#Theatre World Magazine

[themarvellousmichaelbryant]

From the February 1961 edition of Theatre World Magazine is a short piece on Michael Bryant taking over the role of Lawrence of Arabia from Alec Guinness.

[introvertedpedant]

Scenes from 'Five Finger Exercise' by Peter Shaffer which ran at the Comedy Theatre in London in 1958, starring Adrianne Allen, Roland Culver, Michael Bryant, Juliet Mills and Brian Bedford. It was directed by John Gielgud.

[magsubs]

Subscribe now Theatre World Magazine at magazinesubscriptions.in

TheatreWorld is a guide to the cinema exhibition industry and technical design of a movie theatre published by Network208. TheatreWorld is top-of-the-mind recall for the global cinema exhibition industry, is a quarterly B2B media entity, which facilitates domestic and international business exchanges, and acts as a gateway to international manufacturers targeting the Asian Market.

[brian-in-finance]

Video 📹 from Instagram

ACTOR WANTED 🎭

male, 20s, for already-established role in long-playing 1700s period drama

available for filming in Scotland autumn 2023

Scottish accent and knowledge of Mohawk culture considered assets

must ride horses and like dogs

training in archery and tomahawk throwing provided

position available immediately due to unexpected vacancy

email CV, references, and complete contact info to @misinterpretation-enterprises-incorporated before 16 June 2023

Remember when John talked himself out of a job?

… because he unashamedly shared a blockbuster #Receipt… I’m really going to miss John. He was a good Young Ian. 😝

[hjellacott]

J. K. Rowling's works in chronological order.

Harry Potter and the Philosopher's Stone, 1997. (The Harry Potter Series Book 1)

Harry Potter and the Chamber of Secrets, 1998. (The Harry Potter Series Book 2)

Harry Potter and the Prisoner of Azkaban, 1999. (The Harry Potter Series Book 3)

Harry Potter and the Goblet of Fire, 2000. (The Harry Potter Series Book 4)

Fantastic Beasts and Where to Find Them, 2001. (Wizarding World Supplement)

Quidditch Through the Ages, 2001. (Wizarding World Supplement)

Harry Potter and the Order of the Phoenix, 2003. (The Harry Potter Series Book 5)

Harry Potter and the Half-Blood Prince, 2005. (The Harry Potter Series Book 6)

The first it girl: J. K. Rowling reviews Decca: the letters by Jessica Mitford, 2006. (The Daily Telegraph article)

Harry Potter and the Deathly Hallows, 2007. (The Harry Potter Series Book 7)

The fringe benefits of failure, and the importance of imagination, 2008. (Harvard Magazine article)

Harry Potter prequel, 2008. (A short story, Wizarding World Supplement)

The Tales of Beedle the Bard, 2008. (Wizarding World Supplement)

Gordon Brown - the 2009 time 100, 2009. (Time magazine article)

The single mother's manifesto, 2010. (The Times article)

The Casual Vacancy, 2012. (First non Wizarding World novel)

I feel duped and angry at David Cameron's reaction to Leveson, 2012. (The Guardian article)

The Cuckoo's Calling, 2013. (The Cormoran Strike Series Book 1)

The Silkworm, 2014. (The Cormoran Strike Series Book 2)

Isn't it time we left orphanages to fairytales? 2014. (The Guardian article)

Very Good Lives: The Fringe Benefits of Failure and Importance of Imagination, 2015. (Non-Fiction)

Career of Evil, 2015. (The Cormoran Strike Series Book 3)

Harry Potter and the Cursed Child, theatre play premiering in 2016.

Short stories from Hogwarts of Power, Politics and Pesky Poltergeists, 2016. (Wizarding World Supplement)

Short stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies, 2016. (Wizarding World Supplement)

Hogwarts: An incomplete and unreliable guide, 2016. (Wizarding World Supplement)

Fantastic Beasts and Where to Find Them, 2016. (Screenplay)

Lethal White, 2018. (The Cormoran Strike Series Book 4)

Fantastic Beasts: The Crimes of Grindelwald, 2018. (Screenplay)

A love letter to Europe: an outpouring of love and sadness from our Writers, Thinkers and Artists, 2019. (Non-fiction, co-authored)

Troubled Blood, 2020. (The Cormoran Strike Series Book 5)

The Ickabog, 2020. (First non-Harry Potter children's book)

The Christmas Pig, 2021. (Second non-Harry Potter children's book)

Fantastic Beasts: The Secrets of Dumbledore, 2022. (Screenplay)

The Ink Black Heart, 2022. (The Cormoran Strike Series Book 6)

The Running Grave, 202?. (The Cormoran Strike Series Book 7).

