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#What is the age of Ebenezer Obey?
the9jafresh · 2 years
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Ebenezer Obey Biography - Age, Career, Education, Early Life, Family, Songs, Albums, Awards, And Net Worth
Ebenezer Obey Biography – Age, Career, Education, Early Life, Family, Songs, Albums, Awards, And Net Worth
Ebenezer Obey Biography – Age, Career, Education, Early Life, Family, Songs, Albums, Awards, And Net Worth Let us discuss Ebenezer Obey’s Biography in terms of his Age, Career, Education, Early Life, Family, Musics And Net Worth and much more. A Nigerian juju musician by the names of Ebenezer Remilekun Aremu Olasupo Obey-Fabiyi, MFR, was born on April 3, 1942. He is also known as Chief…
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araitsume · 7 years
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Patriarchs and Prophets, pp. 581-591: Chapter (57) The Ark Taken by the Philistines
This chapter is based on 1 Samuel 3 to 7.
Another warning was to be given to Eli's house. God could not communicate with the high priest and his sons; their sins, like a thick cloud, had shut out the presence of His Holy Spirit. But in the midst of evil the child Samuel remained true to Heaven, and the message of condemnation to the house of Eli was Samuel's commission as a prophet of the Most High.
“The word of the Lord was precious in those days; there was no open vision. And it came to pass at that time, when Eli was laid down in his place, and his eyes began to wax dim, that he could not see; and ere the lamp of God went out in the temple of the Lord, where the ark of God was, and Samuel was laid down to sleep; that the Lord called Samuel.” Supposing the voice to be that of Eli, the child hastened to the bedside of the priest, saying, “Here am I; for thou calledst me.” The answer was, “I called not, my son; lie down again.” Three times Samuel was called, and thrice he responded in like manner. And then Eli was convinced that the mysterious call was the voice of God. The Lord had passed by His chosen servant, the man of hoary hairs, to commune with a child. This in itself was a bitter yet deserved rebuke to Eli and his house.
No feeling of envy or jealousy was awakened in Eli's heart. He directed Samuel to answer, if again called, “Speak, Lord; for Thy servant heareth.” Once more the voice was heard, and the child answered, “Speak; for Thy servant heareth.” So awed was he at the thought that the great God should speak to him that he could not remember the exact words which Eli bade him say.
“And the Lord said to Samuel, Behold, I will do a thing in Israel, at which both the ears of everyone that heareth it shall tingle. In that day I will perform against Eli all things which I have spoken concerning his house: when I begin, I will also make an end. For I have told him that I will judge his house forever for the iniquity which he knoweth; because his sons made themselves vile, and he restrained them not. And therefore I have sworn unto the house of Eli, that the iniquity of Eli's house shall not be purged with sacrifice nor offering forever.”
Before receiving this message from God, “Samuel did not yet know the Lord, neither was the word of the Lord yet revealed unto him;” that is, he was not acquainted with such direct manifestations of God's presence as were granted to the prophets. It was the Lord's purpose to reveal Himself in an unexpected manner, that Eli might hear of it through the surprise and inquiry of the youth.
Samuel was filled with fear and amazement at the thought of having so terrible a message committed to him. In the morning he went about his duties as usual, but with a heavy burden upon his young heart. The Lord had not commanded him to reveal the fearful denunciation, hence he remained silent, avoiding, as far as possible, the presence of Eli. He trembled, lest some question should compel him to declare the divine judgments against one whom he loved and reverenced. Eli was confident that the message foretold some great calamity to him and his house. He called Samuel, and charged him to relate faithfully what the Lord had revealed. The youth obeyed, and the aged man bowed in humble submission to the appalling sentence. “It is the Lord,” he said: “let Him do what seemeth Him good.”
Yet Eli did not manifest the fruits of true repentance. He confessed his guilt, but failed to renounce the sin. Year after year the Lord delayed His threatened judgments. Much might have been done in those years to redeem the failures of the past, but the aged priest took no effective measures to correct the evils that were polluting the sanctuary of the Lord and leading thousands in Israel to ruin. The forbearance of God caused Hophni and Phinehas to harden their hearts and to become still bolder in transgression. The messages of warning and reproof to his house were made known by Eli to the whole nation. By this means he hoped to counteract, in some measure, the evil influence of his past neglect. But the warnings were disregarded by the people, as they had been by the priests. The people of surrounding nations also, who were not ignorant of the iniquities openly practiced in Israel, became still bolder in their idolatry and crime. They felt no sense of guilt for their sins, as they would have felt had the Israelites preserved their integrity. But a day of retribution was approaching. God's authority had been set aside, and His worship neglected and despised, and it became necessary for Him to interpose, that the honor of His name might be maintained.
“Now Israel went out against the Philistines to battle, and pitched beside Ebenezer: and the Philistines pitched in Aphek.” This expedition was undertaken by the Israelites without counsel from God, without the concurrence of high priest or prophet. “And the Philistines put themselves in array against Israel: and when they joined battle, Israel was smitten before the Philistines: and they slew of the army in the field about four thousand men.” As the shattered and disheartened force returned to their encampment, “the elders of Israel said, Wherefore hath the Lord smitten us today before the Philistines?” The nation was ripe for the judgments of God, yet they did not see that their own sins had been the cause of this terrible disaster. And they said, “Let us fetch the ark of the covenant of the Lord out of Shiloh unto us, that, when it cometh among us, it may save us out of the hand of our enemies.” The Lord had given no command or permission that the ark should come into the army; yet the Israelites felt confident that victory would be theirs, and uttered a great shout when it was borne into the camp by the sons of Eli.
The Philistines looked upon the ark as the god of Israel. All the mighty works that Jehovah had wrought for His people were attributed to its power. As they heard the shouts of joy at its approach, they said, “What meaneth the noise of this great shout in the camp of the Hebrews? And they understood that the ark of the Lord was come into the camp. And the Philistines were afraid; for they said, God has come into the camp. And they said, Woe unto us! for there hath not been such a thing heretofore. Woe unto us! who shall deliver us out of the hand of these mighty Gods? These are the Gods that smote the Egyptians with all the plagues in the wilderness. Be strong, and quit yourselves like men, O ye Philistines, that ye be not servants unto the Hebrews, as they have been to you: quit yourselves like men, and fight.”
The Philistines made a fierce assault, which resulted in the defeat of Israel, with great slaughter. Thirty thousand men lay dead upon the field, and the ark of God was taken, the two sons of Eli having fallen while fighting to defend it. Thus again was left upon the page of history a testimony for all future ages—that the iniquity of God's professed people will not go unpunished. The greater the knowledge of God's will, the greater the sin of those who disregard it.
The most terrifying calamity that could occur had befallen Israel. The ark of God had been captured, and was in the possession of the enemy. The glory had indeed departed from Israel when the symbol of the abiding presence and power of Jehovah was removed from the midst of them. With this sacred chest were associated the most wonderful revelations of God's truth and power. In former days miraculous victories had been achieved whenever it appeared. It was shadowed by the wings of the golden cherubim, and the unspeakable glory of the Shekinah, the visible symbol of the most high God, had rested over it in the holy of holies. But now it had brought no victory. It had not proved a defense on this occasion, and there was mourning throughout Israel.
They had not realized that their faith was only a nominal faith, and had lost its power to prevail with God. The law of God, contained in the ark, was also a symbol of His presence; but they had cast contempt upon the commandments, had despised their requirements, and had grieved the Spirit of the Lord from among them. When the people obeyed the holy precepts, the Lord was with them to work for them by His infinite power; but when they looked upon the ark, and did not associate it with God, nor honor His revealed will by obedience to His law, it could avail them little more than a common box. They looked to the ark as the idolatrous nations looked to their gods, as if it possessed in itself the elements of power and salvation. They transgressed the law it contained; for their very worship of the ark led to formalism, hypocrisy, and idolatry. Their sin had separated them from God, and He could not give them the victory until they had repented of and forsaken their iniquity.
