#Tonari no Young Jump

[haveyoureadthismanga-poll]

[thirdleagueheroes]

Trying to catch up on things and I'm a little confused - how many manga series does Tiger & Bunny have?

I have 7/8 volumes of Tiger & Bunny in English, but your recent ask mentions you're working on volume 7 of what you're translating as well, which from what I gather *has* no english release(?) so I assume it's a different series??

Plus the Anthologies exist, and the The Beginning sides A and B... are there more? What is happening I'm so lost, why is this so underappreciated in the US and hard to learn about lol

YEAH SO. Here's what's officially available in English, to the best of my knowledge:

Tiger & Bunny by Mizuki Sakakibara (9 volumes)

Tiger & Bunny: The Beginning by Tsutomu Oono (2 volumes)

Tiger & Bunny Comic Anthology 2-in-1 (2 volumes) — These are compilations of unofficial 4-komas and short stories that were originally published in Japan by Asuka Comics DX as 4 individual volumes; to this day I'm baffled (although pleased) that this got brought over while Ueda's series was apparently passed over

Aaaaaand...yeah. That's it.

The manga series we're currently failing at translating is by Hiroshi Ueda. Officially it's called Tiger & Bunny: The Comic, but since it once ran in the Miracle Jump magazine you'll often see me refer to it as just "MJ" series" or some variation thereof. (This has fucked me over now that Tiger & Bunny: The Comic 2 runs online for a different publication.**) Whereas Sakakibara's series retells the story of season 1's first cour (albeit with some changes/additions that were apparently discarded ideas from the anime), Ueda's has completely original stories written by Erika Yoshida (one of the anime's screenwriters) that jump around in the series chronology. Frex, one of the earliest stories (both in terms of this comic series and the anime's storyline) explains why Ivan and Pao-Lin aren't around in episode 5 for Barnaby's birthday surprise (with the rest of the chapter showing them trying to make up for it), and then there's also one that's set a month or so before The Rising. Stuff like that.

**Or maybe it's still kinda the same but under a different name? Miracle Jump was previously known as Monthly Young Jump before its rebrand in 2011, and then the website that The Comic 2 runs on is Tonari no Young Jump, soooo.

Regarding Sakakibara's series, there are 4 supplementary volumes that were released collecting the bonus content that ran alongside that series when it was initially running in Newtype Ace, both published by Kadokawa Comics A:

Tiger & Bunny-Chan by Kotoni Shiroishi (2 volumes) — Features primarily 4-komas with a few short stories. And the birth of the entity known as Kittyface Pao-Lin.

Tiger & Bunny Sky High by Virginia Nitouhei (1 volume) — Four short stories featuring Sky High.

Tiger & Bunny Origami by Yanagi Yukisuke (1 volume) — Six short stories featuring Origami Cyclone.

No clue what's been going on with Sakakibara's serialization of the second season, though — haven't been following it.

For the more general unofficial-but-also-official anthologies, BOY HOWDY THERE SURE ARE A LOT... Aside from the 4 that got localized, I currently have 9 in my collection:

Tiger & Bunny: The Beginning Comic Anthology published by DNA Media Comics (1 volume)

Tiger & Bunny Comic Anthology published by DNA Media Comics (3 volumes; missing volume 1)

Tiger & Bunny 4-Koma Kings published by DNA Media Comics (3 volumes)

Tiger & Bunny Official Comic Anthology published by Frontier Works (1 volume; "official" here is written as 公式)

Tiger & Bunny Anthology Comic Go! Go!! Tiger & Bunny published by Movic (3 volumes; missing volumes 1 & 2)

Tiger & Bunny Official Anthology Extra published by Asuka Comics DX (1 volume)

I do have some scattered scanslations on hand from one or two of these volumes (from back in the T&B LiveJournal community days, ha), but before I potentially share them I need to sort out which volumes they actually belong to and make sure that any appropriate credit is retained.

Hope this is helpful!

[the-nysh]

Murata & ONE’s Saitama illustrations for Tonari no Young Jump’s 10th anniversary! (See every mangaka’s illustration gifts listed here.)

[holycow99]

Info from Ishida Osushi 6/14 – 8/13 streams

This is the highlight of the stuffs Ishida Sui talked about in his streams from June to August. Sorry for any grammatical errors. 

- Ishida doesn’t have any bias towards his own characters. Just because he draws some characters more than others doesn’t mean he favours them more.

- He wants to be called Maestro Osushi.

- The first 24 chapters of Choujin X is just the first chapter of the story. A prologue.

- He wants to turn Tonari Young Jump into Tonari Oyaji (old men) Jump.

