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#The Real World Tate Reviews
Unleashing Your Potential with The Real World: Andrew Tate's Blueprint for Success
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In today's fast-paced and competitive world, it can be challenging to navigate the complex landscape of earning a high income and achieving financial independence. However, The Real World, a leading online business venture, is here to guide individuals toward success. This article will explore The Real World and its founder, Andrew Tate, shedding light on the empowering opportunities it provides through its Make Money Course.
Discovering The Real World The Real World is a dynamic online platform that offers a Make Money Course designed to unlock an individual's potential to master high-income skills. Led by industry experts, this course provides participants with a comprehensive toolkit of knowledge, strategies, and practical tips to thrive in the competitive modern world. Through The Real World's offerings, individuals can gain the confidence and insights necessary to maximize their earning potential and pave the way for a prosperous financial future.
Meet Andrew Tate: The Visionary Founder At the helm of The Real World stands Andrew Tate, a renowned entrepreneur, champion kickboxer, and public speaker. Andrew's journey from professional athlete to thriving businessman has equipped him with invaluable insights into the keys to success. Drawing from his own experiences, Andrew has developed a system that empowers individuals to harness their unique talents and unlock their full potential.
The Make Money Course: A Path to Success The Make Money Course offered by The Real World is a game-changer for those seeking to elevate their financial prospects. Through this course, participants gain access to Andrew's expertise and a wealth of proven strategies that have propelled him to success. Covering topics such as entrepreneurship, sales, marketing, and personal development, the course equips learners with the skills needed to thrive in today's competitive landscape.
Key Benefits of The Real World's Make Money Course
Industry Experts: The Real World enlists top professionals from various fields to provide learners with insights and guidance, ensuring they receive the highest quality education. Practical and Actionable Insights: The course emphasizes practical knowledge and actionable strategies that can be implemented immediately, allowing participants to see tangible results. Tailored Curriculum: The Real World recognizes that every individual has unique strengths and interests. As such, the course is designed to cater to a diverse range of talents and aspirations, enabling participants to carve out their path to success. Unlocking Unlimited Possibilities By enrolling in The Real World's Make Money Course, individuals gain access to a community of like-minded individuals and mentors who can provide support, motivation, and invaluable connections. The course encourages participants to embrace a mindset of unlimited possibilities, empowering them to break through limitations and achieve extraordinary results.
Conclusion In a world where success often feels elusive, The Real World and its founder, Andrew Tate, offer a beacon of hope and a practical roadmap to success. Through the Make Money Course, individuals can acquire the knowledge, skills, and mindset needed to navigate the complexities of today's competitive landscape and unlock their true potential. By leaping into The Real World, you can set yourself on a transformative journey toward financial independence and a brighter future.
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jointherealworlds · 2 years
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What is The Real World
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The Real World is a global community of like-minded individuals amassing an abundance of wealth.
Every member receives advanced training and ongoing mentoring from a team of multimillionaire industry specialists.
The Real World successfully transformed thousands of lives through our money-focused, unique education system.
Gamifying Business Mastery
Our students level up in business like in a videogame. Unlock new tutorials, build your money-making arsenal, and add more skills to your inventory. Our app is designed to gamify your progress from zero to 10K a month and beyond.
Multimillionaires in Your Pocket Our app grants you direct access to multimillionaire mentors. Upon joining, the Professors will lay out your personal battleplan for financial conquest. You'll be mentored each step of the way through daily live sessions and 1-on-1 communication with the Professors.
Leveling Up TOGETHER! It's NOT lonely at the top. Our community is made of friendly teammates who interact and push each other to improve every single day. Over 200,000 like-minded individuals joined our winning team, and now celebrate endless achievement.
ORIGINALLY FOUND ON- Source: What is The Real World(https://www.jointherealworld.com/)
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The Real World
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Online course by the infamous Andrew Tate.
Visit Our Website
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The Real World Andrew Tate
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The Real World is a global community of like-minded individuals striving to acquire an abundance of wealth. We provide our members with advanced education and mentoring from multimillionaire experts.
Our fully independent learning platform is designed to break people free from the Matrix.
The Real World Tate
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denimbex1986 · 10 months
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'It should come as no surprise that Russell T Davies, the man behind Queer As Folk, the one who first made Doctor Who tangibly gay, has returned to the franchise with what might be its queerest outing yet. But even we were surprised by quite how integral LGBTQ+ themes would be to the story this time around.
Much has been made of David Tennant and Catherine Tate's return, yet it's Yasmin Finney's brand-new character Rose who's at the heart of this Star Beast special.
Donna's daughter befriends The Meep first, and she's also the one who saves London when The Meep reveals itself to be evil. What's special about this is that it's Rose's trans identity specifically that proves key to her victory.
When we last saw her mother, Donna had absorbed some of the Doctor's energy, creating a 'metacrisis' that would have killed her if the Doctor had not erased her memories. But when she's reminded again of the Time Lord's existence in this latest episode, Donna survives intact, and that's because when she gave birth to Rose, she unknowingly split that energy between them, halving their potentially devastating impact.
As Donna's memories return, Rose's innate Timelord energy is then activated too, enabling her to stop Meep with newfound knowledge and abilities from her position on the ground.
Rose's non-binary identity stems from The Doctor's. (The show finally acknowledges them to be gender-fluid after they presented as both male and female over the course of the franchise). That means the source of Rose's power comes directly from her nature as a non-binary individual, positioning her as a hero because of her gender identity and not despite of it.
That's not to say Doctor Who shies away from the difficulties trans people face in real life. Earlier on in the same episode, bullies deadname Rose in the street and soon after, Donna's own mother, Sylvia, accidentally misgenders Rose as well, despite her good intentions.
Donna's response to all this? "I would burn down the world for you, darling," and honestly, that's how we feel after seeing some of the negative feedback these scenes have received online.
Despite scoring strong reviews from critics and the majority of fans, it seems not everyone is celebrating Doctor Who's much-lauded return.
