#TECHNICALLY NOT REALLY. HE’S IN THE BACKGROUND ON A BILLBOARD

[hana-bobo-finch]

ii know I’ve said in the past that pumpkin daddy is Not in my minicomic he is Definitely not there he is Not but he is now. sorry guys

[metatronhateblog]

Not to Be a Bearer of News pt 2 with some essence of Duck Duck what the Fuck

Something fowl is afoot. Between the newspapers and the ducks and the content of the newspapers. I have had the drafts for these posts sitting on my account for about a month or so now and was immediately screaming at the responses I was getting on the first part of this series of posts. So let's get further into this bit of a mind fuckery.

This one is gonna be a long one so just hang in there, I promise it's worth it. There's A LOT going on with this.

Back to the newspapers.

Last go 'round we talked about Mr. Brown (of Brown's world of carpets) and his very strange newspaper that is the cause of the opening sequence having an accordion duck in it, as well as some of the other appearances of ducks throughout the series.

This time, we're going to look more at the newspapers, with a touch of me screaming about my thoughts from the comments on part one of this mini-series of posts.

We already know Mr Brown (of Brown's world of carpets) holds a weird ass newspaper...

and how he practically waves it around like a billboard every time he's on screen, going so far as to even cover his face with it at some point.

Now I could go on about how the way time works in Soho seems practically non-existent, but we'll save that for a later day because we're talking about the newspapers. At least...the newspapers in season 2 specifically.

As we already know, thanks to the X-Rays on Amazon, Nina's coffee shop strangely holds the magazines that Adam read in season 1 (a very strange and deliberate choice to be making...) but those aren't newspapers so to speak.

(Screenshots for the people who didn't know)

So I'm gonna get started with the FIRST newspaper(s) we see in season 2.

And that would be a stack of them on the street right next to Aziraphale's bookshop.

Now unlike most of the other newspapers, you can't exactly see what these ones have to say, which is fine. I'm more intrigued by the fact that there just so happens to be (I assume that red thing is a newspaper thing because I'm from the US and that's not what those normally look like) a place to buy newspapers right outside the bookshop. The building itself says 'The News Agency' but I'm more intrigued by the little red cylindrical thing. How intriguing that so many characters wave their newspapers around for us to see and the News Paper building is literally right next to the bookshop.

Even more importantly this thing ALSO makes an appearance in the opening sequence. I know, I know, you're all probably tired of me screaming about the opening sequence at this point but seriously. Look.

And then this extra right here appears to be holding a stack of presumably newspapers, possibly making a delivery to The Dirty Donkey based off trajectory.

But I've also noticed we never really see anyone on the street holding newspapers, only in isolated locations where you can very clearly see the front page of their papers.

Which brings me to our second newspaper appearance (technically the first if you're going by readability)

Crowley (notice the ducks in the background, but kind of a given based on the location.)

We have three big 'headlines' on this one page we see right here.

"Maple Lane Post Box Becomes Home to Spider Species Not Seen in 45 Years."

"Norton Institute Reports its Highest Intake of Students Since Opening in 1888."

"Billions Still Owed to Millions."

Little weird. we have two things that are an increase in happenings since a certain time period...and a not so surprising 'billions owed to millions.'

Then we flip it around a bit (and ignore the...weird way he's holding his hand)

And we have the name of the newspaper. "TADFIELD ADVERTISER." With the main headline 'Is Tadfield the Best Village in England?' and no surprise that Crowley is keeping up to date and looking to see if anything else continues to happen with Adam.

The mini headline under the big bold one says 'According to voters of latest 'Best Village in England' poll Tadfield really is the loveliest place to live.' And in the tiny little blue box 'Entirely perfect weather AGAIN for Tadfield.'

So even after the end of season 1, it appears we still have some strange happenings in Tadfield. Right on.

By the by for those of you who didn't know, pretty sure every single page of Crowley's newspaper is the exact same.

But I think another important detail is, same as Mr Brown (of Brown's world of carpets) Crowley also seems to be holding the newspaper so you can very clearly see what's on it.

Next time something news related appears, we have our little red vessel appearing while Crowley loses his shit.

Now we don't actually see newspapers again until episode 2. This specific one is a doozy and had me and @lady-of-the-puddle screaming over it.

When Aziraphale is looking for clues over the Buddy Holly record, we see him pouring over some newspapers.

SO! Here we see Aziraphale reading a Scottish newspaper with an article titled "Everyday It's a gettin' closer" and we can see a couple more on the desk next to him. Now I've gone through and read the article (I'll post a screenshot so you can too if you want) and to sum it up it's basically the owner of The Resurrectionist discussing the records that keep changing to 'Everyday' by Buddy Holly and how he thinks it's a group of pranksters but never can catch them and the security measures he's tried to put up to prevent it from happening again.

Now the thing that's weird to me is actually the variety of newspaper articles Aziraphale seems to have...from different countries.

Now you might just kind of brush that off....but why on Earth would this news be important enough to make world news? Why would it be in news articles from different countries.

But most importantly...there's a typo.

Now. I don't speak German (so correct me if I'm wrong) but I do know how to use Google Translate.

This German article is titled 'Eden Tag nähert es sich... dem Wahnsinn des Wirts!'

And I don't speak German (though I'd love to) but I plugged this in to Google Translate and what I found was insane. Now when it translates you'll notice that the word Eden doesn't translate.

And there's a little suggestion underneath the German sentence, indicating you probably had a typo, and here's what you're probably looking for, which when you allow it to translate as such gives you...

Weird right? You'd assume the correct version of the news article would be where they're quoting the song they're talking about (unless it's a different dialect or slang of course.) But it's interesting that if I'm correct and that is a typo...it says 'Eden.' Now if you watched season 1 or have some Biblical knowledge of sorts, you might be on the same page as me...

Why Eden? Why create an article that translates to 'Eden Day' instead of 'Every day.' I wonder how many of the other news articles seemingly have a typo?

If this show has taught us anything, what do we know about typos? (Insert Markiplier voice here) DEMONS, JIM! So could that news article possibly have been written by a demon?

Anyways as we continue on, the next (and most frequent appearance of newspapers) is Mr Brown (of Brown's world of carpets.) And I won't add all the instances of that because if you read my last post, you already saw them.

But there he is, with his strange recurring article about accordion ducks.

But I actually want to focus on a different newspaper that appears in this scene. This gentleman right here.

Looks normal right? Except you can just barely make out the corner of something peaking out next to his leg. Well guess what? This is the same guy who was sitting at the table Aziraphale emptied.

In which his newspaper never comes 100% into focus, but it's right there on screen, flashing and saying 'HEY LOOK AT ME!'

in which he folds over his 'your travel' 'Milton Keynes' newspaper as such

to a completely new side of the newspaper and walks away. But wait there's more.

Check this out.

In which he turns to look at his newspaper AND ROTATES IT before going back to standing there looking like there's nothing in his hand. Look at these back to back shots though.

Would you look at that. Our newspaper is back. Guess what though. When we look away from him again and back, the newspaper is once again gone.

Mind you this whole time, when the newspaper appears, you see Aziraphale's eyes continuously flickering away from his conversation with Mr Brown (of Brown's world of carpets) and directly past him. Possibly to the newspaper? Maybe trying to direct your attention?

Here we have 'Thenewspaper' with articles

"Unearthed mysteries of sealed library basement."

and "Government approves funding for citywide [insert word here because i can't make it out thanks to his finger] stations."

Interesting....library basements and citywide funding. Huh.

Now as far as I'm aware, the only other times you see newspapers in the rest of the season, are Mr Brown (of Brown's world of carpets.) And even if there were more, I'd have to make a part 2 because I actually reached the image amount on this post.

That being said...there's a lot of weird shit going on with the newspapers, including our strange little accordion duck which has me absolutely bewildered. But I can't help but feel like the newspapers are important when everyone holding one seems to be holding it like a sign, just so that you can read it. Not to mention the freaking typo has me wide awake every night staring at my ceiling.

But for now, that's all I have. Stay tuned for another mental breakdown over something in this show that is preventing me from sleeping.

(Upon further examination I might be making yet another post about this.)

[symeraid-s]

2024 Retrospective: Rookies of the Year

RESCENE (UhUh, YoYo, Love Attack, Pinball, New World)

The girl group market may be a little oversaturated right now, but what’s one more? These girls are just really talented, and their music is good. I also think it’s cool that they got recognised by the Grammys and Billboard for SCENEDROME, which is a mini album I wish I had. I think they can be great in the future.

Honourable Mentions:

Phantom Siita (I just wanna xxxx with you, Zoku Zoku, HANAGATAMI, Mashou Shoujo, Otomodachi, Hanabami, Otome Shinjou)

This J-Pop group is produced by Ado, who is becoming more and more popular by the day. I think it’s really cool that she got this opportunity, and it seems that she has a great eye for talent. Miu in particular has a really good voice. Their retro horror concept is also really cool and refreshing. If anyone remembers DEEP GIRL, they are similar to them, but have more staying power, in my opinion.

ONE OR EIGHT (Don’t Tell Nobody, Kawasaki)

I checked out this group, because a Shawol on Twitter pointed out that one of the SHINee Kids background dancers was debuting in the group and I thought that was cool. They are pretty talented. Apparently half of the members used to be backup dancers before debuting, which is interesting. They also seem to have stolen one of HYBEs best trainees.

New:ID (GHOST)

They already had a pre-debut track last year, but their official debut was in 2024 so I’m counting them now. They seem to be pretty talented, but their label appears to be a little messy.

Kento Nakajima (Picaresque, jealous, THE CODE)

Technically he is not a rookie, so I’m not giving it to him, but I just really wanted to mention him. He is a former member of Sexy Zone/timelesz but left the group and Johnnys in 2023 and honestly, good for him, he shouldn’t be gatekept to Japan as Johnnys likes to do with their artists. Kento is just really fucking talented and cool. His collaboration with Tatsuya Kitani was really good and his feature on HITOGOTOs album was also really nice. And then he decided to release his first solo album on the 26th of December. The album slaps. I’m really excited to see what he does next.

KAVE (Venom, Legend, Stone, You)

It seems like Gaho officially gave up on trying to be an idol and just became a rockstar instead. It’s a win in my book honestly, because KAVEs music slaps. I think this is the first time I’m really rooting for a K-Rock band, but with Gaho, I just really want to see him succeed, because he deserves it.

[idlerin]

nonsense — 18. this is the tactic

you wanted to pull out your hair. slap yourself once, no, twice. it was stupid, this was stupid, why did you still have a reaction when you were around him? you didn’t want to, you didn’t want it.

“hi.” he greeted you, hi? after acting like he didn’t know you and not giving you proper closure for years he says hi? okay, but you don’t blame him much for acting like he didn’t know you at work, you did the same with him, it would be far more awkward if you acknowledged each other. but you were still far too irritated at him, as much as you wanted to act like he didn’t affect you anymore. he did.

unfortunately.

it was no secret.

you stare at him with pursed lips, before getting in your car— well technically kenma’s car but psh details details— preferring not to answer. with a hand on the steering wheel you take a deep breath before starting the car and driving away, not looking back. it was easy to look at him from afar like he was just another poster or billboard, it was more difficult when he was actually in front of you and talking.

instead of driving to the dorms you drove all the way to kenma’s apartment.

you take out your phone once you’re in front of his building, you find his contact number and call him, he answers after a few rings, “hey ken, i’ll be sleeping over,” you state, the guard on duty recognizes the car and you roll down the windows, waving at them, they were already familiar with you, letting you go in. you came over too much.

“thanks for giving me a choice,” kenma drawled. you hear shuffling in the background, you assume he was on his computer.

“i’m already in your building,” you say as you go to kenma’s designated parking space, parking the sleek gray car next to his other cars of names you cannot possibly remember. you stretch as you get off, yawning, you walk all the way to kenma’s unit half asleep.

you knock, you didn’t have to wait for long before you were faced with kenma’s bored stare.

“are you going to have a breakdown?” he asks as you step inside.

“how was work [name]? have you eaten yet? no, it’s are you going to scream and cry [name]?” you plop on the couch.

“are you?” kenma prompts, sitting down next to you.

“yeah,” you bury your face in your hands. “I’ll have to see him again tomorrow morning and it’s fine but it’s also not and i just want to scream.”

it was tomorrow morning.

kenma had to drop you off work because you were really not in the mood after staring off into space on his couch for a while before falling asleep last evening.

“you’re fine,” you state while getting off the car in kenma’s clothes that you borrowed, just some sweats and a graphic t-shirt.

“i didn’t say i wasn’t,” kenma says, handing you your bag.

“i was talking to myself,” you rub your eye to get the leftover sleepiness out.

“okay weirdo, here's your lunch,” he hands you a canvas bag, “don’t forget you have class at like 1pm.”

