#SDI Media

[g5mlp]

Some unfortunate news about the dubbed versions of My Little Pony: Tell Your Tale, It appears that a majority of the dub voice actors were replaced seemingly without contact beforehand. 

After yesterday's episode, "Icy Prints", released, many fans who watched the episode dubbed noticed a change in voices and even in quality. 

The English voice actors remain the same, but it is unknown who the new voice actors are for the dubs, as they are uncredited on YouTube. We may not know who the new voices are until Netflix releases this episode, as Netflix does show dubbing credits. Some fans have speculated AI was used to generate the voices, but there is no evidence to support the rumor.

Production for the MLP dubs have been consistent since the early years of My Little Pony: Friendship is Magic, so the change comes as a sudden surprise. Iyuno-SDI Group Mexico is one example of a dubbing studio that had continuously worked on MLP throughout FiM and G5, up until now. In addition, the dub director for the past Latin American Spanish dub, Maggie Vera, had also worked on MLP since FiM, previously voice acting for Fluttershy and Scootaloo. 

Unfortunately, the now previous dub voice actors and directors were not contacted by Hasbro about the change beforehand, leaving a few confused. Notable actors who spoke about the situation were some of the Latin American Spanish voice actors, as they took to social media to express their sadness.  The images below are some of their statements with translations.

[unrelated-fandoms]

Violetta (English dub)

Dialogue (🇺🇸):

Violetta Castillo - Cristina Valenzuela "Cristina Vee" 🇺🇸.

León Vargas -

Sam Riegel 🇺🇸 (season 1)

Michael Sinterniklaas 🇺🇸 (seasons 2-3).

Diego Hernández - Tony Azzolino 🇺🇸.

Ludmila Ferro - Melissa Fahn 🇺🇸.

Maximiliano "Maxi" Ponte - Bryce Papenbrook 🇺🇸.

Andrés Calixto - Jason Palmer 🇺🇸.

Natalia "Nati" Vidal - Christine Marie Cabanos 🇺🇸.

Francesca Caviglia - Dorothy Elias-Fahn 🇺🇸.

Camila Torres - Cindy O'Conner 🇺🇸.

Federico - Todd Haberkorn 🇺🇸.

Songs (🇺🇸, 🇩🇰):

Violetta Castillo -

Maggie McClure 🇺🇸 (season 1)

Clara Rugaard-Larsen 🇩🇰 (seasons 2-3).

León Vargas -

Sam Riegel 🇺🇸 (season 1)

Tue Sander 🇩🇰 (seasons 2-3).

Diego Hernández - Mads Engaard 🇩🇰

Ludmila Ferro -

Kate Higgins 🇺🇸 (season 1)

Katrine Falkenberg 🇩🇰 (seasons 2-3).

Maximiliano "Maxi" Ponte -

Shane Henry 🇺🇸 (singing, season 1)

Bryce Papenbrook 🇺🇸 (rapping, season 1)

Simon Nøiers 🇩🇰 (seasons 2-3).

Andrés Calixto -

Shane Henry 🇺🇸 (season 1)

Rasmus Cundell 🇩🇰 (seasons 2-3).

Natalia "Nati" Vidal -

Christine Marie Cabanos (?) 🇺🇸 (season 1)

Gry Trampedach 🇩🇰 (seasons 2-3).

Francesca Caviglia -

Jessica Rau 🇺🇸 (season 1)

Clara Oxholm 🇩🇰 (seasons 2-3).

Camila Torres -

Colleen O'Shaughnessey 🇺🇸 (season 1)

Mette Dahl Trudslev 🇩🇰 (seasons 2-3).

Federico:

? 🇺🇸 (season 1)

Claus Storgaard 🇩🇰 (seasons 2-3).

Dubbing studio #1 (dialogue, season 1 songs): SDI Media (Los Angeles, California) 🇺🇸.

Dubbing studio #2 (songs, seasons 2-3): SDI Media (Copenhague, Denmark) 🇩🇰.

[rachelvp9]

EL ÚLTIMO TAKE: UN PODCAST CON MUCHAS VOCES

Si te gusta la locución o el doblaje seguramente te interese escuchar el podcast “El Último Take” Aquí podrás encontrar las mejores voces que han pasado por los estudios de grabación en nuestro país. La intención que tiene es la de enseñar a la gente que el mundo de la locución y el doblaje no es tan sencillo como se llega a pensar.

Los presentadores que ponen voz a este podcast son ni más ni menos que Claudio Serrano y Álvaro Reina. Son dos profesionales de la voz con muchos años de experiencia y que hemos podido escuchar en series, películas o anuncios de radio y televisión.  Ambos han interpretado entre otros muchos personajes a Otto en Los Simpson, Desmond en Perdidos, Bruce Wayne en Batman, Will Weaton en The Big Bang Theory, en el caso de Claudio y a Bran Stark en Juego de Tronos, Sam Evans en Glee, Henry Danger en Kid Danger o Ezra en Star Wars Rebels, en caso de Álvaro.

El inicio de este podcast coincidió con el confinamiento total en España en marzo del año pasado, y hasta la fecha se han publicado 52 episodios que en los últimos meses se han ido convirtiendo en esporádicos.

La duración de cada episodio ronda los 60 minutos, o al menos esa es la media. Y la manera de hacerlo es con un diálogo muy distendido, poco encorsetado ya que todos los involucrados en cada episodio se conocen o conocen su trabajo. Suelen charlar y compartir  sus experiencias con la de otros compañeros de su profesión. Tratan temas como por ejemplo el hecho de cómo les trata la industria, cómo les ha afectado la pandemia, qué formación debe seguir alguien que quiere dedicarse a la locución profesional, cómo el paso de los años trata al actor de doblaje o la línea tan fina que hay entre un locutor de radio, un locutor de publicidad o un actor de doblaje.

