#Tex-19

[acidmouthed]

Now that I'm moving Tex (frombrad2worse's Guardian) and Nova into a new original game idea, I gotta redesign them away from their Destiny digs. It's been nice drawing for the first time since... oh, December or January? Having free time for the first time in so long is nice but trying to come up with outfit designs that mesh cowboy + treasure hunter + sci-fi HARD. Fun. But hard.

Gonna try to do maybe 2-3 of these quick sketches per week until I land on good designs for the 6 characters in the main party.

[major-comet]

The Music in RvB: Restoration Kinda Sucks. Here's how I'd fix it.

I gave this as a presentation the other night after my first re-watch of the finale, and it was a major hit so I thought I would share it with other people who think too hard about Halo fanfiction.

Red VS Blue has some truly fantastic music in it's 21 year history, and I think that the music here was pretty weak. Obviously this post has major spoilers for RvB19 / Restoration, so be warned.

So, under the Read More is a typed up and fleshed out version of my powerpoint presentation where I will dive in and not just bitch about the musical choices, but explain how I would fix things. This is...really long, but I hope you all enjoy my thoughts :)

This will be best enjoyed if you listen to the songs I'm talking about as a refresher. For your convenience, I have input links to the songs on Youtube when necessary (ETA: and barring one instance, the song links have all been updated to work again while the official uploads are down.)

So what's the problem?

Since the development of the finale overlapped with Rooster Teeth getting shut down, it's very likely that they had minimal funds. (EDIT: Yes, the finale itself was done by the time the announcement rolled around. However, the decision was almost certainly already in the works at WB. RT was shut down in part for financial reasons. It’s all connected.) I personally think this was part of why Burnie/RT was/were [reportedly] so insistent on using stock music for part of the season rather than a whole soundtrack done by Trocadero - I'm not sure they had the money to properly compensate for a full soundtrack. And maybe it was just a stupid / dick move, and had nothing to do with money at all, but that's what I choose to believe if only because it makes me feel slightly better about it.

This means that besides the stock music, the new score by Carl Thiel, the Zero song for that cameo, and Waning Moon (the Barenaked Ladies song), all we have are four re-used songs from earlier RvB - these songs being the Trocadero Grifball theme, I Say Ooh and Round One by Jeff Williams, and Vale Deah by Trocadero. There's also a David Levy composition in there somewhere according to the credits, R U Ready, but I have no idea what it is or where it plays. It's bothering the hell out of me because it does not appear to be a reused piece as far as I can tell - at least not reused from RvB. If anyone has any leads on this please reach out, because it seems crazy that there's one random possibly original David composition mixed in there. I've checked Apple Music and Soundcloud, nothing by that name.

In this very Meta focused film, neither of The Meta's themes play in any shape or form - [When] Your Middle Name is Danger by Trocadero or Plagam Extremam Infligere by Jeff Williams.

Nor do any of the character themes, really. Most of the series' iconic recurring tracks are completely absent. Tex's various themes, Carolina's theme - hell not even Blood Gulch Blues or the iconic intro music.

Were there any highlights?

Of course there were!

Considering I was going into the finale having only been spoiled on Vale Deah, I was pleasantly surprised to hear the Jeff tracks! That was totally unexpected, and really lovely.

Speaking of, I thought the use of Vale Deah was a really lovely touch. Fun fact: that song was used for the end credits of the Season 1 DVD, so it really felt like a sweet full circle moment.

I think that using a Barenaked Ladies song for that very sweet scene of Caboose, Grif, and Simmons reminiscing about Blood Gulch by the fire was a very lovely choice, and quite honestly it was my favorite scene in the whole thing. The BNL have been close to RvB and RT since damn near the beginning, and it was very nice to hear them attached to the finale in that small way.

I should also point out that the composer for the season is Carl Thiel - known for his work on Hot Fuzz and the second and third Spy Kids movies. I think he did a totally fine job. I liked the bugles that were under Sarge's death, but the rest doesn't really stand out much. Perfectly serviceable.

So, now that that's out of the way, let's break down those four returning songs a bit more - shall we?

Grifball Official Theme - Trocadero

This was a really funny choice. It's such a quick bit, but I respect Burnie's dedication to get in one last Grifball joke. Obviously, I would have preferred to hear a different song for something else, but this was totally harmless.

Vale Deah - Trocadero

Lo-fi Hip-hop beats to get divorced to.

God that scene was heartbreaking. I love this song a lot - I think a lot of Trocadero's strongest stuff is the stuff that just feels kind of melancholy. It's something Nico does really well, and I think Vale Deah is one of my favorite examples of that. Like I said above, I think this song was used really well - if I had to pick a different track for that same scene I would probably choose Half Life. While it was written during the Blood Gulch era, it wasn't really used in the show until Seasons 12 and 13 - notably, a version of it plays under Kimball's rally speech to the troops after Doyle's death. I just really like it, tbh. There's absolutely other songs that could work, but I think having it be a BGC-era track served the scene really well.

I Say Ooh - Jeff Williams

My feelings about this are pretty similar to Grifball. It was cute, it was nice to hear, but I wish they had used a different Jeff track somewhere else. Ultimately, it's pretty harmless. It is kind of an odd choice though - I'm pretty sure Jeff didn't write it for RvB. This was a song that he composed that was used in two RT Shorts (live action sketches that RT used to do). I think it would have been nicer to use one of his RvB tracks for the introduction of Niner - could have been a cute spot to use a track like I Am The Best or Forge World or hell, Come on Carolina would have been cute.

Round One - Jeff Williams

...Actually, I have a lot to say about Round One, so let's get everything else out of the way first.

Other Scenes that *should* have had returning tracks before I talk about Round One for a billion years

Sarge's death should have been scored with a version of Rally (Sarge's Speech). My vision is a version of it that's just the string section - familiar, but not enough to be distracting, and absolutely soul crushing if you do recognize it.

The scene with Wash and Dr. Grey in the hospital needed a hint of what Nico so lovingly calls the "Wash Trauma Theme" - which is closely related to the Trocadero Meta theme, fun fact. I think Limited Duty from the scene in Season 16 where Carolina tells Wash about the brain damage could have worked pretty well there.

The scene at the end with Wash and Carolina talking about Doc and the Freelancers really needed something. I think one of the variations of the Shisno trilogy Carwash theme could have worked very well. (EDIT: So i would have a link for Carwash, but there is No Trace of that song on youtube anymore. I think it's one of the songs that plays in the season 16 credits, and there's variations of it in 17 as well. so sorry!)