It was not enough that the ark and the sanctuary were in the midst of Israel. It was not enough that the priests offered sacrifices, and that the people were called the children of God. The Lord does not regard the request of those who cherish iniquity in the heart; it is written that “he that turneth away his ear from hearing the law, even his prayer shall be abomination.” Proverbs 28:9.
When the army went out to battle, Eli, blind and old, had tarried at Shiloh. It was with troubled forebodings that he awaited the result of the conflict; “for his heart trembled for the ark of God.” Taking his position outside the gate of the tabernacle, he sat by the highway side day after day, anxiously expecting the arrival of a messenger from the battlefield.
At length a Benjamite from the army, “with his clothes rent, and with earth upon his head,” came hurrying up the ascent leading to the city. Passing heedlessly the aged man beside the way, he rushed on to the town, and repeated to eager throngs the tidings of defeat and loss.
The sound of wailing and lamentation reached the watcher beside the tabernacle. The messenger was brought to him. And the man said unto Eli, “Israel is fled before the Philistines, and there hath been also a great slaughter among the people, and thy two sons also, Hophni and Phinehas, are dead.” Eli could endure all this, terrible as it was, for he had expected it. But when the messenger added, “And the ark of God is taken,” a look of unutterable anguish passed over his countenance. The thought that his sin had thus dishonored God and caused Him to withdraw His presence from Israel was more than he could bear; his strength was gone, he fell, “and his neck brake, and he died.”
The wife of Phinehas, notwithstanding the impiety of her husband, was a woman who feared the Lord. The death of her father-in-law and her husband, and above all, the terrible tidings that the ark of God was taken, caused her death. She felt that the last hope of Israel was gone; and she named the child born in this hour of adversity, Ichabod, or “inglorious;” with her dying breath mournfully repeating the words, “The glory is departed from Israel: for the ark of God is taken.”
But the Lord had not wholly cast aside His people, nor would He long suffer the exultation of the heathen. He had used the Philistines as the instrument to punish Israel, and He employed the ark to punish the Philistines. In time past the divine Presence had attended it, to be the strength and glory of His obedient people. That invisible Presence would still attend it, to bring terror and destruction to the transgressors of His holy law. The Lord often employs His bitterest enemies to punish the unfaithfulness of His professed people. The wicked may triumph for a time as they see Israel suffering chastisement, but the time will come when they, too, must meet the sentence of a holy, sin-hating God. Whenever iniquity is cherished, there, swift and unerring, the divine judgments will follow.
The Philistines removed the ark in triumph to Ashdod, one of their five principal cities, and placed it in the house of their god Dagon. They imagined that the power which had hitherto attended the ark would be theirs, and that this, united with the power of Dagon, would render them invincible. But upon entering the temple on the following day, they beheld a sight which filled them with consternation. Dagon had fallen upon his face to the earth before the ark of Jehovah. The priests reverently lifted the idol and restored it to its place. But the next morning they found it, strangely mutilated, again lying upon the earth before the ark. The upper part of this idol was like that of a man, and the lower part was in the likeness of a fish. Now every part that resembled the human form had been cut off, and only the body of the fish remained. Priests and people were horror-struck; they looked upon this mysterious event as an evil omen, foreboding destruction to themselves and their idols before the God of the Hebrews. They now removed the ark from their temple and placed it in a building by itself.
The inhabitants of Ashdod were smitten with a distressing and fatal disease. Remembering the plagues that were inflicted upon Egypt by the God of Israel, the people attributed their afflictions to the presence of the ark among them. It was decided to convey it to Gath. But the plague followed close upon its removal, and the men of that city sent it to Ekron. Here the people received it with terror, crying, “They have brought about the ark of the God of Israel to us, to slay us and our people.” They turned to their gods for protection, as the people of Gath and Ashdod had done; but the work of the destroyer went on, until, in their distress, “the cry of the city went up to heaven.” Fearing longer to retain the ark among the homes of men, the people next placed it in the open field. There followed a plague of mice, which infested the land, destroying the products of the soil, both in the storehouse and in the field. Utter destruction, by disease or famine, now threatened the nation.
For seven months the ark remained in Philistia, and during all this time the Israelites made no effort for its recovery. But the Philistines were now as anxious to free themselves from its presence as they had been to obtain it. Instead of being a source of strength to them, it was a great burden and a heavy curse. Yet they knew not what course to pursue; for wherever it went the judgments of God followed. The people called for the princes of the nation, with the priests and diviners, and eagerly inquired, “What shall we do to the ark of Jehovah? tell us wherewith we shall send it to his place?” They were advised to return it with a costly trespass offering. “Then,” said the priests, “ye shall be healed, and it shall be known to you why His hand is not removed from you.”
To ward off or to remove a plague, it was anciently the custom among the heathen to make an image in gold, silver, or other material, of that which caused the destruction, or of the object or part of the body specially affected. This was set up on a pillar or in some conspicuous place, and was supposed to be an effectual protection against the evils thus represented. A similar practice still exists among some heathen peoples. When a person suffering from disease goes for cure to the temple of his idol, he carries with him a figure of the part affected, which he presents as an offering to his god.
It was in accordance with the prevailing superstition that the Philistine lords directed the people to make representations of the plagues by which they had been afflicted—“five golden emerods, and five golden mice, according to the number of the lords of the Philistines: for,” said they, “one plague was on you all, and on your lords.”
These wise men acknowledged a mysterious power accompanying the ark—a power which they had no wisdom to meet. Yet they did not counsel the people to turn from their idolatry to serve the Lord. They still hated the God of Israel, though compelled by overwhelming judgments to submit to His authority. Thus sinners may be convinced by the judgments of God that it is in vain to contend against Him. They may be compelled to submit to His power, while at heart they rebel against His control. Such submission cannot save the sinner. The heart must be yielded to God—must be subdued by divine grace—before man's repentance can be accepted.
How great is the long-suffering of God toward the wicked! The idolatrous Philistines and backsliding Israel had alike enjoyed the gifts of His providence. Ten thousand unnoticed mercies were silently falling in the pathway of ungrateful, rebellious men. Every blessing spoke to them of the Giver, but they were indifferent to His love. The forbearance of God was very great toward the children of men; but when they stubbornly persisted in their impenitence, He removed from them His protecting hand. They refused to listen to the voice of God in His created works, and in the warnings, counsels, and reproofs of His word, and thus He was forced to speak to them through judgments.
There were some among the Philistines who stood ready to oppose the return of the ark to its own land. Such an acknowledgment of the power of Israel's God would be humiliating to the pride of Philistia. But “the priests and the diviners” admonished the people not to imitate the stubbornness of Pharaoh and the Egyptians, and thus bring upon themselves still greater afflictions. A plan which won the consent of all was now proposed, and immediately put in execution. The ark, with the golden trespass offering, was placed upon a new cart, thus precluding all danger of defilement; to this cart, or car, were attached two kine upon whose necks a yoke had never been placed. Their calves were shut up at home, and the cows were left free to go where they pleased. If the ark should thus be returned to the Israelites by the way of Beth-shemesh, the nearest city of the Levites, the Philistines would accept this as evidence that the God of Israel had done unto them this great evil; “but if not,” they said, “then we shall know that it is not His hand that smote us; it was a chance that happened to us.”
On being set free, the kine turned from their young and, lowing as they went, took the direct road to Beth-shemesh. Guided by no human hand, the patient animals kept on their way. The divine Presence accompanied the ark, and it passed on safely to the very place designated.
It was now the time of wheat harvest, and the men of Beth-shemesh were reaping in the valley. “And they lifted up their eyes, and saw the ark, and rejoiced to see it. And the cart came into the field of Joshua, a Beth-shemite, and stood there, where there was a great stone: and they clave the wood of the cart, and offered the kine of burnt-offering unto the Lord.” The lords of the Philistines, who had followed the ark “unto the border of Beth-shemesh,” and had witnessed its reception, now returned to Ekron. The plague had ceased, and they were convinced that their calamities had been a judgment from the God of Israel.