- His hand never feels sore even when drawing for a long time, since he doesn’t put much strength in his strokes.

- When asked for tips on how make drawings look cool. Ishida mentioned that it could depend on the angle, pose, and composition of the characters. Determine a spot that’d make your characters look amazing.

- Ishida doesn’t like giving tips to people. He believes it’s something people must discover on their own. What is applicable to him might not be applicable to others.

- He believes you should both study and practise art. If you keep practising without any knowledge, your drawings are not gonna become better. You must have comprehension of why things are drawn the way they are (eg. Why this part of body is drawn curvy).

- He’s a bit sceptical on the technique of imitating illustrators’ art style. He thinks drawing different kind of artworks is more effective than imitating the same illustration hundreds of times.

- Ishida totally prefers digital drawing than analogue. It’s convenient and definitely helped him draw effectively. To him, digital drawing is something that God has bestowed upon him.

- He was given allowance by Young Jump to buy drawing devices when he was just starting out.

- He prefers drawing short hair, since it’s easier.

- He wouldn’t show or tell people what brush he uses because he doesn’t want people to steal his techniques.

- He talked about Elon Musk Open-Source Movement in which he allows people to use Tesla technology for the sake of industrial & humankind development.

- Ishida stated he’s not interested in aiding on the development of art industry or whatever. Whatever techniques he discovers should remain his only.

- He gets his reference from various sources, such as illustrations or sketches of others. He also uses ballerina for pose reference.

- He bought a book titled Charles Bargue: Drawing course, which compiled various pencil sketches.

- If he could draw his best when streaming, he’d stream continuously.

- He recommended Morpho: Anatomy for Artists books. He bought all the books from the series.

- He suggests analysing drawings and follows the techniques used in the drawings, rather than blindly copying someone’s art style.

- Ishida once acted as a tree house in a play when he was a kid.

- He once wore a lame orange shirt on a date when he was a high schooler, and he was told to take it off (lol). Not sure if this was just a joke or true.

- Ishida Sui felt honoured when Horikoshi Sensei mentioned him.

- He praised My Hero Academia and complimented the fact that Horikoshi Sensei seemed to be having fun writing the manga. He wished him all the best.

- Ishida Sui and Ishida Osushi had a conflict, with Ishida Sui hindering Ishida Osushi’s desire to do Animal Rap.

- Ishida almost got scammed by a foreign lady in insta. But because the lady was sexy, it made him want to be scammed.

- He wants to go to Togashi Sensei’s exhibition.

- His favourite BNHA characters include, Shigaraki, Deku, Ochaco, Toga, Twice, and Tsuyu.

- His bias in Aespa is Winters. He said everyone’s pretty, but Winters had a unique face.

- He wants to talk about political stuffs with Horikoshi Sensei. He also wants to converse about their pasts and lives before being mangaka and be a support to each other.

- His older sister, Towada Shin, is the biggest Animal Rap fan. She kept asking Ishida Sensei for more AniRap content.

- He had once lived in Saga prefecture, located in northwest of Kyushu.

- Ishida Sui has three personalities: Ishida Sui, Ishida Osushi, and Grey (the mediator between the other two personalities)

- He doesn’t really do food illustrations.

- Goubaru was a bit depressed, so Ishida wished for him to go for counselling. He didn’t want Goubaru to suffer alone nor did he want Goubaru to involve him.

- He’s completed Elden Ring.

- Ishida Sensei was furious with Goubaru. Even so, he still wanted him to get better.

- Kunimitsu was watching him drawing Spaghetti Gratin (SpaGra) when he did the stream.

- While he prefers digital drawing, he thinks digital drawing is tiring since it feels like he’s working.

- He wants to try drawing another JJ one shot using analog, but digital is faster.

- He drew some TG chapters with analog. But because of various reasons, he switched back to digital.

- His eyes don’t really get tired looking at the screen all day.

- Ishida changed his chair to tatami chair. He also changed his table to a lower height. Sitting on a chair makes him feel like working, so he hates it.

- He once tried working while standing and he got dizzy.

- Kunimitsu once ordered food delivery. However, the delivery guy mistakenly sent it to the apartment next to his. In the end, the guy living there ate his food for free.

- Ishida also once ordered food delivery. The app stated that his food had been delivered, but he didn’t receive it. So, he searched his entire apartment building for the food, only to find the food on the floor below his.

- Ishida sensei had a chat with Horikoshi sensei. He called him an eccentric person. When he replied to whatever Horikoshi sensei was saying, the conversation ended there. Horikoshi sensei wouldn’t talk a lot. Ishida tried to expand the conversation but failed.

