#Slat Fluting Design

[stoneartbyskl]

Top 5 Reasons to Choose Wall Cladding Solutions

In the realm of interior and exterior design, wall cladding has emerged as a popular and effective method to enhance the aesthetic appeal of any space. Wall cladding solutions offer a versatile and durable way to transform plain walls into stunning works of art. Among the plethora of options available, natural Indian marble and Indian sandstone stand out as exceptional materials for wall cladding. Here, we explore the top five reasons to choose wall cladding solutions, focusing on the best decorative wall claddings designs offered by Stone Art By SKL.

1. Aesthetic Versatility with Best Decorative Wall Cladding

One of the most compelling reasons to opt for wall cladding solutions is the sheer variety of decorative designs available. Wall cladding can be tailored to suit any aesthetic preference, from contemporary to classic, minimalist to extravagant. The best decorative wall cladding transforms ordinary walls into captivating visual elements that enhance the overall ambiance of a space.

Ripple Wave Wall Cladding Design

Ripple wave wall cladding design is an excellent choice for those seeking a dynamic and fluid aesthetic. The undulating patterns create a sense of movement and depth, making walls appear lively and textured. This design is particularly effective in modern interiors where a touch of elegance and sophistication is desired. Stone Art By SKL offers ripple wave designs crafted from natural Indian marble, providing a luxurious and timeless look.

Bamboo Wall Cladding Design

For a more organic and nature-inspired aesthetic, bamboo wall cladding design is an ideal option. This design mimics the appearance of bamboo stalks, bringing a sense of calm and tranquility to any space. The natural hues of Indian sandstone used in this design add warmth and earthiness, making it perfect for creating a serene and inviting atmosphere.

Flower Wall Cladding Design

Flower wall cladding design introduces a touch of floral charm and elegance to interior spaces. This design features intricate floral patterns that can transform a plain wall into a beautiful mural. Utilizing natural Indian marble, Stone Art By SKL crafts exquisite flower wall cladding that exudes luxury and grace. This design is particularly suited for spaces where a soft, feminine touch is desired, such as bedrooms and living areas.

Geometric Wall Cladding Patterns

Geometric wall cladding patterns are a popular choice for those who appreciate modern and abstract designs. These patterns can range from simple shapes to complex configurations, creating a striking visual impact. Stone Art By SKL offers a variety of geometric patterns using Indian sandstone, providing a contemporary and stylish look that enhances the architectural features of any space.

Zigzag Wall Cladding Design

The zigzag wall cladding design is perfect for adding a sense of movement and energy to a space. This design features sharp, angular lines that create a dynamic and bold statement. Using natural Indian marble, Stone Art By SKL crafts zigzag wall cladding that is both visually stunning and durable. This design is ideal for modern interiors looking for a touch of uniqueness and creativity.

2. Durability and Longevity with Natural Materials

Another significant advantage of choosing wall cladding solutions, especially those crafted from natural Indian marble and Indian sandstone, is their durability and longevity. These natural materials are renowned for their strength and resilience, making them ideal for both interior and exterior applications.

Natural Indian Marble

Natural Indian marble is celebrated for its timeless beauty and exceptional durability. It is resistant to scratches, stains, and moisture, ensuring that the wall cladding retains its pristine appearance for years to come. Marble's natural veining and color variations add a unique character to each piece, ensuring that no two installations are exactly alike. Stone Art By SKL sources the finest Indian marble to create wall cladding solutions that are not only aesthetically pleasing but also built to last.

Indian Sandstone

Indian sandstone is another robust material that offers excellent durability and resistance to weathering. It is particularly well-suited for exterior wall cladding due to its ability to withstand harsh environmental conditions. Sandstone's natural texture and earthy tones make it a popular choice for creating a rustic and natural look. Stone Art By SKL uses high-quality Indian sandstone to craft wall cladding that is both beautiful and enduring.

3. Easy Maintenance and Care

One of the practical benefits of wall cladding solutions is the ease of maintenance they offer. Natural materials like Indian marble and sandstone are relatively easy to clean and maintain, making them a convenient choice for busy homeowners and commercial spaces.

Cleaning and Upkeep

Regular cleaning of wall cladding is straightforward and typically involves wiping down the surface with a damp cloth to remove dust and dirt. For more thorough cleaning, a mild detergent solution can be used. Both Indian marble and sandstone are resistant to mold and mildew, further reducing the maintenance requirements. Stone Art By SKL provides comprehensive care instructions to ensure that your wall cladding remains in excellent condition.

Repair and Restoration

In the unlikely event that wall cladding becomes damaged, natural materials are relatively easy to repair. Chips and scratches can often be polished out or filled in with matching material. Stone Art By SKL offers repair and restoration services to keep your wall cladding looking as good as new, ensuring that your investment continues to provide aesthetic and functional benefits over the long term.

4. Eco-Friendly and Sustainable Choice

Choosing wall cladding solutions made from natural materials is also an environmentally friendly decision. Natural Indian marble and Indian sandstone are sustainable options that have a lower environmental impact compared to synthetic materials.

Sustainable Sourcing

Stone Art By SKL is committed to sustainable sourcing practices, ensuring that the materials used for wall cladding are extracted responsibly. The use of natural stone reduces the reliance on synthetic materials that can be harmful to the environment. Additionally, natural stone is a recyclable material, further contributing to its sustainability.

Energy Efficiency

Wall cladding can also contribute to the energy efficiency of a building. Natural stone has excellent thermal properties, helping to regulate indoor temperatures by retaining heat in the winter and staying cool in the summer. This can lead to reduced energy consumption for heating and cooling, making wall cladding a smart choice for environmentally conscious homeowners and businesses.

5. Enhancing Property Value

Investing in high-quality wall cladding solutions can significantly enhance the value of a property. Beautifully designed and expertly installed wall cladding adds a touch of luxury and sophistication that can make a lasting impression on potential buyers or tenants.

Aesthetic Appeal

The aesthetic appeal of wall cladding cannot be overstated. It can transform an ordinary space into an extraordinary one, making it more attractive and inviting. The use of premium materials like natural Indian marble and Indian sandstone further elevates the perceived value of a property. Stone Art By SKL’s stunning wall cladding designs can create focal points that capture attention and admiration.

Functional Benefits

In addition to its visual appeal, wall cladding offers practical benefits that enhance the overall functionality of a space. The durability and low maintenance requirements of natural stone cladding mean that properties are likely to require fewer repairs and upkeep, which is a significant selling point. Furthermore, the insulation properties of natural stone can lead to lower energy bills, adding to the long-term financial benefits.

Marketability

Properties with high-quality wall cladding are more marketable and can command higher prices in the real estate market. Potential buyers or tenants are often willing to pay a premium for homes and commercial spaces that feature beautiful and durable wall cladding. Stone Art By SKL’s reputation for excellence in design and craftsmanship ensures that their wall cladding solutions are a valuable addition to any property.

Conclusion

Wall cladding solutions offer a multitude of benefits that make them an attractive option for enhancing the aesthetic and functional qualities of any space. The best decorative wall cladding designs, such as ripple wave, bamboo, flower, geometric patterns, and zigzag designs, provide a wide range of styles to suit different preferences and settings. The use of natural Indian marble and Indian sandstone ensures durability, ease of maintenance, eco-friendliness, and long-lasting beauty. By choosing wall cladding solutions from a reputable manufacturer like Stone Art By SKL, you can transform your property into a visually stunning and highly valuable asset. Whether you are looking to renovate your home or upgrade a commercial space, wall cladding is a worthwhile investment that delivers impressive returns in both form and function.

[teacup-tyrant]

Shadow & Bone 2.1: Live review/reaction

Remember when I did these first season? I did it again because I can't help it.

In this episode: We're finally at the bottom of the Barrel where we belong, Nikolai's boat looks stupid, and "there was only one bed."

-Haha Kaz forged them papers to get into Novyi Zem, of course he did.

