#TS-E 90mm

[bandh]

Everything TILT-SHIFT Lenses including 3 NEW TS-E Macro Tilt Shift Lenses from Canon

[sworldelectronicsca]

Buying online best Camera Lens "Canon TS-E 90mm F/2.8 Tilt-Shift Lens" from Canada's biggest electronics store "s-worldelectronics" at the lowest price with fast shipping across Canada. The TS-E 90mm f/2.8 from Canon is a tilt-shift lens well-suited to producing well-corrected imagery with a slightly compressed perspective. Up to +/- 8, ° of tilt is possible, for focus control, and +/- 11mm of shift, to adjust perspective and composition.

[justclik-ltd]

The TS-E 90mm f/2.8 Tilt-Shift Lens from Canon is a telephoto length manual focus lens for EF mount cameras with a 27º diagonal angle of view on full frame cameras. It provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in portrait and product photography.

[thephoblographer]

Canon Introduces New Trio of Tilt Shift Lenses with Macro Focusing Capabilities

It's about time Canon did this.

Today, Canon is introducing a lineup of lenses that are surely doing something different from all the other options out there. The company is refreshing and introducing a number of new tilt-shift options–but these aren’t just any tilt-shift lenses. These lenses have macro focusing capabilities. We can say hello to a brand new Canon 50mm f2.8 L Macro, a 90mm f2.8 L Macro, and a 135mm f4 L Macro…

[dominikagruzlewska]

STRUCTURE - RESEARCH, TASK 1

Joseph-Philibert Girault de Prangey (21 October 1804 – 7 December 1892) is known as the first architectural photographer who started to take photographs with daguerreotype from early 1841 of significant sites like Paris, Egypt, Greece, Palestine, Syria, and Turkey.

Frederick H. Evans (26 June 1853 – 24 June 1943), a notable British Photographer known for his contribution to Architectural Photography as his photographs focused on French and British Cathedrals, and his works were among the finest work at that time, for which he was made an honorary fellow of the Royal Photographic Society in 1928 and also a member of Linked Ring photographic society.

Modern architecture started to flourish with photographs in about the 1920s when urban photographers like Eugène Atget, Berenice Abbott, Walker Evans, and T. Lux Feiningercame into play. Eugène Atget(12 February 1857 – 4 August 1927), a French photographer known for his documentation of the streets of Paris before it entered Modernization. His works were published by Berenice Abbott after his death.

Berenice Abbott(July 17, 1898 – December 9, 1991), an American Photographer is known for New York and urban design photographs in the 1930s and also for her portraits of between-the-wars 20th century cultural figures.

Walker Evans who was also an American Photographer and photojournalist and believed that being a photographer he must make the picture “literate, authoritative, transcendent”. He worked for Farm Security Administration (FSA) and documented the effects of The Great Depression.

Historically, what type of camera did photographers predominantly use for architectural photography to ensure that those vertical lines remained constant throughout?

The photographers most often used a large-format camera which helps to minimalize parallax errors. They could parallax shift the plate in the back of the camera in order to control perspective.

How does this camera differ from a traditional analogue 35mm or digital equivalent SLR?

View camera vs analogue 35mm

The main difference is that in 35mm you can’t change the angle of plate and perspective which view cameras allows that. Apart that view camera has much longer exposure time than 35 mm.

View camera vs DSLR

As above – in DSLR we can’t change the angle of plate or perspective, but we can attach the tilt lens, which allows to control the perspective.

What types of lenses are available to photographers working with a DSLR, that are designed to function in this same way? What range of focal lengths are available from Canon & Nikon with these types of lenses?

CANON

Canon TS-E 45mm f/2.8.

Canon TS-E 90mm f/2.8 Tilt-Shift Lens.

Canon EF 1.4x III Extender.

Canon EF 70-200mm f/2.8L IS II USM Lens.

Canon EF 50mm f/1.4 USM Lens.

Canon EF 16-35mm f/2.8L ll USM Zoom Lens.

Canon TS-E 17mm f/4L Tilt-Shift Lens.

NIKON

Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus.