- Ishida never went to his high school reunion parties. But when he felt like going, he caught a cold.

- He thinks fellow Mangakas can’t be friends with each other.

- Towada shin was busy writing at the time of the stream, so he felt really lonely because he didn’t have anyone to talk with.

- He was kinda afraid of the fact that his life only revolved around drawing manga. He felt empty after he finished a chapter cus he didn’t know what to do next. So, he started drawing another chp again.

- He once had a crush on a girl living in his neighbourhood.

- He recently visited his hometown, and he was reminiscing about the girl.

- His crush used to be his classmate during middle school, so she sometimes greeted him. But he couldn’t reply anything back.

- He passed through his crush’s house but it’s already different than it used to be before.

- He got along with the girl, but nothing happened.

- He couldn’t hold his feelings for his crush, so he wrote a letter to her after they graduated. Fortunately, she replied to his letter.

- He got her contact number, but unfortunately, they lost contact because his phone broke.

- Ishida Sensei said Kunimitsu’s sister was pretty. They didn’t look similar.

- Not sure whether he’s joking or not, but Ishida sensei seems to have a fear of death. He’s too suspicious of other people that he thinks he’d get killed if he goes outside.

- He told his Shariboys to not get along with each other.

- He wished everyone in this world to remain single and live alone by themselves.

- He even asked Kunimitsu if that’s some sort of illness. Kunimitsu then suggested for them to live together for a short time, which he refused.

- He considers his sister as his friend.

- Horikoshi sensei didn’t follow him on twitter, but he wanted him to.

- Ishida wished for everyone to get along, but because it’s impossible, it’s better for everyone not to be friend with each other in the first place. (He’s got a typical villain mindset, lol.)

- Ishida sensei really loves girl talks (eg. Talk about love).

- He feels more comfortable talking with people who have feminine vibes.

- He likes to listen to Kunimitsu’s love life.

- Kunimitsu suggested him to create a channel where he gives advice to his fans’ love problems or write a romance manga.

- Kunimitsu believed Ishida to be a romantist, but he said he’s a nihilist.

- He wants to try being a Host in a club.

- His younger brother played the route that he wrote in JJ and told him it was romantic.

[witchhat-updates]

Shirahama Kamome highly recommends "Close to You" by Chiba Chitora

She also added, "Chiba Chitora has been a drawing assistant for Witch Hat Atelier since the beginning (...) The lines were simple, but they were full of emotion, which was great! The clothes are fashionable and cute! I really want a lot of people to read it 🌟"

Close to You is a multi-award winning one-shot published on Tonari no Young Jump. The story follows Miki, a fashion design student, and a model that wants Miki to make clothes for him. Miki fully immerses himself in the process, and while doing so reflects on his struggles and motivations of wanting to become a fashion designer.

No English fan/official translations yet. You may read the work here in Japanese.

[demifiendrsa]

The manga remake of One Punch Man was first published in Tonari no Young Jump website on June 14, 2012. Happy 10th anniversary!

[gonagaiworld]

Il manga One Punch Man va in pausa per "rifare i capitoli" In una dichiarazione condivisa tramite il servizio Tonari no Young Jump, il disegnatore Yūsuke Murata ha riferito che il manga One Punch Man andrà in pausa per rifare gli ultimi otto capitoli dell’opera. Di conseguenza, i capitoli dal 240 al 247 non sono più disponibili per la lettura sulla piattaforma ufficiale, poiché Murata li sta rifacendo. Quali cambiamenti saranno inclusi in questa nuova edizione? Nel comunicato stampa si legge: “Grazie mille per il vostro amore per la versione Tonari no Young Jump di One Punch Man! Per quanto riguarda il nuovo capitolo, ci scusiamo per l’inconveniente, ma vorrei prendermi una… Info:--> https://www.gonagaiworld.com/il-manga-one-punch-man-va-in-pausa-per-rifare-i-capitoli/?feed_id=437261&_unique_id=65ea2b582f4c4 #Manga #OnePunchMan #YusukeMurata

[mes-envies-de-culture]

One Punch Man - Saison 3 en vue... mais pas encore de date !

C’est le studio J.C. Staff qui va prendre en charge l’animation de la saison 3 de One Punch Man. Le studio était déjà à l’oeuvre pour la saison 2 alors que la première fut confiée à Madhouse. Il reste cependant une petite inconnue la date exacte de la diffusion de cette nouvelle saison.