 Pero no todos los entrevistados son actores o directores de doblaje, también hay técnicos o ingenieros de sonido o por ejemplo, un saxofonista que vende cabinas de locución para que puedas tener tu propio estudio de grabación en un rincón de tu casa. 

Voy a destacar el episodio 48 "ELÍAS RODRÍGUEZ - LA VOZ DE DISNEY". Elías es considerado uno de los mejores narradores y comunicadores del país. Proveniente de la radio, durante décadas su voz fue omnipresente en la publicidad tanto de radio como de televisión. En este episodio, Elías nos habla de su experiencia como locutor y como empresario, ya que fue uno de los fundadores del estudio de doblaje Abaira, actual SDI.

Si he conseguido que te entre un poco la curiosidad sobre este mundillo de la voz, y quieres empezar a oír este podcast. (Cosa que te recomiendo profundamente, porque aparte de descubrir muchas cosas del sector del doblaje también pasarás un buen rato escuchándolos) Puede hacerlo a través de Spotify, Podimo, Youtube o Apple Podcast.

[jcmarchi]

What Makes the Atomos Ninja & Shogun Ultra, Ultra? - Videoguys

New Post has been published on https://thedigitalinsider.com/what-makes-the-atomos-ninja-shogun-ultra-ultra-videoguys/

What Makes the Atomos Ninja & Shogun Ultra, Ultra? - Videoguys

On this Week’s Videoguys Live, James takes us through what’s new at Atomos and discussing their new products, the Ninja Phone and Shinobi II as well as promotions they are currently running on their ULTRA monitors. Tune in to learn more!

Watch the full webinar below:

Atomos On Board Monitors / Recorders

Why Go Ultra?

High Frame Rate/Resolution Recording Ninja Ultra and Shogun Ultra capture RAW inputs up to 8K at 30fps, 6K at 60fps, and 4K at 120fps and 1080 at 240p.​ Ninja can record up to 6k30p, 4k60p and Full HD120p​

​Included Codecs If you’re not sure what codec you’ll need for a particular job, don’t worry – we’ve got you covered. We offer a choice of ProRes RAW, ProRes, DNxHR, DNxHD, and 8-bit or 10-bit HEVC (H.265) right out of the box.​

Dual record​

ProRes RAW Recording: Capture in ProRes RAW even if the camera lacks this capability.​

Camera to Cloud: Enhances collaborative workflows.​

Dual Recording: Record up to 4K 60p in ProRes RAW and HD 60p in H.265 simultaneously.​

Auto-Matched Filenames: Compatible with ARRI, Canon, RED, Sony (via SDI), and Nikon Z9 (via HDMI).​

Matched camera filenames​

Dual Recording: Simultaneously record R3D RAW on RED Komodo and 10-bit, 4:2:2 HEVC (H.265) on Atomos.​

Quick Edits: High-quality, smaller file size clips for easy editing.​

Auto Conforming: File name matching simplifies the process.​

Camera to Cloud​

Proxy Recording: Now up to 4K 60p to match original files.​

Efficient: H.265 files are half the size of H.264.​

Immediate Use: Ideal for social media, sports, and news.​

Fast Publishing: Quickly reach viewers.​

Connectivity for all productions​ For Camera to Cloud, streaming and live production, Shogun Ultra has integrated Wi-Fi 6E and GigE. Adding Atomos Connect to Ninja Ultra gives you Wi-Fi 6 and GigE.​

Now with NDI 6​ NDI video will look more life-like than ever with the addition of fully native HDR support and 10- bit color depth. Ninja Ultra and Shogun Ultra will support NDI 6 in both send and transmit modes.​

New Products from Atomos means there is a perfect solution for every workflow

Ninja Phone

Now your phone can be a Ninja too! ​​Turn your smartphone into a high‑end 10‑bit recorder, monitor and streamer for your pro HDMI video camera. ​​Now available for iPhone 15/16 Pro and 15/16 Pro Max

Work with a larger, brighter, world-class monitor​

The perfect companion for cloud connected workflows straight from the camera​

Perfect the shot on set with less to fix in the edit

​Position the monitor to suit your rig​

Use the intuitive app interface and avoid complex internal camera menus​

Bypass internal compression and record directly from the sensor​

A choice of recording formats​

Shinobi II

Slimmer. Brighter. Camera control.

The slim, lightweight, high brightness, 5-inch 1500nit HDR monitor that’s perfect for vloggers, creatives and photographers

Bright HDR Display: 1500nit peak brightness for outdoor use.​

Extensive Camera Control: Manage various cameras and trigger recording from Shinobi II.​

Power Options: Charge your camera via USB-C PD port.​

User-Friendly Interface: AtomOS 11 touchscreen.​

Long Battery Life: All-day usage.​

Lightweight & Adaptable: Easily position the monitor.​

Secure Connectivity: Unique cable locking system.​

​Shogun Classic

The versatile, 7-inch workhorse that enables you to monitor, record, and switch all in the one device. It’s the perfect tool for live production, multi-camera shoots, and in-the-field event coverage.

3000nit HDR screen: Zone backlight provides exceptional detail, color, and contrast.