“yes, mother,” you smile, taking your packed lunch, “really, thank you, ken, you’re the best.”

he looks away, you knew he was getting embarrassed, he still wasn’t used to admitting he was affectionate, “yeah whatever.”

you smile as he prepares to leave to go to the uni and as he does, you shout, “love you!”

you watch as he reaches a hand out to flip you off.

yeah, everything’s fine.

because you have a brilliant plan.

you weren’t just staring off into space yesterday evening for nothing. you were also devising a very smart (you think so), and very effective way of not minding he who shan't be named. And it doesn’t just include you ignoring him anymore!

you call this, the tactic.

the tactic includes three easy steps you need to follow, all according to your very reliable mind.

1. always stay positive

“good morning, akane, riseki!” you wave and greet your fellow interns once you walked in the lobby, they just got here too it seems. they wave at you back just as cheerily, akane was holding a sheet of paper that you look at with curiosity.

“morning, [name] babe, they were giving us new assignments,i’m stuck doing paperwork today,” akane waves the sheet of paper then points to something on it, “it’s no fair! riseki gets to assist the camera crew and watch all the fun stuff.” akane glares at riseki on the side who was shrugging while drinking his water.

“can i see mine?” you ask to reach for the piece of paper, akane hands it to you.

“you’re with the production assistant.. uhm goodluck, friend,” akane pats you on the shoulder, knowing the assistant has a very hectic and difficult job.

your smile doesn’t falter, it still seems fun after all!

you were going to die.

“oikawa-san, do you need anything else?” the production assistant, which you know of as satoko-san, asks the bane of your existence as you stand beside her with a complacent smile holding stacks of paper.

haha no you’re not.. remember number one…

“no thank you, satoko-san,” oikawa flashes his award winning smile at satoko-san which makes the older female smile as well. no satoko-san, don’t fall for his charm too! you resist the urge to make a face at him.

“ah, oikawa-san, may i introduce you to one of our interns? this is [name],” satoko-san gestures to you, you make a tiny, forced wave.

2. speak to him only when necessary.

you bow, “nice to meet you, oikawa-san, you’re a very talented actor, i’m so glad i get to meet you!” i hate you i hate you i hate you.

oikawa gives you an unchanging expression, but you notice the slight twitch of his brow which indicates that he was amused, you hate that you noticed it, “it’s nice to… meet you too [name]-san,” he plays along.

you felt a tick on your forehead.

satoko-san smiles at you before turning to oikawa once again, “now we have to go, oikawa-san, enjoy your breakfast and wait for your makeup artist to come in,” she gives him one final bow and you copy her actions, quickly following after her when she leaves.

3. treat him like the famous person he is, like a nobody to you now.

the long first half of your day has now come to an end, now you must succumb to centuries (hours) of agony (listening to lectures). you’ve already thanked satoko-san and that you’ll see her again on friday, you have come to really like satoko-san since she’s pretty laid back despite all the stress upon her shoulders.

you’ve already said goodbye to akane and riseki since they were working for the whole day. now, you were outside and thinking about whether to just commute or call one of your friends to pick you up, only recently realizing you have no ride.

“do you have class?”

you freeze at the voice who snuck up behind you. why was he talking to you? no, more importantly, why was he even approaching you?

your back stiffens as you fake smile at the actor, “ah yes i do, oikawa-san.”

“you do know that we don’t have to act like we don’t know each other,” he hums, hands in his pockets, he must not be in the current scene if he was out here bothering you.

you look around before mustering up a reply when realizing everybody else was busy inside, “what are you talking about? i don’t know you,” you smile, gritting your teeth. hah.. remember number one.. “sorry if i came off as disrespectful, oikawa-san, please let me off this time!”

“[name]... i…” oikawa finds it difficult to find the right words.

“i’m going to be late,” you don’t let him finish before you start walking away. yes you were avoiding confrontation, yes you said you would avoid avoidance but hey you said that you won’t be avoiding him, partially.

you swear to yourself you’ll do the stupid tactics better next time.

masterlist — previous | next

✦ fun facts !

more like common sense, but we’ve never had much of oikawa’s pov yet

nonsense ! an oikawa tooru social media au

synopsis. you were oikawa tooru’s #1 fan, until you became his #1 hater. you hated him so much you went viral on twitter (accidentally) and literally became known as “the oikawa tooru hater”, doesn’t help that he keeps fueling the fire by subtweeting you. everyone is all in for this new drama. what isn’t known to the public, is that this particular drama’s been on hold for three years (him being your ex and all).

a/n — hope im not going too fast..

taglist is open ! + @kawaii-angelanne @ceneridiankaa @kittycasie @rukia-uchiha-98 @polish-cereal @kellesvt @rockleeisbaeeee @kashxyou @imsoluvly @jjulliette @tooruchiiscribs @littlefreakjulia @gomjohs @qualitygiantshoepsychic @mellowknightcolorfarm @konzumeken @migosple @kuroogguk @sangwooooo @katsu-shi @wolffmaiden @rijhi @2baddies-1porsche @yeehawcity @aishkaaa @crueldinasty @rintarousprincess @yyuiz @epeec28 @llamakenma @penguinlovestowrite @princelingperfect @hearts4faey @yoonabeo @pantherhappy @julia-1901 @godsbiggestmenace @angel-luv-04 @noideawhothatis @bethbat @natsvmie @luna-mothii @lylovw

[minthe-lover]

Chapter 221 Anaylsis

I'd admit that most of my problems with this chapter are art related, so I'm gonna just skip over like 80% of my critics of that so It doesn't get repetitive. It's mainly just creepy hades faces, and awkward proportions that make him look like a lego figure in stop motion. Like look at this guy... he looks so awkward and... god his ass is really tiny.

Now the big art thing that I am going to talk about is how the simplified one colour and one note backgrounds has caused rs to basically shoot herself in the foot. Cause in the first few chapters the backgrounds where detailed enough that we could really visuals all the important areas. Artemis's house, Hades house and the underworld corp while we aren't given like maps of them but we have a good idea of the layout and space...

with persephone new apartment.. we don't get that. It's all this dark blue, we get one shot of the outside and then a few undetailed shots of the inside. How many rooms does this have, is it big or small? hades says it looks rundown... but why aren't we shown that? They leave the apartment to eat on the roof almost immediately, is that cause persephone doesn't have a dining space in her apartment.. it just reallys annoy me.

Then the next shot in what I thought was the apartment... was actually hades, I think this chapter would really really benefit from a few shot focusing on persephones apartment. If needed remove the whole 'joke' of the billboard and instead show up persephone apartment and have them eat inside to better show Persephones kitchen. Side note with how last chapter went... how is she gonna treat her neighbors...

Now I've said this before that I'll say it again I do like persephone getting her own apartment. It's a good idea not to have hades and persephone immediately be a married couple.. but I really wish rs did more with this. Persephone has missed out on far more then just owning her own apartment.. she only did at most a month of collage it would really help to show more that persephone is trying to be independent.

Now I just want to draw attention to this line.. and just the massive amount of disrespect it levels at hecate, while yes she was not technically queen.. but like come on hades. She's been helping you since you stared at king, she did most of the research and work in the last few chapters. She may not have shared the title but it's clear she was doing a fuck ton of work.

Lets talk about the most annoying line in this whole chapter! Just to make one thing clear persephone you where not coddled, you where a CHILD. Demeter was making sure you had an education and a safe place to grow up first before making you work! that is a completely understandable thing.. and the moment you were over 18 demeter let you go... she was worried for your safety in a world that has repeatedly abuse her and you've proven yourself in the past that you put your trust in the wrong individualizes.

You then had one conversation in ten years where demter outwardly praised out about how great you were doing… You didn't even talk about what you could do in the mortal realm. Before then you didn't have any experience and again were a collage student .. not exactly someone fit to step up to a important job like that… Like from the few flashback to the punishment.. it's clear you were struggling.

Also this line and how much it annoys me in relationship to demeter, because it's constantly brought up terrible demeter is for hiding stuff like the fertility goddess power from persephone as how she is bad and irredeemable... and when I was first read it I thought that is what it was referring to. I read it as people hid stuff from persephone to protect her... but persephone admiting that she understands it's a struggle, and that hades isn't a bad guy for hiding shit from her but you know her own mother doing stuff to protect her is a terrible person.

Now I want to get these analysis out before the next chapter does... so yeah this isn't as detailed or longer but.. eh.

[romiantic]

𝐍𝐎𝐓 𝐀𝐍𝐎𝐓𝐇𝐄𝐑 𝐋𝐎𝐕𝐄 𝐒𝐎𝐍𝐆

⇢ ˗ˏˋ 𝒓𝒚𝒐𝒕𝒂 𝒌𝒊𝒔𝒆 𝒙 𝒔𝒊𝒏𝒈𝒆𝒓!𝒃𝒍𝒂𝒄𝒌!𝒇𝒆𝒎!𝒓𝒆𝒂𝒅𝒆𝒓 ࿐ྂ

彡 ❛ 𝐚 𝐧𝐨𝐫𝐦𝐚𝐥 𝐜𝐨𝐧𝐜𝐞𝐫𝐭 𝐰𝐢𝐭𝐡 𝐚 𝐛𝐞𝐚𝐮𝐭𝐢𝐟𝐮𝐥 𝐬𝐮𝐫𝐩𝐫𝐢𝐬𝐞 ❜

彡 𝗳𝘁. ryota kise

彡 𝗴𝗲𝗻𝗿𝗲: fluff with very little angst

彡 𝘄𝗼𝗿𝗱 𝗰𝗼𝘂𝗻𝘁: 2.3k

彡 𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀: suggestive theme at the end

彡 𝗮𝘂𝘁𝗵𝗼𝗿’𝘀 𝗻𝗼𝘁𝗲: all characters are 18+. also can we talk about how BOMB this song is 🤧 y’all sleepin on this song fr

·˚ ༘ੈ✩‧₊˚ ╰┈➤ ❛❛ 𝙄 𝙇𝙊𝙑𝙀 𝙏𝙃𝙀 𝙒𝘼𝙔 𝙔𝙊𝙐 𝘿𝙊 𝙄𝙏 ❜❜

❝ 𝐘/𝐍 𝐇𝐔𝐑𝐑𝐘 𝐘𝐎 𝐀𝐒𝐒 𝐔𝐏! You have two minutes till showtime.” Your manager, AKA, older brother, barged and announced to you like he didn’t update you almost five minutes ago.

You did your usual of sucking your teeth and rolling your teeth every time he barged in and interrupted your call, you replied with annoyance in your tone, “AJ I know! Can you wait a minute? Damn, so impatient for absolutely no reason.”

“I’m sorry who’s the one with hundreds of thousands of fans screaming their name and waiting for their ass outside? Me or you? Oh okay. Anyways, end yo little call with yo boyfr-”

“He’s not my boyfriend!” You interrupted, becoming irritated with your brother and simply wanted him to shut the fuck up. A great manager and brother, yet way too uptight for his job.

AJ rolled his eyes and muttered something but you flipped him off and pretended not to hear him until he left your dressing room. You gave your attention back to your phone, giving a cheeky smile to the blonde boy on your screen. From the corner of his eye, he noticed a nervous look growing on you but from what you could tell, he was choosing what shirt to wear to his photoshoot. Leaving him to be seen with a no top on and a pair of denim jeans.

Though it was typical to see your best friend’s exposed upper body, it was a sight you never got used to. His well-toned body, results from years of playing basketball in middle and high school, making your face hot, adding on to the nervousness you were already facing from your upcoming performance. Along with the pearly white smile he flashed at you creating a sick feeling in your stomach, something that you made you clench onto it and try to ignore. Now was not the time to be drooling over your best friend, who interrupted your stare with a laugh and said, “Are you gonna keep staring or are you gonna take a picture?”

Of course, he’d ruin it with some cocky line like that, you rolled your eyes and sucked your teeth. “Boy calm down, ain’t nobody wanna was staring.”

“Your nervous face said otherwise.”

“Akekeke, don’t you have a photoshoot to go to?”

Kise replied with the same energy as yours, “And don’t you have a performance to go to?”

You held up a finger to a screen then crossed your arms, “Aht aht, don’t worry about me now. Worry about yo lil pictures with that famous ass Russian model.” You wanted to roll your eyes just thinking about the brought-up woman but it would make it seem like you’re being jealous for no reason.

Kise let out a small laugh, adoring the irritated look that was starting to creep up on your face. “Somebody sounds jealous.”

You rolled your eyes and let out a scoff, “Oh please, like I would be.” You looked at the time on your watch and noticed it was about one minute until your performance. Your eyes widened at the time and hurried, you quickly ended the call with Kise, “Shit, fuck! I gotta go perform but I’ll call you back when I’m done.”

“And I’ll be waiting for you beautiful when you get back.” The golden-eyed boy winked at you yet you cringed and scrunched your face. “You’re so fucking corny Kise.” You hung up the call, grab any other pieces missing from your outfit, and headed out of your dressing room.

You traveled quickly around backstage, passing by many coworkers and background dancers waiting for you, to head into the small tunnel for artists to come out on stage. You stopped at the exit and gulped as you scanned the stage. An outside arena with hundreds of thousands of fans cheering your name, waiting for your appearance.

Usually, you would be at ease with concerts this large but for some reason this time is different. Unknowing the reason nor cause, you started to feel anxious, your hands mildly shaking and your throat going dry.

