#Vinci New Capital Sales

[rmfantasysetpieces1]

A general view of the Stade de France prior to the 2022 Champions League final between Liverpool and Real Madrid. Harry Langer/vi/DeFodi Images via Getty Images

PSG to submit bid for Stade de France as alternative to Parc des Princes home

Paris Saint-Germain will submit a bid for the country's largest stadium, the Stade de France, the Ligue 1 champions said on Friday as they look to move from their Parc des Princes home.

Paris mayor Anne Hidalgo said the Parc des Princes was not for sale which prompted PSG to say in January that they would explore "alternative options" for their home stadium.

The Stade de France hosted the soccer World Cup final in 1998 and three Champions League finals since 2000, including last year's showpiece in which Real Madrid beat Liverpool.

The stadium has a capacity of around 80,000.

A PSG spokesperson told Reuters the capital club will submit a bid for the Stade de France but added that their preferred option remains a 'renovated' Parc des Princes.

The Parc des Princes, owned by the Paris city council, has been PSG's home since they entered the top-flight in 1974.

In 2013, PSG reached an agreement with the Paris City Council to extend their lease until 2043, following which they completed a €75 million ($79.89 million) upgrade of the stadium over three years.

The Ligue 1 side also announced their intent to commit an additional €500 million towards the Parc des Princes' renovations, but only if they owned the stadium.

French media reported that PSG put forward an offer to buy the Parc des Princes in November last year but PSG president Nasser Al-Khelaifi said in an interview with Marca that the club did not feel welcome at the stadium.

The lease for the Stade de France is held by a consortium of the French companies Vinci and Bouygues with any buyout of the stadium set to take place after 2025.

The arena opened its doors in 1998 and was the venue of the World Cup final that year, won by the hosts. It will also stage track and field events at the Summer Olympics in 2024.

Last season's Champions League final was delayed after thousands of Liverpool supporters were unable to get into the Stade de France for the match on May 28, which Real won 1-0.

French police were filmed using tear gas on fans, including women and children. UEFA initially blamed the Merseyside club's supporters for the mayhem, but the European governing body later apologised following the release of an independent review.

The spokesperson added that a third option for PSG would be to build a new stadium located outside Paris.

PSG have been the most successful club in France since Qatar Sports Investments took over in 2011, winning the league eight times. They have also had success in France's domestic cup competitions, but have failed to win the Champions League.

https://global.espn.com/football/paris-saint-germain--frapsg/story/4897426/psg-to-submit-bid-for-stade-de-france-as-alternative-to-parc-des-princes

#RMSoccer

IN AMENDMENT

I think PSG monetarily is fine. AL Khaleefi has agreed to a no bling bling transfer model with luis campos but psg has so much bling now, just stay the course and it will be well

[newcapitalproperty]

Vinci New Capital Launch New Phase ✅

Vinci Launch New Phase

Location: New Capital R7, In front of The Mega Mall beside the Expo City and Coventry University.

•Area: 110 Acres •80% Villas & 20% Apartments. •Designed by Hany Saad Innovations •CallisonRTKL •DMA

Product Mix: •Standalones           •Sky Villa   •Twinhouses            •Garden Villa •Townhouses           •Garden Terrace Apartment

Facilities: • Commercial Strip (Vinci Street). • Club House (2 Acres) • 2 Community Centers. • Branded Apartments.

Payment Plan

Option 1 •5% Down-payment •5% After 3 Months Over 8 years equal installments Maintenance 8%

Option 2: •5% Downpayment •10% After 3 Months Over 9 years equal installments Maintenance 8%

for more information please call us 01068340264 01272495605 01153314683

or register here https://goo.gl/forms/YfhiebVwjXvl35B52

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كمبوند فينشي العاصمة الادارية الجديدة

[blueiscoool]

The 500-year-old stolen copy of Leonardo da Vinci's 'Salvator Mundi' recovered

A 16th-century copy of Leonardo da Vinci's "Salvator Mundi," the world's most expensive painting, has been recovered by Italian police after it was stolen from a museum in Naples.

The artwork, which was likely painted by one of the Renaissance master's students, was discovered at an apartment during a search in the Italian city, according to a police statement. The property's 36-year-old owner was found nearby and taken into custody on suspicion of receiving stolen goods.

The portrait was modeled on Leonardo's famed depiction of Christ with one hand raised in blessing and the other holding a crystal orb. Numerous copies of the work were made during the artist's lifetime by his students and assistants.

Although it is not known who created this particular "Salvator Mundi," it is thought to have been painted towards the end of the 1510s by someone from the artist's workshop. The portrait's owner, the Museum of San Domenico Maggiore in Naples, said on its website that there are "several hypotheses" about the painter's identity, with the "most convincing" theory crediting Leonardo's student Girolamo Alibrandi.

It is believed that the painting was created in Rome before being brought to Naples by Giovanni Antonio Muscettola, an envoy and advisor to the Holy Roman Emperor, Charles V.

The artwork briefly returned to the Italian capital in 2019, when it was loaned to the Villa Farnesina for its exhibition "Leonardo in Rome." The exhibition brochure described it as a "magnificent" copy of the artist's masterpiece. The San Domenico Maggiore's online listing meanwhile described the work as a "refined" and "well preserved" pictorial draft.

Police did not specify when the painting had been stolen, though the Naples museum reported being in possession of the work as recently as January 2020, when it was returned from Rome.

Leonardo's original "Salvator Mundi" made history in 2017 when it sold for $450.3 million at Christie's in New York. Once dismissed as a copy, it sold in the UK for just £45 ($61) in the 1950s.

While some scholars have disputed the attribution to Leonardo, suggesting it was at least partly created by members of his workshop, the painting was restored and authenticated before becoming the most expensive artwork ever to sell at auction. It is widely thought that the record-breaking bid was made on behalf of Saudi Arabia's Crown Prince Mohammed Bin Salman.

The "Salvator Mundi" has not, however, been seen in public since the November 2017 sale. After the Louvre Abu Dhabi announced that it would show the painting, it postponed the grand unveiling in 2018 without explanation.

[letsjanukhan]

'Lost Leonardo' unpeels the mysteries of the Salvator Mundi

‘Lost Leonardo’ unpeels the mysteries of the Salvator Mundi

NEW YORK —  We’re accustomed to movies — usually adventures, like “Indiana Jones” — with lines that traverse the globe and pinball between global capitals, showing us where our characters are traveling. “The Lost Leonardo,” a documentary about the rediscovery of a Leonardo da Vinci painting, begins with such a line. But its international stops, chronicling the painting’s sales, are baffling…

[xtruss]

Jean-Michel Basquiat’s ‘Warrior’ was part of Christie’s Hong Kong live-stream sale in March. ChRistie's Images Ltd.

Christie’s Sells $3.5 Billion of Art in First Half of 2021

After a rocky year due to the pandemic, collectors are back to bingeing on art. “We’re seeing a very strong rebound,” said Christie’s CEO Guillaume Cerutti.

After a turbulent year, Christie’s said Tuesday that millennials in Asia and cryptocurrency collectors are splurging on blue-chip art, bidding up everything from jewelry to Jean-Michel Basquiat.

Christie’s sold $3.5 billion of art during the first half of the year, up 75% from the first seven months last year when the pandemic upended its entire calendar and compelled the London-based house to delay its marquee May series to midsummer.

“We’re seeing a very strong rebound,” said Chief Executive Guillaume Cerutti, adding that 87% of its offerings found buyers during the first half of the year.

The total includes $2.7 billion in art sold online and during live-streamed auctions as well as $850 million in privately brokered art sales. The house also appears close to recapturing its pre-pandemic momentum, with its latest auction total falling just shy of the $2.8 billion in art it auctioned off during the first half of 2019. Private sales have already surpassed pre-pandemic levels, the house said.

A $29.3 million Sakura diamond was one of the big-ticket objects won by Asian bidders. Photo: Christie’s Images Ltd.