Real-time 4K recording: In ProRes, Cinema DNG, and Avid DNx formats

High performance HDR: Preview your images in glorious 10-bit HDR

4 x SDI input: For seamless transitions between live video streams

4 x ISO recording: For individual input control and post-production flexibility

XLR audio: 2-channel XLR Input and output

Sun Dragon

The world’s first sun spectrum, HDR, waterproof, wireless DMX, 2000 lumen 5-color LED, mount-anywhere, lightweight flexible production and cinema rope light

Zato Connect

Zato Connect is packed with all the features you’d expect from Atomos, and streamlined for speed. A brilliant monitor, essential I/O and onboard recording are just the start of it. Connecting to the cloud with Zato gives you superpowers. That’s because you can capture, edit and post your social media content in the fastest possible way.

Shogun Studio 2

The highly flexible Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7-inch HDR 2000nit high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

SUMO 19SE

A bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, and able to record Apple ProRes RAW up to 6Kp30. With its rugged and versatile design, the Sumo 19SE is the perfect addition to an on-set video village.

[govindhtech]

2024 IBC: ASUS Launches ProArt Displays, Laptops, and PCs

IBC 2024

ASUS will exhibit at 2024 IBC under the theme A Glimpse into Tomorrow’s Tech.The ASUS booth will host ProArt Masters’ Talks with industry experts from Adobe, NVIDIA, and Scan Computers, as well as professional filmmaker Bas Goossens, senior trainer Leon Barnard, and Redshark Media co-founder and CEO Matt Gregory.

ASUS will also showcase a variety of cutting-edge technology for professionals at 2024 IBC from September 13-16, 2024, including ProArt Display PA32KCX, the world’s first 8K Mini LED professional monitor; ProArt Display OLED PA32UCDM, which brings 4K QD-OLED to creators; ProArt Display 5K PA27JCV, which has a stunning 5120 x 2880 resolution for unparalleled clarity; and ProArt Display PA32UCE and PA27UCGE, the latest 4K monitors with built-in The latest ASUS AI-powered laptops and workstations will be displayed.

All attendees can experience the future of content creation through hands-on activities and innovative demonstrations.

IBC 2024 Release Date

Be inspired by ProArt at IBC 2024

ProArt Masters’ Talks will feature industry experts at 2024 IBC on September 14 and 15. Distinguished speakers and topics:

Leon Barnard, Team 2 Films senior trainer and workflow specialist, will discuss DaVinci Resolve HDR monitoring.

NVIDIA Enterprise Platform/Studio Tech Marketing Sabour Amirazodi will discuss ASUS ProArt and GeForce RTX GPU-accelerated AI video editing.

Adobe Product Ecosystem Manager Eliza Tan will discuss Adobe Video Ecosystem improvements.

Ministry of Frames director Bas Goossens will help you master 8K video capture and editing.

Generative AI hardware considerations will be discussed by SCAN Computers Director of Collaboration Daniel Parkinson.

RedShark Media Co-Founder and CEO Matt Gregory will discuss 3D volumetrics in virtual production market insights.

Innovation at its best

The new ASUS ProArt Display PA32UCE and PA27UCGE 4K displays feature professional-grade color accuracy. With 98% DCI-P3 color gamut coverage, these 32-inch and 27-inch 4K HDR monitors with 600 nits produce vibrant, true colors. Their factory calibration ensures an average ΔE value below one. These two monitors have ASUS LightSync ambient-light and backlight sensors. On starting, the backlight sensor illuminates the screen for bright images and accurate color. The ambient light sensor adjusts the monitor’s color gamut for accurate colors in any setting. Both monitors support HLG and HDR10. ProArt Display PA27UCGE also has a 160Hz refresh rate for pleasant viewing.

The built-in motorized flip colorimeter makes it easy to maintain the displays’ professional-level accuracy over time, and both models feature auto/self-calibration to prevent color variation from disrupting creative workflows. ASUS LuxPixel technology, which includes anti-glare and low-reflection (AGLR) technology, makes ProArt Display PA32UCE and PA27UCGE extremely comfortable to watch. LuxPixel technology lets creators follow their creativity and assure pixel-color fidelity and crisp details for long creative sessions.

Multiple connectivity choices, such as DisplayPort over USB-C with 96W power delivery, HDMI, and a USB hub, enable smooth workflow integration.

ProArt Display 8K PA32KCX, the first 8K HDR Mini LED monitor, is on display at the exhibit. This 32-inch wonder offers 8K resolution (7680 x 4320) and a Delta E value below one for unequaled color fidelity. Participants can color grade 8K material on DaVinci Resolve Panel and preview it on ProArt Display 8K PA32KCX. The creator-focused 4K QD-OLED monitor, ProArt Display OLED PA32UCDM, and ProArt Display 5K PA27JCV have a dazzling 5120 x 2880 resolution and 218 PPI display for unmatched clarity and color accuracy.

ProArt Display PA16USV adds SDI monitors. This 15.6-inch 4K monitor offers 282 PPI with 12G SDI. Real-time previews and playback are possible with its adjustable kickstand, two tripod holes, and VESA wall mount. The ASUS ProArt booth at 2024 IBC will feature a comprehensive on-set workflow demonstration featuring live footage from a RED V-RAPTOR 8K camera, video grading in DaVinci Resolve via NUC, and real-time previews on the ProArt Display PA24US and PA16USV.

ProArt X870E-Creator WiFi

AI-powered technologies aid engineers, designers, videographers, animators, and game developers. ProArt X870E-Creator WiFi may suit these people.This powerful motherboard has cutting-edge features for makers. With its huge bandwidth, lightning-fast speeds, and remarkable power efficiency, next-generation DDR5 RAM accelerates productivity. ProArt X870E-Creator WiFi supports the fastest next-gen SSDs and GPUs via PCIe5.0. This motherboard has two PCIe 5.0 x16 slots. They support x8/x8 configurations, letting users use two graphics cards. This board has four M.2 slots, two of which are wired for PCIe 5.0, so creative projects and AI-powered programs can use the quickest transfer speeds.Image credit to ASUS

ProArt X870E-Creator WiFi has many networking possibilities. Marvell AQtion 10G Ethernet ports allow ultra-high-bandwidth access to local network resources like NAS devices. Wi-Fi 7 and Intel 2.5G Ethernet are also supported by this board.

