#Statue Of Unity Booking

[statueofunitytentcity]

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[my-current-obsession]

I am taking note of every single villager who honestly suggests that Micah's half-monster status might have given his chosen bride cold feet and led to her running away and they are ALL dropping several positions in my internal character ranking.

[rosencrantzsguildenstern]

if i posted about hpmor on here would u all still like me

[ambercab]

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[clubconsent]

So, in Gideon the Ninth, a cavalier comes to Canaan House. Our cavalier is largely uninterested in necromancy, on account of being a huge jock with too many muscles who would rather be playing with swords or talking about playing with swords, and frequently mocks the weirdos who get worked up about things that aren't swords.

Our cavalier has a rocky relationship with their necromancer, who, it must be said, is kind of a terrible person. But by the end of the book, they've achieved true unity, just as Jod intended.

It's surprising to me that up to my most recent read, I hadn't realized how much Babs is clearly meant as a foil for Gideon, down to the sense of humor. Gideon loves Magnus's puns, but "anyone goes missing, we assume they're having a nap in the incinerator" is the kind of thing you can actually imagine Gideon saying.

So their differences become really interesting. His reflexive insistence on being called Prince Tern whenever his ego is threatened throws Gideon's indentured servant status into sharp relief. His shock and anger when rules are broken contrasts with her experience of rules as threats she has to manage. And while they both instinctively dislike most people, she rapidly makes a surprising number of friends. He looks down on everyone too much for that. (She distrusts. He disdains.)

And, of course, in the end, she chooses her fate, while he gets lyctored in the back.

The contrast between them definitely works with the themes of the book, but I think I missed it because it speaks even more to the the larger series: how cozy are you with power and privilege? How do you decide to navigate your bonds with others in a world that turns human relationships to horrible ends? For what cause are you willing to work with the systemic violence that animates everything around you?

Gideon makes her choices with open eyes. Babs turns away into a warm cocoon that turns out to be a bag over his head.

[onedaytripin]

One Day Ahmedabad To Statue of Unity Trip By Private Cab

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[weirdrtvscomments]

in case anyone is struggling with deciding who they want to vote for in the RTVStan/RTVS Nation/RTVSia/RTVS Topia/RTVS Topia-Ville presidential election, i have compiled a list:

Log

Representing the Ethernet Party: “A people with 5 ping to the main server is a people that prospers.”

Will change the name to RTVS Nation

Comic books are a part of the platform

Everybody gets a free moat

Eyes that are twice as big for everyone that wants them

Offload cost to Wifi users

Working on a battery charged snack

Hypnotist is a protected class

Robloxia war veteran

Defenses are proven

Will take your ants and import more

Endorsed by: Soulja Boy, Ken Masters, Stitch 

Signature move when President: Snake Trick (no weaknesses)

Punishment for other candidates: Follow him out & about like an RPG party

Mike

Representing the Sweets & Treats Party: “I was just outside eating a sandwich.”

Orange creamsicles will be available in every store

Free Steam Deck for every American citizen

Will lower tariffs and imports on all types of sweets and treats from Canada, while raising tariffs on everything else

Most important snack is Wasabi Peas

Not very good against zoners

Why are ants so bad?

Endorsed by: 2 (anonymous), Trap Snax

Signature gimmick when President: Whenever he eats a yummy piece of candy he gets an install, which gets its own theme

Special move when President: A cool punch like Marissa from Street Fighter 6

Punishment for other candidates: Have to reach into a bin of Bean Boozled that's 90% gross ones and eat it in public in front of cameras and the press. After, push into the alligator moat. Also, Mira’s idea

Mira

Representing the Drinks & Eats party: “I was rooting around in a dumpster out back.”

Will change the name to RTVSia

One of every food and drink, free of charge

Will develop a chemical compound called “Ketracel White,” will genetically engineer ants to be dependent on it 

Endorsed by: IceFrog, Yoshi, Yoshi (from Mario), baby Yoshi (might be one and the same), Chun Lee

Signature move(s) when President: Level up system (up to 3), if she gets knocked down she loses a charge of it, gets it when she does some power up move (or something), negative edge inputs (landmine, fireball, that one thing Bison does in Street Fighter 5), install where she gets a command grab, 8-way air dash, guard impact, levels reset between rounds, invincible super (can do it on wakeup)

Punishment for other candidates: Detractors rounded up and taken into woods where they are given a knife, camera, and laptop to make a Youtube channel of them living in the woods (Ethernet in the trees)

Trog

Representing the People’s Choice Freedom Integrity Liberty Justice Prosperity Sovereign Citizen’s Ethical Governance Democratic Renewal Global Sustainability Citizens for Unity (may be part of the Lego Star Wars Party): “We’re all part of God’s nation in my eyes.”

All breakfast restaurants have to be open for lunch & dinner in addition to breakfast

THEY HAVE TO GIVE YOU A LARGE WATER WHEN YOU ASK FOR IT

Desegregate PornHub and GayTube

Everybody gets a free castle

Immediately cease all snack exports 

Will start war with Canada

Will mail a bomb if you want him to

Will double your ants and give them to the next guy OR will turn them all into 1 big ant

New category on PornHub for ants

Will build death robots and a spaceship

Will be inventing gorgons, griffins, vampires, Frankenstiens, zombies, mummies, insects, gorgon ants (small)

Endorsed by: The Sims, Captain Video, Half Life 2: Lost Coast (demo), Tobuscus

Super move when President: 1 Sphinx on every tile surrounding, +1 food, +1 culture (if next to a river, +2 food, +2 culture instead)

Theme song: Steppin’ Out by Joe Jackson

Punishment for other candidates: All other candidates have to do an embarrassing pose and gaze into Medusa’s eyes, which will turn them into stone. The statues will be put in front of the White House, where during a nation-wide celebration they will be knocked down with a wrecking ball/individually destroyed with dirty bombs

Wayneradiotv/Wayne John 

Representing the California Milk Processors Board: “Enjoy DOGh.”

Every gallon of milk will have $2,000 in it

Free PornHub premium

Any dairy product you want whenever you want it

Will attract more ants

Will rename it to Milk Nation

Pig milk Iron Fist

Endorsed by: Britney Spears, Beyonce, Rhianna, Serena Williams, Venus Williams, Shaquille O’Neal, Harrison Ford (all branded with Permanent Milk Mustache & committed their eternal lives), Batman, Mario, Spongebob

Signature move when President: Cow army that walks on their hind legs and shoot milk as projectiles

Punishment for other candidates: Mulched into feed for his cows

Things you need to rememer for the ONLY ELECTION THAT MATTERS!!!!