There was something in the back of your mind attempting to not make you perform, something telling you to not do it, it won’t be good, people will hate you. A voice there to influence thoughts, hoping that you would fall into the trap and just give up on singing. Though of course, you wouldn’t listen to that voice, that voice always lingered around whenever you were brought to perform, no matter where you were.

The only thing to distract you and keep you safe from that tiny voice is someone who you’ve longed to love. One who just settles your nerves, bringing comfort, and removing all anxious thoughts. One who would deem you as one of the greatest artists he’s ever listened to, maybe it’s opinionated but he loves you too much to disagree.

The now dawdling thought of his soft voice whenever he spoke or his flirtatious nature when you two joked around made a familiar feeling grow greater than before. Something replaced the anxiousness that was growing, a feeling that replaced the nervousness and calmed your shaky hands. Something that was the thought of Ryota Kise, he was like the medicine to all the pain you’ve suffered. A remedy to your anxiety, one of the many causes of the cheeky smile social media often sees you with.

Someone who you grew up and spent all your life with, always noticing how protective he was of you or the way he hummed one of your pre-recorded tracks that he was the only one to listen to. Celebrating one of your songs had hit #1 on the Billboard chart and the way he helped out whenever you hit writer’s block.

Every single thing, noticeable or not, made you grown to love the boy, starting from a platonic, playground friendship blooming to many years of trying to figure out if you are romantically in love with him. Growing familiar feelings of butterflies mixed with the thought of just wanting to cup his face and kiss him whenever he was around.

Just the ultimate feeling of wanting to be buried in the blonde boy’s arms and explain the blooming love for him made you want to sing the song you wrote for him. A new single that you never wanted to put out since you wanted only Kise to hear it, including that the song was your way of telling him what you felt all these years.

Though something changed your mind, something in your brain told you to tell everyone around you that you’re singing solo, no backup singers or dancers, only you on that stage. In this performance, you just had to do it yourself, nothing but you, the stage, and the microphone.

Everyone was confused by the last-minute change of plans but went along with it. They rescheduled it to where your first “official” song to start the concert with was right after your solo performance. You gave thanks to your team and took some deep breaths. You made sure your Bluetooth set was on and working properly in your ear, AJ handed you a mic and brushed off any wrinkling from your outfit and any smoothed out your hair. Uptight about his job yet made sure his little sister was looking the greatest for her performances.

You took deep breaths again, shook off any bad nerves, and walked on stage. The already excited crowd enraged and their volume expanded as they saw you stand before them. Everyone waving their signs that said, “I love you y/n!!” or “Y/N is so beautiful!” You waved to the audience and stopped at the middle of the stage, walking closer to the front of the stage as well.

You turned on the mic and tapped it to see if it was working, “Mic check one two, can you guys hear me?” The crowd immediately responded yes, you continued on to talk to them, “Okay good, have been getting technical difficulties with my mic and I really don’t feel like switching mics three times. Anyways, afternoon to all my lovely fans who made it out here or to those that are watching me live. I love you all and thank you for supporting me, I truly am grateful for every single one of y’all.” Everyone screamed out how much they love you and adore you, showing off their merch that they bought and waving the homemade posters.

You smiled at their response and cleared your throat as you introduced the song, “Thank you, I love you too. This first song is one that has been sitting too comfortably in my heart. A piece that came from genuine emotions and feelings I’ve tried to bury yet couldn’t no matter how hard I tried. It’s something that I never planned on dropping but I just felt like the world had to hear what I had to say. Hopefully, you guys enjoy it cause I did when I was writing this song at two in the morning before I snuck into the studio and recorded it. Was it worth it? Definitely. Now I may introduce to you, Not Another Love Song. A contradicting title isn’t it?”

You took a large breath in and out, you took a position as you waited for the beat to drop. As soon as you heard the familiar melody start, you sang, “I don’t wanna mess this up, could it be too much to say I’m in?”

The crowd lowered down and became silent to hear your new single, grasping the beautiful new lyrics you were singing and just vibing along with it.

You yourself were placing emotion as you sang, not noticing how proudly you sang the chorus or how you were smiling at the crowd the entire time. One thing was clouding your mind to even pay attention to those details, the same thing that more than likely pushed you to sing the song.

As you sang, the feelings for your best friend grew stronger, butterflies in your stomach, and the deprivation of his touch grew on you. Not even realizing how much you missed him until you turned initially to smile at AJ and your team yet saw a familiar face appear as well. You questioned it but then turned back to continue singing to the audience, only thinking that mind is playing games with you.

“I'm finna take my time, my mind, my rules. This ain't no crimе makin' love to you, though you ain't say this. But I had a hard time waitin' for you, boy. Like ooh, boy, you, boy. Got me where you want, just gotta say and it's on, it's like, ooh, boy, do you know you got me like where do you go when you're alone?”

As you sang, you noticed the crowd growing silent, their eyes widening, and their jaws dropping. You were utterly confused at was catching their attention, you turned to your team and your brother pointed behind, giving you a goofy smile as well.

You turned around to what was the cause of this silent commotion and right along with everyone else, your jaw drop and your eyes widened. The flirtatious, handsome model that everyone knew of was standing in front of you with a bouquet of roses in his hand. He walked up to you and smiled greatly, closing in the large gap between the both of you.

Seeing him walk closer to you made you want to say forget concert and sing the rest to him. Half of your feeling was already poured out, not even knowing he was listening to all of it. You didn’t think he would even be here since he had a photoshoot, not standing on an outside stage with a bouquet of roses and dressed in casual attire.

He handed you the roses and kissed your forehead, telling you, “Alone with you, away from the world, where else would I be when I’m alone?”

No response came from you, not even a single gasp or a sniffle to signify that you might cry. The way you responded to his presence was something that shocked the arena, everyone watching you on live, your team, and even the two of you yourself. Who would’ve thought you would be bold enough to grab his face and kiss him right then and there? You snaked your arm around his waist and pulled him closer to deepen the kiss. He responded back by wrapping his hands around your shoulders and hugging you tightly, holding onto you to make sure you wouldn’t separate from him.

You pulled back from the kiss and smiled, softly combed his blonde hair, and expressed, “I love you, Kise.” Saying his name like it was something you’ve been aching to say, a name that you’ve buried away yet brought out today. A name that sounded so lovely and romantic when you say it.

Kise expressed as well, “I love you too y/n. I’ve always loved you and I will never stop loving you.” He kissed you again, he removed his hand from your shoulders and trailed around to find your hands. He removed your hands from his waist and instead intertwined them with his.

He felt you smile when he held your hand and smiled back. He stated in between kisses, “You know I’m staying on this stage to hear you finish that song right?”

“It’s fine, I need someone to do my next performance on anyways.” He looked at you and you did nothing but wink and mischievously smiled at him. Kise had a small idea of what he could expect but suppressed it to enjoy the soft moment he wanted between the both of you. A moment that he’ll never forget and a concert that will always be remembered for everyone around you.

彡 it’s like 5 am and I’m tired 🦧 the only thing that kept me up was the fact that I don’t have school plus I loveeeeee kise

彡 also the show olivia

彡 I don’t think I ever mentioned to y’all how much I love his ass but now is definitely not the time 😁

彡 I’m convinced if it silent black hair blue eye powerful men weren’t my type, cocky and flirtatious ones would be runner up

彡 anyways hope you guys enjoy + pleaseee listen to the song, I highly recommend plus ella mai is VERY underrated

bye babes, drink your water, stay hydrated, and remember that you are the baddest bitch on the planet 🥰 no matter what ANYONE says

𝐏𝐬𝐚𝐥𝐦 𝟏𝟖:𝟑𝟎 💗

© 𝟤𝟢𝟤𝟣 𝗄𝗈𝗂𝗌𝗁𝗂𝗀𝗎𝗋𝗈. 𝖺𝗅𝗅 𝗋𝗂𝗀𝗁𝗍𝗌 𝗋𝖾𝗌𝖾𝗋𝗏𝖾𝖽

[unicornery]

Back in Feb, my friend Andy Mascola asked if I would be interested in contributing a 10-minute segment to his long-running podcast People are the Enemy. [Apple Podcasts] [Libsyn page]  It seems his hosting service was giving him more storage space and he wanted to make the most of it. I decided to do something based on my listening to the Billboard Hot 100 corresponding to the AT40 and VJ Big 40 played on Sirius ‘70s on 7 and ‘80s on 8 respectively.

With Rachel’s Chart Chat, my goal is to introduce People Are The Enemy listeners to the “hidden gems” of the charts. Songs that never charted that high, or stuff that was popular at one point but became lost to time. It’s of course down to my personal preference, but I really try to choose things that will be interesting to the audience. Not every song will be completely unknown; some are too good not to share even though many people might have already heard them before.

I have made it to 10 segments to date, so I thought of using my tumblr page to document them, for my own reference as well as for the listener.

Chart Picks Playlist - new songs which were discussed in the segment added each week, at the bottom.

1970s AT40 and 1980s VJ Big 40 - Rolling Playlist of the full Hot 100 for the current and previous week.

Rachel’s Chart Chat 01, People Are The Enemy 215, 2/14/2022

Debut segment.

1970s chart: 1971-02-06

Chart picks:

#70 Hang On To Your Life - The Guess Who

#69 Whole Lotta Love - King Curtis

#64 Whole Lotta Love - C.C.S.

#53 (Don’t Worry) If There Is A Hell Below, We’re All Going to Go - Curtis Mayfield

#29 Let Your Love Go - Bread

#27 Amos Moses - Jerry Read

#24 Black Magic Woman - Santana

#23 Immigrant Song - Led Zeppelin

#19 Amazing Grace - Judy Collins

#18 If You Could Read My Mind - Gordon Lightfoot

#17 Born To Wander - Rare Earth

#14 Love the One You’re With* - Stephen Stills

#9 One Less Bell To Answer - The 5th Dimension (brought this up because I wanted to talk about seeing the group in the documentary Summer of Soul)

#3 Isn’t It A Pity - George Harrison (talked about this one bc when you look at the Hot 100 page, this is technically listed as a double A side with My Sweet Lord.” Casey had played Isn’t It a Pity in the AT40 broadcast aired on ‘70s on 7, and I thought that was cool so I included it in the chart picks)

#1 Knock Three Times - Tony Orlando & Dawn (I wanted to tell people about the group Dawn and how it’s two people, not one person named Dawn)

1980s chart: none / ran out of time. I gave a background on myself and why I was doing this so I only had time to do the ‘70s chart.

*No longer available on Spotify. If I ever get REALLY ambitious I will create these playlists on Youtube as an alternate resource.

[fishyfod]

Everything I forgot about Bolt (2008)

HOW DID I FORGET THE CAT!

The cat’s so good. I love the cat! Mittens extorts the pigeons in New York gang/mafia style and threatens them with her (declawed) claws? Purrfect. Mittens is the unwilling participant of their adventure with the only brain cell. Ah! And there’s this whole message about leaving pets behind that I completely forgot about but Mittens’ character ties it to the movie so well! The pessimistic cynic who’s proven wrong!

She also low-key looks like the cat I’m looking after, I have a video of her watching the movie too.

I also now realize why I confused the actual cat actor with Mittens. Peak villain design is two cats, apparently.

There’s Rhino the hamster, also forgot about him, and he’s fun. He actually pulls off a lot of cool stunts for real.

Penny (voiced by Miley Cyrus) is mostly how I remember her. Although in my recollection she was a boy, which is odd. Doppelganger-Bolt stood out in my memory because he accidentally caused the fire! The studio exec is annoying in the adult-kind of way, but it’s the agent who does the whole “let’s put a pin in it” shtick (I think this movie was the first time I ever heard the phrase). His stories are kinda mental. The mother actually punches him, but they cut away.

Bolt (voiced by John Travolta) is more fun than I remebered. I don’t gel with main protagonists like him often, but his journey of rediscovering his sense of self is quite appealing and well done. He’s not Harry Potter, but the bolt was significant! I love that he learn how to act like a dog from a cat,

The pigeons. Oh the pigeons, the gag of the pigeons failing to recognize Bolt next to giant billboard signs of him is where I recalled the bus sign from.

I noticed a few of the backgrounds were painted rather than modeled, which is neat. Also the reason I couldn’t decide where their journey outside the studio occurred was because they went all the way from NYC to Hollywood, going through forests, suburbs and cities alike.

All in all, a good movie I really enjoyed! Thank you again @bionic-jedi for recommending it to me! I know it’s technically a dog film, but wow do I love Mittens in this movie.

[mxupdate]

[ARTICLE] Monsta X Pushes Against Boundaries in ALL ABOUT LUV, K-Pop's First All-English Album in a Decade

The members of K-pop group Monsta X entered the interview room as though it were the set of a music video: fully hair-and-makeup-ready, some wearing clothes identical to the attire they wore in the video for one of their latest releases, “Middle of the Night.” Kihyun donned a checkered coat with bright yellow stripes and a green collar, Minhyuk a light brown coat with a dark tiger print. The group had just completed a Q&A on Facebook Live, after more than a week of non-stop interviews and meet-and-greets on both coasts of the U.S. The frenetic pace was par for the course for a K-pop act promoting a new album, though in this case, the group from South Korea had just released something a bit different: its first all-English album, ALL ABOUT LUV.