Creators use many workstation peripherals. For such a setup, ProArt X870E-Creator WiFi has two onboard USB4 ports, a wide range of high-speed USB ports, and a header for a front-panel USB 20G port with 30W Quick Charge 4+ and USB Power Delivery 3.0 capable.

Artists need their PC to appear professional to clients. Subdued colors and simple design give ProArt X870E-Creator WiFi a refined, attractive look. It works with all ProArt PC cases, AIO liquid coolers, graphics cards, and more.In addition, trusted partners of the Powered by ASUS program, such as Azerty, Alternate, and Scan, will demonstrate how their builds meet varied creative needs at the ASUS booth.

Attendees at the ASUS booth can view a static demo of the ProArt ecosystem design language, the latest ProArt X870E-Creator WiFi motherboard, and the compact ProArt GeForce RTX 4080 SUPER graphics card for AI content creation workflows.

Pro WS WRX90E-SAGE SE

The fast, compatible, and stable Pro WS WRX90E-SAGE SE motherboard is ideal for content creation, software development, machine learning, and more. AMD Ryzen Threadripper PRO 7000 WX-series processors, with up to 96 cores and 32+3+3+3 power stages, provide professionals with the performance they need for cutting-edge applications.Image credit to ASUS

Pro WS WRX90E-SAGE SE supports a variety of scenarios and industries with inbuilt PCIe power connectors for numerous graphics cards, active cooling on the VRM heatsinks, USB 40Gbps ports, SlimSAS, and BMC. Seven PCIe 5.0 x16 slots, dual 10G LAN ports, four M.2 slots, two rear USB4 40Gbps Type-C, and SlimSAS NVMe support fast communication.It supports up to 2TB ECC R-DIMM DDR5 memory modules (1DPC) and features a robust power and thermal design with power stages with two 8-pin CPU power connectors, large Chipset, M, VRM cooling.Two fan-driven heatsinks with M-2 thermal pad.

Advanced AI laptops for creativity

The 2024 ASUS ProArt AI laptop family empowers regular users, outdoor content makers, and professionals to turn life’s priceless moments into lasting memories. Users can create anywhere, faster, and smarter with the lightweight, sturdy, and powerful laptops.

Copilot+ PCs with ASUS-exclusive StoryCube and MuseTree apps provide smarter and more streamlined creative workflows with fully-local AI on the new ProArt laptops.

ProArt P16 laptop

A compact 14.9mm black chassis and 1.85 kilograms make the 16-inch ProArt P16 a powerhouse for mobile creative. A 50 TOPS NPU in the AMD Ryzen AI 9 HX 370 processor and an NVIDIA GeForce RTX 4070 Laptop GPU provide 321 TOPS for advanced AI workloads. The RTX 4070 GPU accelerates 2D, 3D, video editing, and streaming applications, including NVIDIA AI products like NVIDIA Broadcast, RTX Video, and ChatRTX.

ProArt PX13 convertible laptop

The 13-inch ProArt PX13 weighs 1.38kg and has a 360° hinge for laptop, tent, stand, or tablet modes. It performs similarly to the P16. Its 3K ASUS Lumina OLED display looks great. Wi-Fi 7, twin 40Gbps USB4 for charging and external displays, HDMI 2.1 FRL, and a UHS-II MicroSD card reader for action-cam transfers are among the I/O connections.

Laptop ProArt PZ13 detaches

The 0.85kg ProArt PZ13 is ultraportable and powerful. A Snapdragon X Plus processor, 3K ASUS Lumina OLED screen, and Copilot+ PC AI are included. Switching between tablet and laptop modes is easy with the detachable keyboard. This gadget is ideal for creative mobility because to its 70Wh battery, IP52 dust and water resistance, and SD slot with microSD adaptor.

Each of these laptops uses AI to deliver top-notch performance for creatives. At IBC 2024, ASUS booth visitors may sample the two new ASUS-exclusive AI apps StoryCube and MuseTree on ProArt notebooks powered by AI NPUs and GPUs. Innovative one-stop smart file management solution StoryCube. It supports importing, exporting, searching, filtering, and cataloging media. AI can distinguish scene types or faces, speeding up footage analysis or searches. Also, an AI-powered smart editing and generative feature can automatically produce engaging videos from files and trim and crop footage and photos in bulk.

Another useful creativity software is MuseTree. ASUS-exclusive generative AI tool can inspire, design, and store resources. It boosts creativity without a cloud connection by using the built-in AI processor to access generative AI.Image credit to ASUS

ExpertCenter Pro ET900A X9

Image credit to ASUS

ExpertCenter Pro ET900A X9 is a professional workstation with AMD Ryzen Threadripper PRO 7000 WX-series processors, DDR5 ECC R-DIMM, twin 10G LAN, and up to four NVIDIA Quadro RTX graphics cards Up to four PCIe 5.0 M.2 slots, four SATA 6Gb/s connections, 40Gbps and 20Gbps USB Type-C, 2000W Titanium power supply, and ASUS Control Center Express are supported.

A small AI powerhouse: ASUS NUC 14 Pro AI

ASUS NUC 14 Pro AI revolutionizes AI NUC mini-PC technology. It achieves 120 total-platform TOPS using the latest Intel Core Ultra 9 processor (Series 2) and multi-architecture CPU, GPU, and NPU arrangement. Its strong NPU delivers up to 48 TOPS and triples AI performance for cutting-edge applications compared to earlier Intel processors.