-Wait where are Alina's neck antlers? I can't see them. Hiding under clothes?

-So I expected that the Crows would return to find Pekka Rollins had taken over the Crow Club, but I didn't expect him to turn it into the Kaelish Prince. How dare. This is all getting very Six of Crows-y very fast.

-No one arrests Kaz Brekker so easily, excuse me.

-He's sitting SO CLOSE to people he is gonna start to FREAK OUT and I am here for it. But also, where have we seen a situation like this before with Kaz being sandwiched between people in a prison wagon, hmmm? So I guess we'll have to expect to be in the same situation in Fjerda.

-Stop touching him stop touching himmmmmm

-One of my season 2 wishes was for Kaz to have contact moments like this with no explanation given and this scene just gave me that. Thanks.

-At first I was like UGH, the Stadwatch aren't wearing purple, but like many other shows in recent time, we're just getting darkness as a directorial choice here and I couldn't tell that they actually are wearing purple. Good.

-Is that Nikolai, whuuuut? His accent is very... something. It's strong.

-“And there was only one bed” Alina and Mal moment.

-“We are not vultures, we are crows.” Favorite line so far.

-So we're getting Kaz seeing through a guy as Sturmhond only for him to see through Sturmhond as someone else during the auction scene in CK? Nah. They blew another plot hole in the duology.

-(This was, she would soon realize, a common theme of SoC scene stealing as the show progresses.)

-We're getting Jesper being a fabrikator this early? Sure makes the Ice Court reveal less fun. But Kaz keeps people's secrets. So. Maybe no one else will know.

-ZOWI!! Man the Zemeni have a much better way at looking at things than the Ravkans do.

-How is Mal's old general randomly here? Why would he get the reward for finding Alina, like he can suddenly abandon his own post and go off bounty hunting. He's as much a deserter as Mal then, it makes no sense for him to be here.

-They're in the bottom of the Barrel? Finally. Right where they belong.

-Wahhhhh Kaz trying to protect Inej by sending her away already. And she says she's not leaving him, ouch my heart.

-The way Rollins says “Brekker” reminds me of Snape saying “Pottah” hahaha

-Omg Wylan playing flute on the street, I SCREAMED. What is this Ian Anderson way of playing the flute, I ask you?!?!? You're not supposed to make sounds like that on the flute. I played flute for 12 years and never have I made those kind of noises, Wylan, that is only a Jethro Tull kind of thing and any flute teacher will scoff at you if you even bring it up.

-There you go everyone, it WAS Wylan's bomb that saved Kaz from the Darkling.

-Was that Nina stopping everyone's hearts? It WAS! I knew it. She called Kaz “Angry Hat” ahaha that is amazing, I can't wait to see her have banter with him.

-Oh shit, they're tattooing murderer on him?! Brutal. My tattoo artist roommate would have something to say about the hygiene involved here. Or, lack thereof.

-I'm sorry, I hate the design of Nikolai's ship. It's clearly something “other” because it's not wood like the rest of them, but it just looks so flat and boring. It looks like bad CG, even the parts of it that aren't CG. It also looks empty and unlived in. It's too clean.

-Hahah Nikolai's steampunk crew. I forgot how steampunk-y book 3 gets. I've only read it once so uhhh I don't remember most of it.

-KAZ SAID THE LINE.

-Are we going to see the Slat? Are we going to see something become the Slat and all the gritty bottom of the Barrelness that I want?

-“The Barrel belongs to bastards.” You're damn right it does, get em!!

-Welp, I'm happy at the amount of Crow content we're getting. So what I'm seeing here is that... we're setting up how we get to the point where we start at Six of Crows. Sort of. So Kaz will come out of it with his gang back but living in a shithole. But Rollins still needs to be around for that, thus, we can't beat him properly this season. So.

Ok. NEXT.

Ep1 | Ep2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 |Ep8

[volgapanels]

Enhance Your Living Space With Fluted Slat Wall Panels

[capellilavita-blog]

Here is a group of kitchens and finishes that prove that there are no limits when you choose a bespoke designer. The fdjcupboards team will make your ideas come to life. Call +27 22 433 3197 MDF v-groove sprayed kitchen, with solid oak detail. Bespoke loose standing cabinet with detail trims, blue painted fronts and oak finishes combined. Slatted oak timber panel to hide gas fire place. Custom made weaved baskets for underneath braai openings to store fire wood. Solid Oak timber stair detail with balustrade and metal detail. Black Mdf sprayed fluted panel drawer fronts with Oak shelf detail for TV unit.

[everwoodwpc1-blog]

Exploring Design Versatility: Creative Possibilities with WPC Cladding Exterior

Introduction

Exterior cladding plays an important role in the protection and upkeep of buildings. It provides a weather-resistant and insulating envelope around buildings and enhances their aesthetics.

WPC (wood plastic composite) is an innovative material that offers creativity and functionality along with exceptional design versatility. It offers endless possibilities in transforming the exterior of buildings. With the timeless appeal of natural wood and the advantages of composite technology, WPC cladding redefines exterior aesthetics.

Design Versatility

WPC exterior cladding panels possess numerous inherent characteristics that make them superior to other conventional materials used for exterior cladding such as natural wood, high-pressure laminates, and cement boards. Durability, high weathering capability and UV resistance, corrosion, and impact resistance, and better insulation capabilities render WPC an excellent cladding material for facades, walls and ceilings, roofing, and prefabricated buildings.

The versatility of WPC panels offers endless creative possibilities.

Color & Texture

 WPC panels come in a wide range of colors, allowing for creative color combinations and patterns. Through appropriate choice of earthy tones or bold and vibrant colors, you can customize WPC cladding to conform to your design ideas.

WPC cladding offers a choice of smooth, brushed, embossed, or rustic wood-like textures. You can add depth and enhance the visual appeal of an exterior façade by mixing and matching different textures and surface finishes. The texture and depth of WPC cladding panels can create an interesting interplay of light and shadow throughout the day, adding a dynamic and ever-changing dimension to the building's appearance. 

Contrasting Elements and Geometric Patterns

Incorporating WPC cladding along with other materials such as metal, glass, or stone can create striking visual contrasts. Different textures and finishes can result in a dynamic and eye-catching exterior design. Experimenting with geometric patterns and arrangements using WPC cladding panels can add a modern and contemporary touch to the building's exterior.

Vertical and Horizontal Installations 

WPC cladding can be installed vertically or horizontally, allowing for different design orientations. Vertical installation can emphasize height and elegance, while horizontal installation can give a sense of width and stability.

Environmental Graphics

WPC cladding can be used as a canvas for environmental graphics, murals, or branding elements, turning the building's exterior into a storytelling medium. This enables highlighting the environmental benefits of the material in your design concept. As an eco-friendly alternative to traditional wood cladding, WPC cladding contributes to sustainable design practices.

Everwood WPC Panels

        Everwood, Chennai, offers a distinct choice of WPC cladding panels for exteriors and interiors that combine beauty & durability to perfection. These panels possess natural premium wood aesthetics and unmatched weathering capabilities. Everwood WPC cladding panels are highly UV stable & fade resistant, and retain their vibrant colors and finish for an exceptionally long lifetime, extending the visual appeal of buildings for years.

        Everwood WPC fluted wall panels or louver wall panels find application in slatted cladding on exterior & interior walls and ceilings, branding backgrounds, and accent walls.       

Conclusion

WPC exterior cladding thus offers a versatile and creative range of design possibilities for enhancing the aesthetics and functionality of buildings. When exploring design versatility with WPC cladding exterior, it is essential to consider the building's architectural style, its surroundings, climate factors, and the intended message or impression you wish to convey. Collaborating with architects, designers, and manufacturers can help translate your creative vision into a functional and aesthetically pleasing exterior design.

