2022: In A Sunshine State
When the year began, the COVID-19 pandemic had begun to loosen its grip but the future was still cloudy. Would we be able to go places again in the summer? See our friends regularly? By the end of the year it felt largely, finally behind us.
I got married this year. We honeymooned in California. I tabled at a zine fair for the first time in years and sold more zines than I had in ten years. I continued to make mixtapes for myself and co-host a weekly professional wrestling podcast with new episodes coming out every week. While Fallen Love might be buried, I still find artistic outlets where I can.
No matter how the world changes, for better, for worse, I have my tent poles. Indiepop will always fuel me. Alternative comics. Old cartoon shows. My cats. My wife. A walk in the woods. A trip to the beach. They can't take that away from us. There are small joys all around you if you can find them.
"My 10 Favorite Albums Of 2022"
1. Martha - Please Don't Take Me Back
2. Let's Whisper - The In-Between Times
3. Plains - I Walked With You A Ways
4. Jenny Berkel - These Are The Sounds Left From Leaving
5. Jeanines - Don't Wait For A Sign
6. Alvvays - Blue Rev
7. Pale Blue Eyes - Souvenirs
8. No Suits In Miami - Nothing Ever Happens
9. SZA - S.O.S.
10. Poster Paints - Poster Paints
"My 5 Favorite EP's Of 2022"
1. Jobber - Hell In A Cell
2. Blunt Chunks - Blunt Chunks
3. Girl And Her Bad Mood - Bluest Year
4. Jonathan Richman - Cold Pizza & Other Hot Stuff
5. Four Eyes - The Freaky EP
"My 2 Favorite Cover Songs"
1. Martha - "My Heart Is A Drummer" (Allo Darlin' cover)
2. The Goon Sax - "Steal My Sunshine" (Len cover)
"My 10 Favorite Songs Not On The Above Releases"
1. Tiny Microphone - "Holiday"
2. Even As We Speak - "Begins Goodbye"
3. April June - "Leave Tonight"
4. Ribbon Stage - "No Alternative"
5. Acid House Kings - "Honey, Honey"
6. Madeleine Moss & Matt Bauer - "A Secret Road"
7. Lost Film - "Big Talk"
8. Strawberry Generation - "Miss Me"
9. The Slow Summits - "Time's On Your Side"
10. Dizzy - "Barking Dog"
"Top 5 Blogs"
1. For The Rabbits
2. Records I Like
3. Various Small Flames
4. Jangle Pop Hub
5. When You Motor Away
"Last.fm: Most Listened To Artists"
1. Eels
2. Martha
3. Jens Lekman
4. Tullycraft
5. Counting Crows
"Last.fm: Most Listened To Pre-2022 Songs"
1. Counting Crows - "Up All Night (Frankie Miller Goes To Hollywood)"
2. Mary Love - "You Turned My Bitter Into Sweet"
3. Counting Crows - "Rain King"
4. Frank Wilson - "Do I Love You (Indeed I Do)"
5. Why? - "Fatalist Palmistry"
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All Things Must Pass Remaster Brings Out George Harrison’s Voice
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A new remaster of George Harrison’s All Things Must Pass highlights why it was such an important record. Not just as an album, but of the time it was made. Besides the lead guitarist for the biggest act in showbiz history, it boasted players and a producer who each made an impact on the course of modern music. It’s been celebrating its 50th anniversary for a while now and it’s earned it. It was the first triple album by a single artist in rock history (the Woodstock concert album, released six months earlier, included a compilation of acts), and set the standard for longer long-playing albums.
Harrison set quite a few standards, including the first rock benefit project, The Concert for Bangladesh. As the Beatles guitarist, he demonstrated melodic and harmonic possibilities which hadn’t been explored in rock and roll, often changing the entire feel of songs with a single riff. As their in-house tonal experimentalist, his sitar-led songs didn’t just use the eastern stringed instrument as an exotic guitar. They captured the structure, atmosphere, tonality and shifting rhythms of Eastern music. The opening of “Love You To” can barely be classified as western commercial music, but had a universal appeal. As the band’s somewhat lesser-known songwriter, Harrison composed musical standards which eclipsed even the mighty songwriting team of John Lennon and Paul McCartney.
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The consistent hitmakers made for a competitive compositional atmosphere in the band. “I had such a lot of songs mounting up that I really wanted to do, but I only got my quota of one or two tunes per album,” Harrison admitted on The Dick Cavett Show in 1971. Even after a new arrangement was worked out for the group’s output, Harrison had quite a backlog of songs when the Beatles broke up. At least two of the best known songs from All Things Must Pass were written in 1966.
While still in the Beatles, Harrison released Wonderwall Music, which was a soundtrack to a film, and Electronic Sound, which saw him as one of the early experimenters on the synthesizer. According to the press statement for the remaster, George, along with Ringo Starr and bassist Klaus Voorman recorded fifteen songs at EMI Studios on the first day, May 26, 1970. The demo included “What Is Life,” “Awaiting on You All,” and “My Sweet Lord.” The next day Harrison played 15 more songs for co-producer Phil Spector, who covertly recorded them. The songs “Everybody, Nobody,” “Window, Window,” “Beautiful Girl,” “Tell Me What Has Happened to You,” “Nowhere To Go,” and “Don’t Want To Do It” never made the album. The whole session did come out on the bootleg Beware of ABKCO set.
The 50th Anniversary re-issue of All Things Must Pass includes versions of “Mother Divine,” and “Cosmic Empire,” which have never been officially released. The official music video reveals “Cosmic Empire” as a melodically catchy piece, with an instantly recognizable acoustic guitar run, and a change into a deep blues false ending.
You can see the video here:
The Wall of Sound
The deluxe 50th Anniversary Edition is executive produced by Harrison’s son Dhani, and his first order of business was to pull back on Spector’s reverb-heavy production. Spector was the man Lennon brought in to produce the song he’d written for breakfast, wanted to record for lunch and have out for supper: The Plastic Ono Band single “Instant Karma!,” which Harrison played on. Spector also produced the final mix of the Beatles’ Let It Be, as well as Lennon’s Plastic Ono Band and Imagine albums.
Spector was a legend in the studio. He created the “Wall of Sound” with the top session players of the early 1960s, and Harrison tasked him with doing it again with the current cream of the musical crop. This included two of out of three members of the band Cream. Ginger Baker drums on a jam, and Eric Clapton’s guitar gently weeps all over All Things Must Pass. Crying on the inside over his unrequited love for George’s wife Pattie Boyd Harrison, Eric was getting ready to wail about her on Layla and Other Assorted Love Songs. Harrison co-wrote “Badge” with Clapton for Cream’s Goodbye album, and played on Derek and The Dominos’ debut single, “Tell The Truth” backed with “Roll It Over.” Spector recorded it. It went so well, much of the band stuck around to be bricks in the contemporary Wall of Sound.
“Phil was in full control of this whole bunch of musicians playing,” Voorman remembers in Simon Leng’s book, While My Guitar Gently Weeps. “We played all at the same time – we didn’t record one on top of the other; it was all six people playing acoustic guitars and five keyboard players playing the piano all at once. It was crazy!”
The Players
To fill seats in the rock orchestra, Harrison dipped into the players he’d been on stage with since the waning days of the pre-breakup Beatles. Harrison, credited as “Mysterioso,” toured with Delaney & Bonnie and Friends. He was a backing guitarist beside Clapton, in a band which included Dave Mason, Bobby Whitlock, Carl Radle, Jim Gordon, and Leon Russell, who would prove invaluable for The Concert for Bangladesh.
Also called in for sessions were Procol Harum’s Gary Brooker, Badfinger’s Pete Ham, Tom Evans and Joey Molland; Spooky Tooth’s Gary Wright, sax player Bobby Keys; and trumpeter Jim Price. Besides Starr and Gordon, drums and percussions were played by Alan White, who was then the drummer for the Plastic Ono Band and would go on to drum for Yes, and Phil Collins. Peter Frampton played guitar on much of the album. Nashville player Pete Drake played pedal steel. Drake pioneered the use of the talkbox, and Frampton caught it first-hand during sessions before using it as the hook for his hit “Show Me the Way.” John Barham, a pianist and arranger who had worked with Harrison’s sitar guru Ravi Shankar, wrote orchestral scores.
