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#Turner County
autotrails · 1 month
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American Auto Trail-Georgia Southern & Florida Railroad (Sycamore to Cordele GA)
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mustangs-flames · 15 days
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Adam is inside the askbox. That's why so many asks keep going missing /j
I'm beginning to think this is actually the reason asks are vanishing lmao
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kemetic-dreams · 10 months
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Lucius Henry Holsey was born on July 3, 1842, near Columbus, Georgia. His mother Louisa was enslaved. His father James Holsey owned the plantation. Lucius was born enslaved.
He was sold to his cousin T. L. Wynn and then to Richard Malcolm Johnston, an academic. According to the New Georgia Encyclopedia, Holsey chose to be sold to Johnston. According to American National Biography, Holsey taught himself to read and write and was not educated; according to the New Georgia Encyclopedia, some of Holsey's relatives taught him to read. He remained enslaved by the Johnston family until slavery was abolished.
Holsey converted to Methodism after attending plantation missionary revivals led by Henry McNeal Turner. He was given a preaching license as a Methodist minister in February 1868 and held various positions as a minister until he was appointed a bishop of the Colored Methodist Episcopal Church (now the Christian Methodist Episcopal Church) in March 1873. The Colored Methodist Episcopal Church was a division of the Methodist Episcopal Church, South, created for African people in 1870 during the Reconstruction era.
As a bishop, Holsey founded churches, wrote and revised religious texts including the church's Book of Discipline, and participated in church governance. He also edited a church newspaper, The Gospel Trumpet. He raised funds in support of educational institutions including Paine College; Lane College; Holsey Industrial Institute in Cordele, Georgia; and the Helen B. Cobb Institute for Girls in Barnesville, Georgia.
Initially an advocate for racial cooperation, Holsey endorsed Black separatism around the turn of the 20th century after Sam Hose was lynched in 1899.
In 1898, Holsey published Autobiography, Sermons, Addresses, and Essays with Franklin Printing & Publishing Company in Atlanta, Georgia. It went through three editions.
Holsey married Harriett Turner on November 8, 1862, or 1863. Harriett was 15 at the time. Her name is also given as Harriett A. Pearce or Harriet A. Turner. Harriett and Lucius met in Hancock County, Georgia, while classes at the University of Georgia, where Johnston taught, were canceled due to the Civil War. Lucius died on August 3, 1920, at his home on Auburn Avenue in Atlanta
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Kay-Alana Turner has been missing from Tomball Texas since March 10th 2023. It is believe she is suffering a mental health crisis but she is not dangerous. She was last seen wearing a pink dress with black sharpie on her arms; If anyone has any information on her whereabouts please call the Harris County Sheriffs Office at 713-755-7427 or her mother Rosa Calhoun at 409-363-0837
For more information her father’s Facebook is Robby Calhoun and her family has setup a Facebook page for her. Please share
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keyamsha · 2 years
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Today is The 104th Anniversary of the Lynching of 8 Months Pregnant Mary Turner.
Today is recognized as the birthday of Malcolm X and rightly it should be. May 19th also marks the day 104 years ago when 8 months pregnant Mary Turner was lynched in Valdosta, Georgia. Unfortunately, she rarely gets similar attention
Meta Vaux Warrick Fuller, Mary Turner, 1919 Meta Vaux Warrick Fuller [Public domain] The below image of the news article from the 1918 edition of the Atlanta Journal Constitution is the first piece of evidence proving Mary Turner had been lynched on May 19, 1918. That was 100 years ago as of May 19, 2018. Malcolm X was born on that date seven years later in 1925. Atlanta Journal Constitution…
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wausaupilot · 1 month
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Wausau teen sentenced to probation in animal mistreatment case
By Shereen Siewert | Wausau Pilot & Review A 17-year-old Wausau boy who intentionally mutilated and disfigured a cat belonging to a family member will spend one year on probation, after reaching a plea deal in the case. Mikhi J. Turner was tried as an adult on a charge of animal mistreatment causing death, filed in October in Marathon County Circuit Court. In Wisconsin, 17-year-old defendants…
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subsidystadium · 2 months
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Can we give a round of applause to the Buffalo Stadium Community Inclusion Task Force?
Last year, the state of New York agreed to give $850 million taxpayer dollars to the Buffalo Bills to build a $1.7 billion dollar stadium. Because New York taxpayers are giving so much to this project, rules were put in place that stated when the stadium was being built, “36% of construction contracts” were to be given to businesses owned by minorities, women, and service disabled veterans. When…
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svalleynow · 3 months
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Turner Construction Company Hosting Open House in Manchester for Small and Minority Businesses
Turner Construction Company, along with partners Jesse Stutts, Inc. and Jake Marshall Service, Inc., are hosting an informational open house for local small and minority-owned trade businesses on Feb. 29. Turner and its partners are currently working on facility restoration and modernization projects supporting the Arnold Engineering Development Complex (AEDC) near Tullahoma, Tenn. The event will…
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thedailycounternews · 10 months
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SLED CHARGES TWO PEOPLE IN MARION COUNTY WITH GAMBLING ANDUNLAWFUL POSSESSION OF GAMBLING MACHINES
Agents with the South Carolina Law Enforcement Division (SLED) arrested Brenda Turner, 74, and Danny Ray Turner, 74, on Wednesday, July 12, 2023. Both were charged with Gambling and 7 counts of Unlawful Possession/Operation of a Gambling Device.Details can be found in the attached warrants.Brenda Turner and Danny Turner were booked at the Marion County Detention Center.The case will be prosecuted…
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neareport · 1 year
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Former Playboy model from Jonesboro gets 25 years in doctor's death
Former Playboy model from Jonesboro gets 25 years in doctor’s death
LAS VEGAS – A former Playboy model who grew up in Jonesboro was sentenced today in the brutal bludgeoning death of her elderly sugar daddy in Las Vegas. Kelsey Turner, 29, was sentenced to 25 years in prison today for the murder of Dr. Thomas Burchard, 71, of California. Turner took an Alford plea to second-degree murder – meaning the defendant entered a guilty plea but maintains her innocence.…
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waterfallrecord · 1 year
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Garfield Falls, Oklahoma
The Chickasaw National Recreation Area in Sulphur, Oklahoma has a number of odd waterfalls. I think that’s probably the best way to describe them. Some of them don’t seem natural, but I include them anyway because somehow it’s been decided they’re important enough to be named. There’s Little Niagara Falls, Bear Falls, and Cave Island Falls in addition to this fourth falls, Garfield Falls. They…
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butterflydm · 15 days
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The Queen of Attolia (plus some WoT comparisons)
Haha, it's been a few months but I got my chance to read the next book in the Queen's Thief series and it was so good! I am going to have two sections in this review -- my overall thoughts and then some specific thoughts that are mostly for @markantonys due to the series being her recommendation and I have a lot of thoughts about the comparisons between the Queen of Attolia x Eugenides and Mat Cauthon x Fortuona, because you can really do a point by point comparison, though I don't think it was intentional -- I think that Megan Whalen Turner and Robert Jordan were both going for the same idea but Turner was, imo, wildly more successful than Jordan at it.
But first, thoughts that don't particularly relate to The Wheel of Time:
We open with a tense cat and mouse chase between The Thief and the Queen's guardmen and that is really the heart of this book when it comes down to it -- a cat and mouse game between two extremely complicated people, and how they have to navigate in the world that they share.
Turner is really good at writing these fun action scenes where you're very much in the PoV of the character.