See full article here or read below.

ALL ABOUT LUV is the first all-English album released by a K-pop group in more than a decade — the last one was from trio JYJ in 2010. The new album quickly accomplished an impressive feat, ranking fifth on the Billboard 200 albums chart, making Monsta X only the third K-pop group, after BTS and SuperM, to break the top 10. Members Shownu, Minhyuk, Kihyun, Hyungwon, Joohoney, I.M and Wonho — who left the group near the end of last year — participated in the recording of the album, whose 11 tracks are uncharacteristically sensual and seductive for a K-pop act. A few days after the release, five of the six members of Monsta X sat down with TIME to discuss, at times via a translator, ALL ABOUT LUV, and the experience of both singing in English and speaking more frankly about what happens in the bedroom. (Rapper Joohoney is on a break, taking time to focus on his mental health due to anxiety, but will return for the group’s North American tour beginning in June.)

In the nearly five years since the group was formed in the reality competition show No.Mercy in 2015, Monsta X has carved a space in K-pop with EDM- and hip hop-heavy tracks paired with aggressive choreography. In 2019, the act began to shift gears in its sound. While continuing to release Korean albums with the same explosive energy, Monsta X dropped a number of tracks recorded in English, with a sleeker, smoother vibe. The rollout of these English-language songs led up to the release of ALL ABOUT LUV, which dropped on Valentine’s Day to the warm embrace of “Monbebes” — the name for the group’s fans, derived from the French term for “my baby.”

A new language introduces a new mode of expression

The group began working on ALL ABOUT LUV back in 2018, when they recorded “Besides U” featuring Pitbull, though “Who Do U Love?,” a collaboration with French Montana, would be the album’s first single. “At that time it was really difficult to record,” Kihyun, the main vocalist whose honeyed falsetto is a standout in the new album, tells TIME of working in English. “But it’s really comfortable now, every song.” A combination of speaking more English during stateside events, covering American pop songs — such as Bruno Mars’ “Versace on the Floor,” performed on a Korean television show in 2018 — and receiving help from youngest member I.M, who has lived in Boston and is fluent, has gradually increased the artists’ comfort working in the language.

Releasing an English album doesn’t just mean the words sound different. Vocalist Minhyuk describes a more technical difference in singing the two languages, which can lead to increased expressiveness. “When you speak Korean, there are lots of words that if you pronounce that word, your mouth is closed and it’s not really that smooth — it can sound a bit intense,” he says. “But when you are speaking English words, it goes with the flow. Word and word connects.” Minhyuk says the more flexible pronunciation helps him “give more emotions” to the English words. This can be heard, for instance, as he tenderly delivers the line, “I only feel alive when I don’t feel safe” from the new track “Misbehave.”

A laid-back, gentler approach to choreography

The emotions expressed in the new album, and the dances that accompany the songs, also mark a change from those of Monsta X’s past tracks. The group’s Korean music is known for its intensity — the latest title tracks “Follow” and “Alligator” are EDM-infused anthems whose choreography features fast-paced stomps, kicks and punches. In contrast, the numbers on ALL ABOUT LUV, as the album’s name suggests, share a laid-back mood expressed by soft and fluid dance moves. The performance for the new song “Middle of the Night” is filled with hip swaying, finger snapping and caressing of the microphone stand.

“In ALL ABOUT LUV, the whole album vibe is very moody and chill,” says leader Shownu, who is also the main dancer and has participated heavily in the group’s choreography. “We just wanted to match the dance moves with the songs.” The members contributed to shaping the routines of the new tracks. Shownu points to “Middle of the Night”: at the line, “we’re kissing in the car underneath of the night,” the idols tilt their microphone stands sideways and lean down as if to kiss them.

“Our Korean album performance and our ‘Middle of the Night’ performance are different types of sexy,” Minhyuk explains. “Korean album is…” he pauses as rapper I.M jumps in — “strong sexy.” “Yeah, strong and powerful,” Minhyuk agrees. Meanwhile, “Middle of the Night” has a “gentle” type of sexiness, Kihyun says.

‘Honest things happen on the bed’

But the sex appeal doesn’t only stem from the choreography. Throughout the album, lyrics making sexual references carry Monsta X into a beyond-PG-13, but not-quite-R-rated realm to which few K-pop acts have ventured.

In the track “Misbehave,” the chorus goes, “Love it when we mess this up, every time we argue, straight into the bedroom.” When asked about these lyrics, I.M says, “When you are loving somebody you need to be honest, and honest things happen on the bed.”

“What?!” Kihyun exclaims. “B-E-D? B-E-D?” Minhyuk asks, spelling out the word. “It’s about your imagination,” I.M responds, offering a laundry list of chaste activities. “We can just sleep, or just yawn…”

“Watch Netflix on bed,” vocalist Hyungwon, who has been mostly quiet up until now, chimes in. “Yeah, everyone has their own time on their bed,” I.M says. Kihyun fans himself. “Whew, I’m sweating!”

“Using the straightforward words, I thought it was very erotic,” Shownu says, using the Korean word yahada, which is also sometimes translated as “sexual.” “I felt shy,” Minhyuk shares about his recording experience.

Minhyuk reflected on the lyrics of “Love U,” a cheery electro-pop track suggestive of something more physical. The members sing, “I really, really wanna love you / But I can’t say the word I want to / ‘Cause they won’t play it on the radio / But I know you know / What I mean, what I mean.” It’s not hard to guess the word the lyrics suggest.

“When we were recording ‘Love U,’ I thought it was just a song about love,” Minhyuk explains. “But it went in a different direction.”

To be clear, the lyrics in All ABOUT LUV never explicitly mention sex. But compared to previous tracks in Monsta X’s discography — and, on a broader scale, most love songs across K-pop — the words are significantly more sexual. “It’s fine, we’re all adults.” Kihyun says, “and this is an American album.” If it were a Korean album, there would “maybe” be fewer of these references, he says. “The Korean society is more strict to lyrics.”

Pioneering a new sound

While the majority of K-pop tracks have a balanced distribution between singing and rapping — as most idol groups are formed with a mix of singers and rappers — ALL ABOUT LUV has significantly fewer rap verses. I.M and the group’s main rapper Joohoney, who boast some of the most dynamic rap delivery in the industry, tabled that specialty to record vocal-heavy sections. “I think I forgot how to rap by now,” I.M jokes.

“It was so funny,” Kihyun shares about Joohoney’s time in the studio. “Joohoney yelled at me, ‘Hyung, help me! I can’t do this,’” Kihyun says, referencing the Korean term for “older brother.” “The notes were so high to Joohoney, but he did it.” Indeed, Joohoney and I.M displayed their versatility across the album’s melodies, from the ad-libs in “Who Do U Love?” to the sultry introduction in “Middle of the Night.” In blurring the rap-vocal divide, the group is pioneering a new sound for Korean groups releasing music in the U.S.

“The Korean fans liked it because they saw a feeling they had never seen,” Hyungwon says. “The American fans liked it because it was fully in English.” Music from the album is already making its way into spaces where K-pop is rarely heard. On a recent episode of Riverdale, “Who Do U Love?” plays in the background. Elsewhere, fans have recorded hearing ALL ABOUT LUV tracks in stores from an H&M in Turkey to a Hollister in the U.K. When the group announced its North American tour taking place this summer, it became clear that Monsta X is returning to cities in venues much larger than the ones they performed in just a year ago, a testament to their rapid growth.

A few days before the Billboard 200 list was announced, TIME asked Monsta X how they will measure the success of ALL ABOUT LUV. Leader Shownu says he does not want to “get stuck inside of ‘success,’” and his teammate Kihyun offers a simple but emphatic response: “If we and our fans are satisfied with this album, that is good.”

[nerianasims]

Billboard #1s 1978

Under the cut.

Player – “Baby Come Back” -- January 14, 1978

Apparently I'm positively disposed to what's called "yacht rock"? I'd have called it 30-something dinner party rock. Anyway, apparently this is an example. Like all of that genre, this doesn't feel deeply emotional even when the words are. "I was wrong, and I just can't live without you." It's basically calm, and I'd even call it kinda groovy. It's not slow though. It's not going to change the world, but it's good background music for a party among people who have to get home before the babysitter needs to leave.

The Bee Gees – “Stayin’ Alive” -- February 4, 1978

I don't like the movie Saturday Night Fever at all. And I don't like its biggest breakout song either. The lyrics -- who cares, the lyrics are an excuse for Barry Gibb's falsetto to pierce your brain. I was going to clubs during the short disco revival of the 90s and I don't remember this song being played much.

Andy Gibb – “(Love Is) Thicker Than Water” -- March 4, 1978

This guy was a teen idol. I didn't understand the popularity of the teen idols when I was a teenager either. To me, they almost always have the sex appeal of a potato. As for this song, musically it sounds like a TV theme, and the lyric "love is thicker than water" gives me the giggles.

The Bee Gees -- "Night Fever" -- March 18, 1978

Barry Gibb's falsetto. Nope. The lyrics make this technically a love song, but they don't matter, this song exists to be danced to. Badly.

Yvonne Elliman -- "If I Can't Have You" -- May 13, 1978

This was written by Barry Gibb. Obviously I don't like it, though thankfully Yvonne Elliman's voice is fine. It's about how if she can't have you, she doesn't want anybody else. She sings in a kind of weird breathy way. And, as it's a Barry Gibb song, the second half of the song consists of the chorus repeating 50 times with some boring instrumental stuff.

Wings -- "With A Little Luck" -- May 20, 1978

That's quite the synth blast. Some of the lyrics are nice: "There's no end to what we can do together." But others are terrible: "The willow turns his back on inclement weather" and "with a little luck" repeated at least two dozen times. The message seems to be that you should pretend difficulties aren't there and just chant a bunch or something. But willows don't turn their "backs" on the wind. They bend with it, and that's how they avoid breaking. So this song's message makes no sense and it is musically boring except for the first couple bars.

Johnny Mathis and Deniece Williams -- "Too Much, Too Little, Too Late" -- June 3, 1978

Musically this sounds like a parody of the late 70s. It's weirdly peppy and sounds like a commercial jingle, but it's about breaking up. My brain keeps trying to mash these things together and returning a divide by zero error. These two paired up again later to sing the "Family Ties" theme, which is actually a better song, and I'm not saying the "Family Ties" theme is great.

John Travolta and Olivia Newton-John -- "You're the One That I Want" -- June 10, 1978

I confess: I like Grease. The musical, not the substance. Yes, it's nostalgia-bait, and it's goofy as hell in many ways. And yet I can't resist it. I also like this song. It's been picked over and analyzed to death, about how Sandy's changing for Danny how awful blah blah blah. Well, he was wandering around in a letter sweater before this song, planning to become a square for her. Then Sandy sings at him "You'd better shape up," and he ends up following her around in public on his knees. Sandy wouldn't have wanted Danny in the first place, and become friends with the Pink Ladies, if there weren't a "bad girl" in her screaming to get out. What can I say -- I identify. Also this song is catchy and fun, Olivia Newton-John is excellent at acting a song, John Travolta was excellent at cheese, and they had great chemistry.

Andy Gibb -- "Shadow Dancing" -- June 17, 1978

Andy Gibb died young because massive amounts of cocaine and alcohol wrecked his heart, so I feel bad about disliking all his songs. But feeling bad about his short life doesn't mean I feel good about his music. This was written by Barry Gibb, so of course I want nothing to do with it. Also Andy Gibb's voice is incredibly weak. The lyrics are about sex, whatever, I don't care because musically this song is pretty appalling to me.

The Rolling Stones -- "Miss You" -- August 5, 1978

It's interesting hearing Mick Jagger try to weaken his voice to sound like other male singers of the time. This is disco. With a rock edge, because it's the Stones, but still... disco. Specifically, Bee Gees-inspired disco. Including the falsetto interludes. Nope nope nope, I do not accept this from The Rolling Stones.

The Commodores -- "Three Times A Lady" -- August 12, 1978

I can't hear this song without hearing Buckwheat. So um. Lionel Richie is the lead singer here, and I don't like any Lionel Richie song I have ever heard, and this is a Lionel Richie song. Eddie Murphy's version as Buckwheat is better.

Franki Valli -- "Grease" -- August 26, 1978

Grease, the musical, is a not-really-guilty pleasure of mine. "Grease", the song, isn't. It's the worst song on the track. It's about nothing, it sounds 70s and not even 70s pretending to be 50s, and it's Franki Valli. Thankfully he doesn't do falsetto, but I still find his voice unpleasant. Also the song has almost nothing to do with the musical.

A Taste of Honey -- "Boogie Oogie Oogie" -- September 9, 1978

Disco, but disco with actual oomph, unlike anything that came anywhere near Barry Gibb. It's one of those dance songs commanding you to dance, and it works. It's got an interesting, and existent, bassline. Hazel Payne's voice is good. The song changes up a bit musically throughout. It's excellent, even if "boogie" sounds a little silly these days.

