City Theatre Miami Margaret M. Ledford, Artistic Director of Classic Stage Company Jill Rafson, Associate Artistic Director at Playwrights' Realm Alexis Williams, and Associate Artistic Director at Playwrights Horizons Natasha Sinha.

This year's top 30 playwrights were chosen from over 650 submissions around the world. They will present their plays during a week-long festival August 16-20 at the Peter Jay Sharp Theater in New York City (416 W 42nd St, 4th Floor). These will be narrowed down to 10-12 finalists, from which six will be selected to be licensed for future productions and published in an anthology of short plays that will become the 47th edition of the Off Off Broadway Festival Plays series.

Presale tickets are available through Sunday, August 14 at $20. Tickets will be available Monday, August 15 through Saturday, August 20 online and at the door for $25. The Festival will also be offering a $90 Festival Pass. This pass gains the holder access to the first four nights of the Festival, allowing them to see all 30 productions at a 55% discount. For tickets and a complete performance calendar, click here.

THE 47TH SAMUEL FRENCH OFF OFF BROADWAY SHORT PLAY FESTIVAL FINALISTS

Thank You, Porcupine by Aurora Behlke The Very Furious Kugel by Clare Fuyuko Bierman Duckass by Dan Caffrey SYZYGY by Rachael Carnes American Made by Christin Eve Cato Big Red Button by Jay Eddy Too Much Lesbian Drama: One Star by Jessie Field How My Grandparents Fell in Love by Cary Gitter Chemistry by Ben Holbrook Georgia Rose by Onyekachi Iwu Domestic Help by Julianne Jigour Blocked by Jay Koepke We Jump Broom by Mildred Inez Lewis f by Ignacio Lopez Validation by Daphne Macy Toxic Norse-culinity by Matthew McLachlan Leaf Hunters by Megan Chan Meinero Bugs by Alex Moon The Pros and Cons of Implosion by R. D. Murphy Shark Week by Erika Phoebus if all that You take from this is courage, then I've no regrets by Nicholas Pilapil Railroad Homes by Jackson Pounds We're All Girls Here by Roni Ragone Big Happy Days by Anya Richkind Wookiees in the Wilderness by Marcus Scott Beautiful People in a Living Room Doing Nothing by Alec Seymour You Will Neva Enter Our High Holy Land of Blackness-HIYA! by Cece Suazo Scary faces happy faces by Danny Tejera The Vagina Read by Amy Tofte The Black & White Minstrel Show by Wind Dell Woods

Originating in 1975, the OOB Festival is one of Samuel French/Concord Theatricals' primary initiatives to introduce the next wave of emerging playwrights. These include Audrey Cefaly, whose full-length version of her 40th OOB Festival-winning play The Gulf won 2018's Lambda Literary Award in the category of LGBTQ Drama, and Martyna Majok, whose play The Cost of Living (originally produced as part of 39th OOB Festival as John, Who's Here from Cambridge) won the 2018 Pulitzer Prize for Drama. Other notable past participants include Bekah Brunstetter, Gloria Calderón Kellett, Sheila Callaghan, khat knotahaiku, Gracie Gardner, Jeremy O. Harris, Shirley Lauro, Theresa Rebeck, Jen Silverman and Steve Yockey.

To stay up to date with all Festival information, follow @OOBFestival on Twitter, facebook.com/oobfestival, and #OOBFestival on all social platforms.

BIOGRAPHIES

SAMUEL FRENCH is proud to have served as a leader in theatrical publishing and licensing for over 180 years. Its catalog features some of the most acclaimed work ever written for the stage and titles by writers at the forefront of contemporary drama. In December 2018, Samuel French became part of Concord Theatricals. With a growing staff of unparalleled experts, Concord Theatricals continues to support and expand Samuel French's ethos of championing playwrights, innovating in the industry, and celebrating all those who create theatre around the world.