[adobongsiopao]

Intro page article about "Little Women" 1987 anime version from an old issue of OUT! magazine.

[troublewithangels]

also i'm sorry but ARE U GUYS SEEING THE FRAMED JOAN GREENWOOD HEDDA GABLER PRODUCTION STILL omg

[staticsnowfall]

michaela mabinty deprince (1995-2024)

🩰˚✧₊⁎

today, september 13th, 2024, the ballet world lost an extraordinary dancer and woman.

michaela mabinty deprince was born on january 6th, 1995, as mabinty bangura, in sierra-leone. she was orphaned, her parents passing to due to both direct and indirect causes of the civil war in her home country. she was demonized by her caretakers for her vitiligo, being called a “devil’s child”, and suffering from other forms of neglect and abuse. in 1999, deprince was adopted by an american couple along with another girl, and they were taken to new jersey, united states of america.

her hopes of becoming a ballerina had been planted when she found a ballerina on a magazine cover in her home country. she didn’t know of ballet at the time, but treasured the picture and dreamed of dancing. this dream blossomed into truth when she moved to the states, being put into ballet lessons soon after her arrival. deprince was a four-time participant in youth america grand prix, one of the largest ballet competitions in the united states. she was awarded a scholarship to study at the jaqueline kennedy onassis school of ballet, the associate school of american ballet theatre.

despite facing racial discrimination and other hardships in and out of the industry, deprince persisted in her dream of becoming a professional ballet dancer. in 2012, at the age of 16, she became the youngest member of dance theatre of harlem, and the next year, she joined the junior company of the dutch national ballet. she soon rose through the ranks, joining the main company and attaining the rank of soloist. she was the first dancer of african origin to ever join the company, and a shining advocate and role model for black women in ballet.

her other accomplishments include being an ambassador for war child holland, a dutch organization working to improve the wellbeing and resilience of children directly affected by war. she visited uganda and lebanon through the organization. she also appeared in beyoncé’s 2016 music video for ‘freedom’.

she will dance among all the stars in the sky. rest in peace beautiful michaela mabinty, you are already so missed. ♡

[terastalungrad]

Sometimes, you’re a comedian with a touring show to promote, so you do an interview with a regional newspaper.

I think that’d be the funniest possible time to reveal a big scoop, wouldn’t it?

Stewart Lee is currently touring, and to promote his Yeovil performance, gave an interview to Blackmore Vale Magazine.  According to Wikipedia, the Blackmore Vale is an area of north Dorset, south Somerset and southwest Wiltshire.  According to the comedian Jake Baker, the magazine would cover his school sports day as he grew up in Dorset.  That’s the level of news you’d expect.

The questions are friendly and easy, from a journalist clearly familiar with Lee’s work and history.

The first question is about the show’s angle.  Lee describes the nature of the show, and here’s an excerpt:

So it looks like stand-up, and sounds like stand-up, but it’s actually a kind of character piece about a desperate person who’s frightened and trying to organise the world in a way that puts them in control. And I guess you could argue that’s what a lot of stand-ups are doing anyway. Ricky Gervais to me looks like a very frightened man. He’s frightened of transgender people coming after him, the act is a defensive wall.

Fun!  This is a Ricky Gervais hate blog, so it’s nice to see a sudden, unexpected attack in an unrelated promotional interview.

Lee mentions Gervais again in response to question four.

Sometimes I become bitter and think ‘I get all this good press, why can’t I get 10 million quid for a TV special like Ricky Gervais?’ But on the other hand, I wouldn’t want that audience, it wouldn’t allow me to be better.