The ASUS NUC 14 Pro AI, with a system height of 34mm and a sub-0.6L chassis, is ideal for business and edge computing applications because to its excellent performance and space-efficiency. Doubled graphics and revolutionary embedded LPDDR5x design deliver high-speed performance and stability in a variety of IoT applications.

Read more on Govindhtech.com

[shadab10]

Want services for your business contact Media magnet solutions

https://www.instagram.com/sdi_digitals_/

[systemtek]

BBC and TVU Revolutionised UK Election Coverage ingesting 369 live feeds into an innovative Cloud Production Workflow

The BBC, in collaboration with TVU Networks, transformed the 2024 UK General Election coverage by deploying a cloud-based platform that managed 369 live feeds across the UK. These were integrated into the BBC iPlayer, the BBC News website and displayed on a virtual mosaic screen in London Broadcasting House, reaching a peak audience of 4.6 million. Using the TVU Anywhere app, the BBC sent custom mobile streaming kits to each voting location, enabling rapid, environmentally friendly coverage without traditional broadcast setups. Additionally, the TVU Search was utilized to ingest and record hundreds of live feeds in real time, manage and replay critical election moments instantly. "This approach not only upheld the BBC's highest quality standards but also pioneered a new method of election broadcasting that would have been near impossible using traditional methods," said Geraint Thomas of BBC News. "The TVU cloud platform allowed us to scale up a vast number of feeds and handle peak traffic seamlessly without investing in additional hardware. This was both an editorial and technological innovation that transformed the viewing experience, bringing the vote counting process closer to our audience, setting a new benchmark in election coverage." BBC and TVU Revolutionised UK Election Coverage ingesting 369 live feeds into an innovative Cloud Production Workflow Regional coverage was enhanced through TVU Partyline, customizing broadcasts for various UK regions. "We delivered the most personalised election coverage ever in live video. Across the UK, wherever you looked you could see democracy in action, live," noted Jonny McGuigan. This extensive accessibility ensured comprehensive coverage across digital and traditional platforms. The integration of IP and SDI outputs through the TVU platform supported seamless transmission across media outlets. Geraint added, "In a matter of weeks, we managed to achieve what we thought would take months to develop, integrating the TVU cloud platform with our on-premise workflows in a cost-effective manner." Paul Shen, CEO of TVU Networks said, "It's about innovating together and redefining the boundaries of broadcast technology . This collaboration is a testament to what's possible when we combine our strengths. The future of broadcast is now, offering an accessible, sustainable model that opens up endless possibilities for storytelling to audiences everywhere." SOURCE TVU Networks Read the full article

[yourira-blog1]

Spitz auf Knopf - Making of "Morgenrot des Aufbruchs" #4

... stand es im Herbst 1983 für die Welt. Historiker nennen dieses Jahr als das gefährlichste des Kalten Krieges. SDI, Pershings und Able Archer - irgendwo im Roten Imperium wird eine junge KGB-Offizierin an die unsichtbare Front der Supermächte geschickt

Social Media Hashtags #roman #baltikum #litauen #saga #1980s #1990s #zeitgeschichte … stand es im Herbst 1983 für die Welt. Historiker nennen dieses Jahr als das gefährlichste des Kalten Krieges. Pershing-Raketen waren in Westdeutschland stationiert, was die Sowjetunion als Bedrohung ihrerseits wertete. Aufrüstung war die Antwort des Kremls und mithilfe eines aufgestockten Atomarsenals erwogen…

[head-post]

Massive fire breaks out at South Korea’s lithium battery factory

Dozens of people have died in a fire at a lithium battery factory in the South Korean city of Hwaseong, South Korean media reported.

At least 20 people have been killed in a fire that broke out at an Aricell lithium battery factory 45 kilometres south of South Korea’s capital Seoul.

The fire started at around 10:30 a.m. local time. Firefighters’ efforts to extinguish the fire have proved difficult and costly as there are about 35,000 lithium batteries inside the facility and the risk is very high.

Although it is still unknown what may have caused the fire, a worker who managed to escape the blaze and was on the first floor told firefighters that one of the batteries suddenly caught fire. This could have caused a chain reaction, given the large number of lithium batteries in the building. It is also reported that 102 people were working at the factory before the fire.

The Seoul Fire Department mobilised 145 firefighters and 50 pieces of equipment.

Lithium batteries used in phones, laptops and electric cars are known to explode or catch fire due to a phenomenon known as thermal breakdown, which can occur when overheating or breakdown occurs.

South Korea is a leading exporter of lithium batteries with top industry players such as LG Energy Solution, Samsung SDI and SK On.

Read more HERE

[boredtechnologist]

Cinemaware's "SDI" (Strategic Defense Initiative) computer game transports players into the high-stakes arena of Cold War era politics and military strategy, emphasizing the technological race for missile defense systems. Released during a period when the real-world SDI was a prominent aspect of U.S. defense policy, the game provides a unique portal to explore the historical context and implications of this ambitious program. This analysis will delve into the development of the SDI technology, its reception by U.S. government officials, and its portrayal in the game, using insights from historical figures and documents.

During the Reagan administration in the early 1980s, the Strategic Defense Initiative was proposed as a system to prevent missile attacks from the Soviet Union, fundamentally changing the nature of nuclear deterrence. Known popularly as "Star Wars," the initiative aimed to develop ground-based and space-based systems to intercept incoming missiles. "SDI" the game reflects this historical moment by situating players in the role of managing and deploying defense technologies to protect national interests, mirroring the real-world strategic emphasis on technological advancement for national security.

