#This was actually meant to be about their ship dynamic and detail some specific scenarios but it quickly became a rant about BACKSTORY LORE

[anoddopal]

🐰 Thoughts: [Pre]Alabasta/Alabasta Arc

[WAIT A SECOND OFFICER! I CAN EXPLAIN MYSELF! ➡️ The ritalin tells me what to write and I just spew out nonsense as it comes to me. Anyway, here goes a stim-induced attempt to express a bit more about how these two became an item.]

[POSSIBLE TW: One mention of n00dity, also kinda ominous language towards the end... Listen he's a liar but aside from that they go on to have a very unproblematic relationship!! He just has to be knocked down a peg first!!]

It all starts when Bun-Bun Silva is hired at Rain Di.nners [not Bar.oque Works] to care for the Banana Gators/Ban.anawani that surround the establishment. Prior to her filling the role, it was a difficult position to fill. A job like that isn't exactly an opportunity many people would jump at-- save for a smiling local who seems much more interested in staring at the beasts during the hiring process than looking another human directly in the eyes for longer than necessary.

She takes good care of those gators. Excellent care. She’s happy to show up to her job and do whatever is needed. There’s never a complaint from her end. A bit of a quiet enigma- Silva doesn’t talk much to anyone she crosses paths with at the casino, staff or otherwise. As he does with all of his employees, Cro.codile keeps tabs on her, especially since she’s responsible for the health of his beloved pets. Sometimes the warlord overhears her chattering away to herself/the ban.anawani… she says more to them in a day than she’s ever said to any person at Rain Di.nners during the several months she’s worked there.

She has to be some sort of spy. He’s certain of it. Nobody is that enthusiastic about working with a species of animal that most people run screaming from. This is all a sad attempt to infiltrate his organization.

But after calling her into his office for a little talk he realizes that there’s nothing malicious going on. She really is just a completely innocent, if not eccentric person. And once he asserts that fact, Silva is dismissed.

Or rather, she would be under any other circumstances. Normally, Cro.codile wouldn’t bother with more one-on-one interactions. He’s not a person who entertains potential wastes of his time.

But there’s a lot more going on there than she lets out during that meeting. He can tell. He just can’t tell what it is. And that bothers him. Cro.codile can see how well she works with his pets- the gators are unusually affectionate and happy when she’s around. Silva can also be assertive with the animals, something that’s needed to maintain a safe dynamic with the apex predators. Cro.codile… appreciates that. [He’s not keen on anybody knowing but he is a big animal lover!!]

An offer for dinner is placed on the table. An offer that she almost doesn’t take. An offer that leads to a tension-filled first ‘date’. It becomes apparent to the pirate warlord that this isn’t going to be easy. Silva will not make it easy. Those big brown eyes constantly flutter over him; an attempt to figure out what’s going on in his head, just as he’s trying to figure out what’s going on in hers. Despite how sweet Silva can be, she’s equally as prone to scrutiny. There's a nervousness that radiates off of her, a hesitant wariness- she doesn't want to make any wrong moves. Yet at the same time she will not grovel or cave. Huh. In a way it almost reminds him of his own general caginess. The both of them aren’t keen on letting just anybody in. Someone has to be special for that to happen. The other party has to prove that they’re worth it.

That’s okay. Crocodile can wait and see. He's been patient over the last few years in regards to his scheme to overtake Al.abasta anyhow- why not divert a little in his free time? Everything is going according to plan. In the end, he's always in control.

The courtship undertaking is a give and take. Little tidbits of insight bubble up more and more over time. And they're... peculiar perceptions. It’s not often that somebody manages to catch his eye. And it’s certainly not normal for him to take a legitimate interest in someone who touts a lot of the traits he claims to despise.

Annoying. Weak. Soft. Pathetic. Naive. A bleeding heart.

Yet at the same time; Guarded. Private. Careful. Just a bit cynical/jaded. Even a bit of a misanthrope.

Ah... she's just enough of a realist to know that notions such as fulfilling dreams and obtaining justice are novelties few can afford. Yet her acknowledgment of how sobering reality is does little to crush her stubborn optimism. The world should have crushed someone like her long ago. And while while it certainly has bent her, she refuses to let it break her.

Humans are hypocritical in nature. Sir Cro.codile is no exception. Ironically someone like Silva - someone with so many facets he’s incapable of appreciating in others - is exactly the type of person he can trust with his life. With his secret. As a consequence of the connection between them continuing to build, that’s exactly what he ends up doing.

Silva doesn’t worship him like the hero the rest of the country thinks he is. She doesn’t shrink in terror because of his warlord status, either. Instead she’s curious about the man behind all that. Someway, somehow, she manages to point out his “positive” traits. She values his person in a way nobody ever has before. Cro.codile can’t help but let a thin lipped smile spread on his features every time they’re alone together.

When he isn’t dealing with his shady enterprise or mummifying invading pirates, he ardently seeks her out. She’s endearing to him. The way she likes to hide under his plush fur coat. The way she holds his rough, calloused hand. Hell, sometimes she even reaches out to hold his hook. When he’s trying to catch up on mundane work she often hangs out in his office, sprawled out on a chaise lounge while she babbles away about whatever is on her mind. [There are many, many conversations about animals that take place between them!] She has a penchant for sass and playful banter, but Crocodile finds himself uncharacteristically unbothered by it. There’s something about her audacity that he finds amusing. He hardly minds the misguided nagging. Something lurches in his chest when she places tiny kisses along the length of his facial scar. There’s probably a corny phase to insert here about how pirates adore their treasure, but in Cro.codile’s case? He absolutely covets her. If anyone dared made her feel uncomfortable he’d reduce them to nothing more than a dried out husk.

Silva makes him feel so… so… well, she makes him feel. There’s a certain kind of power she holds over him; the power to worm her way into his thoughts, his life, his heart…

… How did this happen? How could he have let himself become so weak? He’d resent her if he didn’t love her so much.

It wasn’t supposed to play out like this. He wasn’t supposed to get in this deep. She was an anomaly; not part of the plan. This has all gone too far. She doesn’t even know about his master scheme- Cro.codile makes sure he keeps his work life and his love life separate. Silva only knows as much as the general population of Al.abasta does as far as his profession goes. He’s smart enough to know that she’d recoil from him if she knew that he was methodically bringing her homeland to ruination. It’s best to let sleeping dogs lie, he figures. How ironic was it - that the very person who knew the absolute most about him - had no idea as to what would occur because of him in the near future?

She’ll know soon enough, he tells himself. On that night she’s curled up next to him in bed, with nothing but his green fur coat to cover her naked form. A pretty gemstone ring glimmers on her left ring finger; opal and rose gold, just like she told him she wanted. All Crocodile can do is reflect over how she managed to best him. A feat that nobody before her had ever been able to achieve. His vision for the future changed the very minute she came into his life. He can admit that [to himself]... Part of him was aware of that from the very beginning.

That doesn’t mean his objective to usurp the Kingdom of Al.abasta is going to be thrown to the side. Rather, he simply adjusts his plan to include her in it. Not that he’s going to need a queen, but he’d love nothing more than for her to be his. How romantic.

It’s not like she’d reject the idea. He’s confident Silva is far too loyal to detach from him once everything is said and done. She's just as invested in what they have together as he is. What’s she going to do? Say “no”?

[Huh? Well of course he’s still an awful person. What- did you think the power of love was enough to change the man?]

Of course, the course of events don’t play out in Sir Cro.codile’s favor. He's defeated and sent to Im.pel Down. Al.abasta is saved. Silva packs her bags and leaves her home to find a new place in the world. They’re [as far as they know] separated permanently. It's over.

...

Or maybe... maybe it's merely a little break? Maybe fate has something else in store for the both of them... an inevitable unconventional crossing of paths? A reunion of sorts?

...

Maybe it's really only just begun. >:3

[rosesloveletters]

Self-Shipping Reference.

I have been debating on creating a self-shipping reference for these two, but since I am certain of our dynamic at this point, I wanted to delve right in; I love Will and Jakob so very much and I wanted to create a little collection of our relationship like I’ve done before in the past. Most of all, this is for me so that I can have it as a reference, so there is absolutely no obligation to interact with this post. If you do, thank you for showing us so much love and care, I really appreciate it more than anything. This community is so welcoming of self-shipping and that means a lot to me<3.

last updated: June 17, 2021

please do not read if you are not interested in or comfortable with self-shipping.

word count: 2,908

Ship name?