Keyboardist and longtime Beatle associate Billy Preston is a major influence on the album. All Things Must Pass is a spiritual celebration. Harrison set up a small altar in the studio, and devotees of the Hare Krishna movement brought the players vegetarian food. Harrison was as much a spiritual student as a musical one of sitar maestro Ravi Shankar. The same could be said of Preston.
The Songs
Harrison made a special study of the structure and composition of gospel music for his work with soul singer Doris Troy, who he produced and co-wrote songs with. He delved further to co-produce Preston’s fourth studio album That’s The Way God Planned It, and wrote “What Is Life” for it. George also co-produced Preston’s fifth album Encouraging Words, which came out two months before All Things Must Pass, and included versions of the title track and “My Sweet Lord.”
You can hear several versions of the Beatles running through “All Things Must Pass” on bootlegs. Though not as many passes as the famously unreleased “Not Guilty” got. It might have been too pointed a self-reference for the group to deal with. The title comes from a passage of chapter 23 of the Tao Te Ching: “All things pass, a sunrise does not last all morning. All things pass, a cloudburst does not last all day.” It is more philosophical than spiritual, but is as uplifting as its chordal ascension. “Beware of Darkness” is lyrically devotional and cautionary, but its structure is a mystery of faith. It’s all over the place harmonically, as the key aimlessly wanders into melodic transcendence.
“Awaiting On You All” is one of the most blatant spiritual proclamations of the album. It describes Japa Yoga meditation, the repetitive chanting of a mantra, which is mystical energy itself, inside sound. “Chanting the names of the Lord and you’ll be free,” explains the lyrics. Though Harrison does get in a dig at the Catholic Church. “While the Pope owns fifty one percent of General Motors, and the stock exchange is the only thing he’s qualified to quote us,” the last verse opens. Harrison’s deep understanding of the spiritual music he was producing was most fully realized on the album’s most recognizable song.
“I thought a lot about whether to do ‘My Sweet Lord’ or not, because I would be committing myself publicly and I anticipated that a lot of people might get weird about it,” Harrison wrote in I Me Mine. Towards the end of the Delaney & Bonnie tour in December 1969, Harrison heard and fell in love with Edwin Hawkins’ piano-driven, modern gospel rendition of the 18th century hymn “Oh Happy Day.” Inspired by the joyful energy, Harrison wanted to merge the buoyantly devotional “Hallelujah” invocations with the “Hare Krishna” Maha Mantra of the Hindu faith. The subconscious mix evoked some not-so-instant karma when Harrison was sued for “unconscious plagiarism” by the royalty owners of The Chiffon’s “He’s So Fine,” which could be interpreted as a devotional invocation.
“My Sweet Lord” is also the song which best establishes and exemplifies Harrison’s signature, post-Beatles, slide guitar playing.
The album’s opener, “I’d Have You Anytime,” was co-written with Bob Dylan when Harrison spent the Thanksgiving 1968 weekend at Dylan’s home in Woodstock. They also co-wrote the song “When Everybody Comes to Town.” Harrison played on Dylan’s April 1970 New York City sessions for the album New Morning, performing uncredited on several songs, including “If Not for You,” the second of All things Must Pass’ vagabond troubadour trilogy. Dylan had spent a lot of time off the road after his motorcycle crash of 1966. Harrison encouraged the reclusive artist to make his comeback performance at the Isle of Wight festival in 1969. “Behind That Locked Door,” which comes later on the album, is part of that encouragement.
The Beatles passed on including “Isn’t It a Pity” on Revolver, so George gifts us with two fully realized versions of it for All Things Must Pass. The 50th Anniversary box set includes an even more “downtempo version,” with Nicky Hopkins on piano. “Wah-Wah” was the first song recorded for the album, which is fitting because it was written on the day Harrison walked out of the “Get Back” sessions. It’s a great, angry song, in the tradition of “Taxman,” though not as pointed as Lennon’s “Sexy Sadie,” or “How Do You Sleep,” which Harrison played on. “Let It Down” has some great vocal backing by Clapton and Whitlock.
Hearing Clapton’s opening guitar screams squeezed through his wah-wah on “Art of Dying” makes you wonder how the Beatles rejected it in 1966. Although the lyrics George brought to the band at the time might have sealed its fate: “There’ll come a time when all of us must leave here, then nothing Mr. Epstein can do will keep me here with you,” Harrison admitted singing at his bandmates in I Me Mine. “Art of Dying” is the hardest Harrison rocks on the album and Spector lets the band explode. Coming after the intimately amorous “I Dig Love,” it is suspense reincarnate. Listen for Phil Collins’ bongos on the remix.
Harrison brought “Hear Me Lord” to the Beatles when they were recording at Twickenham Film Studios in January 1969. It is as confessional as anything Lennon cops to on his debut album Plastic Ono Band, but primal in an entirely different way. “Apple Scruffs” is Harrison’s personal gift to the group of fans which used to camp outside the Apple Corps offices for a glimpse of the four when they was fab. Performed live by a solo George with Beatles roadie Mal Evans tapping along, it is acoustic fun with a wild and wayward harmonica.
The Jams
But not as much fun as the band had after Spector went to bed for the night. Harrison initially thought it would take just two months to record the album, but had to take a break in the middle to care for his mother, Louise, who was ill with cancer in Liverpool. Louise bought George his first guitar and encouraged all things musical, including allowing the early Beatles to rehearse at their house. She passed away in July 1970.
Bored with the lag time, Spector was drinking heavily, bracing himself with Cherry Brandy just to sit in the booth, and ultimately breaking his arm in a fall. He left the sessions in July 1970, and Harrison produced overdubs at London’s Trident Studios and Apple Studios. But most of the album’s backing tracks were recorded onto eight-track tape at Abbey Road, with the musicians normally playing live.
When Spector left the studios, Harrison and the other musicians would jam into the early hours. “Thanks For the Pepperoni,” pulls the toppings off Chuck Berry riffs. It was recorded along with “Plug Me In” on July 1, 1970, with Harrison, Clapton and Dave Mason on guitars, Radle on bassr, Whitlock on keyboards, and Jim Gordon on drums. “Out Of the Blue” must get its title from how it comes in. It sounds like the band was in the middle of a fun run, and someone rushed to turn on the tape. But listen for Voorman’s lead guitar part.
“I Remember Jeep” is named for Clapton’s dog, and Preston and Baker bring out the jazz while Harrison’s Moog playing breaks traditions. “It’s Johnny’s Birthday” is a mockup of Cliff Richard’s song “Congratulations,” which the band warbled to Lennon for his 30th birthday. These afterhours jams were the kinds of musical driftwood routinely collected by bootleggers before box sets made them standard extras.
Demos and extra tracks, like “Mother Divine” or “Nowhere to Go,” underscore the greatest flaw of the original album: George’s vocals. Even gruff, weak and not-yet-familiar with the songs, Harrison’s voice is a beautifully emotive instrument. During their solo careers, he and Lennon drenched their voices with effects. Even Spector complained in production notes how Harrison’s voice is buried on too many songs. The new mix brings the voices forward. It doesn’t completely take away the reverb, because some of it is artistically correct, like the slap back echoes which evoke a specific sound. It is very well used on “Going Down to Golder’s Green,” an outtake which finds Harrison channeling his inner Elvis. One of the deluxe editions of the All Things Must Pass reissue includes a 96-page scrapbook evoking the time.
The album cover shows Harrison at home in Friar Park. Photographed by Barry Feinstein, George is surrounded by four garden gnomes, which could be taken as an in-joke on his days with the Beatles. All Things Must Pass was released Nov. 27, 1970, as a triple vinyl album. To accommodate the extra disc, Tom Wilkes of Camouflage Productions designed a box with a hinged lid, similar to the packaging of classical music and operas. It is presciently fitting, as the record is a modern masterwork of a timeless artist.
