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fallenloverecords · 2 years
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2022: In A Sunshine State
When the year began, the COVID-19 pandemic had begun to loosen its grip but the future was still cloudy. Would we be able to go places again in the summer? See our friends regularly? By the end of the year it felt largely, finally behind us. I got married this year. We honeymooned in California. I tabled at a zine fair for the first time in years and sold more zines than I had in ten years. I continued to make mixtapes for myself and co-host a weekly professional wrestling podcast with new episodes coming out every week. While Fallen Love might be buried, I still find artistic outlets where I can. No matter how the world changes, for better, for worse, I have my tent poles. Indiepop will always fuel me. Alternative comics. Old cartoon shows. My cats. My wife. A walk in the woods. A trip to the beach. They can't take that away from us. There are small joys all around you if you can find them.
"My 10 Favorite Albums Of 2022"
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1. Martha - Please Don't Take Me Back 2. Let's Whisper - The In-Between Times 3. Plains - I Walked With You A Ways 4. Jenny Berkel - These Are The Sounds Left From Leaving 5. Jeanines - Don't Wait For A Sign 6. Alvvays - Blue Rev 7. Pale Blue Eyes - Souvenirs 8. No Suits In Miami - Nothing Ever Happens 9. SZA - S.O.S. 10. Poster Paints - Poster Paints "My 5 Favorite EP's Of 2022"
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1. Jobber - Hell In A Cell 2. Blunt Chunks - Blunt Chunks 3. Girl And Her Bad Mood - Bluest Year 4. Jonathan Richman - Cold Pizza & Other Hot Stuff 5. Four Eyes - The Freaky EP "My 2 Favorite Cover Songs" 1. Martha - "My Heart Is A Drummer" (Allo Darlin' cover) 2. The Goon Sax - "Steal My Sunshine" (Len cover) "My 10 Favorite Songs Not On The Above Releases"
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1. Tiny Microphone - "Holiday" 2. Even As We Speak - "Begins Goodbye" 3. April June - "Leave Tonight" 4. Ribbon Stage - "No Alternative" 5. Acid House Kings - "Honey, Honey" 6. Madeleine Moss & Matt Bauer - "A Secret Road" 7. Lost Film - "Big Talk" 8. Strawberry Generation - "Miss Me" 9. The Slow Summits - "Time's On Your Side" 10. Dizzy - "Barking Dog" "Top 5 Blogs" 1. For The Rabbits 2. Records I Like 3. Various Small Flames 4. Jangle Pop Hub 5. When You Motor Away "Last.fm: Most Listened To Artists" 1. Eels 2. Martha 3. Jens Lekman 4. Tullycraft 5. Counting Crows "Last.fm: Most Listened To Pre-2022 Songs" 1. Counting Crows - "Up All Night (Frankie Miller Goes To Hollywood)" 2. Mary Love - "You Turned My Bitter Into Sweet" 3. Counting Crows - "Rain King" 4. Frank Wilson - "Do I Love You (Indeed I Do)" 5. Why? - "Fatalist Palmistry"
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aion-rsa · 3 years
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All Things Must Pass Remaster Brings Out George Harrison’s Voice
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A new remaster of George Harrison’s All Things Must Pass highlights why it was such an important record. Not just as an album, but of the time it was made. Besides the lead guitarist for the biggest act in showbiz history, it boasted players and a producer who each made an impact on the course of modern music. It’s been celebrating its 50th anniversary for a while now and it’s earned it. It was the first triple album by a single artist in rock history (the Woodstock concert album, released six months earlier, included a compilation of acts), and set the standard for longer long-playing albums.
Harrison set quite a few standards, including the first rock benefit project, The Concert for Bangladesh. As the Beatles guitarist, he demonstrated melodic and harmonic possibilities which hadn’t been explored in rock and roll, often changing the entire feel of songs with a single riff. As their in-house tonal experimentalist, his sitar-led songs didn’t just use the eastern stringed instrument as an exotic guitar. They captured the structure, atmosphere, tonality and shifting rhythms of Eastern music. The opening of “Love You To” can barely be classified as western commercial music, but had a universal appeal. As the band’s somewhat lesser-known songwriter, Harrison composed musical standards which eclipsed even the mighty songwriting team of John Lennon and Paul McCartney.
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The consistent hitmakers made for a competitive compositional atmosphere in the band. “I had such a lot of songs mounting up that I really wanted to do, but I only got my quota of one or two tunes per album,” Harrison admitted on The Dick Cavett Show in 1971. Even after a new arrangement was worked out for the group’s output, Harrison had quite a backlog of songs when the Beatles broke up. At least two of the best known songs from All Things Must Pass were written in 1966.
While still in the Beatles, Harrison released Wonderwall Music, which was a soundtrack to a film, and Electronic Sound, which saw him as one of the early experimenters on the synthesizer. According to the press statement for the remaster, George, along with Ringo Starr and bassist Klaus Voorman recorded fifteen songs at EMI Studios on the first day, May 26, 1970. The demo included “What Is Life,” “Awaiting on You All,” and “My Sweet Lord.” The next day Harrison played 15 more songs for co-producer Phil Spector, who covertly recorded them. The songs “Everybody, Nobody,” “Window, Window,” “Beautiful Girl,” “Tell Me What Has Happened to You,” “Nowhere To Go,” and “Don’t Want To Do It” never made the album. The whole session did come out on the bootleg Beware of ABKCO set.
The 50th Anniversary re-issue of All Things Must Pass includes versions of “Mother Divine,” and “Cosmic Empire,” which have never been officially released. The official music video reveals “Cosmic Empire” as a melodically catchy piece, with an instantly recognizable acoustic guitar run, and a change into a deep blues false ending.
You can see the video here:
The Wall of Sound
The deluxe 50th Anniversary Edition is executive produced by Harrison’s son Dhani, and his first order of business was to pull back on Spector’s reverb-heavy production. Spector was the man Lennon brought in to produce the song he’d written for breakfast, wanted to record for lunch and have out for supper: The Plastic Ono Band single “Instant Karma!,” which Harrison played on. Spector also produced the final mix of the Beatles’ Let It Be, as well as Lennon’s Plastic Ono Band and Imagine albums.
Spector was a legend in the studio. He created the “Wall of Sound” with the top session players of the early 1960s, and Harrison tasked him with doing it again with the current cream of the musical crop. This included two of out of three members of the band Cream. Ginger Baker drums on a jam, and Eric Clapton’s guitar gently weeps all over All Things Must Pass. Crying on the inside over his unrequited love for George’s wife Pattie Boyd Harrison, Eric was getting ready to wail about her on Layla and Other Assorted Love Songs. Harrison co-wrote “Badge” with Clapton for Cream’s Goodbye album, and played on Derek and The Dominos’ debut single, “Tell The Truth” backed with “Roll It Over.” Spector recorded it. It went so well, much of the band stuck around to be bricks in the contemporary Wall of Sound.
“Phil was in full control of this whole bunch of musicians playing,” Voorman remembers in Simon Leng’s book, While My Guitar Gently Weeps. “We played all at the same time – we didn’t record one on top of the other; it was all six people playing acoustic guitars and five keyboard players playing the piano all at once. It was crazy!”
The Players
To fill seats in the rock orchestra, Harrison dipped into the players he’d been on stage with since the waning days of the pre-breakup Beatles. Harrison, credited as “Mysterioso,” toured with Delaney & Bonnie and Friends. He was a backing guitarist beside Clapton, in a band which included Dave Mason, Bobby Whitlock, Carl Radle, Jim Gordon, and Leon Russell, who would prove invaluable for The Concert for Bangladesh.