The (apparent) foundation that is laid here (that later gets overturned because Gen got to me again and he was once again acting on personal information that he kept from me for the majority of the book, lol, love him for it) - is very much beginning as enemies who have respect for each other's skills. At this point in the book, I knew that they would end up married due to spoilers and I know that it's considered a good romance, so I was really looking forward to seeing the journey, especially since I did get spoiled about the huge upcoming traumatic event.
But we start from this strong narrative place where they are aware of each other and have respect for each other but they belong to two separate counties that have some political tensions and they are both important parts of those countries and can't set that aside.
Because of how bold Gen is, Attolia has been backed into a corner by his actions and we actually see this affirmed by Gen's cousin (the Queen of Eddis) and her thoughts on the matter -- she is aware that Gen going into Attolia's country to spy on her is a dangerous thing for him to do.
And then the cutting off of his hand. This is brutal, and it feels brutal, and then we also get these hints of Attolia's reaction afterwards (that we get into more later) but especially her reaction when he begs her not to hurt him anymore and you can really see her feel the impact of what she did. She doesn't allow herself to show her remorse but even this early on, we're getting hints of it as readers.
Then when Gen goes home, we actually see that the Queen of Eddis also maintains a mask in public, just like Attolia does, so we see another hint here that Gen understands that kind of masking. Eddis looks just as cold and impenetrable to Attolia's guards who return Gen to her, as Attolia looks to everyone else.
I really appreciated how long the recovery time was after the loss of Gen's hand and how much time we spent with him to feel him get used to the changes (and how economically Turner is able to pass that time). We get these tiny looks at Attolia as well, and her difficultly sleeping at night, which we expand on later.
Then we get the return of the Magus from Sounis! It was really nice to see him again, dropping in to visit Gen, but he's also here to give us that continuation of the division between personal and political -- as a person who genuinely likes Gen, the Magus was upset about what Attolia did to him, but as the advisor to the king of Sounis, he knew that they would be able to use Eddis's reaction to Attolia's act on the political stage.
But what a way to learn that the two countries are at war!
It takes some time for Gen to really believe that Eddis went to war over him, and we see him processing that over the course of the book as well, and they talk about it more. I do think that Gen does not always realize how deeply other people care about him.
Turner really is so good at giving us these pieces of information that reframe the earlier story -- now we know that during all those snippets of Attolia that we had earlier, she was also dealing with realizing that her actions with Gen led to the war that she's currently embroiled in.
The progression of the war was really well done (again, Turner is very economical with her narrative here), with what details she chooses to focus in on, and we see that Gen, even though he has gained more of an ability to have that cold and impassive mask like Attolia has, still does things like make sure that no one is on the ships that he's destroying, because he doesn't like getting people killed.
Turner also does a really good job showing how destabilizing the war is to all three countries involved, and how the war is hurting everything.
We take a little mythology story break here in the narrative, which was a fun story about love and choice, both of which are very relevant. This story definitely does end up applying pretty heavily to Gen and Attolia in the themes, and I like the style that Turner tells these stories.
I love how perceptive Gen is once he's been apprised of the situation and we get to see the thought process that leads to him blaming the emperor's ambassador more for the loss of his hand than he does Attolia herself, because he sees that ambassador understood that seeing Gen maimed and returned to Eddis would be more like to spark a war than just killing him would, and a war is exactly what he needs in order to try to justify getting his troops onto Attolia's land. All the politics here are pretty complex but I feel like the book does a good job explaining the reasoning.
And this is also the point where it's really confirmed that Attolia knows that the ambassador is underestimating her, and that she also understands a lot of the things that he thinks that he's pulling over on her. But because of the fragile position that she's in, she needs to entertain the ambassador's advice and his attempts to sidle in on her country.
Quote about Gen: "It was like him that if he had to have a thing, to have the fanciest thing of its kind."
I really like all this about the cost of war; the price of war; and why this outside party has been trying to urge war on the three countries.
We also get Eddis admitting to Gen that she thinks that she could have possibly controlled herself and not started a war if he had only been killed, rather than treated in a way that she finds so insulting, and that it made her so angry that she made a choice that had now brought a lot of damage to their own country that she wishes could be avoided. And Gen can see, basically, that the ambassador of Medes is the one who put both Eddis and Attolia in this trap, and he was used as the tool to start this war.
We really move into Attolia's PoV and we get the story of the broken amphora (she thought about it when she saw Gen after she'd had his hand cut off) -- it was, essentially, the moment that marked when her life changed and she couldn't be a young girl anymore.
This really is a heartbreaking story -- how after her brothers died and she was the heir, her father essentially sold her off to be married, and her fiance was actively plotting against her father and how to suck her country dry for his own benefit after they were married. And how she kept herself quiet and small and just listened, but then poisoned him at their wedding feast, also having her captain of the guard kill the next man who tried to force her to marry him. We also see here that she only trusts loyalty that she can buy in gold (because every other kind of loyalty failed her).
Then we finally get the big reunion! This scene is so tense, with both Attolia and Gen wearing these cold masks (we later realize that Gen has pretty much directly modeled his mask on Attolia's) and we get this private negotiation that is only for the two of them. And this moment when it is literally just them, together on a boat, with no one else to interrupt them... just exquisitely done.
It's been implied before, but this is where we get our confirmation that Attolia has been just as haunted by Gen this entire book as he's been haunted by her. They've been separated for most of the book but constantly haunted by each other. I gotta share the quote:
"He was too young to have bones that ached. No matter what he thought of himself, he was hardly more than a boy. A boy without one hand. She reached up to push the wet hair out of her face, wondering when she had sunk so low that she had begun torturing boys. It was a question she had asked herself night after night, lying awake in her bed or sitting in a chair by the window watching the stars slowly move across the sky."
We've been seeing her do those things the entire book, but this is the first moment when we're told what she was thinking about in those moments.
We also get our Big Revelation here that Gen has had feelings for Attolia since before the events of The Thief! How does he hide these things from us so well! Gen! We learn here (and we get even more detail later) that he's been feeling drawn to her for literal years. That part of the reason that he made those trips that she thought were mockery was because he wanted to be close to her and get a look at her and see if she really was the monster that their spies reported that she was, or if she was just a woman who was being forced to make difficult, maybe impossible choices.
And then we get our story reversal where Attolia gets 'rescued' by the ambassador and his people, and we get to see how she behaves in these circumstances where she doesn't believe that she can trust Gen (sure, he said he loves her, but she cut his hand off! And he's a known liar! how can she trust him?) vs this dude that she knows beyond a shadow of a doubt that she absolutely cannot trust.
The moment when she tells her handmaidens not to put on her golden bee earrings, I knew exactly what she'd done, especially when we got Gen's reaction. The writing doesn't have to tell us in the moment what's occurring (that she put on the earrings that he left for her one time and that she said she would only wear if she'd decided to marry him) for us to know, and I love that. This coded sign that only he will understand.
It's the most unique and fascinating marriage proposal I've ever read. Well done. Haha, and I did guess that the gray-haired man that he fought so well with was his father. <3
Love the moment when we see him process that marrying the Queen of Attolia is going to mean... that he'll be the King of Attolia. He just wanted to marry her because he liked her! <3 <3
And everything after that was just so delightful. Working together for the double-cross and then the process of Eddis and Attolia working out the treaty and Eddis trying to convince Gen that they can have the treaty without the marriage, and his rejection of that, and then essentially testing Attolia with that offer as well.
I also really like one of the moments when Attolia realizes that she can trust Gen, which is when Eddis tells her that of course Gen also lies to her. Constantly. And I feel like that reframed a lot of her interactions with Gen for Attolia. Realizing that Gen wasn't being maliciously deceitful towards her; he's just Like That With Everyone. Plus, I can't forget the moment when, after the battle is won, Attolia and Eddis return to where Gen is being held and Attolia believes for a moment that he's been poisoned as a parting shot by the Medes ambassador and we can literally watch as her heart completely shatters and she is completely undone and devastated in her head and even shaken where people can see her. It's beautifully written.