Obviously the big scene with Tucker and Sigma on the ship would have really benefited from [When] Your Middle Name is Danger or one of the many themes that incorporates it, but I'd also throw Soul Clef XI into the ring! I think it's so interesting that the work around they came up with for not being able to get Elijah Wood back was to have epsilon!Sigma take on a more Felix-y type of voice. Partly because Felix was an incredibly ambitious villain so he fits it pretty well, but more importantly that was a very smart voice to pick to fuck with Tucker in particular! I think that was really smart, and I think having Felix's theme playing during that scene would have been really cool.

Bolt by Trocadero was never used in the series proper. However it was used in this ten year retrospective that they released alongside Season 10. I highly recommend giving it a watch, because watching it now that it's Over - RvB, RT, all of it - it's honestly kind of heart breaking. They're all filled with this deep optimism about the future of the company, and hindsight is a bitch on this one. They use it in a really sweet sequence at the end where they're showing a bunch of old photos. Anyways I think this should have played in the credits after Vale Deah finished. "We only want to have a good time."

Miscellaneous Trocadero Songs I would have liked to see them find a place for that I haven't already / will not mention elsewhere

Steady Ride (Gunmetal Green) - this is THE Grimmons song ever to me. I love it so much. Also fun fact: as of the interview Burnie did with Nico on the season 10 (I think?) dvd/bluray, this was Burnie's favorite Trocadero track. And you can tell when you watch the DVD cuts of the first 6-ish seasons - it plays all the time.

I like Good Fight a lot, not sure there was a great spot for it? but still would have been nice - It's used a few times as a Wash theme, I believe.

No One is my favorite Trocadero song and I wish it could've been there Somewhere. It was the elevator-music type song that played behind Vic in BG once or twice, I think was in the season 4 credits, and also played during the weapons demonstrations in the Meta VS Carolina Death Battle. I just like it a lot, lol.

Okay let's get back to Round One.

Why they shouldn't have used Round One for the big fight in RvB Restoration

AKA: The actual bulk of the presentation

Okay so we've got some pros and cons to this track. Starting with the Pros;

It's a song from an iconic scene - the 3v1 training room fight from Season 9

Tex and Maine are both in the fight

Was a great "Oh FUCK yeah" moment for the fans

Great track

Cons;

Not really a song for Carolina or the Meta (or y'know. Tucker. He's there too), and only kind of a song for Tex

Honestly the fight makes me think about York more than anyone else, since that's the fight where he gets hurt

Not a cool thematic moment besides just Tex being a badass

Started too late into the fight - it's sad that Carolina got a cool track when she (finally!) showed up, but Tex just got generic music. Show my girl some respect :(

So what would be better?

It has to be something that makes you think of at least one of the fighters. A track that's good for multiple would be better, but not required.

I think it should start when Tex first shows up, not when her armor changes. that’s a cool moment, but it still means most of the fight is working with Thiel’s score.

It should be something with a note of thematic relevance - for example, the big moment right at the end of the fight is Tex reminding epsilon!Sigma that she's not based on the Director's memories of her failure this time; she's based on the memories of Grif, Caboose, and Simmons. And she Always kicked their asses.

Still needs to be a big "Oh FUCK yeah" moment.

While incorporating Carolina's theme would be nice, I think it's more important to get at least one of the others - but we'll do our best here. I think this is moreso a Tex v meta!Tucker fight in my heart than it is a Carolina fight.

So let's look over a few options, shall we? These are in no particular order.

Spiral - Jeff Williams

This is the song that plays during the Season 9 car chase when Maine gets shot. It incorporates Carolina's theme, because in PFL her theme is never too far behind whenever a Maine/Meta song is playing, which has always been interesting to me. It has all that freaky choral stuff that Jeff loved to use, and generally is just a great track.

Fragments - Jeff Williams

This plays during the Freelancer break-in in Season 10, and it just rocks so hard. Anything from the break-in would be cool because that was the last time Tex, Carolina, and Maine/The Meta were all in the same place, and of course was when The Meta was properly created. I think it was so sad that they used the instrumental of Round One, because the vocals are part of what makes the Jeff era of RvB soundtracks so iconic, and god this song delivers! Also this song has a kickass trumpet solo at the end.

Slingshot (from the Death Battle) - Trocadero

Man this song rules. This of course plays in the Meta VS Carolina Death Battle from Season 14. It's a very different energy from the Jeff picks, but it rocks so fucking much. This is a fight between Carolina and The Meta, and would of course be a callback to a (marginally) more recent - and extremely popular - episode of the show. If you haven't watched the Death Battle in a while you really should, it still kicks just as much ass now as it did back when I was in high school.

Literally any other song from the 3v1 Training Room Fight - Jeff Williams

This includes;

Round One (feat Lamar Hall)

Just the Bullfight part

On Your Knees

I just think the instrumental to Round One is the weakest choice from this fight tbh! Bullfight is my favorite out of the three, because it sounds the most Tex-y. The guitars are very her, and it incorporates part of her Agent Tex motif. And On Your Knees would have had the biggest "Oh FUCK yeah" factor. But honestly even just using the version of Round One with the vocals would have been way better.

EDIT TO ADD: a quick note - while it’s listed in the credits as Round One/Bullfight, that’s just how the instrumental is packaged on the OST. As far as I could tell in my two watches of it, they never actually make it to the Bullfight part of the track.

A Girl Named Tex - Trocadero

hold on, walk with me on this one.

I had a vision of Tex fighting meta!Tucker set to the "Yellow rose of Texas clad in black, lonely star tattooed upon her back. Double Tex she'll hit you like a truck. Double Tex and she'll mess you up." bit right after I watched 19 the first time and it's been haunting me ever since. (That bit starts at about 02:19)

This is her theme for the first chunk of the show - which just so happens to be the time period Grif, Simmons, and Caboose were primarily reminiscing about. It would have been cool as hell, and I can See the beginning of the fight in my head - the opening strums (what my brother so lovingly calls the Out of Mind music) when caboose is saying his line about how he brought back someone even worse than church, and then the fight starts! I can see it in my mind, it would have been so cool!

I just think there should have been more Blood Gulch era music in here.

100 Tex Battle - Jeff Williams

This doesn't get you any Meta points, but obviously it incorporates little bits of Tex's, and a lot of Carolina's theme. Twisting a Tex vs Carolina fight - obviously, Carolina vs all the Tex bots in Season 10 - into one where they're fighting alongside each other would have been really lovely and a cool full circle moment.