All Things Must Pass 50th Anniversary Edition will be available on Aug. 6.
The post All Things Must Pass Remaster Brings Out George Harrison’s Voice appeared first on Den of Geek.
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Damaged Bug — Bug on Yonkers (Castle Face)
Bug On Yonkers by Damaged Bug
There’s never been another rock guy like Michael Yonkers. He built his own guitars and amps to produce an instantly recognizable, cavernously echoing sound. He started recording in the 1960s, but due to bad luck and a freak accident (he was working in a warehouse and had some shelves fall on him, bad enough, but the doctors gave him a treatment that made him much worse and he’s lived in pain ever since) never got a big commercial break. He’s best known now for the otherworldly freakbeat/alterna-drone masterpiece Microminiature Love reissued in the early aughts by De Stilj and again in 2011 by Sub Pop, but he also dabbled in eccentric acoustic folk music, foreshadowing the New Weird America movement by a couple of decades. Last I caught up with him, for Dusted (old Dusted, unfortunately, the piece has disappeared), he was gracious enough about talking about the past, but really, mostly on fire about his new collaboration with the Blind Shake. Anyway, lovely guy, singular guy, late life fame could not happen to a better person.
John Dwyer of Coachwhips, the Ohsees and, in this instance, Damaged Bug, is likewise, a singular force. He is one of the best and most demented of all punk front men still working, but also a thoughtful curator of current and older music. Pretty much everything on the label he co-heads, Castle Face, is worth a listen, ditto to the man’s own output, which is prodigious. And, here comes the Reeses Peanut Butter moment that I’ve been winding up to this whole review so far: put them together and it becomes something very special indeed.
In Bug on Yonkers, Dwyer’s Damaged Bug revisits nine Michael Yonkers songs. Four are from 1968’s Microminiature Love, Dwyer’s point of entry into the Yonkers catalog (and, honestly, almost everyone’s point of entry). One is a very early (1966) cut from Yonkers’ pre-Microminiature Love outfit, Michael and the Mumbles. Two are from his psych folkie experiments Lovely Gold (1977) and Grimwood (1968), and one is a previously unreleased song. Yonkers has never played live much because of his damaged back, but he and Dwyer did one show together around the time of the Sub Pop reissue and kept in touch by email. Dwyer, thus, had access to lots of Yonkers rarities, on CDRs made by the artist himself. He says in an interview that he roughed out about 40 Yonkers cuts, then got high and cut them down to nine.
With the Ohsees, and now Damaged Bug, Dwyer has evolved a psychedelically expansive, motoric-ly propulsive rock and roll sound that is both elementally simple and familiar and deeply, mind-shiftingly strange. As such, he and his crew (Tom Dolas, Nick Murray, and Brigid Dawson) are almost ideally suited to interpret Yonkers, whose rock material shares these very same characteristics. The two cuts that elicited the first listen, “holy shit, what is this?” from yours truly were “Sold American” and “The Thunder Speaks,” two pounding, howling, vortex-staring cuts that set up a short hypnotic riff, then implode it from the inside with explosive drumming and big guitar chords. They are both insanely great songs, both from Yonkers’ great defining 1968 record, both delivered hot and raw and without reverence.
The odd acoustic folk songs are somewhat more of an acquired taste, but Damaged Bug does justice to them as well. Bridget Dawson takes over the vocals for “Sunflower,” the lone cut from Grimwood, an airy, lullaby sheathed in echo with a sax blowing softly in the background; it is as pretty, and as unusual, as the Yonkers original. “Lovely Gold” written a dozen or so years later, pumps harder, but with whimsy, a Roky Erikson-like jug sound percolating in the interstices.
The disc closes with a Michael Yonkers song you’ve probably never heard, an unreleased ballad called “I Tried” which Damaged Bug plays slowly and sweetly with a steady undercurrent of cello sound. “And I have found a way, and I will be okay, and I can be around the lights, that I don’t understand,” intones Dwyer. You can hear one artist reflecting on another’s accumulated art and wisdom and nodding in recognition.
Jennifer Kelly
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Richest Company Comparison
March 14, 2018 at 03:20PM https://www.youtube.com/watch?v=peKyV9lAhdkRichest Company Comparison
What are some of the biggest brands and corporations that influences our every day lives? How valuable, rich & successful are they, how much are these corporations such as Google, Apple & Alibaba worth? Which are the biggest and most successful companies in the world? Which companies you should invest in? Also includes the Top 50 most valuable companies globally.
Note:
1) A green block represent USD $1 Billion dollars, or 10 Million $100 dollar notes compacted together, which would form a cube about 2m (6.7ft) long.
2) Values are based on Market Capitalization, taken from stock exchanges from 6th to 10th March 2018. Market Capitalization fluctuates tremendously hence the valuation may change by the time you watch this video.
3) Only Public Listed Companies with a valuation exceeding 1 billion USD, and are popular with most worldwide consumers are listed.
Music Used: Kevin Macload — Mystery Sax
List of featured companies:
Huawei, Del Monte, Acer, Mattel, Marks & Spencer, Harley Davison, Xerox, Pearson, Mazda, ITV, Yamaha, Prada, Hasbro, Tiffany & Co, Gap, Viacom, Dell, Sharp, Expedia, Clorox, LG, Motorola, Carlsberg, Toshiba, Rolls Royce, United Airlines, Hershey, Snapchat, Swatch, Tesco, Kellogg, H&M, Porsche, Autodesk, Royal Caribbean, Ferrari, Renault, Bridgestone, Arcelor Mittal, Nokia, Panasonic, Delta Airlines, Volvo, Electronic Arts, Target, Hewlett Packard, Audi, Etisalat, Ford, Singtel, Mitsubishi, eBay, Nissan, Adidas, Credit Suisse, Canon, Marriott, Estee Lauder, General Motors, T-Mobile, Monsanto, Tesla, Activision Blizzard, Hermes, Heineken, Colgate, Nintendo, Honda, Sony, FedEx, Yahoo, 21 Century Fox, BMW Group, Vale, Time Warner, Starbucks, Costco Wholesale, American Express, Saudi Basic Industries, Reliance Industries, Tata Consultancy Services, Salesforce, Caterpillar, Inditex, PayPal, BASF, Airbus, Lockheed Martin, Volkswagen, AIA Group, Goldman Sachs, Accenture, Union Pacific, Nike, Adobe, Texas Instruments, BHP Billiton, McDonalds, General Electric, L’Oreal, Naspers, BP, Netflix, 3M, Kweichow Moutai, Nvidia, IBM, LVMH, Unilever, PepsiCo, Walt Disney, Dow Du Pont, Philip Morris, Comcast, Anheuser-Busch InBev, AbbVie, Coca Cola, Mastercard, HSBC, Citigroup, Verizon, Novartis, Procter & Gamble, Ping An Insurance, Agricultural Bank of China, Boeing, Roche Holding, Toyota, Home Depot, Cisco, Oracle, Pfizer, Chevron, UnitedHealth Group, Taiwan Semiconductor, AT&T, Petro China, Bank of China, China Mobile, Intel, Nestle, Walmart, China Construction Bank, Shell, Visa, Wells Fargo, Exxon Mobil, Samsung, Bank of America, Johnson & Johnson, ICBC, JP Morgan Chase, Alibaba, Berkshire Hathaway, Facebook, Tencent, Microsoft, Amazon, Google, Apple.