Our collective ship name is Grimmrose, for obvious reasons (my poly heart can hardly take it😭✨💛) 

I do not feel I should need to say this (as it should already be implied), but since I do not want angry anons in my ask box about this, I will state: Will and Jakob are not romantically involved in our dynamic; the love they have for each other is familial only. They both share me, but that is as far as it goes. There is absolutely no incestuous aspects of our relationship. 

Date you got together?

Jakob: May 26, 2021. The open honesty and security within our vulnerabilities were what prompted Jakob and I to jump in headfirst. We knew how we felt almost immediately; Jakob believes in love at first sight and I value that sentiment. It was a mutual understanding that the two of us were meant to be together (even if I hadn’t already known, the darling would have convinced me - he is extremely persuasive and given to a dreamer’s mindset.) The two of us easily came to an agreement on beginning a relationship because of how similar we have found ourselves to be. It was not difficult to access what each other was thinking and how we chose to approach those thoughts and feelings. Jakob is driven by those, after all, and his bright spirit and general interest in the things that cannot be so easily explained drew me to him. 

Will: 

Platonic:  May 26, 2021.

 Romantic: June 14, 2021. 

Will was, to my surprise, not as difficult to access as I expected. He has a much different personality to Jakob’s; the two are near opposite ends of the spectrum. Will’s mission has been to protect Jakob, mostly from himself, but Jakob does not understand that the reason Will is so hard on him is because Will feels helpless around him. Jakob’s mind is so bright and open, while Will does not understand how to compete with that nor how to understand or fit into Jakob’s world of folklore and mythical, magical beings. He feels weak in comparison to Jakob’s spirit; Will values my ability to cross those lines and connect with both him and Jakob. Will has never known another to be so well-suited for his brother and he is respectful of how we interact, since until now he has been the only one who has been able to reach Jakob. We were platonic for several weeks out of respect for Jakob, but soon entered into a mutual agreement to share the love that we all have for each other; the brothers agreed to share me since they have both developed such strong feelings. 

Favorite personality trait?

Jakob: His sense of security within vulnerabilities. Jakob is more given to childlike excitement and the thrill of action whenever it is of a magical quality. He fidgets, has a distinct nervous energy/uncomfortable body language, a clear mind but one that fancies fiction over reality. Whenever he drinks, he’s giddy and excited; the only one who can get through to him in these moments are Will and I. The thing is, Jakob has never tried to be anybody but himself. He is aware that these qualities are not valued by the vast majority and are perhaps seen as weaknesses or even are simply frowned upon (much of this he experienced as a result of the way Will treated him over the years), but even all of that has never caused his personality to shift or made him close himself off. Jakob has always found security within who he is, regardless of whether those around like it or not.

Will: His protective commitment to those who he loves. Even though Will canonically admitted his frustrations over Jakob and how he “hates” his younger bother, stating how Jakob “drives him mad”, he is fiercely protective of him and committed to maintaining their relationship in spite of any disagreements or arguments. Will does not give up on those he loves. Even though it would have made sense for him to toss Jakob into the streets and leave him if he truly hates him, but Will does not. Despite his confession, he has never actually hated his brother; Jakob makes him feel weak, helpless and inferior because Jakob’s comprehension of things beyond Will’s understanding or compulsion to understand or look beyond what is right in front of him is too different and unusual to him. 

Favorite physical trait?

Jakob: His eyes. Jakob’s eyes are so expressive; they sparkle in the light and his irises twinkle. His soul appears as if it were made from stardust and every bit of him glows. His eyes reflect the innocence and playful mischief bound within him; he is a dreamer at heart and his eyes mirror that. 

Will: His smile. There is a scene when Jakob and Will first arrive at Marbaden and they are confronted by the townspeople with weapons, uncertain of who these two strangers are, and when Will tries to explain who they are his smile is simply dazzling. I believe that was the moment I found myself in love with him; I have not seen a smile so bright in a long time. Here’s a screenshot of his smile (Jakob’s expression in the background is so funny😂):

Couple song

We do not have a couple song yet; we have couple albums. 

Taylor Swift’s albums Folklore and Evermore are sister albums, so it only makes sense that they are representative of the two brothers respectively: Folklore for Jakob and Evermore for Will. 

Both albums are suited to the three of us; the feelings provoked from both establish the tone of our relationship. 

Pet peeves…

There is only one: their constant bickering/arguing and fights. It is natural for siblings to fight, but the longer I spend with these two, the more consistently they seem to fight in front of me. I do not believe the fighting affects their relationship as perhaps it did in the past; they seem very content, even after they’ve been fighting a while, and neither of them holds a grudge anymore. 

Favorite outfit on them?

I will share photos since it would take some time to explain in enough detail; I am a sucker for older/medieval clothing (perhaps this is why this movie spoke to me in such a way?)

These are my favorite outfits of theirs:

their armor is a close second, because it really makes me laugh:

Favorite meal?

Jakob: This bit is indicative of all of us and I was the one who introduced the brothers to this meal - vegetable soup; beef/broth, noodles, peas, carrots, tomatoes, corn, green beans, potatoes. The brothers are used to eating whatever is being served them at the pubs they visit and the inns at each town they stay and, needless to say, are not often prepared a meal especially one to their specific tastes. The first time I made this for them, they ate heartily and it has been their favorite since. 

Will: This is less of a specific meal and more of a eating habit of his, but Will is partial to sweet treats and desserts of all kind. His favorite treat is soft bread with a sticky, sugary glaze (wait until I tell him about glazed donuts😂) 

Early bird or night owl?

Neither of the Grimms are particularly one or the other. They both have been known to stay awake all hours of the night for one reason or another; Jakob stays up writing most nights when brand new ideas flood his mind and prevent sleep. He works whenever inspiration strikes and if that is the middle of the night, then Will or I will find him hunched over his desk, pen scratching away across the page as he squints to read what he has written under the low candlelight. 

Will stays awake late born out of a habit he has yet to change. He does not like to sleep very soundly until he knows that Jakob and I are either asleep or keeping each other company; Will takes responsibility of us quite seriously. Since we’ve begun a relationship, they do not go out as much as they once had and when we do, they are awake nearly the entire night and whenever they crash, they are both out cold. 

If I wake up throughout the night, Jakob sleeps so soundly that he would not know (he wears earplugs if we’re staying at an inn because the noise bothers him.) Will always wakes up whenever I do; the shifting around wakes him, but he does not usually open his eyes or speak to me until I come back to bed and he settles me back into my spot. 

Snorer or sleep talker?

Jakob: SLEEP TALKER! Jakob talks in his sleep nearly every night, most especially if he has had something to drink beforehand or if Will has gotten under his skin about something. Stress/anxiety also trigger it; I don’t hear him often, because he only does it in a deep sleep which is usually whenever I’ve already fallen asleep. 

Will: Will does not snore or talk in his sleep; he is unusually quiet, however, he will groan or mumble softly if he’s turning over or something like that. He does not move a lot when he’s sleeping either. 

Do you have any pets together?

No, our lifestyle is not suited to pets, unless horses used for transportation count. 

Pet names! (Both from them and yours for them)

Will’s for me: little one/little girl, peanut

Jakob’s for me: sweetheart, darling, lover

Mine for Jakob: Jakey, Beanstalk (turning Will’s mean comments into something sweet💕), Dreamer, Sweetie/Sweet One/Sweet Baby

Mine for Will: Blondie, Prince Charming (only in certain scenarios)

Ones Jakob and Will use collectively for me: Briar Rose, Rosebud, Unicorn, Beauty/Belle (a play off my favorite fairytale), Princess

Ones I use collectively for Jakob & Will: Grimmy

How often do you fight? What starts fights?

I have yet to have any fights with either of the brothers (though I have had mild disagreements with Will over the way he speaks to Jakob.)

Jakob and Will fight often and about everything, but more often than not, the source of the argument is their personality difference. Their interests clash significantly and they find it difficult to coexist at times because Will feels he must fill the role of Jakob’s caretaker, while Jakob simply wants Will to be his brother and believe in him. 