[girlactionfigure]

humiliation and the Jewish dhimmi

FEBRUARY 27, 2025

"Haj Muhammad Said al-Husseini, the mufti of Gaza, issued a fatwa against land sales to Jews arguing that, as a result of Zionism, the Jews had lost their status as dhimmi or wards of Islam and any Muslim or Christian who hekped them would be regarded as an apostate or infidel. In 1935 the first ulama or gathering of Muslim religious scholars issued a similar fatwa."

- "1948 as Jihad" by Benny Morris

WHAT IS A DHIMMI?

Following Muhammad’s death in 632, the Arab Islamic empires conquered lands exponentially quickly. As a result of this rapid colonization, the Muslim authorities were faced with the “problem” of how to handle the conquered Indigenous peoples that resisted conversion to Islam.

This “problem” was solved with a treaty known as the Pact of Umar. This so-called treaty allowed select religious and cultural minorities (known as “People of the Book”) to practice their beliefs so long as they paid the “jizya” tax and abided by a set of restrictive, second-class citizenship laws.

Apologists for dhimmitude often whitewash this status, noting that it afforded minorities “protection.” But paying someone so that they don’t kill you is not protection; it’s extortion. 

The Ottoman Empire did not abolish dhimmi status until 1856, though it’s worth noting that even then, Jews were still not entirely equal under the law. Most notably, Jews were restricted from certain land purchases and from a number of activities at the Western Wall, including blowing the shofar, bringing chairs or Jewish ritual objects, and speaking or praying loudly.

DHIMMI LAWS

Jews were forbidden from building new synagogues. Synagogues could not be taller than mosques and the homes of Jews could not be taller than the homes of Muslims. Jews could not raise their voices during Muslim prayer times. Jewish children could not be taught the Quran. Jewish funerals had to be quiet and Jews could not be buried near Muslims. Jews had to show deference to Muslims; for example, if a Muslim wished to sit where a Jew was sitting, the Jewish person had to give up their seat. Muslims were prohibited from converting to Judaism. Jews had to dress differently than Muslims. Jews had to wear identifying yellow belts or turbans and had to cut off their sidelocks. Jews could not ride the same animals as Muslims and could not use a saddle. Jews were forbidden from taking Muslim titles. Jews could not own weapons. Jews had to host Muslim passerbys for 3 days. Jews could not govern, lead, or employ Muslims. Jews could not buy a Muslim prisoner or slaves who had been allotted to Muslims. Jews could not engrave Arabic inscriptions on signet seals. Jewish witnesses were not admissible in court. Jews were subject to a “jizya” tax. Jews could not join the military or work for the government. When harmed by a Muslim, Jews had to purchase Muslim witnesses, which left Jews with virtually no legal recourse. Jews could not marry a Muslim woman. Jews could not criticize Islam or the Quran on penalty of death.

THE IDEOLOGY OF HAMAS

Hamas is an Islamist terrorist group. Islamists believe that the doctrines of the religion of Islam should be congruent with those of the state. Islamists work to implement nation-states governed under Islamic Law (Sharia), emphasize pan-Islamic unity (in most cases, hoping for an eventual worldwide Islamic Caliphate, or empire), support the creation of Islamic theocracies, and reject all non-Muslim influences. 

Islamist ideology can be traced back to Hassan al-Banna and the Muslim Brotherhood, founded in 1928. Al-Banna viewed the 1924 dissolution of the last Islamic Caliphate, the Ottoman Empire, and the European colonization of the Middle East, beginning with France’s 1830 occupation of Algeria, as an affront to Islam. The early 20th century was a period of rapid secularization in the Middle East, when Arab nationalism threatened to replace pan-Islamic identity with a pan-Arab identity. Al-Banna opposed all of this, hoping to return to “authentic” Islamic practice through the (re)establishment of the Islamic Caliphate.

Hamas emerged as the Palestinian branch of the Muslim Brotherhood. Hamas, too, seeks to return to “authentic Islamic practice,” as outlined in their original Charter. By this they mean, essentially, that they wish to go back in time, to a time when Jews were dhimmis.

"Hamas did not hold their 'ceremony' for hostage Hisham Al-Sayed 'out of respect for the Bedouin-Israeli community': it was out of disrespect for the Jews. Their shame-honor culture dictates that only 'dhimmi' Jews get to be humiliated. This is why the coffins of the murdered hostages were designed with special handles to be carried at 'foot level,' rather than the usual ones intended to be carried at 'shoulder level': the Jew must always be reminded that he is inferior."

- Lyn Julius, author of  Uprooted: How 3000 Years of Jewish Civilization in the Arab World Vanished Overnight

HUMILIATION AND THE DHIMMI

Dhimmi laws were inherently humiliating, in that they reminded dhimmis of their inferior status in society. For example, dhimmis had to show deference to Muslims, dress distinctively, and more. 

While the Quran itself does not proscribe “humiliating treatment” along with the payment of the jizya tax, historically, Muslim empires largely humiliated their dhimmi subjects during tax collection. For example, in the 16th century, Islamic scholar Ahmad Sirhindi wrote, “The real purpose of levying jiziya on them is to humiliate them to such an extent that they may not be able to dress well and to live in grandeur. They should constantly remain terrified and trembling. It is intended to hold them under contempt and to uphold the honor and might of Islam.” 

In some places, Jewish dhimmis were forced to carry out humiliating acts; for example, in Yemen, Jews were made to clean excrement. 

Oftentimes, dhimmis were forced to pay the jizya tax on foot, rather than on horse, so that they would be reminded of their lower status.

For a full bibliography of my sources, please head over to my Instagram and  Patreon. 

rootsmetals

let’s talk about what those perverse, degrading hostage release ceremonies are actually about.

[kazz-brekker]

finished reading the golden enclaves and idk if this is a hot take but i feel like it had better exploration of the importance of communal unity and the necessity of societal change than like 99% of books that people like to classify as hopepunk these days simply for not just being like "working together is so good, i love community, together we can accomplish so much and change the world for the better <3" and was instead like "yeah, this work is going to be really fucking hard. it's going to suck, and it's going to be unpleasant, and people are going to hate you for doing it. and maybe you'll feel like giving up because it feels like too much, and being complacent and just going along with the status quo would be easiest. but you still need to do it, because it's what needs to be done, and eventually the world will be better for it."