This song is really cool, it's such a good fight. I do think it maybe sounds a bit goofy at points for this fight, but still a cool option.

Okay so now let's go over my top three-ish picks

Ice Fight (or maybe the revelations suite?) - Jeff Williams

Jumping to the end of Season 8, we have a fight that involves Tex vs The Meta! And Wash, Doc, and all the Reds and Blues (barring Donut and Lopez. Hmm. Doesn't that sound familiar.) are there! Ice Fight rules so hard, it's so good.

And it has some of that narrative theming I was looking for! While yes, Tex does technically lose this fight - so does The Meta. And how does she lose it?

By going into the recovery unit.

The main reason I suggest the Suite instead of just Ice Fight is because I think having a touch of Red Vs Blue would have been really nice.

Mental Meta Metal - Jeff Williams

Genuinely my favorite track from season 10. If you let the song play the whole way through, it has Jeff's themes for The Meta, Carolina, and Tex in it. This plays the first time we see Maine in a fight in Season 10, and is also Sigma's first time in the field after we see him pondering Meta-stability in the classroom.

It incorporates elements from both Spiral and Plagam Extremam Infligere, which is kind of Jeff's theme for the Meta that he established back in Season 8. It also plays during the Freelancer Break-in when he's tossing Carolina off the cliff. The Latin on that translates to “to inflict an extreme blow”.

It also has a very strong statement of Carolina's theme, which could have been a great opportunity to bring her in with her theme!

Now, before I go over my final pick, let's go over what we need again;

We need a song with thematic relevance to the fight, that’s from an iconic scene, has a good energy to it, and would give fans a big “OH FUCK YEAH” moment.

Well, isn’t it obvious?

Agent Tex (/ Tex vs Tank / Hell's Angel) - Jeff Williams

The first instance of Jeff Williams’ Tex motif, later used in Hell’s Angel and Tex vs Tank, etc. I would add the opening strum commonly heard in the later iterations, but keep it generally the Agent Tex version which was used in the S8 Warehouse fight, as seen above.

This is like. The RvB scene ever. So many people saw this before they watched the show, and many more never even watched RvB - just this fight, since RT uploaded it separately from the episode because they knew it kicked so much ass. It also helped draw in folks who may have been fans of Monty Oum's other work. Fun fact: This was RT’s outro music for a really long time, too. So it really has history with the company.

Part of why I think this pick would work so well, beyond it just being Tex's theme for the Jeff Williams era, is that it would be so interesting in terms of narrative theming. The Season 8 warehouse fight was Tucker, Grif, Simmons, Sarge, and Caboose against Tex.

This whole sequence was Grif, Simmons, Caboose, Carolina, and Tex against Tucker.

This was one of the other scenes being reminisced about around the fire - you can see it as one of the clips shown during the scene. I think it would have been a really powerful moment, and a fantastic "FUCK YEAH" moment for everyone whose stuck around this long. This track is so good, and I really do think it would have been the perfect choice for this fight.

It's not even my favorite, if I was just choosing favorites I'd have picked Mental Meta Metal or A Girl Named Tex.

What have we learned? Why Were We Here?

Red vs Blue is a show with a lot of really fantastic music in it's book, and a really strong history of musical callbacks - particularly with the Meta's theme and how it's so closely tied to the motif Trocadero liked to use as "Wash Trauma" music. Making a clever callback to a song you've used before can help strengthen the thing you're trying to get across to your audience. I think it's somehing that Restoration really struggles with, which is pretty sad. But I hope you found my deep dive / analysis of what could have been interesting.

I'd really like to dive in and do a long reflection about the series as a whole, but as it stands this is around 3,000 words and if I get started on that, this post will never end. I'll probably work on that once i've actually Finished this rewatch.

Thank you for reading all of that!

[vanlegion]

After careful thought...

I am now convinced RVB is, in a nutshell at its core, two twenty year long dimetric slowburn romance tropes comprised of viewing each from the lens of 'I'd die for you/I'd live for you' while accounting for the repercussions of those choices on the lives of those around them while also examining at the same time the 'Inability to let go/ever start' and how it ultimately locks your mind in a perpetual state of 'What if?' without taking the risk of DOING all by asking the simple fucking question

Ever wonder why we're here?

[withercat22]

I think I'll keep season 13 as my canon ending, even though Restoration had some really nice elements (everything relating to Tex was wonderful). I'm slightly conflicted.

Also, the lack of Locus was disappointing.

[sassenach082]

do you have an idea of when ch.18 will be out? i’m in the midst of midterm season and need something to look forward to haha

I know it's waaaay past midterms nonnie and I'm sorry this took a hundred years for me to get back to BUT

I'm working on CH18 this weekend and just trying to get it done to be done with it even if I don't love it, I just need to get it done and move on, so I'm *trying* really hard to get it done asap

It hates me and I hate it but I have it mapped out and have done 2 scenes so far today so I'm hopeful

[be-good-to-bugs]

i need to go to bed but i dont wannnaaaaa

[harryslovelylaurels]

Just landed in texas and oooh boy y’all gave me a scare

[happywebdesign]

https://klikkentheke.com/

[sabotourist]

Some thoughts on season 19

This is probably going to be one of the most personal things I ever post on social media. But I have some thoughts.

Sarge and Doc died. Doc wasn't even killed on-screen. Was barely even mentioned until the end. He died having only saved two people in his entire career as a medic. Sarge died, and Donut wasn't even there to see it happen.

Was he off grieving Doc? Was he just doing other stuff? I don't know. But he was gone.

Why was he actually gone? Probably for budget reasons. Time constraints. Studio trouble and issues with the engine or model or whatever else. Writing constraints that forced Donut and Doc into such secondary roles. Into dying off screen. Into not even being there when two people you care so much about die.

But like, how much of that was actually in the narrative's control? They had these limitations to write around, and it put these characters in situations where they couldn't be in narratively satisfying roles.

In some ways, it's the most brutal depiction of what life is like.

When I was 14, I lost touch with my best friend. I just didn't keep my phone on me often at the time. He died. I think, if he had lived, he would have gone on to do some absolutely amazing things. He didn't get to. He called me a couple days before it happened. I didn't see it.

Death isn't fair. But it's not the end.

I think, if the story had had more time, these characters could have had better roles. But life isn't always so kind. Death isn't always so kind. We lose people when we're not looking. We blink and people are gone.

Doc, Sarge, Church, and Tex are dead. Wash was in an institution again. Tucker just went through all that. Grif went back to earth.

That's... that's brutal. Why don't I hate it? On paper, I'd hate it.

