#Q visa

[uglyandtraveling]

Skip the US Visa Interview! New program lets you apply FASTER & EASIER. Learn who qualifies & how to ditch the interview stress!

[mr-independent]

I'm very disappointed by the lack of fake marriage fics in this fandom. Ted is an immigrant. Visas expire eventually, and can be tricky, legally speaking. Obviously someone's gotta do a Proposal AU

[juluia]

little life update :D 

[suenitos]

George deserved better than q as a friend and luckily he has so many more and new friends now. And Dream deserves basic empathy and decently from a

anon got fuckign murdered before they could complete this ask

[coffinsister]

Wilbur soot is officially single again which means the plan to move to England and become his groupie so he ends up writing an album about me with a sorta odd spoken piece middle part in every song is right back on

[july-19th-club]

hm. the throughline in 'this is not for tears' after roman gets back from experiencing (mildly! as these things go) a hostage situation and everyone is, briefly, very hands-on and solicitous with him and then he's like 'hey do you guys think we can like. i was thinking . in the hostage situation. can we talk about stuff like normal human beings maybe from now on' and shiv and ken immediately start making fun of him in muppet voices

[vydumaj]

I think I personally could get rid of ulf kristersson just by walking up to him in completely flat shoes and standing straight in front of him and staring down at him . he’d be crying in just a few short minutes if not less

[azulock]

GIRL TYSM I WAS WHEEZING WHILE READING THAT<3 RIP to noel noas sanity....

Aaaaaaaaa I'm so happy you liked it nonnie!! I was pretty unsure if it was good so I'm happy to know you like it! And yeah, the true loser there is Noa, having to deal with these two. God I'd imagine if he ever showed a bit of his dissatisfaction with the situation everybody would be like "oh look he is jealous of them trying to date his daughter" and poor Noa would be like "they are just so annoying it's torture"

[iwan1979]

seeing this long q on daily for past few months since back to office.. Although China has eased its strict pandemic restrictions, it has not resumed the ability for Singaporeans to visit the country visa-free for 15 days.

[lucespeaks]

angel loves all the uconn girlies so bad😭

she commented heart eyes on aubrey’s post the other week

made a tiktok hanging out with kk over the summer

commented how paige is invited to the cookout on a tiktok and saying she loves her

pic of her and nika at the draft also a vid of nika , aaliyah and angel walking in the empire state building

now talking about how nika needs her visa like man angel husky nation loves you as much as you love us

kk,q,and paige played w angel no??

either way i loooooove me some angel

[thenhlteaissuperhot]

nykki (martin necas' girlfriend) just posted some sort of q&a on her youtube channel and from the translation of the title, she should be talking about the nhl too, could you perhaps watch it and translate the interesting bits for us since its in czech?

This video was actually really interesting.

I have said it in the past already, but Nykki is genuinely one of the most sensible, down-to-earth, and level-headed WAGs I have seen on social media, so her answers were impressive and definitely worth hearing:

She answered the question about how she and Martin met:

Said that it is the most-asked question she gets - "My theory is that some of the people, who are asking me that, probably want to date a hockey player and they don't know how to do that. Personally, I wouldn't go for a hockey player." (she is so real laughing her ass off during that last part)

She would really want to have some sort of romantic story, but they literally started dating because he was constantly liking her photos, then DMed her on Instagram, they started texting and FaceTiming for several months before they actually saw each other in real life and started dating like two months after.

Talked about what it is like living as a (European) WAG, who moved to the US because of her boyfriend:

The players are away for half of the month during the season, so they don't see each other as often as people may think.

It was really hard for her to make friends among the other WAGs in the first year.

Overall, she expressed that she really struggled the first year and even thought that she wouldn't be able to live like that, wanting to go back home.

She also found it really hard to understand the "NHL lifestyle" (said that the term alone seems silly to her to this day) - "It is an extremely particular group of people. Even among the girls, in the room where we meet during the games, there are so many unspoken rules. I am an open book, I like to share my thoughts, and I hate small shallow talks, but I understood quite quickly that it doesn't work like that here and you can't trust everyone. It is everywhere like that - when you come to a room where there are twenty-five girls, at the end of the day, you only get along with a few of them, and I didn't understand that in the beginning. I kinda burned myself."