[statueofunitypackage]

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[hss-appreciation-events]

HSS Appreciation Week 2025: Intro, Prompts, and Guidelines

Welcome!

Welcome to HSS Appreciation Week, the event for appreciating all things High School Story, be it the original HSS Prime mobile game, the original HSS Choices trilogy, and/or the High School Story: Class Act spinoff!

This event takes place from January 10, 2025 to January 18, 2025

Hosts: @cadybear420 and @lover-also-fighter-also

Also tagging: @choicescommunityevents

Prompts

These prompts will likely be year-round, but if you have any other ideas or suggestions for possible prompts, feel free to drop them and we might use them in the future!

Jan 10: Meet Our MCs (and OCs)

Jan 11: Fresh Starts and Growth

Jan 12: Favorite Characters

Jan 13: Friendship, Family, and Berry High Unity

Jan 14: Favorite Ships/Pairings

Jan 15: Pride, Welcoming, Acceptance

Jan 16: Antagonists

Jan 17: Favorite Scenes/Moments

Jan 18: Wildcard/Free Day

See Prompt details and Guidelines below!

Prompt Details

Day 1 (January 10): Meet our MCs (and OCs)

HSS has given us three memorable MCs over the years! The monumental HSS Prime MC, the wildcard OG HSS Choices MC, and the adorkable HSS:CA MC. This day is for any works centric around any HSS MCs you have. Feel free to even introduce us to your HSS MCs with a profile or profiles!

If you also have any OCs or fancharacters that aren’t meant to be versions of the MC characters, including any students you enroll in Prime, feel free to post about those too!

Day 2 (January 11): Fresh Starts and Growth

“That’s the great thing about a fresh start. You can be anybody you want to be”, said by Principal Hughs in OG HSS Book 1 Chapter 1.

As such, many of the characters we know get to have a fresh start at Berry High, and grow into better, stronger people from it. What might the fresh start mean for any particular character(s)? Do they go through any personal growth? This is the prompt to explore that!

Day 3 (January 12): Favorite Characters

The HSS iterations have given us a multitude of vibrant and compelling characters. From the shy wallflowers to the ever-confident cheerleaders, from the supportive jocks to the clever nerds, from the party-loving preps to the creative musicians, from the logistical gamers to the expressive theatre club. The uniqueness is captured in the faculty of Berry High, as well as even the rival Hearst kids. Let us hear about your favorites from these characters and why they are compelling to you!

Day 4 (January 13): Friendship, Family, and Berry High Unity

A core theme of HSS has always been how students of different cliques/social groups can come together. Since the foundation of Berry High, a lot of strong friendships have been formed among its students, including our main characters as well as outside their friend group.

From there, the students are able to get stuff done like a team and and uplift each other like a family. And along with that, we get to see a lot of familial relationships outside of school as well. This day is to highlight and celebrate all these relationships which were compelling to you, as well as any you want to see more of!

Day 5 (January 14): Favorite Ships/Pairings

HSS gives our characters all kinds of opportunites for relationships. Tell us about your favorite pairs and ships in HSS! Pairs between a MC and another character, pairs between two canon characters, pairs between OCs, pairs between canon and OC or a MC and an OC, maybe even pairs between two MCs. Whether they can be paired in game or not, whether they're monogamous, polyamourous, strictly romantic, queerplatonic, long-lasting, short fling... no matter what, show us those ships!

Day 6 (January 15): Pride, Welcoming, Acceptance

“This school began as a bunch of empty plots of land and a promise to be open to everyone. A promise that ensured no matter who you were or what you liked, you'd always be included and together we can accomplish anything”, said by the HSS Prime MC in HSS Prime Friendsgiving and as shown on the statue of Ollie the Tiger.

From the very beginning of HSS Prime, Berry High was built with this promise. This is the prompt to celebrate and explore that! This can include cultural/ethnic celebration, queer/gender pride, disability and neurodivergence pride, etc. How is this welcoming and acceptance meaningful to any particular character(s)? How does it influence their identity?

Day 7 (January 16): Antagonists

Nothing comes without difficulties. Berry High has always had its fair share of challenges from the beginning. From keeping the school open, fending off bullies, sabotages from rival schools, and corrupt principals, and more. Show us who is your favourite antagonist and spill their beans!

Day 8 (January 17): Favorite Scenes/Moments

From the beginning of the Prime game in 2013 to the end of Class Act in 2020, HSS has given us nearly 7 years of stories What are those moments in any of the games that really stuck with you? Made you laugh, made you cry, had you on the edge of your seat, or were just overall really powerful or memorable? Tell us about them here!

Day 9 (January 18): Free Day/Wildcard Prompt

This one goes without saying. Are there any HSS themes we didn’t cover? Anything more you love about HSS? This is the day for that! Go wild! Be creative!

General Guidelines for Submission:

TO SUBMIT: A) mention this blog (or at least one of the hosts) and B) specify which prompt or prompts you’re submitting for.

Submissions should lean into being HSS-appreciative/positive.

The tags #HSSAppreciationWeek, #HSSAW, #HSSAW2025, are highly recommended, but not necessary.

If your post is very long in length (eg. if it’s a long fic, has images that take up a lot of length), we highly recommend putting a “Read More” button in your post.

Any submissions that lean into NSFW or suggestive territory, and/or feature sensitive topics should be tagged accordingly.

You don’t have to create for each prompt or each day. Create for as many prompts and days as you like.

You don’t have to create for a prompt on its respective assigned day. Eg. You can create for a Day 1 prompt on Day 4.

You don’t have to create only one piece per prompt. If you have multiple pieces you want to create for a certain prompt, then by all means, go for it.

You don’t have to use only a specific day’s prompts together Eg. You can have a piece that uses a Day 1 prompt and a Day 4 prompt together.

We will still accept submissions even after the event dates have passed. You will have until the HSS Appreciation Week 2026 announcement to submit posts/creations for the current prompts!