Concord Theatricals is the world's most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark and The Andrew Lloyd Webber Collection, plus dozens of new signings each year. Our unparalleled roster includes the work of Irving Berlin, Agatha Christie, George & Ira Gershwin, Marvin Hamlisch, Lorraine Hansberry, Kander & Ebb, Ken Ludwig, Lin-Manuel Miranda, Dominique Morisseau, Cole Porter, Rodgers & Hammerstein, Thornton Wilder and August Wilson. We are the only firm providing truly comprehensive services to the creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording and first-class production. concordtheatricals.com

Joshua Harmon's plays include Bad Jews, Significant Other, Admissions, Skintight, and Prayer for the French Republic. His plays have been produced on Broadway and the West End; Off-Broadway at Roundabout Theatre Company, Lincoln Center Theater and Manhattan Theater Club; across the country at Geffen Playhouse, Speakeasy, Studio Theatre, Theater Wit, About Face, Actor's Express, and The Magic, among others; and internationally in a dozen countries. He is a two-time MacDowell fellow and an Associate Artist at Roundabout. Graduate of Juilliard.

[lovepollution]

Hamish Linklater in 'The Pain of My Belligerence' at the Peter Jay Sharp Theater - 28th March 2019 (Photo © Joan Marcus)

[mlobsters]

Hugh Dancy and Claire Danes perform “He and She” (1882) by Anton Chekhov (CAPTIONED)

SELECTED SHORTS: A NIGHT AT THE THEATER

Symphony Space at Peter Jay Sharp Theatre, 10/6/2021

Captions, and any errors, by me. Please let me know if you can clarify any words marked as inaudible or if you spot any mistakes! Video courtesy of @solamentenic on twitter here

[brokehorrorfan]

Event Report: Rhode Island Comic Con 2018

Rhode Island Comic Con takes place in the smallest state, but the show gets bigger every year. Its seventh incarnation took place November 2-4 at the Rhode Island Convention Center, the Dunkin Donuts Center, and the Omni Hotel in Providence, RI. While the congestion of people between buildings during peak hours is seemingly unavoidable, this year's updated layout across the three locations (all connected to one another) proved to be the best use of space yet.

When not browsing the massive vendor room full of cool geek memorabilia, I spent a good chunk of the weekend in the two panel rooms at the Omni, listening to various celebrity guests discuss their storied careers. Between the gregarious speakers, the considerate fan questions, the enthusiastic hosts (some of whom were celebrities themselves), and the overall energy of the convention, every one one of the eight panels I saw over the course of the three days was supremely entertaining. The first one I attended was with Tim Curry, who received a standing ovation from the adoring crowd, moderated by voice actor Charlie Adler (who worked with Curry as the voice director on The Wild Thornberrys). Curry proudly remarked that it has been almost exactly 50 years since he started his acting career as part of the original London cast of Hair in 1968.

Although a 2012 stroke left the beloved actor in a wheelchair, Curry is still quite sharp on the microphone. The audience went wild when he briefly broke into his sinister Pennywise voice from It as well as his smashing accent from The Wild Thornberrys. When asked about his thoughts on the new It, Curry defiantly responded, "I didn't like it very much." He shared anecdotes about many of his beloved roles, including The Rocky Horror Picture Show (his favorite scene is the floor show, "Because it was all about me. It was very sexy!"), Clue, Legend (for which the makeup took 10 hours to apply the first time), Muppet Treasure Island, and even The Worst Witch (he admitted to getting so drunk on an actress's homemade gin that he later had to re-shoot his big song). He also revealed a few fun facts, such as how he was almost in Alien as John Hurt's chest-bursting character, Kane, which is what eventually led to him being cast in Legend. "I just thought Ridley Scott was the most amazing director," he remarked. He also loved the script for The Silence of the Lambs and was interested in the role of Hannibal Lecter.

