#Ulrik Cold

[alexanderpearce]

[puppycheesecake]

Sim Lookbook - Ulrike Faust

General: Hair / Brows / Earrings / Nails / Tattoos Everyday: Top / Skirt / Tights / Socks / Shoes / Hat / Necklace / Bracelets / Garter / Backpack Formal: Dress (Siena) / Gloves / Tights / Shoes / Necklace Athletic: Top / Pants / Socks / Shoes / Hat / Watch Sleep: Top / Bottoms + Stockings / Robe / Slippers Party: Top / Undershirt / Skirt / Tights + Shoes + Garter / Hat / Necklace Swimwear: Top + Bottoms / Skirt / Shoes Hot Weather: Top / Shorts / Tights / Shoes / Hat / Necklace / Bracelets / Garter Cold Weather: Top / Skirt / Socks / Shoes / Hat / Backpack

Thank you! @gegesimmer @pralinesims @eunosims @yekkiz @astya96cc @casteru @magic-bot @madlensims @sentate @trillyke @chimaerae-cc @sifix @arethabee @helgatisha @pleyita @sims4nexus @rimings @simkoos @ts4eve @skaays @dallasgirl79 @seoulsoul-sims 

[gunthermunch]

[Transcript under the cut]

WG: hey punk what'cha looking at. catch this WG: man this side is empty. BOOM Morgyn clears their throat Ulrike: well, damn Lilith, telepathically: hey handsome Gunther: ( under his breath )hi Lilith Morgyn: We thank the gods and goddesses, our ancestors, and our friends and family for joining us here tonight. I'm Morgyn Ember, sage of Untamed Magic. And I’ll be officiating this wedding. Even if the bride doesn’t love the idea. Morgyn: Gunther and Lilith showed me something… unpredictable. How a heart made of feathers and one made of copper can not only fall deeply for each other, but also create tiny, adorable gifts both of life and unlife. Morgyn: so, I want this union to show everyone how incredible life can be. Morgyn: that being said, will the two of you honor each other’s strength and assist each other in your weakness? Gunther and Lilith: we will Morgyn: will you seek for each other’s pain and alleviate it? Gunther and Lilith: we will Morgyn: will you share the warmth where it is cold? Gunther and Lilith: we will Morgyn: then may these hands remain gentle to keep nurturing their beautiful days and nights, and may them stay strong to shelter, protect, and guide each other. May the universe protect this bond and let it defy death, and last over a lifetime. Morgyn: before these witnesses, and by the power vested in me, I now pronounce you husband and wife. Gunther: I-I'm sorry, my hands are really sweaty Lilith: Gunther… Lilith: doi look like i care? Gunther: if you put it that way…

[rinverno]

On the one hand, I totally get the appeal of artsy, laid-back goth!Ulrike, but on the other, I have this very specific, self-indulging idea of her being a digital artist (unlike, say, Holly Alto or Alice Spencer-Kim who are more of a traditional type) with a love for photography and the mentality of a feral black cat, who's also been 'stuck' in her moody pop punk era way longer than she likes to admit.

Oh and she's definitely watched one too many zombie apocalypse movies/played too many survival horror games to always pick her outfits for the *occasion* (you never know...).

cc under the cut!

⟡ general: hair | tattoos | ear piercings | nails

⟡ everyday: top | jacket | pants | boots | belt (mesh) | camera

⟡ formal: shirt | pants | shoes | choker ('Anise')

⟡ athletic: hoodie & joggers | sneakers (ea) | headphones | fanny pack

⟡ sleep: tee | sweatpants | slippers (ea)

⟡ party: shirt (mesh) | pants | boots | bag

⟡ swimwear: top & bottom | sunglasses

⟡ hot weather: top | bra acc | shorts | sneakers | bag

⟡ cold weather: jacket | jeans | boots | gloves

thank you cc creators! @cosmiccs4 @herbalia @oydis @arethabee @kismet-sims @charonlee @glumbut @sforzcc @madameriasims4 @jius-sims @dansimsfantasy @serenity-cc @lumysims @pralinesims @fukkiemon @simkoos @the-crypt-o-club @simandy @clumsyalienn @drosims @caio-cc @sentate @its-adrienpastel @casteru @wistfulpoltergeist

[princesssarisa]

Opera on YouTube

I've shared links to complete opera performances before, but I love to share them, so I thought I'd make a few masterposts.