The men of Beth-shemesh quickly spread the tidings that the ark was in their possession, and the people from the surrounding country flocked to welcome its return. The ark had been placed upon the stone that first served for an altar, and before it additional sacrifices were offered unto the Lord. Had the worshipers repented of their sins, God's blessing would have attended them. But they were not faithfully obeying His law; and while they rejoiced at the return of the ark as a harbinger of good, they had no true sense of its sacredness. Instead of preparing a suitable place for its reception, they permitted it to remain in the harvest field. As they continued to gaze upon the sacred chest and to talk of the wonderful manner in which it had been restored, they began to conjecture wherein lay its peculiar power. At last, overcome by curiosity, they removed the coverings and ventured to open it.
All Israel had been taught to regard the ark with awe and reverence. When required to remove it from place to place the Levites were not so much as to look upon it. Only once a year was the high priest permitted to behold the ark of God. Even the heathen Philistines had not dared to remove its coverings. Angels of heaven, unseen, ever attended it in all its journeyings. The irreverent daring of the people at Beth-shemesh was speedily punished. Many were smitten with sudden death.
The survivors were not led by this judgment to repent of their sin, but only to regard the ark with superstitious fear. Eager to be free from its presence, yet not daring to remove it, the Beth-shemites sent a message to the inhabitants of Kirjath-jearim, inviting them to take it away. With great joy the men of this place welcomed the sacred chest. They knew that it was the pledge of divine favor to the obedient and faithful. With solemn gladness they brought it to their city and placed it in the house of Abinadab, a Levite. This man appointed his son Eleazar to take charge of it, and it remained there for many years.
During the years since the Lord first manifested Himself to the son of Hannah, Samuel's call to the prophetic office had come to be acknowledged by the whole nation. By faithfully delivering the divine warning to the house of Eli, painful and trying as the duty had been, Samuel had given proof of his fidelity as Jehovah's messenger; “and the Lord was with him, and did let none of his words fall to the ground. And all Israel from Dan even to Beersheba knew that Samuel was established to be a prophet of the Lord.”
The Israelites as a nation still continued in a state of irreligion and idolatry, and as a punishment they remained in subjection to the Philistines. During this time Samuel visited the cities and villages throughout the land, seeking to turn the hearts of the people to the God of their fathers; and his efforts were not without good results. After suffering the oppression of their enemies for twenty years, the Israelites “mourned after the Lord.” Samuel counseled them, “If ye do return unto the Lord with all your hearts, then put away the strange gods and Ashtaroth from among you, and prepare your hearts unto the Lord, and serve Him only.” Here we see that practical piety, heart religion, was taught in the days of Samuel as taught by Christ when He was upon the earth. Without the grace of Christ the outward forms of religion were valueless to ancient Israel. They are the same to modern Israel.
There is need today of such a revival of true heart religion as was experienced by ancient Israel. Repentance is the first step that must be taken by all who would return to God. No one can do this work for another. We must individually humble our souls before God and put away our idols. When we have done all that we can do, the Lord will manifest to us His salvation.
With the co-operation of the heads of the tribes, a large assembly was gathered at Mizpeh. Here a solemn fast was held. With deep humiliation the people confessed their sins; and as an evidence of their determination to obey the instructions they had heard, they invested Samuel with the authority of judge.
The Philistines interpreted this gathering to be a council of war, and with a strong force set out to disperse the Israelites before their plans could be matured. The tidings of their approach caused great terror in Israel. The people entreated Samuel, “Cease not to cry unto the Lord our God for us, that He will save us out of the hand of the Philistines.”
While Samuel was in the act of presenting a lamb as a burnt offering, the Philistines drew near for battle. Then the Mighty One who had descended upon Sinai amid fire and smoke and thunder, who had parted the Red Sea and made a way through Jordan for the children of Israel, again manifested His power. A terrible storm burst upon the advancing host, and the earth was strewn with the dead bodies of mighty warriors.
The Israelites had stood in silent awe, trembling with hope and fear. When they beheld the slaughter of their enemies, they knew that God had accepted their repentance. Though unprepared for battle, they seized the weapons of the slaughtered Philistines and pursued the fleeing host to Beth-car. This signal victory was gained upon the very field where, twenty years before, Israel had been smitten before the Philistines, the priests slain, and the ark of God taken. For nations as well as for individuals, the path of obedience to God is the path of safety and happiness, while that of transgression leads only to disaster and defeat. The Philistines were now so completely subdued that they surrendered the strongholds which had been taken from Israel and refrained from acts of hostility for many years. Other nations followed this example, and the Israelites enjoyed peace until the close of Samuel's sole administration.
That the occasion might never be forgotten, Samuel set up, between Mizpeh and Shen, a great stone as a memorial. He called the name of it Ebenezer, “the stone of help,” saying to the people, “hitherto hath Jehovah helped us.”
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peckhampeculiar · 4 years
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Homecoming joy
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Ayo-Dele Edwards' work is inspired by a rich mix of British and Nigerian musical and cultural influences. The singer-songwriter and actor tells us more
WORDS BY ROSARIO BLUE; PHOTO BY EMMANUEL EDWARDS
It’s not easy to pursue a dream. But for Ayo-Dele Edwards, the sense of accomplishment makes all the blood, sweat and tears worthwhile.
Among the Lewisham resident’s many achievements are the penning of her debut album Forever Becoming, released in 2012, and her one-woman show Becoming, based on songs from the album. It recently enjoyed a short, sold-out run at the Stratford Circus Arts Centre as part of International Women’s Day 2019.
Ayo-Dele is also an actor, and has performed at venues from the Royal Court to the West Yorkshire Playhouse. Her credits include The Secret Lives of Baba Segi’s Wives, a story of sexual politics and family strife in modern-day Nigeria. It ran at the Arcola Theatre in Hackney – receiving a five-star review from the Guardian – toured in Nigeria and has just aired on BBC Radio 3.
Ayo-Dele, which means “my joy has come home” in Yoruba, was born in London, the fourth child of her Nigerian parents. Her family moved back to Nigeria when she was three.
There she adjusted to a new way of life, surrounded by a multitude of musical rhythms and sounds.
However, the family didn’t have a home to go to, so she lived a “nomadic” existence, staying with various relatives rather than her parents and siblings – an experience she found difficult.
Her journey into music began with her church choir. While living in Abeokuta, she found herself drawn to the genre of gospel, with its talking drums and lyrical voices.
“It was the joy,” she says. “It was the music that drew me to church, because the life that I was living was so sad, and I didn’t have family around me. Church was my escape.”
After six years, Ayo-Dele moved back to London aged 10 with her mum and went straight into school, with little time to adjust to the stark change in culture and environment.
At the same time her older brother introduced her to a variety of other music, including rare groove, pop, R&B and soul. Inspired by artists such as King Sunny Adé, Ebenezer Obey, Good Women Choir, Bob Marley and Fela Kuti, her desire to sing intensified.
Later on, seeking a new direction in life, she left the Nigerian white garment church she had attended since early childhood and joined a Pentecostal church. “It was just like, ‘Something needs to change’,” she says. “And even though I didn’t really know God in that way I felt like something needed to happen.
“I didn’t have a relationship with Jesus and I didn’t know that the Holy Spirit was there to help me, to guide me, to protect me, to counsel me, to just be there for me.”
Her life changed again when she gave birth to a daughter. “It was after I had her that I gave my life, I rededicated my life to Jesus. I was like, ‘I want to know who this man is, I want to do it his way.’
“I wanted to know what I was going to offer this girl because I was 21, I had no direction, I didn’t know what I wanted to do with my life.”
With her faith reborn and a healthy daughter to be proud of, Ayo-Dele took another leap of faith and applied to drama school. Her application was successful and she joined the renowned Mountview theatre academy in Wood Green, before it moved to Peckham in 2018.