The Exiles -- "Kiss You All Over" -- September 30, 1978

I said "ew" when I saw this song on the list and I stand by that. There's a lot worse, certainly. I can't even pinpoint exactly why I feel "ew" about this song. The sentiment is fine. The music is fine. It's not a song where the guy demands something of the woman he's singing to without thinking of her feelings. I dunno. It's probably fine. Maybe it's the whole "fine" thing that makes me feel somewhat creeped out. It should be a sexy song and it's just not.

Nick Gilder -- "Hot Child in the City" -- October 28, 1978

This guy looks like Tom Petty. But he's no Tom Petty. The song's about a teenage sex worker, so uh, there's that. The singer doesn't sound too upset about it, but he doesn't sound too anything about it. This song should have some kind of grit one way or another, but it doesn't. It's nothing. And that's particularly bad when it's such a heavy topic.

Anne Murray -- "You Needed Me" -- November 4, 1978

Anne Murray has a beautiful voice. This song is about having been at the absolute bottom, then someone comes along and loves you, which is a great sentiment. But it should soar and never does. It lacks a chorus, and it needs a big blowout of a chorus. As-is, it feels unfinished and unsatisfying.

Donna Summer -- "MacArthur Park" -- November 11, 1978

Donna Summer is an amazing singer. But wtf is this. "Someone left the cake out in the rain" sung with incredible sorrow is just odd. And then it goes disco, because of course, but -- what? Show me someone's master's thesis on this and maybe I'll understand the song. As it is I am simply confused.

Barbra Streisand and Neil Diamond -- "You Don't Bring Me Flowers" -- December 2, 1978

One singer whose singing I despise, and another singer whom I forget exists when I'm not reminded of him. Looking up the lyrics after trying to listen to the song for about 20 seconds, they're lamenting about a failing relationship. With the reasons apparently being "you don't bring me flowers/ you don't sing me love songs." Yeah, uh, if you want the same exact kind of romantic effort put into a long-term relationship as was there in the beginning, you will be disappointed. She doesn't bring you flowers, but what about that dinner she cooked? He doesn't sing you love songs, but how about the fact that he does the dishes and puts the kids to bed? No wonder divorce rates were so high in the 70s. Yep, I hate it.

Chic -- "Le Freak" -- December 9, 1978

This one was played a lot at the clubs I went to in the 90s. It's a good funky dance song with a memorable bassline.

BEST OF 1978: "Boogie Oogie Oogie" by A Taste of Honey. WORST OF 1978: "You Don't Bring Me Flowers" by Barbra Streisand and Neil Diamond, but also anything with Barry Gibb's fingerprints on it.

[aaaaaaaaaaaaaaaoldretired]

some p!g-drv3 theories (spoilers obvi)

First of all I think people demonize the pg versions wayyy too much because its a good way to be le sexy in like fanfictions. And i get it, villains are hot or whatever. and also hs is a horny age to be. But even the edgiest and horniest of teens aren’t like. that sexual/monstrous. its kind of insane the portrayals people are placing

maybe this could also be like me being older bc when i was early hs i was like yea its fair to place these super mature portrayals on a 18-22 year old they are like adults but young and now im that age and im like woah there pardner. might be an age/maturity thing. 

also like its normal for people to relate to and portray characters their same age in a similar fashion, but when adults write more sexual content about the dg kids i get hella fucking sus

idk where i was going with that first comment i guess its like a preface and in the end i think its important when characters especially teenage characters are morally grey not because they’re mature and dark/brooding but because they are still young and learning. fuck im older than like most of them, but im still young and learning. its good to be in turmoil and confused, especially the drv3 cast. they are more confused than anything.

which i think is a reason why people would join dr because if you are completely loss and in turmoil, it is appealing to be given a purpose in life and amazing talents/abilities. despite the morals of danganronpa, it is a simple reality to be told who you are and what to do

OK ONTO HEADCANONS (not doing all bc i dont have thoughts about all)

first of all i understand changing stories but i think, deep down, you can’t change fundamental personalities/values. so while the backstories might be different i think, in the end, a baseline is always the same

SHUICHI being a Bad Boy is like canon obviously but i dont think he’s as manipulative as people make him out to be. i think he falls in the more the bully role that like. mae borowski or tf2′s scout filled before they grew up. rough background, bad anger issues, lots of emotional turmoil, and the only way he knows how to deal with shit is by committing crimes and beating the shit out of people. and, similar to those characters, drv3 represents an older, more emotionally sober yet equally confused version of himself. the urges are still there as foreshadowed in the dialogue. i think he struggles with guilt, mostly survivors, but there is still a lasting impact of guilt of what he did in his past, even if he can’t remember.

KOKICHI is a child. a piece of shit motherfucker child but a child. I really do think he’s like one of the youngest people in the cast. he reminds me a lot of when my brother doesn’t take his adhd medicine and takes jokes way too far and does mean and cruel things because he thinks its funny and that its just a fun joke, but is hurting people. he desperately wants approval, which is why his leader role is so interesting because in the dr narrative he has the approval he craves and so he is satisfied. still, he does try to impress characters like rantaro and values his opinions a lot, even developing a brotherly relationship in the time they knew each other. this being said, its established kokichi was bullied before, but i dont think he’s like. the wimp people make him out to be. i think he’s more of like the class clown who desperately uses humor to make people like him, and ends up resorting to be the butt of most of his jokes. you don’t just develop a good sense of humor out of a brainwash, and that’s not something you can program in. i think that was a remnant of before, and he’s so good at bullying people and coming up with roasts - i just think that in p!g the roasts were about him.

KAEDE is baby but her p!g personality seriously reminds me of any ~quirky/edgy~ girl in a teen coming of age story who tries to be edgy and cool and act like she doesn’t care but deep down, she really does. if she didn’t have an empathetic personality, she wouldn’t want to end the game. i also think she has that self-identifying QuIrKy personality because its like she lives in her own narrative, practically announcing this story is about her and she is the protagonist. i know i used to self narrate like that and distinguish how i was different when i was like. 15-16. she has a tumblr. 

I really like the theory where KAITO is a make-a-wish kid who was better when he was younger but relapses later in teens. he never used his wish before, so he decides to use it now to be on danganronpa and become the hero he always wanted to be. i also think he might have joined as a way to raise awareness about adolescent healthcare. definitely the type who puts on a “heroic” character to make everyone else feel better about the fact he is literally dying of a terminal illness, and keeps that act up till the end. 

i think KOREKIYO is still a serial killer. i think honestly a reason why he mightve auditioned for danganronpa is because he is a serial killer. maybe his sister found out and he felt so much shame that’s why he auditioned. he probably mentioned why in his interview because duh, tell them im a serial killer and then only reason im coming clean is my sister found out and im ashamed, that is like a guarantee to get on the show.  i LOVE the theory that his sister is still alive, however, and has to watch her brother go insane because they wrote her into the story as the villain. because technically, she brought on this guilt, and is the reason why he auditioned - as a way to cause despair, twist it around so she’s the one to blame for his insanity. also, because its pretty accepted DR members become celebrities, kork’s sister is totally bombarded with paparazzi and is demonized in the media. she might end up writing a tell-all memoir about kork’s actual childhood and personality. quiet kid, thoughtful, interested in anthropology, she never thought he’d hurt a fly. watching her brother go insane probably destroyed her. 

I also think, timeline wise, kork is probably one of the oldest members along with rantaro. tbh i think kork actually graduated hs and went on a gap year doing the whole “hitchhike around the world to discover myself thing” which is where he began killing people. he was getting ready to go to college when his sister found out about what he did. this is when he decided to go on danganronpa instead of university. this would help explain why he knows so much about other cultures/travel/been so many places with so many memories/killed/is knowledgable on a level most other students are not. this would place him at like, 20-21, where everyone else is like 15-18.

ok so there’s two p!g RANTARO, p!g before 53 and p!p!g before 52. i’d like to establish now i think rantaro is the oldest of the characters, seeing as though he was already pretty old to begin with in 52, it takes time between television seasons, and he was in another game. so im placing him like 21-23, similar to yasuhiro in d1 being so much older than everyone else. i do think, in all iterations, rantaro was pretty much raising his sisters, though i don’t think he had twelve like the story (i think that’s an exaggeration, his sisters mean a lot to him, lets make him have a TON and then lose them all and feel GUILTY) rantaro joined the first game, partially to get money for his family and hopefully establish them as celebrities and let them have a comfy lifestyle, even if he doesn’t live...and also to finally ahve some sort of experience without his siblings tagging along. if he’s been raising his sisters all his life, he’s never had like something that’s JUST his. that’s his adventure. 52 is his ULTIMATE adventure. ahaha. mostly for money, kind of dreading it, still a tiny bit excited

ok p!g rantaro between 52 and 53 probably came back broken. he did the signings and appearances, but mostly wanted to spend time with his family and make sure they were set up. i think he knew the whole like few months between seasons he had to go on another show, but he did’t tell his sisters. his family found out when they saw a billboard with his face plastered on it hyping up the return of a fan favorite. yikes!

ok i get it a lot of people hate HIMIKO but i think she’s not nearly as similar as other “useless” characters in other games. its like, pretty clear she’s depressed, and the only thing she’s holding onto with dear life is magic. lack of hygiene, lack of personal care, constantly tired, social interaction exhausts - she has depression, but she’s not an UWU depressed character. so people find her depressive traits (which are some of the most realistic portrayals of mental health in the series) SUPER annoygin. she joined dr because she was completely lost and needed some sort of direction in her life, even if she’ll die for it. the thing is, even with direction, her mental state didn’t change because she wasn’t getting legitimate help. it’s like that one SNL skit that’s like. same sad you from before but in a new place. i also think she knows the magic is not real, because how could she not. i think she’s so adamant that it IS real, less as a way to convince others, and more of a way to convince herself. it’s like really super cruel that team danganronpa took a girl who is desperate for meaning and gave her literally a meaningless, fake talent.

i also kin himiko and find her a comfort character because i feel seen by her, replacing her useless talent of magic with mine of like shitty film making and comedy. i am seen.

related i don’t think she’s nearly as ugly as everyone says she is, i think she’s probably just depressed and takes absolutely no care of her hygiene and sleep and looks like sick and greasy all the time. same queen.

honest to god i think RYOMA’s backstory, tennis and all, is like 100% real and he’s the only one who keeps all of his memories except for the fact this is a tv show. i think he rolled up, a hot fucking mess, and the danganronpa team were like damn. we cannot improve upon this. 

[stepphase]

Cyberpunk 2077 Gameplay: 9 things to know before playing

Cyberpunk 2077 Gameplay: Of course, it is a game that arrive after eight years of anticipation and hype. Cyberpunk 2077 Gameplay have officially launch in Global. As well as, it is already a broken Steam records. In fact, its fans expect of a game from CD Projekt Red. Also, the studio of The GTA 6 and Assassin's Creed Valhalla is a massive game. With a gigantic open world that is explore in the Night City.

After all, i have spent 40 hours with this game. And i feel fraction of what Cyberpunk 2077 Gameplay have to offer. As well as, i have notice few thing which is powering through Cyberpunk 2077 weekend.

Image: CD Projekt Red

1. Loot every single thing

After all, here is a way to make money is to sell armor. In fact, a lot of enemy will drop their armor or gun after get killed. Just pick every single thing and sell them. After all, Crafting is big element of the Cyberpunk 2077 gameplay. Also, you can craft armor, weapons and much more. As well as, you can use dismantle weapon to upgrade weapons.

2. What difference backstories make

After all, when you will start the game you will get 3 option with backstories for V: Nomad, Street Kid, Corpo.

In fact, there is 2 main impacts. The first effect the open hour of the game. As well as, if you will start in a Night City, different Characters, it is depend your choosing. Of course, the Corpo is in office building. And the Street Kid is in Sleazy bar. As well as, Nomad is in the Badlands desert outside of the Night City. After all, After gameplay of an hour you will come at the sam epath with fun for hire with your pal Jackie.

Af course, the second effect is with a different dialogue option that is base on the backstory that you choose. After all, when i went for Corpo, that give V ability to politic his own way to certain sticky situations. Also, your backstory won't make difference.

3. Don't just play the main quest

After all, i have spent 5 days around to get the Cuberpunk 2077 Gameplay review. Also, i force to ignore side quests and focus on the main storyline. Of course, Don't do this.

As well as, the Cyberpunk 2077 story is strengths and its relationship between V and Johnny Silverhand. As well as, the mercenary play by the Keanu Reeves with a characters called V. Of course, the Cyberpunk 2077 is explore a Night City. Also, Gameplay itself is encourages and prompting you regularly and take break with the main quest for other stuff.

In fact, its amazing to play Side Quests then the Main Quests. Also, from reining in seven AI-powered cabs is rogue to solve mystery of slain mayor. After all, it is my favorite that the rogue cabs have personalities often legitimately funny.

As well as, the more Side Quests will give you the access of the better endings. After all, i finish the game in 37:30:26 hours with less Side Questing. In fact, it is really clear that the ending i did in Cyberpunk 2077 Gameplay and there is many possible ending. Also, i get the worst ending by the way.