Four members of the Loser's Club from It (2017) - Jack Dylan Grazer (Eddie), Chosen Jacobs (Mike), Wyatt Oleff (Stanley), and Jeremy Ray Taylor (Ben) - reunited for a panel that evening as well. The young actors noted that they had immediate chemistry upon meeting before filming and that they are very similar to their characters, which was apparent during the Q&A as well. The camaraderie is palpable when the friends interact with one another with youthful exuberance. Everything except Taylor watched the original It before filming, although he's now coming around to horror movies. Although they were unable to speak much about It: Chapter 2, which just wrapped production, they noted how surreal it was to meet their older counterparts. Friday evening concluded with a rousing screening of the Rocky Horror Picture Show featuring a shadow-cast by local favorites RKO Army.

I anticipated kicking off Saturday with an Elvira panel featuring the Mistress of the Dark herself, but Cassandra Peterson was unfortunately feeling under the weather and was forced to cancel. Thankfully, the session's guest host, Brian O'Halloran (Clerks), was willing to become the subject of the panel instead. He discussed working with Kevin Smith at length. They are mere weeks away from shooting the new Jay and Silent Bob movie, which he promises will be fun and cameo-heavy. Not unlike his character from Clerks, an audience question about Star Wars sent him on a humorous tirade about the franchise. His personal top three Star Wars movies may surprise you: The Empire Strikes Back, Rogue One, Solo.

It was fun to see Danny Trejo - known for playing tough guys in the likes of Machete, The Devil's Rejects, Desperado, Heat, Con Air, and Sons of Anarchy - cracking jokes and being so jovial during his panel. "I play a badass, but I’m not," he remarked as he recounted some of his surprising upcoming projects: the live-action adaptation of Dora the Explorer, a comedy titled Grand-Daddy Day Care, and an AMC sitcom, Food & Familia. He shared stories about the conception of Machete, which dates back to Desperado and then Spy Kids, the time he autographed a living tortoise in tribute to his Breaking Bad role, and his recent branching out into the food (with his Trejos Tacos restaurants) and music (with his newly-launched label, Trejo Music) industries. Perhaps the most interesting moment, however, was when he shared the story behind his signature chest tattoo, which involved being worked on by the same artist in three different prisons after being arrested for armed robbery at 14. It's truly inspiring to see how he turned his life around.

The Office reunion panel with Kate Flannery (Meredith) and Creed Bratton (Creed) was among the most highly-attended of the weekend. It took place in the smaller of the two panel halls, causing a long line of fans to be turned away. Those who were lucky enough to make it into the at-capacity room were treated to a lively conversation that was as funny as watching the show. Flannery was vivacious, while Bratton, true to his character, was dry and straight-faced. In addition to recounting their favorite moments in the series' nine-season run, they expressed their willingness to return for a Christmas special or other such revival if the writers can find a way to make it work and the rest of the ensemble cast is on board.

The Rocky Horror Picture Show panel was an unexpected highlight. Barry Bostwick (Brad) and Meat Loaf (Eddie) needed no moderator; they were old friends having an open conversation with one another. The first 20 minutes were essentially a comedy routine, with Meat spinning a fictitious story about the origins of his stage name while Bostwick occasionally interjected with a question or a dry quip. There was nary a mention of Rocky Horror until they opened up to the crowd for questions. When asked about screenings during which the audience talks back to the movie, Meat was brutally honest: "I wouldn't go to that to save my life." He went on to say that he loved seeing fans dress up, but he found it disrespectful to the movie and those who worked on it to speak out during screenings. Bostwick was quick to add that he believed such screenings are why the film has had such longevity. Meat also relished the opportunity to roast the audience. The actors' remarkable rapport caused the panel to go long, but, since it was the last of the evening, no one seemed to mind.