What IS welcome:

Any medium of human creation. Art, fanfic, poetry, edits, animation, picrews/meikers* moodboards/stimboards/gifboards, icons, memes/shitposts, gifs, AMVs, playlists, headcanons, character recreation in another game (eg. The Sims), etc!

Meta posts. Eg. screenshots of favorite scenes/moments from the games themselves, essay/analytical writing, even just simply gushing/rambling over any of the games nonstop!

Pieces or posts that you made prior to this event and/or initially not for this event, but you've decided you want to submit them!

WIP/unfinished pieces.

Submissions can be works that you have made yourself, or works that you have commissioned from someone else.

*If you’re submitting a picrew or meiker piece or anything similar, please link to the template in your post!

What is NOT welcome:

Bigotry of any kind. Posts of a nature that is sexist, racist, queerphobic, ableist, xenophobic, etc. are obviously not allowed.

AI-generated material of any kind. This includes images or writing made by genAI, ChatGPT/character.AI screenshots, etc. Feel free to let us know if we accidentally promote AI generated material. We support human creators here!

Just don’t be a dick, tbh.

Previous Years’ Masterlists

[Will be linked here]

[signalburst]

Shōgun Historical Shallow-Dive: Part 1

Does everybody else's heart hurt? Good! Let's get learning. These characters and the people that inspired them all deserve their own post, but here's a quick one if you're wondering what happened. This is a shallow-dive because the history is extremely complicated, and a condensed version of just the events leading up to Sekigahara (the battle depicted in the finale) take up entire volumes of history. I'll do my best to answer questions about what happened to our three protagonists, in the show, as well as real life.

One note: given I'm not a professional historian, I've got no obligation to not have biases and favourites. I've tried to keep most of them out of this, but if you want to punish yourself by trying to keep track of who's who in the Azuchi-Momoyama period, this book is the best English-language overview.

What happened to Toranaga (Tokugawa Ieyasu)?

Gif: @yocalio

I am not as strong as I might be, but I have long known and practiced patience. And if my descendants wish to be as I am, they must study patience. - from The Legacy of Ieyasu Tokugawa

In the book, Toranaga reveals that it had been his aspiration to be Shōgun from the very beginning. That was what drove his alliance with the Taiko, that was what drove his feigned alliance with the Heir.

History follows a very similar path. I re-read some chapters on the battle of Sekigahara last night, and there is no easy way to explain it, but: the result of Sekigahara (an enormous, two-day battle with 200,000 samurai and ashigaru warriors in the field) was an enormous victory for Tokugawa, Toranaga's real-life counterpart.

Years - sometimes decades - of scheming by Tokugawa had made Ishido/Ishida's Western Alliance completely fragmented. In the months leading up to the period displayed in the show, Toranaga was calling in a lifetime of marriage alliances, diplomatic advantage, defensive pacts and childhood friends who'd risen to high status. Re-reading the sources, the names of all the lords of all the important fiefs and castles makes my head spin, let alone the ones that turned out to be pivotal to Toranga/Tokugawa's victory. But it was a resounding victory, and by both the numbers and the disposition of forces, he should have lost.

Historians have a consensus that if the 'Western forces' of the Heir had have fought together with a unified command structure, they would have won, easily. But they didn't - orders from Ishido/Ishida were ignored, Toranaga/Tokugawa endured onslaughts, and the Regents' opposing armies eventually fractured and melted away. This was a last-of-an-era battle. Families were fighting on either side, every single unit that could be brought to bear was on the field. It is no exaggeration to say Sekigahara is one of the few, unambiguous battles upon which the beginning of a historical era came down to.

Toranaga/Tokugawa triumphed because he spent decades building unity of purpose and strong alliances, simultaneously sowing division amongst the Regents, who ultimately balked at being commanded by a bureaucrat like Ishido/Ishida. Whilst there was no one decisive moment of an extremely bloody, rainy, two-day battle, the fact that Ishido/Ishida's forces refused to be told what to do by someone of lower status was the main theme of their defeat. A crucial army stationed on the hill stayed still, refusing to commit to either side, until Toranaga/Tokugawa fired muskets into their ranks. They made up their mind, and attacked Ishido/Ishida's Western army. Ishido/Ishida's one trick of firing a flare to commit the reserve army didn't work. The commander ignored it. Instead of being there to fight for something, Ishido/Ishida's coalition was there to oppose someone. They all had different reasons. And ultimately, the man that brought them together didn't command enough respect to command a battle.

As our show Toranaga said, the Regents fell upon each other. He might have been a bit optimistic about how and why this would happen (they fell over each other in retreat, and it took two days of horrific combat), but it happened. Tokugawa Ieyasu was famous for richly rewarding former enemies, and most of those he defeated kept their heads. This reputation is a strong incentive for leaving the field when things start going Tokugawa's way.

The two exceptions were Ishido/Ishida, and Kiyama/Konishi, both beheaded in Osaka (Ishido, bizarrely, was upbeat about his fate, until seconds before the sword came down). Killing Ishida was the obvious move, as the man schemed and bitched so much he caused a civil war. Killing Konishi was more calculated - it opened up his trade-hub in Kyushu to being ruled by a fervent Buddhist daimyo and ally of Tokugawa.

Toranaga/Tokugawa forces soon captured Osaka Castle after the battle of Sekigahara, and with it, the Heir.

Toranaga/Tokugawa 'reluctantly' accepted the Imperial appointment of Shōgun three years later, in 1603. In 1605, he abidcated, passing the title to his most malleable and competent son, Hidetada. He was the real power behind the throne and ruled until his death in 1616.

The year before he died, he was able to fully secure his legacy. The Heir (in real life, Toyotomi Hideyori) had begun to gather daimyo to Osaka castle who were opposed to Tokugawa. Tokugawa used the flimsiest of pretexts - the opening of a shrine - to order the Heir out of the castle. He refused, Tokugawa forces besieged the castle - twice. The first one was called off because cannon fire nearly killed Ochiba no kata, and she pushed her son to sue for peace. By the second siege, there would be no peace: the Tokugawa forces defeated all oppoosition, and secured the legacy.

Toranaga/Tokugawa's descendants would rule for 250 years of internal peace and external lock-down of the country from barbarians (and Christians), except for limited trade.