Tamron AFA012N700 SP 15-30mm f/2.8 Di VC USD Wide-Angle Lens.

Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus.

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens.

Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus.

[caradickson]

Structure Worksheet & Research Task

• Research, identify and present examples of early architectural photography;

Architecture is the process of planning, designing and constructing buildings and structures. Architecture photography are the photographs taken of these structures, in a complimentary or aesthetically pleasing way. To show off the design. It can involve shooting buildings exteriors and interiors and can include bridges and cityscapes. 

Mollien Pavilion, 1859, by Gustave Le Gray

From the beginning, buildings were great subjects to photograph as photographers needed still subjects as exposure times were very long. 

From the 1840′s onwards, architects realised the importance and how useful photography could be, to record their work and share with potential clients. Photographing buildings was also important to record and represent monuments and architecture from the past. 

As mentioned, the exposure times were very long because of the equipment that was available. The beginning of the camera was the camera obscura box and you slotted in a plate at the back that had a film of chemicals that reacted with light and you developed the plate to produce the image. 

Édouard Baldus, born in 1813 in France, was a self taught landscape, architecture and railway photographer. The below image is titled ‘Toulon’ and was taken in 1861 when Baldus was commissioned by the Paris-Lyon-Méditerranée (PLM) Railroad to photograph views of the rail constructions between different lines. Straight lines are important when shooting architecture, they create visual balance. We can see Baldus has levelled the camera to ensure his parallel lines of the structure are straight. His composition allows the lines running through the image from the tracks to lead us right through the photograph, creating depth. 

Henry Dixon was a british photographer who worked in London in the 1870′s and 1880′s. Henry’s work is a very good example of early architecture photography. He was commissioned by the Society for Photographing Relics of Old London to photograph the cities buildings that were under threat of being demolished. The below image was the George Inn, Southwark and was taken in 1881. There is a lot going on in the photograph and we find our eyes following the lines across the whole image. Leading us to discover something else. Dixon has composed it to keep the vertical lines of the pillars straight. All the lines provide depth and symmetry in the image. 

Historically, what type of camera did photographers predominantly use for architectural photography to ensure that those vertical lines remained constant throughout?

Photographers would use large format view cameras for architecture photography. You could parallax shift the plate in the back of the camera in order to control your perspective. It was about moving the position of the back plate so that the light lands on the plate at different angles. To achieve fixed parallel lines, the focal plane of the camera needs to be perpendicular to the ground. These cameras also offered a great depth of view, meaning everything in the foreground and background was in sharp focus.  

How does this camera differ from a traditional analogue 35mm or digital equivalent SLR? 

View cameras vs analogue 35mm: 

View cameras allow you to control your perspective and change the angle of the plate, whereas you do not have that control with a 35mm film camera. The view cameras range in size; 4×5, 5×7, 4×10, 5×12, 8×10, 11×14, 7×17, 8×20, 12×20 and 20×24″. 35mm SLR’s are much more smaller in size (0.944882x1.41732″) and lighter in weight compared to the view cameras. Another difference is the exposure time to capture a photograph. With a view camera the exposure times were much longer. 

View cameras vs DSLR cameras: 

Like with film cameras, you cannot control the position of the plate in the DSLR cameras, however, you can get tilt-shift lenses that attach to DSLR. & SLR cameras which allow you to change the path/direction of the light in relation to the image sensor. The way that the light falls on the cameras sensor changes the perspective of what you are photographing. 

What types of lenses are available to photographers working with a DSLR, that are designed to function in this same way?

Canon have released four tilt-shift lenses for SLR & DSLR cameras: TS-E 17mm f4L (wide-angle), TS-E 24mm f3. 5L II (wide angle), TS-E 50mm f2. 8L MACRO, and TS-E 90mm f2. All tilt-shift lenses are manual focus and often not weather proofed. 

Nikon also have their own range of tilt-shift lenses: Nikon PC 19mm f/4E ED, Nikon PC-E 24mm f/3.5D ED, Nikon PC-E Micro 45mm f/2.8D ED and Nikon PC-E Micro 85mm f/2.8D.