Rival Sotheby’s declined to comment on its sales, but a recent report from auction research firm ArtTactic said it found the house had auctioned roughly $2.8 billion in art during the first half. Phillips said it would release its sales figures later this month. The same ArtTactic report estimated the boutique auctioneer auctioned off around $425 million in art.

From Beijing to Bangkok, Christie’s largely credited Asian millennials for propelling the global art turnaround, with Asian bidders spending more than $1 billion to win 39% of Christie’s auction and online offerings overall—particularly in coveted segments like contemporary art, Asian art and luxury goods such as watches, handbags and jewelry. Nearly half of the house’s $356 million in those luxury goods went to Asian buyers, the house said. The house’s Hong Kong-based sales totaled $495 million during the first half, up 40% from last year.

The season’s priciest work was Pablo Picasso’s $103.4 million ‘Woman Seated Near a Window (Marie-Thérèse).’ Photo: Christie's Images Ltd

Asian bidders took home some of the season’s big-ticket objects, including a $29.3 million Sakura diamond and a $41.7 million Basquiat from 1982, “Warrior.” The house slotted the Basquiat into its Hong Kong live-stream sale in March rather than save it for its higher-profile spring series in New York.

Alex Rotter, Christie’s chairman of 20th and 21st century art, said the house “recognizes the surge” of interest from newly wealthy Asians and plans to sell more of its Western icons in Hong Kong—even if it continues to field most of its bids over the phone or online. “We’re trying to cater to Asian audiences,” he said.

Asian bidders also competed for some of the season’s other top-selling works, including the season’s priciest work, Pablo Picasso’s $103.4 million “Woman Seated Near a Window (Marie-Thérèse),” which nearly doubled its $55 million estimate following a 19-minute bidding war. Its buyer remains anonymous.

During the first half, Christie’s also helped usher in a global rush to collect digital art that carries nonfungible tokens, or NFTs, when it sold Beeple’s NFT piece, “Everydays: The First 5000 Days,” for $69 million in March. These tokens amount to digital certificates of authenticity that allow for the trading and tracking of digital works that exist only on screens.

On Tuesday, Christie’s said that during the first half, it sold $93.2 million in NFT art, 85% of which was paid using cryptocurrency. NFT art sales have put an additional 400 collectors on its radar, and they are younger than traditional collectors, the house said. Collectors signing up to bid for NFT art average 38 years old, 13 years younger than the average age of clients who vie for other selling categories, the house said.

Christie’s first-half sales included $12.2 million for a 3-inch Leonardo da Vinci drawing of a ‘Head of a Bear.’ Photo: Christie’s Images Ltd.

Other notable sales during the first half included $12.2 million for a 3-inch Leonardo da Vinci drawing of a “Head of a Bear” and $10.8 million for Michel Périnet’s mask from Micronesia, which set a record in June for an Oceanic work of art.

Looking ahead, Mr. Cerutti said Christie’s aims to capitalize on every growth area in its sights, from expanding its offices in Jakarta and Bangkok to adding NFT art sales. But his team is also reconfiguring its salesroom in New York to allow for the eventual return of collectors to bid traditionally—in person. “We’re missing the emotion we get from a winning bidder in the room,” Mr. Cerutti said. “Digitally, we’ve adapted, but we also want clients in the room, where they belong.”

[copperbadge]

Sam, what do you think of the recent discovery/restoration/sale of what is purportedly Leonardo's Salvator Mundi? Am I the only one picturing Neal Caffrey solemnly applauding either the scam or the reality?

I have a lot of conflicted feelings about it. I think it’s a really interesting painting regardless of who painted it, and from what I’ve seen there is very little dissent in the artistic community about it being the work of Leonardo da Vinci -- it’s a known work that was lost, so it’s not like Van Meegeren where he was just straight-up painting “new” Vermeers and then “discovering” them in a barn somewhere. So in that sense I’m pleased it’s been recovered and restored and there’s plenty of very specific evidence to indicate it’s not a forgery. And of course in this day and age, recovering and restoring a work like Salvator Mundi means that its image will appear online everywhere, making at least the imagery if not the physicality of the painting available to the world. 

There’s a lot to talk about it in terms of setting a new record for purchase price at auction. I don’t think it’s $450M worth of interesting, to be honest, but they’re not paying for art quality, they’re paying for the story of the art -- who previously owned it, how it was rediscovered, et cetera. As with most high-value art, the art is not what’s being judged, but rather the prestige and reputation of the individual piece. Though because at the upper ecehlons of wealth money is really just a way to keep score, you’re likely to see a lot of really high bids at auction in the next year, because now Salvator Mundi is arguably the most valuable painting in the world based on auction price, and someone else is going to want to pay more than $450M so that they can own the most valuable painting in the world. (Eat the rich.)

So what we may see in the next year or two, as a direct result of this sale, is a huge bubble-burst in the art market -- look for one or two other high-end art purchases, maybe even a record-breaker, followed by reports of a collapse in the valuation of high-end art in about twelve to eighteen months. This is a guess, but I think it’s a fair one. 

On the other hand, the previous “most valuable” painting in the world by hammer price was a hideous de Kooning owned by Ken Griffin, who I have no high opinion of. He paid $300M for it and breaking his record by a hundred and fifty million dollars was definitely some kind of power move. I feel like anyone who has successfully stomped Crazy Eyes Griffin's ego has done the world a favor.

As an added “Neal Caffrey bonus”, given Salvator Mundi’s story, in the next few years we may also be treated to the sight of the mega-wealthy desperately wanting a painting as interesting as Salvator Mundi and thus being much more gullible than usual about the art they buy. So we may get a spectacular story sooner or later of a kajillionaire hedge fund manager buying a painting worth roughly $10.99 for half a billion dollars because the story attached to the painting was just too good. 

If I were an art forger, the Salvator Mundi sale would have been the “what can I forge and then discover in a barn” starting pistol. Someone out there is breathing heavily over the idea of paying $500M for a painting and I would be happy to give them that moment of transcendental capitalism.

Unfortunately I cannot paint.  

[marketgrowthstrategy]

Modular Fabrication Market Size Analysis, Segmentation, Industry Outlook, and Forecasts, 2020-2027

The latest study by Reports and Data, called “Global Modular Fabrication Market Forecast to 2027,” lists some of the primary growth potentials of the global Modular Fabrication industry. The primary target of this report is to help industry stakeholders capitalize on its highly informative content to make improved business decisions. The insightful data provided by the report are gathered from several primary and secondary resources. Moreover, the report is intended to help readers gain actionable insights into the global Modular Fabrication market and the prevailing growth opportunities and trends in particular.

The latest market intelligence report entails a holistic overview of the Modular Fabrication market, providing the reader with essential conclusive data & information concerning market growth, evaluated on both regional and global levels. The competitive analysis of the report focuses on the leading market players and their lucrative business expansion initiatives. Hence, the sample copy of the ‘Global Modular Fabrication Market’ research report includes a brief analysis of this ever-evolving business sector, encompassing the regional overview, competitive landscape, technological innovations, and future market developments.

Request a sample copy of this report @ https://www.reportsanddata.com/sample-enquiry-form/3217

Furthermore, the report offers in-depth scrutiny of the key market elements, such as drivers, constraints, opportunities, limitations, threats, and micro and macro-economic factors. The exhaustive SWOT analysis, Porter’s Five Forces analysis, feasibility analysis, and investment return analysis have also been included in the report. Strategic recommendations for the new and established market players are intended to assist them in fortifying their financial positions in the Modular Fabrication market.  

COVID-19 Impact Assessment:

The latest report sums up the major changes in the global business sector that took place as a repercussion of the COVID-19 outbreak. Having impacted the global Modular Fabrication market in an unfavorable manner, the pandemic has significantly disrupted the market dynamics and trends. The public health emergency adversely affected the global supply chains and resulted in acute volatility in product prices and demand. However, industry experts believe that the global Modular Fabrication market will regain traction in the post-COVID scenario. The report also offers a broad assessment of the pandemic’s preliminary and future impacts on this lucrative market.