Grâce à Emotion Label Chanel, le trailer de la saison 3 de One Punch Man est dorénavant disponible à cette adresse :

Le manga One Punch Man est basé sur l’histoire imaginée par ONE et dessinée par Yusuke Murata. La série a débuté en 2012 dans le magazine Tonari No Young Jump et il est composé actuellement de 30 tomes. En France, les éditions Kurokawa en assurent l’édition.

Résumé de l’histoire :

Saitama est un héros qui n’est devenu un héros que pour le plaisir. Car avant cela, il n’avait aucun travail et un avenir incertain. Un brusque réveil le décide à trouver une raison d’être. « Je serais un héros ».

Après trois ans de formation spéciale, il est devenu si fort qu’il est quasiment invincible. En fait, il est trop fort : même ses adversaires les plus puissants sont battus d’un seul coup de poing. Bonjour l’ennui…

Equipe technique :

Scénarisation : Tomohiro Suzuki (Frieren)

Character design : Chikashi Kubota (One Punch Man saison 2), Shinjiro Kuroda et Ryosuke Shirakawa (ces deux derniers sont des habitués de l’anime).

Composition musicale : Makoto Miyazaki (Zom 100)

[raunchirangel]

ONE PUNCH-MAN

Descripción

One Punch-Man es un manga creado por ONE e ilustrado por Yusuke Murata que actualmente se publica de manera gratuita en la página web Tonari no Young Jump de Shūeisha. Adapta el webcómic del mismo ONE. Una adaptación al anime producida por el estudio Madhouse fue estrenada en octubre de 2015, mientras que su segunda temporada, a cargo de J.C.Staff, se emitió en abril de 2019.

La serie gira en torno a un héroe llamado Saitama que ha entrenado tan duro que se le terminó cayendo el pelo, y es tan fuerte que puede derrotar a cualquiera de un solo golpe. Aún así, su poder es tan grande que se aburre y se frustra por ganar tan fácilmente, por lo que se mantiene a la espera del día en el que aparezca alguien capaz de darle una verdadera batalla.

[thunderrabby-blog]

Tetsuya Tsutsui's Neeting Life Manga Ends - News

Tetsuya Tsutsui’s Neeting Life Manga Ends – News

Shueisha‘s YanJan! app and Tonari no Young Jump website simultaneously published the last chapter of Tetsuya Tsutsui‘s Neeting Life manga on Tuesday. The manga’s story is about a humble salary man named Kentarō Komori who started what he thinks is the ideal lifestyle during the pandemic, the “NEETING LIFE” (NEET stands for Not Engaged in Education, Employment or Training). He put up a tent…

[nancydrewwarcrimecommitter]

Akebi-chan no Sailor-fuku by Hiro Chapter 13: Form of Address Tonari no Young Jump (2016-Ongoing)

[ljaesch]

One-Punch Man Manga to Return From Hiatus on September 22, 2022

One-Punch Man Manga to Return From Hiatus on September 22, 2022

One-Punch Man manga artist Yusuke Murata has announced on his Twitter account that the manga will be coming off its one month break on September 22, 2022 with a brand new chapter set to drop on Shueisha’s “Tonari no Young Jump” platform. This will be the first post-Garou chapter in a “brand new arc.” One-Punch Man went on break on August 18, 2022 after the final chapter of the Human Monster Saga…

[the-nysh]

"Most fans"? Bruh how many

Unless your pool of fan reactions only comes from western reddit, please don't tell me you've been blissfully unaware by ignoring all of the enraged/upset and literally sickened Genos + Garou fans on here, on eastern twitter, and from even other mangakas like Hajime no Ippo's who've been extremely concerned and repeatedly clamoring or questioning for the return of the original route's 'table talk' scene, especially from many of the dedicated Japanese readers commenting directly in both Murata's + tonari no young jump's dual twitter ch threads themselves, who've even expressed how they think 'only foreigners will like this route.' :O Have you missed seeing all of those types of concerned reactions as well? Over the past several chapters by now, since the drastic redraw that caused widespread fandom whiplash? You can investigate them all yourself if you're genuinely curious, instead of sealioning for my data + links you probably already won't believe. Or do only the select fanboys on reddit who prioritize more 'hype' power fights as 'peak fiction' above all else at the moment, take precedence? Come on now.  