link YouTube https://www.youtube.com/watch?v=peKyV9lAhdk ссылка источник
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Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax) John Tonks: Writer/Co-producer Georgios Cherouvim: Video Camera: Charly Feldman Lukas Hyrman Alex Seltzer Crøm-lus (Poppy Edwards) Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry. Georgios Cherouvim The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure. The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body. The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke. ---- References Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks http://bit.ly/2LBnh8d More on Jeff Jones's research on Slime Mould http://bit.ly/2LdvRxx Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform https://nus.edu/2JJ20HQ Thomas Diewald http://bit.ly/2Lblhaq http://bit.ly/2LyDIlz David Reeves http://bit.ly/2LeQCca http://bit.ly/2JGOXH1 Touch Designer http://bit.ly/2Lg7Ki5 Optical flow in Nuke http://bit.ly/2LBniJj
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POST-SCRIPTUM 694
APOLOGIE DE L’INFINI DANS LA FINITUDE
Ci-après, un extrait d’un blind-test avec Yves Botz (Dustbreeders, Mesa Of The Lost Women) faisant partie d’un ouvrage autour de l’underground musical en France ; ouvrage d’ailleurs quasi exclusivement constitué d’interviews, entre autres avec Christian Vander, Jac Berrocal, Dominique Grimaud, Yann Goudon, Dominique Répécaud, Jean-Marc Foussat, Bruno Meillier, Richard Pinhas, Michel Bulteau, Romain Perrot, Dominique Grimaud, Jérôme Noetinger, Daunik Lazro, Jean-Jacques Birgé… Une quarantaine à peu près. Soit un peu de l’histoire de Catalogue, Magma, Vidéo-Aventures, Soixante Étages, Étage 34, M.I.M.E.O., Vomir, Etron Fou Leloublan, entre autres…
EXTRAIT…
SCOTT WALKER, « It’s Raining Today »
J'ai découvert Scott Walker récemment en éclusant des bombonnes de vin blanc chez Rudolph Grey qui est un fin connaisseur de vieux trucs pop incroyablement étranges, ultra orchestrés et créatifs. Je ne possède que Tilt, sur cassette, et c’est assez décalé pour pouvoir m’intéresser surtout lorsque Scott Walker fait (mais c’est rare) dans le dépouillé. Ça me semble parfois à la limite du bizarre pour le bizarre (cette version clip de l’étrange, un peu comme les derniers films de Lynch). J’en profite pour passer l'annonce suivante : je recherche sérieusement le 45 tours vinyle de Scott Walker « The Man From Remo » / « Indecent Sacrifice » (B.O. de Toxic Affair) pour Rudolph, merci.
NOAH HOWARD, « Domiabra »
C’est le morceau par lequel je découvre Arthur Doyle. Cette manière d'épuiser interminablement un son me sidère. Variations du corps totalement instrumentalisé sur une sonorité. Unique.
CHARLES GAYLE, « Good Sherperd »
Charles Gayle en solo à la batterie et à la voix. Il se risque à abolir toute virtuosité, à fabriquer une frénésie (jamais hystérique) au-delà de toute barrière technique et sécuritaire. C’est splendide. Ceci dit, Gayle est magnifique quand il joue très bellement du sax aussi.
ARTHUR DOYLE, « Bä »
Une voix féminine annonce le concert, Arthur Doyle, Hugh Glover, Milford Graves, et immédiatement l’énergie se déploie comme une houle surréelle engloutissant tout sur son passage. C’est le grand déferlement d'une liberté sans nom, une physique qui rappelle dada ou le vaudou et préfigure littéralement les musiques à venir de Borbetomagus, voire les débordements des Boredoms, ou ceux, guyotiens, de Gerogerigegege. Lorsque je m’arrête dans les restoroutes, je suis fasciné par cette muzak diffusée à niveau égalitaire à tous les endroits, sauf les chiottes où elle est beaucoup plus forte – et je m'interroge sur les fonctions de la musique. Cette musique, Arthur Doyle & Co., s’opposera toujours à celle du restoroute. Apologie de l’infini dans la finitude, de la perfection de l’imparfait.
RUDOLPH GREY, « Mask Of Light »
Vraiment ce que j’attendais du free jazz depuis longtemps, chaque fois qu’on nous faisait le coup marketing du mariage entre le free et le rock. Après ça, Caspar Brötzmann n’avait plus qu’à se ramasser un pré-ampli sur la tête, et Rhys Chatam s'ouvrir la main sur les cordes et s’écrouler. On traite encore Rudolph Grey de nostalgique, c'est faux. Il invente une musique qui n'a eu le temps d'exister qu’en avorton du rock psychédélique : qu’il s’agisse des reprises d’Archie Shepp et Pharoah Sanders par les Stooges, des sessions d’Ayler et Henry Vestine de Canned Heat, des cinq de Motor City courtisant les Starships de Sun Ra, ou des disques posthumes de Destroy All Monsters.
SUICIDE, « Franky Teardrop »
Un des rares morceaux à me flanquer toujours la chair de poule (comme le « Presque rien n°2 » de Luc Ferrari pour d'autres raisons). Le concert de Suicide en 1978 fait partie des légendes urbaines à Metz : les anciens (dont je suis) y étaient, et les plus jeunes prolongent la tradition orale lors des veillées d'hiver. Pendant longtemps j’ai refusé..., ..., ...
( Henry Vestine, par là )
16 notes
·
View notes
Strange Jealousy - Crøm-lus from Georgios Cherouvim on Vimeo.
Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax)
John Tonks: Writer/Co-producer
Georgios Cherouvim: Video
Camera: Charly Feldman, Lukas Hyrman, Alex Seltzer
Track available: open.spotify.com/album/6g6tfCG0bgfjMrEGiGsoFC?nd=1
crom-lus.bandcamp.com
Crøm-lus (Poppy Edwards)
Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry.
Georgios Cherouvim
The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure.
The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body.
The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke.
----
References
Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks
eprints.uwe.ac.uk/20845/1/2011%20Naco%20uc09%20paper%20author%20copy.pdf More on Jeff Jones's research on Slime Mould
uncomp.uwe.ac.uk/jeff/index.htm
Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore
Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform
comp.nus.edu.sg/~tants/jfa/i3d06.pdf
Thomas Diewald
github.com/diwi/ vimeo.com/diwi
David Reeves
spatialslur.com/about/ vimeo.com/user4323989
Touch Designer
derivative.ca/
Optical flow in Nuke
foundry.com/products/nuke/plug-ins/furnace
0 notes
Strange Jealousy - Crøm-lus from Georgios Cherouvim on Vimeo.
Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax)
John Tonks: Writer/Co-producer
Georgios Cherouvim: Video
Camera: Charly Feldman, Lukas Hyrman, Alex Seltzer
Track available: open.spotify.com/album/6g6tfCG0bgfjMrEGiGsoFC?nd=1
crom-lus.bandcamp.com
Crøm-lus (Poppy Edwards)
Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry.
Georgios Cherouvim
The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure.
The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body.
The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke.
----
References
Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks
eprints.uwe.ac.uk/20845/1/2011%20Naco%20uc09%20paper%20author%20copy.pdf More on Jeff Jones's research on Slime Mould
uncomp.uwe.ac.uk/jeff/index.htm
Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore
Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform
comp.nus.edu.sg/~tants/jfa/i3d06.pdf
Thomas Diewald
github.com/diwi/ vimeo.com/diwi
David Reeves
spatialslur.com/about/ vimeo.com/user4323989
Touch Designer
derivative.ca/
Optical flow in Nuke
foundry.com/products/nuke/plug-ins/furnace
0 notes
Strange Jealousy - Crøm-lus from Georgios Cherouvim on Vimeo.
Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax)
John Tonks: Writer/Co-producer
Georgios Cherouvim: Video
Camera: Charly Feldman, Lukas Hyrman, Alex Seltzer
Track available: open.spotify.com/album/6g6tfCG0bgfjMrEGiGsoFC?nd=1
crom-lus.bandcamp.com
Crøm-lus (Poppy Edwards)
Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry.
Georgios Cherouvim
The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure.
The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body.
The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke.
