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#Those Beyond The Wall
aroaessidhe · 1 month
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2024 reads / storygraph
Those Beyond The Wall
sequel/companion to The Space Between Worlds, set a decade later
character-focused sci-fi set in an area divided in two, the rich protected city on one side and everyone else in the post-apocalyptic desert
follows a woman who works under the Emperor in Ashtown, keeping the peace
when mangled bodies start showing up with seemingly no murderer, she’s tasked with finding the cause, and finds out that it’s the result of corruption spanning both cities and multiple worlds
explores oppression and messy revolution, police violence and apartheid
bi & polyamorous MC
#Those Beyond The Wall#aroaessidhe 2024 reads#space between worlds sequel!!! honestly I’m not entirely sure how I feel about it….. In general I enjoyed it and I think it had#a lot of important things to say but also maybe highlighted some weaknesses(?) in both books?#or - I guess just the fact that the sff stuff (which skews a little more magicy here) is kinda small scope relative to its potential#and more there to serve the plot and characters. Which actually maybe is the point. idk- there's def mixed reviews lol#it has a messy unlikable MC (like actually - when half the weak ass reviews are saying the MC is annoying you know they are Actually a#complex character) and some interesting relationship dynamics#it is pretty solidly a sequel - I wouldnt read this without reading TSBW#cara does show up in here& tbh her characterisation felt quite different to me? unsure how I feel about that? but maybe it's the biased POV#also to be clear: polyam MC; not a polyam romance or anything#(there's - kinda a romance? or various feelings floating around and she 'ends up' with someone. feel like i would have liked that to end#more subtley but that's probably my personal taste lol)#man some of the 1 star reviews of this are kinda.....just racist though. can we get some measured critique in here#as I said i am not entirely sure how I feel about it but not quite in a way I can articulate.... idk! i think it's worth the read tho#it's maybe one of those revolutions that feels solved a little too easily in the end - but then also is it solved or is it just that the#narrative has to end at a certain point
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le-trash-prince · 28 days
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Those Beyond the Wall
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stuckyfingers · 3 months
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Genuinely Evil but Undeniably Hot
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I love the casting of Sebastian Stan as Steve Kemp and Robert Redford as Alexander Pierce.
I love how their charm makes is so much easier for them to come off as the perfect man at first.
Pierce is the perfect man in charge: refused the Nobel Peace Prize because 'peace was a responsibility'. Kemp is the perfect boyfriend: he talks about cotton candy grapes and even refused food and drink to make love to his new girl.
They make their red flags look like a fashion statement.
And the protagonists realize how evil they are only until it's almost too late and they're already lost something to them.
Most of all, I LOVE the subversion of heterosexual eurocentric attractiveness, which is usually only attributed to the hero- being cast on the villain.
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salty-an-disco · 5 months
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I keep going back-and-forth between the world outside when Quiet and the Princess leave as mortals being more modern or medieval, then I remembered what Nimona’s world did– mixing a futuristic setting with western medieval aesthetics– with flying cars and holographic phones in the same place that has knights riding in horses and brandishing swords (which may have lasers bulti into them, but still).
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clonerightsagenda · 16 days
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People post "oh I love AUs because I love that these people fall in love in every universe" but Cara SpaceBetweenWorlds is living a hellish inverse of this where she keeps hopping universes and her evil exes keep being obsessed with her
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elnierah · 1 year
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I thought to post the Shukita/Kitashu screenshots I created for shukitaweek2023 on Tumblr too!  (ノ˵ ͡~ᗜ ͡°˵)ノ ❤️ 💙
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erudianokabe · 1 year
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So, I asked a commission from ADM Custom Art Design Service, and they were so easy and pleasant to work with. You all definitely should check her out.
OKAY. IT'S TIME FOR YOU TO PERCEIVE THE CUTE THAT IS REINER.
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The first two have already been pillow-fied, and now, the Armored will be too. PERCEIVE. I LOVE HIM SO MUCH, HE'S SO ADORABLE.