Rhode Island Comic Con put together a worthwhile after-party on Saturday night. After 90 minutes of DJ Darth Fader spinning music, dancing, cocktails, and mingling with some of the celebrities in attendance - including James Murray (Impractical Jokers), Joey Fatone (Nsync), Bam Margera (Jackass), Bai Ling (The Crow), and Spencer Wilding (Rogue One: A Star Wars Story) - it was time for Epic Rap Battles of History. The creators of the viral YouTube channel, Peter "Nice Peter" Shukoff and Lloyd "EpicLloyd" Ahlquist - took the stage to perform many of their fan-favorite rap battles live, full of energy and the occasional prop. They performed such favorites as Goku vs. Superman, Rick Grimes vs. Walter White, Terminator vs. Robocop, and Zeus vs. Thor, in addition to medleys with verses from various battles. They occasionally invited fans on stage to perform verses, and in the middle of the set they made their way into the crowd to perform a few songs, including a freestyle created on the spot by audience suggestion: Spider-Man vs. Christina Aguilera. Although they haven't released a new video in nearly two years, Shukoff and Ahlquist clearly haven't missed a beat. They concluded their hour-long set by revealing that they have a new video featuring Elon Musk coming in December.

Sunday kicked off for me with a panel featuring Impractical Jokers' James "Murr" Murray and Nsync's Joey Fatone. While no one was entirely sure what to expect, it was a standard - but highly entertaining - question-and-answer session, with Fatone essentially serving as moderator and occasionally offering his input. Fatone first bonded with the Jokers over their mutual love of Superman. He quickly befriended the gang, then appeared on the show before becoming the host of the Impractical Jokers after-show, After Party. Murr teased the upcoming Impractical Jokers movie, which is due in theaters next year. He said that it's a road movie, with a scripted beginning and ending, but the rest of the film features the guys pranking one another around the country. While Fatone revealed he makes a cameo in the film, Murr told the crowd that it features "the most embarrassing moment of my life," which left him in tears. He also shared plenty of fun stories from the show, including showing off his driver's license photo with no eyebrows.

Later in the day, the Stranger Things panel with David Harbor (Hopper) and Noah Schnapp (Will), and moderated by Clare Kramer (Buffy the Vampire Slayer), capped off the weekend on a high note. They have one week left of shooting the hit Netflix series' third season. They were unable to speak much about it, but Harbor called it "the most Spielbergian thing we’ve ever done," while Schnapp remarked, "It's even bigger than season two." Harbor revealed that we'll see more of Hopper's backstory as a Vietnam veteran and a New York City police officer, while Schnapp hinted that there may be a love story between Will and Eleven. Hopper also discussed his titular role in the upcoming Hellboy reboot. Filming in Bulgaria proved to be difficult, and the three hours of make-up each day wasn't a lot of fun, but he promised lots of practical effects and a storyline that would be closer to the comic on which its based. He also shared a funny story about a run-in with a wild bull during shooting.

In addition to the numerous celebrities mentioned above, Rhode Island Comic Con's exceptional guest list included Hayden Christensen (Star Wars), Gwendoline Christie (Star Wars), Kiefer Sutherland (The Lost Boys), Jason Patric (The Lost Boys), Lance Henriksen (Aliens), Tom Felton (Harry Potter), Natalia Tena (Harry Potter), Zachary Levi (Shazam), Tom Welling (Smallville), Michael Rosenbaum (Smallville), Alan Tudyk (Firefly), Finn Jones (Game of Thrones), Billy Boyd (Lord of the Rings), Tony Danza (Who’s the Boss?), Levar Burton (Star Trek: The Next Generation), Michelle Trachtenberg (Buffy the Vampire Slayer), Dylan McDermott (American Horror Story), Michael Rooker (The Walking Dead), Sarah Wayne Callies (The Walking Dead), Laurie Holden (The Walking Dead), Jenna Elfman (Fear the Walking Dead), Zach Galligan (Gremlins), Morena Baccarin (Deadpool), Ice-T (Law & Order: Special Victims Unit), Billy Zane (Titanic), Dee Snider (Twisted Sister), Jason David Frank (Power Rangers), and many more.