The big question: did Toranaga/Tokugawa really want to be Shōgun from the start? History tells us, rather unambiguously, yes - before the campaign, he was writing his 100 Articles for ruling Japan, which would be instrumental for his family holding on to power and preventing internal strife. His plan may well have gone back to his formative, teenage years. At the very least, it is highly likely it was solidified when Toranaga/Tokugawa was a vassal of the Dictator Koroda/Oda Nobunaga - the man Mariko/Hosokawa Gracia's father assassinated, who was brutal even by the standards of the day. We don't have time for him, the Taiko, and Mariko's father today - but my opinion is that the motherfucker firmly deserved to be assassinated, and the only amazing thing is that the inspiration for Mariko's father was able to hold off for so long.

But that killing set off a chain of events that would lead to Toranaga/Tokugawa becoming sole ruler of a unified Japan. So much of history is contingent on individual actors and random events. It didn't have to happen. It was extremely unlikely. But, through patience (and by my reckoning, a lot of luck), he made the world he wanted to see. Whether that was worth the price in lives is for the reader to decide.

But by all accounts, Toranaga/Tokugawa died very satisfied in the knowledge that his legacy was secure, his realm was unified, and, finally, at peace.

What happened to Mariko (Hosokowa Gracia)?

Gif: @yocalio

As is probably obvious, Mariko's purpose was fulfilled before the conclusion of the show. As is also probably obvious, her historical counterpart - Hosokowa Gracia - did not have an affair with an English sea pilot (😢). She did, however, change Japanese history, and tipped the balance of noble support towards Toranaga/Tokugawa. Her death had meaning.

The framing of her marriage to Buntaro and exile after her father's successful assassination of a brutal dictator is almost exactly correct. She was one of the most desirable, valued and accomplished young noblewomen of the day. The stain of the name Akechi would haunt her for the rest of her life. Real life Buntaro, Hosokowa Tadaoki, genuinely sent her away for two years to save her life. The Hosokowa family even went so far as to pretend that she had died, to save her from the Taiko's vengeance. Whilst her marriage was an unhappy one (though not, as far as is known, abusive), she was beloved by the head of the Hosokowa clan, the show's Hiromatsu. They went to extraordinary lengths to keep her safe.

Her main comfort in her life was her faith. It's perhaps here that we get the strongest through-line from Hosokowa Gracia to Mariko - unafraid, intelligent, and fierce.

She first came to learn about Christianity from her Christian maid, who extolled the virtue of the faith, and the opportunities for intellectual stimulation theological discussion could bring. In 1587 (five years after her father assassinated the dictator, three years after she returned from exile), she decided to take action on it. She snuck out of Osaka Castle and visited the main church in Osaka - she had lively conversations with the elderly Father-Visitor, and was an excellent pupil of both Portuguese and Latin theological texts. I don't know if you guys have ever tried to read those things, but even in translation, they are torturous. This woman was extremely intelligent.

As a noble woman of the Taiko's court, she knew he was about to issue an edict outlawing Christianity. Being the (excuse the language) absolute fucking badass that she was, she had her maid (baptismal name Maria) baptise her before the edict was issued, transforming from Hosokowa Tama to Hosokowa Gracia. Even though she had to keep her faith a secret due to the Taiko's edict, she found a way to hold on to it. She had a special sake cup made with the Hosokowa mon emblazed on the lip, which, on very close inspection, was actually a Christian cross.

During this time of her religious conversion and education, a primary source from a Jesuit priest says that 'I have never disputed with a woman of such clear judgement, and such definite knowledge.' She was known for being fiercely intelligent, and this is commented on in many European letters and journals that have remained from the Catholic church's time in Japan.

Her relationship with her husband - like Buntaro, a senior retainer of Toranaga/Tokugawa - was frosty. They never reconciled after her father's (Akechi Mitsuhide) rebellion, but her husband did recall her from exile when it was safe to do so, and she lived to serve a very similar purpose to Mariko in the book and show. By virtue of not being an interpreter, she was less close to Toranaga/Tokugawa than in the book and show, but she was still dedicated to her clan and her clan's overlord, as will become clear.

Just as in the show, Hosokowa Gracia agonized at the thought of seppuku putting her soul in mortal danger. But she perceived her duty to be to ensure death before being captured or otherwise dishonoured.

To put it bluntly, Ishido (Ishida in real life) fucked up. Before any military manouvers had begun, he went to seize hostages of friends and enemies alike throughout Osaka castle. His forces tried to forcibly seize Hosokowa Gracia from the family quarters. She gave orders for her senior retainer to kill her, her daughter, and set fire to their section of Osaka Castle, so that none could be taken and subjected to dishonour. She arranged with this samurai to stand on one side of a shoji screen, facing him. He stabbed her through the heart with a naginata. She died, satisfied in the knowledge that:

...the death was not suicide, and her soul would doubtless be spared from the torments of Hell.

Although not doing this directly on the orders of Toranaga/Tokugawa, it's highly likely she knew that she was making a statement (many of the other hostages went quietly). This furthered his cause immensely. Inspired by Hosokowa Gracia, families streamed out of Osaka Castle and other Regent-held castles by any method they could. Her example ignited a firestorm of controversy surrounding the gall of a jumped-up bureaucrat (a reputation Ishido/Ishida would never escape) forcing the death of one of the era's pre-eminent noblewomen. Although her husband was relatively unbothered by her death, her father-in-law - the book/show's Hiromatsu - was furious. Because of Hosokowa Gracia and his granddaughter's death, he immediately fortified his border castle.

He defied a large [Ishido/Ishida] army of 15,000 men with only 500 men of his own.

Many of [Ishido/Ishida's] commanders held [Hosokowa Fujitaka/Hiromatsu] in such high regard that they went through the bare motions of laying siege. On a regular basis, gunners 'accidentally' forgot to load their cannon with iron shot, and so Tanabe Castle's walls reverberated daily to the harmless booming of blank gundpowder explosions. [Ishido/Ishida's] military offensive had launched to a disastrous start.

The siege only ended because of an imperial decree (it's a long story - Fujitaka/Hiromatsu knew an oral tradition special imperial poem that risked dying with him, nobody could refuse the Emperor). More than this, any chance Ishido/Ishida had of convincing skilled and respected generals to commit to his side ended with Fujitaka/Hiromatsu's defiance. Such was the respect that he commanded, and such was the rage he felt at the death of his daughter-in-law, that he worked tirelessly to gather support for Toranaga/Tokugawa, despite his advanced years.