She can't have a work permit in the US and neither can all the European WAGs because their visas are officially under their partners - said that it is extremely hard for everyone to get a work permit in the US, but for them, it is practically impossible. A lot of other WAGs have tried, they poured a lot of money into the lawyers, and no one, she knows, has so far succeeded.

Where it is possible for the WAGs to obtain work permits, is in Canada - during this part, she also joked that Martin doesn't have a contract for the next year, so maybe they could move there.

Because of this whole work permit issue, she started doing social media, producing music, and writing scripts for some sort of company (the last two I understood are jobs in the Czech Republic, which she does online), making her own money.

She also said that life in Raleigh, North Carolina is quite uneventful compared to Prague, where she is from - however, she is also aware of the fact, that Raleigh is a quite safe place to live and that she can be glad for it because it's not like that everywhere in the States (as she knows from the experiences of other WAGs).

She also answered money-related questions as many people think that her boyfriend pays for everything in her life:

It is crazy for her that some people think that she is dating him only for the money - said that she didn't move across the Atlantic, away from her family and friends, and the established life she had in the Czech Republic, because of designer bags.

Said that all the WAGs (not just hockey ones) always showcase their life on social media to people who follow them in a manner that makes it seem better than it actually is - posting how they go to the games, how they all have their hair done, designer handbags...

She emphasized that they do have it really easy in a lot of things, and that it actually bothers her (personally she wouldn't be able to bear being financially dependent on her boyfriend - at least that's what I think she meant), but that there are also a lot of disadvantages, for example, if she is going to have kids one day in the States, their grandparents aren't going to see them because they are on the other side of the Atlantic.

At the end of the NHL-related segment, she brought up the question "what would you do if you broke up?"

She emphasized that she is one of the lucky ones because she has managed to find a way how to make a living on her own so this question doesn't really worry her because her life would simply continue, just back in Prague, not in the USA, but that many of the girls are studying in the States or just living there with their boyfriends and solely because of their boyfriends, and that once they break up, it is extremely difficult for them.

[oddbunny]

Found this Gael interview from 2006 in the comments section on another interview. Accidental rabbit hole.

2006 New York Post interview:

It's not for nothing that Gael Garcia Bernal was twice cast as revolutionary Che Guavara. The Mexican actor is as charismatic as he is outspoken - especially when it comes to issues concerning his native country.

He's also responsible for some serious box-office magic back home: 2001's "Y Tu Mama Tambien" was the biggest opening weekend ever for a Mexican film, and 2002's "The Crime of Father Amaro" was the most successful Mexican film in history (and possibly the most controversial - he played a secretly non-celibate Catholic priest).

Bernal is currently starring in director Alejandro Gonzalez Inarritu's "Babel," alongside Brad Pitt and Cate Blanchett, and was recently seen riding a stop-motion stuffed horse in Michel Gondry's fantastical film "The Science of Sleep."

Q: Mexican directors are hot right now. Alejandro Gonzalez Inarritu made waves with "Amores Perros" and "21 Grams." Alfonso Cuaron did it with "Y Tu Mama Tambien." Is Mexico becoming a center for film?

A: There's definitely a worldwide sense that Mexican cinema is pretty big, or a bit "in fashion," right now. Latin cinema as a whole, really. There's this rebirth feeling. But this is nothing, for what the country deserves - Mexico is a country of 100 million people. The year "Amores Perros" was made, there were only six films made there! And this year, it's 65. So there's been a big increase.

But unfortunately, in Mexico, it's harder to make a movie, to even contemplate the idea of directing a film - not many people have the opportunity. I'm sure people from the mountains in Oaxaca find it so far away [from their reality] to do a film. And at the same time, it's exactly those kinds of voices that you want to hear.

If I had to stick with one reason why films matter, it's that: getting to know the "other," and finding that the other is not so different than you are. That's what I think of when I feel like I don't want to make movies anymore.

Q: You have moments when you want to get out of movies?

A: Yeah, I mean, sometimes you feel unprepared, you feel untalented, like you're doing something you don't like, or that you're just doing it terribly. Or you don't like the industrial side. But at the end of the day, there is always that thing. I want to do films because I am an audience first, and films have made me know more about the other - and that the other doesn't exist, really.