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hella1975 · 1 year
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choked up in my room rn bc i was sat in the car with my mum completely lost in thought and she out of nowhere went 'are you okay?' and i was like 'yeah? why?' bc i was totally fine i was literally just thinking and she let it go and then five entire minutes later she goes 'are you sure? have i done something?' and she sounded so genuinely anxious and i could tell she'd been thinking about it the entire 5 minutes while id been completely oblivious and i spent so many years as a child letting everything bottle up until it all burst out in a messy and ugly breakdown that took her down with me and despite that she never hated me she only ever blamed herself for not seeing the signs and she's never been able to see my signs because i keep everything to myself and it terrifies her that she might miss something and she handles things poorly when she's scared and she gets too angry but fundamentally she's trying her absolute hardest to be a good mother and it wasn't always enough and i know i have to hold her at least partially accountable but also she's my mum and im her daughter and she always just wants to know if im okay and most of the time im not and somehow that feels like ive betrayed her
#like my mum is such a loud powerful force of a woman that these little moments of vulnerability where she's just HONEST with me#and she shows me that she's worried or scared or unsure instead of just constantly putting up a strong front#always always bowl me over#like ive literally said to her time and time again that i'd find it easier to communicate with her if she wasn't so strong all the time#like of course i hate crying and being emotional in front of you when youve made it v clear my whole life that you hate doing that#when it's you that's the one being emotional like that's not fair#but also being strong all the time is literally a survival thing she had no choice but to implement bc her own life was so hard#so how can i just ask her to lower those walls for me? even if keeping them up is to both our detriment?#and like ive talked on here before how she's openly admitted to me that she finds my temper harder to handle than my sister's#even tho mine is quieter and significantly less messy. but she's also said to me that in general she finds my sister easier to deal with#bc my sister's so open and if she's angry she yells if she's sad she cries if she's happy she talks ur ear off etc etc#i just insist on handling everything myself and the worse i feel the more i deal on my own and it TERRIFIES my mum#BECAUSE it's led to mistakes in the past but also just bc i have never ever doubted that she has so much love for me in her heart#like even when our relationship was at its worst it was never ever a lack of love and she just does genuinely care and worry about me#it's just if she's scared she just gets ANGRY and her angry means her hurting my feelings and my feelings being hurt means i shut down MORE#and it's literally the worst combo but we love each other so much that we're both clawing through it anyway it makes me want to cry#and because she's always so strong i FORGET that there's just a scared vulnerable person behind those walls#that has no idea what she's doing bc her own mum never taught her anything good#and my mum blames herself so completely for every bad thing like she says things like 'i feel like ive failed' and idk how to tell her#that she IS messy and incredibly flawed and she HAS done things that have hurt me beyond comprehension#and there are bad parts of my personality that exist because of her and her alone#but ive also done terrible things to her too like not even considering the fact our responses arent compatible and that hurts her#i also did some DUMB shit when i first started tackling ye olde mental illness that had a HUGELY negative impact on everyone around me#but she is still my favourite person in the world and my best friend and i love her and i know she loves me and i just want to hold her#girls when their mum isnt an all powerful being but instead a flawed human trying their best: SKJDGHKDJSHGJKSDHGJKSH#hella goes home
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fellhellion · 1 year
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as a Rebecca enjoyer I would really like to see some options in book 4 digging into how little has changed if your detective is seeking or ambivalent to reconciliation, or the absence of apologies. As well as detectives who aren’t seeking/rejecting reconciliation but Rebecca cannot let go of anyways. Especially since we’ve now had one of the few times, according to the detective’s memory, Rebecca explicitly expressing regret for her actions.