These list are by no means the only complete filmed performances of these operas on YouTube, but I decided that ten links for each opera was enough for now.

By the way, some of the subtitles are just a part of the video, while others require you to click CC to see them.

Die Zauberflöte (The Magic Flute)

Hamburg Philharmonic State Opera, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; conducted by Horst Stein; English subtitles)

Ingmar Bergman film, 1975 (Josef Köstlinger, Irma Urrila, Håkan Hagegård, Birgit Nordin, Ulrik Cold; conducted by Eric Ericson; sung in Swedish; English subtitles)

Salzburg Festival, 1982 (Peter Schreier, Ileana Cotrubas, Christian Bösch, Edita Gruberova, Martti Talvela; conducted by James Levine; Japanese subtitles)

Bavarian State Opera, 1983 (Francisco Araiza, Lucia Popp, Wolfgang Brendel, Edita Gruberova, Kurt Moll; conducted by Wolfgang Sawallisch; English subtitles)

Metropolitan Opera, 1991 (Francisco Araiza, Kathleen Battle, Manfred Hemm, Luciana Serra, Kurt Moll; conducted by James Levine; English subtitles)

Paris Opera, 2001 (Piotr Beczala, Dorothea Röschmann, Detlef Roth, Desirée Rancatore, Matti Salminen; conducted by Ivan Fischer; no subtitles)

Royal Opera House, Covent Garden, 2003 (Will Hartman, Dorothea Röschmann, Simon Keenlyside, Diana Damrau, Franz Josef Selig; conducted by Colin Davis; no subtitles) – Act I, Act II

La Monnaie, Brussels, 2005 (Topi Lehtipuu, Sophie Karthäuser, Stephan Loger, Ana Camelia Stefanescu, Harry Peeters; conducted by René Jacobs; French subtitles)

Kenneth Branagh film, 2006 (Joseph Kaiser, Amy Carson, Benjamin Jay Davis, Lyubov Petrova, René Pape; conducted by James Conlon; sung in English)

San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklósa, Georg Zeppenfeld; conducted by Donald Runnicles; English subtitles)

La Traviata

Mario Lanfrachi studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; conducted by Giuseppe Patané; English subtitles)

Glyndebourne Festival Opera, 1987 (Marie McLaughlin, Walter MacNeil, Brent Ellis; conducted by Bernard Haitink; Italian and Portuguese subtitles)

Teatro alla Scala, 1992 (Tiziana Fabbricini, Roberto Alagna, Paolo Coni; conducted by Riccardo Muti; English subtitles)

Royal Opera House, Covent Garden, 1994 (Angela Gheorghiu, Frank Lopardo, Leo Nucci; conducted by Georg Solti; Spanish subtitles)

Teatro Giuseppe Verdi, 2003 (Stefania Bonfadelli, Scott Piper, Renato Bruson; conducted by Plácido Domingo; Spanish subtitles)

Salzburg Festival, 2005 (Anna Netrebko, Rolando Villazón, Thomas Hampson; conducted by Carlo Rizzi; no subtitles)

Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazón, Renato Bruson; conducted by James Conlon; English subtitles)

Opera Festival St. Margarethen, 2008 (Kristiane Kaiser, Jean-Francois Borras, Georg Tichy; conducted by Ernst Märzendorfer; English subtitles)

Teatro Real di Madrid, 2015 (Ermonela Jaho, Francesco Demuro, Juan Jesús Rodríguez; conducted by Renato Palumbo; English subtitles)

Teatro Massimo, 2023 (Nino Machiadze, Saimir Pirgu, Roberto Frontali; conducted by Carlo Goldstein; no subtitles)

Carmen

Herbert von Karajan studio film, 1967 (Grace Bumbry, Jon Vickers; conducted by Herbert von Karajan; English subtitles)

Vienna State Opera, 1978 (Elena Obraztsova, Plácido Domingo; conducted by Carlos Kleiber; English Subtitles)

Francisco Rosi film, 1982 (Julia Migenes, Plácido Domingo; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1987 (Agnes Baltsa, José Carreras; conducted by James Levine; English subtitles)

London Earls Court Arena, 1989 (Maria Ewing, Jacque Trussel; conducted by Jaques Delacote; English subtitles)

Royal Opera House, Covent Garden, 1991 (Maria Ewing, Luis Lima; conducted by Zubin Mehta; English subtitles) – Acts I and II, Acts III and IV