And then again to question eight, where Lee explains why he spends six months running new shows in the relatively small Leicester Square Theatre (as opposed to arena comics who might do 10 warmup shows followed by 60 tour dates).

You can still run it like a club gig, you can interact with people in real time. Also, you wouldn’t get better at the show because you wouldn’t have done it as many times. You can see this with an act like Gervais. Those shows have not been run in, they’re not fluid, they’re a succession of inflexible statements that would snap like twigs if the pressure of an unforeseen event was applied to them.

The journalist finally addresses this head on.  It really is worth reading the entire article - there’s a lot more than I’m quoting, including an interesting story about Sean Lock:

But here are my favourite bits:

[Gervais] still kind of copies me though, which is the weird thing. There’s still a lot of cadences of what I do but they’re used in the service of evil. In Star Wars, he’s Darth Vader and he’s taken the force, which is me, and used it for evil purposes. He was a fanboy, he was actually the booker at University of London and used to book me and Sean Lock all the time. And when he became famous for the Office, he wrote an hour-long act that was so indebted to us it was awkward. [...] If he’d come up through the circuit that would have been rubbed off him because you find your own voice doing club gigs. It took me two years of gigging five nights a week to come through the mesh of things I liked. But he didn’t have that experience in the same way. [...] Funnily enough, in his first show there were bits I’d never recorded that he’d do almost verbatim. He’d clearly remembered them. I went to see him at the Bloomsbury – on his invitation actually – with my then girlfriend and she was very concerned for me. I’d given up at that point due to lack of interest, and she was concerned for what it felt like to see my act being done to hundreds of people, it was quite weird. On the other hand, that sort of did make me think I don’t want it to be consumed into someone else’s vocabulary. And also, I think because he had a residual sense of guilt, he would always credit me in interviews as being an influence – that helped me in 2004 to get the audience back.

This is, to my knowledge, the first time Lee’s ever claimed that Gervais stole his material.  He’s certainly talked about Gervais clearly taking influence from him (though in the past, he downplayed this compared to the account given in this interview).

It’s a pretty big thing to accuse a comic of stealing material.  That’s a big taboo.  I reckon this is partly because Lee wants to discourage fans of Gervais from coming to the show.

Anyway, let’s finish by quoting the end of the interview:

It must be strange to have that level of financial remuneration and those audience figures but not really a single good review. And I expect what that does for you is create a cognitive dissonance where you have to manufacture a worldview by which the whole world is wrong and you’re right. Which can’t necessarily be very good for your mental health, although I expect the money’s nice.

[renthony]

On "Consuming Content"

Every now and then a post crosses my feed that follows the vein of, "you have to do things other than consume media or else you'll be a dumb person who doesn't know anything about how the real world works and does nothing but pointless fandom stuff."

I hate those posts for three major reasons, not counting the inherent ableism and classism of "you must have approved Smart People hobbies or else you're worthless" rhetoric:

You don't know what people do or talk about outside of what you see on their social media. Responding to fandom communities on a fandom-driven website as if all these people are one-note cardboard cutouts of people is asinine. In many cases this genre of post feels like repackaged 2012 tumblr "not like other girls" and hipster discourse. Yes, yes, you think you're better than everyone else on this website because your hobbies are less mainstream, more morally pure, and have greater intellectual merit, we get it.

What do you even mean by consuming content? As someone who purposely avoids using the phrase "consuming content" because I find the term too vague to be useful, please be more specific. Are you including every single form of media engagement and art enjoyment? Are you just talking about mainstream TV and film? What about novels? Plays and scripts? Nonfiction books and instruction manuals? Do you mean to imply that going to a book club is a worthless non-hobby? Are you including academic reading? Are you including going to the art museum? Going to the theatre, concerts, or other performances? Taped liveshows? Watching sports events on TV? Are you including news media? Are you including YouTube tutorials about how to do various tasks, crafts, or other hobbies? Are you including trade magazines? Are you including industry publications in various fields? What constitutes "content," and what constitutes "consuming" in this discourse? Define it. "Consuming content" is a nothing phrase that people use to mean multiple different things depending on what they, personally, judge as valid media. It's a buzzword at best, and when the same buzzword can be used to describe both "idly scrolling social media" and "reading and discussing a book," it's a meaningless phrase.