Q: Which is one of the points of "Babel." But some people, like the busload of U.S. and British tourists, come across worse than others, don't they?

A: Well, there's two points of view about this movie - you can see that, OK, the people from the U.S. are portrayed as scared people, really worried about health and dirt. But you can also see the other side: Why are the ones that die always from poor countries? We are always the ones that die.

Q: Your character in "Babel" makes pretty bad decisions after he's stopped by an aggressive cop at the U.S.-Mexican border. Have you, or someone you know, ever experienced anything like that?

A: My character makes a bad mistake in a drunken state. But yeah, when you're Mexican, it's a bit of a situation. You have to apply three months before, and it costs $80 for the visa. Sometimes you have to show bank statements to show you're earning money, you're not coming to the U.S. to work. It's kind of stupid - as if money was a sign of honesty, or goodwill. It's a rite of humiliation. They act as if you are coming here to steal.

Q: Is it easier for you to avoid this than most, though?

A: No, no - the last time I crossed the border, walking, I was asked, "Where do you come from?" And I'm like, "Well, I'm from Mexico." And they say, "No, where do you come from?" And I say, "I come from Mexico." I mean, what am I supposed to explain? And they say, "What were you doing in Mexico?" And I say, "Well, I live there." And they say, "No, but what were you doing right before you came here?"

I'm not gonna answer that. Because - you know, what do you care? We're radicalizing the process of integration, and that's terrible. Because it's going backward in time. But it's not just the U.S.'s fault - Mexico is shamefully not providing a place for people to work and live properly. It's everyone's fault.

Q: Did that experience make you want to avoid the U.S.?

A: No. I mean, we share the same territory! But Bush just signed off on the law to start building a wall. It's the second biggest wall that's ever going to be built, it's going to rival the Great Wall of China. And it costs so much money, and so much human resources. Maybe I'm stating the obvious here, but it's kind of ridiculous to build a wall. Walls are always destroyed eventually.

Q: Aside from acting, your production company organizes a worldwide traveling documentary film festival, Ambulante. Are you planning the 2007 festival yet?

A: Yeah, it's happening in 18 cities, on commercial screens, with a big chain - for half-price! Very cheap, it's like $2. And we're going to get together some 15-20 films, divided into three sections. One section we're calling "Dictator's Cut," which is about censorship. For one of those, we're showing both the "official" version and the real one; the rest are already restored, but some of them were completely not shown. It's very exciting.

Q: Your role in Michel Gondry's "The Science of Sleep" was one of your least political roles - was it fun to cut loose and just be weird?

A: It was great, it was a joy to act in. I had a lot of fun doing it. I think not many people have seen it here. Maybe because it was done in France? I mean, it's got good numbers, but still, I wish it would be much more.

There is still this myth - like, for example, I saw the trailer for [Mexican director Guillermo Del Toro's upcoming film] "Pan's Labyrinth," and they don't show you it's in Spanish. You never see a character speaking. I just think that's cheating, you know?

If they actually tell me that there's this weird Iranian love story - I want to see it, because it's in Iran. If it's about a love story in Florida, well, I've seen that before. I'm interested in the further-away, the more surprising.

Q: Do you ever worry that people will take you less seriously because of your looks?

A: [Laughs] No - there are prettier boys than me.

[eretzyisrael]

Exiled prince:’Jews are part and parcel of Iran’s future’

Iranian Jews may still contribute to a post-Islamic revolutionary Iran, even if they don’t live there, says  the exiled prince Reza Pahlavi, son of the deposed Shah. Wide-ranging interview by Karmel Melamed in JNS News:

Journalist Karmel Melamed interviewing Prince Reza Pahlavi

Q: When you visited Israel last year, you interacted with many Iranians in the country who welcomed you warmly. What surprised you the most about the Iranian community in Israel, and how did their interactions with you, which Persian-language news media broadcast, impact perceptions of Iranians worldwide about Israel?

A: First of all, I wasn’t surprised, because I knew of that sentiment from the very beginning. The Iranian Jewish community in Israel, compared to peers elsewhere, has from the very beginning been the most vocal that we had to flee the country but has remained Iranian, attached to the motherland.