Her experience of drama school, where she studied for three years, was very different to that of her fellow students.
“Because I had my daughter, I didn’t even get involved in student life. I was the only student who had a child. I was just in and out. I was like, ‘I need to sort my life out, I’m not here to get drunk at night and go off and be wild. I’ve got to be responsible for my child.’”
While at drama school she began session singing for bands like Boyzone and doing TV shows. When her daughter turned five, she met her husband Emmanuel Edwards, a musician and music producer.
In 2002 she joined award-winning gospel group GK Real, who were together for 10 years. “We did an album with the group. I sang a few songs on that and even then, I didn’t particularly see myself as a soloist.
“I liked being in a group, but it wasn’t until after the group decided to go on a break that my husband was like, ‘OK, so what are you going to do with your stuff? You’ve got a story and you’ve got songs in you, so you should consider putting out an album.’”
After careful consideration she decided to give it a shot and set about recording some tracks.
“It was just pulling together all the songs that I’d sung, written, that I’d hum around the house. We went into the studio and I sang them for him and he was like, ‘Yeah’.”
The result, Forever Becoming, is a highly personal album that is an eclectic mixture of Nigerian rhythms, gospel and pop, sung in Yoruba and English.
It explores Ayo-Dele’s dual identity, and addresses her painful memories and harsh realities. Despite all of this there is a sentiment of hope and overcoming adversity threaded through each song.
Titilayo, the first track from the album, is the name of Ayo-Dele’s sister who had become estranged from the family. Ayo-Dele wrote the song on her mother’s behalf and as an expression of how much she herself missed her sister and the unity their family once had.
“It’s kind of that prayer of wanting to see your family reconciled, and wanting to see your family together again,” she explains.
Other tracks include a Yoruba rendition of Gershwin’s Summertime and a musical reimagining of Psalm 91, as well as Daddy’s Girl, a song about longing for a relationship that never was and how that absence can negatively manifest itself in adulthood.
Following a TEDxEuston talk about her experiences of growing up in Nigeria and Britain (it’s available to watch on YouTube) and a music and storytelling-filled album launch directed by Femi Elufowoju Jr, a friend of Ayo-Dele’s suggested she make the album into a one-woman show.
“We began to listen to the album again and he asked me what the stories were. I told him and we did a couple of showcases [at the Arcola Theatre] where we tested it out for an audience to see if it was actually worth pursuing.
“Everyone was like, ‘We need more – more songs. What happened here? What happened there? Tell us more.’ So, I did that.”
If she is able to secure funding, Ayo-Dele plans to tour Becoming in various UK theatres in 2020. She also wants to do more work in the local community, especially now that her youngest daughter is in school.
“I tend to travel a lot for work and then come back home [to Lewisham] to sleep, but now because I have a five year old and she’s in a school in Blackheath, I’m trying to connect more with the community.”
Get ready to see a lot more of Ayo- Dele in 2020.
Forever Becoming is available on iTunes, Apple Music and Spotify. ayo-dele.com
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lewishamledger · 4 years
Text
Homecoming joy
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Ayo-Dele Edwards' work is inspired by a rich mix of British and Nigerian musical and cultural influences. The singer-songwriter and actor tells us more
WORDS BY ROSARIO BLUE; PHOTO BY EMMANUEL EDWARDS
It’s not easy to pursue a dream. But for Ayo-Dele Edwards, the sense of accomplishment makes all the blood, sweat and tears worthwhile.
Among the Lewisham resident’s many achievements are the penning of her debut album Forever Becoming, released in 2012, and her one-woman show Becoming, based on songs from the album. It recently enjoyed a short, sold-out run at the Stratford Circus Arts Centre as part of International Women’s Day 2019.
Ayo-Dele is also an actor, and has performed at venues from the Royal Court to the West Yorkshire Playhouse. Her credits include The Secret Lives of Baba Segi’s Wives, a story of sexual politics and family strife in modern-day Nigeria. It ran at the Arcola Theatre in Hackney – receiving a five-star review from the Guardian – toured in Nigeria and has just aired on BBC Radio 3.
Ayo-Dele, which means “my joy has come home” in Yoruba, was born in London, the fourth child of her Nigerian parents. Her family moved back to Nigeria when she was three.
There she adjusted to a new way of life, surrounded by a multitude of musical rhythms and sounds.
However, the family didn’t have a home to go to, so she lived a “nomadic” existence, staying with various relatives rather than her parents and siblings – an experience she found difficult.
Her journey into music began with her church choir. While living in Abeokuta, she found herself drawn to the genre of gospel, with its talking drums and lyrical voices.
“It was the joy,” she says. “It was the music that drew me to church, because the life that I was living was so sad, and I didn’t have family around me. Church was my escape.”
After six years, Ayo-Dele moved back to London aged 10 with her mum and went straight into school, with little time to adjust to the stark change in culture and environment.
At the same time her older brother introduced her to a variety of other music, including rare groove, pop, R&B and soul. Inspired by artists such as King Sunny Adé, Ebenezer Obey, Good Women Choir, Bob Marley and Fela Kuti, her desire to sing intensified.
Later on, seeking a new direction in life, she left the Nigerian white garment church she had attended since early childhood and joined a Pentecostal church. “It was just like, ‘Something needs to change’,” she says. “And even though I didn’t really know God in that way I felt like something needed to happen.
“I didn’t have a relationship with Jesus and I didn’t know that the Holy Spirit was there to help me, to guide me, to protect me, to counsel me, to just be there for me.”
Her life changed again when she gave birth to a daughter. “It was after I had her that I gave my life, I rededicated my life to Jesus. I was like, ‘I want to know who this man is, I want to do it his way.’
“I wanted to know what I was going to offer this girl because I was 21, I had no direction, I didn’t know what I wanted to do with my life.”
With her faith reborn and a healthy daughter to be proud of, Ayo-Dele took another leap of faith and applied to drama school. Her application was successful and she joined the renowned Mountview theatre academy in Wood Green, before it moved to Peckham in 2018.
Her experience of drama school, where she studied for three years, was very different to that of her fellow students.
“Because I had my daughter, I didn’t even get involved in student life. I was the only student who had a child. I was just in and out. I was like, ‘I need to sort my life out, I’m not here to get drunk at night and go off and be wild. I’ve got to be responsible for my child.’”
While at drama school she began session singing for bands like Boyzone and doing TV shows. When her daughter turned five, she met her husband Emmanuel Edwards, a musician and music producer.
In 2002 she joined award-winning gospel group GK Real, who were together for 10 years. “We did an album with the group. I sang a few songs on that and even then, I didn’t particularly see myself as a soloist.
“I liked being in a group, but it wasn’t until after the group decided to go on a break that my husband was like, ‘OK, so what are you going to do with your stuff? You’ve got a story and you’ve got songs in you, so you should consider putting out an album.’”
After careful consideration she decided to give it a shot and set about recording some tracks.
“It was just pulling together all the songs that I’d sung, written, that I’d hum around the house. We went into the studio and I sang them for him and he was like, ‘Yeah’.”
The result, Forever Becoming, is a highly personal album that is an eclectic mixture of Nigerian rhythms, gospel and pop, sung in Yoruba and English.
It explores Ayo-Dele’s dual identity, and addresses her painful memories and harsh realities. Despite all of this there is a sentiment of hope and overcoming adversity threaded through each song.
Titilayo, the first track from the album, is the name of Ayo-Dele’s sister who had become estranged from the family. Ayo-Dele wrote the song on her mother’s behalf and as an expression of how much she herself missed her sister and the unity their family once had.
“It’s kind of that prayer of wanting to see your family reconciled, and wanting to see your family together again,” she explains.
Other tracks include a Yoruba rendition of Gershwin’s Summertime and a musical reimagining of Psalm 91, as well as Daddy’s Girl, a song about longing for a relationship that never was and how that absence can negatively manifest itself in adulthood.
