#Very Important Content

[kaleidoscopeminds]

so embarrassing

[jadedbirch]

Please behold these photos of our cat finally climbing to the top of her new cat tree:

And now we zoom in on the abject look of confused horror when she realizes she has no idea how to get down:

I ❤️ her

[itsanidiom]

(^u^)

[danmeiljie]

Xu Feng's Thighs: A Documentation

[ashtonsunshine]

The way we all went quiet to hear him play 🥺

The 5SOS Show Lisbon. x

[hendolish]

Jack getting up late today even though it's a game day, because it's so warm and safe curled up in Hendo's bed and Hendo's arms. And it's been so long since they were in the same place in happy circumstances. Jack loves to play for the Lions and wants the chance to start more than almost anything, but honestly he'd still have showed up to SGP this time even if he knew he had no shot or if he was too injured to train. He's not going without his Hendo time any more than he already has to. Jack knows the lads are all making fun of his clinger behaviour (and poor little Rico has been totally shocked, he didn't know that the banter back at City about Jack and the former LFC Skip isn't a joke) but he doesn't even care, just smiles sweetly or playfully hits them when they tease. Not even Jude trying to steal Hendo for 1-1 social time is bothering Jack like it used to, he's still too high on Jordan holding him and deeply kissing him hello on their first night back. Honestly, Lallana's presence this camp is a nasty little surprise, he's been giving Jack all these confused and jealous frowns across the training pitch, but Jack doesn't even care. Adam had his time with Jordan, it's Jack's turn now and he's going to be selfish about it. They've come through ugly league clashes and rivalry and jealousies, as well the new thousands of miles distance between them, they're not breaking up now. Jack doesn't like thinking about it, but the reality is he doesn't have many years left with Jordan like this, and that awareness is what makes Jack so shameless about showing his feelings. Jack's here for Hendo, here with Hendo, and everyone else will just have to deal with it. Jack's not getting out of Jordan's covers or leaving his side, not until Jordan tells him with a sigh and a fond smile they have to go to train and get a win today, that this is work not a honeymoon. Jack smiles and says he'll need a kiss, a proper long good one, before he can possibly play.

anon i love this !!!😭🥹💓💓💓

[weirdnaturalscience]

Snoot

(giant anteater, https://www.flickr.com/photos/ekilby/27990365748)

(elephant shrew, https://i.pinimg.com/736x/9b/87/65/9b876533420fefdbaf0b26812a714011--planet-earth-funny-animals.jpg)

(African elephant, https://images.fineartamerica.com/images-medium-large-5/side-view-of-old-elephant-loxodonta-john-bryant.jpg)

fun fact: anteaters, elephants and elephant shews are all in a clade called Atlantogenata. It also contains sloths, armadillos and tenrecs.

[seonghwasblr-moved]

If you start playing the Kingdom video where Seonghwa and Minho talk to each other at 11:56:35 PM Seonghwa and Minho will highfive, when the clock hits midnight!

[journey-to-the-attic]

funny picture allsort :^) (reference photos below)

[anthonycrowley]

i think every user on this website needs to be forced to watch through all fifteen seasons of spn clockwork orange style like no jokes FOR REAL for real i think it would recalibrate everyone for the better

[simplykorra]

ava + every episode - episode 11 “galatians 6:4-5″

[aterfish]

It's the Bug Boy! I mean Blue Bug. I mean Beetle Boy. I mean

(Spoilery) sketch dump under, bc i have many thoughts.

[ride-a-dromedary]

Oh, my friends, don't ask me what your sacrifice was for.

There is a burden to being the survivor.

The witness to other's tragedies.

It only grows heavier with time.

[bartowskis]

FELICITY JONES & DIEGO LUNA as Jyn Erso & Cassian Andor, on set for Rogue One: A Star Wars Story (2016)

[tesco-finest-aromantics]

i don’t have the spoons to type out a full essay, but when people say parents need to monitor all their child’s activity online, i can tell they’ve not considered children with abusive parents, or just parents who won’t react well to certain information

take trans children with transphobic parents exploring their gender online. the child is exploring an important part of themself safe away from people they know in real life. but if the child’s internet use is completely monitored then they wouldn’t get to do that. or if their parents discover the child is trans by going through their private social media profiles because they have access to the child’s account, which would endanger the child. so should the child just know they’re not cis and not have any resources to deal with it?

privacy is a right that extends to children too, including privacy regarding their internet use

[grimalkinmessor]

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.