Also called in for sessions were Procol Harum’s Gary Brooker, Badfinger’s Pete Ham, Tom Evans and Joey Molland; Spooky Tooth’s Gary Wright, sax player Bobby Keys; and trumpeter Jim Price. Besides Starr and Gordon, drums and percussions were played by Alan White, who was then the drummer for the Plastic Ono Band and would go on to drum for Yes, and Phil Collins. Peter Frampton played guitar on much of the album. Nashville player Pete Drake played pedal steel. Drake pioneered the use of the talkbox, and Frampton caught it first-hand during sessions before using it as the hook for his hit “Show Me the Way.” John Barham, a pianist and arranger who had worked with Harrison’s sitar guru Ravi Shankar, wrote orchestral scores.
Keyboardist and longtime Beatle associate Billy Preston is a major influence on the album. All Things Must Pass is a spiritual celebration. Harrison set up a small altar in the studio, and devotees of the Hare Krishna movement brought the players vegetarian food. Harrison was as much a spiritual student as a musical one of sitar maestro Ravi Shankar. The same could be said of Preston.
The Songs
Harrison made a special study of the structure and composition of gospel music for his work with soul singer Doris Troy, who he produced and co-wrote songs with. He delved further to co-produce Preston’s fourth studio album That’s The Way God Planned It, and wrote “What Is Life” for it. George also co-produced Preston’s fifth album Encouraging Words, which came out two months before All Things Must Pass, and included versions of the title track and “My Sweet Lord.”
You can hear several versions of the Beatles running through “All Things Must Pass” on bootlegs. Though not as many passes as the famously unreleased “Not Guilty” got. It might have been too pointed a self-reference for the group to deal with. The title comes from a passage of chapter 23 of the Tao Te Ching: “All things pass, a sunrise does not last all morning. All things pass, a cloudburst does not last all day.” It is more philosophical than spiritual, but is as uplifting as its chordal ascension. “Beware of Darkness” is lyrically devotional and cautionary, but its structure is a mystery of faith. It’s all over the place harmonically, as the key aimlessly wanders into melodic transcendence.
“Awaiting On You All” is one of the most blatant spiritual proclamations of the album. It describes Japa Yoga meditation, the repetitive chanting of a mantra, which is mystical energy itself, inside sound. “Chanting the names of the Lord and you’ll be free,” explains the lyrics. Though Harrison does get in a dig at the Catholic Church. “While the Pope owns fifty one percent of General Motors, and the stock exchange is the only thing he’s qualified to quote us,” the last verse opens. Harrison’s deep understanding of the spiritual music he was producing was most fully realized on the album’s most recognizable song.
“I thought a lot about whether to do ‘My Sweet Lord’ or not, because I would be committing myself publicly and I anticipated that a lot of people might get weird about it,” Harrison wrote in I Me Mine. Towards the end of the Delaney & Bonnie tour in December 1969, Harrison heard and fell in love with Edwin Hawkins’ piano-driven, modern gospel rendition of the 18th century hymn “Oh Happy Day.” Inspired by the joyful energy, Harrison wanted to merge the buoyantly devotional “Hallelujah” invocations with the “Hare Krishna” Maha Mantra of the Hindu faith. The subconscious mix evoked some not-so-instant karma when Harrison was sued for “unconscious plagiarism” by the royalty owners of The Chiffon’s “He’s So Fine,” which could be interpreted as a devotional invocation.
“My Sweet Lord” is also the song which best establishes and exemplifies Harrison’s signature, post-Beatles, slide guitar playing.
The album’s opener, “I’d Have You Anytime,” was co-written with Bob Dylan when Harrison spent the Thanksgiving 1968 weekend at Dylan’s home in Woodstock. They also co-wrote the song “When Everybody Comes to Town.” Harrison played on Dylan’s April 1970 New York City sessions for the album New Morning, performing uncredited on several songs, including “If Not for You,” the second of All things Must Pass’ vagabond troubadour trilogy. Dylan had spent a lot of time off the road after his motorcycle crash of 1966. Harrison encouraged the reclusive artist to make his comeback performance at the Isle of Wight festival in 1969. “Behind That Locked Door,” which comes later on the album, is part of that encouragement.
The Beatles passed on including “Isn’t It a Pity” on Revolver, so George gifts us with two fully realized versions of it for All Things Must Pass. The 50th Anniversary box set includes an even more “downtempo version,” with Nicky Hopkins on piano. “Wah-Wah” was the first song recorded for the album, which is fitting because it was written on the day Harrison walked out of the “Get Back” sessions. It’s a great, angry song, in the tradition of “Taxman,” though not as pointed as Lennon’s “Sexy Sadie,” or “How Do You Sleep,” which Harrison played on. “Let It Down” has some great vocal backing by Clapton and Whitlock.
Hearing Clapton’s opening guitar screams squeezed through his wah-wah on “Art of Dying” makes you wonder how the Beatles rejected it in 1966. Although the lyrics George brought to the band at the time might have sealed its fate: “There’ll come a time when all of us must leave here, then nothing Mr. Epstein can do will keep me here with you,” Harrison admitted singing at his bandmates in I Me Mine. “Art of Dying” is the hardest Harrison rocks on the album and Spector lets the band explode. Coming after the intimately amorous “I Dig Love,” it is suspense reincarnate. Listen for Phil Collins’ bongos on the remix.
Harrison brought “Hear Me Lord” to the Beatles when they were recording at Twickenham Film Studios in January 1969. It is as confessional as anything Lennon cops to on his debut album Plastic Ono Band, but primal in an entirely different way. “Apple Scruffs” is Harrison’s personal gift to the group of fans which used to camp outside the Apple Corps offices for a glimpse of the four when they was fab. Performed live by a solo George with Beatles roadie Mal Evans tapping along, it is acoustic fun with a wild and wayward harmonica.
The Jams
But not as much fun as the band had after Spector went to bed for the night. Harrison initially thought it would take just two months to record the album, but had to take a break in the middle to care for his mother, Louise, who was ill with cancer in Liverpool. Louise bought George his first guitar and encouraged all things musical, including allowing the early Beatles to rehearse at their house. She passed away in July 1970. 
Bored with the lag time, Spector was drinking heavily, bracing himself with Cherry Brandy just to sit in the booth, and ultimately breaking his arm in a fall. He left the sessions in July 1970, and Harrison produced overdubs at London’s Trident Studios and Apple Studios. But most of the album’s backing tracks were recorded onto eight-track tape at Abbey Road, with the musicians normally playing live.
When Spector left the studios, Harrison and the other musicians would jam into the early hours. “Thanks For the Pepperoni,” pulls the toppings off Chuck Berry riffs. It was recorded along with “Plug Me In” on July 1, 1970, with Harrison, Clapton and Dave Mason on guitars, Radle on bassr, Whitlock on keyboards, and Jim Gordon on drums. “Out Of the Blue” must get its title from how it comes in. It sounds like the band was in the middle of a fun run, and someone rushed to turn on the tape. But listen for Voorman’s lead guitar part.
“I Remember Jeep” is named for Clapton’s dog, and Preston and Baker bring out the jazz while Harrison’s Moog playing breaks traditions. “It’s Johnny’s Birthday” is a mockup of Cliff Richard’s song “Congratulations,” which the band warbled to Lennon for his 30th birthday. These afterhours jams were the kinds of musical driftwood routinely collected by bootleggers before box sets made them standard extras.
Demos and extra tracks, like “Mother Divine” or “Nowhere to Go,” underscore the greatest flaw of the original album: George’s vocals. Even gruff, weak and not-yet-familiar with the songs, Harrison’s voice is a beautifully emotive instrument. During their solo careers, he and Lennon drenched their voices with effects. Even Spector complained in production notes how Harrison’s voice is buried on too many songs. The new mix brings the voices forward. It doesn’t completely take away the reverb, because some of it is artistically correct, like the slap back echoes which evoke a specific sound. It is very well used on “Going Down to Golder’s Green,” an outtake which finds Harrison channeling his inner Elvis. One of the deluxe editions of the All Things Must Pass reissue includes a 96-page scrapbook evoking the time.