Following a TEDxEuston talk about her experiences of growing up in Nigeria and Britain (it’s available to watch on YouTube) and a music and storytelling-filled album launch directed by Femi Elufowoju Jr, a friend of Ayo-Dele’s suggested she make the album into a one-woman show.
“We began to listen to the album again and he asked me what the stories were. I told him and we did a couple of showcases [at the Arcola Theatre] where we tested it out for an audience to see if it was actually worth pursuing.
“Everyone was like, ‘We need more – more songs. What happened here? What happened there? Tell us more.’ So, I did that.”
If she is able to secure funding, Ayo-Dele plans to tour Becoming in various UK theatres in 2020. She also wants to do more work in the local community, especially now that her youngest daughter is in school.
“I tend to travel a lot for work and then come back home [to Lewisham] to sleep, but now because I have a five year old and she’s in a school in Blackheath, I’m trying to connect more with the community.”
Get ready to see a lot more of Ayo- Dele in 2020.
Forever Becoming is available on iTunes, Apple Music and Spotify. ayo-dele.com
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icechuksblog · 4 years
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Media personality, Emma Ugolee and singer Etcetera have started a conversation about tribalism in the Nigerian entertainment industry after they claimed that most of the top artists are from the Southwest, despite the fact that there are artists from other parts of Nigeria doing great music. Emma wrote; Nigerias music treasure is so vast and rich. Great musical tradition from Victor Olaiya, Rex Lawson, Ebenezer Obey, Oliver De Coque, Osita Osadebe, Peacocks international, Oriental brothers before you even talk about Fela, Sonny Okosun, Ksa, Nelly Uchendu, Onyeka, Ras Kimono, Mandators and so many others, the Nigerian discography is rich and varied with a lot of unique genres, it’s a national treasure says my friend Obi Asika_Without any intention to stir up a hornet’s nest, this wide spread representation touches a thought that has been disquieting in me for a while now. _Is it a coincidence that the top 10 (if not 15) music acts are from the southwest ? Or is there more to it?_I ask this absolutely free of any bias and no streak at all of tribalism. I truly just would like to know. _I have tried to explain it with the Lagos hub influence but Lagos was still the place to go to (in an era I witnessed) when it was okay for a Zoolezoo to come top the charts from Makurdi. When a Flavornabania could become the the biggest Nigerian act from Enugu, Jeremiah Gyang doing the same from Jos, Duncan Mighty & Timaya killing all the Lagos shows from PH city. Rymzo & Kaha from Benin. Age Beeka, Style & 6foot plus from ABJ. Nigga Raw Abia!!_The story is not the same at all. Traffic has significantly slowed down in the last 10years. Has the inroad into national limelight via Lagos been shutdown? _The same platform that allowed for others who spoke different languages, had a different sound etc to use the same platforms to national acceptance seems to now be region sensitive _The problem isn't coming to Lagos anymore, it's being accepted by Lagos. Seems like the open arms have been folded_Why is Erigga not a hiphop household name in Lagos? Was rap music from the middle belt and north produced only from the the era of swatroot & did it end with MI & Icepeince?_Does the media still show the same unbiased love we used to? Do music awards go to non-Lagos acts?_I speak not of a handful of exceptions. On a grand national scale as it used too, the question is, ....IS NIGERIA STILL represented IN SOUND, LANGUAGE AND MELODY OF MAINSTREAM MUSIC? Singer Etcetera replied, telling Emma that his assertion is right. He said that artists like Tuface, Omawunmi, Flavour, Phyno, Waje, MI, Duncan Mighty, and Timaya are all great artists, yet, they "do not get as much buzz and recognition as the artists from the Southwest." He added: "We all know that this SHAM some call Entertainment Industry in Nigeria today (Lagos in particular) is now SOAKED in TRIBALISM." Read the rest of what he wrote below.
http://icechuks2.blogspot.com/2020/02/we-all-know-entertainment-industry-is.html
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olaluwe · 5 years
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In today's business and career, in addition to owning a portfolio website or blog, it is also a matter of strategic importance to have a couple of social media accounts.
The purpose is not far fetched or completely out of place.  They give brands a wider reach in the promotion of their products and services. Through it, they generate traffic which they either turned into a lead or out rightly monetized through ads placement as seen on YouTube, websites, and blogs.
Since emergence, social media have helped nondescript but talented individuals and corporate entities to build a large network of followers on which they leverage for continuous brand relevance.
Not left out of this trend are the entertainers: musicians, dancers, actors, and actresses. We have seen rookies get signed on by big musical brands after posting a short video of their work online.
Somehow, it has become almost unthinkable that a brand no matter how big would consider exiting such a powerful platform.
And so it came as a shock to many when Nigeria's Afro-fusion musician, Burna Boy announced that he was leaving the social media. As for me, I'm indifferent.
One of such people is MC Shakara. According to reports, he was said to have called out Burna Boy on his decision to quit all social media platforms describing him as an ingrate. That to me was way too harsh, uninformed, and unfounded.
All this while I’d relied on what was reported in the news to form my opinion. But recently I was privileged to see the video clip of the interview where MC Shakara attacked the A-list musician as an ingrate.
*Comedian MC Shakara.
In the video, MC Shakara went down the memory lane tracing the trajectory of the musician's rise to fame.
He recalled that the social media was instrumental to the popularity of Burna Boy as a musician and that it amounted to being an ingrate leaving a platform that helps powered him to stardom.
There were times, he said, that Burna Boy craved the attention of social media users for his musical activities. And then suddenly he started getting the needed love, conversations, and comments on the various social media. Now that he has become a force to reckon with musically he now decided to quit.
While MC Shakara has got the liberty to air his displeasure at the artiste's action; I'm, however, of the opinion that there's nothing like being an ingrate leaving any platform no matter how important it appears to be for the professional survival of such person or entity. 
After all, social media have not always been there. It is a new phenomenon. Fine, it helps accelerate brand awareness and bridge boundaries.
In a way, the action of the musician resonates with a conversation we once had around the over reliance of the present day entertainers on the various online platforms to grow their brand a luxury which old entertainers didn't have.
You would recall the desecrating comparison drawn between Afrobeat legend Fela Anikulapo Kuti and Whizkid when the latter had a sold-out show at the O2 Arena in London the first time.
In their uncontrolled impudence and profanity, some of his admirers obviously high on the induced excitement of seeing their hero took to one of the biggest vaudeville in the world and hobnobbing with American A-list singers even held that he was the greatest thing to happen to Nigeria music industry.
But people had then pointed out that the social media had indeed helped the new generation of entertainers and gives them a wider reach and so it is really difficult to gauge their true worth as creative geniuses. Even in the western world, there is hardly anyone in their class who has survived up to the age of 70 as a musician.
Legendary musicians like Michael Jackson, Bob Marley, Fela Anikulapo Kuti, King Sunny Ade, Commander Ebenezer Obey to mention a few didn't have such starting out yet they were relevant for decades. Their songs are evergreen.
While the social media may have become quite handy in broadening the reach of an entertainer; it, however, cannot help sustain their career. It is not a substitute for talent. It is not a replacement for genius. So if you're good; you're good. And if you’re not good; you’re not good.
Not discountenancing the transforming force of the ubiquitous internet but it is definitely not the reason people succeed or fail in some of the industries that we have around.
If King Sunny Ade and the likes can lock it down for decades, nothing stops Burna Boy from locking it down too. By quitting social media, we can then begin to watch out to see if the artiste can survive without the online social communities which we all know many of them do rely on for relevance.
So, I will give big thumbs up for Burna Boy for having the courage to take such step when it appears to be unthinkable and could be counterproductive. Clearly, calling it time with social media cannot be an ungrateful act but a choice that should be respected by all.   