Source Link :

[quarry-asia]

TRANSFORM YOUR LIVING ROOM WITH STONE CARVINGS AND TEXTURED WALLS

While walls have ears, you can also let your living room walls speak for themselves. Here’s how you can add character and draw attention to otherwise standard looking walls. Fluted panels are a great way to bring texture and depth to your wall decor, giving them an aesthetic feature that works well with many styles.

Fluted natural stone panels are versatile. Whether you want to add one in your living room as a fluted marble or granite panel TV highlighter wall or in the kitchen, bedroom, office, indoor or outdoor areas, it will look absolutely stunning. The durability and resistance of marble, granite and onyx to any form of damage, water, termite, and mould is higher than most materials.

Fluted natural stone can be customised depending on how large the wall you want to cover it with. The Quarry Projects team can also assist you with the installation. We offer a wide range of colours and textures, making it simple to create different appearances for feature walls.

Why Use Textured Walls? Simply put, textured walls are modern, fresh and have the elegance to enhance any living space. Not big on wallpapers? Frames? Decoratives? Textured walls are the answer to a home design that is minimalist in nature but has the potential to stun anybody who looks at it. It is simple yet sophisticated.

One major reason why people are turning to this type of wall treatment is the variety of shades, textures, materials, shapes and sizes and grant virtually endless possibilities for décor. The options are endless when it comes to fluted walls with natural stones or slabs with different finishes like honed, matt, waterjet finish and more. You can take it a step further to make it even more luxurious, these installations are also available in pure Italian Marble. Your search begins and ends at The Quarry Gallery and The Quarry CO:LAB. With the finest collection of the best Italian Marble in India you just have to choose what suits your style the most and the rest is taken care of by our highly skilled team. You have our 100% assistance from picking the right marble to getting it installed in your space.

Not just an aesthetic accessory to your space but it has utility too. Did you know that fluted wall panels are good sound absorbers? Yes. Having them in a closed space improves the quality of sound within the room because the grooves between each vertical slat reduce the number of sound waves that are reflected off the walls.

Fluted panels are not only used in walls where they are attached to a concrete structure. Architects and interior designers also use them to serve as a partition wall. If you are considering dividing your spaces into two sections, a fluted panel would be an ideal feature wall.

With modernisation introducing the ‘use and throw’ culture, choosing a long-lasting option when it comes to home designing comes as a duty.

How To Clean Textured Walls:

Cleaning and maintaining a textured wall isn’t much of a hassle when compared to the aesthetic value a textured wall adds to your living space. If you’re cleaning panelling and textured marble walls, opt for a vacuum with a bristle brush that gently agitates the surface and simultaneously collects dust.

Like with a fluted wall, work from the top downward, focusing on corners and the grooves but work vertically to capture dust along the full length of the wall as you descend. When cleaning textured marble walls, especially when the rough surface consists of dust and grime like your typical painted surface. There’s no need to use a soap water solution; rather, you should use a sponge and water to wipe it down.

We suggest you keep all the above points in mind while selecting the right natural stone for your wall design needs. Our curators would love to discuss all options with you in person. We invite you to The Quarry Gallery and The Quarry CO:LAB to touch, feel, see and experience for yourself our breath-taking collection of the rarest and finest, 100% natural marble and granite curated from the best quarries in the world.

Now that you have learned a little about the fluted decorative wall panel look, you may be thinking of adding these 3D panels to your space. Are you ready to transform your home or office? From your living room at home to the reception area at the office, you can find a range of ideas for dressing up your space in fluted wall panelling.

[yugoloths]

the dungeon crawl I was supposed to run tonight got delayed for another week so I'm dumping all my content here to cope

this is the first level of the abandoned mine the party will be exploring. detailed walkthrough under the cut

DRUMIAN SHALE

The main takeaway from this stage is the bandits the party is hoping to apprehend are not here… but something else is. By the end, they will have made it down to the flooded lower caverns where the cool shit is. 

Area 1: Base Camp

The clearing outside the mine entrance is carpeted in yellow dust, a thin layer of which clings to every available surface. To the right of the entrance, on the east side of the clearing, stands a long-abandoned box sluice littered with old buckets and mining pans. On the opposite side of the clearing lie several ragged canvases half-buried in sand and a cluster of overturned mine carts in various states of disrepair. A set of narrow metal tracks, the same width as the mine carts, leads into what appears to be a natural cave mouth.

Closer inspection of the scene will reveal a dried-up streambed where water once poured into the sluice from above. The canvases on the western side of the clearing are crudely painted with an emblem shaped like a hand with a horizontally elongated plus sign in the center of the palm. They look to have been part of a collapsed tent, but it seems to have been abandoned for several weeks.

Area 2: Tunnel

A 10 foot wide tunnel stretches into darkness. 5 foot wide doorways are located on either side, each pair spaced 20 feet apart. The rail tracks continue along the floor in a straight line. The hall is dark and cramped, the ceiling is low, and the air smells musty. 

PP >14 will notice they don’t see any signs of animal inhabitants.

Area 3: Dormitory A

This room contains twelve narrow beds with bare straw mattresses. A few have crumpled bedding, as if in use, but everything is covered in a fine layer of dust. 

A DC 12 investigation check reveals a chest hidden under one of the beds. The chest is empty except for a dragonchess set and a few old stains.

A PC with proficiency in dragonchess (or who makes a DC 15 history check) will notice that the set is missing several pieces: three black warriors, a white mage, a white thief, and a white elemental.

Area 4: Old Office

This room appears to have been a record keeping office. A table stands in the center of the room, a desk in the corner, and bookshelves line the walls. A few chairs have been overturned, and papers are scattered across the desk. The same hand-and-plus-sign symbol from the tents has been carved into a corner of the table.

Any further investigation will reveal that the following books and papers are still in readable condition:

Old shipping manifests - Prices & shipments of rations, supplies, etc. If Varna or one of the PCs read this, they should be able to ascertain that the mine was just barely turning a profit at the time of its closure. They would also notice that they seemed to spend a lot of money bringing in barrels of fresh water.

Mine blueprints - Similar to Varna’s map. Shows the current level as well as two lower levels starting about 200 feet down. It appears miners used a lift at the northern end of the mine to navigate between levels. The lift was powered by a water wheel located in the far northeast chamber on the current level.

Geological survey - General measurements of soil composition and stability, rate of erosion, and location of ore veins. The writing style is extremely dry and technical, so PCs will need to either succeed on a DC 14 investigation or insight check or get Varna to read it in order to learn the following details:

-the water at the site was not drinkable, hence the need to import fresh water

-researchers had great difficulty measuring the water table; some days their instruments suggested it was very high, while other days they registered nothing at all

Varna will not notice this on her own, but a PC who lands a really fucking good investigation/insight check might be able to do a little off the cuff data analysis and notice that high water table measurements tended to occur in the mornings and evenings, while the low readings tended to occur in the afternoon or late at night. A character with extensive nautical knowledge and/or who lands a second really really good investigation/insight check might be able to make the low tide/high tide connection, but don’t force it.

Any investigation of the room reveals a heavy safe under the desk. It stands unlocked and empty, door ajar. Presumably this is where the deed to the mine was kept.

Area 5: Dormitory B

This room is nearly identical to Dormitory A, but several of the beds have been overturned and mattresses torn apart. The chest in this room has been dragged out from under the bed and opened with enough force to rip off one of the hinges. It is empty except for three silvers, four coppers, and an old sock.

A DC 10 investigation check reveals a set of two-toed footprints. With a good roll, or a separate investigation or survival check to learn more about the footprints, a PC could ascertain that the creature that made the footprints has a quadrupedal gait and seems to be some type of insect. 

A DC 12 investigation check reveals a small amount of blood spatter on several of the beds.

A DC 14  investigation check reveals a strange object wedged under one of the beds. It is a flute-like woodwind instrument with an unfamiliar bulbous shape. Varna will be unable to identify what material it’s made out of, although she may note that it reminds her of shell or coral (though not from any creature she’s encountered.) Any PC who attempts to play the instrument will be able coax a few hollow, resonant notes out of it. The instrument is uncomfortable to play, as if it were not designed for their hands.