I think it might be because it doesn't feel like a goodbye, or even the end. There are loose ends. A lot of them. There's so much pain there, so much healing and moving on to be done. Just because Grif went back to earth doesn't mean he and Simmons don't call all the time. Just because Donut wasn't here to maybe save Sarge doesn't mean he won't be there eventually.

Just because Doc only saved two people doesn't mean it didn't matter.

Life is brutal. Death is brutal. Shit happens. Shit that isn't fair. Whether it's people we love dying, or just studio drama fucking a show.

But... that doesn't mean it's the end.

Doesn't mean Simmons is going to be alone, doesn't mean Doc died for nothing, doesn't mean Sarge's sacrifice meant nothing, doesn't mean Wash or Tucker's lives are ruined, or that Caboose can't have a new best friend.

I like to imagine Donut taking up medical studies after this. Doc saved him. He's going to make damn sure that matters. Maybe Blood Gulch becomes something of a boot camp for some future loser rejects in need of a home that Simmons can guide.

Church, in all his forms, may be gone. But that doesn't mean they're going to be so quick to forget. Leave the past in the past. But still look back from time-to-time. It got you where you were.

Sometimes we pass memories down through stories. Sometimes, just in the choices we make throughout our lives.

But just... unfair things happened. To the show, and to the characters in it. To the people running it. My best friend died when he was 14. Monty Oum died in his prime. Life is tragic. But hey, it's not the end. It's just the start of something new.

Maybe it isn't perfect. Maybe it isn't ideal. Maybe it hurts. Maybe it'll never stop hurting. But it can still be beautiful. it still has meaning.

It may just be a silly show about Halo dudes, but it matters.

Tl;dr: Raven is stupidly sentimental right now

[cahboose]

My cringe red vs blue 19 opinions. Spoilers, obvs.

Yes it's different, but I actually PREFER the new Caboose voice actor. He doesn't do the annoying inflection Joel did and his manner of speaking is way less annoying to me.

I don't care about how many callback characters they used [ One, 479er, Kai ] ect, when they completely ignored Donut.

On that subject, hated the scene where Simmons threw the memory unit, that should've been Donut. He should've failed.

Didn't care about Sarges death for one second. Killing off a main character in such a jokey way takes out any depth. His final speech to Simmons and Grif was poorly written anyways.

Tucker having 0 impact after the AI leave is so questionable. I know it's already foreshadowed in the beginning that everyone experience with AI overtake is different, and you can sum it up to him not remembering because he didn't have Epsilon (?) or to just traumatic memory block, but Tucker WAS 'there' in moments, so the fact he didn't remember anything -- or comment on killing sarge, and his last interaction with the series was a 'hot nurse' off screen joke was just bad. Especially if you consider how the Meta affected Maine, or even having multiple / strong AI affected Carolina and Wash. Everything else involving Meta Tucker was great though.

Tex being the one to come back (which not to brag, I called.) was crazy good. Like. Sickening good.

Carolina or Washington should have been one of the main characters to die, not Sarge.

Killing Doc off screen was such a weird choice. Did call that he was a hallucination though.

20 years of queerbating grimmons was incredibly funny of them.

The ending showing all the freelancers except wyoming was so fucking funny.

[acidmouthed]

"Anyway, I started blastin'—"

"Uh-huh."

Well, all!

Here is my piece for #SolarEmbraceVOL4 run by @d2artevents on tumblr & twitter! The complete piece is at the top, with 3 reduced pieces at the bottom for looking at details/shapes.

This piece, featuring my exo titan Nova-3 and @frombrad2worse 's Tex-19, is my first foray into colouring in... almost 10 years if you can believe that! I was incredibly slow, made a lot of mistakes, and would change a great many things if I did it again from scratch. More importantly, though? I learned so, so much while working on this and I'm very proud of myself for what I achieved after spending so long too intimidated by colouring to even try.

[theredkennedys]

my au my rules. this au is literally called Chucker Spiderverse AU in the archived discord thread so be warned oooOoOOoooOo . gay men OoooooOo

writing out the backstory that me and my friend Donut have been working on for the better part of a year, most of it was inspired by the new itsv movie that was released then. and because I don't plan on writing anything huge for this I'd like my brainstorming to have a wider audience.

All art posted is most likely @franklindonuts , aka Donut the cocreator of this shit,,,hey buddy😆 go show him some love pleeeease

you can see my art of this au here

this will 100% be somewhat incomprehensive but hey I'm just a fag having fun and I was born yesterday🧚‍♀️

**

Tucker is the spiderman in his universe with Church as his "guy in the chair". (Putting it out there that this Church is Alpha, which is significant later on.)

They both share an apartment, I don't think I ever specified why but probably for school reasons. They're both young adults, I want to say around 19-21, similar to their Blood Gulch years.

Tucker loves being spiderman. He loves helping people, being almost an idol for people- a lot of jokes were thrown around about that:

Imagine Tucker after he got his sword. He has a genuine purpose now and he's going to be good at it.

but goddd Tucker is Tucker and is stupid and reckless. being spiderman doesn't make him invincible but he loves to think otherwise. he pushes himself too far too often because he knows if he doesn't he wouldn't be able to sleep at night if someone got hurt when he was taking it "easy". Church knows this but he's still pissed off when Tucker comes back bloodied and bruised from a Villain of the Week that he shouldn't have taken on :/

(Donut art)

mental illness

It's literally just the Spiderman Effect. No one will Ever be able to understand what it's like to be spiderman but other spiders, regardless of how much you tell them or show them, they won't get it. and Church doesn't Get it. He's not stupid, he understands WiTh GrEaT PoWeR y'know but there's a mental toll that can't be communicated in a way that makes sense :/

regardless, Church hates it but he also hates how much he cares about Tucker. Cocreator said that he figured they were both close and willing to become A Thing but the time was never right, and Tucker was scared of liking a dude, etc. Normal stuff between these two. But they're insanely close, I'd like to think even moreso after Tucker's whole spiderman thing and the fact that Church also has to realize that Tucker is not invincible.

(despite them not being A Thing, Donut art of The Spiderman kiss and other gay shit)

Now this is the kicker of why I said to take note of the fact this is Alpha Church specifically.

Now I'm aware of the clowning on the whole "canon event" thing and some people's opinion on it (mostly that it's dumb and cliche), but I find it a very unique and convenient way to give a character a significant plot boost.

That being said, Tucker's "canon event" is Church's death.