I usually do not get involved in their squabbles unless Will speaks out of turn. He can be somewhat hateful in the remarks he makes to his brother and I am not afraid to set the record straight. Jakob has gotten much better at standing up for himself; he is not afraid to get physical if things escalate to that point, though I have yet to see them lay a hand on each other. Jakob knows that one swift punch is all that he needs to deliver for Will to fall in line and understand that he is serious; he saves them for when he needs them and has only punched Will outright one time, that I am aware of. 

Who apologizes first?

This depends on who feels they are “wrong”. Will does not like to apologize, so usually it is Jakob who initiates the apology. Occasionally, neither will apologize and it is implied that they both have and things will continue on like normal as if nothing ever happened (this is best case scenario.) 

I have not known them to simply not apologize to each other for wrongdoing; Will has apologized to Jakob on a number of occasions where I have been present. If Will apologizes, it is usually for speaking too harshly to Jakob or bringing up the “magic beans” he has terrorized Jakob with for years. 

Big spoon or little spoon?

Jakob: Jakob adores being the little spoon. Even though he likes to hold onto me at night, nothing seems to compare to being held. Jakob has gone the majority of his life without being shown affection and tender love; he is so touch-starved that he asks to be held almost every night. 

Will: Will is the only F/O (aside from J) who I allow to be the big spoon on a regular basis. I trust him implicitly and know that he will keep me safe; he likes to hold onto me while we sleep so that he knows and can feel he isn’t alone. He does not like to sleep whenever it is too cold and he wants a warm body pressed against him. 

Dom or sub?

Jakob: Submissive.

Will: Dominant.

Will has had his misgivings over Jakob and I, both being submissives, entering into a relationship together, but it has not presented an issue so far. Most of the time, Jakob and I love all over each other so it doesn’t matter one way or another😂 It is rare for Jakob and I to be sexually intimate. 

Will takes on the more dominant role, since he has been so with Jakob over the years of their lives before they’d met me. Will is the nurturer and takes care of us both; he remains protective of us despite certain insecurities and fears. Will takes on more of the sexual responsibilities of their relationship with me because of his experience with women.

What are their kisses like?

Jakob: Jakob’s kisses begin as achingly shy, reverential ones that develop into slowly sensual, spontaneous or exploratory ones. Jakob likes to hold my hands when we kiss and I like the way his facial hair pleasantly scratches my face; he is always extremely gentle and never oversteps. I especially love when he kisses me with such eager impulsivity that our cheeks turn red and we laugh when it’s over. 

Will: Will’s kisses can either be covetous and greedy, fervent, and deeply passionate or chaste and flirtatious. He always cups my cheeks, chin or tangles his fingers in my hair at the back of my head while kissing me; his lips often taste sweet or sugary from how often he indulges on sweets. My favorite of Will’s kisses are the languid, open-mouthed ones when he uses his tongue. 

What do they smell like?

Jakob: Parchment, books and ink, candlewax, earth just after it has rained, sweet basil, a vaguely sweet musk, warm skin.

Will: Warm sugar, sweat/spicy musk, pine, flame. 

What are their hugs like?

Jakob: Bear-like, full-bodied, fiercely affectionate and warm. 

Will: Long, tight, unexpectedly powerful and almost needy. 

Who is more protective?

Will. 

Both brothers are fiercely protective of me and I know that, in spite of their differences, neither would ever let anything happen to me. As long as they are facing danger together, they would willingly take on any enemy (Jakob would never let Will face danger alone and vice versa.)

Interested in children?

No. Will says that Jakob and I are enough like children as it stands😂

Who needs the most TLC when sick?

Will AND Jakob. They are both huge babies whenever they are sick and all they want is to be taken care of. Surprisingly, they bicker a lot more whenever they’re sick; mainly, they fight over who gets to cuddle me first.

Whenever I am sick, I tend to react the same way and the brothers are more than obliged to take care of me in any way they are able. Will takes the more ‘hands-on’ work like fetching me a drink, food, blankets, etc. and helping me move about as I need. Jakob does not like to leave my side and he will not do so unless instructed by Will and he will fetch me whatever is needed and then return to cuddle with me. 

Who says ‘I love you’ first?

I was the first one to say ‘I love you’ to either of the brothers. I told Jakob first; we nearly admitted it at the same time. We knew how we both felt upon the first of our meetings. 

It took me a while to say ‘I love you’ to Will. Our relationship began platonically; I did not feel comfortable saying so to him until I spoke with Jakob about it first. Intuitive of human emotions is he and he was already well-aware of how we felt about each other and, with his blessing and consent, the brothers agreed to share the love and, well, me. 

Which of you is more accident prone?

I bet you’re thinking either me or Jakob. WRONG! It’s Will. Jakob and I are very steady on our feet because we are full of rambunctious energy; Will is more laid back than either of us and he gets more indignant whenever he does accidentally hurt himself. 

Bed hog?

Jakob is more of a bed hog than Will or I. He is consistently moving around in his sleep, talking, etc. There is one unspoken rule: Jakob sleeps on the left side of the mattress, I am in the middle and Will is on the right. Both use me as a barrier and do not cross to the other’s side of the bed at any point and they each take turns cuddling with me until we all fall asleep. 

Who loves the other the most?

As if it even needs to be said, we all love each other equally, but in different ways. Jakob’s and Will’s relationship and love for each other is strictly familial, while the brothers’ relationships with me are both romantic. 

Will understands and accepts that my relationship with Jakob takes priority, as we began ours first and I am unspokenly Jakob’s above all else. Any and all major decisions are made between Jakob and I; we of course always consider Will’s emotions, well-being, etc. but Jakob prefers to take the reins in terms of calling the shots, in spite of Will being the dominant and more protective one. He feels like Will owes him this and Will is happy to allow his brother this courtesy, considering this is Jakob’s first true relationship. 

[darkpoisonouslove]

Hey! So I’ve been loving your fics and was wondering what drew you into GriffinxValtor as a ship, especially with that dynamic where Griffin is the more dominant one (especially because most fans see Valtor as being dominant.) Your writing of them is so interesting and I actually really am loving the dynamic despite not being very interested in them before.

Hi there! I’m so happy to hear that you’re enjoying my stories! It is especially flattering to hear that I’ve interested you in this ship because it has taken over my life and I’m always happy when I manage to convert someone. XD

Now as to how I got into it, that might be a bit hard to pin down because at the time I a) didn’t think much of the ship except that it was interesting and I couldn’t have imagined that it will be the OTP consuming my life and b) I was suffering some health problems and I do not really remember the exact circumstances of how anything happened. I know I caught an episode of Winx on TV and then started a rewatch of it. Reaching season 3 (specifically 3x10), Griffin and Valtor’s backstory caught my eye. In my opinion, their shared past made more sense if they had been a couple so I started from there and ended up with two fics. One of Griffin’s feelings on being trapped and one set during the days of their partnership. I thought that would be it but I had more ideas and a couple lovely comments encouraged me to write more so it was all a landslide of fics from there. Writing more led to more thoughts on their backstory and I just started developing it which made me come up with more fic ideas.

The way I explain my interest in this ship is mainly the tragedy of it but not just for the angst. I love the idea of the moral dilemma that Griffin would have faced if she was in love with him but had to leave him for the greater good. Even more considering she’s a witch and you assume that dark magic users are looked down on (which has been implied multiple times in the show). It makes for a delicious conflict of loyalties and a much better story than if they were simply partners. And on Valtor’s end being in love with her humanizes him and shapes him up to be a more three-dimensional character. There is a dichotomy in his priorities as well and conflict between Griffin and the power he wants even if it is less prominent than hers since he probably never realized there was a problem there before she left and after that, there wasn’t much of a choice to make. I think it suits him to have his main conflict centered around trust that was broken after her betrayal and that having hurt him a lot (since he doesn’t seem the type of person to trust easily and it would’ve meant a lot to trust her which would have led to intense rage and hatred). Imo that version of things is much more interesting than any other possibilities as it strengthens their arcs and characterization and gives them clashing feelings that make everything more complicated and interesting to explore. It’s simply the better story that the show never directly rejected and even somewhat hinted at,

That was what initially intrigued me about them in canon but then the AUs started raining on me and there were countless other scenarios to explore. The Domme AU in particular was totally random and I’m putting it on the fact that it was during finals when I have no time to write so I get all these crazy ideas since my creativity is not released into anything. My mind starts entertaining any and all scenarios and things can quickly get out of control. This specific AU actually started out very tame compared to some of my other ideas. As with above my memories of the exact circumstances are a bit hazy because I thought it up before falling asleep and the details as to how I came up with the idea are forever lost. I first had the image of Valtor getting handsy at an inopportune time and Griffin reminding him of the protocol in situations like that which is that his touching privileges are restricted. From there it was clear that this was going the D/s route and then I came up with the scene in which his friends ask him to introduce his “mystery woman” to them and from there it snowballed into an epic romance.