Arena di Verona, 2003 (Marina Domashenko, Marco Berti; conducted by Alain Lombard; Italian subtitles)

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann; conducted by Antonio Pappano; English subtitles) – Acts I and II, Acts III and IV

Metropolitan Opera, 2010 (Elina Garanca, Roberto Alagna; conducted by Yannick Nézet-Séguin; English subtitles) – Acts I and II, Acts III and IV

Opéra-Comique, 2023 (Gaëlle Arquez, Frédéric Antoun; conducted by Louis Langrée; English subtitles)

La Bohéme

Franco Zeffirelli studio film, 1965 (Mirella Freni, Gianni Raimondi; conducted by Herbert von Karajan; English subtitles)

Metropolitan Opera, 1977 (Renata Scotto, Luciano Pavarotti; conducted by James Levine; no subtitles)

Teatro alla Scala, 1979 (Ileana Cotrubas, Luciano Pavarotti; conducted by Carlos Kleiber; no subtitles)

Opera Australia, 1993 (Cheryl Barker, David Hobson; conducted by Julian Smith; Brazilian Portuguese subtitles)

Teatro Regio di Torino, 1996 (Mirella Freni, Luciano Pavarotti; conducted by Daniel Oren; Italian subtitles)

Teatro alla Scala, 2003 (Cristina Gallardo-Domâs, Marcelo Alvarez; conducted by Bruno Bartoletti; Spanish subtitles)

Zürich Opera House, 2005 (Cristina Gallardo-Domâs, Marcello Giordani; conducted by Franz Welser-Möst; no subtitles)

Robert Dornhelm film, 2009 (Anna Netrebko, Rolando Villazón; conducted by Bertrand de Billy; no subtitles)

Opera Australia, 2011 (Takesha Meshé Kizart, Ji-Min Park; Shao-Chia Lü; no subtitles)

Sigulda Opera Festival, 2022 (Maija Kovalevska, Mihail Mihaylov; conducted by Vladimir Kiradjiev; English subtitles)

[thebramblewood]

Introducing... The Reapers: Isaiah Swain (vox/guitar), Myra "Rabbit" Rutherford (keys/vox), Nik Tham-Boon (drums), Ange Northwood (bass), and Ulrike Faust (guitar), with Helena Zhao as the ultimate groupie and some guy mutilating the sound.

Bonus and transcript under the cut!

@sims4thehoes I used one of your bases as the sound guy! 😘

Previous / Next

Isaiah: [taps] "Is this thing even on?"

screeeeeeeeech

Ulrike: "How hard can it be to adjust the fucking levels?!?"

Rabbit: "I will come over there and rip those controls from your COLD DEAD HANDS!"

Ange: [glowers silently]

Nik: [crash!BANG!smash!CLANG!]

Some Guy: "Uh... yeah. So what were you guys asking for again?"

Helena: "Let me in that booth, you imbecile! I don't have a clue about sound engineering, and I bet I could still do it better than you!"

Ulrike: "That's my girl."

[mannylikessims]

The True Story of the Villareal Family [3.5]

prev // home // next

Max was bored.

He had already yelled insults at the other children in the pool, replaced the Paragons’ coffee beans with weevils, and made an adult woman cry asking her if she was pregnant or just fat, but he was still bored.

He agreed with the Paragons about one thing – the people at the Windenburg community pool were peasants. Boring, insipid peasants. None of them brought him the joy that Lord Bernard’s ghost did; there was something so deeply satisfying about rankling that old fart.

He missed Bernard.

Someone swam up to him, and he begrudgingly faced her.

“Hey Max,” said Morgan, one of his fellow Renegades. “Can we talk?”

“Ugh, fine,” he sighed,

and followed her out of the pool.

“What do you want?” he said. The worst part about running the Renegades was listening to their complaints.

“Well, it’s just that, the Renegades have been kinda unhappy,” began Morgan. “Some of us feel like you don’t really care about us–“

“We’re Renegades, we’re not supposed to care about anything,” interrupted Max.

“–yeah, ok, but we’re supposed to at least care about each other. When was the last time you asked how Ulrike and I are doing?”

Max scoffed.

“And Wolfgang? Something is up with Wolfgang. He keeps smiling.”

“So?”

“It’s Wolfgang. He never smiles.”

Max glared silently, his nostrils flaring, and his next words were cold and dangerous. “Are you questioning my leadership?”