----
References
Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks
eprints.uwe.ac.uk/20845/1/2011%20Naco%20uc09%20paper%20author%20copy.pdf More on Jeff Jones's research on Slime Mould
uncomp.uwe.ac.uk/jeff/index.htm
Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore
Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform
comp.nus.edu.sg/~tants/jfa/i3d06.pdf
Thomas Diewald
github.com/diwi/ vimeo.com/diwi
David Reeves
spatialslur.com/about/ vimeo.com/user4323989
Touch Designer
derivative.ca/
Optical flow in Nuke
foundry.com/products/nuke/plug-ins/furnace
0 notes
Inventions and Discoveries for Banking & SSC CGL Exam
Scientific Inventions and Discoveries
When you look at the question papers of SSC CHSL, SSC CGL, SSC MTS, IBPS PO, IBPS Clerk, IBPS SO, IPPB Sc. I, LIC AAO, etc. you may find a lot of questions related to Inventions and Discoveries. Questions based on Inventions and Discoveries form a part of the General Awareness section of many Govt. and Bank exams. Therefore, you need to be well prepared for the topic of Famous People Who Made Scientific Discoveries for Banking & SSC CGL Exam. Moreover, if you are interested in taking any Online Mock Tests then you can click on the link to begin your preparation for any other Government Exams.
Here’s a list of Top Inventions and Discoveries by Scientists - A to Z List for Banking & SSC CGL Exam. We have divided the entire list into Physics, Chemistry, Biology, Computers, Space Science etc. You can also download this article as PDF for further reference.
Inventions/Discoveries
Name of the Scientist/Person
Adding Machine
Pascal
Aeroplane
Wright brothers
Air Brake
George Westinghouse
Air Pump
Otto von Guericke
Airship (rigid)
G. Ferdinand Von Zeppelin
Aniline Dyes
Hoffman
Antiseptic Surgery
Lord Joseph Lister
Arc Lamp
C. F. Brush
Archimedean Screw
Archimedies
Atom
Neils Bohr
Atomic Number
Mosley
Atomic Physics
Enrico Fermi
Atomic Structure
Bohr and Rutherford
Atomic Theory
Dalton
Automatic gearbox
Hermann Fottinger
Automobile
Daimler
Automobiles using gasoline
Karl Benz
Avogadro’s Hypothesis
Avogadro
Bacteriology
Robert Koch
Bacteriophage
Max Delbruck
Bakelite
Leo H Baekeland
Balloon
Jacques and Joseph Montgolfier
Ball-Point Pen
John J. Loud
Barometer
Evangelista Torricelli
Behaviorism
B. F. Skinner
Beri – Beri
Eijkman
Bicycle
Kirkpatrick Macmillan
Bicycle Tyre
J.B. Dunlop
Bifocal Lens
Benjamin Franklin
Binomial Nomenclature
Carl Linnaeus
Biogenetic Principle
Ernst Haeckel
Bismuth
Valentine
Blood Circulation
Harvey
Blood Groups
Karl Landsteiner
Bomb
Edward Teller
Boson
S.N.Bose
Boyle’s law
Boyle
Braille
Louis Braille
Breaking up the Nucleus of an atom
Rutherford
Calculating machine
Pascal
Camera
George Eastman
Carburetor
Gottlieb Daimler
Carburettor
Gottlieb Daimler
Cash register
William Burroughs
Cell Doctrine
Rudolf Virchow
Celluloid
A.Parker
Cement
Joseph Aspdin
Cenema
A.L. and J.L. Lumiere
Centrigrade scale
A. Celsius
Chemical Structure
August Kekule
Chemotherapy
Paul Ehrlich
Child Development
Jean Piaget
Chloroform
James Harrison and James Young Simpson
Cholera Bacillus
Robert Koch
Chromosomal Theory of Heredity
Thomas Hunt Morgan
Chronometer
John Harrison
Cine camera
Friese-Greene
Cinematograph
Thomas Alva Edison
Cinematography
Thomas Alva Edison
Circulation of the Blood
William Harvey
Classical Field Theory
Michael Faraday
Clock (machanical)
Hsing and Ling-Tsan
Clock (pendulum)
C. Hugyens
Coloured Photography
Lippman
Computer
Charles Babbage
Continental Drift
Alfred Wegener
Cosmic Rays
R.A.Millikan
Crescograph
J.C.Bose
Crystal Dynamics
C.V.Raman
Cyclotron
Lawrence
D.D.T.
Dr.Paul Muller
Deciphering the genetic code
Dr.Hargobiad Khorana
Deuterium (Heavy Water)
H.C.Urey
Diesel Engine
Rudolf Diesel
Diesel Oil Engine
Rudolf Diesel
Difference engine
Charles Babbage
Electrons
J.J.Thomson
Laws of Planetary Motion
Kepler
North Pole
Robert Peary (1909)
Solar System
Copernicus (1540)
South Pole
Amundson (1912)
Specific Gravity
Archimedes
West Indies
Columbus (1492)
Drinker’s Chamber of Iron Lung
Dr.Philip Drinker
Dynamical theory of Heat
Lord Kelvin
Dynamite
Alfred B. Nobel
Dynamo
Michael Faraday
Effect of Pressure on trough bodies
Meghnad Saha
Eightfold Way
Murray Gell-Mann
Electric Battery
Alessandro Volta
Electric Flat Iron
H. W. Seeley
Electric Furnace
William Siemens
Electric Generator
Michael Faraday
electric guitar
Adolph Rickenbacker
Electric iron
H.W. Seeley
Electric Lamp
Thomas Alva Edison
Electric Measurement
Gauss
Electric Motor (AC)
Nikola Tesla
Electric razor
Jacob Schick
Electrical Waves
Heitz
Electricity
Faraday
Electromagnet
William Sturgeon
Electromagnetic Field
James Clerk Maxwell
Electromagnetic Theory
Maxwell
Electron
Joseph J. Thomson
Electron Theory
Bohr
Electronic Computer
Dr. Alan M. Turing
Elevator
Elisha G. Otis
Energy of the Sun
Hans Bethe
Equal sign (=)?