I don't ever think I solidified how/why he dies, moreso that it's just a wrong-place wrong-time type of thing. Some brainstorming from Donut about it:

but i never asked him for elaboration so I don't know what the fuck he's talking about. anyway

Tucker finds Church similar to how Miles found Peter in the first Spiderverse movie. He doesn't know what to do. He's frantic and scared and horrified that his best friend is coughing up blood with raspy breaths.

(Alpha s10 parallel with tex lalalala)

Obviously. Obbbviousllyy Tucker is distraught and inconsolable. Something something he has the Worst depression of his life. He doesn't know what to do with himself, the one person who knew about everything is gone, and I'm sorry (not) lol but it's not like in rvb where Church revives 8 times before dying like a normal person.

Church was always there for Tucker and he's at a loss of what to do now because, despite the threat of it, he should've never died. It wasn't even a concern in his head ever because it seemed so unlikely.

Tucker doesn't know what to do with himself, he wouldn't have gotten this far without Church. But really, it was All Tucker. All Church did was give him little tech bits to help him function better but it was All Tucker. But he isn't able to realize that through everything and it ruins him.

I will have to make a continuation post because I love adding images and Just hit the mobile limit🧚‍♀️

thanks for reading if you got this far

[treedaddymcpuffpuff]

Ooooooooo ok give us the dirt! 😆

1. the last sentence you wrote

12. a trope you're really into right now

16. favorite place to write

18. if you keep them, share a deleted sentence or paragraph [or scene im a greedy ho ok?] from a fic

19. the most interesting topic you've researched for a fic

💗💗💗

~johnwickb1tsch

ahem, the dirt:

“You beg for breath, which is something you never thought you’d have to do again…but here you are.” (It’s for Excessive Force)

Oooo! Probably shy but tough, independent reader who turns all femme and gooey for the big strong man (totally not projecting here at all, nope not me never)

My bed!

This is one for the Devil’s Triangle fic when I thought I was next but wasn’t:

Tex whistles. “Ooh, she got you good. You should bite her back.”

He shoots a little smile your way. 

John doesn’t say anything. 

“Want me to bite her for you?” Tex asks.

“I can still kill you, you know,” John replies, not bothering to look up. 

If she could talk, her voice would be used to ask John to fulfill that death sentence. 

She cannot believe they still have her tied. Her mouth is so sore and dry, wrists and ankles stiff and burned from the ropes. Every part of her muscles ache. 

“If you stop trying to run, you’ll be a lot more comfortable.” John addresses you without looking, raising a dark eyebrow into his hairline. 

“And if you try to run again - please do, by the way - I’m addin’ more rope. I’m thinkin’ one trussed up real tight between your legs.” 

“There are ties much worse than that,” John murmurs.

“I’m all ears.” 

“Toes, ears, stomach, underarms, neck.” John says this as if he’s having a casual talk about the weather. His eyes flick to meet yours in a soft, terrifying warning - no, a promise. You curl away from his stare the best you can. 

“And I thought I was the sadistic bastard,” Tex grins. 

John looks like he’s done with your bullshit, which is definitely not a good sign. Out of the two, he seems to be the one that will make good on every threat he seldom makes. 

5. Definitely fighting styles and names of different martial arts moves! I watched a shit ton of self defense YouTube videos and read up on Jiu Jitsu and it was pretty cool.

😘😘

[rubykgrant]

OK, my thoughts about the final season of RVB! If you haven't seen it yet, warning for SPOILERS!

In general, I thought it was alright. The good parts were GOOD, but it felt kind of rushed, and a few things were disappointing. Certain parts I wish had been different, but I'm glad it exists. Watching it with lots of cool people made it fun, and it had a decent enough ending for what it was... though, after so many years, so many characters, just so MUCH of a story, I wish things had been a little MORE. It was a shame it was so short and rushed. I'm still glad the people who worked on it got it done, and we were all able to see it.

So. Actual thoughts on different bits...

I'm somebody who enjoys seasons 15-16-17, so while it will always be real in my heart, if they HAD to do a ret-con, having a spoof with a Retro Convention was VERY funny. Kai would absolutely milk her relation to Grif for some attention. I thought it was weird that Dylan was there, but she was a convention host? I feel like it would have made more sense for her to be one of the people asking questions about where the Reds and Blues went (y'know, like she ACTUALLY DID in 15). Oh well.

Things were very rushed... if this had been a more full season (or, in my perfect world, a story split into 2, so we get 19 and 20 out of it. I'm sorry, it just bugs my brain when something ends on a 9 instead of a 10. that's a ME problem), there could have been more of a Big Reveal about Tucker being the Meta. HOWEVER, since things were very condensed, I can appreciate how amusing it is to have Epsilon info-dump the plot to every body.

I did get a chuckle out of Epsilon being a "recorded prediction program" and not the true AI, and he decided to just be an obnoxious little youtuber. Like, that was so awful, it was AWESOME. It is also something that would have made Alpha Church super ticked off, which is very fitting. Good job Epsilon, 10 out of 10~

I was so happy to see Sheila and Lopez! Mechanical love lives on. It was a bit meh seeing the Reds act like they don't care about Caboose (we've been there, done that), but some of the funny bits that followed and Simmons getting Sarge interested by bribing him with Blue Defeat saved it (listen, these guys have been insisting they hate each other for 2 decades, but they can literally not live without each other. let them just admit they are ALL FRIENDS). Grif ranting was excellent.

No Donut is some major BS! Look, I get it, we stole the spot-light in 16-17, he was the time-god's most specialest pink princess and a harbinger of death, it can be intimidating to include something so powerful after trying to erase all that from existence... but come on. With all the important call-backs and connections 19 made with previous seasons, AND having the ending be in Blood Gulch? DONUT SHOULD HAVE BEEN THERE AND HE SHOULD HAVE THROWN THE AI UNIT. No, I mean it, imagine the thing gets knocked really far away, maybe from an explosion, and Donut throws it clear across the canyon, because you KNOW he can! This time instead of it being a grenade that kills Tex, she catches the unit, tra-la-la, it all comes together. I'm sorry, Simmons doing the cool sports-ball throw was fun, but... Donut. DONUT!

Alright, moving on. It felt a little awkward that Wash is yet again hurt, and nobody is there with him? Oh wait, Doc is there, except no he isn't. Listen. Listen. I love plural Wash. I also love the idea of him genuinely having an emotional connection with Doc, because it DOES make sense; when Wash kid-napped him, Doc just kept making all his sarcastic little comments the whole time, and it tricked Wash into having real conversations with him. I honestly think that if Doc hadn't been with them, Wash wouldn't have been so open to the idea of finally settling down after his Villain Moment. They also both have a lot in common with AI incidents, and again, Villain Moments. I'm just annoyed that the Pacifist and the Original Bad Boy evidently died. Off screen. Give me back my purple boys. If we need to have Wash Not Be Around for a while, have him and Carolina go off to track down Hargrove or something. Maybe they went to two different locations, and Wash gets back to the others first, so we still get Carolina to the rescue.