On Rotten Tomatoes, trolls are review-bombing the episode, bringing the audience score down to 41%, which is a huge contrast from the critics rating of 89%. Of course, everyone is entitled to their own opinion and the episode won't be to everyone's tastes, but when comments suggest the show 'needs to stop pushing talk of pronouns onto kids', it's safe to say most of these opinions are grounded in hate and ignorance.
Imagine being shocked that a show about an alien who regularly changes their body and gender would dare acknowledge such concepts?
In the days following the special, a hashtag named #RIPDoctorWho continued this backlash on X/Twitter, to which Doctor Who casting director Andy Pryor said the following:
"Just stopped by to say that on @bbcdoctor who (or any of our work) we don't work hard to cast inclusively for publicity. We do it because we like stories. & stories should speak to all of us & include all of us. And if one person feels a little less alone, then."
With more queer cast members on the way, including Neil Patrick Harris as the villainous Toymaker and Ncuti Gatwa as the new face of The Doctor himself, the future of Doctor Who is looking queerer by the day.
But it's not just the future that's queer.
To those who baulk at more inclusivity in future seasons, we can't help but wonder: What show have you been watching this whole time? Because Doctor Who is super queer — and it always has been.
Yes, even before Jack Harkness slapped a guy's arse or Bill Potts fell for a puddle named Heather, the Classic era channeled queerness with how it defied the establishment and stood up for those who need it most. It's hard to exaggerate how much stories like this resonated with LGBTQ+ people at a time when positive representation was almost non-existent on screen.
It's no wonder then that a sizeable chunk of Doctor Who's fandom identifies as queer, even if the show wasn't able to address LGBTQ+ fans directly until (queer lifelong fan) Russell T Davies regenerated the franchise in 2005.
But now, all these years later, The Star Beast ushers in a new chapter for Doctor Who where the show can finally live up to the inclusive ethos it's always striven for.
That's not to diminish the positive steps other showrunners have taken in the interim. 2015's 'Sleep No More' featured Doctor Who's first trans actress, Bethany Black, and season twelve's 'Praxeus' successfully flipped the 'Bury Your Gays' trope, although the less said about how season 13 handled #Thasmin the better.
And it's not like everything is suddenly perfect now. Rose's metacrisis abilities could feed into sci-fi tropes around trans/non-binary identities being considered "alien", plus the inclusion of Rose's deadname has garnered a mixed response from the trans community online.
While some argue this has given trolls the opportunity to use that name venomously against her character, others point out that transphobia is a reality the show shouldn't shy away from.
The moment when Rose calls the Doctor out for assuming Meep's pronouns might feel a bit-on-the-nose for some too, although if this kind of talk immediately heralds the end of the franchise for you, you might want to cast your mind back a few decades to 1972's 'The Curse of Peladon' where the Doctor and Jo discussed Alpha Centauri's pronouns at length.
But still, seeing trans and non-binary identities celebrated to this degree is very much welcome regardless, especially in a family show with such a huge fanbase like Doctor Who. This is the kind of storytelling that saves lives, trolls be damned.
And now, with the impending arrival of more trans actors and characters in Yasmin Finney's wake — including Jinkx Monsoon, Mary Malone and Pete MacHale — Doctor Who's next season promises to be more inclusive than ever before.
If you have a problem with that, remember that your hero, the good Doctor, would never discriminate against trans people, or any other marginalised group for that matter either. So why would you?'
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sekhithefops · 1 year
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Elon Musk's Steady Descent into Madness Masterpost
Because I realized just now I posted a bunch of these things documenting the catastrophic fall of Tweeter and its descent into being a letter from the ass end of the alphabet, I figured I may as well put all these in one place.
Elon Musk Got Sued For Violating a Disabled Worker's Rights
Musk Initiates Rate Limits Because Reasons
Oops Turns Out There Were No Rate Limits, He Just Didn't Want to Admit He Fucked Up Again
Musk Writes Stoner Poetry to Try to Explain Away Rate Limits
Twitter is Losing Advertisers in Droves, Known Human Trafficker Andrew Tate Profits From the Few That Remain
Zuckerberg's Answer to Tweeter, Threads, Launches. Somehow its Even Worse
Musk Threatens Legal Action Against Zuckerberg Because He Thinks Owning Twitter Means He Owns the Concept of Social Media
Legal Eagle Weighs In on Musk's Suit Against Zuckerberg for Threads
Musk Wants to Rebrand Twitter as "X" Because He's Actually an Edgy Teenager from 1999
Wait, He Was Serious About Rebranding?!
Oops, Turns Out Rebranding as X Now Means Zuckerberg Can Sue Musk!
Gee, I Wonder Why Twitter X is Having So Much Trouble Keeping Advertisers
The Blue Check is Now Such a Black Mark That Musk is Letting Users Hide Them
Musk thinks Blocking people is a bad idea, so now nobody can block because he's a fucking sadist.
Three years of internet history just went poof. Intentional act or did Musk just fuck up again?
Approximately Half of Musk's Followers on Twitter are Bots
Musk goes to a video game tournament, it goes as well as you might expect.
Musk wants to paywall all of Twitter/X, make it so you have to pay to use it at all.
Musk decrees that news articles shared on Twitter/X will no longer display headlines, just pictures. Why? Not a single godsdamn clue.
Linda Yaccarino says "advertisers are returning to X." Linda Yaccarino is a big stinking liar.
Musk's multitude of moronic changes makes a real world tragedy even worse by preventing those who relied on Twitter for news from getting any credible information.
With Misinformation flying everywhere following an attack on Israel by Hamas and their retaliation against Gaza, Musk cracks down... on nudity.
Musk throttles traffic to Patreon as well as several other sites in his completely doomed attempt to turn Twitter into "X, the Everything App."
Musk begins charging new accounts $1 a year and requiring a phone number to "help combat spam," because the armies of $8 verified checkmark bots have proven that this works... wait, that didn't sound right.
The EU tells Musk "fix your shit." Musk tells the EU "Screw you guys, I'm going home."
An investigation reveals that 74% of the misinformation and propaganda spread during a recent attack in the Middle East was spread by Verified Users on Twitter. Oops.
