#Peter Svensson

[giannic]

"Love me, love me!

Say that you'll love me.

Leave me, leave me;

Just say that you need me!

I can't care about anything but you!" 💔

[spilladabalia]

Tom Jones & The Cardigans - Burning Down The House

[goodjohnjr]

The Cardigans - Erase / Rewind “Director's Cut”

The Cardigans – Erase / Rewind “Director’s Cut” What Is It? The YouTube video The Cardigans – Erase / Rewind “Director’s Cut” by the YouTube channel The Cardigans Official, which is the music video for the song Erase/Rewind by the Swedish rock band The Cardigans from their 1998 music album Gran Turismo: The Cardigans – Erase / Rewind “Director’s Cut” Description: Click here to stream and…

[fangomusic]

Daddy's Car map (song by The Cardigans, art by Fango Music). Our car became a spacecraft Flashing through the world... @mapsontheweb

[rockposerdotcom]

Blindstone Release New Digital Single 'A Scar To Remember'

‘A Scar To Remember‘, the third single and almost-title track from the new album by the blues rock power trio Blindstone, is out today, merely a week before the record release. The lyrics were written by lyricist Peter Svensson (Gauntlet Rule, Assassin’s Blade), with music by Blindstone‘s guitarist and singer Martin Jepsen Andersen. “A soul-searching, reflective song, it deals with the changes…

[mitjalovse]

The Scandinavian pop music complex continues to wield the power over the charts as we note. I mean, the fact Max Martin continues to achieve a lot of hits after so many years means he does do something correct. Sure, he probably saw Ellie Goulding's – her song on the link tells you I shall discuss her – popularity, so him working with her does make sense – you're not a true pop success, until you collaborate with him, he became a badge of honour. However, he manages to achieve the highlights of everyone he produced, which causes us to ask ourselves – what might be his secret? Mr. Martin does put a lot of emphasis on the melody, but I feel this is not the whole picture, there has to be something else present with him and most of the others from the Scandinavian pop music complex.

[foxandcatlibrary]

34th Book I Read in 2023

Title: Kritiskt Tänkande

Authors: Peter Svensson & Alexandra Styhre

Notes: Inte så intressant som jag hade hoppats, inte mycket nytt i denna för mig. Fortfarande en bra bok i sin egen rätt dock.

[astralbondpro]

In Flames // Alias

[lives-in-the-trash]

fuck it, oc picrew

Peter Svensson, born 1995

Dockworker from Portland, ME

Swedish-American

Bangs, ponytail, wears a beanie when it’s cold, jeans, leather jacket, black boots, clean shaven

Rides a sidecar rig

Power bottom, spicy lil twink, 5’9"

Likes alt rock (NWTB, Muse)

Gets very picky about people pronouncing his last name

Stalker (very terrible awful boy, kidnaps people)

"I'm going to love you forever."

[spotlight-report]

The Halo Effect Debut Album 'Days of the Lost' Out Now!

@thehaloeffectse The Halo Effect Debut Album 'Days of the Lost' Out Now! @NuclearBlastAus

Friday saw the release of Days Of The Lost, the highly-anticipated debut album from Gothenburg’s newest supergroup, THE HALO EFFECT. Alongside the release of their debut album, the band have also revealed a new video, that was filmed on a Gothenburg rooftop, for standout track ´In Broken Trust’. Order the album here: the-halo-effect-days-of-the-lost Listen to the album on all platforms:…

[ponderingrandomthings]

A.C.T is a very good Swedish band! A very upbeat progressive pop band.

A very positive song #4 from their 2003 album Last Epic. Album recommended.

Great to see this in their bio "A.C.T are as good and exciting on stage as they are profound in the studio."

Musicians

Herman Saming - lead & backing vocals

Ola Andersson - guitar, lead & backing vocals

Jerry Sahlin - keyboards, lead & backing vocals, vocoder, string arrangements

Peter Asp - bass, percussion, backing vocals

Thomas Lejon - drums [he's also the drummer for the Norwegian progressive metal band Andromeda]

Thomas Lejon Trivia #1: "His interest in progressive music started with the discovery of Rush" [from the Andromeda link above]

Thomas Lejon Trivia #2: "Rehearsing next door was a band called Act, which Thomas used to listen to through the walls."

Full Album Playlist: https://www.youtube.com/watch?v=ZxX8RtWqHCo&list=OLAK5uy_mOuAxZuxyH93AUex901DiTvRSiTuG9Ar0&index=4

[untilthenexttee]

Next Tee News - March 26th, 2024

Reflecting back on the week that was. A rookie wins on the Epson Tour, a familiar face returns to a lofty place, a winner for the first time since Obama was in office, and a whole lot more. Until The Next Tee!! #fightandgrind #seeuonthenexttee

[sinceileftyoublog]

BCMC & andplay Live Show Review: 2/20, Constellation, Chicago

BCMC

BY JORDAN MAINZER

Tuesday night marked the beginning of the Peter Margasak-curated Frequency Festival, an annual event hosted by Constellation that focuses on contemporary classical and experimental music. Though this year's lineup is heavy on microtonal music, specifically string players, the headliner of night one was a guitar-and-synth-wizard supergroup. BCMC is guitarist Bill MacKay and Cave/Bitchin Bajas multi-instrumentalist Cooper Crain. They had been playing live together for a few years before releasing their debut album Foreign Smokes last year via Drag City. Unlike what I imagine was the experience of many folks in the crowd on Tuesday, this was my first time seeing BCMC live. Witnessing their performance after their album was released, meaning I had a number of months to digest it, gave me a greater appreciation for how the duo was able to, live, build off of their compositions.