As an artist and author, if engaging with media is bad and worthless, am I supposed to conclude that making it is equally worthless? If "consuming content" is a bad, lazy, worthless, fake hobby, what makes creating art a worthwhile pursuit? If I am constantly being told as an artist that engaging with media isn't a worthwhile pursuit in its own right, and the people who want to engage with my art are just brainless fandom losers, what incentive do I have to make that art anymore? Furthermore, to everyone reading this paragraph and thinking, "that's not what content creation is," I refer you to bullet #2: If the phrase "make content" can be used to mean "low-effort posts made to advertise cheap and useless products" as well as "being a novelist" or "getting a gig as a writer on a TV show," it's a meaningless phrase.

None of that is even getting into issues such as the way influencers are preyed on by both brands and targeted harassment from trolls. Influencer culture has major issues, but boiling those issues down to "stupid vapid young people who are too lazy to make real art or get real jobs" (which is a mindset I see frequently online) is unhelpful. So many people pursue influencer deals because they're living in poverty but are skilled at various social media and advertising related tasks, and just like any worker, they're being exploited because they need to eat. Labor rights for influencers are a huge topic that entertainment industry unions have been actively discussing and working toward. (Related links for further info: [x] [x] [x] [x])

"Consuming content is not a hobby" is a worthless statement unless you define what you mean by both "consuming" and "content." Quite frankly, you also need to define "hobby," because if you're putting requirements on what is and isn't allowed to be a "real" hobby, you mostly just seem like you're moving goalposts and defining "worthwhile hobby" as "hobby I, personally, think is good." Use more specific language to articulate your actual problems with the entertainment industry, the art world, influencer culture, or whatever else you're actually upset by.

Media and fandom can involve any number of enriching, satisfying hobbies that take up a perfectly acceptable and healthy space in someone's life. If you aren't into it, go find hobbies you do like and stop policing how other people spend their precious free time in this nightmare hellscape of a world.

[sirenedeslily]

𝐏𝐈𝐍𝐊 + 𝐖𝐇𝐈𝐓𝐄

𝐒𝐞𝐚𝐫𝐜𝐡 𝐔𝐬𝐞𝐫𝐬, matthew sturniolo && fem!reader.

𝐄𝐝𝐢𝐭 𝐒𝐭𝐚𝐭𝐮𝐬 : a world renowned model dating a loser?!?

𝐀𝐜𝐜𝐨𝐮𝐧𝐭 𝐒𝐞𝐭𝐭𝐢𝐧𝐠𝐬 : fluff fluff aaaand more fluff!! established relationship between reader and matt. swearing. matt is just a normal dude with absolutely no social media presence whatsoever

˖ ݁𖥔 ݁˖ 𝐘𝐨𝐮𝐫 𝐋𝐚𝐭𝐞𝐬𝐭 𝐁𝐥𝐨𝐠 𝐄𝐧𝐭𝐫𝐢𝐞𝐬 [𝐍𝐞𝐰 𝐄𝐧𝐭𝐫𝐲] : first time writing a headcanon so be gentle with me PLS !!! new acc bc i hated not being able to follow y’all back <33 i might turn this into a smau if anyone wants it & pls give me ideas in da inbox (: huge creds to @//fawnchives for being the inspiration of the layout, love her BAD

𓋜 you met matt in a movie theatre.

𓋜 "parasite" was the movie that your friend dragged you to watch with her, telling you that it was life-changing — urging you to sit in the B section, your seat being #13, which happened to be beside three identical boys.

𓋜 when the end credits started rolling, the fluffy haired boy caught your attention when he pulled out his phone and went on letterboxd, rating the movie five stars and writing a quick review with a “what the fuck?” it made you giggle.

𓋜 from then on, you and the sturniolo boy had become inseparable, going from friends to lovers two years after the movie's release.

𓋜 it took you both some time to truly get used to the idea of going public with your relationship. matt was just a boy from boston who moved to los angeles because of his brother’s hockey scholarship. he didn’t even own any social media accounts!?

𓋜 well.. that is until he got sick of missing out on his angel’s content.