If a PC attempts to play the instrument, anyone with PP>10 hears an echoing melody coming from the end of the hall. Anyone with PP>15 can identify it emanating from below, in the mine shaft.

Area 6: Storeroom

This room contains old supplies. A heap of frayed old sacks that must have once contained grain are heaped in the northwest corner. The northeast corner is home to a pile of old crates that takes up most of the room. The south wall is lined with wooden barrels, all but a few of which have been split open and destroyed.

Closer inspection of the scene reveals that some of the crates have fallen over and/or split open to reveal general mining equipment - pickaxes, machine parts, railway slats, etc. The crates seem ancient and relatively untouched, while the destroyed barrels are more recent.

A DC 12 investigation check on the room in general will turn up 100 feet of hempen rope, three lanterns with 10 hours of fuel each, an entire crate of candles, and 100 pitons. 

A DC 10 insight or investigation check on the barrels reveals that they likely held pickled vegetables and cured meats. 

Area 7: Dormitory C

This room is nearly identical to Dormitory A. There are no signs of a struggle.

A DC 12 investigation check (or a decision to look under the beds) reveals yet another chest stashed under the bed. It contains two bottles of Keoghtom’s Cure-All, one of which is cracked and useless. The label purports the product “miraculously relieves sewer plague, sight rot, and tunnel stutters! Archmage Keoghtom’s patented blend of penetrating oils, restorative herbs, and secret enchantments reduces pain, enhances vigor, and restores the user to full health, all in a single application!” When applied, it restores 2d8+2 HP. 

Area 8: Machine Room

This room is dominated by a water wheel about 10 feet in diameter, fixed along the north wall. A trough leads away from the water wheel to a large drain set into the floor by the southeast wall. A system of pulleys leads out of the room toward the mine shaft. The rail tracks fork just outside the doorway, with one fork leading into the room while the other continues straight. The wheel powered a lift that transported miners, slag, and equipment between levels, presumably fed by the same stream that fed the box sluice in area 1.

A DC 15 investigation check of the room (or a DC 10 investigation check on the drain specifically) reveals that the screws holding the drain cover down have been removed, and that the cover has been moved recently.

A DC 10 strength check (or whatever) allows them to move the drain cover, revealing an entrance to area 10.

Area 9: Mine Shaft

The mine shaft is a square, 10 foot by 10 foot pit that drops straight down into darkness. A rotting pulley system dangles from the stalactite-covered ceiling, but the rope has broken and the lift platform itself is nowhere to be seen. The walls of the pit are decorated with strange, insectile shapes that resemble no living creature. Go ahead and make a perception check.

The lower part of the shaft is filled with salt water. The water is too far down to be visible, but anything falling into the shaft will create an audible splash.

The mine shaft is inhabited by three darkmantles disguised as stalactites. As soon as someone pokes their head in, a darkmantle will drop down and try to engulf their face. The remaining darkmantles will use their Darkness Aura ability to create confusion before attacking. These darkmantles are unusual looking, with long cone-shaped shells covering their mantles, giving them the appearance of orthocerid cephalopods. If none of the PCs are dumb enough to stick their head into the shaft, Felix will be happy to oblige in order to get a closer look at the fossils.

About 50 feet down the shaft is a hidden entrance to area 10 containing two Chuul, the source of the mysterious flute echo from earlier (assuming one of the PCs tried to play the flute). Like the darkmantles, they are unusual, resembling anomalocarid arthropods. When the Chuul hear the PCs at the top of the mine shaft, they will attempt to ambush them through the drain in area 8. It takes the Chuul about one minute from when they detect the PCs to launch their ambush. If one of the Chuul is killed or seriously wounded, the other will attempt to flee to area 13 and escape into the tidepools.

A PC who makes a DC 12 perception check will note that the presence of stalactites is odd, as they have not seen any elsewhere in the mine. 

If the players found the flute in area 5, a DC 15 perception or investigation check reveals that some of the fossils embedded in the wall look similar to the instrument.

Because the Chuul are so unusual looking, PCs must succeed on a DC 17 history or nature check in order to identify them as such.

With a DC 18 perception check, PCs can see the faint movement of the Chuul 50 feet down the shaft and hear scuttling noises, although they cannot make out what is causing them.

Area 10: Secret Tunnel

The drain leads to a rough tunnel, about 5 feet wide. It is not indicated on Varna’s map or the blueprints in area 4. The construction is noticeably different from the rest of the mine, more like an animal burrow, and the floor slopes downward. The air is strangely humid.

If the PCs managed to access area 10 before being ambushed by the Chuul, they will instead be attacked at the entrance to area 11 or 13, whichever is convenient. If they killed both Chuul, they will encounter no enemies in area 10. If one of the Chuul escaped, the PCs will hear a faint flute melody emanating from the tunnel leading to area 13 but will not be attacked. 

A DC 10 investigation or perception check reveals more of the two-toed footprints found in area 5 - they should be able to figure out these belong to the Chuul.

Area 11: Brood Chamber

This roughly circular chamber contains a clutch of slimy, yellow-green eggs surrounded by human and animal bones. It is guarded by an older Chuul which is missing a claw, making it unable to multiattack. This will not deter it, however, from defending the clutch with its life. Because it is protecting its eggs, it will not pursue the party should they choose to flee.

Closer investigation reveals a single human skull amidst the bones. A DC 12 nature or survival check reveals the other bones belong to a horse, several donkeys, and two large dogs.

Area 12: Treasure Chamber

This chamber is similar to area 11, but instead of eggs it is piled high with objects the Chuul have collected from their victims and from the abandoned mine.

Any investigation will reveal the following items:

-A small pile of gold nuggets worth ~200 GP

-A steel mirror

-Robe of Useful Items (missing all of its patches)

-A viol with the initials “MQ” carved into the back of the head

-A breastplate that has been messily painted blood red, with a symbol on the front consisting of a black hand with a horizontally elongated plus sign on the palm (same as the one carved into the table in area 4)

-Two hard hats with hooded lanterns mounted on the front

-A swordbreaker (stats identical to a dagger, but if the wielder is hit by a sword attack they can make a DC 8+[attacker’s weapon attack modifier] dexterity check; on a success, they take no damage and the opponent has disadvantage on their attack roll next turn; on a critical success, they take no damage and break the opponent’s sword) with a crude hand-and-plus-sign symbol carved into the hilt

-An intricately carved sending stone that, when used, plays the following intercept message: “We’re sorry. You have reached a sending stone that has been destroyed, or is no longer in service. Please contact an operator.”

-Three silver rings (worth 15 gp each)

The deed to the mine is not present.

Area 13: Cenote Chamber

This natural cavern has a high, arched ceiling decorated with stalactites. The space is dominated by an immense monolith carved with the same pattern of wavy lines as Felix’s tablet. Covering the bottom third of the slab, a reeking carpet of matted vegetation extends to cover the entire floor. The wet stench of rotting plant matter and salt permeates the humid, clinging air. 

The vegetation at the base of the slab is actually a shambling mound, which is hiding the entrance to the next layer of dungeon with its body. It is dormant, but as soon as someone steps on or touches it it will come awake and attack the PCs, revealing the cenote pit beneath it. However, music from the strange flute the party discovered earlier will render it dormant again. Upon being defeated, it falls into the cenote with a splash. As it falls it pulls away some of the vegetation covering the bottom of the slab, revealing the full design.

A DC 14 perception check before the shambling mound attacks reveals the muffled sound and faint movements of breathing. After it is defeated, it becomes apparent that the “breathing” noise was actually the sound of water rushing rhythmically from within the dark cenote.

Varna encourages the party to explore the cenote in hopes of locating the remaining bandits (or their remains) and recovering the deed to the mines. Felix, excited by the symbols on the monolith, insists on accompanying them. Varna will remain to establish a base camp; she has not survived 200 years as a geological surveyor by diving headfirst into mysterious pits.