The album cover shows Harrison at home in Friar Park. Photographed by Barry Feinstein, George is surrounded by four garden gnomes, which could be taken as an in-joke on his days with the Beatles. All Things Must Pass was released Nov. 27, 1970, as a triple vinyl album. To accommodate the extra disc, Tom Wilkes of Camouflage Productions designed a box with a hinged lid, similar to the packaging of classical music and operas. It is presciently fitting, as the record is a modern masterwork of a timeless artist.
All Things Must Pass 50th Anniversary Edition will be available on Aug. 6.
The post All Things Must Pass Remaster Brings Out George Harrison’s Voice appeared first on Den of Geek.
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dustedmagazine · 4 years
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Damaged Bug — Bug on Yonkers (Castle Face)
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Bug On Yonkers by Damaged Bug
There’s never been another rock guy like Michael Yonkers. He built his own guitars and amps to produce an instantly recognizable, cavernously echoing sound. He started recording in the 1960s, but due to bad luck and a freak accident (he was working in a warehouse and had some shelves fall on him, bad enough, but the doctors gave him a treatment that made him much worse and he’s lived in pain ever since) never got a big commercial break. He’s best known now for the otherworldly freakbeat/alterna-drone masterpiece Microminiature Love reissued in the early aughts by De Stilj and again in 2011 by Sub Pop, but he also dabbled in eccentric acoustic folk music, foreshadowing the New Weird America movement by a couple of decades. Last I caught up with him, for Dusted (old Dusted, unfortunately, the piece has disappeared), he was gracious enough about talking about the past, but really, mostly on fire about his new collaboration with the Blind Shake.  Anyway, lovely guy, singular guy, late life fame could not happen to a better person.
John Dwyer of Coachwhips, the Ohsees and, in this instance, Damaged Bug, is likewise, a singular force. He is one of the best and most demented of all punk front men still working, but also a thoughtful curator of current and older music. Pretty much everything on the label he co-heads, Castle Face, is worth a listen, ditto to the man’s own output, which is prodigious. And, here comes the Reeses Peanut Butter moment that I’ve been winding up to this whole review so far: put them together and it becomes something very special indeed.
In Bug on Yonkers, Dwyer’s Damaged Bug revisits nine Michael Yonkers songs. Four are from 1968’s Microminiature Love, Dwyer’s point of entry into the Yonkers catalog (and, honestly, almost everyone’s point of entry). One is a very early (1966) cut from Yonkers’ pre-Microminiature Love outfit, Michael and the Mumbles. Two are from his psych folkie experiments Lovely Gold (1977) and Grimwood (1968), and one is a previously unreleased song. Yonkers has never played live much because of his damaged back, but he and Dwyer did one show together around the time of the Sub Pop reissue and kept in touch by email. Dwyer, thus, had access to lots of Yonkers rarities, on CDRs made by the artist himself. He says in an interview that he roughed out about 40 Yonkers cuts, then got high and cut them down to nine.  
With the Ohsees, and now Damaged Bug, Dwyer has evolved a psychedelically expansive, motoric-ly propulsive rock and roll sound that is both elementally simple and familiar and deeply, mind-shiftingly strange. As such, he and his crew (Tom Dolas, Nick Murray, and Brigid Dawson) are almost ideally suited to interpret Yonkers, whose rock material shares these very same characteristics. The two cuts that elicited the first listen, “holy shit, what is this?” from yours truly were “Sold American” and “The Thunder Speaks,” two pounding, howling, vortex-staring cuts that set up a short hypnotic riff, then implode it from the inside with explosive drumming and big guitar chords. They are both insanely great songs, both from Yonkers’ great defining 1968 record, both delivered hot and raw and without reverence.
The odd acoustic folk songs are somewhat more of an acquired taste, but Damaged Bug does justice to them as well. Bridget Dawson takes over the vocals for “Sunflower,” the lone cut from Grimwood, an airy, lullaby sheathed in echo with a sax blowing softly in the background; it is as pretty, and as unusual, as the Yonkers original. “Lovely Gold” written a dozen or so years later, pumps harder, but with whimsy, a Roky Erikson-like jug sound percolating in the interstices.
The disc closes with a Michael Yonkers song you’ve probably never heard, an unreleased ballad called “I Tried” which Damaged Bug plays slowly and sweetly with a steady undercurrent of cello sound. “And I have found a way, and I will be okay, and I can be around the lights, that I don’t understand,” intones Dwyer. You can hear one artist reflecting on another’s accumulated art and wisdom and nodding in recognition.
Jennifer Kelly
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asyrealtyco · 4 years
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Richest Company Comparison
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March 14, 2018 at 03:20PM https://www.youtube.com/watch?v=peKyV9lAhdkRichest Company Comparison What are some of the biggest brands and corporations that influences our every day lives? How valuable, rich & successful are they, how much are these corporations such as Google, Apple & Alibaba worth? Which are the biggest and most successful companies in the world? Which companies you should invest in? Also includes the Top 50 most valuable companies globally.
Note: 1) A green block represent USD $1 Billion dollars, or 10 Million $100 dollar notes compacted together, which would form a cube about 2m (6.7ft) long. 2) Values are based on Market Capitalization, taken from stock exchanges from 6th to 10th March 2018. Market Capitalization fluctuates tremendously hence the valuation may change by the time you watch this video. 3) Only Public Listed Companies with a valuation exceeding 1 billion USD, and are popular with most worldwide consumers are listed.