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Regional Landscape:

An essential component of the report is the detailed study of the geographical outlook of the global Modular Fabrication market. The global Modular Fabrication market is categorized into several key geographical regions, including North America, Asia Pacific, Europe, Latin America, and Middle East & Africa. In this section of the report, the authors have meticulously analyzed the regional market share, market size, revenue contribution, sales network, distribution channels, and numerous other aspects.

Competitive Outlook:

The leading contenders in the global Modular Fabrication market are:

Laing O'Rourke, Red Sea Housing Services, Atco, Bouygues, Vinci, Skanska, Algeco Scotsman, Kleusberg, Lendlease, CIMC Modular Building Systems, Larsen & Toubro, Balfour Beatty, ACS Group, and Guerdon Modular Buildings, among others.

Market Segmentation by Product Type:

Relocatable

Permanent

Market Segmentation by Application:

 Oil & Gas

 Marine

 Mining

 Heavy Industry

Browse the full report description, along with the ToCs and List of Facts & Figures @ https://www.reportsanddata.com/report-detail/modular-fabrication-market

The following timeline is considered for the global market estimation:

·         Historical Years: 2017-2018

·         Base Year: 2019

·         Estimated Year: 2020

·         Forecast Years: 2020-2027

Thank you for reading our report. For further information regarding the report or to get a customized copy of it, please connect with us. We will make sure you receive a report perfectly tailored to your needs.

[architectnews]

Maximo Shopping Center Roma

Aura Valle Aurelia Roma, Italian Capital Shopping Center, Retail Italy, Interior Photos

Maximo Rome Shopping Centre

Centro Commerciale: New Italian Retail Architecture by Design International

30 Nov 2020

Maximo Shopping Center Rome

Architects: Design International

Address: Via Laurentina, 865, 00143 Roma RM, Italy

Phone: +39 06 6934 5797

Photos by Paolo Cammillucci

English text (scroll down for Italian):

Maximo Shopping Center in Rome

3C + t Capolei Cavalli and Design International celebrate the opening of Maximo Shopping Center Rome

Rome, 30 November 2020 – MAXIMO, the brand new destination dedicated to Rome and its surroundings for shopping and leisure, has been inaugurated.

Maximo presents itself as a real “destination” for shopping, leisure and socializing, with the ability to attract a large catchment area estimated at 3.5 million inhabitants in the 40-minute journey. With over 65,000 square meters of GLA distributed over three levels and 160 points of sale, including shops, restaurants and activities related to entertainment. UCI Luxe, a cinema with seven screens and 550 seats, McFit, Joy Village with bowling halls, billiards and gaming arena which, in the desired post-covid, will remain open to the public until two in the morning.

In the shopping center there is also the Cà Zampa veterinary clinic, where it is also possible to make toilets for dogs. Inside the Maximo there are also 38 restaurants with a path dedicated to street food, bars, cafes, wine bars, 17 craft businesses and the renowned Primark store, often featured in the projects signed by Design International.

The large open square overlooked by the restaurant will not only lend itself to hosting cultural, recreational and commercial events – on a total area of over 10,000 square meters – but will represent a real meeting and junction point between Maximo and the neighborhood. Laurentino in the south east quadrant of Rome.

Design International began working on Maximo in 2007, the year in which the group, after consolidating the European market from its London office, opened the Milanese studio a stone’s throw from the Duomo. Arch. Roberto Sibiano, followed the development of important Italian projects from Milan, including the Campania Shopping Center, MAXIMO, Nave de Vero, Centro Sicilia, La Cartiera, and more recently Il Centro di Arese, the da Vinci Retail Park and Hubtown at the Fiumicino airport, to name a few.

However, the path to get to the cutting of the Maximo ribbon was anything but linear. From the early stages, Design International collaborated with the architect Fabrizio Capolei of Studio Romano 3C + t Capolei Cavalli Architetti Associati and, as always happens between professionals, the meeting was immediately fruitful.

From the very first sketches and ideas, the architectural firms involved shared the fundamental pillars on which to base the project: natural light, great visibility of the windows, a complex and enveloping internal space. Everything has been imagined and designed always starting from the visitor’s experience, according to a scale of values that puts man at the center, surrounding him with visual fires (the windows) in a perspective sequence, creating the maximum contrast between full and empty spaces, thanks to the texture of skylights that bathe the space with natural light.

Architects discard a self-referential architecture, on the contrary they make it social because it belongs to the community and generates that sense of meeting, defined by Davide Padoa, CEO of Design International, as “people building & meeting place”, a place for social enrichment, sharing and the growth of common sense.

The fall of Lehman Brothers in 2008, the rise of e-commerce and the most recent perfect storm caused by the 2020 pandemic were not enough to block the birth of Maximo, a “resilient” project that was able to withstand the challenges of the market and adapt to a world in constant radical change.

Maximo Shopping Center Roma – Building Information

CREDITS: Ownership: Parsec 6 s.p.a. Project manager: Luca Mangani, Roberto Zandonella

Urban and architectural project: 3C + t Capolei Cavalli a.a. Fabrizio Capolei Antonio Molinari

Interior design: 3C + t Capolei Cavalli a.a. Design International Roberto Sibiano and Davide Padoa

Works direction: Michele Dal Prato

Artistic direction: Fabrizio Capolei

Works Manager and High Surveillance: Mariano Galante

Supervision and coordination: Elisabetta Mapelli Stefano De Leo

Property manager e Marketing strategy: Francesco Sirello

Breeam Certification: Deerns Consulting Engineers

Structures: Studio Agamemnon and Cera

Plant project: Enetec s.r.l. _ Studio Mattiucci Beta Progetti _ Cefla Soc. Coop.

Road project: I.T. s.r.l. _ Sonia Briglia

Vv.ff.project: Studio Nozzi _ Cecilia de Bartolomeo

Light design: Beta Progetti _ Light and Design

Cse / Rspp: Studio Leoni

Technical Area: Francesco di Carlo Roberto Ceccarelli Costantino Rasori R.u.p. Public works: Giovanni Genga Biagio Avolio Companies involved:

Civil works: Colombo Costruzioni S.P.A. Coiver Contract / Centro / Sign & Color S.r.l. Imprecom s.r.l.

Prefabricated Structures and Panels: General prefabricated s.p.a.

steel structures: Naldi Carpenterie_AGV metallica

special mechanical electrical systems: Cefla Soc. Coop – Panzeri s.p.a.

lifts: Schindler S.p.a.

Lighting: Lucifero’s _Bega _ IVela

Doors and windows: 3EmmeGi_Schucko_ Stahlbau Pichler

Titanium Zinc coatings and mesh: Stahlbau Pichler Global Construction s.r.l. Agv Metallica

Floors: Mirage Spa _ Porcelaingres GmbH

Furniture contract: Coiver Sign & Color s.r.l._ Ferlegno s.r.l. Fi.ma s.r.l.

Photographs by Paolo Cammillucci

Italian text:

Maximo Shopping Centre Roma, Italia

3C+t Capolei Cavalli e Design International celebrano l’apertura di Maximo Shopping Centre Roma

Roma, 30 novembre 2020 – È stato inaugurato MAXIMO, la nuovissima destination dedicata a Roma e dintorni per lo shopping e il tempo libero.

Maximo si presenta come una vera e propria “destination” per gli acquisti, per il tempo libero e la socialità, con la capacità di attrarre un ampio bacino di utenza stimato in 3,5 milioni di abitanti nei 40 minuti di percorrenza. Con oltre 65.000 mq di GLA distribuiti su tre livelli e 160 punti di vendita, tra negozi, ristoranti e attivitá legate all’intrattenimento.

UCI Luxe, un cinema con sette sale e 550 posti, McFit, Joy Village con sale bowling, biliardi e gaming arena che, nell’auspicato post-covid, rimarranno aperti al pubblico fino alle due di notte. Nel centro commerciale è presente anche la clinica veterinaria Cà Zampa, dov’è possibile effettuare anche toilette per cani. All’interno del Maximo sono presenti inoltre 38 ristoranti con un percorso dedicato allo street food, bar, caffetterie, wine-bar, 17 attività artigianali e il rinomato store Primark, spesso presente nei progetti firmati da Design International.

