#Sydney Sheldon

[postersbykeith]

[nelsonbeauchejason]

[misty-zzz]

that stupid ass fanfic bro

based on one of these stupid memes

[cozyaliensuperstar7]

WBNA Players 👑🏀

[sherkathyy]

im OLD NOW!!!! even if im only about 2 in tumblr years,  i im still getting up there had to draw myself w the blorbos as a little brifthday gift (treat yourse;f....)

[ibraesil]

Jane Sheldon singing The Galaxy Beneath Me from ANTARCTICA by Mary Finsterer at Sydney Festival 2023 with Sydney Chamber Opera & Asko|Schönberg.

[full recording]

A woman in 19th century clothing lies motionless suspended in midair on a small stage filled with fog and lit with red light. The huge proscenium fills with words from an account of a flood.

Peaceful, pensive music plays while a voice whispers and the light slowly turns blue.

The woman sings. Her voice is very clear, with little vibrato - like a Baroque or Early singer. The melody begins plainly. Besides the movement of her mouth, she remains completely motionless. "Solitude, true solitude; the night black; horizons melt sky and sea. Somewhere... solitude." A few small ornaments are added to the melody - grace notes. "Milky Way smeared over all, oh shatter of stars crashing in vastness. Far from the lights of home." A different melody without ornaments, but more movement and wide intervals. "Oh see - there is no soul awake to see the shimmer of the night sky hanging in the water; the multitude of lights swimming." Now many simple ornaments on a melody with a lot of movement. "Tumble of starlight down among us to sleep in our darkness. Solitude." Now many difficult ornaments - complex mordents and runs - turn a simple melody into an acrobatic show with a strong sense of movement. Her tone remains clear and pensive, and she is still perfectly motionless in midair. The proscenium finally fills with text. "Underfoot, underdeck, a million tiny creatures! Underspace, a galaxy beneath- beneath me."

The singer and the orchestra slowly fade out, and a pure, piercing tone rings out then fades.

All of the text on the proscenium begins to fade.

[ncisfranchise-source]

It came down to the wire, but NCIS: Hawai’i ultimately didn’t make the cut for next season at CBS. The news comes days before the network is set to announce its fall schedule on May 2 and before the Season 3 finale of Hawai’i is scheduled to air on May 6. According to sources, the episode was not meant to be a series finale and includes a tease for what was to come but fans won’t be left reeling by a major cliffhanger.

The cancellation is not a complete shocker since, as Deadline has been reporting, NCIS: Hawai’i was on the bubble. Still, the outcome is surprising since I hear an effort was made to extend the drama’s run for at least an abbreviated fourth and final season, with producers agreeing to a massive budget cut and open to other concessions in order to keep the show going.

Hawai’i, the first series in the NCIS franchise with a female lead, Vanessa Lachey, is now the first series in the franchise not to get a proper sendoff after a brief run compared to its predecessors NCIS, renewed for a 22nd season, NCIS: Los Angeles (14 seasons) and NCIS: New Orleans (7). It is unclear whether series producer CBS Studios would shop the drama but there are no obvious buyers, with Paramount+ already stocked up with two NCIS original series, Sydney and the Tony and Ziva spinoff.

Attracting sizable viewership on a linear network is quite a challenge, so it is not common these days for a network to let go of the #12 most watched non-sports program on broadcast that averages 7.8 million linear viewers (most current) and 10M in Live+35 multi-platform viewing.

That is what CBS is doing with the cancellation of NCIS: Hawai’i, which added some star power and NCIS continuity this season with NCIS: Los Angeles‘ LL Cool J who has been in every episode.

It comes on the heels of Top 25 series So Help Me Todd and CSI: Vegas getting the axe last Friday. As I noted in the CBS Renewal Status Report earlier this month, the network was going to have to make some painful cancellation decisions, getting rid of shows other networks would’ve been happy to renew.

The series, as well as So Help Me Todd and CSI: Vegas, ultimately became a casualty of a strong schedule, a cost-management drive and overall uncertainty at the parent company Paramount Global, which is in the process of being sold.

Even before CBS’ lineup, delayed by the strikes, launched with the Super Bowl, the network already had committed to five new scripted series for next season, dramas Matlock, Watson and NCIS: Origins and comedies Poppa’s House and a Young Sheldon spinoff, with renewal conversations on NCIS: Sydney also well underway.