Music Used: Kevin Macload — Mystery Sax
List of featured companies: Huawei, Del Monte, Acer, Mattel, Marks & Spencer, Harley Davison, Xerox, Pearson, Mazda, ITV, Yamaha, Prada, Hasbro, Tiffany & Co, Gap, Viacom, Dell, Sharp, Expedia, Clorox, LG, Motorola, Carlsberg, Toshiba, Rolls Royce, United Airlines, Hershey, Snapchat, Swatch, Tesco, Kellogg, H&M, Porsche, Autodesk, Royal Caribbean, Ferrari, Renault, Bridgestone, Arcelor Mittal, Nokia, Panasonic, Delta Airlines, Volvo, Electronic Arts, Target, Hewlett Packard, Audi, Etisalat, Ford, Singtel, Mitsubishi, eBay, Nissan, Adidas, Credit Suisse, Canon, Marriott, Estee Lauder, General Motors, T-Mobile, Monsanto, Tesla, Activision Blizzard, Hermes, Heineken, Colgate, Nintendo, Honda, Sony, FedEx, Yahoo, 21 Century Fox, BMW Group, Vale, Time Warner, Starbucks, Costco Wholesale, American Express, Saudi Basic Industries, Reliance Industries, Tata Consultancy Services, Salesforce, Caterpillar, Inditex, PayPal, BASF, Airbus, Lockheed Martin, Volkswagen, AIA Group, Goldman Sachs, Accenture, Union Pacific, Nike, Adobe, Texas Instruments, BHP Billiton, McDonalds, General Electric, L’Oreal, Naspers, BP, Netflix, 3M, Kweichow Moutai, Nvidia, IBM, LVMH, Unilever, PepsiCo, Walt Disney, Dow Du Pont, Philip Morris, Comcast, Anheuser-Busch InBev, AbbVie, Coca Cola, Mastercard, HSBC, Citigroup, Verizon, Novartis, Procter & Gamble, Ping An Insurance, Agricultural Bank of China, Boeing, Roche Holding, Toyota, Home Depot, Cisco, Oracle, Pfizer, Chevron, UnitedHealth Group, Taiwan Semiconductor, AT&T, Petro China, Bank of China, China Mobile, Intel, Nestle, Walmart, China Construction Bank, Shell, Visa, Wells Fargo, Exxon Mobil, Samsung, Bank of America, Johnson & Johnson, ICBC, JP Morgan Chase, Alibaba, Berkshire Hathaway, Facebook, Tencent, Microsoft, Amazon, Google, Apple. link YouTube https://www.youtube.com/watch?v=peKyV9lAhdk ссылка источник
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artwalktv · 6 years
Video
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Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax) John Tonks: Writer/Co-producer Georgios Cherouvim: Video Camera: Charly Feldman Lukas Hyrman Alex Seltzer Crøm-lus (Poppy Edwards) Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry. Georgios Cherouvim The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure. The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body. The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke. ---- References Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks http://bit.ly/2LBnh8d More on Jeff Jones's research on Slime Mould http://bit.ly/2LdvRxx Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform https://nus.edu/2JJ20HQ Thomas Diewald http://bit.ly/2Lblhaq http://bit.ly/2LyDIlz David Reeves http://bit.ly/2LeQCca http://bit.ly/2JGOXH1 Touch Designer http://bit.ly/2Lg7Ki5 Optical flow in Nuke http://bit.ly/2LBniJj
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merzbow-derek · 8 years
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POST-SCRIPTUM 694
APOLOGIE DE L’INFINI DANS LA FINITUDE
Ci-après, un extrait d’un blind-test avec Yves Botz (Dustbreeders, Mesa Of The Lost Women) faisant partie d’un ouvrage autour de l’underground musical en France ; ouvrage d’ailleurs quasi exclusivement constitué d’interviews, entre autres avec Christian Vander, Jac Berrocal, Dominique Grimaud, Yann Goudon, Dominique Répécaud, Jean-Marc Foussat, Bruno Meillier, Richard Pinhas, Michel Bulteau, Romain Perrot, Dominique Grimaud, Jérôme Noetinger, Daunik Lazro, Jean-Jacques Birgé… Une quarantaine à peu près. Soit un peu de l’histoire de Catalogue, Magma, Vidéo-Aventures, Soixante Étages, Étage 34, M.I.M.E.O., Vomir, Etron Fou Leloublan, entre autres…
EXTRAIT…
SCOTT WALKER, « It’s Raining Today »
J'ai découvert Scott Walker récemment en éclusant des bombonnes de vin blanc chez Rudolph Grey qui est un fin connaisseur de vieux trucs pop incroyablement étranges, ultra orchestrés et créatifs. Je ne possède que Tilt, sur cassette, et c’est assez décalé pour pouvoir m’intéresser surtout lorsque Scott Walker fait (mais c’est rare) dans le dépouillé. Ça me semble parfois à la limite du bizarre pour le bizarre (cette version clip de l’étrange, un peu comme les derniers films de Lynch). J’en profite pour passer l'annonce suivante : je recherche sérieusement le 45 tours vinyle de Scott Walker « The Man From Remo » / « Indecent Sacrifice » (B.O. de Toxic Affair) pour Rudolph, merci.
NOAH HOWARD, « Domiabra »
C’est le morceau par lequel je découvre Arthur Doyle. Cette manière d'épuiser interminablement un son me sidère. Variations du corps totalement instrumentalisé sur une sonorité. Unique.
CHARLES GAYLE, « Good Sherperd »
Charles Gayle en solo à la batterie et à la voix. Il se risque à abolir toute virtuosité, à fabriquer une frénésie (jamais hystérique) au-delà de toute barrière technique et sécuritaire. C’est splendide. Ceci dit, Gayle est magnifique quand il joue très bellement du sax aussi.
ARTHUR DOYLE, « Bä »
Une voix féminine annonce le concert, Arthur Doyle, Hugh Glover, Milford Graves, et immédiatement l’énergie se déploie comme une houle surréelle engloutissant tout sur son passage. C’est le grand déferlement d'une liberté sans nom, une physique qui rappelle dada ou le vaudou et préfigure littéralement les musiques à venir de Borbetomagus, voire les débordements des Boredoms, ou ceux, guyotiens, de Gerogerigegege. Lorsque je m’arrête dans les restoroutes, je suis fasciné par cette muzak diffusée à niveau égalitaire à tous les endroits, sauf les chiottes où elle est beaucoup plus forte – et je m'interroge sur les fonctions de la musique. Cette musique, Arthur Doyle & Co., s’opposera toujours à celle du restoroute. Apologie de l’infini dans la finitude, de la perfection de l’imparfait.
RUDOLPH GREY, « Mask Of Light »
Vraiment ce que j’attendais du free jazz depuis longtemps, chaque fois qu’on nous faisait le coup marketing du mariage entre le free et le rock. Après ça, Caspar Brötzmann n’avait plus qu’à se ramasser un pré-ampli sur la tête, et Rhys Chatam s'ouvrir la main sur les cordes et s’écrouler. On traite encore Rudolph Grey de nostalgique, c'est faux. Il invente une musique qui n'a eu le temps d'exister qu’en avorton du rock psychédélique : qu’il s’agisse des reprises d’Archie Shepp et Pharoah Sanders par les Stooges, des sessions d’Ayler et Henry Vestine de Canned Heat, des cinq de Motor City courtisant les Starships de Sun Ra, ou des disques posthumes de Destroy All Monsters.
SUICIDE, « Franky Teardrop »
Un des rares morceaux à me flanquer toujours la chair de poule (comme le « Presque rien n°2 » de Luc Ferrari pour d'autres raisons). Le concert de Suicide en 1978 fait partie des légendes urbaines à Metz : les anciens (dont je suis) y étaient, et les plus jeunes prolongent la tradition orale lors des veillées d'hiver. Pendant longtemps j’ai refusé..., ..., ...
( Henry Vestine, par là )
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aristocratslog · 4 years
Video
vimeo
Strange Jealousy - Crøm-lus from Georgios Cherouvim on Vimeo.
Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax) John Tonks: Writer/Co-producer Georgios Cherouvim: Video Camera: Charly Feldman, Lukas Hyrman, Alex Seltzer
Track available: open.spotify.com/album/6g6tfCG0bgfjMrEGiGsoFC?nd=1 crom-lus.bandcamp.com
Crøm-lus (Poppy Edwards) Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry.
Georgios Cherouvim The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure.
The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body.
The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke.
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References Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks eprints.uwe.ac.uk/20845/1/2011%20Naco%20uc09%20paper%20author%20copy.pdf More on Jeff Jones's research on Slime Mould uncomp.uwe.ac.uk/jeff/index.htm Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform comp.nus.edu.sg/~tants/jfa/i3d06.pdf Thomas Diewald github.com/diwi/ vimeo.com/diwi David Reeves spatialslur.com/about/ vimeo.com/user4323989 Touch Designer derivative.ca/ Optical flow in Nuke foundry.com/products/nuke/plug-ins/furnace
0 notes
matmanuk · 5 years
Video
vimeo
Strange Jealousy - Crøm-lus from Georgios Cherouvim on Vimeo.
Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax) John Tonks: Writer/Co-producer Georgios Cherouvim: Video Camera: Charly Feldman, Lukas Hyrman, Alex Seltzer
Track available: open.spotify.com/album/6g6tfCG0bgfjMrEGiGsoFC?nd=1 crom-lus.bandcamp.com
Crøm-lus (Poppy Edwards) Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry.
Georgios Cherouvim The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure.
The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body.
The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke.
----
References Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks eprints.uwe.ac.uk/20845/1/2011%20Naco%20uc09%20paper%20author%20copy.pdf More on Jeff Jones's research on Slime Mould uncomp.uwe.ac.uk/jeff/index.htm Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform comp.nus.edu.sg/~tants/jfa/i3d06.pdf Thomas Diewald github.com/diwi/ vimeo.com/diwi David Reeves spatialslur.com/about/ vimeo.com/user4323989 Touch Designer derivative.ca/ Optical flow in Nuke foundry.com/products/nuke/plug-ins/furnace
0 notes
noise-rm · 6 years
Video
vimeo
Strange Jealousy - Crøm-lus from Georgios Cherouvim on Vimeo.
Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax) John Tonks: Writer/Co-producer Georgios Cherouvim: Video Camera: Charly Feldman, Lukas Hyrman, Alex Seltzer
Track available: open.spotify.com/album/6g6tfCG0bgfjMrEGiGsoFC?nd=1 crom-lus.bandcamp.com
Crøm-lus (Poppy Edwards) Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry.
Georgios Cherouvim The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure.
The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body.
The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke.
----
References Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks eprints.uwe.ac.uk/20845/1/2011%20Naco%20uc09%20paper%20author%20copy.pdf More on Jeff Jones's research on Slime Mould uncomp.uwe.ac.uk/jeff/index.htm Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform comp.nus.edu.sg/~tants/jfa/i3d06.pdf Thomas Diewald github.com/diwi/ vimeo.com/diwi David Reeves spatialslur.com/about/ vimeo.com/user4323989 Touch Designer derivative.ca/ Optical flow in Nuke foundry.com/products/nuke/plug-ins/furnace
0 notes
batexamin · 7 years
Text
Inventions and Discoveries for Banking & SSC CGL Exam
Scientific Inventions and Discoveries
  When you look at the question papers of SSC CHSL, SSC CGL, SSC MTS, IBPS PO, IBPS Clerk, IBPS SO, IPPB Sc. I, LIC AAO, etc. you may find a lot of questions related to Inventions and Discoveries. Questions based on Inventions and Discoveries form a part of the General Awareness section of many Govt. and Bank exams. Therefore, you need to be well prepared for the topic of  Famous People Who Made Scientific Discoveries for Banking & SSC CGL Exam. Moreover, if you are interested in taking any Online Mock Tests then you can click on the link to begin your preparation for any other Government Exams. Here’s a list of Top Inventions and Discoveries by Scientists - A to Z List for Banking & SSC CGL Exam. We have divided the entire list into Physics, Chemistry, Biology, Computers, Space Science etc. You can also download this article as PDF for further reference.   Inventions/Discoveries Name of the Scientist/Person Adding Machine Pascal Aeroplane Wright brothers Air Brake George Westinghouse Air Pump Otto von Guericke Airship (rigid) G. Ferdinand Von Zeppelin Aniline Dyes Hoffman Antiseptic Surgery Lord Joseph Lister Arc Lamp C. F. Brush Archimedean Screw Archimedies Atom Neils Bohr Atomic Number Mosley Atomic Physics Enrico Fermi Atomic Structure Bohr and Rutherford Atomic Theory Dalton Automatic gearbox Hermann Fottinger Automobile Daimler Automobiles using gasoline Karl Benz Avogadro’s Hypothesis Avogadro Bacteriology Robert Koch Bacteriophage Max Delbruck Bakelite Leo H Baekeland Balloon Jacques and Joseph Montgolfier Ball-Point Pen John J. Loud Barometer Evangelista Torricelli Behaviorism B. F. Skinner Beri – Beri Eijkman Bicycle Kirkpatrick Macmillan Bicycle Tyre J.B. Dunlop Bifocal Lens Benjamin Franklin Binomial Nomenclature Carl Linnaeus Biogenetic Principle Ernst Haeckel Bismuth Valentine Blood Circulation Harvey Blood Groups Karl Landsteiner Bomb Edward Teller Boson S.N.Bose Boyle’s law Boyle Braille Louis Braille Breaking up the Nucleus of an atom Rutherford Calculating machine Pascal Camera George Eastman Carburetor Gottlieb Daimler Carburettor Gottlieb Daimler Cash register William Burroughs Cell Doctrine Rudolf Virchow Celluloid A.Parker Cement Joseph Aspdin Cenema A.L. and J.L. Lumiere Centrigrade scale A. Celsius Chemical Structure August Kekule Chemotherapy Paul Ehrlich Child Development Jean Piaget Chloroform James Harrison and James Young Simpson Cholera Bacillus Robert Koch Chromosomal Theory of Heredity Thomas Hunt Morgan Chronometer John Harrison Cine camera Friese-Greene Cinematograph Thomas Alva Edison Cinematography Thomas Alva Edison Circulation of the Blood William Harvey Classical Field Theory Michael Faraday Clock (machanical) Hsing and Ling-Tsan Clock (pendulum) C. Hugyens Coloured Photography Lippman Computer Charles Babbage Continental Drift Alfred Wegener Cosmic Rays R.A.Millikan Crescograph J.C.Bose Crystal Dynamics C.V.Raman Cyclotron Lawrence D.D.T. Dr.Paul Muller Deciphering the genetic code Dr.Hargobiad Khorana Deuterium (Heavy Water) H.C.Urey Diesel Engine Rudolf Diesel Diesel Oil Engine Rudolf Diesel Difference engine Charles Babbage Electrons J.J.Thomson Laws of Planetary Motion Kepler North Pole Robert Peary (1909) Solar System Copernicus (1540) South Pole Amundson (1912) Specific Gravity Archimedes West Indies Columbus (1492) Drinker’s Chamber of Iron Lung Dr.Philip Drinker Dynamical theory of Heat Lord Kelvin Dynamite Alfred B. Nobel Dynamo Michael Faraday Effect of Pressure on trough bodies Meghnad Saha Eightfold Way Murray Gell-Mann Electric Battery Alessandro Volta Electric Flat Iron H. W. Seeley Electric Furnace William Siemens Electric Generator Michael Faraday electric guitar Adolph Rickenbacker Electric iron H.W. Seeley Electric Lamp Thomas Alva Edison Electric Measurement Gauss Electric Motor (AC) Nikola Tesla Electric razor Jacob Schick Electrical Waves Heitz Electricity Faraday Electromagnet William Sturgeon Electromagnetic Field James Clerk Maxwell Electromagnetic Theory Maxwell Electron Joseph J. Thomson Electron Theory Bohr Electronic Computer Dr. Alan M. Turing Elevator Elisha G. Otis Energy of the Sun Hans Bethe Equal sign (=)? Robert Recorde Ethology Konrad Lorenz Eugenics Francis Galton Evolution Charles Darwin Evolution (theory) Charles Darwin Evolutionary Theory Ernst Mayr Fahrenheit Scale Fahrenheit Film & Photographic goods Kodak Film (with sound) Dr. Lee de Forest Foundations of Biology Jean Baptiste Lamarck Foundations of Mathematics Euclid Founding of Modern Physiology Claude Bernard Founding of Psychology Wilhelm Wundt Fountain Pen Lewis E. Waterman Fundamental Laws of Electric Attraction Coulomb Galvanometer Andre-Marie Ampere Gas lighting William Murdoch Gasoline engine Karl Benz Genetic Code Frederick Sanger Geometry Euclid Germ Theory of Disease Louis Pasteur Glider Sir George Caley Gramophone Thomas Alva Edison Gun powder Rogei Bacon Heavens William Herschel Heavy Hydrogen Urey Helicopter Broquett Heliocentric Universe Nicolaus Copernicus Helium Gas Lockyer Homoeopathy Hahnemann Hovercraft Christopher Cockerell