La grande piazza aperta su cui si affaccia la ristorazione non solo si presterà a ospitare eventi culturali, ricreativi e commerciali – su una superficie complessiva di oltre 10.000 mq – ma rappresenterà un vero e proprio punto d’incontro e di congiunzione tra Maximo e il quartiere Laurentino nel quadrante sud est di Roma.

Design International ha iniziato a lavorare su Maximo nel 2007, anno in cui il gruppo, dopo aver consolidato il mercato Europeo dalla sede di Londra, apriva lo studio milanese a due passi dal Duomo. L’Arch. Roberto Sibiano, ha seguito da Milano lo sviluppo di importanti progetti italiani, tra cui il Centro Commerciale Campania, MAXIMO, Nave de Vero, Centro Sicilia, La Cartiera, e più recentemente Il Centro di Arese, il da Vinci Retail Park e Hubtown presso l’aeroporto di Fiumicino, per citarne alcuni.

Il percorso per arrivare al taglio del nastro di Maximo è stato però tutt’altro che lineare. Fin dalle prime fasi Design International ha collaborato con l’architetto Fabrizio Capolei dello Studio Romano 3C+t Capolei Cavalli Architetti Associati e, come sempre accade tra professionisti, l’incontro è stato da subito fecondo. Già dai primi schizzi e idee gli studi di architettura coinvolti hanno condiviso i pilastri fondamentali su cui basare il progetto: luce naturale, grande visibilità delle vetrine, una spazialità interna complessa e avvolgente.

Tutto è stato immaginato e disegnato partendo sempre dall’esperienza del visitatore, secondo una scala di valori che mette l’uomo al centro, circondandolo di fuochi visivi (le vetrine) in sequenza prospettica, creando il massimo contrasto tra pieni e vuoti, grazie alla tessitura dei lucernari che immergono di luce naturale lo spazio. Gli architetti scartano un’architettura autoreferenziale, al contrario la rendono sociale poiché appartiene alla comunità e genera quel senso di ritrovo, definito da Davide Padoa, CEO di Design International, come “people building & meeting place”, un luogo per l’arricchimento sociale, la condivisione e la crescita del senso comune.

La caduta di Lehman Brothers del 2008, l’ascesa dell’e-commerce e la più recente tempesta perfetta causata dalla pandemia del 2020 non sono bastati a bloccare la nascita di Maximo, un progetto “resiliente” che ha saputo reggere le sfide del mercato e adattarsi a un mondo in costante a radicale cambiamento.

CREDITS:

Proprietà: Parsec 6 s.p.a. Project manager: Luca Mangani, Roberto Zandonella

Progetto urbanistico e architettonico: 3C+t Capolei Cavalli a.a. Fabrizio Capolei Antonio Molinari

Interior design: 3C+t Capolei Cavalli a.a. Design International Roberto Sibiano e Davide Padoa

Direzione lavori: Michele Dal Prato

Direzione artistica: Fabrizio Capolei

Responsabile Lavori e Alta Sorveglianza: Mariano Galante

Supervisione e coordinamento: Elisabetta Mapelli Stefano De Leo

Property manager e Marketing strategy: Francesco Sirello

Certificazione Breeam: Deerns Consulting Engineers

Strutture: Studio Agamennone e Cera

Progetto impianti: Enetec s.r.l. _ Studio Mattiucci Beta Progetti _ Cefla Soc. Coop.

Progetto viabilità: I.T. s.r.l. _ Sonia Briglia

Progetto vv.ff.: Studio Nozzi _ Cecilia de Bartolomeo

Light design: Beta Progetti _ Luce e Design

Cse/Rspp: Studio Leoni

Area Tecnica: Francesco di Carlo Roberto Ceccarelli Costantino Rasori R.u.p. Opere pubbliche: Giovanni Genga Biagio Avolio Imprese coinvolte:

Opere civili: Colombo Costruzioni S.P.A. Coiver Contract/Centro/Sign&Color S.r.l. Imprecom s.r.l.

Strutture e Pannelli Prefabbricati: Generale prefabbricati s.p.a.

strutture in acciaio: Naldi Carpenterie_AGV metallica

impianti elettrici meccanici speciali: Cefla Soc. Coop.- Panzeri s.p.a.

impianti risalita: Schindler S.p.a.

Illuminazione: Lucifero’s _Bega _ IVela

Serramenti: 3EmmeGi_Schucko_ Stahlbau Pichler

Rivestimenti in Zinco Titanio e rete: Stahlbau Pichler Global Construction s.r.l. Agv Metallica

Pavimenti:Mirage Spa _ Porcelaingres GmbH

Contract arredo: Coiver Sign&Color s.r.l._ Ferlegno s.r.l. Fi.ma s.r.l.

Aura Valle Aurelia Rome Shopping Centre images / information received 301120 from Design International

Location: Via Laurentina, 865, 00143 Roma, Italy

Rome Shopping Centres

Contemporary Rome Shopping Centre Architecture

Aura Valle Aurelia Rome Shopping Centre Architects: Design International image courtesy of architects Aura Valle Aurelia Rome Shopping Centre

Olgiata Shopping Plaza, Via Cassia, Design: LAD (Laboratorio di Architettura e Design) Olgiata Shopping Plaza Rome Building

Buildings in Rome

Contemporary Rome Architecture

Rome Architecture Designs – chronological list

Hawkers Rome Store, near Plaza de España Architects: CuldeSac photograph : Luigi Filetici Hawkers Rome Store

Rome Architectural News

Rome Architecture Walking Tours – walking tour guides by e-architect

City of Sun, near Via della Lega Lombarda & Tiburtina Station, East Rome Architects: Labics photograph : Marco Cappelletti City of Sun in Rome

BNL-BNP Paribas Real Estate Group Headquarters, Tiburtina Design: 5+1AA Alfonso Femia Gianluca Peluffo architectures, Italy photo © Luc Boegly BNL-BNP Paribas Group HQ in Rome

Stadio Flaminio – Grant Design: Pier Luigi Nervi photograph © Oscar Savio. Courtesy Pier Luigi Nervi Project Association, Brussels Stadio Flaminio Rome Building

Rome buildings : Contemporary architecture

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[cryptooof-blog]

According to a filing it has been shown that, Da Vinci Capital, which is an investment firm focused on gaining substantial minority ownership in microCap public companies in selected technology sectors, and another entity called Gem Limited requested commissions of $209,783 and $1.1 million respectively to Telegram for subsequent sales of purchase agreements for grams, the representative cryptocurrency of the TON Blockchain. These two entities invoiced Telegram for commissions from selling the company’s tokens in the summer of 2018, months after the company’s initial coin offering (ICO). Read the Full News

[babssmithart]

In this Blog I will consider what we mean by the word art, when art was invented and how our understanding of it has changed. I will look at the fact that art/representations are not produced in a cultural vacuum, that they express the ideas and beliefs of the age.

When was art invented raises questions about the reference to art and what it means. If we look at one of the earliest forms of art The Venus of Willendorf a limestone figurine thought to be dated 28,000 BCE we can clearly see that this strong figure with swollen breasts and broad hips represents fertility and femininity. The figure has inspired artists such as Henry Moore who’s ‘Three Quarter Figure 1961’ bore a strong resemblance. This is surly evidence that as this message from this visual symbol continues through the generations it must be art. Artist through history have looked back to Classical Antiquity of Greek and Roman art to inspire their work. The perfect body showing strength and beauty as in Aphrodite still remains as an image that we hold today.

Art is a term used today and in the past to loosely describe a skilful outcome such as the art of cooking or the art of football. We consider the term ‘fine art’s to be specific and to describe a famous oil painting or a beautiful sculpture often in an art gallery where we expect to encounter art. Is the work of a video games producer art? or must art be what we consider ‘traditional’. Is it possible to define art as something produced with meaning and message by the artist, then perhaps the success of the delivery of that meaning to even one viewer makes that piece of work art. History of Art, Marcia Pointon ‘’It is this very quality of ‘Not Art ’that has been exploited by so called billboard artists like Barbara Kruger who offers us what we are conditioned to expect to see but subverts this to make us see it in a new way”.