“why did nick say you ‘onika burgered’ in your comments?” the doe - eyed boy stared up at you with a look of confusion on his face.

“i-what? since when did you get instagram?” you exasperated, halting your previous movements of sitting on his bed and brushing your hair. matt sat up from laying on his back just a few moments ago as he explained.

“i felt left out.” you chuckled, unable to resist the urge of jumping on him and smothering his face with kisses. his pout turning into a big cheeky smile as you left your sparkly lipgloss all over him.

𓋜 from then on, his instagram consisted of anything and everything that had to do with you. he had gained over half a million followers, but that never halted him from basically being a fan page for his favourite model.

𓋜 his account is truly just an update account for you. posting you on his story, the new cover magazines you’re in, the products you’re modelling for, and the runways you’re walking in.. best believe it’s already all posted on his socials.

𓋜 with matt having absolutely no social media presence unless it was to keep up with you, it’s safe to say that the public was quite confused about who this boy was and how someone as seemingly normal as him stole your heart — a model desired and wanted by everyone.

𓋜 the first few months of you going public with your relationship, the articles were spewing out left and right. the media was on a mission, trying to figure out who matthew sturniolo was.

𓋜 matt is obsessed with taking pictures of you. wether he’s backstage admiring as your makeup artist touches up your face or you’re both at the beach aggressively playing uno with friends — he’ll capture those candid moments!

“ha take your 20 cards idiot!” you yelled, smiling as chris whined about this game being stupid yet picking up the cards from the deck. you couldn’t help but laugh at every cry chris was making as he counted twenty.

matt couldn’t help himself as he grabbed his phone and took multiple pictures of his girlfriend erotically laughing, the piercing blue ocean in the background.

it’s almost as beautiful as her.

that picture remains on the back of his phone from then on, a constant reminder of your angelic essence.

𓋜 matt truly believed you were a real-life doll, and he treated you as such! he picked out the prettiest items for you to wear and learned to tie the ribbons in your hair, always ready for your constant requests to do so.

𓋜 with you being a model and him being in college, the two of you weren’t able to constantly be with each other. traveling was mandatory for your career and matt completely understood that.

𓋜 he would write you love letters, always ensuring he got your suite's number correct, not wanting the pink envelopes to get lost or, worse, sent to the wrong person.

𓋜 his love language is acts of service, so having to occasionally do long distance wasn’t going to stop him from showing his love. the boy would curate an infinite amount of playlists, from songs that reminded him of you to songs that sounded like his love for you.

he takes his craft very seriously

“why did you send me a link of congratulations by mac miller?” you questioned as you stared at your boyfriend’s smirking face on facetime. your phone was perched up on your hotel’s vanity, applying the final touches of your lipstick.

“just a little sneak peek of the playlist i’m making you.” matt answered, laughing at your cute expression.

𓋜 shoots are incredibly draining for you and matt knows that so, he always makes sure that lilies are sent to your dressing room with a cute little note letting you know how proud he is of his doll

𓋜 matt acted like a proud mom when it came to you. buying more than ten magazines and told the cashier that the girl on the cover was his girlfriend. he sat front row at every runway show you walked in, proudly telling the person beside him that his girl was one of the models.

𓋜 he loves matching with you. outfits? you bet! nails? you don’t ever need to ask him twice! jewellery? he already made sure to get a ring and chain that looked exactly like your favourite set!!!

“baby, why the fuck do you have a bow engraved in your ring?” you questioned, puzzled. you were getting ready to go out, and the boy had asked you to grab his rings from the nightstand as he adjusted his button up.

“oh i got someone to engrave the same bow as your favourite necklace.”

𓋜 dates were almost always planned by him.

𓋜 he knows how exhausting your life can be, so his dates usually involve drive-in movie theatres or your favorite activities: picnics and stargazing.

𓋜 he’s completely smitten with you, and he wouldn’t have it any other way..

my inbox is always open !!! pls feed it some content 🪽🎀 likes, comments & reblogs are highly appreciated.