This was not a surprise to me. I knew it from the very beginning. This sentiment is present today more than ever.

I’ll tell you what was more of a surprise to me. On the last day before I returned to Europe, I was strolling on the beach in Tel Aviv in front of the shoreline, and average Israeli citizens would walk up to me excited, knowing full well why I was there. They said how hopeful they were that we can have this relationship again between our two countries. That was an element that I didn’t expect—that level of enthusiasm and interest.

Q: For more than four decades, Iran’s once-sizable Jewish community has nearly completely fled Iran for its safety and due to the persecution it experienced at the hands of the Islamic Republic ruling Iran. What sort of future do you foresee for these Iranian Jews—who live primarily stateside and in Israel and who have achieved significant success there—after the regime is no longer in power? What roles might they have in helping to rebuild Iran?

A: It’s no secret that many of the people in Iran who brought in factories, industry and investments to help the country modernize were Iranian Jews.

Of course, they are part and parcel of Iran’s future. I’d like to stress one point. When Hitler was mounting his war and carrying out the events of the Holocaust, I wonder how history took a change.

The attack on Pearl Harbor propelled America to engage in the Second World War. Until then, it didn’t want to have anything to do with it, knowing what Hitler was doing to the Jews. Even before the war, in Iran, we were harboring Jews and protecting them and we did so especially when the war started.

We had Iranian diplomats in Europe like Abdol Hossein Sardari, who helped get visas to Jews in France. Iran was a country—dare I say the only country in the Middle East—that actually gave refuge and asylum to fleeing Jews.

I think Iranians do embrace that. Iran was a country that was once respected in the world. Iranians were one of the few peoples who would travel to many countries without visas. The Iranian passport had value. They were respected.

Today, they’ve been humiliated and painted as terrorists.

All that context of course includes Iranian Jews rebuilding the nation. It goes without saying. It’s obvious.

There were those that had to but didn’t want to leave Iran who were murdered by the regime. It forced an exodus and exile. Many would have preferred to stay, but how could they do so under such a level of immediate discrimination?

They don’t necessarily have to return physically, but they can contribute to Iran in a hell of a lot of ways. They still have that attachment and can still find that role.

At the end of the day, history will not repeat itself if we do not forget what happened before. Today’s new generation of young Iranians needs to understand a little bit of what contributed to that development in the past. It was not imposed on them, but Iranians participated in it voluntarily.

Imagine how much more can be done in Iran once the atmosphere is opened, outside of all of these discriminations, and everybody has equal opportunities to contribute and what a bright future we could have. That’s the message we should spread around the world far beyond whether we are Jewish, Bahá’í or Muslim, or whatever ethnicity or whatever political thinking. The country can in fact help itself.

Read article in full

[mala-santa-radfem]

si naciste en latam y dices "latinx" no ironicamente y de paso usas neopronombres voy a asumir q no tienes personalidad ni valores ni agallas y que eres incapaz de pensar por vos misma/o 🥰 los gringos no te van a querer nunca 🥰 no te van a dar la visa mi amorssshhhh 🥰

[yuzukahibiscus]

That’s TAKARAZUKA 2023 Flower Troupe

LOOK BACK on 2022 – You can feel their resilience and strength after overcoming the tribulations.

（The performance is Genroku. The Mizu Sumitomo Visa Card Theatre Musical “Genroku Baroque Rock” is full of glamorous costumes.)

From January, Yuzuka-san and Hoshikaze Madoka-san became the new Top Combi and started Flower Troupe’s 2022, going through a turbulent year. The year began with the Tokyo Takarazuka Theatre performance – a story of Chūshingura added with time traveling elements “Genroku Baroque Rock” and the show celebrating Flower Troupe’s 100th anniversary “The Fascination! – Flower Troupe’s 100th Anniversary To The Future and Beyond–”. But it was forced to stop right after it started and even though it reopened later, it was ultimately a performance period of 12 days. 

(Yuzuka-san was what people discussed a lot, as she not only played the beautiful pianist Liszt in “Years of Pilgrimage” but also for actually performing the piano live.)