Human Sexuality Alfred Kinsey Hydrogen Cavendish Hydrophobia Louis Pasteur I.Q. Test Alfred Binet In Number Theory Ramanujam Incandescent Bulb Edison Induction Coil Rohm Korff Induction of Electric Current Faraday Insulin F.Banting Intelligence test Binet Internal Combustion Engine Otto Jeans Levi Strauss Jet Engine Sir Frank Whittle Jet Propulsion Frank Whittle Kala-azar Fever U.N.Brahmachari Kaleidoscope David Brewster Laboratory Gas Burner Robert Wilhelm Von Bunsen Laughing Gas Priestley Law of Electrolysis Faraday Law of gases Gay Lussac Laws of Electrical Resistance Ohm Laws of Gravitation Newton Laws of Heredity Gregory Mandel Laws of Inheritance Gregor Mendel Laws of Motion Newton Laws of Multiple Proportion Dalton Laws of Natural Selections Darwin Life Boat Henry Great Head Lift E.G. Otis Lift (Elevators) Otis Lightning Conductor Benjamin Franklin Line of demarcation (ship) Plimsoll Linotype Mergenthaler Liquid Oxygen Dewar Locomotive Richard Trevithick Logarithmic Tables John Napier Logarithms John Napier Machine Gun Dr. Richard Gatling Malarial Parasite Ronald Ross Match (safety) J.E. Lurdstrom Mathematical Astro Physics Chandrasekhar Mathematical Genius Carl Gauss (Karl Friedrich Gauss) Mauve dye Perkin Measurement of Electrical Energy Joule, James Prescoft Mechanical Equivalent of Heat Joules Mercury Thermometer Fahrenheit Meson Hideki Yakawa Microphone Johann Phillip Reis, Alexander Graham Bell, Elisha Gray, Amos E. Dolbear, and Thomas Edison Microscopic Anatomy Marcello Malpighi Modern Anthropology Franz Boas Modern Astronomy Arthur Eddington Modern Computer John von Neumann Modern Geology Charles Lyell Modern Physiology William Bayliss Modern Synthesis Theodosius Dobzhansky Modern Telescope Edwin Hubble Molecular Biology Francis Crick Molecular Scattering of light in fluid Ramanathan Montessori Method Maria Montessori Motion of the Planets Johannes Kepler Motor Car (petrol) Karl Butler Movie Projector Thomas Alva Edison Neon Gas Ramsay, Travers Neon-lamp G. Claude Neurophysiology Charles Sherrington Neutron Chadwick New Anatomy Andreas Vesalius New Astronomy Tycho Brahe New Science Galileo Galilei Newtonian Mechanics Pierre Simon de Laplace Newtonian Revolution Isaac Newton Nuclear Fission Otto Hahn, Bohr and Fermi Nylon Dr. Wallace H. Carothers Nylon Plastic Carothers Organic Chemistry Emil Fischer Origin of Species Charles Darwin Oxygen Priestly Paints Shalimar Paper clip Johann Vaaler Parking meter Carlton Mcgee Penicillin Alexander Fleming Periodic Law Mendeleef Periodic Table of Elements Dmitri Mendeleev Pharmacology Gertrude Belle Elion Phonograph Edison Photograph Dauguerre Photography (paper) W.H. Fox Tablot Phototherapy N.R.Finsen Pneumatic Tyres John Boyd Dunlop Positive Electrons Anderson Power Loom Edmund Cartwright Powerloom Cartwright Principle for lever (S.P.Gravity) Archimedes Printing for the Blind Braille Printing Press Johannes Gutenberg Psycho-analysis Dr.Sigmund Freud Psychology of the Unconscious Sigmund Freud Quanta Max Planck Quantum Cosmology Stephen Hawking Quantum Electrodynamics Richard Feynman Quantum Mechanics Max Born Quantum Theory Werner Heisenberg Quantum Theory Max plank Raazor (safety) K.G. Gillete Rabies Vaccine Louis Pasteur Radar Dr. A.H. Taylor and L.C. Young Radio G. Marconi Radio transmitter Alexanderson Radioactive Dating Willard Libby Radioactivity Marie Curie Radio-activity of Uranium Henry Becquerel Radium Madame Curie Railway Engine Stephenson Raincoat Charles Macintosh Raman effect C.V.Raman Rare Gas Cavandish Rayon American Viscose Co. Razor (electric) Col. J. Schick Refrigerator James Harrison, Alexander Catlin Replacing human heart Christian Barnard Revolution in Chemistry Antoine Laurent Lavoisier Revolver Samuel Colt Rise of German Science Hermann von Helmholtz rubber (vulcanized) Charles Goodyear Rubber (waterproof) Charles Macintosh Safety lamp Sir Humphrey Davy Safety Pin William Hurst Safety Razor King C. Gillette Salk Vaccine Salk Saxophone Antoine Joseph Sax Scientific astronomy Hippalus Scientific Thinking Lucretius Scooter G. Bradshaw Seismograph Roberts Mallet Sewing Machine Thomas Saint Sextant Hadley Ship (steam) J.C. Perier Ship (turbine) Sir Charles Parsons Shorthand Sir Isaac Pitman Sociobiology Edward O. Wilson Soviet Genetics Trofim Lysenko Space flying Braun, Dr.Wernher Von Spectroscope Bunsen Spectroscopy Gustav Kirchhoff Spinning frame Sir Richard Arkwight Spinning jenny James Hargreaves Stainless Steel Harry Brearley Steam boat Fulton Steam Engine James Watt Steam engine (condenser) James Watt Steam engine (piston) Thomas Newcome Steam Turbine Parsons Steel Melting Process Bessemer Steel production Henry Bessemer Stethoscope Dr. William Stokes, Rene Laennec Stress Concept Hans Selye Structural Anthropology Claude Levi-Strauss Structure of DNA James Watson Structure of the Atom Ernest Rutherford Submarine David Bushnell Sulpha Drugs Domagk Superconductivity Heike Kamerlingh Symbiosis Theory Lynn Margulis Symbol (x)? William Oughtred T.N.T. llly Brandt Talkies Lee-de-Frost Tank Sir Ernest Swington Telegraph Samuel Morse Telegraphic Code Samuel Morse Telephone Sir Alexander Graham Bell Telescope Galileo Television Baird Television (mechanical) John Logie Baird Tempo of Evolution George Gaylord Simpson Terylene J. Whinfield and H. Dickson The long playing microgroove record Peter Goldmark Theory of conditioned reflex Pavlov Theory of Evolution Darwin Theory of Relativity Einstein Theory of the Atom John Dalton Thermodynamics Ludwig Boltzmann Thermometer Galileo Gallei Thermos Flasks Dewar Tractor J. Froelich Transformer Michael Faraday Transistor Bardeen, Shockley, Brattain Typewriter C. Sholes Uranium fusion Oho Hahn Uranus (Planet) Herschel William Vaccination Edward Jenner Valve of radio Sir J.A. Fleming Vitamins Hopkins and Funk Vitamin A Elmer V. McCollum and M. Davis Vitamin B Elmer V. McCollum Vitamin B1 Casimir Funk Vitamin B2 D. T. Smith, E. G. Hendrick Vitamin Niacin Conrad Elvehjem Vitamin Folic acid Lucy Wills Vitamin B6 Paul Gyorgy Vitamin C James Lind Vitamin D Edward Mellanby Vitamin E Herbert Evans and Katherine Bishop Vulcanised Rubber Charles Goodyear Washing Soda Lablanc Watch A.L. Breguet Waterproof Rubber Charles Macintosh Wave Mechanics Erwin Schrodinger Wave Theory of Light Christiaan Huygens Wave/Particle Duality Louis Victor de Broglie Wireless Communication Oliver Lodge Wireless Telegraphy Marcony World Wide Web and Hypertext Markup Language Tim Berners Lee X – Rays Roentgen X-ray Wilhelm Reontgen X-ray Crystallography Max von Laue zerox machine Chester Carlson Zip fastener W. L. Judson Zipper B. F. Goodrich   We hope that you have gained sufficient information about Inventions and Discoveries for Banking & SSC CGL Exams. If you know more about this topic that you think the article hasn’t included, then comment below.  Read the full article