[nonbinary-nature-lover-jeri]

The Golden Gate Bridge hums now.

“San Francisco residents shared recordings of the sound on social media last week and over the weekend as high winds swept through the Bay Area. One Twitter user described the sound as a "three-tone dissonant soundtrack," and others reported hearing it from as far away as 3 miles (4.8 kilometers).

SF311, which provides non-emergency services and information for San Francisco residents, tweeted that slats installed along the bridge's bike path were responsible for the noise, citing the Golden Gate Bridge sergeant, an officer with the California Highway Patrol.

The local National Weather Service office tweeted that west-northwest winds of 30 to 35 mph (48 to 56 km/h) had been reported in the area, with gusts up to 43 mph (67 km/h). Even higher winds were reported in nearby counties.

KQED reported that the slats were added as part of a "necessary" long-term effort to make the 83-year-old bridge more aerodynamic and insure its long-term structural integrity. Wind tunnel models of the retrofit had already shown the slats might hum under certain conditions.

The effect has turned the bridge into a giant wind instrument — maybe the world's largest — as one Twitter user noted.

The University of New South Wales (UNSW) in Australia offers a helpful online guide to sounds like this. In general, wind instruments work by turning the energy of moving air into a standing wave — a pattern of vibration moving back and forth in the instrument. The instrument's cavity determines the frequency — and thus the sound — of that standing wave. And the instrument itself amplifies the wave into a sound loud enough to hear.

The details of this process vary widely from ancient flutes to oboes to a glass bottle someone might blow over. Materials, tuning and airflow determine what sounds get produced.

But whatever particular dynamics of the bridge slats that have produced this eerie sound, it looks like San Fransiscans will have to get used to it on windy days. Wooooooooooooooooooooooooooooo.” - Live Science

I compiled the tweeted clips I could find into one video. Here are the tweets that accompanied each tweeted video clip:

Twitter video clip #1

From:

ʀeeᴅ

@reedm

TIL: The Golden Gate Bridge has just become the world’s largest wind instrument.

No, but seriously:

There is now a permanent creepy 3-tone dissonant soundtrack flooding San Francisco thanks to some recently completed bridge construction.

Twitter video clip #2

From

@Chilibriano

THANK YOU!!!! Here’s the sound from Land’s End

Twitter video clip # 3

From:

Anirban Halder

@Anirban83453689

The Golden Gate Bridge can make music. So crazy but also kinda beautiful.. #goldengatebridge #SanFrancisco

Twitter video clip #4

From:

Bowen Dwelle

@BDwelle

I heard it myself out in the water #kitesurfing yesterday #goldengatebridge #harmonics

Twitter video clip #5

Tweets from Weather Service and Mark Kruger

NWS Bay Area

✔

@NWSBayArea

FWIW, a weather station near the Golden Gate reported sustained WNW winds of 30-35mph, with gusts to 43mph as this was occurring.

Gusts of 45-60mph were reported nearby in Marin and San Francisco counties today. ‪#CAwx‬

…

Mark Krueger

@markkrueg

Replying to @betogilardino

Anthony J.:

“Engineers designed new sides for the sidewalk to help with wind resistance but didn’t take into account the EXTREME sound it creates when wind passes through it. The bridge sings crazy songs now it’s so trippy. It hurts the ears and unbearable it’s that loud.”

Twitter video clip #6

Finally some “more important sounds” from the Golden Gate Bridge. Another tweet from:

Mark Krueger

@markkrueg

More important sounds from the #goldengatebridge #BlackLivesMatter

[itshughjack]

5 Trending Bathroom Showrooms Style In 2022

The bathroom is a room that is sometimes overlooked when it comes to design. Yet, it has such an important role. It is the space used for cleaning, playing with children, moments of relaxation, and escaping after a long day of work. You may have never considered that bathroom showrooms can be essential to your home decor. It can be bold, beautiful, escapist, and even exceptional in the way it is presented. Check out these five incredible bathroom trends to consider in 2022.

Fluted, slatted features

For those interested in eye-catching textures, bathroom showrooms are unmatched. These will become more mainstream in 2022. One of the most popular trends in bathroom design right now is fluted surfaces. Fluting is available in tubs, sinks, vanities, and floor or wall tiles. Unlike a flat surface, it creates an interesting pattern that is visually appealing and easy to clean. It is perfect for bathrooms where space can be at a premium. It simultaneously provides an attractive surface pattern but is also functional and easy to clean in tight areas where clutter can sometimes accumulate quickly.

Waterproof wallpaper

Waterproof wallpaper is the perfect solution because no one wants to deal with waterlogged walls. It's not too expensive and can be installed like regular wallpaper, so it looks seamless in your home. Waterproof wallpapers are specially designed for bathroom showrooms because they have a textured surface that prevents mould from growing on the walls. It is made of vinyl and can be found in various colors, patterns, and textures to match the unique style of your bathroom.

Luxurious Tiles

Luxury bathroom tiles are becoming more common in bathroom showrooms. Nowadays, it is not uncommon to see marble or gold decorations on the walls and floors of the bathing space. Many people opt for these luxurious features as they provide a rich touch. It allows you to express your personality through color choices and different styles.

Mixer of design

A trend already starting to infiltrate the industry, blended design is a perfect way for you and your client to have everything they need in one area. For example, if you design a primary bathroom with two sinks, both clients can use whichever sink suits their needs without compromising on space or functionality. This design gives each person their vanity, creating a more personalized space.

Wooden finish

Wooden finishing is a massive feature for modern bathroom showrooms in 2022. It softens the look, brings out that natural feel that everyone is obsessed with right now, and provides a neutral base for more exciting patterns and colors you can accessorize with.

You can consider cheap self-storage if you need somewhere to store your things while renovating bathroom showrooms. The concept of bathrooms has also changed considerably with time. As a result, some great innovative ideas have been added to bathroom design elements and fixtures, thus reigning a revolution in the overall bathroom decor. 

[stoneartbyskl]

Slat Fluting Design - Decorative Wall Cladding | Stone Art By SKL

Introducing Slat Fluting Design Decorative Wall Cladding by Stone Art By SKL, featuring elegant Fluting Patterns. Crafted from Natural Indian Marble and Indian Sandstone, this design adds sophistication and style to any space.

Read more:- Decorative Wall Cladding

[mujeeburrehman]

5 Modern Ryokan Homes in Singapore

In pre-Covid times, Singaporeans were one of the most avid travellers in the region. It therefore comes as no surprise that many of our homes are usually inspired by the places we have been and seen. These modern ryokan-inspired homes below that take inspiration from traditional Japanese inns are no different.

Made from traditional materials like bamboo and wood, ryokans are typically located in the rural countryside of Japan. Inside the ryokan, sliding paper screens—shoji—separate rooms decorated in tatami mats and futons, as well as a low wooden table and zabuton for sitting. Partaking in a traditional Japanese bath or a tea ceremony is also part of the ryokan experience.

But what is the ryokan appeal for our modern homes? Is it a call for the idyllic, for the simpler and slower pace of life that permeates the countryside? Or a reminiscence of the rich culture and gentle hospitality that we hope to replicate?

Whatever the reason, we cannot deny the ryokan’s quiet charm. If you’ve always wanted a home that looks like one, take inspiration from these modern ryokan homes that have married modern creature comforts with the elements of tradition impeccably.

1. A flexible modern ryokan home for a family of 5 by Pencil Office

The wooden screens, crafted to look like the ones seen in a ryokan, form the basis of the design of this apartment. Paired with laminated glass positioned in between the slats, the sliding screens separate the different areas of the home to allow for more flexibility in the use of the various spaces.

Closed off completely, the screens offer acoustic privacy without having to sacrifice the diffused daylight that gets filtered through. When opened, the apartment becomes a large and airy open-concept space.