[nntheblog]

One Punch Man Webcomic Vs Manga : All Our Comparison

ONE’s One-Punch Man has become a global phenomenon. It started as a webcomic for free in 2009. Since then, it has become one of most beloved manga and anime of our time. Fans around the world love watching Saitama’s adventures and although quirky and sometimes outright weird, Saitama has become one of the most popular manga and anime characters of the 21st century. What are the differences? One-Punch Man original webcomic and the manga remake? The primary difference between the One-Punch Man webcomic and the manga is the quality of the art, which is far superior in the manga. The story is more or less the same, with the manga having a lot of major additions (with ONE’s blessing), but in overall terms of quality and enjoyment, the manga is far superior to the webcomic. We will continue to expand on what we've already covered in the answer. You’re going to get some basic information on the webcomic, as well as the manga, after which we are going to compare the two to tell you more about some specific differences between the two sources of the Saitama’s adventures. One-Punch Man Webcomic The original webcomic began publication in 2009. ONE, the author of the webcomic, self-published the series on the Japanese manga website Nitosha.net. As of August 2021, the webcomic has a total of 141 published chapters and is still ongoing. In terms of plot, the webcomic is ways ahead of the manga. One-Punch Man Manga The manga series adaptation drawn by Yūsuke Murata has been published since June 14, 2012 in the web magazine Tonari no Young Jump. The idea for the adaptation started after a Twitter chat from Murata wishing to collaborate with ONE. Outside of Japan, the series is published in North America in the digital magazine Weekly Shōnen Jump Alpha published by VIZ Media. As of December 3, 2021, twenty-four volumes have been published. One-Punch Man Webcomic Vs. Manga: Differences In this section, we are going to list and compare the main differences between the original webcomic and the manga, grouped into several categories. The differences aren’t really major, in both cases, it’s still the same work, but they are – at times, at least – significant and they do deserve our attention. Artwork The artwork is probably the biggest and most direct difference between these two works. It’s the main thing you’ll notice, without having to read one line from either the webcomic or the manga. The original webcomic was illustrated by ONE and it looks like this: As you can see, the art style is pretty simple and is far below the standard of Japanese manga publications. You can follow it, it’s not horrible, but if we’re being honest, it looks like something a child would draw and looks more like a vessel for the plot and the dialogues than actual art. We don’t want to imply that ONE never cared for his art, but it seems that his drawing abilities are limited and while such an approach has its benefits, it’s of a lower quality than what most manga readers are used to. On the other hand, the manga looks like this: This is just one example of how the manga is different and how great the art is. Written by ONE (or based off on his stories), the One-Punch Man manga has been drawn by Yusuke Murata, a very experienced manga and comic book artist. Murata approached the One-Punch Man manga as one should approach it and elevated the art to a respectable level. This is what a manga should look like and it was truly refreshing to see Saitama and the gang in such a way. The art is the biggest difference between these two works and the manga definitely wins in this category, as Murata’s art is far superior to anything ONE has ever drawn. Plot In terms of the plot, there aren’t any major differences, but there are some significant ones. The main source of all of Saitama’s adventures is ONE’s webcomic, but the manga is not only based on that webcomic, it has also expanded the original narrative; in most cases, especially when some major events are concerned, it was done with ONE’s blessing. RELATED:One Punch Man Watch Order: Episodes & OVAs Here are some of the major changes that have been made in the manga (mostly additions, will be noted when something else), when compared to the webcomic: - Everything that happened inbetween Saitama karate chopping Garou to Saitama kicking Garou in the wall. Includes the tournament, Metal Bat fights and Elder Centipede. - Everything to do with Orochi, the monster cells, his Garou/Saitama fight and Psykos fusion. - In the webcomic, there is no Orochi. It was just Garou slowly becoming a monster, but there wasnt Orochi, the Monster King. But in the manga, Yusuke Murata created Orochi, and that was one of the greatest additions to the manga. - Blast reveal in Sweet Mask’s flashback, the cube, his suit and appearing for the first time for real. - Blast also makes a proper appearance in the storyline, which is a great addition to the plot and something that never happens in the webcomic. - In the webcomic, Saitama