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uneminuteparseconde · 7 years
Text
Des concerts à Paris et autour
Mai 22. Théorème + Zad Kokar & Les Combi Beyaz + Rose Mercie – La Pointe Lafayette 23. Soft Kill + Icesun + Mhud – Supersonic (gratuit) 23. Arlt : concert littéraire avec Céline Minard – Maison de la poésie 23. Phil Von : musique pour "Banzaï ! 2.0" (Butô fest.) – Espace Bertin-Poiré 23. Sleaford Mods + Mark Wynn – Gaîté lyrique ||COMPLET|| 23/24. Pascal Bouaziz : musique live pour "Nos féroces" de Séverine Rième (Rencontres chorégraphiques de Seine-Saint-Denis) – théâtre Berthelot (Montreuil) 24. Boris Viande + dDash + Black Scoumoune + Pvnk Bordel – Cirque électrique 24. Death in Vegas – Gaîté lyrique 24. God is an Astronaut – Flow 25. Keiji Haino, Merzbow & Balasz Pandi + Afrirampo + Puce Mary (Villette sonique) – Trabendo 25. RA + Drab Majesty – Espace B 26. Soviet Soviet + Empereur + Dead + Scaffolder – Supersonic (gratuit) 26. Giant Swan + Couteau latex + Cachette à branlette + Air Lqd (Villette sonique) – Halle aux cuirs (gratuit) 26. La Colonie de vacances (Villette sonique) – Périphérique 26. Méryll Ampe + Michel Guillet + Nicolas Gimbert & Valéry Poulet –   Plateforme 26. Royal Trux + Groupe Doueh & Cheveu + Uranium Club + Bernardino Femminielli (Villette sonique) – Grande Halle de La Villette 26. Actress + Jacques Greene – Nuits fauves 26. BLNDR + Natural/Electronic.system. – Batofar 26. Marcel Fengler + Scan X + Chris Honorat + Théophiluss – Rex Club 27. Doomsday Student + Mdou Moctar + Marie Davidson + Deena Abdelwahed (Villette sonique) – Périphérique Grande Scène (gratuit) 27. Pointe du Lac + Police Control + Omar Di Bongo + Pizza Noise Mafia (Villette sonique) – Halle aux cuirs (gratuit) 27. X-Or – Chair de poule (gratuit) 27. Collectif_Sin (Villette sonique) – Wip 27. Annette Peacock + OOIOO (Villette sonique) – Cité de la musique|Philharmonie 27. Obelisque Chevreuil + Istari Lasterfahrer + The Drunk Trunk – L'époque 27. Greg Buffier & As Human Pattern + Bérangère Maximin + Julien Despresz + Lasson + Duncan Pinhas + Bâ + Flirt + Sébastien Forrester & Cerca Trova + K & Rien + Capharnaüm & Silent Shout – Ourcq blanc 28. The Goon Sax + Princess Nokia + Volition Immanent + Randomer + Kokoko ! (Villette sonique) – Périphérique Grande Scène (gratuit) 28. Mandolin Sister + Bryan's Magic Tears + Fusiller + Bras morts (Villette sonique) – Halle aux cuirs (gratuit) 28. Âme de boue + Cellule 34 – L'Époque 28. Einstürzende Neubauten + Jenny Hval – Grande Halle de La Villette 29. Ruins + Akaten + Zubi Zuva X + Acid Mother Temple SWR + Acid Mother Kirisute Gomen + Psyche Bugyo + Makoto Kawabata + Zoffy + Atsushi Tsuyama + Emiko Ota (Japanese New Music) – Gaîté lyrique 29. MSHR + Max Eilbacher & Duncan Moore + Acqua Dentata – Espace des arts sans frontières 29. Psychic TV 3 + Aikula – Petit Bain 30. Broken Social Scene – L'Alhambra 30. Winter Family + La terre tremble ! (Villette sonique) – La Station 30. Puff Pieces + Computerstaat + Stratocastors – La Comedia (Montreuil) 31. The Make Up + The Blind Shake (Villette sonique) – Cabaret sauvage 31. Kim Gordon + Rodney Graham – Salo
Juin 01. Kim Myrh & Lasse Marhaug + EKT (EriKm, Harald Kimmig & Olaf Tzschoppe) – Instants chavirés (Montreuil) 01. Society of Silence + Charles Fenckler + Kobosil – Nuits fauves 02. Anne-James Chaton & Andy Moor jouent "Heretics" –  Le Carreau du Temple 02. Zone libre & Marc Nammour : "Debout dans les cordages" – Espace Niemeyer 02. Ansome + Myler + Ossian + Ayarcana + 138 – La Machine 02. Marc Houle + Extrawelt + Edouard! + Moon – Nuits fauves 02/03. KTL : musique pour "Niagara Reverb" de Fujiko Nakaya (ManiFeste) – piazza du Centre Pompidou (gratuit) 03. Gérard Grisey : "Prologue" + Morton Feldman : "Rothko Chapel" (ManiFeste) – Centre Pompidou 03. Sister Iodine + Les Hôpitaux + Warsawwasraw – La Station 03. Nots + Mary Bell – Point FMR 03. Total Victory – Le Klub 04. Karima Walker + Mikko Savela + Méryll Ampe + Jean Ray – tba 04. Anetha + Kas:st + Octave One + Paranoid London + Rodhad... – Vélodrome (Saint-Quentin-en-Yvelines) 06. John Russell + Michel Doneda & Lê Quan Ninh – Instants chavirés (Montreuil) 07. Fantazio : “Seul avec Bashung” – Galerie Hus 07. The Space Lady + Richard Pinhas + Moon Gogo – Petit Bain 07. Didier Wampas + Thomas de Pourquery + Ignatus + Joseph Racaille + Trotski nautique + Gontard ! chantent Jean-Luc Ténia – théâtre de verre Co-Arter 08. Primal Scream – Gaîté lyrique 08. Soror Dolorosa + Schonwald – Bus Palladium 08. Sida + Cellular Chaos – Instants chavirés (Montreuil) 08. Phase fatale + Rendered + Sarin + Schwefelgelb – Nuits fauves 09. Blurt – Espace b 09. Jordan + Mnemotechnic + Computerstaat – Le Klub 09. Maud Geffray + Chloé + Voiron + Casual Gabberz + Krampf – Gaîté lyrique 09. Four Knobs + UVB 76 – Maison populaire (Montreuil) (gratuit) 09. Skinny Puppy + Carpenter Brut (fest. Download) – Base aérienne 217 (Brétigny/Orge) 10. Molécule + NSDOS + Chloé – Maison de la radio 10. Maoupa Mazzocchetti + Krikor + Jan Melnick + Moyo – La Java 10. Mesparrow (fest. TaParole) – La Marbrerie (Montreuil) 10/11. Richie Hawtin + Flying Lotus + Jon Hopkins (dj) + Moderat + Motor City Drums Ensemble + Recondite [+ A Tribe Called Quest : ANNULÉ] + Solange + Nicolas Jaar + Parcels + Jessy Lanza + Action Bronson + Anderson Paak + Abra... (We Love Green) – Bois de Vincennes 11. Inhalt + Poison Point – La mécanique ondulatoire 11. Amanda Palmer & Edward Ka Spel – La Cigale 14. King Dude + Suzie Stapleton – La plage de Glazart (gratuit) 14. Charlemagne Palestine – musée d'Art et d'Histoire du judaïsme 14. Futurs