I had to get a basic sense of their characters and the hows and whys of them getting into that relationship and I ran into the question that you are asking me. How come Griffin is the Dominant? Well, she suggested trying out the entire dynamic and Valtor decided to humor her but, lo and behold! He was totally captivated by the experience. The reason he was interested in her was that he saw her razor-sharp focus and her deep care for someone and he thought that he'd love nothing more than to be the center of her attention. And letting her dom him makes her that much more focused on him. That and she's also challenged his ego and his ability to control himself and he cannot lose!

For Griffin the draw is that she knows this would be a challenge to his ego and she wants to see if he can get over himself for the sake of their relationship. And well, it's also hot having control over him and making him unravel when he's always so put-together and is almost unwaveringly self-possessed. She also likes the opportunity to contribute something more to their sex life than just writhing and moaning from his ministrations.

I hope that answers your question! Feel free to ask for clarification on anything or send me any other questions! I was happy to write all this out because I love talking about my process and it always helps structure things when you write them out for someone else.

[echoeternally]

What do you do to get motivation? I have a fic that's been going on for years now. I have the whole thing drafted, I mostly know what I want to happen, though I sometimes get stuck on side details.

Motivation works differently for everyone. I wish I had one universal answer to simplify it, but it really depends on who you are and what drives you.

To help, I can give you some tools that I use to help inspire me, and maybe from that, you can find your answer as well.

Short version for that would be the following:

Books, Media, and Other Stories

Music and Art

Unexplored Territories

Rewinds: Re-read and Remind

Audience

Friends

Research

Creating Goals

Slightly longer blurbs will go under the cut to explain things.

Ok, let me explain some inspiration sources a little more. (And because each section is longer, this now is a very long post.)

Books, Media, and Other Stories: This is usually a good place to start, since you can help engage yourself to your work by getting into other things. Books get a particular special mention because writing and reading go hand-in-hand. This can be extended to comics and manga though. Media is the umbrella term for tv shows, movies, video games, and other forms that entertainment take to portray stories of different kinds. Other stories themselves are meant for the less conventional venues to explore, like articles or history, or even other fanfics as well. Each source has their own story to tell you, and by looking into things, you can find how storytelling flows from each of them.

It doesn’t have to all be good stuff either. Maybe you hated the latest episode of your favorite cartoon or tv series. There was a book you finished last week, and it just completely fumbled the ending into a mess. Perhaps history was duller than dirt. Think you can come up with something better to tell? Great! Then fire up and get into writing how you’d do it better.

Music and Art: Another good spot to rouse creativity. Music and art tend to help bring about some life into you that stoke your creative fires well. Both are broad to describe, but they each have a lot of forms to them, so you should go with what you like to delve into. For example, art doesn’t strictly have to be fan art for fanfics; maybe there was a cool painting you remember from a museum that you wanted to recapture or explore. That can be useful. Same goes for music, as maybe there’s a song’s lyrics that you want to elaborate on, or take into a story of your own.

Personally, I prefer music that doesn’t involve lyrics. Classical music and media soundtracks (movies, video games) are usually super helpful, because they can have dramatic flares to them, and don’t always have people singing with lyrics that you end up associating with the song, which becomes a story of its own. If you can get the right tune that you can relax to, it can then help you want to create a story that goes with the atmosphere. There are all kinds of feelings that songs can stir in you, so experiment and see what you like.

Unexplored Territories: Stories are mostly not quite groundbreaking in what they tell, but rather how they tell it. Nevertheless, there are numerous less explored resources that can be immensely helpful to get into. Most people go for realistic stuff, like cultures that aren’t as primed for media representation. It’s good when you’re doing grounded things that deal with people mostly. For those more engaged in fantasy, though, you’d want to get into stuff that’s not tied for cultures, or extract it from them. Maybe you look up a list of mythological creatures and want to write about something that isn’t the woefully tiring trend of wizards/witches, vampires, werewolves, or clowns. Even changing it up in simple ways, like establishing a difference between sorcerers and witches, or having werewovles, werecats, and werebears all in one story that operate differently.

But don’t be afraid to turn to real life stuff too, especially for less explored spots. I tend to use LGBTQ+ stuff (mostly gays) to both give representation to groups that I identify with, as well as use character dynamics that mainstream media is too afraid to touch. Those two main male characters that are best friends? Make them boyfriends. That lady who seems like she’s super sexy? She’s actually asexual. I’m not telling you to specifically use this stuff, mind you, but this is an example of less explored territories that you can have a little more flexibility with. Heck, it can even simplify the story you tell with minimal changes: Beauty and the Beast’s titular characters are both female. The rest of the story plays out as follows, but it now gains brand new angles to be explored by a small change. That’s part of why I also like shipping and going for “rare pairs” for romance stories: they’re not as explored, and therefore, prime for new content that can be exciting just by existing! 

Rewinds (Re-read and Remind): A simple concept, but sometimes you can help stir some motivation by looking back over your old work. Checking back on things can help remind you of what’s going on, or can help create the desire to continue what was going to happen next. It’s basic, but sometimes just the smallest trick to help start some sparks you lost.

It doesn’t have to be a lot, either. Maybe you just wanted to write up this one scene, but you haven’t gotten there yet. Write it anyway, and then work on how you need to get there. While you’re reading over something you wrote, don’t focus on editing, but on the content. Maybe there’s this one line of dialogue that you really loved, and it’s this excellent one-liner that defines your character really well. And then that can make you want to give more to them. When you rewind and recall things you had ideas for, sometimes reviewing them can help you expand on them.

Audience: Has anyone read your stuff yet? If not, ask a few people to do so! An audience can help you immensely, because their reactions help gauge what works and what doesn’t. By giving them content to look over, and interacting with your readers as well, you can end up helping drive yourself to want to deliver more to them. It keeps things flowing nicely! (And this is why writers cry a lot about wanting feedback: it super seriously helps out in a great big way!)

Make sure to look for readers too, not just other writers. Sure, other writers can give you tips and tricks, but they’re looking at it from a similar perspective to yours: the creator’s. For readers, they’re specifically interested in consuming the content, and therefore, have different interpretations and interests for the story. They can give you opinions that other writers can’t quite so easily offer, because they can be more to the point of entertainment engagement. (Writers do typically double as readers, though, so it works out either way.)

Friends: I wanted to add a special distinction for friends as opposed to audience. Friends are nice, but are infinitely less likely to read your work. Online pals, irl friends, whichever you’re comfortable with talking to, they’re still not always the people you’ll go running to so you can grab a new reader. But that’s ok, because you have other ways they can help!

Sometimes, just telling a vague summary of things that are going on in your fic can help you get interested in telling more about it, and to others that might understand it more. Telling your friends puts you in a spot that helps you come up with ways to break down your story to its bare bones, and then what you want to do to help build it up. Another way to go about it would be to listen to stories that they have to tell you. Maybe they’re not writing, but sometimes just interacting with others can help you with developing dynamics that people can share in stories. Or events that are so out there, and you can come up with a way to create a related scenario. (No, I’m not telling you to write your friends…unless they make good characters, lol.) Even just being with friends to take your mind off of things and relax? That helps out too, more than you realize in the moment or immediately after.

Research: It kind of goes with some stuff above, because by viewing media, other stories, unexplored territories, music, and art, you’re doing a type of research. Each one presents a different medium that lets you get to know about them, and the more you look into it, the more you learn.