And we get the moment with the gods (who are very real in this series but very carefully choose how they interfere) and it's just as well done as it was in the first book. The windows in the palace shattering as the goddess responds to Gen's sacrifice! And basically laying out to him that his suffering was required to reach this ending and would he trade it back if he could -- if it meant that Attolia would have been forced to make that deal with the Medes ambassador. And Gen would rather have Attolia in his life and wanting to marry him than have his hand back.
Just that whole final section that leads up to the ending of the book, with Attolia really being able to believe Gen when he says that he loves her... it's so good. How the narrative (and Eddis and Gen) are able to tease out Attolia's feelings for Gen, and how we end on that final quiet moment between the two of them. Really powerful ending.
It's a really good book and it's a really good romance. Gen and Attolia are both fantastic characters and even with all the twists and turns and revelations, their relationship felt incredibly captivating and believable. I really believe that Gen wants to break through Attolia's walls and, just as important, I feel like there's a person on the other side of those walls who is worth being loyal to and loving. You understand why Gen wants to be Attolia's husband, even after she ordered his hand cut off, which is very impressive storytelling.
Hopefully I'll get the chance to read the The King of Attolia soonish, and not in, like, four months.
*
And now onto the Wheel of Time/Mat & Tuon comparison section of the review for @markantonys 💖
It really does feel like a point-by-point improvement on Mat & Tuon, though I suspected unintentionally (it looks like this book came out 3 years before CoT).
Starting with the characters: wow, Attolia really is so much the person that I would have wanted Tuon to be. And she feels like the person that Jordan wanted readers to believe that Tuon was. Every place where I was going through my WoT reread and going "footage not found!" about something the narrative tried to claim about Tuon is something where the footage is very much found for Attolia. While Tuon's potentially heartbreaking backstory really is just backstory and ends up have zero impact on her active storyline, Attolia's tragic backstory is the entire spine of what her character is going through and what Gen can help her with.
We get to see and really experience Attolia's context, which is not something that we got with Tuon. Jordan makes an attempt, I guess, with Karade's sob story about Tuon and the doll, but he made the bizarre choice to frame this story in Karade's PoV (Tuon's slave), not from Tuon's PoV. For whatever reason, Jordan always insisted on making Tuon the most insufferably smug person in the world in her own PoVs.
With Attolia, we get those breaks in her mask that I kept desperately wanting us to get with Tuon but we never did. Again, this is mostly only for the reader, not even for Gen -- the reader gets to see behind Attolia's mask. And so Attolia is captivating and fascinating and I understand why she felt like she had to do these horrible things.
With Attolia, we actually get her being removed from her power base and feeling helpless, which Jordan never had the guts to do with Tuon (when Mat kidnaps Tuon, he lets her take her slave along with her, and then some of his allies decide to support Tuon over him despite having zero narrative or character-based reason to do so), which means that when Attolia regains her power, it has a much bigger impact on the narrative, while it felt like Tuon never really lost hers. Attolia and Gen both manage to be scrappy underdogs, in their own way, and that's something that Tuon never was.
Both Attolia and Tuon commit horrific acts, but while we see Attolia's remorse and how it torments her, Tuon always seems to shrug off the horrible shit that she does. It doesn't ever affect her emotionally and she never seems to think past it after it's done. She is a character without remorse or reflection (I think she vaguely thinks that it's a shame one time when she's pondering how she will break Mat's spirit but that's about it). And Attolia has those two qualities in spades. Attolia feels like a real woman to me in a way that Tuon never did. We see the brave face that she puts on, we see her regret and remorse, we see her loneliness, we see her jealousy over the Queen of Eddis, who is able to trust the members of her court in a way that Attolia has never felt she could trust her own. Tuon just feels really shallow in comparison to Attolia.
Even in the first cat and mouse scene with Attolia and Gen in this book, you can see the push and pull and the narrative equality of the characters. Gen has been in and out of four different strongholds of hers, and she feels that he's pretty much taunting her with his abilities. There's a mutual respect for the other person which was one of the big things that was missing for me with Mat and Tuon. In her final PoV in KoD, we learn that she has not had an ounce of respect for him during this entire journey -- it's not until she sees how the Band respects him that she considers whether or not there may be more to him than just being a pretty and dumb sextoy. And the big problem with that is that was the period when the 'romance' was being developed. During the time when she didn't have any respect for him as a person. And that makes it very difficult to find their relationship compelling, even apart from the fact that I found Mat himself profoundly unlikable in CoT & KoD.
Now, Mat being a terrible person (in CoT & KoD) and Tuon being a terrible person (always and forever) are not things that would stop me from shipping them in general. I am capable of finding Awful4Awful pairings compelling (like Louis and Lestat from Interview with the Vampire). They don't have to be good people, but there has to be something in the relationship that grabs onto me at any level, and that's where Mat and Tuon failed.
We can see in Attolia's thoughts that she envies the relationship that Gen has with the Queen of Eddis -- she envies that loyalty and wishes she could have something like that of her own. That sort of envy was also missing from CoT & KoD (I am going to mention, briefly, that some of these elements were present in the Mat & Tuon relationship in AMoL but at that point, it was just too late for me to give a shit about their relationship, because CoT & KoD thoroughly killed any interest that I had in them). Whether because of his own personal kinks or because of the plans that Jordan had for the Outriggers, Jordan made Tuon too much of an island; too much of an wall. The way he wrote her made me feel like nothing Mat could do would ever really matter to her in any way; that she was content to use him up and then throw him out and that's just not my thing. It may have been Jordan's kink but it is not mine.
So I definitely understand @markantonys's point about this feeling like a well-written version of Mat and Tuon! It really does feel like this is the sort of relationship that Jordan wanted to write with Mat and Tuon but didn't have the skill at romance writing to pull off. Something like Mat and Tuon is Hard Mode Romance and Jordan wasn't even always good at Easy Mode Romance.
Two of the key elements that really makes Attolia and Gen work for me is just getting to sit and exist in Attolia's emotional reactions to the wrong that she has done to Gen; and Gen acknowledging and processing the harm that she'd done. And both of those things were desperately needed with Mat and Tuon, both as characters and as a romance.
A major major part of why Mat and Tuon failed for me is because I didn't feel like Mat was actually reacting to her realistically for the vast majority of their page time together; she threatens to invade a city and he laughs it off, she assaults his companions that he freed from slavery and he thinks it's hot?!?, she talks about how she likes to torture women and he ignores it.
If Tuon had cut off Mat's hand, the way that Attolia cut off Gen's, it feels like Jordan would have just had Mat shrug it off and then buy her a puppy as a reward or something as his response. Here, we get Gen begging Attolia "please don't hurt me again" after she cuts off his hand and then we have months of separation and recovery and processing before the narrative takes him anywhere near her again. And Attolia is forced to reckon with what she did, first by being haunted by the memories of him crying from the pain and loss, and then she has to face it directly by seeing his stump, seeing the pain that he's still in (because of her). She has to admit (not just to herself but to him) the damage that she did before they can move forward together. This is something that Tuon never shows herself capable of on any level. Tuon is never allowed to grow as a person the way that Attolia is, or to be vulnerable with the audience or with Mat.
I definitely still really felt the Mat-Gen comparison in this book too. Lots of places, but there's a great moment in the meadow with him, Eddis, and the Magus, where Eddis explains that Gen has deliberately made people believe that he can't fight but he also still gets miffed sometimes if people fall for his carefully constructed facade.