morts + La Fiole + Hinterheim – La Comedia (Montreuil) 15. PAL + Blason – Zorba 15. Tinfoil + Head Front Panel + Emmanuel + Parfait – Nuits fauves 15. Arlt + Bégayer (fest. TaParole) – Instants chavirés (Montreuil) 16. Warum Joe + Asphalt + Last Night + Police Control + Colombey – La Station 16. Abdulla Rashim + Untold + Clara 3000 + Renaat – Rex Club 16. Abstrakt Keal Agram + Mont Analog + Bornor (Mowno 20 ans) – Petit Bain 16. Xosar + Paulie Jan + UVB 76 – Petit Bain 16. Telemark + Kurt – Le Jardin d'Alice (Montreuil) 17. Electric Electric + It It Anita + La Jungle (Mowno 20 ans) – Petit Bain 17. Winter Family + Chris Imler + Maulwürfe + Infecticide + dj El Xuxulero (Cheveu)... – Théâtre Nanterre-Amandiers (gratuit) 17. Miossec (fest. TaParole) – La Parole errante (Montreuil) 20. Stranded Horse + Halo Maud + Buvette + Rubin Steiner + Yeti Lane + Petit Prince (36 H Saint-Eustache) – église Saint-Eustache (gratuit) 21. Palatine + JP Nataf & friends (36 H Saint-Eustache) – église Saint-Eustache (gratuit) 21. Bitpart + Trotski nautique – Le Super coin (gratuit) 22. Joëlle Léandre & Mike Ladd – Galerie Hus (sur résa) 22. Pfirter + Lewis Fautzi + Pearl + Krÿst – Nuits fauves 23. Damien Dubrovnik + Internazionale + Ligovskoï + Dasein – Gaîté lyrique 23. Murcof & Vanessa Wagner – La Marbrerie (Montreuil) 23. Ludwig von 88 + Stylnox + Julie Colère (festival CNT) – La Parole errante (Montreuil) 24. Burning Heads + René Binamé + Mr Bidon + El Comunero (festival CNT) – La Parole errante (Montreuil) 24. No Balls – La Mécanique ondulatoire 25. Matt Elliott (fest. BD6Né) – médiathèque Marguerite Duras 26. Street Eaters + Bitpart + Belmont Witch + Stalled Minds – La Comedia  (Montreuil) 26>28. Zëro : concert littéraire "Pasolini" avec Virginie Despentes & Béatrice Dalle – Maison de la poésie 28. Blondie – Olympia 29. Sam Fleisch + Percolator – Olympic café 29. Sathönay + :such: + Casio judiciaire – Instants chavirés (Montreuil) 29 > 02.07. Belmont Witch + Mariachi + Ella a. Thaun + Nana Benamer + Sleep Loan Sharks + Big Meufs  + Miaux + Méryll Ampe + Félon + Las Kellies... (fest. Comme nous brûlons) – La Station 30. Tropical Horses – Petit Bain (gratuit) 30. Geneviève Pasquier + Position parallèle + Black Light Ascension – Le Zèbre de Belleville 30. Objekt + Rrose + Paula Temple (Macki music fest.) – La Machine 30. Jean-Luc Guionnet & Eric La Casa : "Home" – Théâtre studio|La Muse en circuit (Alfortville) 30>10.07. Air + Metronomy + Jarvis Cocker & Chilly Gonzales + Savages + Devendra Banhart + Michael Kiwanuka + Tindesticks présentent "Minute Bodies" + James Vincent McMorrow + Lady Sir (Rachida Brakni & Gaëtan Roussel) + Kate Tempest + Calypso Valois + The Color Bars Experience joue Nick Drake (fest. Days Off) – Philharmonie
Juillet 01. Ke/Hil + Kommando + Tunnels of Āh + AntiVallium – Le Zèbre de Belleville 01/02. Soichi Terada + Antal b2b Hunee + San Proper + Margie + Renart + Mézigue + Rendez-vous... (Macki Music fest.) – parc de la mairie (Carrières/Seine) 02. The Color Bars Experience joue Nick Drake (Days Off) – Salle de répétition|Philharmonie 02. Tindersticks : cineconcert sur "Minute Bodies" de Suart Staples (Days Off) – Cité de la musique 03. Metronomy (Days Off) – Salle Boulez|Philharmonie 04. Savages + Kate Tempest (Days Off) – Cité de la musique 05. Group Doueh & Cheveu – Institut des Cultures d'Islam 06. Devandra Banhart + Lisa Hannigan (Days Off) – Salle Boulez|Philharmonie 06. Mikky Blanco + Rebekka Warrior + Moor Mother + Easter + Smerz (Loud & Proud) – Gaîté lyrique 07. The Queer Icons + Deena Abdelwahed (Loud & Proud) – Gaîté lyrique 07. Ancient Methods + Marie Davidson + Voiski + Varg + Exal + BLNDR + Carl Craig + Marcel Dettmann + Nina Kraviz + The Martinez Brothers + Jackmaster + Levon Vincent + Konstantin + Peggy Gou + Hugo LX + Codex Empire (Peacock Society) – Parc floral (Vincennes) 07/08. Daikiri + Gloria + Tomaga + Le Villejuif Underground + The Limiñanas + Hey Colossus + Fai Baba + Stratocastors + Cocaine Piss + Mendelson + Tritha Electric + Guili Guili Goulag + Delacave + En attendant Ana + Snapped Ankles + Housewives + Pogo Car Crash Control (La Ferme électrique) – La Ferme du Plateau (Tournan-en-Brie) 08. Sourdure + Piu Piu (dj) + N.M.O. + Danny L. Harle (dj) (Siestes électroniques) – musée du Quai Branly (gratuit sur résa) 08. Yves Tumor + Chino Amobi + Tami T + Big Dipper + Kiddy Smile + Jennifer Cardini + Honey Sound System + Venus Xgg (Loud & Proud) – Gaîté lyrique 08. Air (Days Off) – Salle Boulez|Philharmonie 08. Dixon + Kaytranada + Apollonia + The Black Madonna + Moodymann + DVS1 + Midland + Romare + Tommy Genesis + Avalon Emerson + Jlin + AZF + Raheem Experience + Fils de Vénus +  Bamao Yende + TGAF (Peacock Society) – Parc floral (Vincennes) 09. Carl Stone (dj) + Manu le Malin (dj) (Siestes électroniques) – musée du Quai Branly (gratuit sur résa) 09. Jarvis Cocker & Chilly Gonzales (Days Off) – Cité de la musique 10. RY X + C Duncan (Days Off) – Cité de la musique 10. Sufjan Stevens, Bryce Dessner, Nico Muhly & James McAlister (Days Off) – Salle Boulez|Philharmonie 15. Blawan – Rex Club 19. Molecule – Safari Boat 21. Hocico + Shaârghot – Petit Bain
Août 25. Converge + Havok + Gorguts + Revocation – Trabendo 25>27. PJ Harvey + The XX + At the Drive In + Franz Ferdinand + Cypress Hill + Ty Segall + Rone + The Kills... (Rock en Seine) – Parc de Saint-Cloud 29. The Psychedelic Furs – Elysée Montmartre
Septembre 21. Ennio Morricone – Bercy Arena 22. She Past Away + Qual – Petit Bain 27. Sigur Ros – Grand Rex ||COMPLET|| 28/29. Sigur Ros – Grand Rex
Octobre 03. Nick Cave & The Bad Seeds – Zénith ||COMPLET|| 04. Nick Cave & The Bad Seeds – Zénith 14. Wardruna – La Cigale 19. Nosfell – Café de la danse 20. Gary Numan – Trabendo 23. Mogwai – Grand Rex 24. The Dream Syndicate – Centre Barbara FGO 28. Peter Hook & The Light – Le Trianon
Novembre 02>04. The National + Run The Jewels + Ride + Talaboman + Badbadnotgood + The Blaze + Polo & Pan... (Pitchfork fest.) – Grande Halle de La Villette 15. Igorrr – La Maroquinerie 17. Trisomie 21 – La Machine 21. Sun Kil Moon – Gaîté lyrique 27. Marilyn Manson – Bercy|Arena
en gras : les derniers ajouts / in bold: the last news
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