and Flash never actually meet, but in the manga Saitama and Flash meet and talk. So, the differences aren’t, as you can see, that big. Sure, the manga has some additional content, but no major changes have been made to the plot. Still, the manga has more depth and some great additions, and you’ll find fans who state that the manga is, in fact, the canon source, while the webcomic is not, but we wouldn’t go that far in this aspect. Continuity In this aspect, there is nothing much to tell, really. The webcomic and the manga follow the same narrative continuity and are part of the same fictional universe. The manga expands on the original webcomic, giving us more details and additions to the plot, but the continuity remains the same and these changes have been made canon thanks to ONE’s blessing. One-Punch Man Webcomic Vs. Manga: Which Is Better? Overall, in terms of quality and plot, the manga is superior to the original webcomic. While ONE is a great narrator, he is a poor artist and when you compare the relatively simple art of the webcomic to the artistry of the manga, you’ll know what we are talking about. In terms of plot, the webcomic remains the main source, but since most of the (major) changes in the manga have been done with ONE’s blessing, the manga can be considered canon as well and if you approach it like that, the plot is simply more entertaining. But, despite the fact that we think the manga is superior, we would advise you to read both. The webcomic is the original source for the plot and it is far ahead in terms of the events; it is assumed that the manga might catch up to the original webcomic in several years’ time. Also, there is something attractive when the simplicity of the original webcomic is concerned, even when compared to the artistry of the manga, and that is why we keep coming back to it. Each Difference Between One Punch ManWebcomic & Mangas In Details - Chapter 1 Vaccine Man does not fly in the webcomic. - Chapter 9 The House of Evolution base is five stories in the webcomic and eight in the manga. - Chapter 12 Sonic appears from behind a tree in the webcomic but from a shadow in the manga. - Chapter 13 Hammerhead does not destroy the golden poop statue on Zeniru's building in the webcomic. - Chapter 17 Genos takes a punch at Saitama during their spar in the webcomic, but kicks in the manga. - The aftereffect of Saitama's punch is not in the webcomic. - Chapter 20 The Kombu Infinity chapter is not in the webcomic. - Chapter 21 Genos does not have arms mode in the webcomic. - Genos does not put his core into his arm in the webcomic. - Chapter 23 In the manga, the Seafolk attack from the shore; in the webcomic, they appear in the city. - In the manga, Stinger's right eye is closed; in the webcomic, it is his left eye. - Chapter 25 In the webcomic, Puri-Puri Prisoner and the Deep Sea King punch with their left fists; in the manga, they use their right. - The Angel Rush angel wing effect is not in the webcomic. - Chapter 26 In the manga, Genos blasts the Deep Sea King with the same arm he hits the monster with; in the webcomic, he punches with his left and shoots with his right. - The Deep Sea King punches Sneck into the shelter wall in the manga; in the webcomic, the monster punches the hero slightly into the air. - Chapter 36 Boros does not kick Saitama to the moon in the webcomic. - Chapter 38 Genos's fight with G4 after Saitama leaves is not in the webcomic. - Chapter 40 G4 does not damage Genos in the webcomic. - Chapter 44 The fight between Sweet Mask and Suppon is not in the webcomic. Chapter 47 is when the manga begins to depart more from the webcomic. Due to the many additions, the following list of differences will be significantly shorter than those in the previous chapters. - Chapters 47-78 Manga-original chapters. Chapters 79 and 80 consist mostly of manga-original content as well. These chapters introduce new arcs and fights as well as characters that aren't found in the webcomic. Notable additions include: - The Super Fight and Monster Raid arcs. - New monsters. Notable additions include: Monster Association executives Gouketsu, Elder Centipede, Nyan, and the leader of the Monster Association Orochi, - The Super Fight contestants and the Council of Swordmasters. - The new fights - Outside the clothing store: Garou vs. Saitama - Metal Bat vs. 2 Tiger-level monsters, then 2 Demon-level monsters, - Metal Bat vs. Elder Centipede and Bofoi vs. Elder Centipede, - Garou vs. Metal Bat - The Super Fight tournament, - Haragiri vs. Atomic Samurai - Suiryu vs. Gouketsu and Suiryu vs. Bakuzan, - Garou vs. Watchdog Man, - Speed-o'' Sound Sonic vs. Hellfire Flame & Gale Wind - Due to copyright issues, Gale Wind, Hellfire Flame, and Do-S replace the webcomic characters Gale, Hellfire, and Goddess Glasses, respectively, in the manga. The webcomic character designs for the manga were taken from other mangakas during ONE's unemployment. ONE added the ninja background in order to enhance the storyline. - Waganma is the primary hostage