Then CBS’ originals returned, exceeding expectations, with the network claiming the top 16 most watched shows of its premiere week and 14 of the top 20 non-sports programs overall this midseason in Nielsen most current linear viewership.

With no obvious weaklings, Blue Bloods getting a final run next season and S.W.A.T. surprisingly uncanceled, the network had to cut deep in purging its slate to make room for the additions.

Just a year ago, a renewal for Hawai’i would’ve been a no-brainer: it’s part of a storied franchise with solid rating and crossover potential with the mothership series that yielded big ratings in January 2023. But now, CBS already has three other NCIS series already locked for next season: the original series, renewed for Season 22, Sydney, returning for a second season, and the upcoming Young Gibbs prequel NCIS: Origins. There is also the Tony & Ziva NCIS spinoff series greenlighted by Paramount+, making for a crowded NCIS field.

With strong multi-platform performance, as NCIS: Hawai’i ranked above several CBS dramas that have been renewed, including FBI: Most Wanted, FBI: International and S.W.A.T., it probably came down to money.

Even with the proposed budget cuts, NCIS: Hawai’i was still going to be expensive. Its long-term prospects were unclear — whether it would become a big global hit and moneymaker like its franchise predecessors. With CBS’ parent company focused on its short-term balance sheet as it prepares to sell, a corporate decision was made not to take a chance and find out.

In NCIS: Hawai’i, Special Agent in Charge of NCIS Pearl Harbor Jane Tennant (Lachey) and her team balance duty to family and country, investigating high-stakes crimes involving military personnel, national security and the mysteries of the island itself.

Alex Tarrant, Noah Mills, Jason Antoon, Yasmine Al-Bustami, Tori Anderson and Kian Talan also star. Matt Bosack, Jan Nash, Christopher Silber and Larry Teng served as executive producers.

In a recent Deadline interview, CBS Studios President David Stapf spoke about how “wholly unique” Hawai’i is while also being part of the franchise as the first NCIS series with a female lead, Lachey, and with its Hawai’i locale. “We were just coming off Hawaii Five-0, a very successful show,” he said of the spinoff’s origins. “People love that setting, it plays well over the globe.”

[lorelaiislatte]

Do you think there's a chance a streaming service will pick ncis:h? I've signed the petition but do we dare to hope? I'm tired of this happening all the time. I just dont understand. It was doing fine in ratings and it's a part of a franchise that keeps getting more spin offs? How that makes sense? Do you know the ratings compared with the others ncis shows? Sorry im asking you but im not from usa and i have no idea how american netwoks work. So sad rn.

okay SO i am also not from the us but have done this dance before sooooo:

1) from what i’ve heard, they were planning to move either another ncis show (i think sydney?) or another cbs show to paramount plus - which they now are no longer doing. in theory yes, this opens up the possibility for ncishi to move over there; in practice, i’m not holding my breath, as typically that negotiation would happen before a cancellation announcement

2) how does it make sense? the honest answer is that it doesn’t. like, it really doesn’t. it’s been holding steady at sixth of 14 cbs shows in the ratings (which is a brilliant number, ensures it’s profitable, and is also impressive for a procedural that’s still relatively new). it’s been beating a LOT of other crime procedurals in viewership and viewer retention, and reviewers have been singing its praises. i think this is why it feels so much as if it’s because they just view this show as less valuable (socially and economically) than their usual white guy cop shows; it’s very difficult to argue that your profitable, successful show is too expensive when you’re flying cast and crews across - or, potentially, internationally to - australia, to continue a less-highly-rated show with no issue.

3) as far as ratings go - ncis hawai’i episodes were pulling in as many as 10 million viewers last year (s2 e10 came in with 10.5 mil, as per variety telecast viewership reports) which has it going toe to toe with the core ncis (seems to pull approx. 8-10mil per episode, via hollywood reporter). for the 18-49 demographic across us series, ncis hawaii is ranking at #13 of #21 as per tvseriesfinale.com - this is significantly above ncis sydney (renewed, #15), and elsbeth (#19, renewed), two other cbs shows, one of which in particular is incredibly expensive. crucially, ncishi has actually increased its viewership, which is VERY difficult to do on a year to year basis. its up by 4.18% among 18 to 49 year olds - for comparison the core NCIS is down 0.83% and fbi international - a competing show - is down by 3.73%. bear in mind that even a single percentage point represents hundreds of thousands of viewers.