But the cool thing about research is that it takes you places. Websites like TVTropes and Wikipedia can take you to all kinds of weird places, but that’s what makes them great! You end up learning new topics and angles to explore, and they can help inspire new ideas by doing so, or help you restructure ideas you might think are too cliché or simply don’t work. Delving in deep can be time consuming, but also can lead to major payoffs.

Creating Goals: This one I’m not quite as sure about, because it depends on what you’re looking for out of stories. Still, it can be a helpful boost in its own way, so I’ll include it. Goal creating isn’t just something like, “Today I want to write a sentence.” That’s good to do in general, but I’m talking a little more along the competitive lines.

You’ve got a fic written up, but you’re looking to keep it rolling. Maybe you’re exploring two neglected characters from a movie and giving them a new life. But, guess what? Someone else tried something similar about two years ago. Heck. Are you going to let that stop you though? Heck no! What you do with that is see what that story nets for ratings, and plug away at trying to match them. Don’t overwhelm yourself by trying to outdo them entirely, especially the top ranking stuff. You don’t have to be the best. But you want to compare as well, so see how your content measures up. If they have bookmarked readers that stack to several hundreds, and you can net half after writing about the same characters? That’s pretty great stuff on your part! Even if you don’t have something specific to go up against? Tackle the archives or stories in general! See how highly rated you can get your stuff to be, and duke it out to be visible among everyone else’s content.

This one is really dependent on your personality type, so if you’re not competitive, don’t put stock into it. But if you get fired up about a challenge? Bring it on!

…

…

There’s a bunch of different avenues that you can look into, and different ways to help bring some motivation and inspiration into your creative mind. These are some suggestions based on angles that I’ve personally attempted, so they may or may not work for you. But that’s ok, because you might be able to come up with more ideas as well.

It just depends on what you like, what you want to do, and what stories you want to tell. From there, just let loose and explore.

But, please do keep in mind to keep yourself (yes, you) in check and feeling good. Tired? Get some rest! Hungry? Go eat! Overwhelmed? Decompress and relax. Know your five senses? Engage them all! Your mood definitely matters as well, and it’s little things that can sometimes hold you back in major ways. Take breaks, and when you come back, things might flow a little easier.

No matter what though, make sure you’re having fun! That’s what really counts in the end, above all else. Do stuff that’ll make you happy, and you’ll flourish in ways you might not even realize. These may be typical lines you’ve heard in countless places before, but they’re pretty helpful.

Again, go for it, and have some fun with the writing!

[laughingpinecone]

Yuletide letter 2018

AO3: laughingpineapple

Hello dear author, I’m glad we share one of these wonderful little fandoms and I hope you’ll have fun writing for it. The sections aren’t all of equal length for one reason or another but I love them all so much, from the classics I’ve been requesting since I started doing Yuletide (can’t have enough of those!) to this year’s shiny new findings. I tried to leave both specific and non-specific prompts for each canon and, again, I wanna see the farfetched postcanon scenario just as much as the vague one-word prompt and my general likes. Pick whatever works for you, or mix and match!

Likes: worldbuilding, slice of life (doubly so if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, canon-adjacent tropey plots , outsider POV, UST, exploration of secondary bits of canon, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, cuddling, wintry moods, flannel, ridiculous concepts played straight, creating a dynamic between characters who never spoke in canon, sensory details, sickfic

Cool with: what-ifs, AUs, any tense, any pov, any rating, plotty, not plotty, gen, shippy, IF, nerdy canon references, unrequested characters popping up

DNW: non-canonical rape, non-canonical children, unrequested ships, canon retellings, consent issues

Ghost Trick: Cabanela, Jowd

General: platonic or romantic, loyalty kink here we go, in any shape and form. Night time and secrets. Out of town. Knitwear. Twenty years from now. Size difference. UST. Cabanela’s scarf being in the way sometimes. Cabanela’s legs being in the way sometimes. I have Final Fantasy on my mind a lot recently so any FFIV, VI, VII, T, IX, X, XII or XIII reimagining would be fantastic (Monk Jowd, dancer/red mage Cabanela...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy… anything fancy!

Canon-specific dislikes: Sissel not being Jowd’s cat in the new timeline (which ofc doesn’t shut out Yomiel’s unbreakable bond with his cat – as the saying goes, Sissel has four paws...), infidelity

Cabanela&Jowd or Cabanela/Jowd: I love Cabanela being fierce and dazzling bright and determined and loyal to the very end, dancing to his own rhythm, so sure of himself and of his ideas that he doesn’t even need to prove to anyone that he’s right. Too sure of the wrong idea, once, and everything crashed and burned. And I love Jowd being the immovable object to Cabanela’s unstoppable force, a self-depreciating asshole with a penchant for gallows humor that grows more morbid by the hour, and also incredibly smart (both jerks figured out Sissel’s powers better than Sissel did) and athletic and with an unsuspected talent for stealth.

I ship them dearly, as part of a triad (or Jowd-centered V...? Has it been explored?) with Alma with all the fun possibilities of the third party sneaking into the marriage and negotiating that relationship. Or adjusting to a life together with Kamila in a no-reset scenario or a what-if in which Alma was never around (please no breakups or noncanon deaths if you don't want her around).  But I also want to read all the best friends fic with the corniest, most intense found family dynamics you can muster!

Alternate scenario where it’s Cabanela who keeps his memories, not Jowd: how does that change their dynamic in the new timeline? Or what if Cabanela stays dead in ch15 like he wished he could, joins the rest of the gang as a ghost and goes back 10 years with the others and so both of them keep their memories? (with my apologies to Yomiel, whose ch16-17 redemption has just been made a lot harder by the added stowaway)

Jowd knowing how much Cabs did for him and remembering him broken and bloodied is A Lot. especially if he’s a lil into it (and mr spotless is. not really on the same page.)

Casefic! With ghosts! There could be a new ghost created by Temsik’s shards or even by some unfortunate soul dying on top of the buried meteorite. Or with their own ghost, teaming up with Sissel! There’s so much potential for tense, death-defying situations! (with make-outs afterwards, if that’s your thing)

Deathfic, until it’s reverted. Jowd dying in Cabanela’s arms or the other way round, but one of them knows about Sissel and the other does not…

Jowd’s loyalty to Cabanela being tested for once, as a change of pace.

More detailed prompts for a few FF fusion AUs: FFX, Summoner Jowd and reluctant Guardian Cabanela. Any moment of their pilgrimage could be fun (and/or tragic and/or intense), or if you like a more detailed prompt, would Yunalesca’s truths be the tipping point of Jowd’s conviction? Would Cabanela manage to drag himself and his Summoner to safety before she killed them? What would life look for them afterwards as survivors bearing forbidden truths, would they stay away from Yevon? FFTA or XII, viera Cabanela and nu mou or bangaa Jowd. I’m sure there’s a poignant plot about magic-endowing extraterrestrial rocks and political backstabbing somewhere at the intersection of Ivalice and GT. If you can see it, I’m here to read it. But I’ll be honest here, the real point here is bunny Cabs. Please consider bunny Cabs. (viera, nu mou, bangaa visual refs for non-FFTA players who might wanna do a regular fantasy AU instead?) FFVI, Cabanela faked defecting to the Empire and is a magitek-infused officer while Jowd has Blitz and... Sketch somehow? And they meet again in the World of Ruin and things are very emotional?

The Last Remnant: Any (Pagus, Maddox, Sibal, David)

General: characterization based on battle quotes, red bubble dialogues, and even their unique stat (‘authority’ is a natural fit for David but ‘romance’ tells me something new about Sibal!) Character interaction. Bit of worldbuilding. What’s another festival they celebrate? Do they erect something else instead of the Valeria Heart? Any fun discoveries down in Siebenbur? Where the hell IS Veyriel, anyway, do they go look for it and if so what do they find out? End of an age. Old bonds.

Canon-specific dislikes: strong narrative emphasis on game mechanics. Stuff like mentioning that a character leads a unit is fine, but for example listing the materials they need for their weapon upgrade would take me out of the story.