This versatility was necessary for this family of five. The adults hosted guests over often, and would often entertain in the dining area or kitchen. They thus wanted to still be able to keep an eye on their young children while retaining a certain amount of privacy when hosting.

Parts of the home retain the original marble flooring, lending a subtle elegance to this minimal space. The rest of the home features a light-toned oak, with the lattice design of the screens casting interesting shadows and offering visual interest amidst the minimal material palette.

2. Attention to details in this 3,500-sqft residence by Upstairs and In-Expat

Enthusiasts of Japanese and Chinese cultures, the homeowners’ brief to the designer was simple enough: to create a ryokan style home for this family of three, along with their lived-in helper. What resulted is a home with meticulous attention to detail and a deep sense of care in regards to the materials and palettes used.

Because of the sprawling square feet, much of the original space was under-utilised. The home was thus reconfigured and left more open and fluid, with screens and columns to segregate the zones.

In the foyer for instance, a structural column was redesigned into a sculptural piece lined with oak veneers and curved edges to serve as a form of visual navigation between the main communal areas. Seigaiha-patterned screens are also decked out throughout.

The open kitchen, previously a tight and cramped space, now features a gorgeous 5-metre long island with plenty of room for food prep or light casual meals. Directly connected to the dining area, it is surrounded by sleek oak cabinets, with appliances flush neatly for a minimal aesthetic.

The living room sits on a sunken level for distinction, evoking the layered spaces seen commonly in a ryokan. One enters this space by stepping down on a Naguri textured plinth that can double up as a tatami platform when there are extra guests. The same material is seen again in the master bedroom, as a form of transition between the balcony and the sleeping sanctuary.

Lending a wonderful contrast, the bathroom evokes a deep dark marble. You see the same material being subtly used throughout the home, seemingly culminating in this most private space of this apartment.

3. An apartment with a $70K budget by Sync Interior

This 4-room flat is home to a couple that fell in love with Kyoto when they visited the Japanese city some years back. So much so that they decided to turn their Strathmore home into a space that resembles a minka, a traditional Japanese house.

Taking architectural references from the Edo period, they incorporated features like a zen garden situated at an alcove in their bedroom, a platform decked out in tatami mats in the living room and shoji-like screens to delineate the spaces. In the bedroom, mattresses are embedded into a low platform so they appear like futons without sacrificing modern comforts.

To further the aesthetic and the sense of traditional Japan, the home is decorated with the couple’s collection of Japanese antiques and souvenirs, including a Japanese tea set, folding fans, Japanese calligraphy, bonsai plants and noren, which are seen over the entrances into the bathroom and kitchen.

4. Infusing Scandinavian elements in this Canberra 4-room flat by 13th Design Studio

The homeowners of this Canberra home loved the look of a ryokan, but wanted a space that felt more modern to live in. As such, they opted to infuse Scandinavian elements into the home, which is the obvious route to take seeing as both styles cover a lot of similar ground.

Wood elements are featured predominantly. From the foyer, an eye-catching apothecary-style cabinet next to the bomb shelter stows away odds and ends. The living room, set on a slightly raised platform, comes with a timber fluted ceiling panel.

Walls here are similarly clad in wood. Coupled with the bay window seat decked out in cushions, the space evokes a cosy atmosphere that feels similar to being housed inside a ryokan.

The wood theme continues in the rest of the home. Along the walkway, a slice of glass panel showcases the homeowners’ collection of toy figurines, while a door within a door allows their kids to move in and out of the room easily.

Likewise, the kitchen, separated into a wet and dry space, is covered in woodgrain laminates, although a part of the full-height cabinets is decked out in grey laminates in order to visually flush the silver-hued double door refrigerator with the surrounding storage.

5. A minimalist BTO with Japanese sensibilities by Obbio Concept

With three young children and a busy lifestyle, the homeowners sought for a sanctuary that they could feel calm in. So when they got their keys to their new flat at Canberra, they opted for a minimalist style that would also reflect their love for Japanese design and culture.

The home relies heavily on the wood aesthetic, but balanced out with bright, white pockets of spaces in order to create a clean, clutter-free feel. In order to accommodate the needs of this large family, the home was designed with plenty of storage spaces. Most of which are concealed and hidden away in line with the theme.

A ryokan-style fluted wood screen was incorporated at the entrance of the home, setting the tone for how the rest of the space will look, whilst also lending privacy from neighbours that walk by. The shoe cabinet was also designed with a bench for wearing shoes that can be conveniently tucked away into the cabinet so that it doesn’t get in the way.

Nifty space-saving features continue in the rest of the home. The kitchen and study areas are enclosed behind glass doors to reduce the visual bulk. In the bathroom, the vanity cabinet was designed with an angle in order to facilitate movement in and around the bathroom. The bedroom too comes with an angled mirror panel at the sides of the wardrobe so that it takes up less space while helping to expand the room visually.

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source https://civilco.construction/5-modern-ryokan-homes-in-singapore/ from Civilco Construction & Interior https://civilcoconstruction.blogspot.com/2021/07/5-modern-ryokan-homes-in-singapore.html

[architectnews]

Sweet Seven Cannabis Shop, Waterloo Ontario

Sweet Seven Cannabis Shop, Waterloo Retail Interior, Ontario, Canadian Interior Architecture Project, Images

Sweet Seven Cannabis Shop in Waterloo

25 Jun 2021

Architecture: dkstudio architects inc.

Location: Waterloo, Ontario, Canada

Sweet Seven Cannabis Boutique

Characterized by a sleek, youthful, and urban design, Sweet Seven Cannabis is a boutique located in Waterloo, Canada. Sweet Seven was created by two independent entrepreneurs who at the time had no previous cannabis nor retail experience. They opened Sweet Seven after winning a licensing lottery to open a store in the city famous for its top-tier universities and being at the centre of Silicon Valley North.

The client approached dkstudio with the design challenge to create an original concept store that was to be fully designed and executed within a few weeks. It needed to be able to attract both seasoned users in Waterloo’s student demographic, and the seasoned veteran. To achieve this, dkstudio focused on creating a layout plan and concept that would be able to showcase products clearly, and that would be highly adaptable to future roll outs.

The result is a modern cannabis boutique whose physical features echo the goal for a relaxing ambiance, and a brand design that alludes to the septenary cannabis leaf. The Sweet Seven logo designed by dkstudio consists of a sunny, seven-pointed abstract umbrella. The design is organized around seven exploratory wooden slat “pods” that feature the seven distinct sensations Sweet Seven’s products offer. The vertical slats of wood that make up each of the pods allow for rays of sunlight to filter elegantly through the store’s generous East facing windows—gently reminiscent of the way the sun filters through a field of cannabis leaves. Like the logo, the storespace itself evokes a distinct sense of sunniness—and the result is a light, relaxing space that is at once open and intimate.

Sweet Seven’s pilot store is a contemporary corner storefront that marries tastefully into a vintage Waterloo brick building. Its high contrast signage is striking, clean, and eye-catching, written in the brand’s signature colours of yellow and black. This deceptively simple design accomplishes two objectives: it obscures visibility from the outside (in accordance with strict regulations for cannabis retail operations) whilst also maintaining an ability to attract the eye of potential customers. Its translucent, frosted-glass storefront and large, bright yellow interior logo wall is able to conceal its interior without preventing natural light from entering the store and filtering through the signature slatted wood pods. The open layout, curved shapes and brightly coloured signage succeed to easily navigate through the products by both seasoned consumers as well as first-time shoppers.

Groupings of product offerings are identified by vibrant coloured signage in each individual sensation pod. Gently curved fabric canopies and directional lighting combined with circular floor demarcations create a cocoon-like sense of intimacy within each pod and encourage close-up engagement with the products they offer.