The SDI program represented a significant leap in defense technology, proposing the use of lasers, satellite tracking, and other advanced technologies to intercept missiles before they reached their targets. Figures like President Ronald Reagan and Secretary of Defense Caspar Weinberger were strong advocates of the initiative, arguing that it would provide a fail-safe against nuclear aggression. In the game, this translates to scenarios where players must strategically deploy satellite defenses, manage resources, and respond to threats in real-time, encapsulating the technological and strategic challenges that were debated at the highest levels of government.

While SDI was heralded by some as a visionary approach to missile defense, it also faced substantial criticism both domestically and internationally. Critics argued that the technology was unfeasible and provocatively disruptive to the existing nuclear deterrence strategies. Moreover, the immense costs associated with SDI were a point of contention within Congress and among the American public. The game, through its simulation of managing a national defense system, subtly reflects these tensions, offering players insights into the complexities and pressures of implementing such a monumental defense strategy.

The Strategic Defense Initiative also played a significant role in U.S.-Soviet relations, with the Soviet Union viewing the program as a threat that could undermine the mutual vulnerability upon which MAD (Mutually Assured Destruction) was based. This aspect of international tension is mirrored in "SDI," where players must navigate not only the technical aspects of missile defense but also consider the broader geopolitical implications of their decisions. The game thus serves as a commentary on the delicate balance of power during the Cold War, where technological advancements had the potential to shift international dynamics profoundly.

Cinemaware's "SDI" not only serves as an engaging strategic game but also as a historical reflection on a pivotal era in U.S. defense policy. By exploring the development and controversy surrounding the Strategic Defense Initiative, the game offers players a deeper understanding of the technological ambitions and geopolitical calculations of the 1980s. It provides a unique perspective on how technological innovation can influence global politics and security and invites players to reflect on the enduring implications of America's military strategies during the Cold War. This analysis underscores the game's value in educating and engaging with historical military and political strategies through interactive media.

[mazingerzenhd]

descarga la serie clasica en HD

Mazinger Z 1972 serie completa en Full HD

  

Audio Japonès,español castellano de TVE1,latino de Arait,Cadicy y SDI Media

Comparto la serie completa de Mazinger Z de 1972 en español castellano con el audio de  TVE1 , audio español mexicano del estudio SDI Media de 2017 que Netflix utilizò para emitir la serie y el audio original de Japon.Enlaces mas abajo.

.

Està en calidad Full HD de los negativos originales en 35mm,mejor calidad que los que emiten en TV y en Netflix,los colores son mas reales

https://identiringa.blogspot.com/2022/04/mazinger-z-1972-serie-completa-en-full.htmlhttps://justpaste.it/ajkla

🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡🟡

[turtletalk5]

DaVinci Resolve アップデート 18.6.3

About DaVinci Resolve 18.6

The free version of DaVinci Resolve 18.6 includes all of the same high quality processing as DaVinci Resolve 18.6 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 18.6 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro.

If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, multiple AI-based tools, HDR tools, camera tracker, voice isolation, multiple Resolve FX, 3D stereoscopic tools and remote rendering, please upgrade to DaVinci Resolve 18.6 Studio.

We hope you do decide to upgrade as your facility grows and you do more advanced work!

What's new in DaVinci Resolve 18.6.3

Support for syncing media from network folders for cloud projects.

Option to prevent sleep when uploading files or generating proxy for cloud.

Configuration dialog when importing projects to a cloud project library.

Cloud projects with no media sync now use proxy settings in preferences.

Deliver settings option to use proxy media for web presets.

Support for per output audio normalization during renders.

ACEScg support in RCM with combined gamut and gamma mode.

Support for decoding 4:2:2 HEIF and HIF clips.

Ability to close the current project from the file menu.

Ability to customize aspect ratio for Dolby Vision exports.

Improved sort order for Dolby Vision combo boxes.

Improved handling of inactive clients in collaboration projects.

Addressed an issue with copying projects across cloud libraries.

Addressed an issue changing source folder for clips with proxies.

Addressed a windowing issue on Macs with Sonoma 14.1.

Addressed an issue displaying flags on thumbnails of video only media.

Addressed restoring active local version when restoring removed media.

Addressed image quality issues with scene cut detected interlaced clips.

Addressed an issue with opening the take selector on retimed clips.

Addressed an issue changing speed for unlinked audio in the inspector.

Addressed an issue with deleting transitions with an in out range in edit.

Addressed a performance issue when ripple editing large timelines.

Addressed an issue with color picker in Resolve FX 3D keyer in edit.

Addressed gaps when ripple deleting interlaced clips with frame alignment.

Addressed multiple tracking and drawing issues for magic mask in Fusion.

Improved speed of transforming objects with MaterialX materials in Fusion.

Copying grade with mattes now prioritizes layer name over index.

Addressed incorrect saturation with HDR custom curve soft clipping.

Addressed power window flicker in dual SDI stereoscopic 3D previews.

Addressed gamut limiting issues on ACES ODTs with a P3 D65 gamut.

Addressed an issue with power bin timeline matte usage on node graph.

Pasted HDR Vivid trim presets now honor the selected mode.

Addressed an issue creating new HDR zones in the color page.

Addressed an audio sync issue when bouncing audio with voice isolation.

Addressed an issue with the arrange modifier in the Fairlight timeline.

Improved keyword manager layout.

General performance and stability improvements.

Minimum system requirements

Windows 10 Creators Update.

16 GB of system memory. 32 GB when using Fusion.

Blackmagic Design Desktop Video 10.4.1 or later.