Anyway, the plot! There was a lot of funny bits when it came to looking for Tucker, getting into the ship with the "video call security", and Niner being there! Hooray! I am... a little disappointed about WHY and HOW Tucker is a "villain". Obviously, I can't picture him being legit EVIL, but the idea that he's just the physical puppet being controlled by the AI isn't very... good. I understand how it was explained, sure, but still. I know I keep rambling about my own thoughts for alternate scenarios, but I can't help it! I just don't like when Sigma (or Omega) are just plain EVIL, for no reason. They've always been more complicated than that (the Meta wanted to be HUMAN, remember. and Omega even told Epsilon "I'll be here if you need me". they are definitely different kinds of harsh and intense, but they aren't the Murder AI or the Evil AI). I don't like that Tucker is being tortured into doing what they say... a more subtle manipulation, the Fragments not only convincing Tucker but also themselves that they NEED to do all this to get Alpha back, is very intriguing. After Epsilon Deconstructed, the Fragments lost their Memories. They just know they aren't complete. Tucker just knows he wants to talk to his best friend again.

If it needs another push to make it more insidious, I'd buy that Meta suit being a trap to begin with; Hargrove probably had that thing rigged to make it into a trap for anybody that wore it, so they'd have this subliminal inclination to collect all the AI, and kill anybody in their way. Something-something forgetting what your motives are, and only caring about the GOAL. Tucker and the Fragments ALL need to remember who they are and why they want the Alpha; it isn't about being a weapon. If there was more of a fake-out/reveal of Tucker being the Meta, maybe with a false hint of it being Felix with the orange/black colors, a sign that Tucker is still in there would be him getting close to killing everybody... but he backs off each time.

Speaking of killing... Sarge. Oh, Sarge. I will admit that, just from a thematic point of view, yes- it works to have a Sarge death. I don't care for it being Tucker that did it, or that Donut isn't there to share the moment as well. Matt Hullum acted the HECK out of that scene, though. In fact, the whole bit of Sarge running back to save Caboose, and trapping Tucker with a bubble shield, was AWESOME. I didn't want Sarge to die... but he went out wearing his red armor, and told Grif and Simmons he cared about them. It was sad, but it was well done. In my perfect world, we just THINK he died, but then at the end it is revealed he's still alive! How? Well, Doc gave him CPR! Doc isn't dead either, that is integral you see. I'm not sure of Sarge going "Hurgh Bleh" would have been better or WORSE. Well, heck. I wish he wasn't dead, but as much as I hate it, I... didn't totally hate it?

I kind of wish Simmons had more of a break-down over it. I wanna see him lose his temper. OR, he acts so quiet and cold, it is just UNNERVING. Then Grif helps snap him out of it. Let's be real, those two are so co-dependant, it ain't even funny. I appreciate Simmons telling Grif he is officially free to leave, and the conversation of "Come with me" leading to Simmons saying he wants to see this through, and Grif agreeing to come along was good. Simmons has aspired to be an impressive soldier from the beginning, and Grif has just wanted to be DONE. In the end, they meet in the middle.

I may be a sappy Grimmons person, but I can say, as objectively as possible, they should NOT be separated at the end. Grif and Simmons are literally the introduction to the series. They were the first two characters we see, they have been side by side almost CONSTANTLY, they are always bickering but they are also each other's favorite person. I don't even mean in a shippy way, it is just a fact. To have them say good-bye and just leave each other is honestly out of character (we saw that before, remember, in 15; Grif got so guilty about it, Simmons came to the realization that opposites attract, and they finally had to admit they missed each other. it was a WHOLE THING). I think it would have worked if, after telling Grif he's free to leave at the end, Simmons waits minute, then starts following him-

Grif; What are you doing?

Simmons; Coming with you. What the hell else would I do?

And that is that, wherever they do, they're together. Also, Kai shows up and HUGS HER BRO, come on, please!

Now, as a sappy Grimmons person, they should have just gone through with it. It has been more than 20 years. Seriously. We all know it. People who don't even care about the ship know it. Just commit to the freaking bit. Stop being cowards. Let them hold hands, or hug, or gently bump the visor of their helmets together, SOMETHING. Show them taking a walk on the beach together, all lovey-dovey. We deserve some emotional satisfaction after a 2 decade queer-bait slow-burn. JUST DO IT.

Sigh... OK, that is out of my system.

My absolute FAVORITE thing in 19 was Tex. She was so freaking PERFECT. I love Caboose telling the unit a story, his way of bringing her back, because that was how he talked to Epsilon. It was so sweet. When they asked Caboose why he brought her back instead of Church, he told them- "Because I wanted to win". Listen, Caboose LOVES Church, but he knows what is up. It was hilarious to see her go through the teleporter to get her black armor back. I absolutely ADORED her saying she's NOT a "failure" anymore, because she's not just based on the Director's memories of losing his wife, she's also got the memories of the guys who REMEMBER HER KICKING THEIR ASSES. 100 percent, Tex return was the best. Her reuniting with Church was also very sweet... the only thing I would have liked more would be the other Fragments showing up in there, so they can all be together (and Church gives Theta a hug; he doesn't even need his memories yet, he just knows he loves Theta).

I didn't care much for deleting the Fragments at the end, but I get the "reasoning". Like, sure. Fine. In my perfect world, Caboose gives the unit to Carolina, so someday, when they're all "ready to wake up again", she can see her family. Wash taking the fall to alert Carolina was both kinda wonky, but also very funny, and hey- it got her there! Again, I don't know why she wasn't there with Wash from the beginning. Also, just. A few characters being dead, and most of the others splitting up at the end... nah. They all need to live together and be friends and be happy and be OK! Like, come on. They've had a lot of "endings" in this series that were bitter-sweet, or kind of sad. I know life doesn't always have a happily ever after... but just once, give them that.

OH, and ANOTHER THING; if things had been just slightly different, if both the Fragments and Tucker sort of "forgot" who they are, the way to remind Tucker should have been JUNIOR. Heck, maybe Carolina was off finding Tucker's kid, and when they come back Junior gets his dad to remember who he really is... but the suit is still controlling him, forcing him to fight. I just want a happy Tucker family reunion. Give that kid his daddy back. Even if Junior isn't there for the big conflict, he should have shown up at the end, with Tucker promising they won't be separated again.