And the moment when Gen tells Eddis that he plans to steal the Queen of Attolia. It really feels, again, like this is the sort of vibe that Jordan wanted us to believe existed between Mat and Tuon: "She may be a fiend from hell to make me feel this way but even if I've got to hate myself for the rest of my life, this is what I want. I dream about her at night." This intense draw and this pull that he feels towards her. Jordan appears to want us to believe that Mat feels this kind of draw towards Tuon at the end of KoD but has not created any kind of foundation in Mat's characterization as to why.
We also got the long separation between Attolia and Gen where they are haunting each other with their absence. Attolia and Gen just get the time that is needed to develop this relationship in a way that's believable. Time in the story, not page time. This book is shorter than CoT & KoD, and probably shorter than if you made a "Mat and Tuon" novella out of their scenes in those books. It's the actual 'in world' time that matters, that gives Attolia and Gen time to think about each other and miss each other in a genuine way.
For another comparison -- Gen 'steals' Attolia to marry her like Mat kidnaps Tuon, but the context is so incredibly different on every level. Mat gets, essentially, tricked into kidnapping Tuon by the 'finn (it never would have happened if he hadn't heard that prophecy) while Gen acts with intention the whole way through. Technically, in both cases, Gen and Mat are 'saving' Attolia and Tuon by kidnapping them, but we feel the weight of it with Gen and Attolia in a way that we don't with Mat and Tuon. And a lot of that is because the bulk of Gen and Attolia's build-up happens before the kidnapping, during the times when they're separated and haunted by each other. So once the kidnapping happens, it's quick-paced and moves the plot forward rather than, you know, just fucking around with a circus for a month.
We also know that Attolia has complicated feelings about Gen already. I talked about this with @markantonys but that really is something that needed to happen with Tuon so much sooner than it does in the books (there are two big Mat & Tuon scenes in AMoL that desperately needed to happen back in CoT, imo -- Tuon trusting that Mat isn't trying to kill her; and Tuon going wild trying to protect Mat in the command tent).
Attolia and Gen also genuinely have things that they can each offer the other person, while with Mat and Tuon, none of the things that Tuon offers are things that Mat actually wants (slaves bowing to him; being dressed up like one of the Blood; being formal at all times - these are things that some of Mat's fans want for him, but not things he wants for himself) and she just feels like this ravenous black hole that constantly takes and takes and takes and gives back nothing of value. When Gen is startled at the realization that marrying the Queen of Attolia makes him the King and he'll have to actually be a king, it's this incredibly sweet moment, because it illustrates so clearly that he wants Attolia for herself and not her country. When Mat reacts against the idea that marrying Tuon makes him royalty, it just kinda makes him look dumb, because we've been given nothing of value in Tuon herself as a person, and no reason for Mat to care about her.
With Tuon, Mat talks about how she's better than other nobles, but nothing she actually does on the page is better than any other Seanchan noble. It's all 'footage not found'. By contrast, every single positive thing that Gen says about Attolia is backed up by the text and we even get shown additional positive qualities that no one needs to talk about because it's right there in the text.
With Tuon, it feels like Mat is attempting to gaslight me (and himself?) into believing that an interesting character exists there despite all the evidence against it, while Attolia simply is a compelling character based on what happens on the page.
That fact that there are so many raw similarities between the two pairings, but my reaction to them are so different really does illustrate the importance of execution, imo. Attolia and Gen's romance manages to travel so much further than Mat and Tuon's, while also being considerably more economical with how many pages it took to get us there.
The point-by-point comparison (aka WoT's failure of execution):
Tuon's interior life is poorly illustrated in comparison to Attolia's; because she starts off as an even worse person than Attolia but so much less character work is done on her than on Attolia, who is haunted this entire book by how she has "sunk so low as to torture boys" (on that note, Turner's choice to make Gen the younger and more openly vulnerable one really works here).
Seeing that Attolia's handmaidens are genuinely affectionate and protective of her at the end of this book is so incredibly touching, because she had no expectation of their loyalty (she believes in the loyalty of gold, and gold alone, for the most part). Tuon, otoh, has slaves that she expects to be subservient and loyal unto death, so her slaves' affection for her (that was trained into them) is something that completely fails to move me. This difference in the expectations of the character also makes a huge difference in how their PoVs come off -- Attolia's walls are due to her internal vulnerability and we get to see that vulnerability in her PoVs; while Tuon comes across as full of herself and incredibly arrogant, taking everyone around her for granted.
We're told that Tuon is smart and perceptive but rarely get any evidence; while Turner shows us Attolia's intelligence and how she sees a lot more than people like the Medes ambassador believe that she does. We get to see Attolia's intelligence in how she tricks the Medes ambassador into believing that she's so much less perceptive and intelligent than she truly is. This is another place where Jordan's unwillingness to ever place Tuon into a genuinely vulnerable position really hurt the character. Turner wasn't afraid to make Attolia the underdog and knew that it wouldn't undermine her as a character, it would strengthen her, because we would get to see who she was in adversity. The set-up of Crossroads of Twilight should have led to us seeing Tuon in adversity but Jordan was allergic to allowing her to be truly vulnerable, and gave her people to hide behind (Selucia & Setalle Anan) the entire time.
Mat as an agent of chaos is wildly downplayed in comparison to Gen as an agent of chaos. The Seanchan end up getting spared the chaos that the end of the Age brought to pretty much every other society, even though Mat seems clearly positioned to bring their society crashing down even as late as Winter's Heart. Gen's actions, otoh, are constantly throwing other people's plans off.
Mat does not behave realistically to the horrible things that Tuon says and does -- with Gen, even though we find out towards the last third of the book that he was already in love with Attolia before the book begins, we still get his raw reactions to her doing things that hurt him. He has nightmares after she orders his hand cut off, his pained begging of her not to hurt him again, and how he develops his own mask of impassiveness that is modeled on her own. Gen also never throws away his moral code in order to try to force himself to be at peace with the relationship -- he grows and changes as a character as a result of his trauma, but he stays himself at the core.
Something else that Jordan could have used more in the books that would have helped develop an understanding of why Mat believes that something exists beyond Tuon's 'cold Empress mask' would have been to make the comparison between Rand's mask and Tuon's mask more clear in the narrative. Because there's too much separation in time between Rand and Mat's interactions with Mat and Tuon's interactions. In this book, seeing that Eddis also needs to put up a queenly mask of not caring about Gen at first (in front of the Attolian guards when they return him to her after his hand has been cut off) helps illustrate why Attolia needs the mask that she uses -- Eddis doesn't trust the Attolians, but Attolia feels like she can trust absolutely no one, and so she always needs the mask and feels like she can never take it off. That's compelling! It could have been compelling in Tuon too, if it had been written better.
On that note: Turner personalizes the damage that Attolia's cold mask and her ruthless defense of herself/her country is doing by having her hurt Gen directly, and that being something that she struggles with over the course of the book. With WoT, Jordan basically did everything he could to hide away the damage that Tuon/the Seanchan were doing from Mat in order to try to justify why he could ~fall in love~ with her (was it intentional? to set their relationship up for a fall later in the Outriggers? we'll never know) without ever actually changing Tuon/the Seanchan for the better, which also meant giving Tuon no reason to have any internal struggles over the choices that she's made.