ᨳུ⠀ 𝐭𝐚𝐠𝐥𝐢𝐬𝐭. @carvedtits

[themarvellousmichaelbryant]

A profile of Michael Bryant from the April 1961 edition of Theatre World Magazine. The portrait is by Angus McBean.

[hotdaemondtargaryen]

magazines talking about ewan mitchell's performance as martin for the fontaines d.c. ‘in the modern world’ music video.

UPROXX about the ‘in the modern world’ mv.

“Mitchell embodies the track’s deep emotion conflict heard when the band sings: I feel alive / In the city / You despise / Wait for the day / When you come / Riding on by / Seems so hard just to be / If it matters / You complete me.”

“Throughout the video, Mitchell literally fights his off in a series of suspense car jujitsu matches.”

“After narrowly defeating foes (…) Mitchell just barely makes it home to fight another day. Isn’t that the sad story of life?”

KNOTORYUS about the ‘in the modern world’ mv.

“You need a good actor to get [carjitsu as a physical manifestation of emotions] across in just a few minutes of sweaty seatbelt-choking action, but Ewan Mitchell is the right man for the job. Nailed it. Pinned it. Heel-hooked it.”

PROMONEWSTV about the ‘in the modern world’ mv.

“The director who made her music video debut with the intense drama of Here's The Thing (after her acclaimed feature debut Hoard) quickly returns to duties with the Fontaines with an extraordinary piece of work for In A Modern World: a surreal comedy-drama, featuring an incredible central performance from Ewan Mitchell (House of the Dragon, Saltburn) - as a character engaged in the netherworld of a very niche, indeed bizarre and dangerous sport.”

“It's car-jitsu - jiu-jitsu, within the interior of a car.”

“Invented just a couple of years ago, in Chicago, Mitchell's character is the protagonist through which Carmoon explores an absurd yet compelling experience.”

“At first, its just the raw, explosive physicality involved of clashing bodies within a ridiculously small space - which is surprising and hugely intense in itself.”

“Then the director adds another dimension to the brutal clash of bodies - what is happening outside the car, the voyeuristic relationship of passers-by who become the audience to Mitchell and a succession of combatants, a kind of sexual frisson that is created through the intensity of the action.”

“The parallels with another in-car activity is undeniable.”

“It's Fight Club crossed with dogging.”

“Horrible, painful to watch yet hilarous, it's mesmerizing stuff, a fever dream.”

“And it's hard to undersell how good Mitchell is in this.”

“Or how impressive it is in terms of the vision and world creation by Carmoon.

“Just great.”

NME about the ‘in the modern world’ mv.

“Directed by Luna Carmoon, who previously shot the video for ‘Here’s The Thing‘, the video stars Ewan Mitchell (House Of The Dragon, Saltburn) and sees him jump into the brutal, passionate and fetishistic theatre of a Car Jitsu bout.”

[mercurygray]

Friends, I have failed you all. I've seen a lot of posts over the last week with a lot of great biographical detail about many of the flyers and aircrew who've been name-dropped so far in Masters of the Air - and I haven't seen a single thing about the one name that is directly in the center of this blog's lane.

In Part 2, returning from their mission to Trondheim, Cleven and Egan walk into the Interrogation hut and Egan accepts a cup of coffee from a woman he thanks as Tatty. Later on, at the dance, James Douglass remarks that he will be 'coming in hot' on one of the American Red Cross women on the other side of the room, and one of his friends asks "General Spaatz's daughter? Or the other one?"

Katherine "Tatty" Spaatz was a member of the American Red Cross Clubmobile service and the daughter of General Carl "Tooey" Spaatz, who commanded the Eighth Air Force on its move to England. (General Spaatz later moved to overall command of the entire Army Air Forces in the Europe Theatre of Operations, or ETO. He is, as the kids say, rather important.)

But we're not talking about him here. We're talking about her.

Katherine was 22 years old when she arrived in Europe with the Red Cross. (One of her traveling companions that trip was Kathleen Kennedy, daughter of former U.S. Ambassador Joseph P Kennedy Sr., also coming to serve overseas with the ARC.)

The American Red Cross's mission in Europe had many facets during the Second World War - in addition to activities we might think of today, like collecting blood, providing disaster relief at home and running first aid seminars, they were responsible for collecting and distributing packages for Prisoners of War.