Although all comic conventions have slowly become more of pop culture expos and celebrity autograph shows over the years, Rhode Island Comic Con stays true to its roots by inviting many comic writers and artists. This year included Deadpool co-creator Rob Liefeld and Teenage Mutant Ninja Turtles co-creator Kevin Eastman, among others. I had the pleasure of meeting Eastman, who graciously signed one item - complete with a quick sketch of a Ninja Turtle - for free for everyone throughout the weekend. He was very personable, striking up a brief conversation with each fan who waited in line. In addition to dozens of comic creators, aspiring artists were invited to have their portfolios reviewed.

While the headlining guests were the main attraction at the Dunkin Donuts Center, I was very excited to see an It (1990) display, curated by John Campopiano, writer-producer of the upcoming Pennywise: The Story of It documentary. The crown jewel of the collection was one of Tim Curry's actual, screen-used Pennywise costumes, of which fans were allowed to take photos, but he also had many editions of the film and Stephen King's novel from around the world, among other memorabilia. I was disheartened to hear, however, that two props were stolen from the booth during the event, and as a result the collection will no longer be displayed at conventions. I hope the missing items surface, because the display was a real treat for Stephen King fans.

Impressive costumes - from movies, TV, comics, anime, cartoons, video games, wrestlers, pop culture figures, and mash-ups - could be found walking around the showroom floor throughout the weekend, but many of the best cosplayers competed in a costume contest on Sunday evening. Everyone's efforts were extremely impressive, but the cosplay celebrity judges ultimately awarded the winners in three categories. Eleven from Stranger Things (complete with a Demodog) won for beginners, a group dressed up as Mighty Morphin Power Rangers villains shared the prize for intermediate, and a female Pennywise from It (2017) was selected for the master class. But it was a couple dressed as The Sorceress and Battle Cat from Masters of the Universe who were awarded Best in Show. It was a fun way to end the weekend.

In addition to the celebrity guests signing autographs and taking pictures, celebrity panels, cosplaying, and hundreds of vendors with anything a pop culture nerd could ever want, Rhode Island Comic Con includes exclusive merchandise, fan panels, film screenings, geek speed dating, kids activities, live tattooing, and more. It's impossible to experience it all in one day, so I recommend springing for the weekend pass when next year's event rolls around on November 1-3, 2019.

Click here to see all of my Rhode Island Comic Con 2018 photos.

[ciastov]

In 2020, playwright Larissa FastHorse, of the Sicangu Lakota Tribe, received a McCarter Genius Grant for “creating space for Indigenous artists, stories and experiences in mainstream theater and countering misrepresentation of Native American perspectives in broader society” (MacArthur, Larissa FastHorse).  In her comedy “The Thanksgiving Play,” FastHorse uses humor to generate a conversation about race and equity (FastHorse 2018).  The characters are struggling to devise a politically correct grammar school production of the first Thanksgiving for Native American Heritage Month.  The school hires an actor believed to be Native American to be their cultural guide.  Unfortunately, they later realize that she is actually a white actress who plays Native Americans (FastHorse 2018).  In one scene, FastHorse takes on stereotypes when the well-intentioned teachers who hired the “Native American” actress come to realize that they simply assumed she was Native American based on a headshot.  The actress admitted that her agent told her to take pictures with different “ethnic” looks – in this case with braids and a turquoise necklace – so she could land different roles (FastHorse, Act 1, Scene 2). 