Gen and Attolia get another thing that Mat and Tuon desperately needed but that Jordan refused to give them: privacy. They negotiate getting married (after Gen has kidnapped Attolia in a much more narratively satisfying kidnapping than Mat and Tuon's!) in privacy, just between the two of them; when we get the conversation about their feelings at the end, again it happens in private. That makes a huge difference. Jordan being unwilling to ever actually yank Tuon away from her full power base and her slaves was a huge hindrance to ever allowing her to be vulnerable. And I do chalk this up to unwillingness and not failures due to plot set-up because there is no good reason to have Selucia tag along on the kidnapping and then it's even more bizarre in CoT & KoD, when the character of Setalle Anan goes from being fond of Mat to all of a sudden acting like he's the worst person in the world and she must protect poor helpless baby girl Tuon from him.
Both Attolia and Tuon get tricked by their respective love interests about who they are as a person because of the facade that they put up, but Attolia still has respect for Gen and his skills, even as she doubts his character, and it is Gen's own actions that show her who he really is and make her believe in him; while with Tuon and Mat, she spends over a month with him and still refuses to look past his surface until she literally has her face rubbed into it by seeing the Band's reactions to him. This difference is a key one in making Attolia's failure to see Gen as a failure due to the protective walls that she has up; while Tuon's failure comes across as her just not being very perceptive or intelligent. And the fact that we don't get the moment when Tuon begins to have even the faintest shred of respect for Mat until the end of Knife of Dreams just meant that I felt even more like all the pages time that Jordan spent on the two of them in CoT & KoD was a complete waste of my time.
We got to have genuine reactions from all of Gen's loved ones about the relationship! This is a huge place where, I guess, Sanderson is the one who failed for a change instead of Jordan because wtf was Perrin's "lol you married now bro? haha" reaction to Mat being married to a slaver? Though Jordan also does this to a certain extent with Thom, who we are supposed to believe is in love with Moiraine, and yet who never calls Mat out on courting a woman who would enslave and torture Moiraine if she had the chance. By contrast, Eddis is genuinely hesitant and worried because of everything they've heard about how cold Attolia is, and because she's the reason that Gen's hand was cut off.
We get to see Attolia and Gen develop a shared language and see behind each other's walls. The moment when she wears the earrings that he left for her, and he knows that it means she's chosen to marry him of her own free will is such a huge and impactful moment, and the only people who are aware of what it means are Attolia and Gen! This is really a failure that happens based on earlier failures of execution: because Mat and Tuon are never allowed to be alone together, it's impossible for them to develop this kind of shared coding and shared language.
12. We also have the 'footage not found' issue, where one of the characters (mostly Mat) tries to tell me something about Tuon but the narrative completely fails to back it up: this is the case with Tuon being intelligent and perceptive (in the narrative shown to us, she never picks up on anything until her nose is forcibly rubbed in it); and this is case with Mat thinking near the end of Knife of Dreams that Tuon belongs in the same 'better than other nobles' bucket as Talmanes when she has never shown herself to be willing to make better choices than other Seanchan nobles: he is still, at this point, worrying that she might enslave him and turn him into her cupbearer; she has not only threatened but actually assaulted his companions; whenever she's placed in a position of power over other people, she takes advantage of it and them. We're told that she's not a child but she also throws a tantrum (and pottery) at Mat at the start of Crossroads of Twilight. This could have worked if Jordan had leaned into the fact that Mat is deliberately lying to himself in order to make his marriage bearable, but that's where things like randomly having Setalle Anan go over to Tuon's side messes with that narrative.
13. When Jordan has Mat think about how Tuon dying would be a deep loss to him, it's just baffling because she has not done a single thing the entire 'courtship' that has shown why in the world Mat would feel that way. All of the attempts at reaching out during the courtship are Mat's, while Tuon just smugly accepts it as her due. Because Attolia doesn't just accept Gen's love as her due, because she actually doesn't believe him and challenges him on it, we get to hear his justification of it and why he feels that way, and then we also get to see her reciprocation. The relationship is a two-way street in The Queen of Attolia.
14. Which ties into the fact that Jordan chose to make Tuon not just a slaver but an enthusiastic slaver who enjoys the slave-breaking process and that is an incredibly dark place to start a character but it could have worked if it had been the beginning of Tuon's character arc and we'd actually watched her change and grow from that position. And she had the narrative set up for it! In her very first chapter, the reader learns that Tuon has the ability to learn to channel! She was created with the narrative juice to have a compelling arc about accepting the truth about herself and her people. And then Jordan gave that arc to Bethamin instead, lol.
15. In both of these stories 'fate' does kinda serve up Gen/Mat to Attolia/Tuon on a silver platter, but the execution of the storylines makes the reveal that fate was acting to push the two of them together so much more effective in The Queen of Attolia. Choice is a much larger consideration in Attolia and Gen's relationship than it is in Mat and Tuon's. There are elements of the higher powers of the world at work in both relationships, but Attolia and Gen have to put in the work themselves and have to face hard emotional truths in order to get us to the satisfying ending. I get the impression that Tuon wouldn't know an emotional truth if it spit in her eye. We actively see both Gen and Attolia consider and reject the idea of solving their main problem (about the war) without needing to get married; we see them choose their marriage and each other.
With Mat and Tuon, this is a lot more muddled. Fate/the Pattern/the 'finn want them to marry each other but we never get any kind of payoff as to why, and this is primarily because of Jordan's other storylines imo. He should not have had Rand already willing to make peace with the Seanchan in his separate storyline. Convincing Rand to be willing should have been Mat's job (because that also would mean that Mat would need to make the arguments to convince the readers). Jordan showing at the end of KoD that Rand is willing to make a deal with the Seanchan, even at the cost of giving in on the matter of slavery, basically completely voided any narrative reason for Mat and Tuon to get married, but without the satisfaction of seeing the two of them grow to a place where they would actively make that choice rather than being motivated by what they believe is necessary (due to prophecy).
There really were the bones of a potentially compelling story with Mat and Tuon, and I really do hope that the show (when we get there) is able to take those bones and turn it into a genuinely compelling story.
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hozierandco · 9 months
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Callum Turner x Reader - The match-maker (Pt. 2)
AN: Second part to a fic I published yesterday in which Callum Turner and Reader meet through Austin Butler, a friend they have in common. Requested.
If you have any requests, feel free to send them to me xx
TW: none. Kinda fluffy, no smut.
If you're interested in pt. 3, lmk. Ok, byeee
Arriving in New York was a surreal experience for Y/N and she was glad to be met by Austin and Kaia. The two of them looked like lovebirds and it would have made Y/N sick with sentimentality if it had been anyone else than them. She was longing for a healthy and stable relationship and was only glad her best friend had found the one.
Y/N knew she had one shot of making things right and that she was not allowed any mistake during the Gala. Not only for her career but also for her friend’s reputation if she failed him. Austin knew that Y/N was capable of great things and only had to trust herself. If anything, the Gala was her baptism by fire and a great way to give his friend the confidence she had lost in herself.
Plus, he knew that she was about to meet Callum and was beyond thrilled to see them together. He was certain it would be a match. 
“Alright, I need to prepare myself for the big day tomorrow”, Y/N declared after having spent most of the day in the city with Austin and Kaia. Together, they had been to the Guggenheim, Central Park and the Brooklyn Museum. It had been an exhausting but satisfying day and Y/N was now more ready than ever to craft her portfolio.
She woke up the next day wishing she could have slept longer but since it was Met Gala day, lots of things were to be done before the evening would arrive. Thank God, Austin had thought everything through to make her the most comfortable possible and had secured a spot for her in the first rows of the red carpet. She could then afford to arrive later at the Metropolitan Museum.
She fixed her many cameras, making sure she had battery and film rolls tidied up nice and clean in her bag when Austin texted her. 
