Royal sisters Princess Beatrice and Princess Eugenie are marking Armistice Day by visiting with veterans.
Eugenie shared on her Instagram (November 11) that they visited Royal British Legion Industries—a charity that provides vital care, welfare and employment services to Armed Forces veterans across the UK.
She wrote:
"We met incredible veterans who have completed RBLI’s #Lifeworks employability programme. It was wonderful to see the programme in action at the charity’s social enterprise factory which provides meaningful employment to veterans."
The two sisters then visited Queen Elizabeth Court, an assisted living facility. There, Eugenie writes:
"I also met Vi, who told me she served with my late Grandmother, which brought me such pride."
She ended her Instagram post with a tribute to veterans, writing:
"This Armistice Day we remember and pay tribute to the Fallen, the inspiring veterans and those currently serving in the Armed Forces across the world."
Both sisters affixed poppy pins to their jackets, which members of the royal family (and other Brits) typically wear during November to honor fallen troops.
The poppy comes from a poem "In Flanders Fields" by John McCrae, who wrote, "In Flanders' fields the poppies blow / Between the crosses, row on row..."
11 November 2022
(Beatrice is not on Instagram, but her husband, Edo Mapelli Mozzi, is on the platform.)
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"Administratively, too, [...] queens were considered the legal lords of their landholdings. [...] Grants noted that the queen's officials had administrative autonomy without being subject to the king or anyone else, and evidence of the same assumption can be gleaned from court rolls that were recorded with headings indicating the lord of the manor whose court proceedings were being enrolled. As an example, some court rolls for the manor of Haveringatte-Bower specified that it was the court of [Margaret of Anjou] that was in session, while later rolls recorded Elizabeth Woodville as the lord of the manor court."
-Michele Seah, 'My Lady Queen, the Lord of the Manor': The Economic Roles of Late Medieval Queens", Parergon, Volume 37, Number 2, 2020.
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i really hate reading them 99% of the time because they're so hard to do well. and because everyone else usually focuses on the things i find least interesting about it.
but it's sooooo fun to imagine what your favorite characters would do as feudal lords. it's a fascinating question: what would this character do with unlimited executive and probably military power over an area of land and its people? people who depended on them? would they be a good ruler? a bad one? would they take it seriously? do their inherent qualities make them better suited to that role than the modern era? or are they truly a product of the time and place they come from?
because I'm me, this thought exercise is a chance to daydream about "what if I held a gun to this character's head and forced them to get involved in politics?", really.
on one end of the scale you have anakin skywalker, who would....not....have done well as emperor, or frankly as any kind of feudal lord. maybe don't give him more power over life and death, or taxes, or food supplies. maybe don't.
on the other end of the scale, you have jed bartlet, who i truly believe would have been more comfortable with unilateral authority and a divine mandate. somebody make that man a king. let his staff profess their undying devotion to him on their knees, the way they so desperately, secretly wish they could in canon. i feel like it would Fix Them. Leo McGarry wants soooooo badly to swear his sword to Jed. you know it in your heart to be true.
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Royal Reads: Apr-Jun 2024
Note: Some of the following links are affiliate links, which means I earn a commission on every purchase. This does not affect the price you pay.
George VI and Elizabeth: The Marriage That Shaped the Monarchy by Sally Bedell Smith (new paperback version published Apr. 11, 2024) // Heroines of the Tudor World by Sharon Bennett Connolly (Jun. 15, 2024)
Six Lives: The Stories of Henry VIII's Queens by Charlotte Bolland, Suzannah Lipscomb, Nicola Clarke, Brett Dolman, Alden Gregory, Benjamin Hebbert, Nicola Tallis, Valerie Schutte (Jun. 20, 2024) // Revenge: Meghan, Harry, and the War Between the Windsors by Tom Bower (new paperback version published Apr. 16, 2024) // The Private Life of James II by Justine Ruth Brown (May 30, 2024)
The Waiting Game: The Untold Story of the Women Who Served the Tudor Queens by Nicola Clark (Apr. 25, 2024) // James VI, Britannic Prince: King of Scots and Elizabeth's Heir, 1566-1603 by Alexander Courtney (Jun. 3, 2024)
Wise Words from King Charles III by Karen Dolby (Apr. 25, 2024) // Hunting the Falcon: Henry VIII, Anne Boleyn and the Marriage That Shook Europe by John Guy, Julia Fox (new paperback version published Jun. 6, 2024) // Herod the Great: Jewish King in a Roman World by Martin Goodman (May 14, 2024)
Rasputin's Killer and his Romanov Princess by Coryne Hall (Jun. 15, 2024) // Catherine de' Medici: The Life and Times of the Serpent Queen by Mary Hollingsworth (Jun. 6, 2024) // Power and Glory: Elizabeth II and the Rebirth of Royalty by Alexander Larman (new hardcover published Apr. 30, 2024)
Stephen and Matilda's Civil War: Cousins of Anarchy by Matthew Lewis (May 30, 2024) // Courting the Virgin Queen: Queen Elizabeth I And Her Suitors by Carol Ann Lloyd (Jun. 30, 2024) // Babur: The Chessboard King by Aabhas Maldahiyar (Jun. 27, 2024)
Lady Charlotte Guest: The Exceptional Life of a Female Industrialist by Victoria Owens (Jun. 30, 2024) // Thorns, Lust and Glory: The betrayal of Anne Boleyn by Estelle Paranque (May 2, 2024)