i also want to point out that ranking at #13 isn’t strictly representative of viewer numbers, it’s about percentage of viewers that are within that core age bracket. the neighbourhood is ranking at #6, but only pulling in 4.8 million viewers - ncishi is at #13, and pulling in 5.2 million. ncishi pulls in over half a million more viewers than four shows ranked above it in that chart.

so essentially - it doesn’t make sense. from any perspective. it doesn’t make sense from a business perspective (ncis sydney is more expensive to produce and brings in approx. 200k less viewers than ncishi, and ncishi crew had already agreed to a shortened, budget-restrained final season), it doesn’t make sense for a ratings perspective (it continues to outperform many of cbs’ own shows, including ones that have been renewed), it doesn’t make sense from a social perspective (people are loving it, even outside of our fandom spaces).

objectively, it’s a really, really bad move by cbs. i also thought being part of a franchise would be a kind of safety net - fool me once, i guess. all the evidence suggests that they just don’t care enough about ncishi, especially when they’ve got their bullshit white guy ncis origins show, a young sheldon spinoff (?? who asked?) and a plethora of other cookie-cutter shows they can just keep going with. and we can make a pretty educated guess as to why, when the main things that set ncishi apart from the other ncis shows are its diversity and character dynamics

(edit: it was pointed out that people aren’t being flown to sydney from the us, which is true, and bad phrasing on my part - but many are flown across australia at seemingly similar costs to mainland us/hawai’i flights, and i believe not all of the leads are based in australia either, so i’ve updated that bit for clarity. apologies!)

[chnt-confessions]

READ THE YOUNG SHELDON X CHNT FIC WITH MY FREIND AND SHE WAS SHELDON AND I WAS SYDNEY AND WE READ IT WRONG AND THOUGHT JEDIDIAH GOT SHOT BY SHELDON FOR 20 MINUTES....

HELEPMEEE

[ladyinbl00d]

fictional characters i relate to but i wont be saying why :3

tori spring 

charlie spring

darcy olsson

missy cooper (young sheldon)

allison reynolds

jj maybank

moe truax 

jess mariano

sydney novak

alyssa foley

donna noble

[headswapstar]

Penny's last wish. The survey said she should use her last wish on herself.

It was a tie, so here you go.

Penny is transformed into a man with Sheldon's body and huge boobs.

The next morning Amy goes to check on Sheldon. To find that Sheldon is really getting into having Penny's body.

Thing are about to change again when Amy makes a wish.

Amy suddenly transforms into a man right in front of Sheldon

Sheldon can't control all of the feelings for all of the new female hormones running wild in his female body.

Several hours later Penny goes across the hall to check on Sheldon and Amy.

Sheldon and Amy couldn't hide the looks on their faces. Penny knew right away what happened.

While telling Penny and Leonard about their morning, Amy might have used another wish.

Stay tuned for more.

[cozyaliensuperstar7]

WNBA Players 👑 🏀

[fionamccall]

Foundling names

At the Foundling Museum they have displays listing some of the new names given to the Foundlings when they arrived.

I was struck by how many of these were literary, historical or fanciful - a projection of the donors' fantasies on children - was this a kind thing to do or treating children a bit like naming a puppy? What did it mean to go through life saddled with the name Oliver Cromwell or William Shakespeare?

Names included:

Historical: Julius Caesar; Edward Plantagenet; Lambert Simnel; Edmund Ironside; Henry Agincourt; Emma Plantagenet

Tudor: Charles Brandon; Catherine Parr; Walter Raleigh; Francis Drake

Civil War: Oliver & Richard Cromwell; Edward Montagu; William Chillingworth

17thc/18th: Gilbert Sheldon; William Orange; Billy Culloden

Admirals: Admiral Benbow and Coram Benbow; Cloudesley Shovel

Literary: Robin Hood; Tom Jones and his love Sophia Western; Geoffrey Chaucer; Phillip Sydney; Alexander Pope; Nahum Tate; Samuel Johnson; William Shakespeare

Artists: Michael Angel; Inigo Jones; William Hogarth (possibly a bit confusing given his association with the hospital?); Anthony Vandyke; Peter Paul Reuben; Christopher Wren; Godfrey Kneller; Mary Addison; Richard Steel; John Dryden

Scientists: Francis Bacon; Edmund Halley

Virtues: Hopegood Helpless (a bit of puritanism coming in there perhaps?); Diana Thrifty; Prudence Friendly

Birds: Mary Dodo; Mary Swallow; Deborah Lark

Interesting to see one John Doe on the list as well - I thought this was a later, American thing.