#I kind of disagree w most people that the narrative is pushing you into forgiving her#kind of.#I think wayhaven’s writing style is intentionally pretty transparent to the reader on character motivations#even when they/the detective aren’t explicitly aware#there’s enough context clues to get an idea of what’s sitting underneath the surface#so I think the emphasis on Rebecca’s grief around her kid is more about telling the audience that her feelings on these matters ARE sincere#in nature. at least to how Rebecca interprets then#but what id enjoy seeing some more of in book 4 is the choice to pull open the conflicts happening here#Rebecca runs away AND engages w the detective irrespective of their wishes because she simultaneously cannot accept this relationship as#broken beyond repair AND is unable to acknowledge to herself the core issue to their relationship#the job was an obstacle yeah but the true conflict to their relationship is Rebecca’s avoidance w dealing w grief#and it results in what we see in either relationship state#I can’t let you go/I can’t believe it’s broken beyond repair <- can’t acknowledge what I chose to do#I can’t break down these walls/won’t spend time with you <- won’t acknowledge I ran away from you out of grief#and I think the next step narrative wise now that the tone to their relationship has gone through the big revalation arcs#is to start unpacking the WHYS#allow the detective to have those hard conversations and deal w whether Rebecca runs away from those or not#tunes talks wayhaven
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bravest · 1 month
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every time i think about mono being so afraid of being alone only to end up literally the most alone boy in the world i HAVE to throw up about it a little
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aeide-thea · 8 months
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so i went to reblog some fanart earlier and started to tag it #oh this is. incredible actually, and then paused and thought, @‍self why the 'actually.' what is that adverb conveying. and i contemplated it for a bit, and finally concluded: well, shit. it's reflexive deprecation.
the thing is, deprecation is my starting position pretty much always, and that's a problem in itself, but mostly my problem; but when you're talking abt somebody else's work, and you start backing defensively away from imagined negativity before anyone's even actually voiced any? you may think you're playing bodyguard, but in reality you're the vanguard of the assault, opening a wedge for enemy forces to strike.
i was talking a couple of weeks ago abt seeing ppl tag that kristin sue lucas name-multiplied-by-one post with tags like 'this is art To Me' vel sim., and honestly i think it's a similar sort of reflex—i think exposure to the tumblr vernacular often leads people (very much including me!) to produce turns of phrase like this, that ultimately serve to convey roughly
'i, a clever girlblogger,¹ am, yeah, engaging with this frivolous hai pollai²-coded material; but my relationship to it, unlike that of most she-ple, is Intellectual and Analytical and Examined! and to make that clear, i'll be dropping in these little verbal particles from time to time, in order to distinguish my own, elevated examination of the subject from the state of risible naivete³ i'm implicitly ascribing to the other, more ordinary audience members i'm conjuring up only to instantly put down—but like, it's fine, i'm a free-and-easy girlblogger(TM), so you can't think i'd ever deliberately propagate establishmentarian prejudices! never mind the effect my rhetoric might subconsciously be having, on me or on anyone else…'
and i think this framing is worth squinting at, and worth attempting to excise from one's speech and from one's mindset, because when you get right down to it? it's just yet another insidious manifestation of respectability politics, that's gotten people to adopt it via the cuckoo-chick strategy of positioning itself as cutesy tumblr idiolect.
and like, circling back around to that fanart i mentioned at the outset: yeah, the tag did feel weirdly prosodically truncated to me without that 'actually'! but this way, if the artist ends up seeing my discussion of their work in their notes, they won't be getting slapped in the face with a wet dead fish first, so like. what's more important, you know?
⸻ ¹ ""(gender neutral)"" ² https://en.wikipedia.org/wiki/Hoi_polloi in the feminine, if i haven't totally fumbled my declensions… ³ phrasing nicked from a comment of @‍proudheron's.