Note: Do more Side Quests to get more resolute and satisfying ending for V.

4. Do gigs to get cash

As well as, in Side Quests, to help a character to complete overriding goal with "gigs". After all, their is a more mercantile: And a "fixer" will definitely ask you to go do a job for them. Just like an incapacitate enemy and sneak through hideout and place a tracker on vehicle. Or to take risk from one place to another place. After all, your'e a gun for hire.

In fact, this things is fun with challenging and it will take 15 or 20 minutes maximum. Of course, You will definitely need the money in Cyberpunk just to buy weapon, cars, and upgrades. Also, i find these gigs is the best way to make it.

5. Stack attributes

After all, you will get option at begin of the game is to distribute points for attributes: Body Reflex, Cool, Intelligence, and Technical Ability. As well as, you will have perks that you can unlock in attributes.

In fact, i spread the attribute points and perks senievenly. And i also have idea that skill trees in most AAA games. After all, i end up unlocking all perks eventually. In fact, you are better off choosing that how you wanna approach combat and tailor attributes point and perks.

Of course, there is a 2 ways to handle the combat: Stealth and Force but there is a subdivisions. Also, you can specialize in the meelee weapons, and fisticuffs or gunplay. Also, you can optimize sleuthing hacking abilities and stealth kill offense. After all, the cool attributes and the related perks will make enemies harder to detect you. As well as, you can hack tech to distract enemies. Also, throwing daggers.

In fact, you can adjust your style in game but do not do what i did. Just try to be balance.

Breathtaking Johnny Silverhand. Screenshot by CNET

6. Pump Body and Technical Ability to open doors

After all, there is a Body and Technical Ability to attributes both highly useful to navigate Night City. In fact, both is use to open lock doors. Also, have more benefits like getting higher Body points that will lets you hijack cars and open parked cars. In fact, there is a Technical Ability that will let you hack mainframes to get money and to crafting components.

Breathtaking Johnny Silverhand. Screenshot by CNET

7. No two playthroughs will be the same

After all, the choices is really matter in Cyberpunk 2077 Gameplay. Also, it is a true in Main Storyline. As well as, do not go in game with impression that make small and cosmetic differences. How you complete missions and react it will have a drastic effect.

After all, I have a suggestion that open section in game and you are task with getting a piece of the military tech from the gang. As well as, there is a option to meet with operative from mega corporation that tech was stolen. In fact, when I demoed game in August i didn't bother meet the operative and a result to blast my way out of gangs hideout. After all, i play this time i meet operative and result her corp's forces to shootout with gang and leaving me scurry away easily.

8. Do not use fast travel everytime

As well as, this is a similar vein. Also there is a fast travel point to the city that you will be able to use it. After all, when objective is other side of Night City. In fact, you would not have the time to dally dilly but you will often be rewarded for travelling via motorbike and car.

Of course, there is a lot of things to do in Night City. As well as, you are bound to find something if you will travel manually. After all, you will definitely find multiple cool things as i find regular stops en route to next quest location after see it. And the icon beckoning me into the HUD map.

After all, the Night City Police Department will pay you if you break it up and apprehend the perps. As well as, the Fighting crime yield solid loot that you are left disappointed with payoff.

9. You can fail Side Quests

After all, you will definitely fail Side Quests and would not get chance to re-do them.

In fact, when the first time i experience i was midway through a Quest revolving a killer that is trying to seek forgiveness from the dude he killed. Also, at the end of the Quest, one of that dialogue option is "Alright, i've seen enough". As well as, it is reverse psychology trick that i choose. "OK, fine" and the Quest just ended.

After all, this is same for challenges. As well as, one "gig" taking part in shooting contest with rifle with the top prize. As well as, there is not a single option to redo it. I Just Lost it.

Cyberpunk 2077 Gameplay

Cyberpunk 2077 gameplay: After all, Night City is like a deranged experiment in a social Darwinism. As well as, it is designed by a bored researcher who keeps one thumb permanently on the fast forward button.

In fact, that line is from William Gibson in 1984 novel Neuromancer. Of course, it help to define genre known as the Cyberpunk 2077 gameplay. As well as, the book conjures world to cutting edge trends are embarrassing cliches and desperate hustlers rise overnight and also fade without the trace.

After all, the Cyberpunk 2077 gameplay by the Witcher studio CD Projekt Red in Night City. As well as, the Cyberpunk 2077 gameplay was announced in 2012 and that is based on the tabletop series which was launched in 1988. Of course, it is a years of work that is report months of the brutal crunch time. In fact, CD Projekt Red have deliver on incredibly ambitious vision. As well as, it is a vast virtual city with complex narrative and also the roleplaying system.

As well as, it is dont by playing elements straight and safe. Of course, the Cyberpunk 2077 Gameplay is frequently satifying and also a impressive game. Also despite setting in fast moving future that is never surprising.

Trailer

https://youtu.be/BO8lX3hDU30

After all, the Cyberpunk 2077 gameplay take the place in eponymous year 2077 which is at the Night City. As well as, it is a California Megalopolis where interlocking freeways thread between the skyscrapers and the street markets. In fact, you can imagine Los Angeles with the mile high holo billboards and the pedestrain friendly urban planning. As well as, there is a de facto breakip of the America.

Also, that is failed urban utopia has become an autonomous zone that is dominated by gangs and multinational corporations. After all, on every single street level, the surface has plastered with sexed-up ads and also nihilistic graffiti. As well as, it is an ultra-rich have retreated in cavernous hotels and apartments with gilded servant class. After all, the citizens disposable and the body is malleable, ripe for the dramatic cybernetic modding which is blends with chrome.

In fact, your protagonist is mercenary named V that is hail from three possible background. As well as, 2077's is small corporate overclass and the Night City teeming slums or the nomadic group at outside the city. As well as, V is a neon hair corporate taider for insance. Also, with a short origin story mission that is be drag in bloogy interdepartment conflict. Also, V is countless freelancer drifting at Night City demimonda. In fact, join heist arrange by flinty femme fatale and naturally its job falls..

Sexed-up Billboards, Nihilistic Graffiti, and Literally Gilded Service Class

After all, V is a witness cold-blooded into the crime of the Night City’s. As well as, in ensuing chaos and coverup. Also, its ends with a piece of dangerous experiment technology. Also, they resurrect the digital ghost of the Night City legend: In fact, the metal-armed punk rocker is the terrorist Johnny Silverhand and voice by the Keanu Reeves. As well as, Johnny’s suffering frustrated outbursts and cynical quips.

After all, they also figure out that who built tech and how to stop the deadly effects. As well as, appealing to the criminals and also corporate loyalists who will stab them in the back.

Of course, this is a threat in a narrative that is big by a standard to the open-world games. After all, i finish Cyberpunk 2077 gameplay in 37:30:26 hours. As well as, that covers major Side Missions and cruising around the Night City. Also, I left a few small tasks undone.

After all, Every single neighborhood is pack with jobs just to discover, random crime to stop, and conversation to overhear. After all, when you become the more powerful, crime bosses, and local fixers then start to ask out for help. As well as, they will try to sell you a secondhand car. Also, in the opening mission, you will definitely find major endgame story branches that is depend on your loyalties.

More

After all, the Cyberpunk 2077 map's overwhelming experience. With the waypoint icons, pack and selecting a given item requires zoom in. As well as, the game does a good job of spin extends side arcs from core missions. Also, it is a calamitous first act, that given multiple leads to the main goal.

As well as, they tracked down require the cutting deals with the characters and also contacting heists to other participants. After all, these partners will ask for help with their problems. it Also, continue subplot to the main story and open doors to fresh Night City subculture. In fact, you will find more gigs but the several option section that will feel like V and Johnny Saga.

Night City future are eternally relevant

After all, the Cyberpunk 2077 tropes have survive because of the ring true. As well as, Cyberpunk 2077 depics hyper-stratified societ. Which is rewards cruelty and exploits vulnerability, also commercializes everything. This game conventions help it avoid facile event references that is still feeling contemporary.

After all, Cyberpunk 2077 falls in irritating caricature. As well as, V and Jackie develop blend for streetwise cynicism and buried hopefulness. As well as, those dialogue is overladen with spanish aside. After all, this game is straightforwardly reproduces 1980s Cyberpunk's surface of level fascinating with China and Japan. in fact, it is arming japanese gangster with katanas. And building Japanese Characters around archetypes like a honor-bound samurai.

After all, the USSR hanging with them, and the Cyberpunk 2077's gender and race worldbuilding is feel like an alt-history relic. Also, it will let you customize V's voice and body shape.

After all, the tabletop series author Mike Pondsmith have stat that the rules of detail fictional society is political. As well as, the Cyberpunk import social conflict for a dramatic effect like an long subplot about the sex workers. In fact, its vulnerable class of the real people. Also, its trying to overthrow bosses.

In fact, these conflicts do not feel fail or successful social commentary. Also, its stock neo-noir conceits which happen just to involve oppression. Also, Cyberpunk 2077 is a brand of exploitation. After all, it is a piece of fiction that does not add stories and ideas it is borrowing.

After all, CD Projekt Red has created a sprawl populate a world. where meandering freeways also outlying deserts and the rows of factory-farm also greenhouses feel beautiful craft.

Cyberpunk 2077 Gameplay is a powerful machine with million slick toggles, but they feel disconnected

After all, the Cyberpunk 2077 areas have the shortcut doors to the high-tech or high-strength players can unlock. As well as, it is not clever puzzle-box design you had find in the Dishonored or Deus Ex. Also, you can choose to kill the enemies, a thread of the missions where you have to bring the targets in alive. After all, this option affect gameplay style or character interactions.

After all, your background and stats in the Cyberpunk will produce extra dialogue choices. As well as, they rarely change how conversations unfolded. In fact, a lot of game is roleplaying choices are crude binaries or illusions. Also, the Cyberpunk 2077 is powerful machine with million slick toggles. But more of them will feel disconnected.

After all, its a silver lining for me just like a reviewer and granted because Cyberpunk 2077 pre-release for PC build was fully unpredictable bugs. As well as, its mercenery keeps reappear behind me when i knock him unconscious and also forcing me toshoot him. As well as, when i try to move their body some enemies clipped through floors and exploded.

I can destroy you just with my brain with a four different ways

After all, this game is open-ended roleplaying and few elements reminiscent of sims just like Deus Ex. As well as, purchase weapons and clothes are supplemented by the upgrade tree for games key stat. Also, dexterity, strength, and cool. After all, you can visit back to the alley technicians which is called ripper docs. As well as, they also install bionic weapons and swappable upgrades with perks.

As well as, Cyberpunk 2077 can approach a lot of areas by slip past enemies undetected. Also, you can shoot everyone. After all, there is a clever hacking minigame that provides blanket benefits and making enemies much more vulnerable or glitching out the security camera. After all, there are “quickhacks” for actions. As well as, in stealth, you can deactivating turrets or making vending machines chirp to distract the enemies. In combat, you can fry the enemy's brains by making implants malfunction.

After all, this system will help to carry the Cyberpunk's considerable length. Instead of the rewarding hyper-specialization and the game encourages versatility also mixing up firefights with the sneaky sections. As well as, Quickhacks add a touch of much-appreciated absurdity to the combat. In fact, it is satisfying to infiltrate a criminal hideout. Also, incapacitate cluster of the mooks by uploading some contagious poison brain virus. As well as, wait for their buddies to notice you, start a shootout with futuristic-looking “tech pistol”. Then knock the final gangster out with the mind powers.

Modern Cyberpunk 2077 is the broad vibe and a specific retro-future setting

After all, this saga is felt rote. In fact, it is Dungeons & Dragons codified that is Tolkienesque fantasy. As well as, Cyberpunk 2077 is distilled recognizable elements from influential fiction like Blade Runner and Neuromancer. After all, it is a loosely define cyberpunk genre that begins as a ground to space operas. Also, the post-apocalyptic is wastelands and heavily influenced by the hardboiled fiction.

As well as, it is permeated science fiction which has innovation cliches. Nowadays, “cyberpunk” has 2 contradictory meanings: tech-heavy futuristic media which is felt organically grown from the present-day to social conditions. Also, its specific set of the 1980s and 1990s influenced retro-future noir conventions.

After all, Cyberpunk 2077 sits in the timeline where the Soviet Union still exists. As well as, Japan is an economic and cultural superpower that is with chaotic warzones and big cities. In fact, this game set decades after when original tabletop release. And the CD Projekt Red tune down retro aesthetic enough just to avoid ostentatious anachronism.

Of course, there is a periodic flashback to an earlier era and also creating a strangely hilarious setup. Where 2077 is look sort of from this real-world in 2020. After all, fictional 2020 is actually a sci-fi 1980s right down to the vinyl record and the eye mount camcorders.

Bugs

After all, if the Cyberpunk is a game for the perfection than i consider it is a serious problem. As well as, i hope CD Projekt Red will definitely fix it. As well as, it is roll out one round of pre-release bug patches. Also, it is a huge sandbox with autosave system, which is not a deal-breakers.