A year after Musk's takeover, Slate reviews everything he managed to fuck right up.
Musk states that the smoldering remains of Twitter now known as X would become a dating site. How? Fucked if I know!
Musk is sued by a prominent critic who exposed what anyone with two working eyeballs could have told you: that Twitter is overrun with hardcore Alt-Right lunatics and its entirely Musk's fault.
IBM pulls advertising after they put their ads next to blatantly pro-fascist/neo-nazi propaganda. CEO Linda Yaccarano swears that they are trying to combat such things on Twitter, Musk however endorses them because its fucking Musk.
Twitter's CEO, Linda Yaccarano, is being advised to step down as staying as CEO is doing irreperable damage to her reputation. Meanwhile as companies like Disney, Apple, IBM, and the entire European Commission bail on advertising Musk's fanclub try (and fail) to fund Twitter themselves.
Musk sues Media Matters for pointing out that his failing social media site full of neo-nazis is full of neo-nazis. Meanwhile advertisers continue to flee in droves.
A brief overview by TechDirt as to why Musk's "thermonuclear lawsuit" is a laughable mess that not even Harvey Birdman would take seriously.
In response to advertisers fleeing Twitter, musk has only this to say: "Go fuck yourselves."
Slate posts the question: "What if Musk is doing this on purpose?"
Techdirt posts the answer: "He's not doing this on purpose, he's just gone completely bugfuck nuts."
Legal Eagle of Youtube fame analyzes Elon's "Thermonuclear Lawsuit" which turns out to be exactly what you thought it was: utter crap.
Elon paid a shitload of money to create Grok, his own AI abomination, and it turned on it's master.
A leaked document confirms what we all suspected, Musk has severely weakened moderation tools and intentionally allows anti-semitism and anti-LGBTQA+ posts to run rampant.
Musk reports over one billion video views on Superbowl Sunday, but an independent study shows that 3/4ths of them were likely bots.
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jasmine604 · 1 year
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W2. 10 NZ Creatives
Len Lye (5 July 1901 – 15 May 1980)
Len Lye or ‘Leonard Charles Huia Lye’ was known for his experimental films and kinetic structure. A lot of his films are being held as articles in NZ archives aswell as museums abroad likee Museum of Modern Art in NYC. When he was a student he thought that motion could be part of the language of art hence the interest in film and structures. 
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Left to right: Picture of Len Lye. Len Lye Blade 1998 - Collection of John and Lynda Matthews, New Plymouth. Len Lye Love Springs Eternal exhibition - Starkwhite
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2. Billy Apple (31 December 1935 - 6 September 2021)
Billy Apple, born Barrie Bates left NZ to study graphic design in Royal College of Art in London. He eventually moved to New York and continued creating pop related painting and objects, overtime he went from more tangible objects to more conceptual and process orientated practises. He was noted as someone that had frequent exhibtions and has a clear ‘brand’ within his own work. 
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Left to right:Picture of Billy Apple with one of his known creations. Relation of Aesthetic Choice to Life Activity (Function) of the Subject, 1962 by Billy Apple, Tate. ‘Paid’ by Billyapple, FoenanderGallery.
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3. Ronnie Van Hout (22 January 1962 - )
Ronnie Van Hout works with a range of media such as video, painting, sculpture, photography, and embroidery. He was born in Christchurch and studied Fine Arts at the University of Canterbury, majoring in Film. He seems to be most known for his work with Pingroup and his sculpture. 
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Left to right: Picture of Ronnie Van Hout. Pin Group by Ronnie Van Hout, 1983. Hellzapoppin'! Flying Saucer poster by Ronnie Van Hout. 
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4. Lesley Maclean Active between (1985 - 1986)
Lesley MacLean or ‘Black Spot’ was a Christchurch poster designer, most known for her work with the Flying Nun Bands in both a poster making sense and performing on the stage. Now she has left the world of design behind and has become a trained practitioner of Japanese tea making. 
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Left to right: Picture of Lesley Maclean, Sneaky Feelings. "Husband house". A Flying Nun record. [1985] by Lesley Maclean, 'The Real Sounds of New Zealand' Exhibition by Lesley Maclean.
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5. Chris Knox (2 September 1952 - )
Chris Knox is a rock and roll musician, Cartoonist, and movie reviewer who rose to fame during the punk rock era. He was in two bands, The Enemy and Toy Love. Toy Love eventually disbanded and he and some members made ’Tall Dwarfs’. He used to often draw cartoons and designs for his album artwork and for magazine covers and cartoon strips. 
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Left to right: Picture of Chris Knox supporting Blondie, Seisure Album Cover 1989, Chris Knox. Forced Exposure Magazine Cover, 1993, Chris Knox.
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6. Greer Twiss  (23 June 1937 -)
Greer Twiss is known as the ‘godfather’ of contemporary sculpture in NZ. He has been sculpting and exhibiting his work for more than 50 years. He attended the Elam School of Fine arts. He has worked with a number of materials but is most known for his works in Bronze. He retired in 1998. 
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Left to right: Picture of Twiss. Bathers, 1970, Greer Twiss. London Series, Greer Twiss.
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7. Jim Allen (22 July 1922 – 9 June 2023)
William Robert Allen known as ‘Jim Allen’ served in WW2 in 1945, after which he enrolled in art studies in Italy. After coming back to NZ, he continued to study fine arts here at Canterbury University, and following that he did a series of jobs and worked alongside many organizations and projects such as the Northern Maori Experimental Project. He has had a significant influence on the development of ‘post-object’ practices in NZ.
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Left to right: Picture of Jim Allen. Groundswell: Avant-garde Auckland 1971–1979, Jim Allen. Saboteur, 2009, Jim Allen.
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8. Kris Sowersby (1981 - )
Kris Sowerby a majorly self-taught graphic designer specialises in typography and over the years has garnered national and international acclaim for his typographic work as part of the Klim Type foundry which he founded. He has worked with a number of clients to come up with unique letters for branding purposes and has also released a couple of his collections and books such as ‘Art of Letters’.