Integrated GPU or discrete GPU with at least 2 GB of VRAM.

GPU which supports OpenCL 1.2 or CUDA 11.

NVIDIA/AMD/Intel GPU Driver version – as required by your GPU.

Installing DaVinci Resolve software

Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts.

Migrating legacy Fairlight projects to DaVinci Resolve

In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system: https://downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip

After installing the utility, you should see an option to "Import Fairlight Project" in the Fairlight menu in DaVinci Resolve.

Additional information

Please refer to the latest DaVinci Resolve configuration guide for details on Windows support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support/.

You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support/.

© 2001-2023 Blackmagic Design Pty. Ltd. All rights reserved. Blackmagic Design, Blackmagic, DeckLink, Multibridge, Intensity, H.264 Pro Recorder and "Leading the creative video revolution" are trademarks of Blackmagic Design Pty. Ltd., registered in the U.S.A and other countries. Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop are registered trademarks of Adobe Systems. Avid Media Composer and Avid Pro Tools are registered trademarks of Avid. Apple Final Cut Pro, Apple Motion and Apple Soundtrack Pro are registered trademarks of Apple Computer.

Updated November 14, 2023.

[arthaskyline]

SDI Al Azhar Pusat Jakarta Luncurkan Smartclassroom Pembelajaran Modern

Analisadaily.com, Jakarta – Gerakan Literasi Sekolah yang digagas dan dikembangkan Direktorat Jenderal Pendidikan Dasar dan Menengah, merupakan kepedulian atas rendahnya kompetensi peserta didik Indonesia dalam bidang matematika, sains, dan membaca.Berdasarkan hal tersebut, Kementerian Pendidikan dan Kebudayaan mengembangkan gerakan literasi sekolah (GLS) yang melibatkan semua pemangku kepentingan di bidang pendidikan, mulai dari tingkat pusat, provinsi, kabupaten/kota, hingga satuan pendidikan. Selain itu, pelibatan unsur eksternal dan unsur publik, yakni orang tua peserta didik, alumni, masyarakat, dunia usaha dan industri juga menjadi komponen penting dalam GLS.

Dan dalam rangka mendukung GLS, Di Awal Tahun 2023 Sekolah SDI Al Azhar 01 Pusat, Jakarta bekerjasama dengan perusahaan Arthaskyline di bidang MTE ( Modern Technology Education ) dalam meningkatkan kualitas SDM Guru & Fasilitas Perpustakaan menjadi Digital Library/perpustakaan online.

“Tantangan 2024, Indonesia akan siap menghadapi teknologi smartclassroom. Diyakini dengan strategi penerapan secara berkala mulai saat ini Program MTE Digital Library diharapkan dapat mendorong semua elemen dalam sekolah untuk beradaptasi dengan teknologi secara bertahap mulai dari guru hingga murid dengan program gemar membaca secara interaktif,” kata Rusnadi, selaku Kepala Sekolah SDI Al Azhar Pusat, Rabu (8/3).

Adapun Fungsi MTE Digital Library selain menjadi wadah transisi dari perpustakaan fisik menjadi perpustakaan online yang dapat diakses hanya untuk kepentingan internal sekolah. Juga dapat menjadi sebuah platform analisis pembaca di kalangan internal sekolah.

Dalam praktek ujicoba peluncuran MTE Digital Library, Noor Imanah, selaku wakil kepala sekolah SDI Al Azhar Pusat juga turut serta memonitor & memberikan pengarahan terhadap cara peningkatan jumlah kunjungan dan minat membaca murid di perpustakaan.

Selain itu MTE Digital Library juga dapat digunakan sebagai media penampungan semua informasi internal sekolah baik itu foto dokumentasi sejarah dan aktivitas sekolah hingga koleksi prestasi murid setiap tahunnya.

Sebagai sekolah yang selalu mengutamakan pelayanan peningkatan kualitas pendidikan di Indonesia, SDI Al Azhar akan terus berinovasi dan menyesuaikan dengan tingkat teknologi masa depan yang berkembang cukup dinamis dari waktu ke waktu.

Di sela momen penandatanganan MOU, Linda Octavia selaku Manager MTE berkomitmen membantu pihak sekolah maupun universitas untuk Go-Digital.(JW/RZD)

[sbknews]

Gillim’s Big Weekend At Brainerd Puts Him In Title Contention

Hayden Gillim Wins Both Stock 1000 Races And Goes One-Two In Mission King Of The Baggers. Hayden Gillim wore a path in the grass from the podium to the media center this weekend at Brainerd International Raceway with the Kentuckian making the trip four times in two days. First came the celebrations on the podium with his young son, Stone, on his shoulders, then the walk to the media center for interviews. He didn’t mind the walks. With two wins in the Steel Commander Stock 1000 class and a first and a second in Mission King Of The Baggers, Gillim had the most successful weekend of his career in Minnesota. Oh, and he also finished seventh and sixth in the two Medallia Superbike races.