What features does this camera have that allows it to maintain a parallel film and focusing plane with the building being photographed? 

[experiencebanana]

Canon 5d mark iii software download

#CANON 5D MARK III SOFTWARE DOWNLOAD MAC OS X#

#CANON 5D MARK III SOFTWARE DOWNLOAD PDF#

#CANON 5D MARK III SOFTWARE DOWNLOAD SOFTWARE#

The lens aberration compensation data cannot be registered to the camera. The "HDMI output" function, "HDMI output setting" or "HDMI output frame rate setting" cannot be registered to My Menu of the camera. When cameras, or images taken with cameras, have been updated to the new Firmware Version 1.2.0 (or later), and are used with the old version application software*2, the following phenomena will occur.

#CANON 5D MARK III SOFTWARE DOWNLOAD MAC OS X#

*1: Digital Photo Professional Version 3.12.52 or later (Supported OSes: Windows 7 / 7 SP1 / Vista SP2 / XP SP3, Mac OS X v10.6 / 10.7) *1: EOS Utility Version 2.12.11 or later (Supported OSes: Windows 7 / 7 SP1 / VistaSP2 / XP SP3, Mac OS X v10.6 / 10.7)

#CANON 5D MARK III SOFTWARE DOWNLOAD SOFTWARE#

You can download the latest application software from our Web site. In order to use EOS Utility software with the updated EOS 5D Mark III, the EOS Utility software must be updated to the latest version. Certain previous versions of these applications do not support functions which are added by the new firmware. It is recommended that the latest application software*1 be used, once the EOS 5D Mark III is updated to the new firmware Version 1.2.0 (or later) from older firmware (Versions 1.0.7 through 1.1.3). Once the EOS 5D Mark III camera is updated to Version 1.3.3 (or later), it cannot be restored to a previous firmware Version (Version 1.0.7 through 1.2.3).

#CANON 5D MARK III SOFTWARE DOWNLOAD PDF#

The extracted folder contains the firmware (file name: 5D300135.FIR / file size: 17,975,776 bytes) and instructions on the firmware update procedures (a PDF file in five languages: Japanese, English, French, Spanish, and Simplified Chinese).īefore starting the firmware update operations, please confirm the contents of the download, and carefully read through the firmware update procedures. *Extracting the downloaded file: Right-click the zip file, and then select Extract All to extract the file. When updating the firmware of your camera, please review the instructions thoroughly before you update the firmware.Īfter the downloaded compressed file (.zip) is extracted, a firmware folder is created. If your camera's firmware is already Version 1.3.5, it is not necessary to update the firmware. Fixes a phenomenon in which standard exposure may not be obtained, or an irregular exposure may result, when Silent LV (Live View) shooting with the following TS-E lenses: TS-E 50mm f/2.8L MACRO, TS-E 90mm f/2.8L MACRO, or TS-E 135mm f/4L MACRO.įirmware Version 1.3.5 is for cameras with Firmware Version 1.3.4 or earlier. Firmware Version 1.3.5 incorporates the following fix:ġ.

[pcv-gear]

Used Canon TS-E 90mm f/2.8 Tilt-Shift Lens (EX-) (625418255)

Used Canon TS-E 90mm f/2.8 Tilt-Shift Lens

Mixing a short telephoto field of view with perspective- and depth of field ..

Price: $599.99

https://ift.tt/iAhMk8z May 31, 2022 at 09:41AM

[bandh]

Watch Headshot Photographer Peter Hurley shoot with both ALL NEW Canon  85mm F/1.4 Lens and TS-E 90mm F/2.8 Macro Tilt-Shift Lens!!!