The modular shelving at each pod allows for flexibility of display. All products displayed in the store are secured from customer handling without assistance, as per government regulations. The products, in their original packaging, are placed on shelves locked in clear encasements. The wall displays featuring edibles and specialty items are locked in glass niches. The glass designs allow a high level of control over products while also maximizing customer interaction. Premium products are featured on a separate semi-circular wall, echoing the introverted mood of the curved pods. Freestanding sensory tables encourage customers to use their olfactory senses to explore different cannabis strains. The team also made effective use of their small budget for digital devices with the use of wall displays and handheld iPads, which function as additional selling tools for customers to explore their full product offerings.

The centrally located cash desk with a dedicated express line allows for ease of customer service and check out. Its thin edge countertop is made of Corian for durability. Clad in a fluted natural oak panel, it compliments the natural oak wood pod partitions as well as the laminated flooring engineered with recycled content to withstand high traffic. The pod configuration is a unique feature of the store planning that has modular configurability, allowing for the flexible adaptation of the store concept for subsequent roll outs of the brand. The subdued warm tones of the interior balanced with the vivid yellow and pitch black signature colours further anchor and distinguish the brand. The result is a unique store concept that is inviting, calming, highly functional, and altogether memorable as a whole.

Sweet Seven Cannabis Shop in Ontario, Canada – Building Information

Architects: dkstudio architects inc.

Project size: 1700 ft2 Completion date: 2020 Building levels: 1

Photographer: Deena Kamel

Sweet Seven Shop, Waterloo Ontario images / information received 250621

Location: District Municipality of Muskoka, Ontario, Canada

Architecture in Canada

Canadian Architecture Designs – chronological list

Canadian Building News

DARE District at Algonquin College, Ottawa Design: Diamond Schmitt Architects images courtesy of architects DARE District at Algonquin College

National Monument dedicated to the Holocaust, Ottawa Architects: Studio Libeskind photo © Doublespace National Holocaust Monument in Ottawa

Canadian Architecture

Canadian Architects

The Senate of Canada Renewal, Ottawa Design: Diamond Schmitt Architects with KWC Architects image from architect The Senate of Canada Building Ottawa

National Arts Centre – NAC Reopening, Ottawa, Canada photo : Lisa Logan Photography National Arts Centre in Ottawa

American Architects

National Arts Centre in Ottawa Building by DSA

Comments / photos for the Sweet Seven Cannabis Shop, Waterloo Ontario page welcome

The post Sweet Seven Cannabis Shop, Waterloo Ontario appeared first on e-architect.

[craftgiri]

🔥DM for orders🔥 Presenting the beauty of Indian handmade craftsmanship with this fusion of Ganesha (Sheet metal artwork) mounted on a wooden circle. It's a fine example of traditional home decor, unique display portrays Lord Ganesha playing his sweet flute. Lord Ganesha’s detailed features are finished with a mix of copper and golden shades, to give a rich, majestic look to any wall space. This glorious work of Indian home decor includes a 24 x 24-inch wooden circle spaced with small wooden slats that surrounds Lord Ganesha’s head. This completely handcrafted Hinduism home decor piece is a fine gift for anyone with a background or appreciation for Indian culture. It’s durable, lightweight and moisture-proof, so it will serve as a treasured heirloom for generations. Being handmade, its design, pattern and colour tone may vary slightly from an image. . . . . . . . . . . . . . . . . . . . . . . . . . #ganpati #bappa #ganpatibappamorya #mumbai #morya #ganesha #maharashtra #ganesh #ganpatibappa #bappamorya #india #ganpatifestival #ganeshchaturthi #bappamajha #ganeshutsav #handicrafts #handmade #art #homedecor #handcrafted #handicraft #crafts#walldecor #homedecor #hiasandinding #wallart #interiordesign #art #handmade https://www.instagram.com/p/CH77Z47lFeO/?igshid=1pu0ish7o1r0t

[ksomboon]

Precedent for biophilic environment; “architecture of hope” designed to lift the spirits and set the scene for people to draw on strengths they may not have realised they had in order to cope.

dRRM Maggie’s Centre, Oldham

DETAILS

Maggie’s Centres seek to provide ‘the architecture of hope’. They offer free practical and emotional support for people affected by cancer. Built in the grounds of NHS cancer hospitals, the centres are safe and welcoming spaces. They lift the spirits and set the scene for people to draw on strengths they may not have realised they had in order to cope.

The design of Maggie’s Oldham is all this and more – less about form and more about content. A simple yet sophisticated wooden box of surprises. Supported on slender columns, the building floats above a garden framed by pine, birch and tulip poplar trees. From a central oasis, a tree grows up through the building, bringing nature inside. On entering, the visitor is met with a space, light and unexpected views down to the garden below, up to the sky, and out to the Pennine horizon.

The use of wood at Maggie’s Oldham is part of a bigger design intention to reverse the norms of hospital architecture, where clinical institutionalised environments can make patients feel dispirited. In wood there is hope, humanity, scale and warmth. Maggie’s Oldham is the first permanent building constructed from sustainable tulipwood cross-laminated timber, following on from dRMM, AHEC and Arup’s development of this material. All of the walls and roof are visibly structure and form an exquisite natural timber finish internally. The tulipwood CLT has been carefully detailed to bring out its natural beauty – it’s fine, variegated finish is more akin to a piece of furniture than a construction material. The slatted ceiling was created from wood left over from the CLT fabrication process, ensuring no waste.

We have considered the use of wood at every opportunity. As those undergoing chemotherapy sometimes feel pain on touching cold objects, oak rather than metal door handles have been used. Wood fibre insulation ensures a breathable, healthy environment whilst the huge window frames are American white oak. Externally the building is draped in custom-fluted, thermally modified tulipwood, like a surreal theatrical curtain.

Maggie’s Oldham is a carefully made manifesto for the architecture of health, realised in wood. The Centre has been made possible by the enormous generosity of the Stoller Charitable Trust, which has fully funded the Centre.

Images © Alex de Rijke, Jasmin Sohi, Tony Barwell

Drawings © dRMM Architects

[jocrude]

JO CRUDE CLEANS HER ROOM

CW *AUTHOR’S NOTE: THIS IS NONFICTION.*

I start the day at 7AM by pretending to wake up. I’d spent the night tripping balls on cough medicine while reading Berserk. I empathised with Guts; while I’d never had the misfortune of being molesterated by a Large Black Man in my youth I had been attacked with deadly weapons several times before age 15 and I watched the woman close to me get repeatedly violated with tubelike appendages (that was when I watched my Mum dying of internal bleeding in the emergency room, folks.) I then listened to Swans’ 1987 masterpiece Children Of God in its entirety while slipping in and out of consciousness. I swore to my Uncle, whose spare room I live in, that I’d clean my room today. He was concerned that I’d been binging and purging because my room smelled like vomit, but that was actually due to all of the garbage that had accumulated. At 8AM I robowalk downstairs and ask him where the garbage bags are. He gives them to me, I take them up and on my way up the stairs ask him to remind me not to be a depressed piece of shit who can’t pick up after herself. He agrees, and helpfully chimes in that I’m not a piece of shit and commands me to forgive myself. I’m still tripping hard, I decide I’ll pretend to sleep for another hour. In my disso’d state I spider-climb into bed and my dangling testicles (I’m transgender) knock over an absurdly full glass of water. It spills onto the bed, making it wet and cold, and I’m reminded of how much I want to go camping. No sarcasm; at time of writing I haven’t been in nature in ages and I’m starting to understand the Unabomber’s motives.

Anyways my floor is a writhing sea of garbage and electronics and books and outdoors equipment. My bedside lamp, which looks like it was designed by Al Qaeda, has been knocked to the floor and is burning a hole in the carpet. I don’t notice it because everything smells. I fumble for my multitool, looking everywhere and finally finding it in the last place I’d expect, the multitool pouch that came with it. I skin the plastic casing from the roll of garbage bags. They’re purple, and they smell good. I make a note to shoot whoever designed them when the Revolution comes. I pack garbage into sacks, and then a sack splits. I pack the sack into another sack. It reminds me of a reptile, bloated by hunger, devouring itself.