Morgan grimaced. “No, I’m just saying, we should be considerate of what people in our club are feeling–“

“Plum that!”

She gasped. Where did he learn such language??

“I’m the leader!” spat Max. “You all listen to me, ok?!”

Morgan was too shocked to reply.

Max stormed away, and Morgan was left behind, speechless and fuming.

────────✦───────

prev // home // next

[belkawriter]

Looking at the blue fingers and protruding veins, Route stared at Ulrik.

— So cold… What kind of crap is this? - he whispered, pursing his lips.

— I'm telling you… A small side effect. It's okay, it goes away in a week.

— A week? - Route asked louder.

— Quiet, Aron can hear us.

— Ulrik, what the hell is this? What do you make medicine from?

— Doesn't matter.

— Answer.

— From my blood, - he whispered. - I discovered that with certain procedures and filtration, it is possible to extract particles that provoke healing.

— I thought you were just staying up for a long time, - Route said, looking again at the bruises under his eyes. - How much blood do you take?

— A little.

— How much? - he asked again.

—You shouldn't worry about that.

— Are you deaf?

— Maybe you're the one who's deaf? - Ulrik answered and chuckled. - I said you shouldn't worry about it. I have regeneration, I will recover. Remember?

— I remember, - Route muttered and squeezed his palms. - Let me warm your hands, otherwise Aron will freeze if you want to hug him.

— Okay, - he agreed. - Thank you.

Frowning, Route looked down and fell silent.

— Hey, I'm fine, - Ulrik said. - Really.

— Uh-huh.

— Please don't be angry.

— Someday you will learn to distinguish between when I am angry and when I am worried.

— You get angry when you worry about me, that’s all.

[vulnaviasims]

Windenburg Cottage - Windenburg

this is one of the cutest homes in Windenburg!

a family consisting of a daughter and a dog lives there. I don't want to tell you who I am yet.

upstairs there are the bedrooms and a painting studio.

outside there is a small enclosure with space for gardening, and of course a terrace for dining out.

but who lives in this very nice dear? A decidedly out of the ordinary family! The Straud family!

Ulrike and Vlad falls in love and had a beauriful daughter, Clarissa. Because it's cold in Windenburg, a Chow Chow is perfect.

haha aren't they cute?

I think they are just fine in this house, who knows if Vlad will agree? As soon as we arrive in Forgotten Hollow you will find out what happened to Vlad's house.

I hope you like it!

find everything in my save file here

see you next time!

[slugtrait]

night has fallen on the dense forests of henford - on - bagley, and with it, a sharp chill that slices it’s way through air before settling on ulrike’s skin and seeping into her bones. it does little to cool off the enormous, destructive heat of her fury.

there’s something different about this change tonight, though. she’s got too many thoughts in her head and she barely has a grip on her career, her fame, and her family. nothing is going right and everything might just be simpler if she just — gave in.

the beast inside of her growls, a throaty sound of agreement. her veins are fire and her skin boils, steam seeming to rise from her pores in the cold night. she throws her head back, wild eyes spotting the full moon above her, and she lets out a howl.

this isn’t any ordinary howl, however. this is something more primal, more urgent. this is a lunar howl, the only howl that ulrike had read never to do, unless you knew you were ready. and here she was, sure and unsure all at the same time, but wholly desperate to feel some kind of satisfaction in her life. and if the full moon and her fury was the only ones to supply that, well then that would just have to be the way.

[alexanderpearce]

For werre wrathed hym not so much þat wynter nas wors, When þe colde cler water fro þe cloudez schadde, And fres er hit falle myȝt to þe fale erþe; Ner slayn wyth þe slete he sleped in his yrnes Mo nyȝtez þen innoghe in naked rokkez, Þer as claterande fro þe crest þe colde borne rennez, And henged heȝe ouer his hede in hard iisse-ikkles.

basically i had an extremely miserable night (neutral) here are the vibes:

boots and pants sopping wet from walking through snow with no path for upwards of an hour. fell over more times than i can count

melted the rubber soles of my boots trying to dry them also singed my hair

read sir gawain and the grene knyzt. passage quoted above hit (i put it in the hut logbook)

TWO animals crawled over me during the night <3 second one felt too light to be a possum so i am thinking maybe bush rat

just drank like boiled plain water bc i forgot any kind of flavourings but i was sooo so cold. did find a few drops of whiskey someone had left though and mixed that in

got a little lost on the way back but made it back to the tags marking the route and found that some other people seemed to be walking towards the hut as i came back – i followed their footprints back to the road and my car. i survived.