They also operated large canteens like the Rainbow Corner club, a recreational facility in London where soldiers on leave could get a room for the weekend, a bite to eat, and a number of other amenities. Smaller clubs called Donut Dugouts provided a space where a serviceman could always be assured of a cup of hot coffee, a donut, and a pretty girl to talk to, specially recruited for being friendly, fair, approachable, and specially trained to be the girl next door overseas. In addition to these more permanent installations, they also operated the Clubmobile service, a mobile version of their popular Dugouts that moved operations into retooled Green Line Bus Company buses to take donuts and a taste of home to the front line.

Tatty, as she was called, worked on the Clubmobile "North Dakota" along with Julia "Dooley" Townsend, Virginia "Ginny" Sherwood, and Dorothy "Mike" Myrick. Life Magazine did a full article on their clubmobile in February of 1943, which you can read online at the link. There is another lovely blog post with pictures here. She also worked for a time in a more permanent post at the USAAF base at Snetterton Heath, and was later sent to France. You can read a little bit more about her and see more pictures at her bio page at the American Air Museum in Britain website.

If you'd like more information about Tatty, Helen, and women like them, as well as the Clubmobile service, consider reading the following:

Slinging Doughnuts for the Boys by James H. Madison Battlestars & Doughnuts: World War II Clubmobile Experiences of Mary Metcalfe Rexford War through the Hole of a Donut, by Angela Petesch Goodnight, Irene (fiction) - Although this is a novel, it is based on Luis Alberto Urrea's mother's time as a Clubmobile worker and her personal papers.

[fuckyeahgoodomens]

The Good Omens Article From the TotalFilm Magazine, Issue August 2023 :)

POST APOCALYPSE GOOD OMENS The heavenly and hellish creations of Gaiman and Pratchett ride again…

Having averted Armageddon, angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant) have settled down to the quiet life in London – but the arrival of a familiar face shakes things up for everyone.

Season 1 covered events in the novel you wrote with Terry Pratchett – what was the inspiration this time?

Neil Gaiman (showrunner): Terry and I were sharing a room at Seattle’s World Fantasy Con in 1989 and, by the end of one night chatting, we had a huge, apocalyptic sequel to Good Omens. Season 2 is all the stuff we had to put in place before we could get to that sequel, and it starts with the archangel Gabriel [Jon Hamm] wandering through Soho, with no memory – a mystery that doesn’t have giant consequences for the universe, even if it does for Aziraphale and Crowley.

What has changed between Crowley and Aziraphale?

David Tennant (Crowley): Aziraphale is a much more enthusiastic detective in this mystery and, as with most things, Crowley is reluctant to get involved or to exhibit any kind of energy or enthusiasm, so he’s dragged into it. They no longer have to report to head offices, so they’re in this slightly grey area – neither supernatural, nor of the Earth.

Michael Sheen (Aziraphale): They’ve always been the only two beings who could understand each other’s position, but now they’re slightly freer agents so they’re pushed even closer together. It’s an interesting dynamic.

Maggie and Nina, you’re back too – although not as satanic nuns this time…

Nina Sosanya (Nina): No – we’re two human women! Nina is slightly cynical, churlish and owns a coffee shop, Maggie runs the record shop and she’s rather sweet and hopeful. It’s an ‘opposites attract’ thing and Neil kindly gave the characters our names so we couldn’t say no.

Maggie Service (Maggie): Aziraphale is still running his bookshop, but he’s also Maggie’s landlord. She thinks he’s the best because he lets her stay on and doesn’t really mind if she doesn’t make too much money. Maggie and Nina act as catalysts in a way, when Crowley and Aziraphale get involved in their relationship.

Neil, you’ve had some writing help this year…

NG: That’s right. We have three 25-minute ‘minisodes’ within episodes. You learn Aziraphale and Crowley’s part in the story of Job, written by John Finnemore. Cat Clarke takes us to 1820s Edinburgh for a tale of bodysnatching. Finally, Jeremy Dyson and Andy Nyman reunite the League of Gentlemen, because I fell in love with Season 1’s Nazi spies and kept wondering what would happen if they came back as zombies on a mission from hell to investigate whether Crowley and Aziraphale were fraternising. That story involves the Windmill Theatre, black market whisky, and a bullet catch…

[sgiandubh]

Hi! 