Of course, the Cyberpunk is hype as triumph of the next-generation gaming. Also, it is sheer size which will take advantage of the modern computer and console specs. Of course, my PC is really powerful enough for games.

Cyberpunk 2077 is released on December 10th on PC, Google Stadia, PlayStation 4, PlayStation 5, Xbox One, Xbox Series S, and Xbox Series X, Fifa 21, Capsix Robotics, GTA 6 Project America, gta 6 release date/characters/map/news/rumors, cyberpunk 2077 release date, cyberpunk 2077 warn streamers to avoid dmca strikes,

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[dailyexo]

[INTERVIEW] Baekhyun, Kai - 191217 Vice: “SuperM are the Avengers of K-pop”

"It’s a November evening at New York’s Madison Square Garden. Even though the house lights are still on, the excitement is palpable in the voices of twenty thousand fans singing along to every background track as though it were the main attraction. The reason for that enthusiasm is currently underneath the stage: in a few moments, K-pop supergroup SuperM will rise, veiled in smoke and clad in black and silver, to finish the first leg of their sold out We Are The Future Live tour.

Formed by SM Entertainment (one of the ‘Big 3’ record labels in K-pop) in partnership with Capitol Records, the group -- quickly dubbed ‘the Avengers of K-pop’ -- is made up of seven members from four other already wildly successful groups SHINee, EXO, NCT 127 and WayV. SuperM’s eponymous debut EP, with its lead single “Jopping”, dropped on October 4th, followed by a Los Angeles showcase that shut down Hollywood streets and was live streamed worldwide. Just a week later, they celebrated a historical no.1 on the Billboard 200 -- making them the first ever K-pop artists to hit the top spot with a debut release.

It’s worth noting that SM has experimented with supergroups and ‘special units’ before, but these are typically temporary and Korea-centric -- a live performance here, a special single there. SuperM, as you’ll likely have noticed, has been aimed directly at the international market since the very beginning. In harnessing their individual strengths and fandoms -- all members maintain their roles in their original groups as well as their solo careers -- SM have formed a group with effectively 14 million collective albums sales and almost four billion music video views to its name before it even started. United in this way, the artists bring a new kind of energy that fans are lapping up. Just two months on from release, the video for "Jopping" already has over 47 million views.

So who are these seven members?

Taemin, the 26-year-old industry veteran among them, debuted in 2008 with SHINee. Fans watched on as he grew from a shy teenager to a fearless artist who is now famously looked up to by his peers. Baekhyun, the eldest and designated leader of the team at 27, is one of EXO's lead vocalists, known for his cheekiness. Then there’s Kai, also from EXO, who happens to be spellbinding, ballet-trained performer. Taeyong, one of NCT's main rappers and lyricists, is something of an enigma. His full-time bandmate Mark, the youngest of the supergroup at 20 years old, also helps out on the rap front. Completing the line-up are two NCT members who are also part of their Chinese subunit, WayV: Ten, a multitalented Thai artist, and Lucas, a Hong-Kong born heartthrob.

We caught up with the group to discuss how they deal with nerves, feeling like rookies again, and the new releases they've got planned for 2020.

Hi SuperM! During your debut showcase back in October you mentioned being nervous. Has the US tour been less nerve-wracking?

Taeyong: First off, it’s been so great to be back as SuperM to perform in front of all our US fans! We’re having so much fun. It was less nerve-wracking because now we’re a lot more comfortable with each other and had much more time to practice and perform together than we did for the debut showcase.

How was the process of connecting with each other, since you come from different groups but have known each other for years?

Kai: I think all of us were very open to each other, wanting to get closer. Despite already having a senior-junior relationship, we were all open to teaching each other and we had a lot of great conversations. I personally tried to connect to the rest of the guys like an older brother from the neighbourhood. We joke around a lot and have fun together.

What's one thing you learned from each other so far?

Ten: We’ve been learning so much from each other in many different aspects, but if I had to choose one thing, it’s probably music. We all come from distinct music styles, so it’s cool to learn from each other when we’re together. It makes me look forward to every day.

Can you tell us how you prepared for this tour?

Mark: Our preparation time was more limited than we would have liked, so we were very committed those sparse days we got together. We rehearsed in various ways: for example, we built a replica of the stage at a gym to rehearse, and of course we rehearsed at the actual venue as well. The energy was always really good.

What was your first impression of "Jopping", both as a track and as a word?

Mark: The strong SMP [SM's signature genre, a blend of pop, rock, R&B and hip-hop with bold choreography] vibe struck me the most. I could feel how vast the track was just by listening to it, including the depth it held. I honestly believed that it was the right song for SuperM's debut. As for the word, I thought it was a good idea. It fits the energy we wanted to deliver as a message and it felt cool to be introducing the world to a new word of our own.

You all perform solo stages at the concert. Which is your favourite and why?

Ten: Everyone is obviously so amazing, so it’s hard to choose one. But if I really just had to choose, I’d choose Taemin’s solo stage. In just five minutes, he showcases his vocal abilities through “Danger”, then kills it for the choreography and overall performance aspect during “Goodbye”. As I watch him perform, I can’t help but to think that he is one of the most impressive all-around artists out there. I hope to be an artist like that someday.

You guys have clearly launched with a unique strategy. What other innovations do you want to make in the industry?

Taeyong: It’s been really cool to be given the opportunity to be part of something new and innovative like this. As a team and as individuals, we all want to showcase new and innovative stages and performances to our fans. It’s been a fun journey working together and figuring out how to showcase our styles within our performances on this tour, both as a group and individuals. We hope to continue to bring fresh new ideas as artists who perform on stage.

You all have years of experience behind you, but with SuperM you are technically rookies again. What advice would you give to your younger selves?

Baekhyun: I do think of us as rookies again as SuperM. And the synergy we’re able to create with this specific combination of members makes for a whole new set of charms. If I were able to give advice to my younger self, I’d definitely tell him to continue to work hard, because people will notice you as long as you try your best.

Can fans expect another official release from SuperM soon?

Mark: I don't want to give out any spoilers, but we did perform two new songs during the tour already. Fans may already be expecting another comeback and I want to assure them that we are currently working on new things to show our fans. We are trying our best to create something that will meet or maybe even exceed our fans' expectations. Hope they like it.

What are your expectations for 2020?

Taemin: Because we’ll be back in the U.S. promoting for the tour, I’m excited about experiencing all the different cultures and famous spots at the different regions we’re headed. And of course I’m so excited to see all our fans there!

Mark, in NCT 127's recent interview you jokingly said that you came from the future. Now SuperM's tour name is We Are the Future. What does this mean to you?

Mark: I believe that "future" is and has always been the motto and the mindset of everyone at our label. Whatever it may be, we all try to focus on the next step and make plans for what's ahead of us. Our aspiration is to lead the generation through our music and art.

SuperM have just announced their European 2020 tour, stopping off in Paris on 26 February and London on 28 February."

Credit: Vice.

[kaleid-tay-scope]

Taylor Swift + Jules Chéret + Loïe Fuller = TS7

What got me thinking about all of this was the painting in the "ME!" music video. It reminded me of the "Friends" opening with the French poster in the background, along with the peach colored couch, the fountain, windows in the buildings, and colorful umbrellas.) The French poster was originally created by one of the most famous printmakers of the late 1800's, Jules Chéret and originally read: "Toys and Items for New Years Gifts." I also was reminded of @taylorswift saying in the Elle article "For Taylor Swift, Pop is Personal," "When I’d get a day at home in between long stretches on the road sharing a van with my band and crew, I would spend my rare nights off painting alone with candles lit in my room - just being alone with those songs (Those are all from the Grey’s Anatomy soundtrack. My commitment to that show truly knows no bounds)." — and that last part made me wonder what else I know about Taylor, that her commitment to media knows no bounds. Which is obvious— the sitcom "Friends."

Jules Chéret the artist who painted the original Aux Buttes Chaumont poster was born in Paris, France on May 31st, 1836. He was born to a poor family and his father took him out of school at the age of 13 to enroll him in a 3 year lithographic apprenticeship program so he could help his family financially. He worked for lithographers while attending the School of Art and Design (Ecole des Arts Decoratifs). He sold some sketches but didn't make enough money to do what he wanted to do which was have a career as an artist. Jules decided to pursue that goal and went to London to study the technical aspects of lithography. He sold his first poster design to furniture manufacturer Rimmel Eugene and painted floral designs for manufacturer until he had saved up enough money to move back to Paris and start his own studio.

He quickly became considered the founder of the artistic lithographic poster. And who did he famously paint? That's right, American dancer Loïe Fuller — yes, the same woman Taylor dedicated a "Dress" performance to at every "reputation" stadium tour date. (Loïe was born Marie Louise Fuller, January 15th, 1862.)

From MOMA: "This exuberant image of the American dancer Loïe Fuller captures the cabaret culture of fin-de-siècle Paris. Fuller was an important attraction, embodying l'Art Nouveau with her innovative choreography and diaphanous silk costumes illuminated by multicolored electric lighting."

And what did Taylor JUST SAY with regards to her fans during her interview with Zane Lowe on May 1st, 2019?

"I really do credit the fans for the complete resurgence of exuberance and excitement towards music and making new music.

Also said about Jules Chéret by Windsor of Fine Art: "Cheret’s charming, frivolous Harlequins, columbines, and Pierrots, his girls and boys in masks and fancy dresses, were a delight to the eye; his brilliant yet delicate colors danced like flickering sunbeams over the gray stonewalls of Paris." And then two go for three links to the "ME!" music video I'll include that Loïe Fuller also created via silent film “Serpentine Dance,” a striking variation on the popular “skirt dances” of the day. So we have colorful stones, serpent, and a silent film two tie in these three artists.

In the "ME!" music video there's a painting of a black cat staring up at a somewhat hidden door in the wallpaper and there's what looks like an RF in the upper right hand corner. Well, it just so happens that Jules Chéret used in his famous painting of Loïe Fuller a hexagonal stamp of RF (Republique Francaise) on the "E" in top margin "HMP."

One of the other things that made me think about paintings and the "ME!" music video was the final scene of pastel rainbow paint. It turns out that this too can be attributed to Jules Chéret because he created what's called the crachis technique.

From MOMA: the crachis technique is a "spattering rather than painting a wax resist onto the lithographic stone—allowed him to create a shimmering effect with relatively few impressions."

I feel that this praise from MOMA can also be said about Taylor Swift in regards to her writing as she is known for her ability to tell a story with few words and yet enable those words to connect with so many different people. And all of their possibilities they individually paint into the stops and pauses of her music as it relates to their own lives. I just feel really touched that Taylor Swift is shining a light onto two individuals who danced with their bodies, minds, and colors and shared with their audiences and those to come the beauty that is possible through art.

I think that this new album is going to represent more than Taylor Swift herself. And as she dipped the tip of her sparkly shoe in glitter at the Billboard Award Show on May 1st, 2019, it seems from her breadcrumbs that she's ready to dip her figurative toe into the depths of publicly expressing her feelings for the things and people and causes who matter to her. I'm for all of this and I'm really looking forward to listening to her music, seeing her visuals, and embracing all of the senses she creates to go along with her music. Everything whimsical and bright that will grab me from my world of living with chronic illnesses and land me into one of rainbows and adventure and beauty and inclusivity and no pain. And I'm ready for it.

❤️🕵️‍♀️🦋🌈🥂✨🦄🐝🌦🔮💐💌🐾

- Cristine

[moviesandmania]

IT: Chapter Two will be released by Warner Bros. in the USA on Digital on November 19th 2019 and on 4K Ultra HD + Blu-ray + Digital combo (the one to get!), Blu-ray + DVD + Digital combo and Special Edition DVD on December 10th. Content options vary in other regions but they should be released around the same time.

Special features:

Audio commentary with director Andy Muschietti

Pennywise Lives Again!

This Meeting of the Losers Club Has Officially Begun

Finding the Deadlights

The Summers of IT: Chapter One, You’ll Float Too

The Summers of IT: Chapter Two, IT Ends

Here’s our previous coverage of the movie with stacks of reviews:

IT: Chapter Two is a 2019 American supernatural horror feature film directed by Andy Muschietti (Mama) from a screenplay Gary Dauberman (The Nun; Annabelle; Within; Wolves at the Door; et al), based on the novel by Stephen King. Seth Grahame-Smith and Barbara Muschietti produced.

Bill Skarsgård returns as Pennywise the clown, with Jessica Chastain (Crimson Peak; Mama) as adult Beverly, Bill Hader (The Skeleton Twins) as Richie, James McAvoy as Bill, James Ransone (Sinister; Sinister 2) as Eddie, Isaiah Mustafa (Shadowrunner: The Mortal Instruments) as Mike Hanlon, Andy Bean (Allegiant) as Stanley, Jay Ryan (Mary Kills People) as the adult Ben Hanscom.