It is important to consider the time that a piece of art is created in. The Story of Art by E.H.Gombrich: “There really is no such thing as art. There are only artists. Once these were men who coloured the earth and roughed out the forms of bison on the wall of the cave. There is no harm in calling all of these activities art, as long as we keep in mind that such a word may mean very different things in different times and places, and as long as we realize that Art with a Capital A has no existence. For this has come to be something of a bogey and a fetish”.

This quote makes us see the word art as a slippery snake, moving with each generation and morphing into something different for different viewers.

Art historians believe that art is not created in a vacuum and that the most valuable artistic historical studies are to a greater or lesser extent comparative.

In an exhibition by Jeff Koons ‘New Hoover Convertibles 1981-1987’  Koons was attempting to decode why and how consumer objects are glorified. The exhibition consisted of a number of Hoovers arranged in precision designed acrylic containers.

It questioned our assumptions of what art is with similar effect to that of Duchamp’s urinal 1917. Here we saw familiar everyday objects placed in a gallery setting and so becoming art. Koons work did indeed encompass all elements of a piece of ‘fine art’. Its context was that of femininity as he suggests that he is feminine in his role towards his daughters.

He made door to door sales of sweets as a boy, hence the Hoover reference as they were at the time sold in this manner. Each of their colours were carefully chosen and their placement concise as any colour in a painting. The Hoovers became discontinued, as everything does. Koons commented that “If one of my works were to be turned on it would be destroyed”, emphasising the importance of the New during an evolution of computer games consumerism and 24 hour tv.

Looking back this summery would lead us to believe that the work was a piece of art but response to it was not so simple as it was unexpected and ground breaking at the time.

 From the first cave artists who’s preoccupation was with survival we can see evidence of ideas affecting art. Images of animals were proportioned whilst man was often drawn as a stick man. The knowledge of the anatomy of the animal gained because of its importance as food.

 The Neolithic period brought the first change in the use of depictions that of honouring gods with bronze statues, masks and pots. Art was beginning to be a visual response of the human environment. By the middle ages the design of architecture and manuscripts changed dramatically imbued with religious figures and it was soon understood that by using beautiful images and colours Christianity could attract new followers. By making the unknown appear attractive. Buddhism also exploited this with statues of Buddha showing harmony.

 In Islam where art is forbidden, a beautiful geometric pattern in calligraphy and decoration developed and became art in its own right. Perhaps an example of artistic endeavour despite tough rules against it.

 Europe in the 15th Century saw the most significant transition in history where art began to develop alongside mathematics. Medical procedures advanced quickly and as the understanding of the body so too its depiction. Examples of artists who played a part in this phase were Leonardo Da Vinci and Albrecht Durer. Artists began to work with line, form, shape and depth in what became known as the ‘General Elements of Design’.

 During the early Renaissance the making of a piece of art was contractual and prescribed by a patron. Although private these commissions often held public place such as churches and public buildings.

 There were few opportunities for the artist to express himself in the process. Dictated by Christianity fifteenth century painting was considered too important to be left to the painters.

 The picture trade was a quite different thing from that in our own late romantic conditions (Painting and Experience in Fifteenth Century Italy, Michael Baxandall). The production, alongside other artisans such as Goldsmiths and Woodworkers was considered a necessary virtue and pleasure, an expected payment to society.

 The amount paid for this work would be broken down into labour, materials, and expenses which included the contracting of other artists to complete the work under the guidance of the artist themselves.

 Changes in Western Art as the fifteenth century progressed, became apparent as society abandoned the use of gold and gilt fabrics for restrained black and burgundy. A move away from gold was to express social mobility and the disassociation of oneself with flashiness.

 By the 18th Century artists had become independent and enjoyed a high status. They began to see themselves differently, believing , that humanity should not dominate nature. There was an emphasis on celebrating the imagination and light began to flood into paintings this in an effort to extract raw emotion as opposed to conveying a deeper message.  

 It could be said that Romanticism – a counter cultural movement in which there were no ideals had the greatest effect on our understanding and production of art.  Although it is a definition disliked by historians for its span of time and generalisation.

 With the onset of the industrial revolution and the move from the individual being in control of the process of creativity there was a movement towards the love and appreciation of nature, free from the effects of a judgemental society. A validation of strong emotion and of authentic sources of an aesthetic experience.

 The artist became known as a  Bohemian: non-conformist, experimental, eccentric and was accepted. This description holds firm to some degree today. Artists such as Delacroix, Goya and Blake are amongst some of the key artists of this period.

[awkwardlyamusing-blog]

Things To Do This Weekend In London: 7-8 September 2019

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Things To Do This Weekend In London: 7-8 September 2019

All weekend

The Classic Boat Festival moors up at St Katharine Docks

EXHIBITIONS ENDING: It’s your last chance to see several exhibitions around town:

SKULLPTURE: Artworks by sculpture students from the Slade School of Fine Art, inspired by the many weird and wonderful creatures in the museum’s collections. Grant Museum (UCL), free, just turn up, until 7 September

LEONARDO DA VINCI: A look at items belonging to the famous polymath, including notebooks containing his diagrams and thoughts, and his mirror handwriting. British Library, £7, book ahead, until 8 September

KALEIDOSCOPE: A free exhibition of photographs taken by first and second generation immigrants, celebrating diversity. Somerset House, free, just turn up, until 8 September

MODERN BRITISH PRINTMAKING: 120 prints by 10 artist from the Grosvenor School of Art, showcasing the spirit of the 1930s. Dulwich Picture Gallery, £16.50, book ahead, until 8 September

KISS MY GENDERS: The curation leaves something to be desired, but Kiss My Genders is still a forward-thinking look at at gender fluidity. Hayward Gallery, £15.50, book ahead, until 8 September

TOTALLY THAMES: Get stuck into celebrating London’s river with the first full weekend of Totally Thames events. Watch objects made from river clay being fired on the foreshore, enjoy an outdoor promenade show of spoken word performances, and see a new artwork created through typography. 1-30 September

DOCUMENTARY FESTIVAL: The Open City Documentary Festival celebrates the art of making non-fiction films, through a series of screenings, exhibitions, talks and masterclass. Our picks this weekend include rhino documentary The Last Male On Earth, and Breathless Animals, about growing up in Maoist China. Various locations and prices, book ahead, 4-10 September

Car fan? Concours of Elegance is bound to get your motor running.

ART BOOK FAIR: Art books and magazines from around the world are for sale at the London Art Book Fair. Small and large scale publishers are represented, with work by artists, curators and poets available. Whitechapel Gallery, free entry, just turn up, 5-8 September

CLASSIC BOATS: Engage your sea legs and step on board classic boats — including Dunkirk Little Ships — at the Classic Boat Festival. More of a land lubber? Stick to the docks for live music, street food and a programme of watery talks. St Katharine Docks, free, just turn up, 6-8 September

RARE CARS: Petrol heads, head to Hampton Court to gawp at rare (and yes, expensive) cars at Concours of Elegance. More than 60 unusual cars park up in the Fountain Garden, many of which haven’t been seen before in the UK. Hampton Court Palace, from £40, book ahead, 6-8 September

Who knows what you’ll find at Peckham Salvage Yard.

PODCAST FESTIVAL: Earbuds at the ready for the London Podcast Festival. See famous and little-known podcasts recorded in front of a live audience, and attend events aimed at budding and experienced podcast producers. Highlights this weekend include LGBTQ+ show A Gay And A NonGay, and Nobody Panic, about the trials and tribulations of being an adult. Kings Place (King’s Cross), various prices, book ahead, 6-15 September

CRAFTY FOX: Go on a spree or simply browse at Crafty Fox Market’s latest outing. The curated range of stallholders include painters, jewellery makers, ceramicists, printmakers and textile artists, and it’s a chance to buy gifts and homewares directly from the local artists who made them. Mercato Metropolitano (Elephant & Castle), free entry, just turn up, 7-8 September

SALVAGE YARD: Rummage out a bargain or two at Peckham Salvage Yard, home to 50 different traders. Items up for grabs include vintage clothes, homewares, furniture and other oddities — but before you buy that retro armchair, think about how you’re going to get it on the bus. Bussey Building (Peckham), free entry, just turn up, 7-8 September

Saturday 7 September

Natural History Museum opens early for children on the autism spectrum.