In the next Grand Theatre performance, it is the musical portraying the life of the piano magician Liszt “Years of Pilgrimage~The Wandering Soul of Liszt Ferenc” and the stylish show “Fashionable Empire”. In the Tokyo performances also, the first day opened a few days later but it was announced that there were suspensions again and the performance reopened only on the last day (Senshuuraku). But the Senshuuraku performance was the thing to believe that it’s not just about feeling negative – I believe that was what the Flower Troupe members were thinking on the day. That it was a stage that’s not too forceful, but sincere and passionate; that it’s enriching with precision rather than leaving a blank. Especially the thing that caught my eye was how powerful the group dances were. That’s how strong the resilience of the troupe is, with Top Star Yuzuka-san in the centre. We are looking forward to Flower Troupe in 2023 as they accumulate and become a level stronger in resilience.

Q: What kind of troupe is Flower Troupe?

From Yuzuka-san:

Everyone is cheerful and bright and are wonderful kids that are moving forward enthusiastically. I’m thankful for them. Their energy in rehearsals are amazing, and I’m happy they can perform on stage with such liveliness and vividness. From now on, I’d be thankful that everyone could always be professional and aspire to improve, being a troupe that is honing and improving.

From Minami-san:

They’re very bright and I feel that everyone including the underclassmen have their own objectives and are progressing towards then. They have a passion for the performing arts. The underclassmen are always learning from the upperclassmen. The upperclassmen would also be the first in position ready to teach them, and when I see that every time, I’d think this is a good troupe.

From Towaki-san:

We’re a troupe that’s often growing and expanding to be better. That otokoyaku and musumeyaku are all enjoying to focus on the key points of being otokoyaku and musumeyaku and I feel that we respect each other.

Q: What kind of person is Hoshikaze Madoka-san? 

From Yuzuka-san:

I’ve been thinking of this ever since we’re a combi, but she’s quick at understanding what I want to do. I am truly grateful for her being straightforward, playful and ambitious and she enjoys the process of transforming with me. It's been about a year and a half since we started working together, but I feel like we'll be together even longer.

NEXT STAGE – This is the Takarazuka CLASSIC. A classical performance portrayed in Reiwa (year). 

Flower Troupe is starting January in the Takarazuka Grand Theatre with the two-set show of “MAYERLING” and “ENCHANTEMENT–A Luxurious Perfume–”. “MAYERLING” portrays the historical story of the misfortunate Austria Crown Prince Rudolf as the protagonist, a masterpiece performed again ever since the premiere in 1983. The one who wrote the script, Shibata Yukihiro-san was a longtime playwright and director of Takarazuka Revue ever since the ‘60s. Yuzuka-san led Flower Troupe to perform “Sorrowful Cordoba” in 2021, “Love Burns in Firenze” in 2022 for the national tour performances. The Shibata works have a classical depth to it and when they were performed by Yuzuka-san who’s modern and stylish, she adds smartness and reality to the melodrama. Yuzuka-san played Rudolf once in “Elisabeth – The Rondo of Love and Death”, and she enjoys it very much to pursue the portrayal of the ultimate love. At the same time “ENCHANTEMENT” is a show with perfume as a theme. From the title, it is a word meaning “magical” and “rapture”. It’s a performance that is sometimes sweet, sometimes spicy and exotic, one that is gorgeously charming.

Q: Please tell us about your favourite scents. 

From Yuzuka-san:

I love citrus smells when I’m in underclassmen times…recently I like something that’s a little stronger and deeper…compared to flower aromas, I like scents that are sweet like vanilla more. Also, when I clean the room, I open the window for a refresh of air, I love to light some aroma scented (candles) in the room.

From Minami-san:

I like the citrus and fresh kind of scents. I'm actually very sensitive to smell, so if it’s car refresher or car perfumes, I don’t like those with strong synthetic smell. I think scents I like can affect those around me, so I’ve been using perfumes a lot these years. Recently I like the laundry smell the most.

From Towaki-san:

Even though I like almost all kinds of good scents, recently among those scents, I like those with smoky aroma. That’s why instead of aroma candles, I’m the kind that likes the charcoal or incense smell. Recently, my favourite is using a spicy or smoky kind of spray type to fill the room with fragrance.

(Admin’s note: This is the last of the ANAN Translation series! 💙）