Photo credit: captured by Joan Marcus during the 2018 Peter Jay Sharp Theater performance of The Thanksgiving Play, directed by Moritz von Stuelpnagel. From thetheatretimes.com article AND THEN THERE WERE NONE: LARISSA FASTHORSE’S “THE THANKSGIVING PLAY” by Johnathan Kalb

[stephenskinnerbatz]

#julliardstudents #batzography #julliard #lincolncenterfountain #nycskyline @fitnessphotographers @nycisafullbodyworkout @planetfitness @bodybuildingnation @batz_skinner @lincolncenter @metopera #newyorkcity #newyorkers #nycnights #nycisafullbodyworkout #lifeasithappens @batzstyle #batzstyle #batzwear @mercedesbenzfashion @versace #actor #artist #america #anatomy #fitness #trainer @bbbatz #bbbatz #batz #body #ny (at Julliard School - The Peter Jay Sharp Theater) https://www.instagram.com/p/CGEPJpzBrsv/?igshid=4wq8hy8r0a1c

[frontmezzjunkies]

The Thin Place is Heavy with Paranormal Dread

#frontmezzjunkies reviews: #TheThinPlace by #LucasHnath @PHnyc #PlaywrightsHorizons directed by #WesWaters w/ #EmilyCassMcDonnell #RandyDanson #TrineySandoval #KellyMcAndrew #OffBroadway #NewPlay #OffBroadwayPlay #Scarystuff

Emily Cass McDonnell. Photo by Joan Marcus.

The Review: Playwrights Horizons’ The Thin Place

By Ross

A compelling tight-voiced woman leads us down the pathway to The Thin Place at Playwrights Horizons, with a whole-hearted belief that simple story-telling expertly done and laid out works paranormal wonders. Amazingly, this couldn’t be more on point, as we eagerly tune into the woman quietly…

[rubberonion]

All screenings from #animationblockparty we're at the excellent Brooklyn Academy of Music cinemas at the Peter Jay Sharp building . #animation #screening #filmfest #event #nyc #brooklyn #bam #theater #cinema (at BAM)

[librariankate7578]

Thank you for being inclusive and respecting gender identity, #NYMF (at Peter Jay Sharp Theater)

[chenta]

Peter Jay Sharp Theater

[writemarcus]

Joshua Harmon Named Samuel French Honorary Off Off Broadway Short Play Festival Playwright; Finalists Announced

The 2022 competition, the festival's 47th, will be held in August.

BY LOGAN CULWELL-BLOCK

JULY 28, 2022

Significant Other, Bad Jews, and Prayer for the French Republic writer Joshua Harmon has been named honorary festival playwright for the 47th Annual Samuel French Off Off Broadway Short Play Festival, presented by Concord Theatricals.

The festival, set for August 16-20 at the Peter Jay Sharp Theater in NYC, will see short works from 30 finalist playwrights compete for six winning spots. The winning works will be published in an anthology of short plays and licensed by Concord's Samuel French imprint.

Judging this year's entries will be playwrights Dennis A. Allen II, Eboni Booth, Karen Hartman, and Bryna Turner, along with National New Play Network Executive Director Nan Barnett, dramaturg Ken Cerniglia, New Dramatists Artistic Director Emily Morse, City Theatre Miami Artistic Director Margaret M. Ledford, Classic Stage Company Artistic Director Jill Rafson, Playwrights’ Realm Associate Artistic Director Alexis Williams, and Playwrights Horizons Associate Artistic Director Natasha Sinha.

Tickets for the festival, which is open to the public, are available at OOBFestival.com.

Take a look at this year's finalists, selected from more than 650 submissions worldwide:

Thank You, Porcupine by Aurora Behlke The Very Furious Kugel by Clare Fuyuko Bierman Duckass by Dan Caffrey SYZYGY by Rachael Carnes American Made by Christin Eve Cato Big Red Button by Jay Eddy Too Much Lesbian Drama: One Star by Jessie Field How My Grandparents Fell in Love by Cary Gitter Chemistry by Ben Holbrook Georgia Rose by Onyekachi Iwu Domestic Help by Julianne Jigour Blocked by Jay Koepke We Jump Broom by Mildred Inez Lewis f by Ignacio Lopez Validation by Daphne Macy Toxic Norse-culinity by Matthew McLachlan Leaf Hunters by Megan Chan Meinero Bugs by Alex Moon The Pros and Cons of Implosion by R. D. Murphy Shark Week by Erika Phoebus if all that You take from this is courage, then I've no regrets by Nicholas Pilapil Railroad Homes by Jackson Pounds We're All Girls Here by Roni Ragone Big Happy Days by Anya Richkind Wookiees in the Wilderness by Marcus Scott Beautiful People in a Living Room Doing Nothing by Alec Seymour You Will Neva Enter Our High Holy Land of Blackness-HIYA! by Cece Suazo Scary faces happy faces by Danny Tejera The Vagina Read by Amy Tofte The Black & White Minstrel Show by Wind Dell Woods