Mariko/Hosokowa Gracia's contribution was an inflection point to what many samurai, busho and daimyo were suspecting - that Ishido/Ishida was a snake bitch who couldn't be trusted (I believe that's the correct historical term). Her actions galvanized resistance against him, and continued to spread the wildfire that would seal his defeat on the battlefield of Sekigahara: 'Why are we taking orders from him?'

Importantly, Hosokowa Gracia's remains were gathered by a Catholic priest, and given a Christian burial in Osaka. From everything we know of her, this would have been very meaningful indeed. Just as with Mariko in the show's depiction, Hosokowa Gracia's death was not senseless or without meaning. It meant something, and continues to resonate through the centuries.

What happened to John Blackthorne (William Adams)?

Gif by @cinematic-gif-archive

The short answer: imagine an alien landed in America. It was smart enough to avoid death. It ended up chief special advisor to Obama, and they became bros. That is William Adams's life.

First things first: Blackthorne stays in Japan. 'Old Rich Blackthorne' scenes are basically fever dreams. I was worried when the episode opened with a flash-forward to an old man living in Tudor comfort. This would be a huge change from both the book, and history. The novel ends with Toranaga confirming that his plan is for Blackthorne to never leave Japan. Blackthorne finds his place there. In history, the same is true of William Adams.

In episode 10, the 'is this a flash-forward?/is this a dream?' question is answered halfway through the episode. Blackthorne drops Mariko's cross over the side with Fuji's family ashes. As soon as that's done, the aged visions of Blackthorne disappear.

For those who are more textual than visual: the episode is titled A Dream of a Dream (a play on the title of the Taiko's death poem). Concussed, grief-stricken Blackthorne is dreaming of the dream he used to have - returning to England with riches and glory, his family name secure, with every comfort Queen Elizabeth the First can offer a pirate-explorer like Sir Francis Drake or Sir Walter Raleigh. But as soon as he lets go of Mariko's cross into the water (earlier, actually, when he sincerely attempted seppuku to try and save the people of Ajiro) that dream stopped appearing. The dream he had of exploiting Japan for riches and glory was gone, replaced with the reality of the life he is left to build.

In the show and the book, Toranaga is explicit about never letting Anjin-sama/Blackthorne leave Japan. If he builds new ships, Toranaga will burn them again. He needs Blackthorne's knowledge, expertise, and - in a bizarre twist of fate - friendship. We leave him hauling his wreck from the harbour, ready to salvage the keel and spars, to build a new ship in Japan.

So how does this marry up with history? Extremely accurately. As far as we know, the historical William Adams was slightly less of a pirate/privateer than the book/show's John Blackthorne. His hatred of Catholicism was more driven by their fervent desire to kill him, which they kept up for nearly a decade. His interest in exploration, in the show and in the historical record, was genuine.

The show's story very closely follows what actually happened in real life (again, sans romance... although he does have love in his life, which we'll get to). His crew were initially imprisoned, he was summoned by Toranaga/Tokugawa, and met with him many times to discuss his knowledge of the outside world, trade, and Christianity's impact in Asia. The Jesuits did pester the Council of Regents, and Toranaga/Tokugawa in particular, to execute him. Toranaga/Tokugawa refused, saying this barbarian had done nothing to harm Japan or its people. The Jesuits would not forget this.

He did train elements of Toranaga/Tokogawa's army in how to work the cannon his ship possessed - a skill he possessed, but no one else was willing to offer. He actually followed Toranaga/Tokugawa to several battles. Recent primary source evidence has revealed it was highly likely he was actually at the Battle of Sekigahara, which is a very recent development in the historiography of his life. It is just bananas insane, but it demonstrates just how useful (and likeable) Blackthorne/Adams was to Toranaga/Tokugawa.

I've read two biographies of William Adams, and he was very, very like the Blackthorne portrayed by Cosmo Jarvis. Other Europeans in Japan complained that he was arrogant and dismissive - historians see this as Adams adapting to his station in Japanese society, and being extremely frustrated with European manners and bearing in Japan.

Once Toranaga/Tokugawa became shōgun, Adams - already a samurai - was made hatamoto, and forbidden from leaving Japan. He was granted many generous cuckoos (250 of them!), an estate in Edo, a fief at the entrance to Edo bay, and rose to become Toranaga/Tokugawa's chief trade advisor. During Toranaga/Tokugawa's remaining life, he built two Western-style ships (which Tokugawa came aboard and was very pleased with - that's nice!), and took over piloting duties of Portuguese and Spanish ships making landfall in Edo, pissing off the Catholics to no end.

On Ieyasu Tokugawa's death in 1616, his holdings and fief were confirmed by the new shōgun, Ieyasu Hidetada. But his relationship with the court wouldn't be the same. My reading of the sources leads me to believe that James Clavell was right here: Toranaga/Tokugawa Ieyasu genuinely liked Blackthorne/William Adams, and wanted him around.

As more and more Europeans arrived in Japan, including the English and the Dutch, Adams served as translator for them, and - for the Enlgish - fixer whenever they did something barbaric and rude that would warrant execution. He seemed to view spending time with the (no joke) drunken, whoring, disgusting-smelling English trading factory members as an extreme annoyance. He seemed happiest at sea, and at his mansion in Edo, where he married the daughter of a merchant in 1613. Whilst her name is lost to the historical record, they had two children, Joseph and Susanna.

He wasn't a deadbeat dad - he wrote to his wife back in England, explaining that he could not return. She was a firebrand, and eventually extracted a form of life insurance from the Dutch company that had contracted Adams's piloting services. Partly she was able to do this because of a proclamation issued by Toranaga/Ieyasu Tokugawa: 'William Adams was dead the day he was made samurai, and Miura Anjin - the pilot of the fief of Miura - was born.' That sounds like a badass quote I've made up, but that's one of the English translations of Tokugawa's proclamation.

Adams kept up his maritime adventures, charting the Japanese coast, going on several trading missions to Southeast Asia (sailing to Thailand and meeting with the King of Siam, furthering his amazing ability to charm and dazzle). He struck up firm friendships with members of Tokugawa's court, fellow Japanese merchants in Edo, and the much more polite Dutch traders, despite the tensions that had grown between their two countries.