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Left to right: Photo of Sowersby, 2008 composition, Kris Sowersby. Page from book ‘Art of Letters’ by Kris Sowersby
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9. Maureen lander (1942 - )
Lander is a Weaver, Multimedia installation artists, and academic. Lander is a well-respected and significant Māori artist who since 1986 has exhibited, photographed, written and taught Māori art.
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Left to right: Picture of Lander, Maureen Lander (2018), Embodied Knowledge. Atapō, (2020) dyed muka, work in progress. 
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10. Evangeline Davis (unknown, current)
Davis is a young photographer who documents women in the way she wants as opposed to what she grew up seeing in fashion magazines. She grew up seeing thin white girls, and wanted to document women in a 'real way', so she could see people like herself in photography. She focuses on women and their lives in NZ.
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 Left to right: Photos from Davis' book 'Touchy', 2016, Angeline Davis
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prometheankat · 1 year
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The Girls is Not That Good - review
video version here: https://youtu.be/0xCFmudBbos
I recently found out via email newsletter that Emma Cline has a new book out. I’ve been told that reviews for her second book, The Guest, have been overwhelmingly positive, although I must admit that I have not read any of these reviews or the actual book itself. I have, however, read her debut novel, The Girls, and this new release reminded me that I never actually published a review for it and now I’m going to make it everyone’s problem. So, in this essay I’ll be covering the book and my thoughts on it, most of which aren’t that positive. There will be spoilers and I’ll be covering sensitive subjects related to cults and murder, so view at your own discretion. 
To start us off, The Girls was originally published in 2016 by Random House and is Emma Cline’s first published novel. Loosely inspired by the infamous Manson family murders, its plot follows 14-year-old Evie Boyd as she is caught up in a group of spellbinding girls and the man/cult leader they all follow, Russell. The book was the winner of the Shirley Jackson Award for Best Novel 2016 and was a Goodreads Choice Award Nominee for Best Fiction 2016. Sounds like a pretty good book, right? Many other readers and reviewers would agree with you, like the Washington Post and NPR. I, however, would not, as you have probably already guessed from the title of this review. I have a few different problems with this novel, the first of which is the fact that the author managed to make something as fascinatingly macabre and intriguing as boring as my high school finance class. 
The real life story behind Charles Manson and the so-called Tate Murders is almost horrifically interesting. I read Helter Skelter by Vincent Bugliosi, a true crime novel about the case written by the actual prosecutor for the trial, right before I read The Girls, which is part of the reason The Girls felt so flat to me. Helter Skelter is a gripping, horrifying beast of a book. It sucks you in and refuses to let you go until you’ve learned every gritty, gory detail. Bugliosi’s intimate knowledge of the case makes him the perfect storyteller, as he leads you through every small clue and motive that build the case against Charles Manson and his oh-so-devoted followers. There’s so much to the story that has already been said both by Bugliosi and other creators in the past fifty years that a retelling like The Girls has to find something new and exciting to shed line on, a whole new avenue to explore. This book just doesn’t do that. Cline doesn’t really have anything new to say. 
Our main character, Evie, is a perpetual outsider. In this way, she acts like an audience-insert, allowing us a peek into the dark world that she’s stumbled upon. And there’s nothing wrong with this premise besides the fact that Evie doesn’t really do anything. Whether it’s because the author didn’t want to offend any of the real life people involved in the Manson family by basing a character on them or because she didn’t want to implicate her character in their crimes, therefore absolving her of guilt, this decision forces Evie to lurk outside of her own narrative. She isn’t allowed to do anything new, so the book never delves into uncharted territory. The story would have happened the exact same even if Evie had never existed at all, which is not a good thing for people to say about your main character. And because of this, the book really lacks a solid purpose. It fails to explore anything at all. 
The same is true for the plot, which is largely a gross simplification of real life events with a few spatterings of original writing that serve as our look into the future. Obviously, no retelling that is “inspired by” true events will line up perfectly with reality, but rather than taking an interesting concept and adding something new or turning it on its head, this book makes it boring and pedestrian. In the real world, Manson’s motives are a complex and confusing amalgamation of race wars, prejudice, post apocalyptic futures, dune buggies, Beatles lyrics, and miscellaneous Biblical influences. They’re a mess and they barely make sense, but that’s what makes it interesting. The search for a motive in the mountains of evidence is one of the most important parts of the prosecution case explained in Helter Skelter. In contrast, our Manson stand-in featured in The Girls wants to kill people because Mitch, our resident Beach Boy stand-in, couldn’t get him a record deal. Which is mind numbingly boring, especially when the other option is a madman’s belief that he is Jesus and killing any random influential person will start a war where him and his family will be the only survivors, all because they hunkered down in the desert on dune buggies. Like, it’s pure insanity, but it’s interesting to read about. The motives are the most glaring example I can provide, but The Girls simplifies pretty much every true event it draws inspiration from. And in that aspect, the plot really falls flat. 
The other parts of this book are comprised of Cline’s original ideas, particularly inventions about Evie’s family, friends, and future. Some of these portions take place in the future, following Evie as an aimless middle-aged woman currently house-sitting for a friend. When said friend’s teenage son and his girlfriend show up, we get some good interactions between Evie and the girlfriend, Sasha. I actually really enjoyed these sections, especially seeing how Evie saw herself in Sasha and tried to help her despite Sasha’s own wishes. All of the original writing wasn’t bad. The only time it fell flat was when it ventured back to the main plot, which was most of the book. 
And that’s what’s really the most disappointing thing about this book. There’s just so much wasted potential. This could have been interesting. This could have been amazing. I could have really enjoyed this. I actually really enjoy the idea behind it, which is why I picked up this book in the first place. Showing a girl’s perspective of these events, showing how someone vulnerable could get drawn into a cult would be an interesting area to explore. Especially when combined with how women were treated during the time period contrasted with how they were the actual ones doing the murdering, there’s a lot of interesting concepts in the idea alone. This could have been a much deeper, twisted exploration of some really cool ideas, if only the author wasn’t scared to commit to the actual cult material. Most of the story is built around it, but we never really explore it. It’s just another thing that happens because the plot demands so. Why write a book about a cult if you aren’t going to really go for it? Why do it at all? This book could have been so much better if Cline did commit to it. Or, alternatively, I think she could have written a really great novel if she just used her own original ideas. Her writing in the future sections was really good and I’m sure that a story where she isn’t bound to a historical inspiration could be really good. Either of those options would have been better than the book she actually wrote. 