DAWNOSAURS: The Natural History Museum opens its doors early, solely for children and the autism spectrum and their families. There’s a sensory room available for anyone in need of a bit of calm, a chance to touch some of the objects, and other activities led by autism-aware facilitators. Natural History Museum (South Kensington), free, book ahead, 8am-10am

OPEN ALLOTMENTS: Did you know that there are allotments in Regent’s Park? There’s a rare chance to visit them today. Have a go at apple pressing (and taste the results), purchase jams and other produce grown on site, and there’s a garden hunt for children too. Regent’s Park, free, just turn up, 10am-5pm

FINANCIAL TIMES FESTIVAL: The Financial Times hosts historians, journalists, authors, chefs, activists, barristers and others for a day of thought-provoking talks and discussions on a range of topics, from capitalism to climate change to London’s housing crisis. The action takes place across nine different stages — pick one, or move between them. Kenwood House (Hampstead), £95, book ahead, 10am-8pm

The Financial Times Festival is at Kenwood House.

OPEN STUDIOS: Gasworks Studios opens its doors to the public for an autumn open studios event. Get to know the artists who work there, including sculptors and textile and collage artists. Stick around until 4pm to hear some of them talk about their work. Gasworks (Vauxhall), free, just turn up, 12pm-6pm

AUTHORS ON STAGE: National Theatre’s Authors on Stage series continues with a trio of events today. Documentary presenter Stacey Dooley chats to BBC3 Controller Fiona Campbell about Dooley’s investigative journalism career to date. (£15-£35, book ahead, 1pm), Candice Carty-Williams is interviewed about the success of her debut novel Queenie, (£15-£35, book ahead, 4pm) and Matt Haig tackles questions about how the world is messing with our minds (£15-£45, book ahead, 8pm).

DOCKLANDS REGENERATION: Join a Museum of London Docklands tour guide for a walk around the Docklands area, covering how derelict docks were transformed into a thriving business hub. The event also looks at Crossrail, and the continued effect the much-awaited railway is having on the Canary Wharf area. Museum of London Docklands, £12.50, book ahead, 2pm

Don’t miss Chihuly Nights at Kew Gardens.

FEMINIST RIPPER: There are many Jack the Ripper tours available, but this one tells the often-overlooked stories of his victims. Katie from Look Up London leads the walk around the streets of Whitechapel, focusing on the hardships that Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes and Mary Jane Kelly would have faced in the 19th century East End. Aldgate East station, £30.44, book ahead, 2pm

ANIME FILMS: A mini-festival of anime films takes over Picturehouse Central. New and classic anime films are covered, and all films are shown in Japanese with English subtitles. Picturehouse Central, various prices, book ahead, from 2.20pm

JENGA CHAMPIONSHIPS: Got Jenga skills? Show them off at this rooftop Jenga championship, the first of what is intended to be an annual event. 30 teams of two people compete in rounds including building the tallest tower, and erecting a structure while wearing ski gloves. Roof East (Stratford), £10, book ahead, 3pm-5.30pm

Thank You For Having Us tackles plastic pollution. © Sylvie Poupardin

CHIHULY NIGHTS: If you’re not yet been to Chihuly Nights, we thoroughly recommend you put that right. Taking place every Thursday-Saturday until October, it’s a chance to see Dale Chihuly’s colourful glass sculptures illuminated against the backdrop of Kew Gardens. Follow the trail outside and into magnificent conservatories, before stopping for a drink and a bite to eat. Kew Gardens, £18/£12, book ahead, 7.30pm-10.30pm

THANK YOU FOR HAVING US: Part of both Totally Thames and the Feats of Architecture event programmes, Thank You For Having Us is a free street performance by French street-theatre titans Générik Vapeur and flying trapeze experts Gorilla Circus. It’s raising awareness of the plastic problem, by transforming the City’s streets into the ‘eighth continent’ — a giant rubbish dump in the middle of the Pacific Ocean. City of London, free, just turn up, 8pm-9pm   

Sunday 8 September

Make friends at the Mayhew Open Day

VINTAGE CAR SHOW:  The Classic and Vintage Car Show at Capel Manor Gardens has vehicles dating as far back as the 1920s on display. We’re promised an RAF flypast, food stalls, miniature train rides and live music. Capel Manor (Enfield), £8, just turn up, 10am-5pm

DICKENSIAN LONDON: Join a guide from the Dickens Museum for a guided walk around the Borough area, a locale that would have been familiar to author Charles Dickens. Among the sites, see part of the surviving wall of the Marshalsea Prison where his father was incarcerated, and a graveyard which may have inspired a scene from A Christmas Carol. Borough station, £10, book ahead, 11am-12.30pm

DOG SHOW: Bow wow wow your way over to east London for the All Dogs Matter dog show. The canine care charity offers competitions in areas such as cutest pup, best rescue and golden oldies — take your pooch along to show off their mettle, or just go along and watch for your daily dose of cute. Victoria Park, £5 to enter your dog, just turn up, 11am-3pm

Stock up on plants at the Green Rooms Market

THE MAYHEW: Animal welfare charity The Mayhew hosts an open day, inviting the public in to find out what it does, and have some fun. Meet some of the cattery’s residents, browse stalls selling products for you and your pets, and get stuck into a veggie barbecue, live music and games. The Mayhew (Kensal Green), £3/£2, just turn up, 11am-4pm

VINTAGE FASHION: Refresh your wardrobe at The Vintage Collections, a vintage fashion fair with items dating back more than 100 years. More than 50 traders sell women’s, men’s and kids’ clothes, along with accessories and homewares — have a rummage through the racks and see what you come up with. Freemasons Hall (Covent Garden), £5/£2, just turn up, 11am-5pm

PLANT MARKET: Buy a lily for your living room or a cactus for your kitchen at the Green Rooms Market. In addition to offering greenery for sale, the plant-centric event has a range of green-fingered experts on hand to offer advice on buying and caring for your plant, as well as the tools and accessories you’ll need for it to thrive. Brixton Village Market, free entry, just turn up, 11am-5pm

Browse rails of vintage clothes

HACKNEY CARNIVAL: Line the streets of Hackney between Mare Street and Landsdowne Drive (route map here) to see the floats of Hackney Carnival go past. Reggae bands, gymnasts, marching bands and dancers are just some of the performers in the procession, while other performances and events take place in clusters around the area. Hackney, free, just turn up, 11am-7pm

FOLK FESTIVAL: Family-friendly entertainment takes place all day at Bermondsey Folk Festival, with performances by local musicians. Things really hot up from 6pm when east London folk band Stick in the Wheel headline the evening session. Street food and craft beer available all day. Biscuit Factory (Bermondsey), free entry, just turn up, from 11am

Enter your pooch into Victoria Park Dog Show

COMIC FAIR: Over 40 comic artists, writers and publishers are present at the Hackney Comic + Zine Fair. The one-cay celebration of the comic art medium covers a range of styles and genres, with a focus on self-published and small press works. Comic fanatics and complete newbies all welcome. London Fields Arches, free entry, just turn up, 12pm-6pm

PARK KLEZMER: Annual event Klezmer in the Park celebrates its 10th anniversary with a free afternoon of entertainment for guests of all ages. BBC Radio 3’s Max Reinhardt is the special presenter at the open-air event, organised by the Jewish Music Institute. There’s also a kids’ activity area to keep younger guests busy. Regent’s Park bandstand, free, just turn up, 12.30pm-6.30pm

Malorie Blackman introduces her new novel

MALORIE BLACKMAN: Author Malorie Blackman introduces her new novel Crossfire, a much-awaited sequel to Noughts and Crosses, set 34 years after the original. Blackman chats about writing the new book, and about the upcoming TV adaptation of Noughts and Crosses. Southbank Centre, £20, book ahead, 2pm

SARA PASCOE: Comedian Sara Pascoe chats about her new book, Sex, Power, Money, with podcaster Deborah Frances-White. The book takes a not-entirely-serious look at the things that matter most to humans. Southbank Centre, £15-£25, book ahead, 7.30pm

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[alubaidiya]

Behind The Scenes With Directors Of Fashion-Focused 'Made In Italy' TV Series

Anyone looking for quality clothing today knows to look for the “Made in Italy” label. And now the story behind the label is getting the serial treatment in a new television series from Mediaset, co-produced by Taodue Film and The Family. Created by Camilla Nesbitt, the show will map out the rise of Italy as a global fashion player.