There's an important aspect of his legacy that endured for centuries. Toranaga/Tokugawa, suspicious of what he had learned of Catholic conversion and invasion of other Asian states, was already disposed to be wary of the Church. The Church in Japan would not let Adams rest, attempting to kill him, convert him, bribe him, and offer him passage home in 1614 on a Portuguese ship. In the same year Portuguese priests claimed that only Spanish miners had the skills to open up the mineral wealth of Japan. Adams warned the shōgun, again, that this was the Catholic way - first the priests, then the conquistadores.

Influenced by these reports and counsel, and because the Jesuits legitimately were conspiring to do the shit Adams accused them of (always a tough charge to defend), Toranaga/Tokugawa Ieyasu expelled all Portuguese priests in 1614, and demanded all Japanese Christians recant. Apart from this leading to the Dutch being the only nation allowed to conduct trade with Japan, this was the end of Japanese Christianity, until the country was forced open in 1855. Christianity never took root in the same way it would in places like Brazil and the Philippines. Was William Adams the only factor in this development? No. Was he a factor? Yes.

He died in 1620, after twenty contented years in Japan and Asia. His will stipulated that his estates and belongings be split evenly between his family in England and Japan. One of Adams's colleagues recorded that Ieyasu Hidetada transferred lordship of Adams's fief to his Japanese son, Joseph, as well as his katana and wakizashi. His line fell out of the historical record, but memory of and monuments to the Anjin remain in Japan.

Faring Well

Shōgun, the book, was fiction, written by a man fascinated by Japanese history, driven by a desire to bring it to the world. He was overwhelmingly successful. It was an excellent start, and even fired up some fascinating academic discussion at the time that I'd definitely recommend. The 2024 adaptation, in my view, changes many of the elements that have aged poorly, were flat-out wrong to begin with, and - like all great adaptations - adds to the work, rather than cheapening it.

Despite being based on real people, the fictional characters created for the show - Blackthorne, Toranga, and especially Mariko - feel real. That is an amazing achievement.

I hope this opens up an interest in Japanese history for some viewers. Being able to visit the places where these events took place is a truly awesome experience. Like all history, it's for individuals to judge what they think of the players.

Hiroyuki Sanada said that he admires Tokugawa Ieyasu because of his ability to bring forth 250 years of peace out of nearly 500 years of chaos. Was Ieyasu motivated by altruism, or self-interest? Does it even matter?

Anna Sawai saw in Hosokowa Gracia a moving, powerful woman, deeply committed to her faith, and to doing what she believed was right in the context of her time. As a person without faith myself, I found this portrayal of genuine belief extremely moving. The demonstration of her convictions was one of the most amazing performances I've ever seen.

And as for the English pilot, Cosmo Jarvis said he wanted to capture the restlessness of Adams, his slow transformation and growth, and the unique qualities that allowed the man to survive and thrive in an extremely deadly time. One thing he nailed that I think even James Clavell messed up was how deepy strange William Adams was. Not weird, not insane, but just a very singular individual. Biographers talk about his aloof, detached, self-aware nature being misconstrued as arrogance by Europeans who encountered him in Japan. Part of it was his annoyance at their inability to learn how to be in Japan; part of it was that he was simply built very differently. In embodying this, I think Cosmo Jarvis succeeded amazingly.

From what we can find in the historical record, William Adams and Hosokowa Gracia may not be 'great' in the sense that Tokugawa Ieyasu was 'great'. They did not build an era. To borrow a phrase from one of my favourite historical writers, whilst they may not be 'great' people, they were good people. That is vanishingly rare in the history we celebrate, and I think, for that reason alone, it's important to remember them, and the things they lived and died for.

[queerprayers]

Remembering the children killed by King Herod is traditional on December 28, and it's a story that has often been co-opted by anti-abortion activists who erase the context of the story—children killed out of fear by a ruling class. The holy innocents of Bethlehem take on new meaning for me today. I lift up this prayer in honor of all the recent holy innocents in that land and around the world, martyrs for the cause of existing, killed in fear that their witness will change the status quo.

We remember today, O God, the slaughter of the holy innocents of Bethlehem by King Herod. Receive, we pray, into the arms of your mercy all innocent victims; and by your great might frustrate the designs of evil tyrants and establish your rule of justice, love, and peace; through Jesus Christ our Lord, who lives and reigns with you, in the unity of the Holy Spirit, one God, for ever and ever. Amen. (from The Book of Common Prayer)

[indigovigilance]

Every single minisode is Aziraphale's memory, and why that's [not?] important

There is extensive meta-analysis, my own included, that Before the Beginning is a doctored memory resulting from erasure of Angel!Crowley, and that the trace of him that is left in Aziraphale's memory is the Starmaker, so that this is what we see at the opening of S2. With this foundation of "some scenes are altered memories," we can critically examine the minisodes and see that, in fact, they are ALL Aziraphale's memories that are potentially subject to doctoring.

Evidence (and exploration) below the cut:

A Companion to Owls

The largest part (S2E2 22:10 to 44:00) Book of Job flashback is book-ended by Aziraphale leaning over the physical Book of Job in his bookshop. We enter the memory when Aziraphale enters it, we leave it when he leaves it. Pretty straightforward.

The Ressurrectionists

Similarly, in S2E3, we begin the first flashback to 1827 with Aziraphale's "dear diary" entry. We flash out each time to Aziraphale: in the car to Edinburgh, getting out of the car at the Ressurrectionist Pub, and with Aziraphale staring up at the statue of Gabriel while standing in the graveyard in Edinburgh, respectively for each of the three flashbacks. This all strongly indicates that we've been in his memory.

Nazi Zombie Flesheaters

I didn't even notice until I was doing research for this that basically the entire episode takes place in 1941. From the end of the main title at 5:00 to 37:50, we never come out of the 1941 story. But what is interesting is what bookends this minisode.

Before the main title, Shax has tricked her way into Aziraphale's car and alludes to a time when a rumor started about our ineffable husbands:

Sometime in the last 80 or 90 years I remember hearing that you and Crowley were an item. I didn't believe it then. Not really. Poor old Furfur.

And when we flash back to modern day, we first go to Hell with Shax proposing a full frontal assault on the bookshop, and then we get:

Aziraphale has arrived back in SOHO, and has spent the 8 hour drive reminiscing about what Shax alluded to.

But this part gets even weirder. Because the final line of the episode is:

You're really hosting the meeting? Absolutely! And I can guarantee you: it will be a night to remember!