Maybe I will read The Guest. Maybe it will be better than The Girls. But when it comes to The Girls, if you’re looking for a story about cults and murder in the sixties, just read Helter Skelter. Or if you don’t want to do that, you can just skim the Wikipedia page for Charles Manson. Either option would be more interesting. Because oftentimes, reality is much, much stranger than fiction. 
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mermaidsirennikita · 1 year
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ARC Review: The Summer Girl by Elle Kennedy
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3/5. 7/18/23.
For when you're vibing with... small town college romance, truly beachy reads, and very classic New Adult ish.
Cassie is in Avalon Bay for the first time in years, with her grandmother selling the family hotel. On the lookout of a summer fling, she quickly settles on golden boy (and perhaps local fuckboy) Tate Bartlett. But Tate doesn't view Cassie as fling material--their connection is deeper than that. He'll offer friendship... until he can't resist the pull between them.
I wanted to try Elle Kennedy, and I did here. While I can't say I disliked this book, I also feel that it veered too closely towards YA versus New Adult for me, and there just wasn't enough to set it apart and keep my interest. I can definitely see the audience here, I'm just not a part of it.
Quick Takes:
--So here's the thing for me. Tate is meant to be kind of a town bicycle type guy. He sleeps with a lot of women, he's good natured about it, and he's nice for a quick lay. But he also drinks his respect women juice--which I'm fine with! A guy being promiscuous and upfront about it does not equal a guy not respecting women.
Buuuuut, I think he drank a bit too much for me to buy him as a character. I needed more flaws. The thing is that he's not just a fun, slutty guy. He's a YOUNG fun, slutty guy. He just seemed way too mature about everything, and far too evolved. I'm not saying I needed him to be an asshole, but it felt like this book was striving for a level of realism that was undermined by his general perfection. Also, perfection is boring (to me). Tate felt written for readers who don't want to worry about liking problematic men, while also wanting to read about men who get around. And while you can get around as a man without being problematic... I think it takes some growing before you really know how to live that life without hurting feelings (and even then, it's always a risk). I just didn't buy that this young guy would be there.
--The writing style and Cassie's POV in general definitely read younger than college senior for me. This book has an issue that you do often come across in New Adult--the explicit sex of a book about adults and a less mature quality than you expect more from YA. While I would never say that most college students (having been one) are in the mental place adults who've been out and truly independent in the world are in, there's also a big gap between the mentality of a typical college senior versus a high school junior or senior. Years of big life experiences, you know? I didn't see that gap here.
That younger quality takes away from the romance for me. I read romance because, even if something is more on the Happy For Now side, I want to read about a love story I can see potentially lasting forever. There's a reason why I don't read YA romance--at my age now, it's hard for me to buy any high schooler finding their forever love, though obviously it isn't impossible. While it's theoretically pretty plausible for someone to meet their forever partner as a senior in college, it's less easy for me to believe it when the characters read younger.
--This is an easy read. If you want to just sort of vibe for a bit on the beach and you're down for a college romance, then you will probably enjoy it. It's not hard to follow, the pacing is good (though it would have benefited from a parring down of side characters, in favor of a tighter focus on the romance). There's nothing super unlikable about it, if that makes sense. You do get a bit of NLOG syndrome when Tate sees Cassie as like... too Real and Serious to have a fling with. But it's not intense.
For me, I just think that in general I want MORE intensity with romance novels. Not just in terms of heat, but in terms of story and passion.
The Sex Stuff:
One thing I did like here is that these two worked up to penetrative sex, and while it was treated with care (because Cassie is a virgin, of course) it was not treated as the only thing that *mattered*. It's well done, it's very tender "her first time". Honestly, I think that a lot of the book, including this scene, would work better as a somewhat cliche summer movie for me.
I see a lot of reviews indicating that this book is "super spicy", and my issues with spice levels~ aside... It's not. If you've read a lot of romance, especially a lot of self-published romance, especially a lot of like... erotic romance/mafia romance/paranormal romance, so on, this will not shock you. If it is shocking to a lot of people, I tend to wonder if marketing of this one is confusing? I knew Elle Kennedy didn't fuck around going in, but there seems to be a lot of "I thought this was YA" in the reviews.
A lot of what didn't work for me here, I think, was a mismatch in reader and book, so I can't complain too much. But I do think this is an example of some confusion regarding the YA/New Adult/Romance intersection here, both in terms of execution and marketing.
Thanks to Netgalley and St. Martin's Griffin for providing me with a copy of this book. All thoughts and opinions are my own.
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oodlyenough · 2 years
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I posted 9,148 times in 2022
349 posts created (4%)
8,799 posts reblogged (96%)
Blogs I reblogged the most:
@annalyticall
@szczypawice
@vimesbootstheory
@professorspork
@gamingladies
I tagged 6,890 of my posts in 2022
Only 25% of my posts had no tags
#fanart - 2,883 posts
#arcane - 2,465 posts
#doctor who - 621 posts
#our hextech dream - 512 posts
#the pursuit of great - 487 posts
#get worse on purpose - 252 posts
#life is strange - 202 posts
#borderlands - 192 posts
#you still block with your face - 162 posts
#psychonauts - 151 posts
Longest Tag: 139 characters
#a dw ep having a bad title is nothing noteworthy but it is funny if they spent forever trying to decide and chose the blandest thing possib
My Top Posts in 2022:
#5
i dunno how long dracula is as a real novel but it definitely feels like i spent six months reading about 50 pages of it and the past week reading 300 pages of it
383 notes - Posted October 1, 2022
#4
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jayce using "partner" like twice an episode vs viktor never saying it once
458 notes - Posted January 12, 2022
#3
viktor at the council meeting in ep 9 is so funny because jayce is doing his best to be like "look I consulted with the Common Man and this is what the undercity needs" but his sample size is a guy who tried to kill himself thirty minutes ago and has two months to live and is therefore probably not in any mental or emotional condition to advise on public policy right now
679 notes - Posted January 21, 2022
#2
so many companions at that support group except the one yaz needed to talk to most, martha jones,
910 notes - Posted October 25, 2022
My #1 post of 2022
apparently I'm the only person for whom that article link loaded, so here is the text -- mostly press fluff:
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https://www.doctorwho.tv/news-and-features/david-tennant-catherine-tate-return
They're back! David Tennant and Catherine Tate return to Doctor Who One of the most loved pairings in Doctor Who’s history have reunited and are filming scenes that are due to air in 2023 to coincide with the show’s 60th anniversary celebrations.