Fitness Anon here…

Just had to run a few errands this morning and there I spotted him - I will call him ‘local S’. Whoever he is, is not really important at all. It is about the perception - or the non-perception“ - of the  ‘rest of us’ towards him. 

He is an actor who lives in our neighborhood with his family - played leading roles in some TV series in the last 20 years and also plays theatre frequently. I think he has the same level of recognition C and S may have in Scotland. 

The first time after moving here I met him at the post office. But with a toddler and a crying baby in tow I did not recognize him immediately. A few weeks later a friend of mine (who grew up here) and I went to a park with our kids and  ‘local S’ jogged past us. I asked my friend if he was the one I thought he was. She looked a little bit confused at first and then said: Yes, and he is living here since a few years! Nothing else - no chatting, no gossip - nothing. And that hasn't changed to this day.

‘Local S’ lives here and is part of our community. None of us would think of taking a photo of him waiting in the line at the local bakery or anywhere else. And we certainly wouldn't post anything on social media about seeing or meeting him. None of us are impressed when we meet him or ask him for a selfie. It's also not a bad thing that none of us here are interested in 5 minutes of Instagram fame.

In the situations where I meet him, I never realise him as an actor and semi-famous. Because his every day appearance is completely different from his TV roles. In his most well-known TV role, he had to wear an unusual costume like Sam. So when you see hin in his normal attire, he looks totally different.  

I meet him in normal everyday situations, just as I do with many other people. This could be one of the reasons why we don't consider the ‘local S’ to be famous. Meeting him in a jogging suit, sweating and buying rolls has nothing glamorous at all. The other reason is probably that he doesn't appear to be recognised as someone famous. He lives a completely low-key everyday life. Sometimes he is featured in the relevant magazines to promote his TV roles. As far as I'm aware he hardly talks about his life at home there, only about his projects.

What I have just described probably also widely corresponds to Sam's (and C's) life in Scotland. They are known in their community and neighborhood. However, it is not considered that an appearance of them is a sensation. They are part of the everyday life there, just as ‘local S’ is part of my everyday life. And that is not glamorous or exciting - neither in Scotland nor anywhere else in Europe or in the world. That's why probably little or nothing is known about their everyday lives at all. 

Dear (returning) Fitness Anon,

EVERY SINGLE WORD OF WHAT YOU WROTE. And then, some more.

While living in Paris, I spotted (not necessarily in that order):

a) Kristin Scott Thomas, at the (now defunct) posh, Waitrose French wannabe, INNO supermarket, in Montparnasse. Her caddy chock-a- block full with Tŷ Nant Welsh spring water (very classy cobalt blue bottle and a novelty, in 1997). Now, The English Patient is easily in my top 5 movies. I chuckled in my Barbour and quickly busied myself with paying and getting out of that store ASAP. Everybody knew who she was - TEP's movie posters were all over town and in each and every métro station. Nobody flinched.

b) Daniel Auteuil, one of my favorite French actors. Formidable in Patrice Chéreau's La Reine Margot (and pretty much everything else), insane chemistry with the beautiful Isabelle Adjani. He was hailing a taxi, somewhere near Avenue de la Motte-Picquet, steps away from my flat, circa 2001. I grinned like an idiot and passed my way.

c) Catherine Deneuve, The Legend. I already wrote about it, a while ago. We were in line, at the movies, I (loudly) betted it was her and she smiled. That's all. And that is all it should be.

About my Greek experiences, I have written here, by the way: https://www.tumblr.com/sgiandubh/748463393458061312/im-interested-to-know-whether-you-came-to-enjoy?source=share . Even in a warm, expansive Southern European country nobody gave a flying duck, ever. Just humorously mentioned seeing them having coffee around town, while gossiping, Nothing more.

You'd have to be overly obsessed and/or really parochial to think people who live in the same neighborhood with actors, business tycoons or politicians would ever give a damn about it, every single time they spot those people somewhere.