Fashion has always been a key part of Italian heritage since the Middle Ages and Renaissance, when the country produced extravagant textiles that became popular across Europe. Michelangelo, Leonardo da Vinci and Raphael influenced the fashions of the time in paintings that showcased the country’s wealthy set, draped in decadent velvet, silk and jewels.

Greta Ferro (right) as Irene at Appeal Magazine.

Italy became a key player once again in the '50s and '60s as celebrities from Jackie Kennedy to Audrey Hepburn sought out bespoke work from Gucci and Valentino. But it wasn’t until the '70s that the industry became ingrained in every corner of the world as the everyday consumer craved high-end fashion and street wear that waltzed into stores right off the runway. Milan exploded as the global fashion capital, specializing in ready-to-wear, as brands including Versace, Armani and Dolce & Gabbana opened up shop.

Made in Italy, directed by Luca Lucini and Ago Panini, tells the story through the eyes of Irene Mastrangelo (Greta Ferro), a young journalist who embarks upon a life-changing career at the prestigious fashion magazine Appeal under editor-in-chief Rita Pasini (Margherita Buy).

In the series, Mastrangelo is a firsthand witness to the shift of Italian fashion from haute couture to pret-a-porter as designers including Giorgio Armani (Raoul Bova), Walter Albini (Gaetano Bruno), Krizia’s Mariuccia Mandelli (Stefania Rocca), Gianni Versace (Achille Marciano), Miuccia Prada (Caterina Carpio), Rosita and Ottavio Missoni (Claudia Pandolfi, Enrico Loverso), Elio Fiorucci (Stefano Fregni), Gianfranco Ferre (Silvio Cavallo), Valentino Garavani and more attempt to build their empires.

Greta Ferro as Irene at Appeal Magazine on Made in Italy

The show zeroes in on the personalities, the inspirations and the imaginations of the creative giants, and, of course, the photographers, including Richard Avedon (Wayne Maser). As business grows, visionary manager Beppe Modenese (Bebo Storti) reconciles the quarrelsome Italian brands into an economic powerhouse that could rival France’s dominance over the industry.

The Federation is handling international sales for the eight-episode series, which will premiere this spring in Italy on Canale 5. A U.S. distributor has not yet been announced.

The Hollywood Reporter spoke with Lucini and Panini about the appeal behind Made in Italy, a universal story that changed the country forever.

Margherita Buy with directors Luca Lucini and Ago Panini

What is most misunderstood about the world of Italian fashion?

Everybody knows Italian fashion today. But very few know the artists behind well-known worldwide brands like Krizia, Armani, Ferre and so on. So, especially for new generations, we think it is important to know the origins, which took place mostly in Milan in the mid-'70s.

What do you hope this story conveys to audiences?

A lot of the series that are coming out of Italy these days are crime stories. They show a violent and crude side of our country, which, unfortunately, exists, but it is not the only story to tell. The history of fashion in Italy is a great one, and a 100 percent real one. It’s a story of passion, a unique marriage between taste, ideas, craziness and the great ability of designers to read the times.

What is the drama at the center of this story?

We can certainly describe Made in Italy as a personal journey of a young girl, Irene (our protagonist), unable to live within the female parameters of her time. But by meeting incredible fashion talents, as well as a group of unique and unforgettable persons, she is able to make a life of her own. She becomes an independent woman — tough, intense, passionate and constantly in love with fashion and its creators.

Models at Krizia fashion show

What kind of audience do you think this show will appeal to?

We think this show is addressed to anyone who loves good stories, the kinds of stories where a young person overcomes difficulties with a lot of energy, passion and humor. On top of that, we hope to be able to tell the “big story” behind this one: the history of the fashion industry in Milan. And we also hope to be able to talk to young people who need to start dreaming big again, as our characters do. Because nothing is impossible if you are really motivated.

How challenging was it to cast the designers?

Some of the designers are alive (like Giorgio Armani and Rosita Missoni). Some others have left us. We decided to consider the designers as “special guests” in Irene’s life. And we wanted to give the audience the same feeling. That’s why we decided to cast big Italian names to play the designers, such as Raoul Bova, Stefania Rocca, Gaetano Bruno and Claudia Pandolfi. It was really fun to challenge these big actors to envision the original designers.

How much of the wardrobe is authentic and how much was recreated?

We decided to use only real vintage pieces for the designers’ atelier pieces. We reproduced some of the everyday clothes. Probably 70 to 80 percent of the wardrobe is authentic. We flew dresses from collections from all over the world. Some of the Krizia clothes came from Japan!

Greta Ferro (right) as Irene, at Appeal Magazine on Made in Italy

What was the best and most challenging part of going through the fashion archives of each house?

The best part was, of course, becoming sort of “intimate” with these great people. It was incredibly inspiring to have conversations with living witnesses of that incredible time. Everyone we talked to had shiny and watery eyes just remembering a time when everything was possible, and dreams were so close to reality, that you could touch them with a finger. Of course. the fashion world is very protective of opening its secret archives, so it was a hard job to gain these people’s trust. But we did it.

Which archives were opened for the first time for this series?

Some of Walter Albini’s [the influential and largely forgotten stylist was considered the forefather of Italian fashion] objects and clothes, such as the “Klimt” look, are shown almost for the first time and definitely for the first time in a TV show. Most of the jewels that we had on set came with armed security, straight out of designers' archives. There was a huge research phase, made by a very determined team of fashion journalists, to create the right connection between the show and the design houses.

Behind-the-Scenes at Milan's Castello Sforzesco.

What was a personal highlight of shooting the show for you?

The two days we spent shooting at the real Missoni factory were truly touching. To be able to breathe and share Rosita’s memories, in her house, it is really something hard to forget.

Are there any particular pieces shown that really represent the history of Italian fashion?

In our first season, we focused on the roots of what then became the “Italian fashion system,” so the audience will witness, for instance, the birth of the world-famous unstructured jacket by Armani, even if the most iconic pieces would come in the early ‘80s.

https://fashion--gallery.com/beauty-insider-experts-weigh-in-on-their-top-tips-this-season/

[armeniaitn]

Mona Lisa replica set to fetch up to €300,000 at auction

New Post has been published on https://armenia.in-the.news/culture/mona-lisa-replica-set-to-fetch-up-to-e300000-at-auction-74592-07-06-2021/

Mona Lisa replica set to fetch up to €300,000 at auction

A replica of Leonardo da Vinci’s famous Mona Lisa painting is going on sale in Paris, where it is expected to fetch up to €300,000, the BBC reports.

Said to have been created by a follower of da Vinci in the early 17th Century, it is widely known as the Mona Lisa Hekking after ex-owner Raymond Hekking.

Hekking, who died in 1977, cast doubt on the authenticity of the original masterpiece now at the Louvre museum.

The early replica will be sold at Christie’s auction in France’s capital.

Hekking acquired the canvas in the 1950s from an art dealer in Nice.

“This work and its history illustrate the fascination that the Mona Lisa and the aura of Leonardo da Vinci have always held,” Christie’s said in a statement.

Read original article here.

[jobsearchtips02]

7 Top Stocks to Buy When the Stock Market Crashes

Purchasing fantastic business at a discount during periods of fear and panic can make you abundant.