The Palace: From the Tudors to the Windsors, 500 Years of Royal History at Hampton Court by Gareth Russell (new paperback version published May 9, 2024) // The Lost Queen: The Surprising Life of Catherine of Braganza, Britain’s Forgotten Monarch by Sophie Shorland (Jun. 6, 2024)
The Royal Palaces: Secrets and Scandals by Kate Williams, James Oses (Jun. 27, 2024) // The Mysterious Death of Katherine Parr: What Really Happened to Henry VIII's Last Queen? by June Woolerton (Apr. 4, 2024) // Izabela the Valiant: The Story of an Indomitable Polish Princess by Adam Zamoyski (Jun. 20, 2024)
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George Vertue FSA (English, 1684-1756)
The royal progress of Queen Elizabeth I, detail, ca.1740
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The Queen of Pentacles is a symbol of generosity and positive authority, intelligent and compassionate but with a touch of a love for the opulent , she is still an authoritative and will defend what she loves fiercely.
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Tfw you’re married to an dangerous unstable butcher and made queen to this guy and everyone at your court waits for you to die too and you have nightmares about this man killing you as he killed his wives so you hide your religion and placate and love him and keep yourself a secret as best as you can and do everything right but you’re still in torment with these dreams and their judgement and they give you his dead wives’ jewels and clothes and castles so you have to wear the gowns of a murdered child whom you can’t even admit was innocent because her name was dragged through the mud so much and just as you think you’ve achieved his love and reunited his family he paints his dead wife in your clothes on the royal portrait and she is in your clothes as if you are the ghost, alongside all the others who came after her and this was the woman he abandoned in childbed, and all of this happens to you smack bang in the middle of public so you can’t even rage or grieve smhhh
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Sorry for being annoying over Anne x Jane but if you ever would have the chance to adapt this ship how would you do it?
by ‘adapt’, do you mean for a dramatisation? because i strictly believe that we need to put a moratorium on tudor related media (excluding henry vii and maaaaybe mary i since they’re underrepresented as is, and it would annoy the right people). so i don’t want an adaptation, frankly.
as for an ideal adaptation… well, i liked the idea of anne and jane’s dynamic in wolf hall — but not anne’s characterisation. it was so belligerent in stripping her of warmth and humanity, and this collective amnesia about criticisms of mantel’s handling of women (and gender) now that she’s dead is really something. personally, i’m fine with violently and bodily shoving her from her pedestal. on a similar strain, channel 5’s anne boleyn tried to give us a similar dynamic — of anne being unsettled by jane, whilst simultaneously looking down at her, and (again) i like the idea of anne being curious about jane, and the dynamic of gender/femininity being played with, with the two being seemingly polar opposites in ideological opposition, but nothing was delivered on that front. for as much as lola talked about jane being ‘machiavellian’... literally nothing was shown really exploring that. the kiss felt like everything else in that show: hollow, trying to be reactionary. you can’t try to explore that dynamic and simultaneously refuse jane any characterisation beyond the periphery of anne’s perspective; it’s imbalanced. also, i don’t like how these adaptations take every opportunity to make anne abusive to others — she is always depicted as putting her hands on jane (as well as striking others) and anne boleyn (channel 5) has her sexually harassing jane. i am not opposed to depicting anne as violent or abusive (there’s arguably evidence for it) but it seems notably one-sided: jane dormer’s account implies jane gave as good as she got (“scratching and bye blows between the queen and her maid”), and jane was clearly willing to undermine and displace her mistress which contradicts the idea of jane as passive/complacently honourable.
arguably the tudors s2 threads the needle the best? anne is irascible and clearly agitated and unsettled by jane, who is shown to be actively involved in her faction, and evidently lacks respect for anne. it just doesn’t take it far enough on characterising jane/giving her a clear motivation, and walks all of it back by s3, anyway.
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Had circumstances been just a little different, Anne Boleyn might still have lived. Had she produced a son, Jane would have been a passing distraction, Anne's enemies would have been silenced, and her fiery character might again have seemed, at least at times, beguiling to Henry. During the course of their brief marriage, which lasted just over three years, there had been many fluctuations. After the final miscarriage, Anne fought back, saying she had been frightened by Henry's accident, but also broken-hearted at his paying attention to another woman. This kind of criticism was not something Henry was prepared to tolerate in a wife; one of Katherine's strengths, as she herself acknowledged, was that she had never shown any sign of animosity or distress in response to the king's infidelities. Henry and Anne's relationship had been a genuine love-match, however, and the volatility which helped bring about the extraordinary events of the break with Rome remained a part of their relationship ever after.