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9jamusicmixtapes · 6 years
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Gospel music singer, Esther Igbekele, speaks with TOFARATI IGE on her career and other issues You recently celebrated your birthday. What is going to change about you? If anything is going to change, it will be inside me. With the age I’ve attained, I don’t think there is anything I want to change. What are some of the greatest lessons you’ve learnt over the years? I don’t think it is good enough for someone to leave his or her children to live with someone else. It is always a bitter experience. No one prays for his or her parents to die young. If one’s parents die at a young age, the child would have to live with a relative or friend. If you are able to raise your children whether you’re rich or poor, I think that’s better.
(adsbygoogle = window.adsbygoogle || []).push({}); Where I lived when I was young was a lesson to me. But somehow, there is a clause to it but I don’t want to go beyond that. Those that are familiar with my story will know what I’m talking about.  At what point in your life did you know you wanted to become a singer? I was born a musician; my parents and siblings are all musicians. It wasn’t something I coveted. My father was a choir master for 25 years before he became a pastor. He always took me to choir practice and I joined the choir at the age of four. People thought I was too young but the gift God gave me was beyond my age. In the Christ Apostolic Church, you cannot become a member of the senior choir before the age of 12 but I joined when I was six-year-old because I was too versatile to stay with my peers at the time. Did other choristers support or victimise you at that young age when you joined the senior choir? They did not support me; rather they beat me a lot. Then, we didn’t take interludes with the piano; we did it with our mouth. In those days, we only used to rent pianos when we had special programmes; it wasn’t something that was common. In the course of doing that, my voice was singled out and I was chosen as part of the people that took the interlude. The older ones were usually annoyed because they felt I was too small to take the interlude. I thought they hated me but now I know that they were threatened because of my gift. Nigeria is a very religious country yet secular music is more popular than gospel music. Why do you think that is so? The Bible says that ‘my people perish because of lack of knowledge’; Evangelist Ebenezer Obey also sang that people prefer darkness to light. There is always a bitter truth in gospel music and people will not patronise something that makes them sad. If a gospel song tells people to stop fornication and adultery and a secular song tells them that there is nothing wrong with exposing sensitive parts of their bodies and drunkenness, they will definitely go for the latter.
 Do you think churches are doing enough to support gospel music? There are two sides to it. There are some churches that embrace their artistes and there are some churches that believe that if they groom an artiste to become successful, the artiste would no longer have their time. As a result of this, they wouldn’t want to give any platform that can expose the artiste. I wouldn’t totally blame the churches that act this way because some people who were given such opportunities in the past misused them. Some artistes were picked from the trash and they later turned around to bite the fingers that fed them. On the other hand, there are also some people in Christendom who want to help you so that they can keep using you. In my own case, I give all glory to God. I have never placed my hope in any man. I have struggled on my own and if I want to give credit to anybody, it goes to my dad and a pastor I lived with, Apostle J. A. Bankole, who sponsored my education. Whenever I grant interviews, I always acknowledge him. You have often said that it was Apostle Bankole who discovered your talent. How exactly did you meet him? A river cannot flow without a source and after God and my parents, Apostle Bankole is the next person I give credit to. I can say that it was my gift that connected me with him. He came for an interdenominational crusade in an open space in front of our house. At a point, his interpreter went to ease herself and with the kind of background I had, I don’t like to see God’s work unattended to. I picked up the microphone and I started interpreting in English. People were actually surprised because my mum was a food seller and many looked down on us, thinking that her children would be illiterates. The man was impressed and he said he would always take me wherever he went. He asked my parents to allow me follow him and that was how I started living with him. Your childhood ambition was to be a banker or nurse. Why didn’t you follow that path anymore? I don’t have any interest in that again. Right now, I have plans to become a lawyer and I would be going back to school soon. Can you recall your experience when you released your first album? My first album was titled, Baba mi ju won lo, and it was released in 2000. It was a horrible experience because I didn’t have money and I didn’t know anyone. I was working as a back-up singer for other artistes and any money I made, I gave it to my producer until the studio fee was complete. However, the master tape was damaged when my then house was flooded. Unless I find someone who has the tape, I cannot replicate the album again and that saddens me. Which album gave you your breakthrough? All my albums are special to me. It’s like asking a parent to choose a favourite child. All my albums were well accepted by the public. I have never sold up to one million copies of any of my albums but I’m a known artiste. My albums always promote themselves. However, the album, Oluwa lo ni glory, was widely accepted. Some artistes have complained about sharp practices by marketers. What is your experience in that regard? One cannot do music alone so you have to work with people. A lot of marketers will claim that the album is not selling well, yet you would hear the music being played everywhere. One has to closely monitor them to avoid being cheated. I have an ongoing case where someone replicated my works without informing me. Piracy is also another aspect and it is difficult to fight them because they are richer. A lot of people in the music business who have money are not clean; they reap from where they did not sow. However, I know that there will be repercussions for them some day. Above all, it is the grace of God that makes one successful.
 Some people believe that gospel music artistes should not charge fees to minister in churches. What’s your take on that? Jesus told his followers to go into the river and take any fish they find. Jesus could have commanded the fishes into the hands of the people but he sent them to go and work and earn their sustenance. The way we interpret the Bible is different. You have to work to make a living. Gospel music is a calling and it is also a means of livelihood. If I go about singing for free, then I would die of hunger. Charging for ministrations doesn’t mean we are selling the word of God. We have to take care of logistics and the people who work for us. For example, if you want to preach the gospel on social media, you need to buy data before you can do that. How do you handle advances from male fans? It is normal for one to be admired. If anybody, whether male or female, tells me that I’m beautiful, the first thing to do is to thank the person. The way you comport yourself determines the way people would approach you. I am not a saint and I have never said I want to be one but I know what I’m carrying. One has to be wise in dealing with admirers; you don’t have to abuse them. Some people would even use the Bible to woo you, so if you are not grounded in the scriptures, you may fall into their trap. However, I don’t have problems with anybody. Some people believe that you are arrogant. What’s your reaction to that? If everybody loves Jesus, then all human beings will be Christians. Even if you try to please everybody, some people would still call you a snob. I can boldly say that of all the gospel music artistes that are making waves, I am the closest to people. There are some artistes that you cannot even go near. But whenever I go to minister, I always oblige people who want to take pictures with me. What advice do you have for young artistes? They should always be original as that is the only thing that can make them stand out. If you don’t have your unique signature, you may as well be promoting other people. More importantly, do not covet anybody’s success because we all have different times (to shine). What fond memories can you recall of your childhood? I was the only girl in my father’s house and I am a very reserved person. As the first child of my parents, I was always concerned about the welfare of my siblings and I usually shared my things with them. What schools did you attend? For my elementary education, I went to Central Primary School, Orile Iganmu, Lagos State. I attended African Church Grammar School, Ifako-Ijaiye, Lagos, for my secondary education. What are your hobbies? Sleeping is my hobby and I hate to be disturbed when I’m doing that. I also love playing games. How do you like to dress? I dress according to the kind of event I’m attending.
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binkas · 6 years
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                                         A Sermon Preached by Me                                     At Beard’s Hollow Church in 2012                                    In Which I Regale the Congregation                                 With Stories of Truly Inclusive Ministries                                From the Years of My Pastoral Formation                                                  In San Francisco                                           (I talk about Jesus, too!)
(the part about San Francisco starts about 57% of the way through, beginning:                  Back in the 1970’s there was a young pastor named Jim.)
It is grace that brings me here today – home to Schoharie County and home to my sisters and brothers in Christ. Over the years we have traversed the same highways and byways, gazed upon the same hills – now green; now in red and gold autumnal splendor, now blanketed in snow.
We have smelled the smells of country life  -- for me, springtime in the country will always be that first warm afternoon when we’d open the windows of the school bus and, as we rode through the country side, we’d….well…. let’s just say we’d smell the farms.
We have enjoyed the fruits of God’s good Schoharie County soil that has been entrusted to our care.
We have met each other while shopping, voting, going to school or taking our children there, and at many other village and country destinations.