The Doctor and Donna parted ways when the Doctor had to wipe Donna's memory, making her forget him, in order to save her life. He left her family with a warning: if ever she remembers, she will die. But with the two coming face to face once more, the big question is, just what brings the Doctor and Donna back together?  Russell T Davies, Showrunner says: “They're back! And it looks impossible - first, we announce a new Doctor, and then an old Doctor, along with the wonderful Donna, what on earth is happening?  Maybe this is a missing story. Or a parallel world. Or a dream, or a trick, or a flashback. The only thing I can confirm is that it’s going to be spectacular, as two of our greatest stars reunite for the battle of a lifetime.”
See the full post
1,787 notes - Posted May 15, 2022
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The Impact of Cognitive Occupational Therapy on Brain Injury Rehabilitation
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Introduction
Brain injuries can drastically alter cognitive and daily functioning, affecting memory, attention, and executive abilities. These changes often disrupt an individual’s capacity to perform everyday tasks, impacting their quality of life. Cognitive Occupational Therapy, also known as cognitive training, plays a pivotal role in rehabilitation, aiming to restore cognitive functions and enhance the ability to engage in daily activities.
What is Cognitive Occupational Therapy?
Cognitive Occupational Therapy is a specialised approach within occupational therapy focused on assessing and improving cognitive functions. This therapy addresses cognitive loss that arise from brain injuries, such as memory impairments, attention difficulties, and problems with executive functioning. The primary goal of this therapy is to help individuals:
Regain independence in daily activities;
Enhance their ability to participate in work or school and
Improve overall quality of life.
How Cognitive Occupational Therapy Supports Brain Injury Rehabilitation
Assessment and Evaluation
At the heart of effective cognitive rehabilitation is a thorough assessment. The Cognitive Function Assessment - Occupational (CFA-O), offered by Allied Health for Wellness, is an integral tool in this process. This assessment evaluates key cognitive domains such as attention, memory, and executive function, The mentioned domains helps understand an individual's cognitive strengths and challenges in the context of employment and rehabilitation. By identifying specific cognitive impairments, therapists can develop targeted intervention plans that address these areas, leading to more effective rehabilitation outcomes.
Therapeutic Interventions
Cognitive occupational therapy interventions are diverse, encompassing techniques like memory exercises, attention training, and executive function coaching. A standout intervention is the ReWired program. ReWired was designed as a specific intervention to drive improvements in quality of life and return-to-work outcomes. It is evidence-informed and multimodal, incorporating practices such as cognitive remediation therapy, psychology services, workers compensation counselling, and environmental and occupational modification.
ReWired is particularly effective in situations where cognitive function or performance is a barrier to achieving an optimal state of well-being or engagement in work. The program is tailored to address individual cognitive deficits, with a focus on enhancing cognitive abilities in real-world settings. By integrating cognitive exercises with practical modifications in the individual's environment and occupation, ReWired offers a comprehensive approach to cognitive rehabilitation that is aligned with contemporary research in neuroplasticity and cognitive recovery.
Conclusion
Cognitive Occupational Therapy is essential for individuals recovering from brain injuries, as it provides targeted support to regain cognitive abilities and improve daily functioning. The CFA-O assessment and the Rewired program offered by Allied Health for Wellness exemplify the benefits of a specialised and comprehensive approach to cognitive rehabilitation.
If you or a loved one is facing cognitive challenges due to brain injuries or neurological conditions, explore the CFA-O assessment and ReWired program at Allied Health for Wellness. Our expert team is ready to support you on your journey to cognitive well-being. Connect with us today to schedule a FREE 10-minute discovery call and take the first step towards improving your cognitive health and quality of life.
References
Cicerone, K. D., et al. (2019). "Evidence-Based Cognitive Rehabilitation: Updated Review of the Literature From 2009 Through 2014." Archives of Physical Medicine and Rehabilitation, 100(8), 1515-1533.
Togher, L., McDonald, S., Tate, R., Power, E., & Rietdijk, R. (2014). "Assessing and managing cognitive-communication disorders in traumatic brain injury: Perspectives from the literature." Brain Impairment, 15(1), 58-69.
Occupational Therapy Australia.(OTAUS) (2020). Cognitive Rehabilitation in Occupational Therapy.
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The Real World
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Welcome to The Real World! :earth_africa::briefcase: Join our online Make Money Course and unlock your potential to master high-income skills. Learn from industry experts and gain the knowledge and tools to thrive in today's competitive landscape. Discover proven strategies, practical tips, and actionable insights to enhance your earning potential. Elevate your financial future and step into the real world of unlimited possibilities.
Visit Our Website
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jointherealworlds · 2 years
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The Real World
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Online course by the infamous Andrew Tate.
Visit Our Website
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The Best Practices to Achieve Financial Freedom
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Start With a Budget And Track Your Expenses When it comes to personal finances, one of the most important things you can do is create a budget. A budget will help you track your spending and ensure that you're living within your means. To create a budget, start by tracking your income and expenses for a month. Once you have a good understanding of where your money is going, you can begin to make adjustments. For example, if you're spending more on dining out than you'd like, cut back on eating out and cooking at home more often. Or, if you're spending too much on clothes, try shopping at Thrift stores or consignment shops. By tracking your spending and making small adjustments, you can stay on budget and improve your financial health.