drove home barefoot legs out because my pants and shoes were that fucking soaked through

sometimes you have to put yourself through harrowing experiences

[byneddiedingo]

The Magic Flute (Ingmar Bergman, 1975)

Cast: Josef Köstlinger, Irma Urrila, Håkan Hagegård, Ulrik Cold, Birgit Nordin, Ragnar Ulfung, Britt-Marie Aruhn, Kirsten Vaupel, Birgitta Smiding, Erik Sædén. Screenplay: Ingmar Bergman, based on an opera by Wolfgang Amadeus Mozart and the libretto by Emanuel Schikaneder translated by Alf Henrikson. Cinematography: Sven Nykvist. Produ. tion design: Henny Noremark. Film editing: Siv Lundgren. Costume design: Karin Erskine, Henny Noremark. For me, Ingmar Bergman's The Magic Flute is a kind of linguistic palimpsest, with the English subtitles* superimposed on the Swedish translation of the German original. Not that I know Swedish,  but I've picked up enough of the sound of the language from watching movies that I can recognize a word or two. And I do know the German libretto fairly well from following along on recordings, so that when a singer begins a familiar aria, I hear the German in my mind's ear along with the Swedish being sung and then refracted through the words on screen. You'd think this would be distracting, but it isn't -- in fact, it only helps me appreciate the care Bergman took in making the film. Opera is not designed for the movies: It has moments of tightly choreographed action after which people stand still to sing, and you want more out of a movie than starts and stops. But what Bergman does so brilliantly is to supply close-ups and cuts that give the film an energy, often following the rhythms of Mozart's music. We don't get close-ups in the opera house -- thank god, because singing opera does unfortunate things to the singers' faces -- but Bergman has wisely chosen good-looking singers and had them speak-sing along with a previously recorded version, so there's little facial distortion. The Magic Flute is a problematic opera: Emanuel Schikaneder's libretto is a mess that never quite resolves the relationship between Sarastro, the Queen of the Night, and Pamina. Bergman solves this by creating one: In his version, Pamina (Irma Urrila) is the daughter of Sarastro (Ulrik Cold) and the Queen (Birgit Nordin), and he has abducted the girl because he doesn't trust his ex to raise her right. There's no justification for this in Schikaneder's text, and even Bergman hasn't quite resolved the problem of why Sarastro lets Pamina be guarded by Monastatos (Ragnar Ulfung), whose chief aim seems to be to sleep with the young woman. Nor has Bergman solved the misogyny and racism of Schikaneder's libretto. Women come in for a good deal of disapproval in the opera, and Bergman hasn't eliminated that. Monastatos is tormented by the fact that he's black -- a Moor -- although he is given a kind of Shylockian moment of self-justification, and even Papageno (Håkan Hagegård), who is the pragmatic, commonsense type, reflects that there are black birds, so why not black people. (I'm not entirely sure that line of Papageno's even makes it into the Bergman film.) Most productions today gloss over these antique prejudices as best they can, however, turning The Magic Flute into a kind of fairy tale for the kids, with colorful sets and cute forest animals dancing to Tamino's flute. Bergman is no exception in this regard: The film is set in the theater, and he opens with a close-up of a lovely young girl** with a kind of Mona Lisa smile, and follows her eye line as she gazes at the images painted on the curtain, then scans the other faces in the audience, old and young and of various ethnicities. The film, which like his other childhood-centered classic, Fanny and Alexander (1982), was made originally for television,  is certainly one of Bergman's warmest. *I don't know who did the English version, but it's a very good singing translation, not just a literal prose version of the original. **She has been identified as Helene Friberg, who had bit parts in other Bergman films.

[deasims4stories]

Angry in lingerie, on a summer power cutoff day, with an ice cold beer, two hours before a new sim legally and fully joins the polycule. Hooooo boy.

Mae took some shots before the guests arrive.

A lovely Windenburg wedding! The only issues were the height mod Indigo and Ulrike bonking heads during their kiss and guests throwing rice in the wrong place, but just before the celebratory water balloon fight, Clement Frost serenaded everyone unexpectedly!

...then Ulrike immediately aged to adult.

Indigo is just a little bit sunburned today from that water balloon fight.