[byneddiedingo]

Jack Nicholson in One Flew Over the Cuckoo's Nest (Milos Forman, 1975)

Cast: Jack Nicholson, Louise Fletcher, Will Sampson, William Redfield, Brad Dourif, Sydney Lassick, Christopher Lloyd, Danny DeVito, Vincent Schiavelli, Scatman Crothers. Screenplay: Laurence Hauben, Bo Goldman, based on a novel by Ken Kesey. Cinematography: Haskell Wexler. Production design: Paul Sylbert. Film editing: Sheldon Kahn, Lynzee Klingman. Music: Jack Nitzsche.

One Flew Over the Cuckoo's Nest is beginning to show its age, as any 48-year-old movie must. It no longer exhibits the freshness that won it acclaim as a masterpiece and raked in the five "major" Academy Awards: picture, director, actor, actress, and screenplay -- only the second picture in history to do that: The first was It Happened One Night (Frank Capra, 1934), and only one other picture, The Silence of the Lambs (Jonathan Demme, 1991), has subsequently accomplished that feat. Today, however, One Flew has the look of a skillfully directed but somewhat predictable melodrama; its tragic edge has been blunted by familiarity. In treating the material, director Forman goes for straightforward storytelling, without showing us something new or personal as an auteur. And as time has passed, some of the elements of the source, Ken Kesey's novel, that screenwriters Laurence Hauben and Bo Goldman took pains to mitigate -- namely the countercultural glibness and antifeminism -- have begun to show through. It's harder today to wholeheartedly cheer on the raw, anarchic antiauthoritarianism of McMurphy (Jack Nicholson) or to accept as a given the unmitigated villainy of Nurse Ratched (Louise Fletcher). We want our protagonists and antagonists to be a little more complicated than the film allows them to be. There are still many who think it a great film, but if it is, I think it's largely because it's the perfect showcase for a great talent -- Nicholson's -- supported by an extraordinary ensemble that includes a shockingly young-looking Danny DeVito, Scatman Crothers, Sydney Lassick, Christopher Lloyd, Will Sampson, and a touchingly vulnerable Brad Dourif.

[animalcrossingshowdown]

Round 2 least popular villager results:

Reminder that the villager who got the LEAST votes moves on for least popular. Round 3 will start on Tuesday April 4th

Biggest sweeps (85% and over):

Yodel 5.6% / Winnie 94.4% (Yodel twice in a row getting the lowest percentage)

Louie 8.6% / Lobo 91.4%

Boyd 8.9% / Boris 91.1%

Al 9.3% / Alfonso 90.7%

Rizzo 12.7% / Robin 87.3%

Closest Matches (55% and under):

Filbert 45.1% / Felicity 54.9%

Tiansheng 45.2% / Tex 54.8%

Filly 45.5% / Flip 54.5%

Spork/Crackle 45.5% / Sprocket 54.5%

Tammi 46% / Tabby 54%

Nibbles 46.1% / Naomi 53.9%

June 46.2% / Judy 53.8%

Petunia 46.2% / Penelope 53.8%

Broccolo 46.3% / Broffina 53.7%

Axel 46.4% / Ava 53.6%

Chadder 47.4% / Champ 52.6%

Jacob 47.4% / Inkwell 52.6%

Alli 47.6% / Analog 52.4%

Dora 48.3% / Doc 51.7%

Plucky 48.3% / Pompom 51.7%

Klaus 49.1% / Kody 50.9%

Cyrano 49.2% / Deena 50.8%

Iggly 49.6% / Ike 50.4%

Yuka 49.7% / Zoe 50.3%

Sven 50% / Sue E 50% (Sue E technically had more votes, though it was close enough to read as 50/50)

Middle of the pack:

Limberg 15.1% / Liz 84.9%

Moose 15.1% / Monique 84.9%

Chico 15.6% / Chester 84.4%

Barold 16.3% / Beardo 83.7%

Clara 16.5% / Claudia 83.5%

Sylvia 16.6% / Sydney 83.4%

Sandy 16.8% / Savannah 83.2%

Quillson 17.2% / Queenie 82.8%

Pigleg 17.7% / Piper 82.3%

Tiara 17.8% / Timbra 82.2%

Gruff 18.1% / Groucho 81.9%

Prince 18.1% / Poncho 81.9%

Jambette 20.2% / Jay 79.8%

Paula 20.6% / Peanut 79.4%

Ricky 20.9% / Rhonda 79.1%

Rory 21.5% / Roswell 78.5%

Elise 21.7% / Egbert 78.3%

Cesar 21.9% / Cece 78.1%

Mott 22.8% / Murphy 77.2%

Rocket 23.1% / Rod 76.9%

Croque 23.4% / Cranston 76.6%

Benedict 23.6% / Becky 76.4%

Charlise 23.6% / Cheri 76.4%

Weldon 23.6% / Willow 76.4%

Hippeux 24% / Holden 76%

Emerald 24.1% / Étoile 75.9%

Twirp 25.2% / Twiggy 74.8%

Gigi 25.5% / Gloria 74.5%

Rasher 26.3% / Quinn 73.7%

Harry 26.8% / Hector 73.2%

Graham 27% / Gonzo 73%

Leigh 27% / Leonardo 73%

Cashmere 27.3% / Carrie 72.7%

Sheldon 28% / Shari 72%

Flossie 28.2% / Francine 71.8%

Peewee 28.4% / Peggy 71.6%

Astrid 28.8% / Aurora 71.2%

Annalise 29% / Antonio 71%

Midge 29.2% / Merry 70.8%

Truffles 29.3% / Toby 70.7%

Aziz 30.1% / Bangle 69.9%

Curly 30.1% / Cupcake 69.9%

Candi 30.4% / Carmen 69.6%

Vladimir 30.4% / W. Link 69.6%

Bitty 30.7% / Bill 69.3%

Derwin 30.7% / Del 69.3%

Admiral 31.4% / Agent S 68.6%

Puck 31.4% / Pudge 68.6%

Rowan 31.7% / Sally 68.3%

Anicotti 32.1% / Angus 67.9%

Huck 32.7% / Hopper 67.3%

Marcy 33.3% / Marcel 66.7%

Dozer 33.4% / Drake 66.6%

Megan 33.6% / Meow 66.4%

Diva 33.7% / Dizzy 66.3%

Kitt 33.7% / Kit 66.3%

Madam Rosa 33.8% / Lyman 66.2%

Simon 33.8% / Sly 66.2%

Wart Jr. 34% / Walt 66%

Buck 34.2% / Bud 65.8%

Boone 34.2% / Bonbon 65.8%

Masa 34.4% / Medli 65.6%

Keaton 35.1% / Katt 64.9%

Oxford 35.6% / Otis 64.4%

Ganon 36% / Gabi 64%

Rodney 36.1% / Rollo 63.9%

Stinky 36.1% / Sterling 63.9%

Rhoda 36.5% / Renée 63.5%

Chops 36.7% / Chuck 63.3%

Phil 36.8% / Pierre 63.2%

Kevin 37% / Kidd 63%

Olaf 37% / Olive 63%

Mira 37.2% / Moe 62.8%

Shinabiru 38.2% / Shoukichi 61.8%

Elvis 38.6% / Elmer 61.4%

Fruity 38.6% / Friga 61.4%

Biff 38.9% / Betty 61.1%

Pancetti 39.4% / Paolo 60.6%

Gaston 39.6% / Gen 60.4%

Patricia 39.8% / Pate 60.2%

Violet 39.9% / Vic 60.1%

Coach 40.5% / Clyde 59.5%

Valise 41% / Velma 59%

Tank 41.1% / Tarou 58.9%

Marlo 41.4% / Margie 58.6%

Maelle 41.6% / Mallary 58.4%

Frank 42.4% / Frett 57.6%

Hank 43.1% / Hambo 56.9%

Sparro 43.1% / Snooty 56.9%

Lucha 43.5% / Lulu 56.5%

Nindori 43.6% / O'Hare 56.4%

Jitters 43.8% / Jūbei 56.2%

Buzz 44.1% / Cally 55.9%

Colton 44.4% / Cole 55.6%

Faith 44.5% / Eugene 55.5%

Blaire 44.8% / Bluebear 55.2%

Benjamin 44.8% / Bessie 55.2%