Over the last four-plus months, Wall Street and investors have actually been taken on a historic trip. Panic and unpredictability related to the coronavirus illness 2019 (COVID-19) initially sent the commonly followed S&P 500 lower by a tremendous 34%in simply 33 calendar days. That’s the fastest and steepest descent into bearishness territory in history

However, over the following 11 weeks, the benchmark S&P 500 gained back more than 80%of its losses, with the technology-focused Nasdaq Composite galloping to brand-new highs. And mind you, all of this has actually accompanied the unemployment rate at highs not seen considering that the Great Depression and COVID-19 cases ticking greater in a number of U.S. states.

While the stock market has actually traditionally bottomed out well prior to the U.S. economy found its trough, there are a number of reasons to believe that the existing rally may fizzle and yield to yet another crash.

Image source: Getty Images.

Amazon

Just in case you thought Amazon‘s ( NASDAQ: AMZN) $1.4 trillion market cap indicated its high-growth days remain in the rearview mirror, reconsider. Amazon stays the kingpin of the e-commerce space, with roughly 40%of all U.S. e-commerce market share. There’s little question that it’ll continue to wield its power in the online retail world and through its Prime subscription to keep customers devoted and within its sphere of product or services.

But over the long run, the Amazon growth story is everything about its cloud infrastructure services. Amazon Web Solutions (AWS) is growing at twice the rate of Amazon’s core retail sector however features considerably greater margins. With more than $200 per share in running capital predicted by Wall Street in 2023 (that’s a near-tripling from 2019), Amazon has a shot to clear $5,000 a share with ease, based upon its historical numerous to its operating capital.

Image source: Square.

Square

Many folks understand Square( NYSE: SQ) for its point-of-sale platform.

Square may also have a smash hit growth story on its hands with Cash App The peer-to-peer payment platform has actually been acquiring users at an amazing rate– from 7 million in December 2017 to 24 million in December2019 The ability to transfer funds to and from standard checking account, invest directly from the app, and link Money App to Cash Card for usage as a debit card, has actually caused Money App’s gross earnings to soar. When the market crashes again, you’ll desire Square on your buy list.

Image source: Getty Images.

Kirkland Lake Gold

Although tech stocks are all the rage today, do not ignore the gold-mining industry, or more specifically, Kirkland Lake Gold( NYSE: KL), which is gaining from macro and company-specific drivers.

On a macro level, international bond yields have actually plummeted and main banks are pumping generous amounts of money into their financial systems.

On a company-specific basis, Kirkland Lake Gold has the most beautiful balance sheet in the entire market— $531 million in money and no debt– and recorded an all-in sustaining cost of $776 per gold ounce in the very first quarter. Based upon existing area costs, Kirkland Lake is creating nearly $1,000 an ounce in cash operating margin. As an added benefit, the business doubled its dividend and redeemed practically $330 million worth of stock in the very first quarter.

Image source: Getty Images.

Instinctive Surgical

When the stock exchange crashes, healthcare stocks are usually a pretty safe location to park your cash. That’s why you need to have surgical system developer Intuitive Surgical( NASDAQ: ISRG) on your buy list. Instinctive has actually installed near to 5,700 of its da Vinci systems worldwide over the previous two decades, which is much more than all of its rivals integrated This indicates it rarely needs to concern itself with client churn.

However as I’ve noted formerly, the finest thing about Instinctive Surgical is that its margins are built to enhance over time.

Image source: Getty Images.

Pinterest

Miss your chance to buy into the Facebook development story in the early innings? Have no worry, since Pinterest( NYSE: PINS) is offering investors an opportunity at redemption. Although Pinterest’s 367 million regular monthly active users (MAU) pale in comparison to Facebook’s 2.6 billion, what’s actually outstanding about Pinterest is the MAU development it’s creating from overseas users In 2015, worldwide typical earnings per user more than doubled and will likely do so a couple of additional times this decade.

Pinterest’s nascent e-commerce platform could likewise bloom into a major growth story

Image source: Getty Images.

U.S. Bancorp

Though the highly cyclical banking market is probably not where most investors would believe to put their money to work when the stock market crashes, U.S. Bancorp‘s ( NYSE: USB) long-lasting performance will make a believer out of even the most doubtful financiers. You see, U.S. Bancorp has avoided the dangerous financial investments that got huge banks into trouble more than a years back, which has actually played a huge function in it regularly producing the highest return on properties amongst the greatest U.S. banks by market cap.

U.S. Bancorp has likewise benefited from the constant shift of consumers to digital banking and mobile apps.

Image source: Getty Images.

Palo Alto Networks

Lastly, when the stock market crashes, look to the cybersecurity industry and a business like Palo Alto Networks( NYSE: PANW) to be your rock.

What makes Palo Alto Networks so intriguing is the business’s ongoing improvement to a subscription-focused service By reducing its dependence on firewall software products, which can have bumpy earnings recognition, and focusing on high-margin subscription and service income, Palo Alto will see a noticeable increase in its operating margins with time. Though the near term could be a bit rough as the company reinvests greatly in development and add-on acquisitions, the end result will be a bigger share of the business cloud protection-solutions market.

John Mackey, CEO of Whole Foods Market, an Amazon subsidiary, is a member of The Motley Fool’s board of directors. Sean Williams owns shares of Amazon, Facebook, Instinctive Surgical, Pinterest, and Square.

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[i-globalone]

At least two entities invoiced Telegram for commissions from selling the company’s tokens in the summer of 2018, months after the company’s initial coin offering (ICO), newly released documents show. The U.S. Securities and Exchange Commission (SEC), which filed the documents Friday in its ongoing court case against Telegram, said the evidence of post-ICO sales undercuts the company’s argument that the offering was exempt from registration requirements.Investment fund Da Vinci Capital and another entity called Gem Limited requested commissions of $209,783 and $1.1 million, respectively, for “subsequent sales” of purchase agreements for grams, the future tokens for Telegram’s blockchain project TON, the filings show. According to the invoices presented by the SEC, Da Vinci Capital sold over $2 million worth of grams to a fund managed by its portfolio company, ITI Funds, on June 20, 2018. Gem Limited sold 7.8 million euros ($8.6 million) worth of grams to a firm named Goliat Solutions and $4.5 million to Space Investments Limited on July 2, 2018. Both sales took place after the offering of grams, which Telegram maintains was exempt from registration under Regulation D, was completed in February and March 2018. Da Vinci Capital’s investment director Denis Efremov declined to comment. Gem Limited was unavailable for comment at press time. The filings joined a massive trove of documents the SEC has submitted to the U.S. District Court for the Southern District of New York to support its allegation that grams were illegally sold as unregistered securities, which Telegram has denied.“These documents undermine Telegram’s claimed affirmative defense that the Offering was exempt under Regulation D. First, Telegram either raised more than the $1.7 billion for which it claimed an exemption, or it did not raise $1.7 billion as of March 29, 2018 and the later funds may have been raised through underwriters,” an earlier SEC filing said, referring to the invoices. The SEC’s argument is that under Regulation D, the issuer should take reasonable steps to ensure the purchasers don’t act as statutory underwriters (i.e. aren’t selling securities for the issuer for commissions), said Philip Moustakis, a counsel at Seward & Kissel and former senior counsel at the SEC. In this case, the regulator is saying the companies that invoiced Telegram did exactly that, while Telegram argues that the commissions were finders’ fees to non-U.S. persons and entities for introducing grams to other investors, Moustakis said. Telegram raised $1.7 billion in the pre-sale of future tokens of the TON project in February and March 2018. The purchase agreement prohibited investors from reselling their grams, but a secondary market emerged soon anyway. However, there were previously no public indications of Telegram’s approval of the later sales. The SEC sued Telegram in October, ordering it to halt the launch of TON. The regulator is set to meet Telegram in court on Feb 18-19. In the meantime, the SEC requested full banking records of Telegram regarding the token sale proceeds. On Jan. 9, Telegram asked the judge to grant the company five to seven weeks to prepare the documents to avoid privacy infringement. Disclosure Read More The leader in blockchain news, CoinDesk is a media outlet that strives for the highest journalistic standards and abides by a strict set of editorial policies. CoinDesk is an independent operating subsidiary of Digital Currency Group, which invests in cryptocurrencies and blockchain startups.

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