Robert Recorde
Ethology
Konrad Lorenz
Eugenics
Francis Galton
Evolution
Charles Darwin
Evolution (theory)
Charles Darwin
Evolutionary Theory
Ernst Mayr
Fahrenheit Scale
Fahrenheit
Film & Photographic goods
Kodak
Film (with sound)
Dr. Lee de Forest
Foundations of Biology
Jean Baptiste Lamarck
Foundations of Mathematics
Euclid
Founding of Modern Physiology
Claude Bernard
Founding of Psychology
Wilhelm Wundt
Fountain Pen
Lewis E. Waterman
Fundamental Laws of Electric Attraction
Coulomb
Galvanometer
Andre-Marie Ampere
Gas lighting
William Murdoch
Gasoline engine
Karl Benz
Genetic Code
Frederick Sanger
Geometry
Euclid
Germ Theory of Disease
Louis Pasteur
Glider
Sir George Caley
Gramophone
Thomas Alva Edison
Gun powder
Rogei Bacon
Heavens
William Herschel
Heavy Hydrogen
Urey
Helicopter
Broquett
Heliocentric Universe
Nicolaus Copernicus
Helium Gas
Lockyer
Homoeopathy
Hahnemann
Hovercraft
Christopher Cockerell
Human Sexuality
Alfred Kinsey
Hydrogen
Cavendish
Hydrophobia
Louis Pasteur
I.Q. Test
Alfred Binet
In Number Theory
Ramanujam
Incandescent Bulb
Edison
Induction Coil
Rohm Korff
Induction of Electric Current
Faraday
Insulin
F.Banting
Intelligence test
Binet
Internal Combustion Engine
Otto
Jeans
Levi Strauss
Jet Engine
Sir Frank Whittle
Jet Propulsion
Frank Whittle
Kala-azar Fever
U.N.Brahmachari
Kaleidoscope
David Brewster
Laboratory Gas Burner
Robert Wilhelm Von Bunsen
Laughing Gas
Priestley
Law of Electrolysis
Faraday
Law of gases
Gay Lussac
Laws of Electrical Resistance
Ohm
Laws of Gravitation
Newton
Laws of Heredity
Gregory Mandel
Laws of Inheritance
Gregor Mendel
Laws of Motion
Newton
Laws of Multiple Proportion
Dalton
Laws of Natural Selections
Darwin
Life Boat
Henry Great Head
Lift
E.G. Otis
Lift (Elevators)
Otis
Lightning Conductor
Benjamin Franklin
Line of demarcation (ship)
Plimsoll
Linotype
Mergenthaler
Liquid Oxygen
Dewar
Locomotive
Richard Trevithick
Logarithmic Tables
John Napier
Logarithms
John Napier
Machine Gun
Dr. Richard Gatling
Malarial Parasite
Ronald Ross
Match (safety)
J.E. Lurdstrom
Mathematical Astro Physics
Chandrasekhar
Mathematical Genius
Carl Gauss (Karl Friedrich Gauss)
Mauve dye
Perkin
Measurement of Electrical Energy
Joule, James Prescoft
Mechanical Equivalent of Heat
Joules
Mercury Thermometer
Fahrenheit
Meson
Hideki Yakawa
Microphone
Johann Phillip Reis, Alexander Graham Bell, Elisha Gray, Amos E. Dolbear, and Thomas Edison
Microscopic Anatomy
Marcello Malpighi
Modern Anthropology
Franz Boas
Modern Astronomy
Arthur Eddington
Modern Computer
John von Neumann
Modern Geology
Charles Lyell
Modern Physiology
William Bayliss
Modern Synthesis
Theodosius Dobzhansky
Modern Telescope
Edwin Hubble
Molecular Biology
Francis Crick
Molecular Scattering of light in fluid
Ramanathan
Montessori Method
Maria Montessori
Motion of the Planets
Johannes Kepler
Motor Car (petrol)
Karl Butler
Movie Projector
Thomas Alva Edison
Neon Gas
Ramsay, Travers
Neon-lamp
G. Claude
Neurophysiology
Charles Sherrington
Neutron
Chadwick
New Anatomy
Andreas Vesalius
New Astronomy
Tycho Brahe
New Science
Galileo Galilei
Newtonian Mechanics
Pierre Simon de Laplace
Newtonian Revolution
Isaac Newton
Nuclear Fission
Otto Hahn, Bohr and Fermi
Nylon
Dr. Wallace H. Carothers
Nylon Plastic
Carothers
Organic Chemistry
Emil Fischer
Origin of Species
Charles Darwin
Oxygen
Priestly
Paints
Shalimar
Paper clip
Johann Vaaler
Parking meter
Carlton Mcgee
Penicillin
Alexander Fleming
Periodic Law
Mendeleef
Periodic Table of Elements
Dmitri Mendeleev
Pharmacology
Gertrude Belle Elion
Phonograph
Edison
Photograph
Dauguerre
Photography (paper)
W.H. Fox Tablot
Phototherapy
N.R.Finsen
Pneumatic Tyres
John Boyd Dunlop
Positive Electrons
Anderson
Power Loom
Edmund Cartwright
Powerloom
Cartwright
Principle for lever (S.P.Gravity)
Archimedes
Printing for the Blind
Braille
Printing Press
Johannes Gutenberg
Psycho-analysis
Dr.Sigmund Freud
Psychology of the Unconscious
Sigmund Freud
Quanta
Max Planck
Quantum Cosmology
Stephen Hawking
Quantum Electrodynamics
Richard Feynman
Quantum Mechanics
Max Born
Quantum Theory
Werner Heisenberg
Quantum Theory
Max plank
Raazor (safety)
K.G. Gillete
Rabies Vaccine
Louis Pasteur
Radar
Dr. A.H. Taylor and L.C. Young
Radio
G. Marconi
Radio transmitter
Alexanderson
Radioactive Dating
Willard Libby
Radioactivity
Marie Curie
Radio-activity of Uranium
Henry Becquerel
Radium
Madame Curie
Railway Engine
Stephenson
Raincoat
Charles Macintosh
Raman effect
C.V.Raman
Rare Gas
Cavandish
Rayon
American Viscose Co.
Razor (electric)
Col. J. Schick
Refrigerator
James Harrison, Alexander Catlin
Replacing human heart
Christian Barnard
Revolution in Chemistry
Antoine Laurent Lavoisier
Revolver
Samuel Colt
Rise of German Science
Hermann von Helmholtz
rubber (vulcanized)
Charles Goodyear
Rubber (waterproof)
Charles Macintosh
Safety lamp
Sir Humphrey Davy
Safety Pin
William Hurst
Safety Razor
King C. Gillette
Salk Vaccine
Salk
Saxophone
Antoine Joseph Sax
Scientific astronomy
Hippalus
Scientific Thinking
Lucretius
Scooter
G. Bradshaw
Seismograph
Roberts Mallet
Sewing Machine
Thomas Saint
Sextant
Hadley
Ship (steam)
J.C. Perier
Ship (turbine)
Sir Charles Parsons
Shorthand
Sir Isaac Pitman
Sociobiology
Edward O. Wilson
Soviet Genetics
Trofim Lysenko
Space flying
Braun, Dr.Wernher Von
Spectroscope
Bunsen
Spectroscopy
Gustav Kirchhoff
Spinning frame
Sir Richard Arkwight
Spinning jenny
James Hargreaves
Stainless Steel
Harry Brearley
Steam boat
Fulton
Steam Engine
James Watt
Steam engine (condenser)
James Watt
Steam engine (piston)
Thomas Newcome
Steam Turbine
Parsons
Steel Melting Process
Bessemer
Steel production
Henry Bessemer
Stethoscope
Dr. William Stokes, Rene Laennec
Stress Concept
Hans Selye
Structural Anthropology
Claude Levi-Strauss
Structure of DNA
James Watson
Structure of the Atom
Ernest Rutherford
Submarine
David Bushnell
Sulpha Drugs
Domagk
Superconductivity
Heike Kamerlingh
Symbiosis Theory
Lynn Margulis
Symbol (x)?
William Oughtred
T.N.T.
llly Brandt
Talkies
Lee-de-Frost
Tank
Sir Ernest Swington
Telegraph
Samuel Morse
Telegraphic Code
Samuel Morse
Telephone
Sir Alexander Graham Bell
Telescope
Galileo
Television
Baird
Television (mechanical)
John Logie Baird
Tempo of Evolution
George Gaylord Simpson
Terylene
J. Whinfield and H. Dickson
The long playing microgroove record
Peter Goldmark
Theory of conditioned reflex
Pavlov
Theory of Evolution
Darwin
Theory of Relativity
Einstein
Theory of the Atom
John Dalton
Thermodynamics
Ludwig Boltzmann
Thermometer
Galileo Gallei
Thermos Flasks
Dewar
Tractor
J. Froelich
Transformer
Michael Faraday
Transistor
Bardeen, Shockley, Brattain
Typewriter
C. Sholes
Uranium fusion
Oho Hahn
Uranus (Planet)
Herschel William
Vaccination
Edward Jenner
Valve of radio
Sir J.A. Fleming
Vitamins
Hopkins and Funk
Vitamin A
Elmer V. McCollum and M. Davis
Vitamin B
Elmer V. McCollum
Vitamin B1
Casimir Funk
Vitamin B2
D. T. Smith, E. G. Hendrick
Vitamin Niacin
Conrad Elvehjem
Vitamin Folic acid
Lucy Wills
Vitamin B6
Paul Gyorgy
Vitamin C
James Lind
Vitamin D
Edward Mellanby
Vitamin E
Herbert Evans and Katherine Bishop
Vulcanised Rubber
Charles Goodyear
Washing Soda
Lablanc
Watch
A.L. Breguet
Waterproof Rubber
Charles Macintosh
Wave Mechanics
Erwin Schrodinger
Wave Theory of Light
Christiaan Huygens
Wave/Particle Duality
Louis Victor de Broglie
Wireless Communication
Oliver Lodge
Wireless Telegraphy
Marcony
World Wide Web and Hypertext Markup Language
Tim Berners Lee
X – Rays
Roentgen
X-ray
Wilhelm Reontgen
X-ray Crystallography
Max von Laue
zerox machine
Chester Carlson
Zip fastener
W. L. Judson
Zipper
B. F. Goodrich
We hope that you have gained sufficient information about Inventions and Discoveries for Banking & SSC CGL Exams. If you know more about this topic that you think the article hasn’t included, then comment below.
