#Robert Ripley

[ultraozzie3000]

Some Pitiful Melodies

Sigmund Gottfried Spaeth (1885–1965) sought to popularize classical music and improve the musical tastes of the masses by meeting the public wherever he could find them, from vaudeville halls to national radio broadcasts. September 1, 1934 cover by William Steig. Born in a line of three generations of Lutheran clergymen, Spaeth chose a different path and became a musicologist who sought to…

[weirdellis]

It’s Thursday so Scott and I are on Streamyard talking and sketching.

[sesiondemadrugada]

Ripley (Steven Zaillian, 2024).

[ilikethisacompletelynormalamount]

panavisionofficial

“Yeah, I can't remember what we shot with. I have to call Erik Brown. He's my lifeline,” jokes legendary #DOP Robert Elswit ASC, as we sat down to discuss Ripley.

“I've worked with [director] Steven [Zaillian] before, and like all cinematographers, he believes that the way something's lit is actually a way to affect people's emotions. There are a lot of directors who actually don't believe that, but Steven is one of those who feels very strongly that there's an emotional message that the lighting in a movie delivers.

I had a copy of the Patricia Highsmith series of the latest series of Ripley books with these beautiful covers and black and white images, and Steven said that as he was writing, he just saw the whole thing in monochrome. As we got more into it, and as I read the script, I realized that a big part of the agenda of the backstory is Caravaggio. Steven and I would talk about how Caravaggio invented the whole idea of how the light is playing an emotional, dramatic purpose in his paintings. What was lighting the people and the objects in the room was very selectively realized— faces, arms, gestures—all almost theatrical looking. The lighting dominates the color palette. It dominates even the design in places. There are strong graphic images, but even if you look at them in black and white, which we were in the series, it's all about the light, which is actually a line that one of the characters says.

I didn’t want [lenses] that were too sharp and I think that's something that Dan [Sasaki] reacted to. He made something that was wide open but with no greasy, sharp, surveillance photography look. I don't know how [Dan Sasaki] does it, but we shot the whole series with just five lenses. Then there are the zooms that he made when we did the water scenes.

You can't make something like Ripley look like Ripley unless everybody's all in. It's the production, it’s [production designer] David Gropman, the great costume designers on the show, Gianni Casalnuovo and Maurizio Millenotti. Their sense of understanding of what tonal structure meant, and how to achieve an interesting kind of contrast of pictorial style in this series was essential."

[tv-moments]

Ripley

Season 1, “III Sommerso”

Director: Steven Zaillian

DoP: Robert Elswit

[glimeres]

Next To Normal (2009, Broadway) - Digital Booklet Pics

[denimbex1986]

I think it's so sweet that Andrew has his two sisters (among others) there with him, and I REALLY want to see him "...have a little dance..." 😀❤️🕺

[bullet-prooflove]

A quick round up of updates on the blog including new characters added to the ASK LIST and a list of fics that went out last week:

Characters Added To Ask List:

Mike Mclusky

Robert Sawyer

New Fics:

Chicago Fire:

Playing For Keeps - Sam regrets what he said about your first night together.

Big Heart - Sam takes care of you after noticing you're in pain.

Chicago Med:

Winter Blues - Mitch struggles during the winter months.

The Wrong One - A disagreement leads Dean to reconsider his choices.

Zurich (NSFW) - Jack cancels his trip when he realises something is going on with you.

Cobra Kai:

White Roses - Daniel finds out you might not be as single as he thought.

Attention - Terry hasn't been paying you enough attention

The Red Room - Terry takes care of a threat.

Fire Country:

To The Moon & To Saturn - Bode finds a nerdy way to tell you how he feels.

Critical - Manny stays by your bedside after the crash.

Law & Order Criminal Intent - Toronto:

Who I’m Not - You remind Henry he’s not his father.

Fragile Heart - Henry has always believed love wasn't for him.

Mayans:

Home - Felipe knows your pregnant.

Mayor of Kingstown:

Hell or Highwater - You and Mike always find your way back to each other.

Stop Thinking - Robert needs to stop thinking and start doing.

NCIS - New Orleans:

The Fall - Dwayne knows you're heading for a fall.

SEAL Team:

Say it Again - You tell Eric how you feel for the first time.

SOA:

Yours - You and Nero put everything on the table.

Kings & Queens - You and Chibs marry under terrible circumstances.

Ass (NSFW) - Tig has always had a thing about your ass.

Top Gun Maverick:

Moonlight - Beau asks you a question about your wedding.

Yellowstone:

Final Words - Kayce discovers the truth about Lee.