#anyway like. this for sure isn't the definitive post abt this#and really what i'm getting at is just another facet of 'self-deprecation isn't usually actually separable from disparaging others'#but i do think there's a particular subtle flavor of it here that's worth sticking under the microscope in its own right#for those of us who may have breathed it in without noticing‚ and now be spreading it‚ again without noticing‚ in our turn#i mean. obvs also extremely possible i just *think* i've put my finger on something important bc it's late!#but like. imagine tagging‚ idk‚ the winged victory or sth with 'this is art. to me'#it would be SUCH a weird rhetorical move! but consider: it's *always* a weird rhetorical move‚ actually.#bc fundamentally it's a speech pattern that's seeking affirmation of yr own taste/authority/status as Critic#at the expense of the thing you've evaluated—#like‚ you're going 'i think this is neat!! (but that might just be me 😔)'#and then other girlbloggers are supposed to be like 'yeah no i totally see what you mean!!!' and affirm you! but the thing is—#the '(but that might just be me 😔)' part doesn't just undercut yr discernment‚ it undercuts the praise *predicated* on yr discernment#so it's like. you're dissing yourself in a way that's supposed to earn you affirmation‚ which. is fucked up actually‚ lol :)#but—it's one thing when you do it to yourself; when you incorporate it into the foundations of yr compliment#you've actually totally undermined that compliment and rendered it an insult#(not to mention undermined the idea that the thing might have merit in itself‚ beyond yr authority to bestow or withhold—#like. if you're speaking in terms of what's good/deep/Art/&c To You? you've effectively already ceded the main field of universality#and retreated to defend only yr own walled garden—and implied you'll cede even that small ground if it's disputed)#so like. in the context of yr social relationship with yr followers‚ those sorts of qualifiers are affirmation-seeking moves—#though like. also ones that reinforce yr rhetorical passive-victim positionality‚ in a way you shd perhaps consider *not* reinforcing—#but in the context of yr interaction with an OP? they're negging.#and i just think like. i get it and i'm @-ing myself here as much as anyone else! but it's not‚ like‚ a healed-world way to behave. lol.#so like. consider: tagging things 'art' without the cutesy little qualifiers. praising things without the hedging.#i'm not at all good at that but. i'm going to try.#metatumbling#language#the psyche#'close readings no one needed for 300‚ alex'#(extremely tempted to just scrap this writeup tbh but like. the thinking was worth doing‚ so a record of it is worth keeping)
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aroaessidhe · 9 months
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Oh my god has everyone seen the cover + blurb reveal for Micaiah Johnson's new book Those Beyond the Wall, set in The Space Between Worlds universe!!
Faced with a coming apocalypse, a woman must reckon with her past to solve a series of sudden and inexplicable deaths in a searing sci-fi thriller from the Compton Crook Award–winning author of The Space Between Worlds. Scales is the best at what she does: She is an enforcer who keeps the peace in Ashtown, a rough, climate-ravaged desert town. But that fragile peace is fractured when a woman is mangled and killed within Ash’s borders, right in front of Scales’s eyes. Even more incomprehensible is that there was seemingly no murderer. When more mutilated bodies start to turn up, both in Ashtown and in the wealthier, walled-off Wiley City, Scales is tasked with finding the cause—and putting an end to it. She teams up with a frustratingly by-the-books partner and a brusque-but-brilliant scientist in order to uncover the truth, delving into both worlds to track down the invisible killer. But what they find points to something bigger and more corrupt than they could’ve ever foreseen—and it could spell doom for the entire world.
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le-trash-prince · 28 days
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Some stories are too complicated to stay, too heavy to be carried on the wind, and when he forgets about me completely I bet it will feel just like being forgiven.
Those Beyond the Wall, Micaiah Johnson
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sacrifice2000 · 11 days
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i really wish i knew how to make connections online i wish i had a brain wired for meeting people through technological means be it social media or dating apps or whatever. there are a lot of really cool personalities that i come across and familiarize myself with and while i fully grasp that they are real people communicating through devices just like i am, i unfortunately can only comprehend the physical form. it is all just kind of pixels on screens or the occasional vocal noises via speakers to me. i wish it was different but i can't make that happen by force. being a neet for a while didn't reinforce the pro-internet-socializing mindset it only made me suicidal and i think psychotic. maybe i am the intended audience for vrchat, that's a good idea (no it's not)
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quietwingsinthesky · 9 months
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Benny: Thanks for not giving up on me, brother.
Dean: Don't give me a reason to.