Her phone showed her what the guy she had saved as Orange County Boy in her contacts had to say: 
7:21 am - “Ready 4 tonite?”
Him too had woken up early to get ready.
7:21 am - “Readier than everrrr. What about you two?”
7:24 am - “You bet we r! Kaia and I r having a party afterwards. You should come”
By sending that, Austin prayed everything he could pray on that she would accept as Callum had already let him know that he would join in.
7:32 am - “Yeah, sounds good. If I’m not dead with exhaustion or fangirling by then”
7:34 am - “Haha, even half-dead, you better get there!”
Once she had everything she needed sorted out, Y/N exited her Airbnb on the 11th Street to get some breakfast. In a few hours time, she was going to see all the celebrities she had dreamt of seeing. There would be Anna Wintour of course but she was mostly daydreaming of taking pictures of Jessica Chastain, Blake Lively and Alicia Keys. The fact that she would be first row was a golden opportunity.
By 2 pm, Y/N headed to the Metropolitan Museum and found her spot. She was escorted by people who were talking and acting as though she was the new Annie Leibovitz. Was it her Givenchy dress that she had borrowed from Kaia or her self-assured walk that gave the impression that she was famous? She could not have said but it sure felt good.
And then, in what seemed like the blink of an eye (though that was a couple hours in fact), the first people grazed the carpet. People from Vogue at first, and then a handful of random models before the A-list made their way. 
Y/N noticed Vanessa Hudgens that she had known very well a few years back but had grown distant since. Vanessa reached out for her and greeted her amicably as she recognised her in the cloud of photographers which made a huge impression amongst Y/N’s peers.
When Austin and Kaia entered the scene, Y/N was beyond excited and could not stop taking pictures of them. The night followed that way and soon enough, all of her cameras were full. The batteries could not take any more picture which coincided with the end of the night.
The photographers were asked to leave and Y/N thought of getting a drink somewhere with some other photographers she had met while waiting for Austin and Kaia’s party to begin.
“Girl, you were on fire tonight!”, a 30-ish year-old woman told her as the photographers started debriefing about the evening and voting for the best-dressed celebrity.
“Yeah, who are you even working for?”, another guy around 25 asked.
“Uh, well, no one in fact. I’m trying to make my way up”
“And you got into the Met Gala? Damn, that’s impressive”
Y/N had made her promise to herself never to mention her friendship with Austin as a safety net towards her friend and because she did not wish to be known as the “friend of”. So she decided not to reply. 
It was fun to be surrounded by peers who had so many anecdotes to tell about working in the industry. Y/N surprised herself laughing along with them and she made up her mind that Blake Lively was the best-dressed when she noticed it was 11:18 pm which meant the party had started about 20 minutes ago at Loeb Boathouse, a restaurant in Central Park that Austin and Kaia had privatised. 
Y/N called it quits on the photographers and walked her way to the restaurant. She instantly regretted choosing the Givenchy dress Kaia suggested for her. Straight from the Spring collection of 2018, it was a long black dress with a wide collar and a bow in the back. It was absolutely magnificent but not the most practical thing to be wearing, especially at night and in a gigantic park.
She arrived by 11:30 at the party, much to Austin’s relief that was wearing a tuxedo and a large grin on his face, far too happy to be hosting both a party and a surprise for his best friend. She greeted him and his girl for the second time of the evening and was shown to a table where food had just been served.
Coming back from the bar, Callum was trying to find an available seat when Austin reached out for him and indicated where he could sit. Right next to Y/N. He noticed a beautiful woman he thought he had seen somewhere before. He had to know more about her. 
She was looking like a Celtic goddess, he thought with her hair descending and shimmering as the light crashed on it. With her classy black dress, he could only presume she was a celebrity too and he then tried to force his memory to remember a name, to no avail. The woman seated next to her was so splendid in fact that, though he was craving to talk to her, he felt himself blushing like a schoolboy. Being an actor and not knowing your pick-up line, you could not make it up! 
Y/N made space for the man sitting next to her, recognising him in the blink of an eye to be Austin’s friend and colleague he had talked so much about. Though she never truly listened to Austin’s attempts to set the two up together, she was much obliged to admit that he might have been right to even try match-making.
Callum Turner was indeed a very elegant man besides being good-looking. His aquamarine eyes had something of a malicious air which made her imagine him to be a kind soul and considering he had become a good friend to Austin, he must have been this kind-hearted being. She felt immediately some comfort in his company, which she had not felt in ages while surrounded by men. 
She did not feel intimidated by his 6’1 stature nor his assured walk as they were balanced by a gentle and wide smile on his face. She dared starting a conversation as she could catch a glimpse of him eyeing her.
“Hi, I’m Y/N. You must be Callum, right?”
“Hi, that’s right! So nice to meet you. You were in a film, weren’t you?” 
Y/N chuckled at the idea of being an actress and even more so of giving the impression of being one. “Oh no, I would be a terrible actress. I’m a photographer and also a childhood friend to Austin”
Callum laughed along at the confusion “Gosh, I’m sorry. It’s just the dress and you look, well, drop dead gorgeous” And the blush appeared back on his cheeks and was soon followed by the same tint on Y/N’s. After having said that, he realised who she was and why she was so familiar. Austin had talked about her earlier and had even shown some pictures of them at prom and other moments of their early adulthood.
She was even more of a beauty than what the photographs made it to be, he thought.
“You’re not bad-looking yourself”, Y/N commented after a few seconds.
From afar, Austin looked at the two introducing themselves, knowing the deal was closed.
“So, tell me, what drove you to photography?”, Callum inquired while not being able to take his eyes off Y/N. 
“I guess I’ve always wanted to show another version of nature and people than what could be seen in magazines. Having someone pose for you or waiting for a certain light to come up in a forest does not interest me. I want to capture what makes a person different from another or why a certain setting is going to move you or not. Well, tonight was a little different than usual but it was fun somehow”
“You took pictures tonight? What photographs did you -”, Callum stopped mid-sentence, connecting the dots between the after-party he was a part of and Y/N’s activity and had to ask as Y/N seemed to nod at him “No way! You were on the red carpet?”
Y/N nodded once more, still not down from the experience she had gone through that evening. 
“Wow, that’s amazing! Congrats on that! How was the whole thing?”
“Exhausting”, Y/N admitted, which Callum could only relate to. Himself was not the biggest fan of red carpets, nor after-parties. But at this instant, he did not regret attending Austin and Kaia’s get-together and laughed along with her. How long had it been since he had not laughed and had genuine fun with a woman?
“But I guess you’ve got plenty of things to say about red carpets for yourself”, Y/N hinted. She loved his London accent which was music to her ears and her laugh was the purest thing she had heard in a while. 
“Tell me about it! I’m a real mess when it comes to those. There was this one time I nearly tripped on Judi Dench at the Bafta ceremony. I was running late which is something I’m really good at. So I’m running for my life to get on that carpet, right. Well, I saw the cameras and all but I did not see Dame Judi Dench and I just lowkey rushed into her as she was getting in the theatre”
“Stop, you mean you had a pile-up with M from the James Bond films? How did she even react?”
“She was the nicest about it. Mind you, I was 24. It was one of my very first award shows. I think she just noticed just how silly I had been to even try running on a carpet. I was unable to stop apologising to her but she was an angel”
After having discussed for over 30 minutes, interrupted here and there by the dishes served, the guests were taken to another room without tables and with enough space to dance the night away.
A playlist made of Taylor Swift, Marina and KC and the Sunshine band started blasting in the room, soon enough filling it with dancing actors and singers. Callum suggested Y/N and he could enjoy the tunes too. He took her hand and the two of them got to dancing. 