[brookstonalmanac]

Events 5.14 (after 1940)

1940 – World War II: Rotterdam, Netherlands is bombed by the Luftwaffe of Nazi Germany despite a ceasefire, killing about 900 people and destroying the historic city center. 1943 – World War II: A Japanese submarine sinks AHS Centaur off the coast of Queensland. 1948 – Israel is declared to be an independent state and a provisional government is established. Immediately after the declaration, Israel is attacked by the neighboring Arab states, triggering the 1948 Arab–Israeli War. 1951 – Trains run on the Talyllyn Railway in Wales for the first time since preservation, making it the first railway in the world to be operated by volunteers. 1953 – Approximately 7,100 brewery workers in Milwaukee perform a walkout, marking the start of the 1953 Milwaukee brewery strike. 1955 – Cold War: Eight Communist bloc countries, including the Soviet Union, sign a mutual defense treaty called the Warsaw Pact. 1961 – Civil rights movement: A white mob twice attacks a Freedom Riders bus near Anniston, Alabama, before fire-bombing the bus and attacking the civil rights protesters who flee the burning vehicle. 1970 – Andreas Baader is freed from custody by Ulrike Meinhof, Gudrun Ensslin and others, a pivotal moment in the formation of the Red Army Faction. 1973 – Skylab, the United States' first space station, is launched. 1977 – A Dan-Air Boeing 707 leased to IAS Cargo Airlines crashes on approach to Lusaka International Airport in Lusaka, Zambia, killing six people. 1980 – Salvadoran Civil War: the Sumpul River massacre occurs in Chalatenango, El Salvador. 1987 – Fijian Prime Minister Timoci Bavadra is ousted from power in a coup d'état led by Lieutenant colonel Sitiveni Rabuka. 1988 – Carrollton bus collision: A drunk driver traveling the wrong way on Interstate 71 near Carrollton, Kentucky hits a converted school bus carrying a church youth group. Twenty-seven die in the crash and ensuing fire. 2004 – The Constitutional Court of South Korea overturns the impeachment of President Roh Moo-hyun. 2004 – Crown Prince Frederik of Denmark and Mary Donaldson are married at Copenhagen Cathedral. 2004 – Rico Linhas Aéreas Flight 4815 crashes into the Amazon rainforest during approach to Eduardo Gomes International Airport in Manaus, Brazil, killing 33 people. 2008 – Battle of Piccadilly Gardens in Manchester city centre between Zenit supporters and Rangers supporters and the Greater Manchester Police, 39 policemen injured, one police-dog injured and 39 arrested. 2010 – Space Shuttle Atlantis launches on the STS-132 mission to deliver the first shuttle-launched Russian ISS component — Rassvet. This was originally slated to be the final launch of Atlantis, before Congress approved STS-135. 2012 – Agni Air Flight CHT crashes in Nepal after a failed go-around, killing 15 people. 2021 – China successfully lands Zhurong, the country's first Mars rover. 2022 – Ten people are killed in a mass shooting in Buffalo, New York.

[thebramblewood]

Ulrike's Big Night, Part I

Previous / Next

Transcript under the cut.

Helena: “Enough stalling, Faust! At this rate, it’ll be over before we reach the front door.”

Ulrike: “Patience, Zhao. One should never enter the hornet’s nest stone-cold sober.”

Helena: “You make it sound like torture. I thought art was, like, your reason for existing.”

Ulrike: *sighs* “It’s the art itself that matters to me, not the bullshit surrounding it. Sadly, participation is required if you ever want your real art to be seen.”

Helena: “Well, if you’re intent on getting through this thing stoned, I can’t in good conscience let you do it alone. Now, hand that over.”

Ulrike: “Let’s just get this over with.”

Helena: “You won’t even give me a hint?”

Ulrike: “Nope. But they wanted postmodern and I think I outpostmoderned everyone here by a mile.”

[hoerbahnblog]

"True Crime – Starnberger See" – Ulrike Hofmann spricht mit Steven Lundström über offene Enden und Cold Cases

[vc_row][vc_column][vc_column_text] “True Crime – Starnberger See” – Ulrike Hofmann spricht mit Steven Lundström über offene Enden und Cold Cases Ulrike Hofmann liest aus “True Crime – Starnberger See” Hördauer ca. 26 Minuten https://literaturradiohoerbahn.com/wp-content/uploads/2023/08/HoS-UC-Hofmann-True-Crime-Lesung-upload.mp3 Gespräch zwischen Ulrike Hofmann und Steven Lundström Hördauer ca.…