The Qsiti bunch: just give me the deets on Qsiti worlduilding and I’ll be a happy camper. I ship these three very much but I’m also invested in their friendship and in each of them as a singular character. The fact that Pagus is a goddamn catch is one of my favorite things, and he can be a smart cookie with any of the other smart cookies in the party, or be a history buff with Glenys, or tutor Yuniver. Proud, paranoid chatterbox Maddox entrenched in his cover-up stories, finding it hard to stop being a spy and relax, maybe spending time with someone very simple, like Sheryl, or a very different kind of fellow veteran like Roberto. Self-assured Sibal who probably knows a lot about the mysteries of the underground world and is also the most romantic soul out of the entire cast, talking volcanoes with Paris or discussing the Rainbow Bond with Haruko? If you also like all three of them, either as old friends or as a ship, who of them comes up with what excuse to reconnect again now that Remnants are no more, or do they drop all pretenses and admit they just want to make up for lost time? And what do Qsiti cuddles look like?

David: Post-canon, adjusting to a life without remnants - how did it feel to be bound to one or two of them anyway, and what’s it like without, and suddenly knowing you’ll be the first Nassau in who knows how long who’ll reach old age? - and without Rush. Finding support and friendship even outside his trusted Generals. I’d be interested in seeing him get closer to any unique leader you might like, I can easily see half the characters absolutely adoring him sooner or later. From the Duke of Ghor to Roberto, to sweet Zolean who knows what it’s like to lose someone dear and hope he comes back, or Rhagoh & Remnant Kate, or Paris or Jager or, eventually, even Allan… David/Rush prompts: focus on Rush’s supernatural nature, how he was a strange boy with a good heart (Things Unchangeable meant so much to me!) who ignored human social conventions because he was not in fact human. Reunion fic more than a decade into the future, showing how David has changed and with emphasis on Rush’s Remnant nature.

David & Qsiti: basically a mix of the other prompts. David is close to all his Generals but what’s his dynamic with Pagus specifically? Is he a mentor, a friend, did Pagus stop David once when he was about to do something very stupid? And what can David learn about his dear General from people who have known him since long before David was born?

Myst: Yeesha, Jeff Zandi

General: The oddest of friendships. Road trip. Desert sunrise. Desert bird shenanigans, be it with actual roadrunners speeding by or cartoon ones. Descent. An oddly shaped rock. Strangers. Shooting stars. Any line from Words.

Canon-specific dislikes: please no Yeesha bashing?

Yeesha & Jeff: He’s definitely Team Yeesha and she could definitely do with a friend, the year is 2018 and I still want fic about this unlikely duo.

How much can he really say he gets her? When did they meet? Was it when a younger Jeff was exploring D’ni with his father Elias, did that create a rift between the two?

What do they do when they hang out? Has he played the Myst games – heck, has she? Does he play Magic the Gathering like his RL counterpart?

Do they set out on a road trip because she needs to chill for a hot minute and experience for herself that whole ‘you shall seek the journey’ thing? Late night driving and liminal places could be cool. Or does she link him somewhere cool with no travel time needed?

Do they agree to meet by his camp fire once a month or something like that, and one time Yeesha doesn’t show up? What happened?

Does he get to hang out with bahro thanks to her, in the depths of the Cavern where the DRC will never be able to reach, and what’s that encounter like for him (and for her, and for the bahro)?

Maybe some relaxing time can take place after End of Ages. He’d notice that something has changed, she’s somewhat less of a depressed wreck that she used to be...

Speaking of End of Ages, was Jeff chosen by the Tablet? If so, how did he fail his quest? I appreciate Esher a lot so if you go for an EoA plot feel free to use him too.

Anything based on Uru history is great!

The Secret History of Twin Peaks: Tammy Preston

General: Character dossiers that involve Tammy more directly. TSHOTP themes being used front and center. Owls, figurative and otherwise. Tammy Fashion™. Tammy Freeform Infodump™. The risks of staring into the void for too long. Gentle illusions. The moon. Static buzzing. Any title from the s3 ethereal whooshing compilation used as a prompt, actually. AUs and fusion AUs are great for this fandom! I have Final Fantasy on my mind a lot recently so any FFVI, VII, T, IX, X, XII or XIII reimagining would be fantastic (what would Tammy even be... scholar, fencer, mystic knight...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy... anything fancy!

Canon-specific dislikes: Gordon being a harmless, fun dad or conversely having the worst intentions. Clear explanations for canonical ambiguities.

(my Twin Peaks canon-specific likes and dislikes in the next section may also apply)

Tammy: what I find fascinating about Tammy’s positioning in the narrative of the books (and of the show, but not as markedly) is that there is this whole narrative of trauma, and the circularity of trauma, even within Blue Rose and the organizations that came before it, and she stands at the end of it and learns about it all without being directly involved. She can learn from it in a sheltered position. Maybe when her turn will come, she’ll know a little better. Her name’s anagram is Praemonstrata, “Having been guided”. She’s the new Archivist, in a way. She’s the future of Blue Rose, last woman standing as soon as Albert and Gordon retire and/or vanish (and after the show’s finale, I can’t see either of them lasting long). What does it all mean, in the context of the book’s overarching theme of secrets VS mysteries and the cost of knowledge (and the show’s connections between trauma and the fragmentation of the self, and TFD’s doubling down on the general concept of shoveling oneself out of the shit, and her moving final considerations)?

What could be a test for her, something that would involve her personally and make her risk losing her way? What makes her tick - would she cross to other worlds, how, and why?

I don’t know much about aliens, but I really enjoyed how the book wove it all into Twin Peaks lore. If you want to do the same with some other bit of UFO trivia and have Tammy draw her connections, I’m interested!

The books show that she’s not only Albert’s spiritual successor as the only other rationally-inclined soul in there, she also knows Albert personally to some extent, for example that he’s a jazz lover. Have they ever gone drinking in cool (LGBT…?) clubs with fancy live music? Are they jazz buddies or what kind of music is she into (and what does he have to say about her tastes)?

What other characters or pieces of TP history would she look into? What about that Diane dossier, for example? What about Lucy? (If you have her look into Diane, please be empathetic toward her and her tulpa)

Twin Peaks: Harry Truman, Lucy Moran, Chet Desmond, Garland Briggs

This one is an OR request – feel free to only write about some of these people and completely ignore the others. There were just too many good characters in the tagset and I couldn’t choose so, you know, to hell with matchability. The prompts are for the characters on their own or with some nominated canon mates but if you have an idea for Ruby&Lucy, Garland&Albert, Harry&Naido or any other odd combo, go for it!

General: the mystery of the woods, obviously. How do they relate to the woods, what do they gain and what do they lose in the woods. Case fic but they don’t find out jack shit, someone disappears, David Bowie was there, it’s complicated. Fragmented, shifted, mirrored identities. New Lodge spaces. Still any title from the s3 ethereal whooshing compilation used as a prompt. When in doubt, add Margaret. AUs and fusion AUs are great for this fandom! I have Final Fantasy on my mind a lot recently so any FFVI, VII, T, IX, X, XII or XIII reimagining would be fantastic (paladin Harry, dancer Lucy, fighter Chet, sage Garland...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy... anything fancy!

Canon-specific Dislikes: any singular Dreamer being the ‘source’ of canon, BOB (let alone Judy) being forever defeated in the finale, Judy being an active malevolent presence in the characters’ lives, ‘Odessaverse’ being the reality layer, the Fireman's House by the Sea being the White Lodge, Naido being nothing more than Diane but since she was nominated as her own character I'm hopeful here

(my Secret History of Twin Peaks canon-specific likes and dislikes in the previous section may also apply)

Harry: Bookhouse Boy Harry both in the sense of avid reader Harry promoting literacy and vague bastion against the evil in the woods Harry. Harry getting a sword out of a pond in the woods like he was meant to but , like, in a way that’s less random kitsch and more meaningful magical realism. Harry and Frank as actual brothers but also Frank as a projection of Harry’s insecurities. Harry, Ed and Hawk as friends. Harry finding some sense of belonging somewhere, somehow.