(im going to throw up)
#DONT GIVE ME A REASON TO. DONT GIVE ME A REASON#'benny's the only one who has never let me down'#HE DOESN'T EVEN GET THE CHANCE TO HUH#BENNY IS DEAN'S MANIC PIXIE DREAM VAMPIRE WHO NEVER DISAGREES WITH HIM OR DOES THE WRONG THING#its sooo. its so pointed. its. this whole parallel sam to benny is so. im think i hauve covid#dean constantly hammering in to sam's head that He Failed. He Failed. He Let Him Down. He Failed. He Broke Everything Between Them.#and benny. benny. oh my god.#don't give me a reason to...#oh to live in the alternate reality where benny does fuck up and fucks up bad#what does dean do then. if his vampire friend was put up against the wall by hunger or a hunter#if he had to lash out. even if he didn't want to. is dean gonna stand by him then?#or does benny go join the long list of people who have let him down. and dean pulls a machete.#how quickly does that trust bleed out huh? how easily do you break a bond that hasn't been tested beyond battle and clandestine meetings#maybe it does happen and im just not remembering that it does. god i hope so. i need to see them get messed up.#dean/benny is so good and messy to me actually.#benny doesn't even know these expectations are being hoisted on him. he's never there when dean talks about how everyone else in his life#failed him. benny just thinks this is a normal (well. 'normal'. they were in purgatory. and probably had wild bloody sex in those woods)#but a normal friendship. and has no idea he's on any kind of pedestal. god. terrifying. imagine being pushed off a cliff you didn't know yo#were on the edge of. that's the situation benny is in rn#anyway! fun normal show for normal people!#benny lafitte#dean winchester#spn
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clonerightsagenda · 28 days
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I will be turning this over in my mind for a while, but I remain interested by how differently the runners are portrayed in The Space Between Worlds and Those Beyond the Wall.
For Cara in TSBW, the runners are a childhood nightmare. She remembers when they'd parade through the streets crushing people to death. Multiple versions of her died under their wheels as a child because she couldn't get out of the way fast enough. She had a relationship with Nik Nik, who abused and nearly killed her multiple times. She eventually works with him and his runners at the end of the book, but she refuses to join them and instead ends up playing the role of intermediary between cultures (at least for a while). She sees how Wiley City thinks about people like her and doesn't have many illusions, but she still wanted to earn a place there.
Meanwhile, Scales grew up being abused in Wiley City, loathes it, has a much more negative view of the Ruralites than Cara does (possibly because Cara dodged her alt self's religious trauma), and sees the runners as her true family. Nik Nik is her family. In Scales' eyes, the runners are a righteous force set against the city's cruelty, their violence has purpose, and even when they're acting tough and scaring people, they're doing it out of a place of love. While she respects Cara's past as a traverser, she disagrees with her morality and views her as an assimilationist who isn't fighting for true liberation.
What I'm really curious about here is how much of this is a deliberate contrast between two POV characters with very different perspectives, and how much is the author changing her mind. Johnson is very clear in the author's note that kicks off Those Beyond the Wall that it's written in response to current events, and that recent history has destroyed whatever was left of her faith in the system. That's certainly reflected in the text. Maybe that shift demands the runners be placed in a better light. But the narrative also gives itself some wiggle room, because this version of Ashtown isn't quite as bad as Cara's. This Nik Nik doesn't parade and no longer breaks his lovers, apparently because of Scales' influence. It would've been interesting if this Nik Nik was as monstrous as Cara's, but we still saw why Scales loved him and why he ended up being what Ashtown needed, in the same way that Adam's behavior is recontextualized and 'fits' better in Ashtown than in Wiley, even though he's the same guy with the same crimes.
Like, Cara and Scales have different perspectives on Nik Nik and the runners and Wiley City because they are literally from different worlds, but it doesn't have to be that literal. They could still have these stances even if they both hailed from the same numerical Earth, because they're still from different worlds. Traversing has always been a metaphor.
(Where did Cara go though. What's her deal. Does this mean we're getting another book? Hope so.)
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