Plot:

Twenty-seven years later, the members of the Loser’s Club have grown up and moved away, until a devastating phone call brings them back…

Reviews:

“The group dynamics of the (very good) cast propel the film as each Losers Club member faces down his or her personal demons. (Chastain especially gives the material a lift.) Taking each storyline at a time, all accompanied by flashbacks, gives each character some depth, even as the crowded film — at nearly three-hours long — verges on turning into a clown car.” Jake Coyle, Associated Press

“The whole film is going damn near overboard, for better and worse. It’s easy to admire Muschietti’s film for its excess and imagination. It’s easy to watch and enjoy it as a fright flick. It’s just harder to connect with the adult versions of these characters than it should be, and it’s harder to take this story seriously than it was before.” William Bibbiani, Bloody Disgusting

” …each scene begins relatively innocently before exploding into a waking nightmare that preys on the worst fears and repressed memories of each of the Losers. All good stuff, but more often than not, director Muschietti and the first-rate special effects team deliver gross-out visuals in favor of truly chilling and tense psychological terror. I mean, the Losers have to deal with a lot of arachnid-inspired imagery.” Richard Roeper, Chicago Sun-Times

“The devotion that Dauberman and Muschietti exhibit towards the Losers is palpable from start to finish, and despite some pitfalls in the film’s pacing, overall what they’ve managed to achieve with their collaborative efforts on IT Chapter Two is nothing short of monumental, and I think they’ve crafted something very special with these two films.” Heather Wixson, Daily Dead

“A psychologically merciless sequel, everything here is as it should be: deeper, scarier, funnier. Muschietti, in particular, has stepped up, skilfully guiding us through a rollicking funhouse. It is obscenely entertaining.” Alex Godfrey, Empire

” …even if Chapter One was example enough, there are no diminishing returns when it comes to shock value. Any time Pennywise feeds on life there is genuine sadness over the loss (the naivety and insecurities of his child victims contrasted with Bill Skarsgård’s master manipulator tendencies ensure it so), whether it’s a character we are attached to or someone newly introduced. ” Richard Kodjer, Flickering Myth

“The terror of Pennywise is best glimpsed fleetingly. See the clown too many times, and he becomes a familiar joke. But also letting the air out of things is Muschietti’s penchant for CGI scares, where practical effects would be far more effective. The movie’s many monstrosities – a crawling eyeball! a giant spider! an insect with the head of a human infant! – don’t inspire fear.” Barry Hertz, The Globe and Mail

” …Chapter Two seems to consist of an indefinite number of big, scary set pieces, featuring interchangeable snaggle-toothed creatures, or occasionally gigantic, fairground-sized monsters lurching grotesquely up out of nowhere. The scenes deliver reasonably efficient scares, but with the tension level repeatedly and disconcertingly reset afterwards to zero…” Peter Bradshaw, The Guardian

“Muschietti’s faithful adaptation, with all its creative and creepy set pieces, can’t justify that ass-numbing run time; especially not when the characters are just doing a lot of the same things they did in the first movie. They run into cobwebbed houses, stare down nightmarish visions and get tangled up with a clown that can morph into all kinds of silly, gigantic creatures. It’s all so easily forgettable.” Radheyan Simonpillai, Now Toronto

“Chapter Two is darker than the first, Bill’s attempt to deal with the guilt of losing his little brother by saving another ending in a brutal bit of bloodshed. Yet there are really only a couple of scary jolts, too many scary CGI puppets repeating themselves, too many effects beholden to Carpenter’s The Thing. McAvoy feels miscast here, perhaps a first for the actor.  Chastain, Ransone and Hader do a great job updating their childhood counterparts…” Laura Clifford, Reeling Reviews

“Maybe it’s just that an evil clown terrorizing kids is intrinsically scarier than one going after adults. Or maybe it’s that the filmmakers, apparently believing this themselves, put the majority of their focus on a series of digitally created monstrosities. Whatever the case, It: Chapter Two, though ultimately satisfying, doesn’t get at the deep-seated creeps its predecessor did.” Michael Gingold, Rue Morgue

“IT: Chapter Two never really depicts the way dewy sentimentality can curdle into pain and regret or considers whether the other side of middle age offers a way of letting go of the past. Its monster only occasionally embodies the otherworldly fearfulness that leads the characters to speak of it in hushed tones. But at least Muschietti is trying for something epic and intimidating…” Keith Phipps, The Verge

” …when the filmmakers don’t force the story to fit into strict parameters and just let the story flow with these characters that we love, IT Chapter Two can be just as effective and emotional as the first film. For fans of the novel, you shouldn’t miss this because much of what we love about the book makes its way to the screen, even if it can’t completely hit every high point. IT Chapter Two is clunky, too long, and not as scary as it could have been, but when it hits, it really hits.” Alan Cerny, Vital Thrills

“Real trauma is given the same consideration as a literal funhouse of horrors, which cheapens what the characters and audience are put through.” Alan Silberman, Washington Post

“What stands out in It Chapter Two is not the clearly labored-over insect effects but that moment with Mrs Kersh and the scene of Pennywise as Beverly’s father — both reliant on actors rather than technical wizardry. The human eye can tell that there is not much in effects but effects themselves with a story like this about evil. But an actor like Gregson or Skarsgård can channel evil for us because they are human…” Dan Callahan, The Wrap

NB. Scroll further down past the trailers for YouTube reviews

The New Line Cinema production is obviously the sequel to the smash-hit horror movie IT (2017) which took a whopping $700,381,748 at the box office worldwide against a reported budget of $35 million.

Controversy:

As reported by 9news, some parents in Australia say that giant billboards of Pennywise’s face have been giving their young children nightmares.

“It just totally freaks them out,” Brisbane mother Kellie told the Australian news outlet, speaking about her kids’ reaction to the billboards. Her daughter Piper added: “I get really scared because it’s hard to go to bed when you have a scary picture in your mind. Before I go to bed, I have to check the whole room. And when I finally go to bed I will wake up after a nightmare.”

Another mother also told 9news that her child is terrified by the imagery. “Some people do enjoy going to horror movies and that’s fine and that’s their choice, and I understand that but we’re not choosing to see this poster,” said Jane, who issued a complaint with Ad Standards. The latter body has confirmed that the ads don’t break any of their rules. [Source: Bloody Disgusting]

Production:

Filming on IT: Chapter 2 officially began on June 20 in Toronto with a release date of September 6, 2019.

Background:

IT: Chapter Two clocks in at a whopping 169 minutes.

“A movie is very different when you’re writing the script and you’re building a story compared to what the final product is,” director Andy Muschietti told Digital Spy and other press.

“At the beginning, when you’re writing and building the beats of the story, everything that you put in there seems very essential to the story. However, when you have the movie finally edited and it’s 4 hours long, you realise that some of the events and some of the beats can be easily lifted but the essence of the story remains intact.

“You cannot deliver a 4-hour movie because people will start to feel uncomfortable – no matter what they see – but we ended up having a movie that is 2 hours and 45 minutes, and the pacing is very good. “Nobody who’s seen the movie has had any complaint.”

Cast and characters:

Jack Dylan Grazer … Young Eddie

James McAvoy … Bill Denbrough

Jessica Chastain … Beverly Marsh

Bill Skarsgård … Pennywise

Sophia Lillis … Young Beverly

Finn Wolfhard … Young Richie

Bill Hader … Richie Tozier

Jaeden Martell … Young Bill

Jay Ryan … Ben Hanscom

Kate Corbett … Dean’s Mom

Javier Botet

Xavier Dolan … Adrian Mellon

James Ransone … Eddie Kaspbrak

Owen Teague … Patrick Hockstetter

Jess Weixler … Audra Phillips

Jake Weary … John ‘Webby’ Garton

Nicholas Hamilton … Young Henry

Wyatt Oleff … Young Stanley

Isaiah Mustafa … Mike Hanlon

Jeremy Ray Taylor … Young Ben

Jackson Robert Scott … Georgie Denborough (rumored)

Teach Grant … Henry Bowers

Andy Bean … Stanley Uris

Chosen Jacobs … Young Mike

Stephen Bogaert … Mr. Marsh

Logan Thompson … Victor Criss

Taylor Frey … Don Hagarty

Ryan Kiera Armstrong … Victoria

Janet Porter … Richie’s Mother

Jake Sim … Belch Huggins

Amanda Zhou … Waitress

Kelly Van der Burg … Victoria’s Mom

Angela Thompson … Comedy Show Patron

Will Beinbrink … Tom Rogan

Ari Cohen … Rabbi Uris

Lyla Elliott … Dead Young Girl

Angelica Alejandro … Asian Waitress

Rob Ramsay … Meaner Nurse

Divan Meyer … Audience Member

Erik Junnola … Bully

Anthony Ulc … Joe The Butcher

Martavius Gayles … Paramedic

Connor Smith … Carny

Shannon Widdis … Cheerleader #1

John Connon … John Koontz

Elena Khan … Derry townsperson

Chris Jiggins … Paramedic

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Image credits: Brooke Palmer / Warner Bros. Entertainment

Jump forward four minutes for review:

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IT: Chapter Two released on 4K Ultra-HD, Blu-ray, DVD, Digital soon – invite Pennywise into your home! IT: Chapter Two will be released by Warner Bros. in the USA on Digital on November 19th 2019 and on…

[phoenix-downer]

Kingdom Hearts 3 Playthrough Part 1 - Opening and Prologue

My thoughts so far. Still avoiding spoilers for the parts of the game I haven’t played yet, so when in doubt, please no spoilers in the comments unless it was about content I covered in this particular analysis :) 

Starting the Game

Chikai orchestral version - gorgeous. Absolutely lovely. Kaoru Wada (er, at least I think he’s the one who does the orchestrations?) has outdone himself again. Really liked the brass especially.

The menu art is lovely, of course - Sora holding the paopu fruit is a natural evolution of the menu art for KH1 and KH2 and a sign of things to come I hope.

And Dearly Beloved got me emotional because how could it not? Yoko Shimomura did a fantastic job with this version. It’s got a very wistful, tender quality to it. I like how it seems like an evolution of the DDD version of Dearly Beloved, too. What a great way to start the game.

The Opening

I didn’t listen to Face My Fears until I watched the opening, and boy was it worth the wait. Great song, very catchy, and it deserves to be on the Billboard Top 100. Excellent vocals from Utada Hikaru and I really liked what Skrillex brought to the table, too.

Unfortunately I do not have screenshots to share (blocked sharing function and all), but a few thoughts overall:

Sora’s opening line is so good. Borrowing the full quote from @angel-with-a-pipette​: 

They can take your world. They can take your heart. Cut you loose from all you know. But if it’s your fate… then every step forward will always be a step closer to home.

Sounds like Sora is gonna go through the ringer... but notice that note of hope at the end? Because that is what KH is about, there is ALWAYS hope 

Also... closer to home... makes me think of when Sora say’s “We’re home” to Kairi at the end of KH2... does he consider Kairi his home? 

The chess theme with Sora vs. Xehanort is great

The opening did a great job of showing what has come before... and probably what still is yet to come

“Watch me cry all my tears” - Sora, should I be concerned? D: 

Purple is sometimes associated with evil/corruption in Japanese culture - notice how purple is really associated with Xehanort in the opening

Kairi’s piece is the star-shaped piece confirmed!

Kairi and Sora’s pieces are the ones standing against Xehanort at the end, reflected by how they’re the only ones on the battlefield until the others join them

Guys this opening is so blatantly Sokai it’s not even funny and I am LIVING for it

Just kidding I do have a screenshot I got it from one of the trailers because IT’S TOO GOOD TO RESIST SHARING AGAIN:

THANK YOU FOR THIS NOMURA THIS GOT ME THROUGH THE LAST MONTH AND A HALF OF WAITING :’)

I love how door(s?) opened to save the lost hearts 

Seven hearts to save - Terra, Aqua, Ventus, Roxas, Naminé, Xion, and...?

Sora’s holding Xehanort’s piece at the end - representing a checkmate, perhaps?

Dive to the Heart

Can I just say how absolutely gorgeous the Heart Stations look now? Like actual stained glass, which is probably what Nomura intended all long. And now the graphics have reached the point where they can look like that

The way Sora went through the mirror to change from his KH1 to his KH2 self was really cool - reminds me of all the time Aqua spent looking at a mirror in 0.2

Showing Sora’s memories as pictures floating in the background was also a really nice touch

I chose Balance (yay for the Sora, Donald, and Goofy memory!) and Guardian (yay Naminé!). Guardian has, historically, given you some good defense abilities early on in the game so I thought it was a good bet

The tidal wave that brought Sora to the sky realm looked amazing. Dive into the Heart (Destati) and Fragments of Sorrow both sounded amazing as well

Wouldn’t be an awakening without a Darkside battle, now would it?

Fire and water magic, huh? To my knowledge this is the first time a Kingdom Hearts game has included water magic, so consider me intrigued

Can’t remember when this happened exactly, but Cable Town looked gorgeous and I loved seeing the full version of Xehanort and Eraqus’s chess match

Sora’s theme sounds great, really all the music sounds fantastic so far, very great reorchestrations of familiar pieces with sharp, clear sound

Playing the ending scenes of 0.2 (technically II.9) was a nice touch to get everyone back up to speed

And this! I love this! What a fun touch to add to the game! 

Next up: Olympus Coliseum :) (and a lot more screenshots, trust me!)