The wooden slats that hold my mattress up have long since broken. I bundle them up, place them outside, and remember the good times before lockdown when I’d have a faggot in my bed. George, I miss you baby. There’s a dessicated french fry under there, with hair stuck to it. It’s grey. I contemplate eating it. I decide not to, affirming my self-esteem. There’s also some laxative suppositories. Uncle Ali confronted me about those once because seeing how skinny I was he thought I was using them to facilitate anorexia. I lied to him and said I was just constipated. In reality I was using them to facilitate anal sex. I rearrange my stack of Communist literature on my desk. I find my copy of Soul Eater The Perfect Edition Volume 1 on the floor. It’s a black hardcover with lewd content inside, in halcyon days I would chop up lines of speed and have a wank all with the same book. I find my drug scale laying about on my desk. There’s some residue on it, and an old piece of paper I’d rolled into a flute some months ago. I contemplate snorting the powder, then decide against it. When my shipment gets in from the Netherlands I’ll have a party by myself.

The doorbell rings. I contemplate suicide. It continues ringing. I decide my punishment must be more severe. My Uncle and I answer the door at the same time. My Great Aunt Linda is at the door, she’s in her seventies and has purple hair. She gifts us a frozen container of duck ragu. She turns and tells us she loves us. Uncle Ali says, “I love you too.” I say, “I love you three.” Auntie Linda corrects herself, she loves me one. I remember I haven’t had breakfast. I  Robowalk down the road and using my father’s special credit card, obtain my usual fare, an energy drink and a large caramello chocolate bar. Breakfast of champions. I don’t say a word to the asian man behind the counter. I alternate between sips of Monster energy and Talisker 10 as I eat. I swallow my prozac and think about Spain.

[stoneartbyskl]

10 Best Wall Panelling Designs to Dress Up Plain Walls

In the world of interior design, wall panelling has emerged as a transformative solution for dressing up plain walls. It offers an exciting array of designs that can add texture, depth, and personality to any room. Whether you prefer modern patterns, nature-inspired motifs, or classic elegance, there's a wall panelling design to suit every taste. Here are ten of the best wall panelling designs to consider for your next home improvement project.

1. Modern Patterns

Modern Patterns Wall Cladding designs are all about sleek lines, minimalism, and contemporary aesthetics. These panels often feature clean, geometric shapes that create a sophisticated and uncluttered look. They are perfect for those who prefer a chic, urban vibe in their living spaces.

Key Features:

Sleek and clean lines

Geometric shapes and patterns

Ideal for contemporary interiors

Design Tip:

Use modern patterned panels in living rooms or bedrooms to create a feature wall that stands out without overwhelming the space. Pair them with neutral furniture and accents to maintain a balanced look.

2. Nature Inspired Patterns

Bringing the outdoors inside, Nature Inspired Wall Cladding Patterns designs are perfect for creating a serene and calming environment. These designs often feature elements like leaves, flowers, or wood grains, adding a touch of organic beauty to your home.

Key Features:

Natural motifs like leaves and flowers

Earthy colors and textures

Creates a calming and peaceful ambiance

Design Tip:

Nature-inspired panels work well in spaces meant for relaxation, such as bedrooms or reading nooks. Complement them with green plants and natural materials like wood or rattan furniture.

3. Geometric Patterns

Geometric Wall Cladding Patterns is a versatile choice that can fit both modern and traditional settings. These designs use shapes like triangles, hexagons, and diamonds to create visually striking patterns that can be subtle or bold, depending on the color and scale.

Key Features:

Use of various geometric shapes

Can be subtle or bold

Adds visual interest and depth

Design Tip:

For a bold statement, use high-contrast colors like black and white. For a more subtle effect, choose geometric panels in softer hues that blend seamlessly with the rest of the room.

4. Classic Patterns

Classic Wall Cladding Patterns designs never go out of style. Think of timeless elements like wainscoting, beadboard, or raised panels. These designs add an element of sophistication and elegance to any room and are particularly popular in traditional or transitional homes.

Key Features:

Timeless and elegant designs

Often feature raised panels or wainscoting

Suitable for traditional interiors

Design Tip:

Classic panels are perfect for dining rooms, libraries, or entryways. Pair them with antique furniture and classic decor pieces to enhance the traditional feel.

5. Fluting Patterns

Fluting patterns in wall panelling involve vertical grooves that add texture and rhythm to walls. This design is subtle yet effective in creating a sophisticated look. Fluted panels can be used in various settings, from modern to classic interiors.

Key Features:

Vertical grooves

Adds subtle texture and depth

Versatile for different interior styles

Design Tip:

Use fluted panels in hallways or as a backdrop for art pieces. The vertical lines can make a room appear taller, enhancing the sense of space.

6. Stone Textures

Stone Textures Wall Cladding bring a rugged, natural feel to your interiors. These panels mimic the look and feel of real stone, such as slate, granite, or limestone, adding a rustic charm to your home.

Key Features:

Mimics natural stone

Adds texture and ruggedness

Ideal for rustic or industrial interiors

Design Tip:

Stone textured panels are perfect for feature walls in living rooms or around fireplaces. Pair them with wooden furniture and neutral tones to create a warm, inviting atmosphere.

7. Generic Stone Wall Cladding

Generic Stone Wall Cladding is a versatile option that suits various architectural styles. These panels can replicate the appearance of different stones, providing a cost-effective way to achieve a natural stone look.

Key Features:

Versatile and adaptable

Mimics various stone types

Cost-effective alternative to real stone

Design Tip:

Use generic stone wall cladding in outdoor spaces like patios or garden walls to create a seamless transition between indoor and outdoor living areas.

8. Slat Fluting Design

Slat Fluting Design combine the best of both worlds – the sleekness of modern patterns with the texture of fluting. These panels feature horizontal or vertical slats that create a sense of movement and rhythm in the space.

Key Features:

Horizontal or vertical slats

Combines modern and fluting elements

Adds dynamic texture

Design Tip:

Slat fluting panels are great for accent walls in living rooms or as headboards in bedrooms. They work well with minimalist decor, adding just enough texture without overpowering the room.

9. Stone Textures Wall Cladding

Stone textures wall cladding goes a step beyond generic stone cladding, offering more detailed and specific textures. This type of cladding can closely mimic the look of materials like quartz, marble, or even fossilized stone.

Key Features:

Detailed and specific stone textures

Mimics high-end materials like marble and quartz

Enhances luxury and elegance

Design Tip:

Use stone textures wall cladding in bathrooms or kitchens to create a high-end, luxurious feel. Pair with metallic fixtures and modern cabinetry for a sleek, polished look.

10. Bone Textured Marble Surface

Bone textured marble surfaces are a luxurious and elegant choice for wall panelling. These panels mimic the intricate patterns and textures found in natural marble, adding a touch of opulence to any space.

Key Features:

Mimics natural marble

Intricate patterns and textures

Adds a luxurious and elegant touch

Design Tip:

Bone textured marble surfaces are ideal for entryways, bathrooms, or any space where you want to make a grand statement. Pair with minimalist decor to let the marble texture shine.

Conclusion

Wall panelling is a fantastic way to elevate the design of any room. From modern and geometric patterns to nature-inspired motifs and luxurious stone textures, there’s a wall panelling design to suit every style and preference. When choosing the right design, consider the overall theme of your home and the specific ambiance you want to create in each room. With the right wall panelling, you can transform plain walls into stunning focal points that reflect your personal style and enhance the beauty of your home.

Final Tips:

Lighting: Proper lighting can enhance the textures and patterns of your wall panels. Consider using spotlights or LED strips to highlight the features of your panels.

Color Coordination: Ensure that the colors of your wall panels complement the rest of your interior decor. This creates a harmonious and cohesive look.

Maintenance: Choose wall panels that are easy to clean and maintain, especially in high-traffic areas like kitchens and hallways.

By incorporating these stunning wall panelling designs, you can dress up plain walls and create a space that is truly unique and inviting.