Bobby Fong (5) dominated Sunday's Mission King Of The Baggers race at Brainerd International Raceway. Photo by Brian J. Nelson Mission King Of The Baggers – Fong Untouchable There’s something about Brainerd International Raceway that suits Bobby Fong. Mere minutes after he rode to a fighting fourth-place finish in the Medallia Superbike race on Sunday, Fong was out front of the Mission King Of The Baggers race. And he was there to stay, riding his Sac Mile/SDI Racing/Roland Sands/Indian to a 1.5-second victory over Saturday’s race winner Hayden Gillim on the Vance & Hines/Mission/Harley-Davidson. A day after a mechanical failure knocked him out of race one, Indian Motorcycle/Progressive/Mission Foods’ Tyler O’Hara caught and passed Gillim’s teammate James Rispoli in the closing laps to take the final podium spot. Rispoli and H-D Screamin’ Eagle’s Kyle Wyman completed what for him was a lackluster weekend in fifth place. With his win and runner-up finish in the two races, Gillim takes over the championship lead from Wyman and Rispoli, 175-173, with those two tied for second. Fong moves to fourth in the title chase, 45 points behind Gillim. “No, trust me. I’d rather not do a back-to-back deal like that again,” Fong said. “It was definitely tough. But it was a good weekend for us. All of us got some wins this weekend. Tyler (O’Hara) got the win in the dash. I rate these two guys (O’Hara and Hayden Gillim) really high in my book. Like Tyler said earlier, the competition is stacked. We’ve all been working hard. These guys are smart. Racing with these guys, they think a lot and I can tell riding with these guys. They’re always thinking. They’re always trying different things. Like I said, the competition is stacked. We’ve just got to keep working and see what we can do at COTA in a month or two. I’m happy to be up here. Good pay day for us, as well. Looking forward to spending at the wedding in a year or so.”

Hayden Gillim (69) wasted little time in getting to the front of the Steel Commander Stock 1000 race and he went on to victory, his second in two days at Brainerd International Raceway. Photo by Brian J. Nelson Read the full article

[retrociema]

Тайна Бермудского треугольника - приключения США, Канада, Барбадос 2001 Люк Перри, Дэн Кортезе, Оливия Д`Або

Чтобы добраться до тропического острова Сан-Себастьян, нужно либо пролететь, либо проплыть через Бермудский треугольник. Но слишком часто здесь пропадают самолеты и корабли, и виной тому не магнитные поля и солнечные вспышки. Лишь островитяне знают истинную причину… Стью Шеридан и его друзья, конечно же, не верят во всю эту чепуху. Они ищут сокровища с легендарного лайнера «Королева Шотландии», затонувшего в этих местах 50 лет назад. Но островитяне не горят желанием стать их проводниками. Лишь отставной капитан Морган предоставляет друзьям старую яхту, взявшую курс к месту, где предположительно затонула «Королева Шотландии». Но перед самым прибытием к цели начинается ужасный шторм, а затем чудом уцелевшую яхту скрывает таинственный желтый туман…

#приключения #мистика #ужасы #триллер

Выпущено: США, Канада, Барбадос, TBS Superstation Режиссер: Льюис Тиг В ролях: Люк Перри, Дэн Кортезе, Оливия Д`Або, Дориан Хэрвуд, Полли Шеннон, Дэвид Хьюлетт, Роберт Доддс, Мэттью Уарри-Смит, Виктор Клиффорд, Соня Уильямс

Перевод :  - SDI Media

[kritikapatil]

LiFePO4 Battery Market Is Likely to Experience a Tremendous Growth in Near Future

Advance Market Analytics released a new market study on Global LiFePO4 Battery Market Research report which presents a complete assessment of the Market and contains a future trend, current growth factors, attentive opinions, facts, and industry validated market data. The research study provides estimates for Global LiFePO4 Battery Forecast till 2027*.

LiFePO4 (lithium iron phosphate) battery or LFP battery is a type of rechargeable battery using LiFePO4 as the cathode material and a graphitic carbon electrode with a metallic backing as the anode. These batteries are becoming extensively popular due to advantages in energy density by weight and volume, coupled with shorter charge times and long life cycle. It has thermal and chemical stability, which improves battery safety. LiFePO4 batteries are completely environment-friendly and offer high power in a small package.

Key Players included in the Research Coverage of LiFePO4 Battery Market are

Panasonic (Japan)

Samsung SDI Co. (South Korea)

BYD (China)

LG Chem (South Korea)

Sony (Japan)

Wanxiang Group Corporation (China)

Hitachi (Japan)

TianJin Lishen Battery Joint-Stock CO., LTD. (China)

Guoxuan High-Tech Co., Ltd. (China)

OptimumNano Energy Co., Ltd (China) What's Trending in Market: Rising Focus towards the Integration of Renewable Energy Resources

Challenges: High Cost of Manufacturing Compared To Nickel-Cadmium Batteries

Opportunities: Growing Demand for Electric Vehicles Worldwide

Increasing Demand for Consumer Electronics from Emerging Countries

Market Growth Drivers: Long Lifecycle with High Safety and Temperature Resistant

Rising Adoption of Smart Devices

Increased Demand for Smartphones and Laptops         

The Global LiFePO4 Battery Market segments and Market Data Break Down by Type (Cylindrical, Prismatic), Application (Power Banks, Laptop Battery Packs, Electric Vehicles, Flashlights, Cordless Power Tools, Others), End-User (Consumer Electronics, Automotive, Industrial, Healthcare, Others), Power Capacity (Less than 3000 mAh, 3000-10,000 mAh, 10,000-60,000 mAh, More Than 60,000 mAh), Component (Cathode, Anode, Electrolytes, Separators, Others) To comprehend Global LiFePO4 Battery market dynamics in the world mainly, the worldwide LiFePO4 Battery market is analyzed across major global regions. AMA also provides customized specific regional and country-level reports for the following areas. • North America: United States, Canada, and Mexico. • South & Central America: Argentina, Chile, Colombia and Brazil. • Middle East & Africa: Saudi Arabia, United Arab Emirates, Israel, Turkey, Egypt and South Africa. • Europe: United Kingdom, France, Italy, Germany, Spain, Belgium, Netherlands and Russia. • Asia-Pacific: India, China, Japan, South Korea, Indonesia, Malaysia, Singapore, and Australia. Presented By

AMA Research & Media LLP