With the light emanating from the stroboscopes, Y/N was a shooting star. Her black dress twirled so nicely as she moved her body to the rhythm given. Callum could not stop looking at her while dancing along. 
Callum had this look of having done that all his life. He moved so lightly on the floor, with a composed pace and glistening eyes. 
“You look amazing when you dance”, Y/N whispered in Callum’s ear as the song ended, morphing into a new song.
“And you look amazing overall”, Callum replied. “You’re so beautiful I think I could kiss you right now”
Of course, it was mostly the alcohol speaking as Callum said that and he instantly regretted having said that outloud. As he was wishing she had not heard what he had just said, he felt a warmth on his lips. The warmth was a soft kiss placed with all the tenderness in the world.
After the shared kiss, the two of them went back to their dancing but this time, they got closer. Y/N’s sensual moves rushed Callum to grasp her waist and joining in, echoing her moves with his hands on her wiggling body. With the soft fabric of her dress under his hands, Callum felt like kissing her once more and in her ears said “I really want to kiss you right now, would that be okay?”
“Callum, we’ve just made out in front of everyone. Of course, I’m okay with that”
More kisses added up to the list and the song ended once more. “Let’s go somewhere more quiet”, Y/N suggested and the two of them got back to the first room where they had met. 
In that room, Callum was all hands on Y/N, not being able to resist the tension anymore. “Would you like to see the pictures I took back to my place?”, Y/N questioned, feeling like the end of the night could well go somewhere unplanned but nice.
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Fallin’ In Heart First - Cole Turner x Country Singer!Reader
A/N: This is pretty much inspire by HEART FIRST by Kelsea Ballerini so definitely check it out!
Summary: Months after their break up Cole is still moping over Sadie, that is until he hears a certain voice
Word Count: 1.6k
Warnings: Fluff! Simp Behaviour!
Dividers by @firefly-graphics​
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“I have just the thing you’re looking for,” Cole says with a small wink, pointing to the customer who was at the stall.
He reaches out to grab just a plain jar of honey before presenting it to the allergy-suffering customer. She raises a brow in confusion as she takes the jar from him “honey?”
“Yep have some every day, in your tea or on your breakfast, it’s made locally using local pollen so it allows your body to get used to the pollen before allergy season kicks in” Cole explains pushing his hands into his jeans pockets.
The customer studies the jar for a moment before shrugging her shoulders “Worth a shot” she admits before passing over some cash for it.
“Used it all my life and it’s saved me,” Cole says with a small wink.
The lady lets out a small snort of laughter as she shakes her head and puts the jar of honey in her bag “Well thank you” she chuckles before turning and walking off to another stall.
Cole watches as she goes, she was pretty cute, almost certainly his type but his heart just wasn’t in it. He watched as she paused at the nearby flower stall and began admiring the cactus. Something that instantly made Cole sigh deeply as he was reminded of her.
“Oh my god that’s like the millionth sigh this morning!” Mattie exclaims loudly, pulling Cole from his thoughts.
“No, it's not” Cole argues turning around to face his younger sister who was reclined back in her chair.
“Uh yeah it is, you do it whenever you look over at the plant stall” Mattie says pointing over to the stall in question.
“No, I don’t” Cole states with a small scoff shaking his head at her.
“Yeah, you do!” Mattie laughs “Aren’t I right Dad?”
“Yeah you are sighing a lot, you can sit down if you’re asthma is acting up coleslaw” his dad offers making Cole roll his eyes.
“It's not his Asthma it's him still wallowing over Sadie,” Mattie says sending Cole a knowing look.
“No, I’m not, I’m over that” Cole argues but even he could hear how unconvincing he sounded.
Mattie burst out laughing shaking her head at him “You do hear yourself right?”
“Mattie leave him alone, he thought Sadie was the one” his dad chastises lightly.
“Yeah just like he thought Bonnie and Laurie and Peggy were the ones” Mattie mutters under her breath.
“Look Coleslaw we’re doing alright here, why don’t you go take a break, explore the rest of the fair?” His dad suggests.
“Dad I’m fine” Cole sighs.
“And that’s a million and one” Mattie smirks.
“Fine, fine I’m going” Cole exclaims holding his hands up in surrender, grabbing his inhaler as he stormed away ignoring his sister’s laughter.
Cole didn’t really know where to go, the annual county fair was always massive. He knew his dad needed a new part for the tractor so maybe he could go get that, or see if the book stand had anything interesting on agriculture.
He was just walking past one of the bar tents when he heard angelic-like singing that had him freezing. Turning in the direction of the singing he ducked into the large bar tent which was full of people enjoying local cider and listening to live music.
Cole gently pushed his way through the crowd so he could see who was on the small stage. His heart skipping a beat when he finally saw the singer. You were absolutely stunning, perched on a stool in a long floral dress, daisies carefully weaved into your hair. You had a warm smile on your face as you expertly strummed your guitar and sang about love.
Cole was completely enamoured and when your gaze met his the rest of the world melted away and it was just you and him in that tent. You sent him a bashful smile, glancing down for a moment before your gaze returned to him.
For the rest of your set your gaze repeatedly met his and Cole couldn’t help but think you were singing directly to him. So when you finally finished and began packing up Cole didn’t hesitate and made his way straight over to you.
“Hey,” he greeted, shoving his hands in his jean pockets nervously.
You glanced up from your guitar case, a smile growing on your face and you rose to your full height “Hey” you echoed.
“I um just wanted to say I really enjoyed your set, you’re voice is beautiful” Cole says smiling nervously over at you.
You nibble your lower lip and look down bashfully “Thank you” you smile looking back up at him.
Cole gives you a small nod of his head as silence fell between the two of you. He didn’t want to leave but he just couldn’t think of anything else to say. He began to turn away when he spotted a sign for a local cider and instantly spun back around to face you.
“Can I buy you a drink?” He asked suddenly.
You startle slightly at his outburst but a warm smile soon grows on your lips “Yeah that sounds nice”
“Perfect, great,” Cole says with a sigh of relief.
You let out a quiet chuckle as you close your guitar case and pick it up “let's go” you grin.
“Here let me,” Cole says quickly taking the case from you “I promise I won’t drop it”
You let out a loud warm chuckle at that “Don’t worry I trust you…” you say tailing off at the end.
“Cole. I’m Cole, Cole Turner” Cole finishes holding out his free hand.
“Y/N” you smile shaking his hand and Cole could swear he felt sparks fly.
Cole held out his arm signalling for you to go first, smiling, trying and failing to stop himself from doing a little happy dance when your back was turned. You then glanced over your shoulder at him making him quickly recover and flash you a smile.
When you reached the bar Cole ordered two ciders for the both of you and then set down your guitar case. As he did do he noticed all the stickers from different states and cities across the country.
“Are these all the places you’ve toured?” Cole asks as you took a large sip of your cider.
You quickly swallowed and shook your head “No, I’m not much of a traveller far too much of a homebody, my family is just pretty large and spread far and wide so those are just from when I’ve visited them” you explain.
Cole hums nodding his head “I get that, I did a bit of travelling across Europe not too long ago, it was fun but I definitely liked being home and back in my comfort zone”
“Need a holiday from your holiday” you chuckle making Cole laugh.
“Yup exactly that” he smiles “So you don’t travel for your music?” He asks arching a brow.
“No it's just a hobby, I don’t have any real desire to ‘make it’, I just enjoy doing stuff like this and I love my job too much to give it up” you explain.
“What do you do?” Cole asks tilting his head slightly.
“I’m a librarian, so diving into fantasy worlds and romance novels is enough travel for me” You smile bashfully as you take another sip of your cider “What do you do?”