Well, that sure was a lot! The final season was a lot, in a short amount of time! Again, I wish certain things were different, but I'm happy I could see it. Even after everything, all the good and bad parts, I know that it still isn't "the end". I've got a lot of ideas for stories, and so do many other fans out there. I know people are going to keep sharing their thoughts, creating their art, telling their stories... because a universe without stories? That's just empty space.

Bow-chicka-Bye Now!

[blackcur-rants]

Random silly headcanons about what the casting would be for a 1980s or 1990s version of “Hazbin Hotel” (This version probably comes out some time between 1987 and 1994, most likely in either 1989 or 1991 and most likely on 28 July 1989 at that, to be quite honest).

01. Jodie Foster as Charlie

02. Steve Martin as Lucifer

03. Robin Wright as Vaggie

04. Robin Williams as Angel Dust

05. Tim Curry as Alastor

06. Keith David as Husk

07. Michael Keaton as Vox

08. Mandy Patinkin as Stolas

09. William Atherton as Blitz

10. Joe Pesci as Fizzarolli

11. Danny de Vito as Moxxie

12. Karen Allen as Velvette

13. Christian Slater as Adam

14. Sigourney Weaver as Lute

15. Shelley Duvall as Niffty

16. Jamie Lee Curtis as Millie

17. Winona Ryder as Loona

18. Kate Winslet as Octavia

19. Ernie Hudson as Asmodeus

20. Robert de Niro as Mammon

21. Linda Hamilton as Carmilla

22. Bruce Campbell as Stryker

23. Kurt Russell as Vortex/Tex

24. Michael Crawford as Sir Pentious

25. Madeline Kahn as Rosie

26. Olivia Newton John as Cherri Bomb

27. Jack Nicholson as Valentino

28. James Earl Jones as Zestial

29. Judi Dench as Sera

30. Linzi Hateley as Emily

31. Martin Mull as Andrealphus

32. Elaine Paige as Stella

Christopher Guest as Paimon

Eddie Bracken as Cash Buckzo

Chris Sarandon as Vassago

Sean Young as Beelzebub

Miriam Margolyes as Mimzie

Jean Marsh as Mrs Mayberry

Pam Ferris as Martha

John Hurt as Lyle Lipton

@cynicalclassicist @carcosa-commune @disregardcanon @lady-asteria @dachi-chan25

@helluvatired @lorethebookworm

[banamine-bananime]

just listing some of my headcanons (mostly appearance/demographics) because i like listing things and i’m procrastinating hard

caboose - 18-19 in 2552. went straight from hs graduation to basic to sim training to blood gulch. he was gonna do a program where the UNSC provides a hefty scholarship for completion of an engineering degree with a few years of service upon graduation, but got enlisted instead through a combination of paperwork being confusing for bureaucratic nonsense reasons, paperwork being confusing for deliberate predatory we-need-as-many-people-for-cannon-fodder-as-possible reasons, and him being confused by any paperwork. 6'7”, ~250 lb, very muscular and not thin but not quite chubby either, very mixed but mostly latino and arabic ethnicities, thick fluffy 3A chin-length dark brown hair that's always in his eyes, round face with cute fuzzy eyebrows and aquiline nose. him and tucker (and kinda donut and perhaps sarge) are the only motherfuckers here with a stable happy childhood. uses-no-specific-label queer cis dude.

church - we know church is 5 in blood gulch lol but it think he thought he was like 23-ish/jimmy was around that age. in jimmy's body, 5'10, ~230 lb, chubby and "normal" level of muscularity for someone who has a somewhat active job but doesn't work out much, untidy thick straight black hair that's like 2" grown-out from a buzz, face passably similar to the director if you squint but not really (e.g. shorter/squarer face, eyes hazel instead of stupidly light green). epsilon projects a similar bodytype but would probably default to a young-director-ish face if he had to make one. i think he would at some point consciously change it around if he were doing a face with any regularity. bisexual and nonbinary and will probably never fully acknowledge it but she can have some pronouns as a treat (from tex or in her own internal monologue) sometimes.

tucker - 18-19 in 2552. went straight from hs graduation to basic to sim training to blood gulch. enlisted because he was a “fuck around without any motivation or particular goals in life” kind of teenage dirtbag who was like “oh hey predatory recruiters absolutely dominating every career fair in Covenant-war-era earth. i’ve heard being in the military is very sexy and exciting and makes you a chick magnet so sure sign me up”. 5’4”, ~110 lb scrawny guy in blood gulch -> ~135 still pretty skinny but more muscular later. 4C hair with a grown-out buzz from basic in blood gulch becoming locs when it's long enough. *takes you by the shoulders very seriously* repeat after me, his eyes are BROWN. and the only acceptable other option is when they’re turning gray as in a body horror way, gray as in your body becoming something uncanny to you, gray as in the horribly blinding cold light of unfathomably vast stars lightyears away from anything you’ve ever known (read lazarus left the tomb btw. treat yourself). very handsome face in a boy-next-door-looks-very-sweet-until-he-opens-his-mouth kinda way. an only child or had like one older sibling he wasn’t very close to by the time he enlisted. i think of him as a bi cis guy but i enjoy trans hcs.

kai - 20 in 2552. 5’2”, ~200 lb, fat and top-heavy hourglass and broadset. a little muscular (it’s not immediately obvious) as she was always athletic and basic training helped, but she’s made more for endurance (body by “dancing 7 hours and walking home across town drunk and sleep-deprived”) than strength. thick upper-back-length black 2C hair that she sometimes dyes streaks in or ombre (usually brown highlights but she mixes it up). broad face and nose, big adorable eyebrows, life-endingly cute eyes and smile. alternates between no-makeup all-leg-hair realness, and full femme glam for funsies with 5 sets of fake eyelashes trying to take flight (at least three of them are inevitably going to be Just Fucking Gone by some point in the party). pansexual ipsogender intersex gal (tbh the original reason i headcanoned her having mosaic turner’s is the colorblindess [x-linked recessive traits are rarely gonna show up if you have 2 X chromsomes vs having one, so i was like, “hey her retinas could be some of her XO tissues, and with mosaicism, fertility isn’t uncommon, so it doesn’t contradict her having had abortions”] and then years later i thought about it harder and was like wait she has achromatopsia and that’s autosomal. biology nerd fail moment. but anyways she’s intersex.)