Automate Your Finances as Much as Possible When it comes to managing your finances, automating as much as possible can be a helpful way to stay on top of things. By setting up automatic payments for your bills and other regular expenses, you can ensure that your bills are always paid on time. You can also automate your savings, by setting up regular transfers into your savings account. This can help you to reach your savings goals more quickly. Automating your finances can also help you to keep track of your spending, as all of your transactions will be in one place. This can help you to identify areas where you may be able to cut back and make better financial decisions overall.
Invest in Yourself by Taking Courses and Learning About Financial Planning It's never too late to invest in yourself. Whether you're just starting out in your career or you're looking to make a change, taking courses and learning about financial planning can pay off in the long run. Not only will you be more marketable to potential employers, but you'll also have a better understanding of how to manage your money. There are a variety of courses available, both online and offline, so you can choose the one that best fits your needs. And with so many resources at your disposal, there's no excuse not to educate yourself on financial planning. So what are you waiting for? Start investing in yourself today.
One of the best ways to start investing in yourself is enrolling in courses where you will get trained by multimillionaire professionals from all over the world like Andrew Tate. The Real World Andrew Tate has given the effort to make it happen for you.
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The Importance of Learning and Skill Development for a Better Income Figure
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The Average Person's Income Figure is Largely Determined by The Skills and Knowledge They Possess The skills and knowledge that a person possesses play a large role in determining their income. In today's economy, those who have the skills and knowledge that are in demand will often earn a higher income than those who do not. For example, someone with experience in computer programming is likely to earn more than someone without that experience. As a result, it is important for individuals to continuously update their skills and knowledge in order to remain competitive in the job market. Furthermore, individuals who are able to use their skills and knowledge to create new products or services or to improve existing ones can also earn a higher income. In other words, the average person's income figure is largely determined by the skills and knowledge they possess.
Learning New Things and Developing New Skills Can Help You Increase Your Earning Potential In today's job market, it is more important than ever to have a well-rounded skillset. Not only do employers are looking for candidates with a diverse range of abilities, but they are also willing to pay a premium for those who are continuously learning and expanding their horizons. While some people might be content to stay in their comfort zone, those who are willing to step out of their comfort zone and learn new things will be the ones who reap the rewards. Whether it's taking a coding class or learning a new language, developing new skills can help you increase your earning potential. So if you're looking to give yourself a raise, the best place to start is by investing in yourself.
There Are Many Different Ways to Learn and Develop New Skills, So Find What Works Best For You There are many different ways to learn and develop new skills, so find what works best for you. One way to learn is by attending workshops or taking classes. This can be a great way to get hands-on experience and learn from experts. Another way to learn is by reading books or articles on the subject. This is a more passive way to learn, but it can still be effective. You can also learn by doing, either by trial and error or by following someone else's example. Ultimately, the best way to learn is the method that works best for you. So experiment and find what works best for you. With a little effort, you can develop any skill you need.
To make your skill development and learning process easier and more accessible, The Real World Tate provides all the necessary training and equipment to get you started and boost your income.
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denimbex1986 · 10 months
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'Doctor Who just delivered what equates to a series finale with "The Giggle," taking fans on one last incredible journey with the Doctor before ushering in a new era of the franchise. As the third and final 60th anniversary special, "The Giggle" carries the weight of bringing David Tennant's story as the Fourteenth Doctor to an end and kicking off the long-awaited introduction of Ncuti Gatwa as the Fifteenth Doctor. With Gatwa's first full episode as the Doctor coming in a few weeks on Christmas Day, "The Church on Ruby Road" will serve as a soft reboot for Doctor Who.
With that in mind, "The Giggle" really does feel like the end of an era for the franchise that came before it, calling back to both the very first episode and multiple key moments in the Doctor's life since. More than once during these anniversary specials, Donna (Catherine Tate) has asked the Doctor (Tennant) why this face came back. As she mused in "The Star Beast," with both of them believing she was dying, it's clear now that it came back to say goodbye, not to Donna but to the rebooted series itself, with showrunner Russell T. Davies bringing Tennant and Tate — one of the most beloved Doctor/Companion pairs in the franchise — to give the show a proper send off before stepping into what comes next.
Simultaneously a breathtaking ending and a beautiful beginning, "The Giggle," is Davies at his best. This episode is both terrifying and hilarious. It's heart-pounding and emotional to watch the Doctor face his oldest adversary while he fights to protect the people of Earth that he can't help but love despite never being able to say the words. "The Giggle" has something for everyone, with reunions and references that will delight fans of classic Who and just as many for those who've only seen the newer iteration. And for those who haven't seen either, the audience is still given enough information to know exactly why these moments are so emotional.
Russell T. Davies Takes 'Doctor Who' Back to Its Roots in "The Giggle"
The episode opens with a flashback to the advent of television, a variation on the real story, with a genuinely ominous performance from Neil Patrick Harris as the Toymaker. With a creepy puppet, feeding off of John Logie Baird's desire to entertain the world, the Toymaker sets in motion a very long game for the human race, and a direct challenge for the Doctor back in the present time. Shortly after the events seen at the end of "Wild Blue Yonder," the Doctor and Donna find themselves in the middle of pure chaos, with every living person thinking that they're right at the expense of both themselves and everyone around them. Following a lovely reunion with UNIT leader Kate Lethbridge Stewart (Jemma Redgrave), the Doctor and Donna get brought up to speed on what's happened to humanity in their absence — in short, everyone's gone mad.
At UNIT HQ, the Doctor is treated to yet another reunion with the return of classic Who companion Melanie "Mel" Bush (Bonnie Langford). For those who don't know, Mel was one of the sixth and seventh Doctor's companions, appearing in 20 episodes in the 1980s. She ended her time with the Doctor of her own volition, heading off to have her own adventures among the stars. It's such a sweet moment, and as a brilliant computer programmer, Mel plays a crucial role in the episode and the goings on at UNIT, setting her up for a recurring role in the new season with the fifteenth Doctor. The team at UNIT has developed a device to keep their brain activity under control, but without it, regular humans are sent into a frenzy that they can't control. Luckily for Donna and Mel though, their time in the TARDIS naturally protects them.