of the Monster Association in the manga. The kidnapping is planned, while Royal Ripper just happens to kidnap Tareo in the webcomic. - These chapters also introduce monster cells, a manga-original item that turns humans into monsters. - Chapter 80 In the webcomic, Garou hunts for Death Gatling and fights him one-on-one; in the manga, Death Gatling ambushes Garou. There are many heroes involved in this ambush. Stinger, who was previously under surveillance, is now part of the ambush squad. - Chapter 84 In the manga, Phoenix Man and Elder Centipede save Garou instead of Phoenix Man, Senior Centipede, Bug God. This fight introduces some new techniques. This includes Bang and Bomb’s Whirlwind Water Stream Aura Sky Ripping Fist, and Genos’s Super Spiral Incineration Cannon. The chapter also gives more insight into Blast. - Chapter 85 In the manga, Sekingar accompanies the Monster Association base raid team. Drive Knight participates in the raid as well, albeit independently. The chief warden of Smelly Lid Prison lets Puri-Puri Prisoner walk out the front gates of the prison, and one of the inmates gives the hero a new hand-knitted sweater. Metal Knight knows where the Monster Association base is located but does not tell Child Emperor. He tells Child Emperor not to blindly trust anyone around him. Narinki sends his private squad to rescue his son Waganma from the Monster Association. - Chapter 86 Narinki’s Private Squad is captured and enslaved. Instead of being asked to kill a superhero, Garou is instead asked to kill 100 people like in the webcomic. - Chapter 87 Saitama leaves Fubuki to pay the cafe bill before chasing off after Garou, rather than just running after him like in the webcomic. - Chapter 88 Garou fights Royal Ripper, Bug God, and Sludge Jellyfish (who replaces Senior Centipede as he was already killed off by Metal Bat). Gyoro Gyoro explains to Phoenix Man how he made Orochi, and how he plans to do the same with Garou. Dr. Genus's cup features an image of the evolution of humans. - Chapter 89 Dr. Kuseno joins Saitama's hotpot after having managed to ‘befriend’ him by gifting him Top Grade Ultimate Premium Beef. The monsters assemble at the MA base naturally, instead of being called back by Gyoro-Gyoro’s signal as in the webcomic. The Monster Association has a lot more Demon-level creatures than the webcomic. G5 finds and dismantles the “Metal Knight unit”. We learn more about why some S-Class members are missing. Genos and Bang are excluded by the Hero Association from the raid at the Monster Association base. This is in place of heroes not being able to contact them due to their broken hero phones. As Garou's body begins to fuse with his clothes, Garou is beginning to evolve. - Damn Manga skips the “It’s war” panel. - Chapter 90 Select heroes are organized and called to the Hero Association headquarters, rather than the association taking whoever is available. The Hero Association sends people to accompany King to the headquarters rather than waiting for him. Garou uses Whirlwind iron cutting fiist to defeat Royal Ripper, rather than just smashing his head into the ground. He also eats flesh taken from fodder monsters he kills in order to replenish his energy. - This chapter further enhances the character and abilities of the S-Class heroes. It demonstrates how money is not motivating for the heroes and that anyone who is motivated merely by it lacks the courage of facing evil. - Chapter 91 Rover's blast sends Garou crashing through the floors to Gyoro-Gyoro's room; in the webcomic, he falls through them on his own. - Chapter 92 Saitama sends everyone out after the hotpot. He naturally walks into the MA Base and patrols the following day, because he is curious about the source of the noise. In the webcomic Saitama discovers that the ruckus is annoying and heads into base to stop it. - Gyoro-Gyoro explains to Garou how monster cells work and details Orochi’s backstory. Gyoro–Gyoro can't restrain Garou unlike the webcomic. She leaves him at the hands of Orochi which leads to the manga exclusive Garou vs. Orochi fight. - Chapters 93-94: Completely manga-original. The support team and Genos’s post Elder Centipede fight upgrade are new additions to the manga. The pre-base entry fights with Evil Eye, Rhino Wrestler, and various other monsters showcase some of the new heroes' strengths and stress the difference in power between the S-Class heroes and the lower-class heroes. The webcomic shows Saitama leaving his home to visit the MA first, while the rest of the group leaves later. The manga shows that Saitama sends everyone home and the rest of the group refuels at Saitama’s house later. Genos decides not to wait for Saitama back, realizing later that Saitama was part of the base raid described in chapter 106. - Chapters 95-107: The webcomic plot is expanded in the manga. Notable additions are: - Child Emperor's prototype weapon Brave Giant - Phoenix Man has many buffs. He gains the abilities of Resurrection, Reanimation, and Fire Manipulation. - New monsters - The new fights - Sludge Jellyfish vs. Child Emperor - G5 vs. Child Emperor - Flashy Flash vs. Gale Wind & Hellfire Flame - This fight replaces Flashy Flash vs. Gale or Hellfire in the webcomic. - Child Emperor vs. Phoenix Man: Round 2 (after Phoenix Man's resurrection) - Atomic Samurai Disciples vs. Do-S, Narinki’s Private Squad - Sweet Mask vs. Do–S and Narinki’s Private Squad - Puri-Puri Prisoner vs. Baquma - Puri-Puri Prisoner vs. Prisoners of Smelly Lid - Puri-Puri Prisoner vs. Nyan - Chapter 108 Manga original chapter, a new fight in Saitama vs. Orochi. - Chapter 109 - Chapter 115 These chapters see several additions:- Gyoro Gyoro locates Orochi’s head. - King runs into a beast and kills it by sheer intimidation. - Atomic Samurai has 2 new fights: Atomic Samurai and G5. Sword Devil Executioner and Atomic Samurai vs. G5. He also receives a new attack: Focused Atomic Slash. - Waganma is saved by Child Emperor, and confronted with Tareo. - Sweet Mask introduces and destroys Monster Cell storage tanks. - More character buffs - Flashy Flash and Saitama have a longer interaction, with Flashy Flash later travelling around in a minecart. - Chapters 116 to 120: Manga-original chapters. Nyan defeats the Support Team but is defeated By Drive Knight who arrives at the raid. Blast image, new info; Genos defeats G5, rescues surface and Waganma. - Chapter 121-131:- Garou meets Darkshine sooner. - Flash Freezing Breath, Flash Freezing Breath and Sludge Jellyfish join the fight to save Evil Natural Water. - Superalloy darkshine training at a Gravity Room - Genos is not with Bang, Bomb, and Fubuki when they first encounter Overgrown Rover. - Psykos get new abilities - Orochi revives, and merges with Psykos. Psykos seizes control and defeats Tatsumaki. - When digging up the base, Tatsumaki creates barriers for all the heroes. - Metal Bat, Mumen Rider and the Tank Topper Army join the Blizzard group to assist the Monster Association. - Chapter 132-138: The webcomic plot is expanded and changed in the manga. Notable additions and modifications include:- God gives Psykos power boost. - Cadres do not appear on the surface. Genos protects Tatsumaki against the fusion between Psykos, Orochi. - More character buffs - Flashy Flash and Saitama are the only heroes left. - Pig God now saves Iaian and Narinki's Private Squad. - Flashback of Blast by New Amai Mask - Puri-Puri Prisoner's Motivational Speech to Darkshine Happens Earlier - Fubuki Fubuki Atomic Samurai Puri-Puri Prisoner, Drive Knight and Superalloy darkshine join forces to fight against the fusion among Psykos, Orochi. - Tatsumaki's flashback about Blast is shown much sooner and Blasts now holds the Mysterious Cube - Drive Knight, Atomic Samurai, and Superalloy Darkshine now have new capabilities - Saitama finds the Mysterious Cube. - Tatsumaki has broken the sword instakill. - Flashy Flash, Saitama and Manako meet God and Blast. - Chapter 139 - Chapter 147 The battle between the heroes and Monster Association cadres is substantially altered.- King saves Tareo, and joins forces with Metal Bat. - All the heroes join in the fight simultaneously. - Many buffs are available for both heroes and villains. - Without the assistance of Psykos, the cadres wounded Tatsumaki. - Superalloy Darkshine is capable of dispersing evil natural water. - Fuhrer Ugly rips Gums in two after eating the latter.- Fuhrer Fuhrer Ugly ingests Gums' stomach acids, which gives him new acidic powers that can melt anyone who touches them. - The Council of Swordmasters join the battle. - The cadres defeat Zombieman and Amai Mask as well as Superalloy Darkshine and other heroes. - Fubuki uses healing techniques to save wounded heroes. - Garou arrives at Earth much earlier and battles Bomb. - Chapter 148- Bang and Garou engage in a one-on-one fight. - Fuhrer Ugly kills Nichirin, Amahare and Zanbai. - Before dying, Nichirin gives Atomic Samurai the Sun Blade, and entrusts him with the task to find the Moon Blade. - Fuhrer Ugly angers Black Sperm by calling him life stock, Black Sperm merges his cells into Golden Sperm and then attacks Fuhrer Ugly. - Multi Cell Sperm is not part of the manga. 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7 Rekomendasi Anime Slice of Life Terbaik 2022

7 Rekomendasi Anime Slice of Life Terbaik 2022

1. Akebi-chan no Sailor-fuku ( 9 January ) Akebi-chan no Sailor-fuku merupakan manga karya Hiro, ia menserialisasikan manga tersebut secara online via website Shueisha Tonari no Young Jump sejak tahun 2016. Dan manga tersebut mendapatkan adaptasinya, tayang di bawah studio CloveWork, dan tayang sebanyak 12 Episode. Bercerita tentang seorang gadis yang bernama Akebi, yang sangat menyukai pakaian…

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One Punch Man and Tonari no Young Jump website 10th anniversary illustrations by Yusuke Murata and ONE.

Yusuke Murata: Congratulations on your 10th anniversary, Tonari no Young Jump!!

ONE: Congratulation Tonari no young jump for your 10th anniversary!

Old Man of the Underworld