Established in 1975, the Off Off Broadway Short Play Festival aims to introduce the next generation of great playwrights. Writers internationally are invited to submit short works, which are traditionally performed in rep at an Off-Broadway venue—last year's festival was adjudicated via online readings due to the pandemic. Past participants include Audrey Cefaly, Martyna Majok, Bekah Brunstetter, Gloria Calderón Kellett, Sheila Callaghan, khat knotahaiku, Gracie Gardner, Jeremy O. Harris, Shirley Lauro, Theresa Rebeck, Jen Silverman, and Steve Yockey.

[lovepollution]

Halley Feiffer and Hamish Linklater in 'The Pain of My Belligerence' at the Peter Jay Sharp Theater - 28th March 2019 (Photos © Caitlin Ochs)

[broadwayworld]

Now in its fourteenth year, the 2017 New York Musical Festival will take place July 10th through August 6th at The Acorn Theatre at Theatre Row, The Peter Jay Sharp Theater, Playwrights Horizons Rehearsal Studio, The Green Room 42 @ YOTEL, and The Castillo Theatre in New York City. Dan Markley serves as NYMF Executive Director and Rachel Sussman serves as Producing Artistic Director. BroadwayWorld is taking you inside rehearsals below!

[ciastov]

Here is a link to The Thanksgiving Day Trailer from the Peter Jay Sharp Theater, directed by Moritz von Stuelpnagel.

[jmarksthespots]

[#FILMFESTIVAL #BLACKFILM] Burning Rides Part of BAMcinématek series New Voices in Black Cinema Directed by Gerard McMurray | With Trevor Jackson, Alfre Woodard, Steve Harris, Tosin Cole, DeRon Horton, Trevante Rhodes, Serayah, Imani Hakim, Mitchell Edwards Wednesday, April 26 | 7pm Peter Jay Sharp Building | BAM Rose Cinemas | 30 Lafayette Brooklyn, NY Admission $14 Members | $7 (Free for Level 4 and above) To RSVP, visit bam.org/film/2017/burning-sands

College freshman Zurich seems to have it all: a bright future on campus, a loving girlfriend, and a bid to a prestigious fraternity. But deep into Hell Week, his limits are tested as abuse heightens and he must choose whether to honor a code of silence or stand up against the escalating violence of underground hazing.

96 min | 2017  

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New Voices in Black Cinema returns for the seventh year, with narratives, documentaries, and shorts that examine the black experience in America and around the world. From international voices to films made in Brooklyn to new black classics, New Voices in Black Cinema brings together urgent stories that need to be told.

Presented in partnership with ActNow Foundation. Since its founding in 2005, the ActNow Foundation has been a production company and advocate for diverse, independent filmmakers and playwrights interested in producing work reflecting the infinite range of African-American and Latino experiences across the globe. ActNow hosts regular events in Brooklyn to showcase the best in independent theater and film. Additionally, they are dedicated to fostering the growth of New York's brightest and most talented through regular panels, speakers, and workshops.

[newsrustcom]

Labor Unrest Hits Ballet Theater, and Dancers Consider a Strike

Photo

A rehearsal of the School of American Ballet’s Workshop Performances at Lincoln Center’s Peter Jay Sharp Theater, in 2012. American Ballet Theater’s dancers and stage managers have been negotiating with management since April. Credit Fred R. Conrad/The New York Times

In the latest sign of turmoil in an unusually tumultuous New York ballet…