In addition to weaving a compelling high-stakes narrative for his characters, Davies also takes the opportunity to make some truly remarkable social commentary in this episode. Since its inception, Doctor Who has always been a clever allegory, with stories that bring awareness to issues of race, gender, capitalism, and climate in a way that, for some is hard to swallow, but is always necessary to hear. Davies has woven such commentary into each of these specials so far, laying out clear support for the LGBTQ community (of which he's also a part). Now, in "The Giggle," he addresses politics, anti-vaxxers, our dependence on technology, and the simple folly of the human ego. And while the Doctor doesn't shy away from any of the darkness dwelling in humanity, he also notes that this doesn't negate our goodness, the desire to be better, and the worthiness of our continued existence.
David Tennant and Catherine Tate Deliver Knockout Performances in "The Giggle"
"The Giggle" puts the Doctor off balance, striking fear into the near-all-powerful being in a way that he rarely experiences on screen. Tennant delivers another incredible performance, taking the Doctor through the full gamut of emotions. Terrified by turns and filled with unbridled rage fueled by that fear, Tennant imbues the Doctor with unprecedented vulnerability, as he confesses to Donna that he's truly out of his element this time. Ever the empath, Donna recognizes that the Doctor has pushed down years and years of feelings that he needs to address, urging him once again to take a break. As he fights to keep it together, taking on the burden of the hero once again, Donna helps him realize that he's not only not alone, but he's never alone when she's around.
There's a reason that Donna and the Doctor are a fan-favorite duo in the franchise, and for the third episode in a row, Tate and Tennant prove that it largely comes down to the way they play off each other. Donna is one of the best companions, because of her incredible integrity and her ability to see straight through the walls the Doctor surrounds himself with. Differentiating Fourteen from Ten, Tennant allows the Doctor to accept that Donna sees him, while in the past he's always tempted to push other companions away for their own good, now, he lets Donna in. Both Tennant and Tate — and Donna and the Doctor — bring out the best in each other, making each other better.
They don't do it all alone this time though, and each of the supporting actors in this episode brings the caliber of their performance up to the level it needs to be to hold their own against these two. Harris is, of course, a stand-out as the Toymaker, bouncing seamlessly between accents as he gleefully delights in his twisted games. Well-established as a comedy actor, Harris gives The Toymaker a very natural sense of humor, as the role requires an air of playfulness at its core. However, he gives the Toymaker a level of menacing gravitas underneath, indicating how serious a threat he truly is to everything the Doctor loves and all the rules he holds dear. Harris and Tennant's chemistry is pure animosity in such a way that brings the audience to the edge of their seats with every interaction.
The Toymaker pushes the Doctor to the brink as he taunts Donna with the fate of the companions who came after her and the Flux, answering the questions left lingering at the end of "Wild Blue Yonder." Davies immediately chases that emotional climax with one of the most outrageous scenes in the franchise. Backed by the iconic Spice Girls track, "Spice Up Your Life," the Toymaker turns UNIT HQ into his playground, chaotically dancing around and flaunting his power right in the Doctor's face. It's equal parts camp and chaos, with an emotional undertone that grounds a scene that would be completely ridiculous out of context. It's in all of these moments that it's clear that "The Giggle" was crafted with such love for Doctor Who and all the wild impossible tales within it. This series is as silly as it is serious, and Davies' commitment to that is beautifully executed in this episode.
"The Giggle" Welcomes Ncuti Gatwa With Open Arms and Gives David Tennant a Worthy Send-Off
As the Toymaker's game reaches a fever pitch, the Doctor gives him one final chance to leave humanity alone and take his games back to the stars. He offers the same thing he always offers the Master, a chance to run away together and leave everyone else in peace. But, in true villain fashion, he refuses. Before the Doctor can challenge him to the final game in their best-of-three match, the Toymaker demands to play the next game with the next doctor, shooting Tennant's Doctor square in the chest with a space laser. As the Doctor begins to regenerate, golden light streams from his hands and face as he prepares to say goodbye. The moment is as tense and emotional as Doctor Who has ever been as Donna and Mel rush to his side, refusing to let him die alone. The funny thing is, he doesn't actually die at all. For the very first time in Doctor Who, the Doctor experiences bi-regeneration. Instead, of changing his face, the Doctor splits in two, with Gatwa appearing with pure gusto and delight. Together they defeat the Toymaker, but before Fifteen sets off on his next grand adventure, he insists that Fourteen finally rest after thousands of years of running, and that's exactly what he does.
The Fifteenth Doctor is incredibly charming right from the jump, grinning and relishing his new body. It's impossible to watch the end of this episode and not be wildly excited about Gatwa's turn as the Doctor. His Doctor is filled with a sense of joy, and he has a tenderness about him that will win the hearts of fans in an instant as he reaffirms the Doctor's love for past companions like River Song and Sarah Jane. Imbuing both the past and the future with so much love, Fifteen ushers in a new era of Doctor Who that should have everyone excited about what comes next. The Doctor, who has spent so many years filled with regret and self-loathing, finally gets to take time to heal and learn how to be loved, giving his future self the sense of self-love and vulnerability he'll need to keep going.
Meanwhile, Donna and the Doctor finally get their own happily ever afters as Fourteen settles in with her family, presumably for the rest of his life. Rather than the tragic heartbreak of their last goodbye — as beautiful as it was — the Doctor finally comes home and gets to be part of her family, while Donna gets an exciting new job at UNIT to spend the rest of her days with everyone she loves. It's a little bit saccharine, but it plays out with grounded performances from Tennant and Tate who, with tears in their eyes, make it feel entirely earned. This Doctor finally gets to rest as the next boldly goes on saving the rest of the universe.
Rating: 9/10'
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