More (NSFW) - Kayce tells you he needs more.

Missing You - You miss Kayce just as much as he misses you.

Until Your Dying Day - You make a promise to Lee.

Every Part of Me (NSFW) - Jamie wants to give you every part of himself.

Everything (NSFW) - Jamie wants everything with you.

Break Free - Jamie decides it's time to break free from Yellowstone.

Touch - After seven years in prison Walker's a little touch starved.

Everything You Dreamed (NSFW) - You are everything Walker could have dreamed and more.

The Other Woman (NSFW) - John was never meant to be with Evelyn.

With Me (NSFW) - Ryan and you send the night together for the first time.

[captainsavre]

“I don’t know if this means I’m gonna have to say goodbye to my family… but I don’t want that, I don’t want to say goodbye to you guys!”

Please don’t hate me, I truly believe we’ll #SaveStation19 and I won’t stop fighting until that day comes!! But in the meantime we have to say goodbye, so I had to do this… you know, just in case 😬🫣

[camyfilms]

CHITTY CHITTY BANG BANG 1968

Well, maybe my children like running wild in the street. Did that ever occur to you?

[gatutor]

Robert Mitchum-Keely Smith "Camino de odio" (Thunder road) 1958, de Arthur Ripley.

[nuovocparadiso]

Ripley (2024).

dir. Steven Zaillian - dop: Robert Elswit.

[filmjunky-99]

a l i e n 3, 1992 🎬 dir. david fincher 'You owe it to us. You owe it to yourself.' - bishop 2

[ilikethisacompletelynormalamount]

To acknowledge all of those extraordinary people that Andrew thanked and congratulated, I'm adding the nominees from categories that don't always get attention, along with their interviews or featurettes.

Outstanding Special Visual Effects In A Single Episode

Ripley - III Sommerso

John Bowers, Visual Effects Supervisor • Jason Tsang, Visual Effects Supervisor • Joseph Servodio, Visual Effects Producer • Maricel Pagulayan, Visual Effects Producer • Christopher White, Visual Effects Supervisor • Libby Hazell, Visual Effects Producer • Francois Sugny, Visual Effects Sequence Supervisor • Gaia Bussolati, Visual Effects Supervisor • Pepe Valencia, Visualization Supervisor

Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special

Ripley - III Sommerso

Larry Zipf, Co-Supervising Sound Editor/ Sound Designer • Michael Feuser, Co-Supervising Sound Editor • Michael McMenomy, Dialogue Editor • Lidia Tamplenizza, Supervising ADR Editor • David Forshee, Sound Effects Editor • Bill R. Dean, Sound Effects Editor • Wyatt Sprague, Sound Effects Editor • Angelo Palazzo, Sound Effects Editor • Matt Haasch, Supervising Foley Editor • Igor Nikolic, Foley Editor • Dan Evans Farkas, Music Editor • Ben Schor, Music Editor • Jay Peck, Foley Artist • Sandra Fox, Foley Artist

Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie

Ripley - Vll Macabre Entertainment

Michael Barry, Re-Recording Mixer • Larry Zipf, Re-Recording Mixer • Maurizio Argentieri, Production Mixer • Michael Perfitt, Scoring Mixer

Outstanding Picture Editing For A Limited Or Anthology Series Or Movie

Ripley - III Sommerso

Joshua Raymond Lee, Editor • David O. Rogers, Editor

Outstanding Period Costumes For A Limited Or Anthology Series Or Movie

Ripley - IV La Dolce Vita

Maurizio Millenotti, Costume Designer • Gianni Casalnuovo, Costume Designer • Ernest Camilleri, Wardrobe Supervisor • Teresa D’Arienzo, Assistant Costume Designer • Francesco Morabito, Assistant Costume Design

Outstanding Production Design For A Narrative Period Or Fantasy Program (One Hour Or More)

Ripley

David Gropman, Production Designer • Karen Schulz Gropman, Art Director • Alex Santucci, Art Director • Alessandra Querzola, Set Decorator

Outstanding Cinematography For A Limited Or Anthology Series Or Movie

Ripley - V Lucio

Robert Elswit, Director of Photography

Outstanding Casting For A Limited Or Anthology Series Or Movie

Ripley

Avy Kaufman, CSA, Casting by • Francesco Vedovati, Location Casting • Barbara Giordani, Location Casting

Sources 1st image, quote

[tv-moments]

Ripley

Season 1, “VII Macabre Entertainment”

Director: Steven Zaillian

DoP: Robert Elswit

[thestarrynightslover]

I swear to God, if this fucking show makes Ripley do something bad, so that he has to leave, I'm gonna-