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0 notes
Des concerts à Paris et autour
Mai
22. Théorème + Zad Kokar & Les Combi Beyaz + Rose Mercie – La Pointe Lafayette
23. Soft Kill + Icesun + Mhud – Supersonic (gratuit)
23. Arlt : concert littéraire avec Céline Minard – Maison de la poésie
23. Phil Von : musique pour "Banzaï ! 2.0" (Butô fest.) – Espace Bertin-Poiré
23. Sleaford Mods + Mark Wynn – Gaîté lyrique ||COMPLET||
23/24. Pascal Bouaziz : musique live pour "Nos féroces" de Séverine Rième (Rencontres chorégraphiques de Seine-Saint-Denis) – théâtre Berthelot (Montreuil)
24. Boris Viande + dDash + Black Scoumoune + Pvnk Bordel – Cirque électrique
24. Death in Vegas – Gaîté lyrique
24. God is an Astronaut – Flow
25. Keiji Haino, Merzbow & Balasz Pandi + Afrirampo + Puce Mary (Villette sonique) – Trabendo
25. RA + Drab Majesty – Espace B
26. Soviet Soviet + Empereur + Dead + Scaffolder – Supersonic (gratuit)
26. Giant Swan + Couteau latex + Cachette à branlette + Air Lqd (Villette sonique) – Halle aux cuirs (gratuit)
26. La Colonie de vacances (Villette sonique) – Périphérique
26. Méryll Ampe + Michel Guillet + Nicolas Gimbert & Valéry Poulet – Plateforme
26. Royal Trux + Groupe Doueh & Cheveu + Uranium Club + Bernardino Femminielli (Villette sonique) – Grande Halle de La Villette
26. Actress + Jacques Greene – Nuits fauves
26. BLNDR + Natural/Electronic.system. – Batofar
26. Marcel Fengler + Scan X + Chris Honorat + Théophiluss – Rex Club
27. Doomsday Student + Mdou Moctar + Marie Davidson + Deena Abdelwahed (Villette sonique) – Périphérique Grande Scène (gratuit)
27. Pointe du Lac + Police Control + Omar Di Bongo + Pizza Noise Mafia (Villette sonique) – Halle aux cuirs (gratuit)
27. X-Or – Chair de poule (gratuit)
27. Collectif_Sin (Villette sonique) – Wip
27. Annette Peacock + OOIOO (Villette sonique) – Cité de la musique|Philharmonie
27. Obelisque Chevreuil + Istari Lasterfahrer + The Drunk Trunk – L'époque
27. Greg Buffier & As Human Pattern + Bérangère Maximin + Julien Despresz + Lasson + Duncan Pinhas + Bâ + Flirt + Sébastien Forrester & Cerca Trova + K & Rien + Capharnaüm & Silent Shout – Ourcq blanc
28. The Goon Sax + Princess Nokia + Volition Immanent + Randomer + Kokoko ! (Villette sonique) – Périphérique Grande Scène (gratuit)
28. Mandolin Sister + Bryan's Magic Tears + Fusiller + Bras morts (Villette sonique) – Halle aux cuirs (gratuit)
28. Âme de boue + Cellule 34 – L'Époque
28. Einstürzende Neubauten + Jenny Hval – Grande Halle de La Villette
29. Ruins + Akaten + Zubi Zuva X + Acid Mother Temple SWR + Acid Mother Kirisute Gomen + Psyche Bugyo + Makoto Kawabata + Zoffy + Atsushi Tsuyama + Emiko Ota (Japanese New Music) – Gaîté lyrique
29. MSHR + Max Eilbacher & Duncan Moore + Acqua Dentata – Espace des arts sans frontières
29. Psychic TV 3 + Aikula – Petit Bain
30. Broken Social Scene – L'Alhambra
30. Winter Family + La terre tremble ! (Villette sonique) – La Station
30. Puff Pieces + Computerstaat + Stratocastors – La Comedia (Montreuil)
31. The Make Up + The Blind Shake (Villette sonique) – Cabaret sauvage
31. Kim Gordon + Rodney Graham – Salo
Juin
01. Kim Myrh & Lasse Marhaug + EKT (EriKm, Harald Kimmig & Olaf Tzschoppe) – Instants chavirés (Montreuil)
01. Society of Silence + Charles Fenckler + Kobosil – Nuits fauves
02. Anne-James Chaton & Andy Moor jouent "Heretics" – Le Carreau du Temple
02. Zone libre & Marc Nammour : "Debout dans les cordages" – Espace Niemeyer
02. Ansome + Myler + Ossian + Ayarcana + 138 – La Machine
02. Marc Houle + Extrawelt + Edouard! + Moon – Nuits fauves
02/03. KTL : musique pour "Niagara Reverb" de Fujiko Nakaya (ManiFeste) – piazza du Centre Pompidou (gratuit)
03. Gérard Grisey : "Prologue" + Morton Feldman : "Rothko Chapel" (ManiFeste) – Centre Pompidou
03. Sister Iodine + Les Hôpitaux + Warsawwasraw – La Station
03. Nots + Mary Bell – Point FMR
03. Total Victory – Le Klub
04. Karima Walker + Mikko Savela + Méryll Ampe + Jean Ray – tba
04. Anetha + Kas:st + Octave One + Paranoid London + Rodhad... – Vélodrome (Saint-Quentin-en-Yvelines)
06. John Russell + Michel Doneda & Lê Quan Ninh – Instants chavirés (Montreuil)
07. Fantazio : “Seul avec Bashung” – Galerie Hus
07. The Space Lady + Richard Pinhas + Moon Gogo – Petit Bain
07. Didier Wampas + Thomas de Pourquery + Ignatus + Joseph Racaille + Trotski nautique + Gontard ! chantent Jean-Luc Ténia – théâtre de verre Co-Arter
08. Primal Scream – Gaîté lyrique
08. Soror Dolorosa + Schonwald – Bus Palladium
08. Sida + Cellular Chaos – Instants chavirés (Montreuil)
08. Phase fatale + Rendered + Sarin + Schwefelgelb – Nuits fauves
09. Blurt – Espace b
09. Jordan + Mnemotechnic + Computerstaat – Le Klub
09. Maud Geffray + Chloé + Voiron + Casual Gabberz + Krampf – Gaîté lyrique
09. Four Knobs + UVB 76 – Maison populaire (Montreuil) (gratuit)
09. Skinny Puppy + Carpenter Brut (fest. Download) – Base aérienne 217 (Brétigny/Orge)
10. Molécule + NSDOS + Chloé – Maison de la radio
10. Maoupa Mazzocchetti + Krikor + Jan Melnick + Moyo – La Java
10. Mesparrow (fest. TaParole) – La Marbrerie (Montreuil)
10/11. Richie Hawtin + Flying Lotus + Jon Hopkins (dj) + Moderat + Motor City Drums Ensemble + Recondite [+ A Tribe Called Quest : ANNULÉ] + Solange + Nicolas Jaar + Parcels + Jessy Lanza + Action Bronson + Anderson Paak + Abra... (We Love Green) – Bois de Vincennes
11. Inhalt + Poison Point – La mécanique ondulatoire
11. Amanda Palmer & Edward Ka Spel – La Cigale
14. King Dude + Suzie Stapleton – La plage de Glazart (gratuit)
14. Charlemagne Palestine – musée d'Art et d'Histoire du judaïsme
14. Futurs morts + La Fiole + Hinterheim – La Comedia (Montreuil)
15. PAL + Blason – Zorba
15. Tinfoil + Head Front Panel + Emmanuel + Parfait – Nuits fauves
15. Arlt + Bégayer (fest. TaParole) – Instants chavirés (Montreuil)
16. Warum Joe + Asphalt + Last Night + Police Control + Colombey – La Station
16. Abdulla Rashim + Untold + Clara 3000 + Renaat – Rex Club