tex - her body is modelled after allison aged 33 (when she died), but bigger stronger faster idealized-by-memory-and-wanting-her-to-be-invincible-to-the-point-of-looking-more-like-she’s-on-gear-and-photoshop-than-a-natural-body. 6’2”, body looks like ~220 lb of muscle and low-body-fat (but not like, cut for bodybuilding competition level of low-body-fat), but being made largely metal, she is heavier. whereas allison was like 5’9”, 170 lb, serious-crossfit-competitor kind of build but nowhere near as built as tex. face looks very similar to allison but just… weirdly airbrushed look and looks… sharper. harsher features. more intimidating. but she’s got this crooked smile that looks kinda like a smug smirk but also like she’s not laughing at you exactly, she’s just vibing with you and the inherent comedy of the absurdity of life. but when she’s Not Smiling it's the kind of expression you start backing away from expeditiously. i think of her having shoulder-length hair she wears in a ponytail but i do love short-hair tex dearly. gnc butch gay/bi (mostly attracted to women, uses both labels) cis woman who uses any pronouns.

wash - around 31? in 2552 (would put him being recruited to pfl at about 26 which feels right for being able to slide into the Goofy Innocent Rookie role but also plausibly have achieved a pretty high non-commissioned officer rank). 5’6” -155 lb, functional muscle with a build in-between lean and stocky (“otter” as a label keeps coming to mind). i don’t have a super settled facecanon but picture him as either white or mixed white and east asian. he has not changed his bleach-blonde crewcut since he was 17 and the shock of allowing himself to change it now might kill him. gay ace trans man.

carolina - 29 in 2552 (actually the youngest among the high-ranking freelancers. she would kill (jk) to protect this secret). she did the whole 4 year military academy to commissioned officer training thing and had a couple years of normal UNSC service before unfortunately getting wrapped up in her dad’s mad science pet project. 5’8”, ~150 lb, leanly muscular. i think of her having natural red hair she dyes bright red but i love a black-haired carolina too. we’ve seen her face. straight trans woman (transitioned as a preteen). i know, i wanted her to be in the wlw club, too. unfortunately every time i try shipping her with a woman she’s like “meh. thinking about my weird khaki man.” and i’m like oh. sorry about that affliction.

sarge - 62 (?) in 2552. 5’6”, ~200 lb, stocky and solidly muscular barrel-chested slight-beer-gut old dude. chinese-american. if you somehow catch him without his helmet he’s got wraparound reflective shades so good luck ever seeing his face (he’ll tell you it’s classified). another eternal crewcut guy but his is shorter than wash’s. bi and definitely a robofucker tbh. he is cis or trans depending on what’s funnier in any given circumstance.

grif - 24 in 2552. worked in honolulu a couple years after hs graduation until kai was old enough (17) he felt he could leave. did a year at university before realizing he’s smart enough to be admitted to cornell but not to get the scholarship he realistically needs to not be in crushing debt on graduation and also there’s not nearly enough regimentation to college life to prevent him from rotting in bed paralyzed by Problems. went through basic and stationed on the doomed outpost. that Whole Thing happened and he was reassigned to sim troopers. 5’8”, ~300 lb, fat and a little bit strong against his will from an involuntarily active job (he has valiantly resisted picking up cardiovascular conditioning. he works very hard on unfitness). he’s kinda cute in a “hasn’t washed his face in 5 days and his peachfuzz/stubble patches combo is very uneven but you caught him smiling for 2 seconds and oh no it was VERY charming” way. thick 2C dark-brown hair that’s a few inches long, wears it longer later. gay trans guy (because his little sister is named “younger sibling of the same gender” so like… also lmfao how unfortunate for kai that her name, which she did not choose, misgenders her big brother. like 😭 god it is very on the grif siblings brand of “hello so the circumstances we have been put in mean that my existence [kai]/how i have to leave you here to protect my own sanity [grif] is actively making your life much harder. i am ashamed of this, let us never communicate about it ever. i love you so much.”)

simmons - 23 in 2552. tried to do university several times and had to drop out for mental health reasons (a very polite way of putting “rapid spiral into absolute disaster every time”. it leaves room for giving him the benefit of the doubt that this was a proactive “ah i should take care of myself and this is not working for me :) #selfcare #therapy” decision. this is not benefit of the doubt that anyone who knows him would extend.). I go back and forth on whether to roll with the “suspiciously specific denial of being in a unit that was stranded and had to eat their dog to survive” thing or just say he was assigned straight to sim troopers. 5’11”, ~160 lb, wirey build and has to be standing at attention or else he holds himself so awkwardly. i pretty much go with the Standard Ginger Simmons Fanon Face but light brown hair also feels right and i think his hair should be very short. i really like when people draw his prosthetics very industrial/bare mechanical frame not trying to imitate biological form, just whatever’s functional. Red circle eye, hell yeah. bi and i used to firmly believe “this guy has to be cis because there is NO WAY he would have the hutzpah and willingness to put self-authenticity over doing what he’s Supposed To Do. we’ve seen how he deals with anxiety. he would just be white-knuckling his way through dysphoria to this day” HOWEVER i have really come around to trans simmons

donut - 19-20 in 2552. i see him taking a gap year or two to work on the farm and think about what he wants to do with his life (not productively introspecting on his deeper desires in life and what would allow him to fulfill them, god no, of course not. daydreaming unrealistically. obviously.) before enlisting. i think his upbringing was fairly happy but kinda weird and a bit insular within a small community of some Beliefs and possibly homeschooled. not like exactly Fundie Christian America as you might assume with that background; american subcultures have changed enough over 500 years that this is one of many totally unrecognizable to us. like it has some roots in Fundie Christianity and homesteading-from-a-weird-reactionary-tradfamily-can’t-trust-the-gubernment-place and some in Hippie-dippiness Spirituality, not-actually-a-cult-but-sometimes-you’ll-hear-him-say-things-he-thinks-are-normal-and-you’re-like-ummmmmmmm. (Idek how that headcanon started. i think i was just like so how DO you build a guy like donut). he’s 5’10”, ~185 lb, sturdy build, i don’t think people would consider him chubby but definitely not thin. his face and hair looks like he should be on a 1960s white america boyscouts poster but like, goofy about it. i think of him being mostly white but some latino heritage he’s curious about but was not raised connected to (hence wanting to learn spanish). acearospec and gay (he’s like…. mostly asexual and aromantic but it’s complicated. he is barely aware of being gay let alone ace or aro. he just fully makes up what he thinks sexual attraction and romance are and assigns it to random feelings/experiences). cis dude or nonbinary.