[osakiakiko]

必要なレンズだってことは分かっていたし、いいレンズだってことも知ってはいたけれど、今まで必要になった時は借りたりして何やかんやとやり過ごし、持たないまま。 それで、次に必要になった時は必ず買うぞと心に決めたのが今年の春先。 そしてついに買いました。 TS-E 90mm！ 4本目のシフトレンズです。 これで物撮りも安心。（のはず！） いいレンズを持ってて、いい画を撮れない言い訳はできないので、日々精進であります。 がんばろ！ #canon #canonphotography #lenses #tse90mm #shiftlens #tse90 #cameralenses https://www.instagram.com/p/CHVL-chFc-5/?igshid=1t5i4o56y79z4

[artwalktv]

Recommended: dark environment, big screen, good sound, HD or 4K Following ReflectionVOID (2017) the portals now float high on Hawaii’s Mauna Loa volcano. The stars continue singing to us so vibrantly, they are literally what we used to be. Sink into the VOID and experience 5.5 minutes of cinematic hypnosis, an abstract astral journey through space and time as seen through the portals on Mauna Loa. ReflectionVOID1.5 was a solo production by Lance Page, shot in 12 nights over 3 new moon phases above 9000’ on Mauna Loa during the summer months of 2020. Featuring Comet NEOWISE (C/2020 F3). All reflection and focus effects captured entirely in-camera using motion control equipment, tilt shift/fast lenses and a bunch of 1’x1’ mirrors. For the production of the music, many different sonic layers were combined together to create the endless voice of space. For this project the L.A. group howardAmb is a trio consisting of James Hamblin, Rafe Mandel and Stefan Scott Nelson. Featured in the mix are sections of an original piece of music created by the incredibly talented vocalist and composer Stephanie Dosen (Snowbird, Chemical Brothers, Massive Attack). Also featuring baritone vocals by Santino Rice and strings performed by Joshua Hill. Produced and mixed by John Fryer (Black Needle Noise,This Mortal Coil, WIRE, Cocteau Twins, Depeche Mode, NIN, etc.). Special thanks to the band FM3. ReflectionVOID1.5 - Portals on Mauna Loa produced, shot and edited by Lance Page original music by howardAmb music produced and mixed by John Fryer Shot on: Canon 6Dmkii Canon 24mm f/1.4L II Canon 35mm f/1.4L II Canon TS-E 50mm f/2.8L Canon TS-E 90mm f/2.8L Canon 70-200mm f/2.8L II Rokinon 14mm f2.8 Motion gear: Emotimo spectrum ST4 + Fz Lens Control Emotimo TB3 Black Alpine Labs Radian BTS short documentary coming soon. ***Watch the prequel, our staff picked, award winning short ReflectionVOID https://bit.ly/2I5Hy99 Contact: lance@pagefilms.com

[lensinserze]

%^ Canon TS-E 90mm F/2.8 #33 https://ift.tt/2wDiEYY

[newcanoninfo]

Review of the Canon TS-E 90mm f/2.8 Lens With Sample Images –

In this video, I review the Canon TS-E 90mm f/2.8 by both looking at some test shots from my studio as well as looking at how I use it in my professional work.

[ Read More ] (Read More...) ≠ promoted by #NewCanonInfo

[nordalps]

Review of the Canon TS-E 90mm f/2.8 Lens With Sample Images http://dlvr.it/RRlvNJ

[pcv-gear]

Used Canon TS-E 90mm f/2.8 Tilt-Shift Lens (EX-) (625418799)

This item is at our Southpark Meadows location, and will require an additional 24 hour processing time for orders that will be shipped.

Used Canon TS-E 90mm f/2.8 Tilt-Shift Lens

Price: $599.99 https://ift.tt/gPZVaGF May 25, 2022 at 09:44AM

[tokyovisionaryroom]

Shibuya Crossing. Lens : Canon TS-E 90mm f2.8 . . Photo by @tokyo_visionary_room . . If you need stock footage for your film making, please check the link. https://www.pond5.com/artist/tokyovisionaryroom . . . . #japanese #japanesephotography #japanlife #japanlifestyle #nihon #ig_japan #travelgram #写真好きな人と繋がりたい #shootdiaries #stockfootage #IG_JAPAN #explorejpn #tokyocameraclub #createexplore #exklusive_shot #huntgram #inspirationcultmag #mystiquephotos #instagood #shotdelight #depthobsessed #tokyo #ishoot #team_jp #crossing #tiltshift https://www.instagram.com/p/B1sxF9ehp_L/?igshid=q99lcisc29qf