#Squire N

[orbiorbster]

you're just like me!!

[starofhisheart]

Jim when Spock says anything:

Jim ur gay is showing

Bonus: how he looks at Spock when Spock's not looking

These two weren't even subtle

[jack-the-fool]

AU where the directors' plans get derailed because Bal wasn't able to hold Ambrosuis back in time and the ceremony got delayed because he beat the ever-loving shit out of Todd

[queenofvenicebeach]

Liam Gallagher and John Squire for Hunger Magazine

[heckyeahponyscans]

In the MLP ‘n Friends episode “Tambelon”, its established that Grogar’s dark city of Tambelon exists in a different dimension;  every 500 years it phases into the ponies’ dimension. Unicorns can get stuck in Tambelon before it even appears, as their winking (aka teleporting) briefly takes them through other planes. 

When Tambelon physically materialized into Ponyland, Grogar captured every pony, plus magic users like the Moochick.  But Megan and the ponies defeated Grogar, sending him and Tambelon back to their original dimension.

Then there’s the other G1 series, MLP Tales, which is a mundane world. The ponies drive cars and attend school, they’re all Earth ponies, and there’s no magic . . . or IS there?  

MLP Tales has two mystical occurrences: the ghost of Squire appears and the magical Glow ‘n Show ponies (three pegasi and one alicorn) rescue Patch.

So what if Grogar came back 500 years after Megan & friends defeated him?  And what if the new generation of ponies once again defeated him--but THIS time most ponies were unable to escape the city before it dematerialized.  Perhaps only a few Earth ponies remained in Ponyland, gradually repopulating it.  And as the years went by, unicorns, pegasi, flutter ponies, etc, became little more than myths.

So my theory is that another 500 years have passed and Bright Glow and her Glow ‘n Show friends have managed to escape from Tambelon before it fully materializes and are now scouting, looking for information and allies to free their trapped friends and defeat Grogar once and for all.

[theboyskisser]

So like, Maximus and Dane are gonna make each other's cocks explode in season 2 right

[bandcampsnoop]

9/25/24.

The Stiffs were part of the fertile punk scene in England in the 1970s and 1980s. While they certainly sound like The Jam and Squire, there's also a bit of The Skids in there too (and apparently John Peel had a huge thing for both The Stiffs and The Skids).

But, I can't help but wonder if bands like Soul Asylum or The Wildhearts listened to The Stiffs. I mean there's a definite anthemic feel to many of these songs on their newly released "Demos and Rarities" LP on Projectile Platters - a sub-label of Puke N Vomit Records

[cherrylng]

Great Guitarists 100 - Metallica, Slash, J Mascis, and John Squire [CROSSBEAT (November 2009)]

Metallica The thrashing guitars that attack at high speeds would not have been possible without James Hetfield and Kirk Hammett. The band's production had a light texture similar to that of early punk, but at the same time it had the weight of metal. The band's full-throttle, blazing hardcore speed is combined with long, intricate, progressive-style numbers. The uniqueness of Metallica's ability to balance and integrate these seemingly contradictory elements was their signature. The band evolved quickly, and this was directly linked to the weight of "The Black Album (Metallica)" of 1991, which was born out of an early awareness of the rise of grunge. It eventually became the template for new metal. The band tried to evolve after that, but for better or worse, failed to break away from metal due to the limitations of Kirk, a typical metal guitarist. But Metallica is also Metallica, including such clumsiness. -Taiyo Sawada

Representative albums "Metal Master" (1986, photo) Metallica "Metallica" (1991)

Slash In the 80s, when everything was high-fidelity, even hard rock guitars were polished to a shine, but Slash's guitar work in Guns N' Roses was a clear throwback to this trend. His playing had the punk urgency and destructive force of a top-slapper, and his stroking and picking had a scratchy feel, as if he were scratching at frosted glass. Despite this inherent uncontrolled coarseness of rock 'n' roll, when it came to solo playing, he shows off the expert barefoot playing that blues and metal fans love, with its powerful extension of high notes. Slash was always behind Guns' popularity with everyone from metalheads to punks at the time. However, his style has not developed since he left the Guns, and it is a shame that he plays in his own mould, just as the Guns have lost their sparkle and dynamism with his departure. -Taiyo Sawada

Representative Albums "Appetite for Destruction" (1987, photo) Guns N' Roses "Use Your Illusion I" (1991)

J Mascis At the end of the 1980s, a wave of digitalisation swept over the guitar world and high sound quality was quickly developed. J. Mascis went completely against this historical background. He rediscovered the appeal of old fuzz boxes, which at the time were sold for a couple of quid. He established his originality by incorporating a bombastic sound generator that had nothing to do with hi-fi. J is also a record collector and has a deep knowledge of classic rock. He learnt guitar playing by copying guitar solos by Ron Asheton, Keith Richards, Mick Taylor, and others in his own style. He developed his unique style by playing it through a fuzz box. Bringing bombastic guitar solos to hardcore punk. The novelty of the idea came from inquiring about the old, and it is truly a product of the past and the present. J. Maskis is a surprisingly studious guitarist. -Junya Shimofusa

Representative albums "You're Living All Over Me" (1987, photo), Dinosaur Jr. "Farm" (2009)

John Squire John Squire was born in 1962. He is a direct descendant of the punk generation. He was inspired to play guitar by "God Save the Queen". When asked about influences, he naturally cites the Sex Pistols. However, it was one instructional book he picked up to become like Steve Jones that greatly influenced John's later guitar style. The book contained the scores of Keith Richards, Steve Cropper, Eric Clapton, Johnny Winter, and others. John practised the standard phrases listed there without knowing the sound sources. This is how he learnt to play the guitar. In other words, he was exposed to punk/new wave in real time, but as a guitarist, he was based on classic rock. This is the reason for the wide range of styles found in the Roses' works. The first Roses album was the former, while the second was more of the latter. -Junya Shimofusa

Representative albums "The Stone Roses" (1989, photo) The Stone Roses "Second Coming" (1994)

[socumonfeelthenoize]

Melody Maker - December 1994

[coolxconfused]

Liam and John perform I'm A Wheel on The Tonight Show with Jimmy Fallon

[yatiso]

i will never ever buy a fender bass

[hassanfield]

okay lads can i ask ur opinion on smth

q in the tags

[torson]

Vanity

[squirsquirrel]

I feel like I'm writing in half-days when maybe the better route is to write in full days (like, one whole day rather than the end of one day and the start of the next) but no. I'll just suffer for this chapter only and hope I don't find myself in this predicament again ahahahahaha

WHY DID I HAVE TO WRITE AND START WITH BREAKFAST IN THE SECOND HALF??? HOW DO I CONTINUE FROM HERE????

[queenofvenicebeach]

It's really heartwarming how John Squire praises Liam and his talents in all the interviews. I love how he says that Liam turns everything into something amazing and how he knew it would be great as soon as Liam got involved and how he said he only had some riffs, but as soon as Liam was on board, they turned into songs and he wrote them with Liam in mind

I mean we all know how great Liam is, but it's always good when John says it out loud as Liam really deserves to receive such kind words from his partner who is on top of that also one of his biggest idols

[myvinylplaylist]

Duff McKagan: Tenderness (2019)

Universal Music