Henry VIII, Lucy Wooding
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fic question: which is less confusing/ambiguous - "the queen mother" or "the dowager"? or is there something else i should go with?
(the scene features a different queen who is also a mother and i just want to be sure it's clear who is being referred to.)
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I love how that one dude decided to go for an entirely different style of fashion than anyone else at the ball, he was like you know what if i'm gonna have to cross dress I might as well be original about it wth
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The division between the two families [the Woodvilles and the Nevilles] and their allies can be seen in the royal charters that they witnessed. Warwick, Rivers and Archbishop Neville of York, while serving as chancellor and afterwards, were fairly constant witnesses to royal charters and consequently often appeared together. This was not, however, the case for other family members and friends. From 1466 to 1469, if Scales or Woodville associates like Sir John Fogge, John Lord Audley or Humphrey Lord Stafford of Southwick witnessed royal charters, then members of the Neville group, such as John Neville, earl of Northumberland, or John Lord Wenlock would not, and vice versa. Discounting the ubiquitous Warwick, Rivers and Archbishop Neville, of the twenty-four charters issued between February 1466 and June 1469, twelve were witnessed by men associated with the Woodvilles, eight by men associated with the Nevilles and two were witnessed by no member of either group beyond the two earls at their heads and the archbishop; only two charters, both from 1466, featured associates of both families.
Such striking segregation of witnesses suggests that something more than simple convenience or availability was at play. [...] The evidence of these witness lists does show the extent of the split between the two groups from early in Edward's [first] reign and of the need for political society to work with that cleavage in the heart of the Yorkist regime."
-Theron Westervelt, "Royal charter witness lists and the politics of the reign of Edward IV"
*This is specifically applicable for Edward IV's first reign; in contrast, the charters in his second reign displayed a great deal of aristocratic and domestic unity and cohesion.
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Closing the 1720s for now -
1720s Barbara Ivory (d.1748), Mrs Henry Davenport III by Charles d' Agar (Lacock Abbey, Fox Talbot Museum and Village - Lacock, near Chippenham, Wiltshire, UK). From artuk.org 1517X1889.
1721 (after) Tsarevna Anna Petrovna by Ivan I Grigoryevich Adolsky (Hermitage). From arthermitage.org-Ivan-I-Grigoryevich-Adolsky-Portrait-of-Tsarevna-Anna-Petrovna.html 1173X1475.
ca. 1728 Anna Karolina Orzelska by Antoine Pesne (Muzeum Narodowe w Warszawie - Warszawa, Poland)). From Wikimedia 1500X2267.
ca. 1729 Queen Maria Barbara of Spain, née Portugal by Jean Ranc (Museo del Prado - Madrid, Spain). From their Web site; fixed spots w Pshop 2445X2953.
1728 Princess Amelia Sophia, Princess Royal Anne, and Princess Caroline Elizabeth by Philip Mercier (all three at the Hertford Magistrates' Court - Hertford, Hertfordshire, UK). From tumblr.com-search-18th+century 1996X1093.
1729 A reading of Mollière by Jean-François de Troy (location ?). From Wikimedia 1191X950.
1729 Wedding portrait of Friederike Luise and Karl Wilhelm Friedrich by Antoine Pesne (Schloss Charlottenburg - Berlin, Germany). From Wikimedia 1400X1980.
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The set arrived in the Queen’s jewelry box in the mid 1980s. Leslie Field notes, “As recently as 1985, on a State visit to England, the Amir of Qatar presented the Queen with a diamond swag necklace with a centerpiece of two large rubies.” The Amir of Qatar in question is Sheikh Khalifa bin Hamad Al Thani, who served in that role from 1972 to 1995. The necklace was accompanied by a coordinating pair of earrings.
The Queen began wearing the demi-parure, which features cabochon rubies placed among diamond floral and festoon motifs in a yellow gold setting, shortly after she received the gift. Above, she wears the set in Madrid in 1988, pairing it with one of Queen Victoria’s Wheat Ear Brooches (worn as a hair ornament) and an interesting ruby and diamond bracelet. - The court jeweller
In June 1992, she brought the rubies with her on a state visit to France. She wore them with the Burmese Ruby Tiara and her Art Deco-style ruby and diamond bracelet for a dinner at the Élysée Palace in Paris during the trip.
Interestingly, the Queen has chosen to wear the ruby set on two occasions for the State Opening of Parliament. Here, she wears the rubies for the event in November 1990.
and here, she wears them as she delivers her speech from the throne during the State Opening in November 1994.
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