What this means in context of the 3 memory sequence

This line has been taken by a lot of analysts as a reference to A Night to Remember by Walter Lord, a collection of first person accounts of passengers of the Titanic. Most notably, the thematic ties of this work to the cinematographic design of Good Omens are captured by this quote:

A key to Lord's method is his technique of adopting an unconventional approach to the chronology of the event, "[taking] an imaginative approach to time and space in which hours and minutes prove extremely malleable, the ship itself seems almost infinitely complex, and the disaster assumes order and unity from far away."

Which is an amazing connection, and probably true, in that it was a deliberate reference by the writers. "Malleability of time and space" describes well how this show is put together for us the viewer. But it also illustrates how Aziraphale experiences his relationship with Crowley; skipping over centuries at a time, while dwelling on and protracting intimate moments spent together, create a cohesive whole when viewed from a distance. That whole is their relationship. [Which is about to go down like an unsinkable ship.]

But absent the literary reference, we could even take this line for its literal meaning. Aziraphale is talking about forming new memories, after we have spent the last three episodes living in his memories of times with Crowley that were key to shaping their relationship. This isn't a S1E3-style series of allusions to a furtive, flirtatious, and organically blossoming intimacy; these are rough events where the two are shoved into moral quandaries and forced to make some really difficult decisions that bring them closer together and define "their side." These are core memories, and incredibly precious to Aziraphale. And now, after a few short days in which he has spent a lot of time ruminating on these intense memories, he is embarking upon the task of making another important memory, that is, dancing with Crowley.

Why We Care

Because memories can be altered, all of the information we get from these episodes is subject to a reliable narrator problem. As of the Gabriel trial, we know that memories can be doctored even when the person in question isn't present. Crowley knows that his memories have been removed or altered, and has put painful effort into retrieving them. Aziraphale may not realize that he has suffered the same fate. These memories that he holds so dear might not even be true.

Memory, Identity, and the Relevance of Fidelity

We would probably expect to get some "corrections" to these memories in S3, to see exactly what kind of manipulations our heroes suffered and what that reveals about the motivations of the perpetrators. That's how a paranormal mystery story with a memory manipulation element would normally proceed.

But it will be even more significant if we don't; it would speak to a philosophy-of-self that you are not the product of your objective past, but of what you remember, and so we don't get to know what actually happened because it doesn't matter to informing us about who Aziraphale is.

Aziraphale's love for Crowley springs from what he remembers about their shared past; it doesn't necessarily matter that the memories aren't true, because the love is.

~~~

I realize that I kinda buried the lead, so if you reblog, please tag appropriately? I'm taking suggestions.

If you want to read more on this topic, this meta by @ineffable-suffering is a good place to go.

[scribbled-dream]

I’ve finished Elemental Council, the newest T’au book by Noah Van Nyugen—and I love the ending. Spoilers follow.

For those who aren’t familiar, the book follows a crack team of T’au specialists pulled together by Ethereal Yor’i, to create a council of specialists to deal with a Human rebellion on the newly conquered world of Cao Quo.

This revolt is led by the Space Marine Artamax, and complicated by further matters—A growing sect of T’au supremacists called the Syra, who consider humanity to be a blight upon the Empire.

Throughout the book, the question is asked: Are Humanity worthy of being in the T’au empire? Are they more than they seem, ignorant and brutal?

We see this through the viewpoints of several T’au, all of who come to slowly see their pity, indifference, hatred and guilt over humanity and the actions they’ve done in service to the Tau Empire against the Human rebels as flawed, and that they need to give Humanity the same chance they were given by Yor’i.

We see this clearly through Yor’i himself—he has a Gue’vesa bodyguard, one of exceedingly high status to be guarding the ranking Ethereal on the planet. Yor’i views his bodyguard, Jules, with gratitude, but acknowledges that he is not T’au. He will never be as close to them as the Ethereal is.

Jules, too, is a complicated man, serving the T’au as a former Scion, turned by another Ethereal who he formed a close friendship with. He knows his place in the Empire is distinct, and the other characters often look at his position with confusion or scorn—confused as to why an Ethereal would have a Human to guard his life.

They soon see why, as Jules dies against Artamax—giving his life for the Greater Good to save the Fireblade protagonist, who voices continual confusion at his devotion.

A Gue’vesa backtalking a Space Marine? An anomaly.

And yet, we see again. The Humans given a second chance by the T’au repeat this behavior, with the Gue’vesa Fleet Admiral Hillar, unsure of who to support between the rebels and the T’au. Hillar wants to support the rebels, and ideologically disagrees with Artamax’s methods, desiring peace.

Hillar defies Artamax, and dies for it. The young Earth Caste Engineer, Ke, initially confused by Human independence and defiance, and exceedingly desirous of peace, learns to empathize with the life she failed to save.

All of this leads us to the ending. The twist. The group takes a Kroot into their entourage, Ghodeh—who only wants to feast on the Marine, absorb his knowledge.

Through his scent, he finds that Yor’i is not who he seems, instead a Callidus Assasin in disguise. It is barely perceptible—unless one pays attention to Yor’i’s sharp twists in mood toward the Humans, and Jules in particular.

Yor’i is initially stoic and silent about his connection to Jules, but is found by the Fireblade Swordlight to be kind and understanding of Jules, vouching for him—after he dies, there is a stark shift in his behavior.

Yor’i goes from loyalty and kindness to Humanity, to hatred, indifference, and cold apathy.

And then, we learn the twist—it doesn’t make sense, because it’s not meant to. This is NOT Yor’i—rather, a foul thing wearing his skin, a Callidus skinwalker.

The real Yor’i is taken in by a Human family—and cared for, protected. This is the true nature of humanity—a kind one.

The Callidus is slain much like the Marine—by the lowest of the low—the Earth Caste engineer. And although Ghodeh does not get to taste the Marine’s sacred flesh, he learns to accept that he can control his hunger—out of respect.

Then, we come to the ending. The T’au garrison at Cao Quo is consumed by violence and fire, rioting fills the streets, falling into ignorance and fear just like the Imperium. This is where the average 40k fan would say it should end, because there can be no peace among the stars—

but the fic proves everyone wrong.

There can be peace. There can be unity, and empathy. It is hard to reach for, even harder to name—but it is THERE.