Most of all, we have met in God’s house, and we are blessed to be in God’s house, in God’s presence, and in the presence of one another today.
*****
It was just over fourteen years between that snowy night, when I left my terminally ill, red Hyundai at my friend, Lalo’s, house in Sharon Springs and he drove me to Schenectady, where I boarded the train for a three-day journey to California and seminary, and March first of this year, when I answered the call of St. Matthew’s Lutheran Church in San Francisco to be their pastor.
What a long strange trip it’s been!
And no matter how many missteps I have made along the way, the grace of God has gone before me, has followed me, and has been with me, always.
As I have been anticipating this morning, this moment, part of me has been bursting to share with you some of the very many interesting things I learned at seminary – things that have prepared me for the ministry – yes! – but that also have served me well in my own faith walk.
And then, of course, there are some of you here today who are interested in hearing my personal story. Despite my fourteen-year history of not staying in touch very well, you still care about me – and I am blessed.
But this is not why I’m here this morning.
I’m here to preach the Gospel of Jesus Christ, and to encourage you in your faith journey…
… but maybe some of what I learned in seminary and experienced over these years can help to serve this purpose.
*****
One thing that hasn’t changed for me over the past fourteen years – or since my childhood, for that matter, is my basic understanding of the Christian life: my sense of how it is that God wants us to live.
The Christian life is summed up for me in two Biblical passages.
In the first, Jesus is asked which of God’s commandments is the greatest, which one is most important.
Without hesitating, Jesus replies that the first and greatest commandment is to love God with all you’ve got – with all your heart, all your mind, all your soul, and all your strength. This is the most important things God tells us to do.
Jesus goes on to say that the second commandment – which is so much like the first that I have come to think of them as two sides of the same coin – the second commandment is to love your neighbor as yourself.
These two commandments are so important, says Jesus, that the entire religion of the Jewish people – the Law of Moses and everything God ever spoke through the mouths of the prophets -- can be summed up by them.
Love God.
Love your neighbor.
Not too hard, right?
Then there’s that second passage, which, for me, completes the gospel message of how God wants us to live. You may well remember the story of the Good Samaritan from Sunday School. This is the story Jesus tells to answer the question, “Who is my neighbor, anyway?”
Now, in those days a Samaritan was someone whose ethnicity and religion were not, as a rule, embraced by Jesus’ audience. In fact, these folks had a deep prejudice against Samaritans, a prejudice that was supported, if not promulgated, by the religious authorities.
Jesus tells the story of a certain Samaritan who went out of his way to help a stranger whom he encountered while traveling: a stranger who had been robbed, stripped, severely beaten, and left to die at the side of the road -- a stranger who was likely not another Samaritan, but, like the members of Jesus’ audience, a Jew.
The Samaritan spent his time, he spent his money, and he took a risk on this stranger. He tended to his injuries and took him to a place where he would be safe and receive further care on the Samaritan’s tab.
The Samaritan was a neighbor to a person he did not know, because he saw that person as a neighbor to him.
Love God.         
Love your neighbor.
Who is your neighbor?... Everybody .
And how do we show our love for God and our fellow human beings? …By serving them.
By taking care of one another.
This sounds like maybe it could be a little difficult……?
But I’ll let you in on something:  Loving and serving God and our neighbor is not so much something we have to do as it is something we get to do.
This flies against the conventional wisdom of a world obsessed with money, power, possessions, competition, and outright warfare.
Jesus tells us that we don’t have to share these worldly obsessions.
Rather, we Christians get to do humility, vulnerability, and cooperation. We get to share. We get to care. We get to love.
*****
In today’s reading from the Gospel of John there’s kind of a funny story. Here’s Jesus, going about his business doing God’s work, doing the work of the one he calls Father. He heals a man who has been sick for thirty eight years!!!!!!
And what happens? He gets busted!
Not only that, but the man who has been confined to a makeshift bed -- unable to walk for God only knows how many of those thirty eight years – he gets busted, too, for carrying his little bed on the Sabbath!
You see, according to the religious people who have a little clout around the Temple – according to their interpretation of the scriptures, both Jesus, by healing someone, and the other man, by carrying something, have broken God’s command to do no work on the Sabbath….
Pretty crazy, huh?
They certainly exhibited none of that understanding with the heart that Pastor Van Wagenen talked about last week.
Worse, by sticking so blindly to their traditional interpretation of the Bible, they failed to see that God was doing a new thing – a wonderful, life-giving thing – in Jesus Christ.
*****
Back in the 1970’s there was a young pastor named Jim. One evening he attended a talk given by another young pastor, named Nan. Nan talked about people who were discouraged from attending church, who had been thrown out of churches – in some cases, churches they had attended all their lives – and who, worst of all, were not having the opportunity to hear the Good News of God in Jesus Christ.
Both of these young, idealistic pastors found this to be appaling.
They had been called to proclaim the gospel to the same people you and I are commanded to love and serve – that is, everyone. They felt very strongly that deliberately excluding people – any people – from Christian community was wrong.
And so, they prayed about it.
A number of years later, Jim was serving a very small, urban congregation of mostly old folks when something terrible happened. Many, many young and middle-aged people in the neighborhood of his church became very ill and began to die.
Jim’s church was not directly affected, because the dying people were among those who had gotten the message that they were not welcome in church.
Pastor Jim and the folks at St. Francis Lutheran Church in San Francisco had heard and understood what Jesus said about loving and serving their neighbors. They knew that -- despite their denomination’s official policy of condemning their neighbors and its unofficial policy of ostracizing them – they, as baptized Christians, were called to love and serve their neighbors.
They felt called to bring the love of God in Christ Jesus into the lives of as many gay men who were afflicted with and dying from AIDS as they possibly could.
So they reached out, and they did just that.
A decade later, as a seminarian, I joined this congregation – no longer a small parish, but a vital, thriving congregation with a devoted membership, including the partners of many who died and others who had weathered the crisis and were living with HIV.
I heard the stories about St. Francis at the height of the AIDS epidemic, how they called an outreach pastor -- an extraordinarily compassionate and faithful woman named Phyllis, who came to St. Francis with her partner, Ruth.  I heard about how St. Francis was censured by the Evangelical Lutheran Church in America  and, finally, kicked out of the larger church body for hiring these lesbian pastors.
The funny thing in all this is that the religious people -- those in authority in the larger church body – were doing the exact same thing that their counterparts in this morning’s lesson did to Jesus and the man he cured.
They busted this little parish for obeying God, because, according to their interpretation of scripture, prohibiting lesbians from engaging in Christian ministry trumped the great command to love God and everybody.
They, too, failed to see that God was doing a new thing.
*****
Because St. Francis had been expelled from the denomination in which I was pursuing ordination, I had to find another church to join, as well. So I joined the small, but lively, Ebenezer Lutheran, whose pastor grew up in Schenectady.
Pastor Stacy has a heartfelt vocation to creatively serve another group of people who have historically been marginalized in and hurt by the church, and who have not been welcome as full participants in male-dominated organizations.
Ebenezer, also known as herchurch is, by the cheerful admission of its council president, “The left wing of the far left of the Lutheran church.” Called to be a counter-weight in the church to the almost exclusive use of male imagery for God and to a long tradition of patriarchy, Ebenezer/herchurch celebrates women and girls and holds up our contributions to and perspectives on the Christian faith.
Worship is joyful at herchurch. The Gospel is read and preached every week, just like we do here, many of the songs and prayers use female imagery for God.
The congregation includes a number of wounded spirits seeking a safe place to heal. It includes women who have endured gender-based discrimination in the workplace and sexual abuse at home. It includes lifelong Christians, women and men from other traditions, and those from no tradition. Many of them never, ever thought they would darken the doorstep of any church, ever.
Christ is truly present at Ebenezer/herchurch, doing a new thing – or perhaps simply telling the old, old story in a new way.
Yet this church suffers incessant condemnation, including a steady stream of vicious e-mails addressed to their website, from those whose interpretation of scripture does not allow for differing perspectives in theology and ministry.