BCMC started off with abstract sounds, gradually becoming more concrete before reverting back to rounded noise. MacKay's bluesy guitar riffs embedded within Crain's synthesizer hum, replete with a sense of motion akin to a chugging train, simultaneously swirling and gentle. At times, the songs turned percussive, via pulsations, as MacKay either meandered or ripped slide guitar licks. Even Crain got an opportunity to solo on the keyboard on "The Swarm". Simultaneously tactile and droney, BCMC were able to lull you into hypnosis and suddenly capture you at the command of their instruments.

andPlay

The opening set from NYC-based string duo andPlay, meanwhile, set the tone (no pun intended) for the rest of the festival's ethos. Violinist Maya Bennardo and violist Hannah Levinson performed the two pieces that make up their latest album Translucent Harmonies (Another Timbre), both of which use just intonation. Kristofer Svensson's "Vid stenmuren blir tanken blomma" (“By the Stone Wall, Thoughts Become Flower”) emphasized extremely short strokes of different lengths and volume, using pauses and ultimate silence to create a sense of tension and disintegration. At times, one player would play a note--a mere pluck--and the other would continue their stroke, resembling a sort of synaptic process. Ultimately, the piece was paradoxically meditative, consistent in its lack of consistency. Their second piece, Catherine Lamb's "Prisma Interius VIII", was comparatively deliberate, the players playing in tandem at times and not just off of each other. As a duo, in contrast to larger ensembles who have played on other recorded versions of the piece, Bennardo and Levinson were able to strip "Prisma Interius VIII" down to its essential elements. Though there were many contrasts between andPlay and BCMC--in instrumentation, in groove (or lack thereof), in space--the two acts shared a common desire to hold your patience and deep attention, toy with your expectations, and make you reflect.

[jockifotopress]

Fünf "Neue" beim HC Erlangen

Der neue Cheftrainer Hartmut Mayerhoffer (oben) schilderte seine ersten Eindrücke aus dem Training und verriet, dass er voller Vorfreude auf seine neue Aufgabe und die neue Spielzeit mit dem HC Erlangen blicke. Die Neuzugänge (v.l.) Jonathan Svensson, Mads-Peter Lønborg, Veit Mävers und Gedeón Guardiola berichtet einstimmig, wie gut ihnen ihre neue Wahlheimat Erlangen gefalle und dass sie mit ihren neuen Team-Kollegen bereits jetzt schon richtig viel Spaß auf der Platte hätten. Die rund 500-600 HCE-Fans hörtesn es gerne und wollen wieder Erfolg. "...auf alle Fälle mehr Punkte holen...“, so der allgemeine Tenor ;-)

[doyoulikethissong-poll]

The Cardigans - Lovefool 1996

"Lovefool" is a song written by Peter Svensson and Nina Persson for Swedish rockband the Cardigans' third studio album, First Band on the Moon. It was released as the album's lead single on 10 August 1996 in Japan. A few months after its release, the track was included in the Baz Luhrmann film Romeo + Juliet, helping the song gain international recognition.

"Lovefool" was initially a hit in several European countries, reaching number 15 on the Swedish Singles Chart and peaking at number 21 on the UK Singles Chart during its first release in 1996. Following its appearance in Romeo + Juliet, the song gained international attention, eventually reaching a new peak of number 2 on the UK Singles Chart following a re-release in April 1997. It then achieved international success, becoming a number 1 hit in New Zealand and peaking just outside the top 10 in Australia at number 11. "Lovefool" became a crossover hit in the US after peaking at number 9 on the Billboard Modern Rock Tracks chart, reaching number 2 on the Hot 100 Airplay chart. It reached number 1 on the Top 40 Mainstream chart and number 2 on the Adult Top 40.

Three music videos were shot for the song. The third and last music video was created to promote Romeo + Juliet.

"Lovefool" received a total of 84,7% yes votes!

[rockposerdotcom]

Blindstone Release New Single 'Drums Of War'

‘Drums Of War‘ may very well be the heaviest and darkest song of the new Blindstone album, ‘Scars To Remember‘ (review here). It is obvious what the new single from the Danish blues rock power trio is about, and why it was written. Martin Jepsen Andersen wrote the music for the song, right around the time the war in Ukraine broke out, and the lyrics were written, in collaboration with Peter…