Lucy: Kimmy Robertson said she would like to be the color blue in Lynch’s palette, if the prompt works for you. Lucy taking her time to understand and organize the world around her. Lucy with Andy (the one functional couple in all of canon, bless), with Wally, with Maggie Brown and the rest of the new sheriff’s station cast. Lucy with people who don’t usually appreciate her (both sheriffs and Albert come to mind) but have to come to terms with the fact that she’s amazing. I also like that Hawk is a first-class gossip, apparently, and so is Lucy, so if THAT prompts works for you… last but not least, she seems to have some sort of connection with the symbolic weave of reality (picking chairs when a very important chair is introduced, wondering about bunnies and Jack Rabbit palace will be relevant, Robertson said that Lynch said that Lucy perceives a lot and needs time to sort it all out) and I’d love to see it explored one way or another. If you wanna go wild with meta Invitation to Love shenanigans, Lucy could be a good POV character.

Chet: What’s his deal? Empirically, new canon draws a hell of a lot of connections between personal troubles and being jettisoned out of reality. So why did he? A friend recalls that he was named after Chet Baker and Norma Desmond, so that could be a starting point. I like to think that he manages to pull himself together at some point and make it back – how? Does he find any familiar faces beyond the curtains, like Phil? Finally, like all Blue Rose and Sheriff’s station characters, when all other prompts fail: office shenanigans. Please. Now that they’ve all been blatantly retconned as a merry gang who coexisted at some point, please give me Chet bouncing off literally any other named character in there.

Garland: He’s a good bean, almost naive compared to Doug Milford & co in TSHOTP, and I wish him the best wherever he is... the metaphysical adventures of Garland’s floating head could be a fic (maybe Bill Hastings and Ruth Davenport could tag along). Or back when he was alive, weird occurrences at Listening Post Alpha up on Blue Pine mountain. He wasn’t born in town, so what’s HIS relationship with the woods? Or an encounter with some of the federal cast, like Gordon and Phil or a very young Albert. I’m also intrigued by his s3 narrative but I have a very negative view of The Plan(tm) so I don’t really know what to make of it. If you also think that the Fireman’s hints only ended in tragedy and that Blue Rose’s search for Judy was a monumental act of hubris, and you have a good spin for Garland’s role in all of this, I’m listening! All I got is something like "he gave his last fuck... now he's free....." (not that Garland is legally allowed to say fuck, I mean)

Albert/Harry: my main headcanon is that they got together in the aftermath of Coop’s disappearance, holding onto each other in his absence not unlike James and Donna did with Laura. Then... did they last? Or was it a terrible moment to get together (...not unlike James and Donna) and they had to go their separate ways for a while before finding each other again? Does this sad time last up until the end of s3, when Albert can finally quit the castle of lies that was his job and stay with Harry? I am also, however, open to other timelines for these two. Emotional reunions are great and so is domestic fic with a dash of surrealism. What would Harry do for Albert? For example, when would he take his side in a heated dispute with someone else? What would Albert share about his past? What could they do in town? Or do they take a well-deserved vacation somewhere else? Do they team up for a small investigation? Old men taking care of each other is very much welcome, especially after Harry gets through the worst of his treatments.

Dale/Harry: Harry seeing his Coop again... somewhere, somehow. Maybe he perceives him in the woods, maybe Coop isn't all human now. Monster cuddles very welcome. Could be canon divergence but could very well be post-s3. Harry getting closure for waiting all that time in front of Glastonbury and never giving up on Coop... they can live in the woods together...

Harry&Lucy: what could make them spend some time together outside of work (is it donuts)? Does he ask for relationship advice since she and Andy are literally the only people in town who could make it work? Does she feel loyal to him and Frank or is it just a job to her? Does she go visit him after s3 and does he tell her that she was very brave? What about Wally - Harry is the boy’s godfather after all, I don’t usually read kidfic but I can make all sorts of exceptions for my beloved Wally (maybe when he’s more of a teen than a kid). Are they all fans of Marlon Brando?

Chet/Sam: reunion fic! Chet’s been AWOL for years, Sam has fallen through the cracks, how do they find each other again and why do they choose to remain off the grid? I would also like to read about them in the present day-ish, handwaving the return and reunion. Maybe they made a new life for themselves. If Sutherland were to play Sam again, Sam would be... notably more buff. What caused that change, was it traveling with Chet, what kind of person is he now? Could they be in Buenos Aires, investigating on their own whatever that shrinking box was?

Chet&Dale: In which ways are they both real boys and in which ways are they aspects of each other? How do they work together?

Chet/Albert: whatever passes for an uncomplicated office romance around those parts, where they both know very well that they’re not the other’s One True Love, but they have a good understanding - except when Albert’s pacifism clashes with Chet‘s readiness to throw down 24/7. But then again Albert is also ready to throw down 24/7, only with words instead of fists, so there’s fertile ground for conflict and unexpected agreements. Also they’re hot.

Garland&Harry: they’re both good dogs living in a cold and cruel world, with their own partial experiences of other worlds beyond this tangible reality, and I think they should be at least a little friends. Maybe Harry found himself at Garland’s observatory one day without even knowing how he’d gotten there, maybe they chatted at the RR. Then there’s Mfrost spitballing some connection which, given how Garland ‘died’ literally on the day after s2, can only be read as Harry passing his info to Garland when Garland was already beyond this world. I’d read that in a heartbeat.

[laughingpinecone]

Trick or Treat letter

Likes: worldbuilding, slice of life (doubly so if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and the likes, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic where applicable, dreams and memories and identities, tropey plots when they make the uniqueness of the characterization and/or relationship shine

For art, I like works that feel more like a book illustration than a book cover, if you know what I mean? Regardless of the level of skill and detail involved, I like it a lot better when the picture feels like a candid photo of the character(s) than when it’s a pose.

Cool with: what-ifs, AUs, any tense, any pov, any rating, plotty, not plotty, IF, nerdy canon references, unrequested characters popping up

DNW: non-canonical rape, non-canonical children, unrequested ships, canon retellings

Ghost Trick

I love Cabanela being fierce and dazzling bright and determined and loyal to the very end, dancing to his own rhythm, so sure of himself and of his ideas that he doesn’t even need to prove to anyone that he’s right. Too sure of the wrong idea, once, and everything crashed and burned.

And I love Jowd being the immovable object to Cabanela’s unstoppable force, a self-depreciating asshole with a penchant for gallows humor that grows more morbid by the hour, and also incredibly smart (both assholes figured out Sissel’s powers better than Sissel did) and athletic and with an unsuspected talent for stealth.

I love how they work as a team, as best friends (with Jowd being the most important person for Cabanela, but Alma and Kamila being the most important for Jowd), I love how Jowd keeps his memories but Cabanela doesn’t and how this probably changes their dynamic in the new timeline. And what about the opposite, what about an alternate scenario where Cabanela is the one who keeps his memories? And I also ship them very much, especially in the new timeline with Alma (married couple+1) (honestly, Jowd knowing how much Cabs did for him and remembering him broken and bloodied is A Lot. especially if he’s a lil into it) or just the two of them when she is dead (no-reset scenarios etc).

But I also love how they play off other characters. Sissel has a great dynamic with both of them, Missile is also fierce and determined and loyal to the very end, Pigeon Man always needs more love especially from either or both his two canon friends, Jowd mentoring Lynne is a wonderful thing and so is their Special Investigation Unit equivalent aka Cabanela mentoring Memry… I like Yomiel’s potential with Jowd, they’re great foils with imho potential for a great odd friendship, while I’d ask for no Cabanela and Yomiel fic of any kind.

I also nominated Emma due to a Discord-induced plot bunny: it’s a pity she never learned that the annoying dog next door was in fact a wonderful, noble soul, so… could she ever find out? And then switch to writing about furries Maybe a slight what-if during game events where she dies and Missile saves her? Or just Emma being Emma, writing her gloriously trashy novels and living the life. I love her so.

Gorogoa

I'm interested in worldbuilding and connections between all the situations in the game. Both in fic and art, pick a corner, any corner (or more!) of this journey and explore it in any way that rings true for you. How is Gorogoa's presence palpable in the very fabric of this world, and how does the boy perceive it? How is... literally anyone and/or anything... connected to anyone and/or anything else? Pick a scene and run with it, really, I’m enchanted by the whole thing and curious to see more.

Obduction

Worldbuilding worldbuilding worldbuilding! And journals, if you like the format. I love all three mains and all possible friendships or… one-sided strained friendships between them. How does Farley live with the consequences of her plan? What did Josef do before he was elected, or after someone else succeeds him, or does he turn out to be an incredibly effective mayor after the game’s events when people need his brand of unrelenting enthusiasm to start a new life on a new planet? When does CW accept that he’s not going home again? How was Farley elected and why did she step down immediately? Do CW and/or Josef get to meditate with the Arai at some point? How’s friendship with a Villein? What do they find on this new world?