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These are two stories from San Francisco. The churches of Schoharie County have your own stories.
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THIS is what I want you to take home today.
The Bible is our sacred scripture. It contains the fruit of many, many years of God and humanity striving with one another. Martin Luther compared the Bible to the manger that held the Christ child. Its job is to hold Jesus, so that we may come to know him.
The Bible is not a rule book that we get to hurl at people we don’t like.  So don’t do it, even if other people are.
The next time you find yourself passing judgment on someone on the basis of something you read in the Bible, remember those religious people who scolded Jesus for healing on the Sabbath.
Remember how Jesus told them that eternal life is not to be found in scripture.
Stop judging… and come to Jesus.
God just might be doing a new thing!!!!!
Amen.
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leocrownblog-blog · 7 years
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I’d Die Quickly If I Retire From Music –Ebenezer Obey
I’d Die Quickly If I Retire From Music –Ebenezer Obey
Veteran highlife-jùjú musician Ebenezer Obey has hinted that death will hit him faster if he ever retired from performing his music. Unlike his aged colleague, Dr Victor Olaiya who has been instructed by his doctors to cut down on his music performance, Ebenezer Obey states that music is his elixir. “I must tell you something. If I retire from music, I would die quickly. That is what I feel. I…
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olaluwe · 6 years
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Sometime in the 1970s, the Juju music maestro, then known as Chief Commander Ebenezer Obey, did a track wherein a line lamented the cheapness of death in the country. This piece was written by Niran Adedokun and was first published on The Punch. The views and opinions expressed here are those of the author and do not necessarily reflect the official policy or position of 360Nobs.com. The line “iku di mejiepinni,” meaning “death has become two for a penny,” spoke about the frequency with which people, especially young ones died. It talked about the low life expectancy in the country and waxed spiritual by wondering whether this was a result of sin. Were he still in his elements today, one can only imagine what the great music composer and musical artiste would be singing. At the time Obey released this music, those who died, even if they were young, died mostly from natural causes, largely due to the evolving state of medical sciences, not just in Nigeria but across the world. The state of medicine has since improved so tremendously that illnesses, which killed people in the 1970s, have either been totally eradicated or most countries of the world have upgraded healthcare delivery so that preventive and curative therapies prolong the lives of people or entirely save them from such ailments. But not Nigeria. The world seems to have moved on and left our dear nation behind. Although Nigeria is significant for her population and large mass, it is notorious for supplying the world with the worst developmental index possible. A 2015 report of the National Population Commission suggests that a total of 52,000 people die annually from childbirth or pregnancy related complications.  In other worlds, one woman dies every ten minutes in the process of bringing a new life. And the World Health Organisation says at least 70 percent of these deaths can be prevented if women had more access to skilled medical care. Medical science has found solutions to complications like post-partum hemorrhaging (excessive bleeding); hypertensive disorders (eclampsia), prolonged labour and infections that account for the preponderance of incidences of mortalities resulting from pregnancy. But not Nigeria! In addition to the number corpses of women of child bearing age that Nigeria piles up every year, 2,300 under-five year children die from a myriad causes that the country is still grappling with. WHO says that an average of 240 Nigerians die from cancer every day in Nigeria. This translates to ten people every hour and a total of 80,000 in a year. Nigeria is said to introduce an extra 100,000 cases of cancer into the world burden annually yet the country has less than one radiotherapy machine per one million people, hence, the Nigerian cancer death ratio of four out of five cases. At least 300, 000 fall into the cold arms of the grim reaper through malaria every year not to talk of the number of lives lost to non-communicable diseases and several other infections that most of the world no longer contends with. Sadly it is clear that no one, leader or led, pays definitive attention to the tragedy  of healthcare delivery and what the unquantifiable volume of lives lost does to the image and future of Nigeria. Government at all levels, of course pays lip service, voting billions of naira to the sector annually, but there is no manifest improvement in access and quality of healthcare delivery from the primary, secondary, tertiary levels in Nigeria, which is a shame. But the failure of governance and the humanity of Nigeria is even more evident in the unbridled level of cold blood letting that happens in the name of ethnic/religious clashes and other violent crimes. The country just seem to have suddenly been taken over by some merchants of death. It is so bad that Governor Abdul’azizYari of Zamfara State recently raised the alarm about his inability to maintain law and order in his state. This was after 30 lives were lost within one week A report published in THISDAY newspaper in May, 2018 suggested that 900 people were killed in such violent circumstances in the first five months of this year. The number included lives lost in Benue, Taraba, Kaduna, Kwara, Plateau, Nasarrawa, Niger, Kogi and Adamawa States. Last weekend, another 200 lives or more were added to the list when three local governments in Plateau State came under the attack of herdsmen who were said to be avenging the killing of their kinsmen as well as the theft of their cattle. What happened on Sunday was not new though. Time and time again herdsmen have wrecked this inhuman havoc on helpless communities.You have justification of the attacks on the strength of its being reprisals to violence that had been brought on the Fulani herdsmen in the past. How these first attacks remain largely unreported is however a mystery. Assuming the justification is correct however, that no one who has been involved in venting those reprisal attacks, which are usually not of equal measure with the supposed initial ones could suggest that self-help is a legal resort in Nigeria. It is more curious because, as we have seen in the case of the latest incident in Jos, not onlythe Miyetti Allah Cattle Breeders Association of Nigeria, the umbrella body of the Fulani herdsmen speaks to justify this events, even the presidency has helped to ventilate it! For instance the statement released by the presidency on Sunday quoted security information which indicated that about one hundred cattle were rustled by a community in Plateau State, and some herdsmen were killed in the process. It also shows the incompetence if not complicity of law enforcements agencies in the country. If security forces had the information quoted in the statement issued by Senior Special Assistant to the President on Media and Publicity, Malam Garba Shehu, knew that cattle had already been rustled, it behooves on them to have given justice to the owners of the cattle by arresting those who perpetrated the crime and taking it further by deploying resources to forestall reprisals. That none of these happened should mortify the security forces to the level that they would be unable to tender excuses of the initial crime. The presentation of this excuse by the President’s spokesperson only goes on to portray the nation’s security apparatus as largely reactive and inefficient. But, more importantly, it reflects the total disrespect for life amongst us as a people.  Over the past couple of months  government officials including the Minister of Defence has exposed the lack of will to deal with this situation with suggestions that states which have enacted laws to protect their people against the incursion of Fulani herdsmen may have to repeal those laws before there can be peace in the country. What the powers that be fail to realise is that such postures unwittingly embolden the citizens capacity to seek self-revenge and invariably wittingly down the essence the country’s law ultimately turning the country into barbaric state in which power is might and reasoning is lost. There is no sane society where a man is allowed to take the life of another without consequence and even if that happens, the state takes the commission of such offences as one done against it and not necessarily against the receiver of the aggression. Without this, the world would live in disorder and lives, even of those who are innocent of any crime would be in jeopardy. The gradual degeneration of Nigeria into a killing field is the failure of government to hold the lives of citizens with the sanctity that it deserves. And when government shows no respect for lives, the people follow suit.  This is why there is so much bloodletting around us, if it is not Boko Haram, it would be Fulani herdsmen or ethnic militias or armed robbers, kidnapers or even frustrated policemen who turn their guns on innocent citizens. Death just seems to lurk in corners across the country. But Nigeria’s only redemption from the current path of self-destruction is for its people to place more of value on the lives of the people who make the country. No country, where death is so commonplace can truly aspire for greatness. No matter how much resources it has or how much infrastructure it builds,  human life is the essence of society and a single human life should be worth more than all the treasures that man can acquire. Nigeria needs to re-learn that. Editor's note: This piece was written by Niran Adedokun and was first published in The Punch Newspaper. The views and opinions expressed here are those of the author and do not necessarily reflect the editorial policy or position of DEJOLALUWEBLOG.
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