16. Abstrakt Keal Agram + Mont Analog + Bornor (Mowno 20 ans) – Petit Bain
16. Xosar + Paulie Jan + UVB 76 – Petit Bain
16. Telemark + Kurt – Le Jardin d'Alice (Montreuil)
17. Electric Electric + It It Anita + La Jungle (Mowno 20 ans) – Petit Bain
17. Winter Family + Chris Imler + Maulwürfe + Infecticide + dj El Xuxulero (Cheveu)... – Théâtre Nanterre-Amandiers (gratuit)
17. Miossec (fest. TaParole) – La Parole errante (Montreuil)
20. Stranded Horse + Halo Maud + Buvette + Rubin Steiner + Yeti Lane + Petit Prince (36 H Saint-Eustache) – église Saint-Eustache (gratuit)
21. Palatine + JP Nataf & friends (36 H Saint-Eustache) – église Saint-Eustache (gratuit)
21. Bitpart + Trotski nautique – Le Super coin (gratuit)
22. Joëlle Léandre & Mike Ladd – Galerie Hus (sur résa)
22. Pfirter + Lewis Fautzi + Pearl + Krÿst – Nuits fauves
23. Damien Dubrovnik + Internazionale + Ligovskoï + Dasein – Gaîté lyrique
23. Murcof & Vanessa Wagner – La Marbrerie (Montreuil)
23. Ludwig von 88 + Stylnox + Julie Colère (festival CNT) – La Parole errante (Montreuil)
24. Burning Heads + René Binamé + Mr Bidon + El Comunero (festival CNT) – La Parole errante (Montreuil)
24. No Balls – La Mécanique ondulatoire
25. Matt Elliott (fest. BD6Né) – médiathèque Marguerite Duras
26. Street Eaters + Bitpart + Belmont Witch + Stalled Minds – La Comedia (Montreuil)
26>28. Zëro : concert littéraire "Pasolini" avec Virginie Despentes & Béatrice Dalle – Maison de la poésie
28. Blondie – Olympia
29. Sam Fleisch + Percolator – Olympic café
29. Sathönay + :such: + Casio judiciaire – Instants chavirés (Montreuil)
29 > 02.07. Belmont Witch + Mariachi + Ella a. Thaun + Nana Benamer + Sleep Loan Sharks + Big Meufs + Miaux + Méryll Ampe + Félon + Las Kellies... (fest. Comme nous brûlons) – La Station
30. Tropical Horses – Petit Bain (gratuit)
30. Geneviève Pasquier + Position parallèle + Black Light Ascension – Le Zèbre de Belleville
30. Objekt + Rrose + Paula Temple (Macki music fest.) – La Machine
30. Jean-Luc Guionnet & Eric La Casa : "Home" – Théâtre studio|La Muse en circuit (Alfortville)
30>10.07. Air + Metronomy + Jarvis Cocker & Chilly Gonzales + Savages + Devendra Banhart + Michael Kiwanuka + Tindesticks présentent "Minute Bodies" + James Vincent McMorrow + Lady Sir (Rachida Brakni & Gaëtan Roussel) + Kate Tempest + Calypso Valois + The Color Bars Experience joue Nick Drake (fest. Days Off) – Philharmonie
Juillet
01. Ke/Hil + Kommando + Tunnels of Āh + AntiVallium – Le Zèbre de Belleville
01/02. Soichi Terada + Antal b2b Hunee + San Proper + Margie + Renart + Mézigue + Rendez-vous... (Macki Music fest.) – parc de la mairie (Carrières/Seine)
02. The Color Bars Experience joue Nick Drake (Days Off) – Salle de répétition|Philharmonie
02. Tindersticks : cineconcert sur "Minute Bodies" de Suart Staples (Days Off) – Cité de la musique
03. Metronomy (Days Off) – Salle Boulez|Philharmonie
04. Savages + Kate Tempest (Days Off) – Cité de la musique
05. Group Doueh & Cheveu – Institut des Cultures d'Islam
06. Devandra Banhart + Lisa Hannigan (Days Off) – Salle Boulez|Philharmonie
06. Mikky Blanco + Rebekka Warrior + Moor Mother + Easter + Smerz (Loud & Proud) – Gaîté lyrique
07. The Queer Icons + Deena Abdelwahed (Loud & Proud) – Gaîté lyrique
07. Ancient Methods + Marie Davidson + Voiski + Varg + Exal + BLNDR + Carl Craig + Marcel Dettmann + Nina Kraviz + The Martinez Brothers + Jackmaster + Levon Vincent + Konstantin + Peggy Gou + Hugo LX + Codex Empire (Peacock Society) – Parc floral (Vincennes)
07/08. Daikiri + Gloria + Tomaga + Le Villejuif Underground + The Limiñanas + Hey Colossus + Fai Baba + Stratocastors + Cocaine Piss + Mendelson + Tritha Electric + Guili Guili Goulag + Delacave + En attendant Ana + Snapped Ankles + Housewives + Pogo Car Crash Control (La Ferme électrique) – La Ferme du Plateau (Tournan-en-Brie)
08. Sourdure + Piu Piu (dj) + N.M.O. + Danny L. Harle (dj) (Siestes électroniques) – musée du Quai Branly (gratuit sur résa)
08. Yves Tumor + Chino Amobi + Tami T + Big Dipper + Kiddy Smile + Jennifer Cardini + Honey Sound System + Venus Xgg (Loud & Proud) – Gaîté lyrique
08. Air (Days Off) – Salle Boulez|Philharmonie
08. Dixon + Kaytranada + Apollonia + The Black Madonna + Moodymann + DVS1 + Midland + Romare + Tommy Genesis + Avalon Emerson + Jlin + AZF + Raheem Experience + Fils de Vénus + Bamao Yende + TGAF (Peacock Society) – Parc floral (Vincennes)
09. Carl Stone (dj) + Manu le Malin (dj) (Siestes électroniques) – musée du Quai Branly (gratuit sur résa)
09. Jarvis Cocker & Chilly Gonzales (Days Off) – Cité de la musique
10. RY X + C Duncan (Days Off) – Cité de la musique
10. Sufjan Stevens, Bryce Dessner, Nico Muhly & James McAlister (Days Off) – Salle Boulez|Philharmonie
15. Blawan – Rex Club
19. Molecule – Safari Boat
21. Hocico + Shaârghot – Petit Bain
Août
25. Converge + Havok + Gorguts + Revocation – Trabendo
25>27. PJ Harvey + The XX + At the Drive In + Franz Ferdinand + Cypress Hill + Ty Segall + Rone + The Kills... (Rock en Seine) – Parc de Saint-Cloud
29. The Psychedelic Furs – Elysée Montmartre
Septembre
21. Ennio Morricone – Bercy Arena
22. She Past Away + Qual – Petit Bain
27. Sigur Ros – Grand Rex ||COMPLET||
28/29. Sigur Ros – Grand Rex
Octobre
03. Nick Cave & The Bad Seeds – Zénith ||COMPLET||
04. Nick Cave & The Bad Seeds – Zénith
14. Wardruna – La Cigale
19. Nosfell – Café de la danse
20. Gary Numan – Trabendo
23. Mogwai – Grand Rex
24. The Dream Syndicate – Centre Barbara FGO
28. Peter Hook & The Light – Le Trianon
Novembre
02>04. The National + Run The Jewels + Ride + Talaboman + Badbadnotgood + The Blaze + Polo & Pan... (Pitchfork fest.) – Grande Halle de La Villette
15. Igorrr – La Maroquinerie
17. Trisomie 21 – La Machine
21. Sun Kil Moon – Gaîté lyrique
27. Marilyn Manson – Bercy|Arena
en gras : les derniers ajouts / in bold: the last news
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