Out of all the possibilities given by OC obductees, one of my favorites is some unwitting D’ni getting pinecone’d during the Fall. Josef does greet us in D’ni after all, who taught him that? Just imagine the possibilities. Would they fit in? How? What would they think of the seeds as opposed to linking books? How would they take the fake Myst linking book and Unwritten rulebook that also got pinecone’d to Hunrath?

And what about Karl Hunrath himself? As soon as I found out that he was a real UFO enthusiast, I was hooked. This skirts close to RPF which usually isn’t my thing, but as an Uru fan sometimes you gotta draw the line a lot farther than usual. Just give me anything about this complicated man who threw away his life looking for aliens and ended up confined in an Earth bubble with a whole alien world outside… and eventually changed that place’s society so much that it was named after him.

From the Playstation patch: how’s Hunrath’s night life at the pub and what kind of barista is Farley (the recipes show her handwriting)? How did CW react to a whole-ass Russian submarine being pinecone’d right under his workshop?

Syberia

First game only please, no spoilers beyond that, although I hope to have at least started the sequel by the time the collection goes live. I just liked it so much that I had to request it… I like the mood of this world, how it feels weird to Kate but not too weird, and I like to imagine that her New York, too, was a little more fanciful than the one we know. The train, too, is a wonderful setting and always a joy to go back to. So I would ask for any kind of scene taking place on the train or focused on the train. Any character or platonic combination of characters – Oscar and Kate have an established odd friendship that I adore, they’re both fascinating characters in their own right and Oscar gets no solo focus while Kate’s more introspective moments are tied to her phone calls and her old life in NY, so I think there’s fertile ground for more fannish explorations. And Helena! Oh how I loved Helena. Did she and Kate bond during her trip? What kind of shenanigans could they be up to? Or what about Helena and Oscar, how does talking to a second automaton change her perception of both of them?

The Last Remnant

I love how distinct all these characters managed to be thanks to their battle quotes, their red bubble dialogues, and even their unique stat (‘authority’ is a natural fit for David but 'romance’ tells me something new about Sibal!). I fell in love with the overall feeling of this weird setting and especially with these characters, so I’m mostly asking for fic that explores their personalities, with a sprinkle of worldbuilding if you feel like it, or art that shows them living their daily lives.

Any and all Qsiti: just give me the deets on Qsiti worlduilding and I’ll be a happy camper. I ship these three very much but I’m also invested in their friendship and in each of them as a singular character. The fact that Pagus is a goddamn catch is one of my favorite things, and he can be a smart cookie with any of the other smart cookies in the party, or be a history buff with Glenys, or tutor Yuniver. Proud, paranoid chatterbox Maddox entrenched in his cover-up stories, finding it hard to stop being a spy and relax, maybe spending time with someone very simple, like Sheryl, or a very different kind of fellow veteran like Roberto. Self-assured Sibal who probably knows a lot about the mysteries of the underground world and is also the most romantic soul out of the entire cast, talking volcanoes with Paris or discussing the Rainbow Bond with Haruko? If you also like all three of them, either as old friends or as a ship, who of them comes up with what excuse to reconnect again now that Remnants are no more, or do they drop all pretenses and admit they just want to make up for lost time?

David: The outstanding cinnamon roll who accomplished so much, but at what cost :( I’m interested in post-canon for him, adjusting to a life without remnants - how did it feel to be bound to one or two of them anyway, and what’s it like without, and suddenly knowing you’ll be the first Nassau in who knows how long who’ll reach old age? - and without Rush. Speaking of whom, I’m cool with the ship and I love Rush’s role in the plot but I mostly didn’t connect with how Rush himself was actually written, so if you want to write him in I’d like a much bigger focus on his supernatural nature, how he was a strange boy with a good heart (Things Unchangeable meant so much to me!) who ignored human social conventions because he was not in fact human. If you wanna do a “Rush comes back” reunion fic, romantic or not, I’d like it to be more than a decade into the future and with emphasis on Rush’s Remnant nature. Back to David, who otoh is very much entrenched in human social conventions, I’d like to see him find support and friendship even outside his trusted Generals. I’d be interested in seeing him get closer to any unique leader you might like, I can easily see half the characters absolutely adoring him sooner or later. From the Duke of Ghor to Roberto, to sweet Zolean who knows what it’s like to lose someone dear and hope he comes back, or Rhagoh & Remnant Kate, or Paris or Jager or, eventually, even Allan…

Kate: identity shenanigans and characters who are not real in the conventional sense are always a fave topic of mine and Kate delivers. Is she still around after the Remnant that created her disappeared? Yes? No? Somewhere in between? Does she feel freed by this new development? In trying to find her own sense of self separate from Rhagoh’s, who does she reach out to?

Zolean: just give my boy something nice. Some extended closure. A found family who loves him. Someone to talk military strategies with. A pupil. Someone who knows the deepest roads of Siebenbur. A boyfriend. All of the above. This fish is too nice and too sad, please help him.

Twin Peaks

I figured Trick or Treat would be the best exchange to have a snowball’s chance in Hell of getting fanworks about the secondary characters of TPTR, so, here goes… I like the whole canon, books included, and the whole cast up to and including James, so feel free to add whomever your fanwork idea may require, nominated or not.

Cyril Pons: after he got unceremoniously booted from TV and had to adapt to living at the trailer park, what’s he like? Is he still a journalist at heart, has he ever walked into something news-worthy in the woods? Is he chummy with other good folks who like to venture into the woods (Hawk, Margaret etc)? Did the internet offer him new opportunities like it did Jacoby? How Mark Frost-like is he?

Freddie Sykes: used by supernatural forces beyond our comprehension, being made to kill a man and ? dissolve ? a demon, and then discarded like a, well, used glove,  what’s next for One-Punch Brit? I’m interested in little surreal scenarios that could occur because of his glove and also any kind of bonding with other folks in town. We only see him with James, but if he’s here to stay, he’s gotta meet more people! Maybe he hits it off with Wally? The baseline for me would be that this glove is cool but also a responsibility, a disability, and has already packed quite some trauma on the guy.

Marjorie Green: Right off the bat, I thought she was adorable. I still think that and, after seeing people jokingly call her “the Dog Lady”, I noticed a few parallels between her and the more widely known Log Lady. Marjorie is another version of Margaret, the color green appears to be connected to the connections between worlds, and little Armstrong did tell her something that only he could perceive, jumpstarting the whole Buckhorn plot. Therefore: what other strange happenings did this unlikely duo stumble into? What does Marjorie see that we do not?

Maggie Brown: oh look it’s the Mandatory Sensible Person at the Sheriff’s station. Or is she? We don’t know much except that she looks so cool and sensible and I love her. Does she hang out with Andy and Lucy? What’s her relationship with the sheriffs? What about Chad? What weird things does she get to listen to through those headphones?

Jesse Holcomb: the yin to Maggie��s yang, this is still a request for Sheriff’s Station shenanigans but he’s the weirdo of the new crop and I love him. What the hell was that about… everything about him, really? Does he just appear at crime scenes out of seemingly nowhere? What???

Wally Brando: the king. Just give me anything Wally. Wally being Wally with Lucy and Andy being Lucy and Andy. Harry godfathering him and getting him into the whole Marlon Brando aesthetic (or Andy and Lucy themselves, heck, they’re the ones who named him that). Young Wally vs young Richard. Wally crossing through worlds on his cool motorcycle. Frank who just does. not. get. him. but Harry says he’s a good kid so he rolls with it. Wally being otherworldly cool in general.

Monica Bellucci: I’m equally down with “that dream was a spirit – maybe even Phil - communicating with Gordon by wearing a Monica Bellucci mask because beautiful women are all he understands” and “actual Monica Bellucci was a spirit all along. That’s just how things are”. Or any other even more ridiculous contextualization of that scene. The more batshit scenarios narrated with a completely straight face the better. Where does she hang out, and with whom? What were Gordon’s other Monica Bellucci dreams like?