“I’m a farmer, but I have also written a book on the history of agriculture, it was published a few months ago now” Cole answers as he takes a sip of his own cider.
“Wait.” You say holding out your hand “Cole, as in Cole Turner?”
Cole furrows his brows “Yeah….” He says confused.
“I’ve read your book!” You exclaim.
Cole’s eyes widened in surprise “You have!?” He says shaking his head in disbelief, he thought he’d be the only one who’d ever read it.
“Yeah! It came into the library and it looked interesting so I gave it a read and it was really cool! You have a way with words” you explain smiling over at him.
“Thank you” Cole smiles bashfully “but if anyone has a way with words it's you! I mean your songs, god… I’ve never heard someone summarise love and falling in love like you”
“Thank you, not everyone would agree, I’ve been called a hopeless romantic,” you say with a small shrug of your shoulders “Well that's putting it nicely, I’ve been called needy, incessant texter, leading with my heart rather than my head… but I guess I am someone who’d do anything for love”
“I get that,” Cole says with a small nod of his head, making you look back at him with an arched brow “I once travelled halfway around the world after a girl who I went on one date with and didn’t hear back from only to find out she’s a CIA agent and get dragged into her mission to recover a weapon of mass destruction, there were bounty hunters and everything” he rambles looking down at his cider.
Silence fell between the two of you making Cole worry that when he looked back up that he would see a look of horror on your face. But when he did eventually look up he just saw a warm smile on your face.
“You fall in love fast don’t you Cole?” You ask with a smirk, Cole could only nod and swallow nervously “Well I’m glad I’m not the only one” you smile holding your pint out for a toast.
A wide smile broke out on his face as he joined you in your toast. Yeah, he fell in love fast but this time he was sure that he’d met his match, his equal, his soulmate.
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scotianostra · 26 days
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On 5th April 1820 government forces defeated Radical weavers at what became known as the Battle of Bonnymuir.
The ‘Radical Rising’ or ‘Radical War’ of 1820, also known as the Scottish Insurrection of 1820, was a week of strikes and unrest in Scotland that culminated in the trial of a number of ‘radicals’ for the crime of treason. It was the last armed uprising on Scottish soil, with the intent of establishing a radical republic.
Based in Central Scotland, artisan workers (such as weavers, shoemakers, blacksmiths), initiated a series of strikes and social unrest during the first week of April 1820. This pushed for government reform, in response to the economic depression. The Rising was quickly, and violently, quashed, and the subsequent trials took place in Scotland from July to August 1820.
The events of the Rising followed years of economic recession after the end of the Napoleonic Wars and considerable revolutionary instability on the European continent. As the economic situation worsened for many workers, societies sprung up across the country which espoused radical ideas for fundamental change.
In the early nineteenth century, Scottish politics offered power to very few people. Councillors on the Royal Burghs at this time were not elected to their position, rich landowners controlled county government and there were fewer than 3,000 parliamentary voters in the whole of Scotland, hardly a democracy.
It was recognised that the key to change was electoral reform, and the events of the American Revolution of 1776 and French Revolution of 1789 helped to promote these ideas. Radical reformers began to seek the universal franchise (for men), annual parliaments, and the repeal of the Act of Union of 1707.
Between 1st and 8th April 1820, across central Scotland, some works stopped, particularly in weaving communities, and radicals attempted to fulfil a call to rise. Several disturbances occurred across the country, perhaps the worst of which were the events at Bonnymuir, Stirlingshire, where a group of about 50 radicals clashed with a patrol of around 30 soldiers, while Bonnymuir is the most famous, or should I say infamous of the events during this period, it was by no means the only “uprising”
On Monday April 3rd a strike took force across a wide area of Scotland including Stirlingshire, Dunbartonshire, Renfrewshire, Lanarkshire and Ayrshire, with an estimated total of around 60,000 stopping work.
Reports were made of men carrying out military drill in Glasgow while foundries and forges had been raided, and iron files and dyer's poles taken to make pikes. In Kilbarchan soldiers found men making pikes, in Stewarton around 60 strikers was dispersed, in Balfron around 200 men had assembled for some sort of action. Pikes, gunpowder and weapons called "wasps" (a sort of javelin) and "clegs" (a barbed shuttlecock to throw at horses) were offered for sale.
In Glasgow John Craig led around 30 men to make for the Carron Company ironworks in Falkirk, telling them that weapons would be there for the taking, but the group were scattered when intercepted by a police patrol. Craig was caught, brought before a magistrate and fined, but the magistrate paid his fine for him.
Rumours spread that England was in arms for the cause of reform and that an army was mustering at Campsie commanded by Marshal MacDonald, a Marshal of France and son of a Jacobite refugee family, to join forces with 50,000 French soldiers at Cathkin Braes under Kinloch, the fugitive "Radical laird" from Dundee.
Government troops were ready in Glasgow, including the Rifle Brigade, the 83rd Regiment of Foot, the 7th and 10th Hussars and Samuel Hunter's Glasgow Sharpshooters. In the evening 300 radicals briefly skirmished with a party "of cavalry", but no one came to harm.
The next day, Tuesday April 4th, Duncan Turner assembled around 60 men to march to Carron, while he carried out organising work elsewhere. Half the group dropped out, however the remaining twenty five, persuaded that they would pick up support along the way, set out under the leadership of Andrew Hardie. They arrived in Condorrat, which was on the way to Carron, at 5am on April 5th. Waiting for them was John Baird who had expected a small army, not this bedraggled and soaking wet group. He was persuaded to continue the March to Carron by John King, who would himself go ahead and gather supporters. King would go to find supporters at Camelon while Baird and Hardie were to leave the road and wait at Bonnymuir.
What the leaders didn’t know is that the Government had placed spies and agitators among the crowds and they were lured to the confrontation with well-armed, trained soldiers on Bonnymuir,
The authorities at Kilsyth and Stirling Castle had however been alerted and Sixteen Hussars and sixteen Yeomanry troopers had been ordered on 4 April to leave Perth and go to protect Carron. They left the road at Bonnybridge early on April 5th and made straight for the slopes of Bonnymuir. As the newspapers subsequently reported:
"On observing this force the radicals cheered and advanced to a wall over which they commenced firing at the military. Some shots were then fired by the soldiers in return, and after some time the cavalry got through an opening in the wall and attacked the party who resisted till overpowered by the troops who succeeded in taking nineteen of them prisoners, who are lodged in Stirling Castle. Four of the radicals were wounded".
The Glasgow Herald mocked the small number of radicals encountered, but worried that "the conspiracy appears to be more extensive than almost anyone imagined... radical principles are too widely spread and too deeply rooted to vanish without some explosion and the sooner it takes place the better."
The end of the Rising
On the afternoon of April 5th, before news of the Bonnymuir fighting got out, Lees sent a message asking the radicals of Strathaven to meet up with the "Radical laird" Kinloch's large force at Cathkin. The next morning a small force of 25 men followed the instructions and left at 7 a.m. to march there. Among them was the experienced elderly Radical James Wilson who is claimed to have had a banner reading "Scotland Free or a Desart"
At East Kilbride they were warned of an army ambush, and Wilson, suspecting treachery, returned to Strathaven. The others bypassed the ambush and reached Cathkin, but as there was no sign of the promised army they dispersed. Ten of them were identified and caught, and by nightfall on April 7th; they were jailed at Hamilton.
I’ll leave things there for the moment, the aftermath will be told in further posts, one in a few days, and more as the ringleaders were made examples of as they were tried for their parts in the events.
The large memorial stone to mark the 200th anniversary of the Battle of Bonnymuir was unveiled in April 2021.
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