#What the Fit Season 3

[wasyago]

welp, didn't manage to get everything out before season 10 started, but i gotta post it one way or another so here we go! heard there was a fandom swap game going on, wanted to do a couple promts of my own :D

[alabyte]

s3e4 ending in a nutshell

[introvert-time-art]

remember what they took from us......

i know realistically crowley would have to pry that waistcoat from aziraphale's cold dead hands but hey im being silly over here

ive seen so many good designs for them and im probably subconsciously stealing some of them and i apologize. and im late as hell to the party. but i bring cute poses!!! because im good at that!!

[rileyclaw]

ohhh hh you two wanna fight an oversized goop slug in the woods so bad....

[guruiikeek]

Doodles from last night + today lol🗣️

[finngualart]

“What's the word for what you are?”

“Polyamorous?”

[jimmyspades]

It's 10 o'clock. Are we not on? We're supposed to be Tuesday at 10 every week. We've been moved—we're Wednesday at 10. Are we Wednesdays at 10 from now on? No, we're off next week and on for the following two Wednesdays. What about next year? Best to keep checking in. BOSTON LEGAL (2004-2008)

[thestobingirlie]

post s4 steddie fic where eddie, finally free of high school, realises he doesn’t know who he is without the rigid cliches he’s defined himself by his whole life. he doesn’t know who he is if he’s not performing and loudly declaring himself to be a freak just to desperately grapple for attention and respect.

eddie who, like steve, realises it’s all bullshit.

eddie, who’s jealous that steve so easily understands who he is and how he fits into his life, regardless of any jokes other people make at his expense. who accepts people wholeheartedly, despite the fact that cliches would have them hate each other.

steve, who helps teach eddie how to be himself, regardless of the ‘munson doctrine’ and what other people would define him as. who teaches eddie that being a ‘freak’ doesn’t actually define him, and he can find and enjoy interests outside of what society dictates he can.

eddie, who gets into sports, and enjoys drama, and music, and tv shows that teenaged him would’ve mocked and bullied him for years ago. eddie who grows and changes as he gets older, and isn’t constantly trapped in his performance of ‘the school drug-dealing freak’.

[llumimoon]

Shoutout to the @kaseyskat and the Oakvale server for feeding into my Noodle (Doodler Normal) thoughts 😌

Sometimes ur teenage angst moment leads you to willingly get possessed by an eldritch god and you accidentally end up paralleling ur family’s past mistakes <3

[secretagentmothman]

I cannot BELIEVE that when Hunter reunites with Darius, the most fashion forward coven head in the isles, he is going to be rockin a mullet a wolf shirt and a Star Trek cosplay.

[this-blog-needs-a-new-name]

I swear the details on some of these art creations is hands down wow…

[chiptrillino]

What's your opinion on jee in the live action avatar? (And the whole 41st Division change)

anon... not like natla is the worst that could have happened to this franchise. but i really couldn't vibe with the natla...

jee is just... younger jee i guess. and the 41st surviving was like... cheep writing vise? Something to force us getting emotional, which to me personally didn't work? so.. uh... -srugs- Ehhh

[soup--champ]

shoutout sans for winning top tumblr sexyman and also for gaining yet another anime boyfriend. this saga was so funny to watch

[homielander]

the most interesting character detail about maeve through which i have extrapolated at least half my understanding of her is that she prefers to be called maeve. i frequently see "maggie" pop up in meta and fic as her chosen name, but quite literally nobody calls her that, including (and most significantly) elena. elena is maeve's tether to her humanity and her refuge away from vought, yet even elena only ever refers to her as maeve. (and in season 2, we learn that maeve started dating elena before she joined the seven -- before queen maeve's popularity would have become so inescapable that she would feel compelled to introduce herself by that name.) it's especially notable that in her final scene, maeve refers to starlight as annie for only the second time, but she is still called maeve by both annie and elena.

here's what we know about maeve's life as maggie: she had a rocky relationship with her father whom she doesn't seem to speak to anymore, she's from a "cousin-fucker hick town" as described by homelander -- i can't imagine this place being terribly lgbt-friendly, and she generally lacks connection with anyone she would have known before becoming queen maeve. she doesn't have fond memories of this time of her life, and perhaps that extends to all associations with it, including the name maggie.

i tend to think that becoming queen maeve was, in many ways, self-actualizing for her. the act that garners her national attention and earns her a ticket to vought is a heroic one -- she breaks every single bone in her right arm to save a school bus from falling off a bridge. and i know madelyn says she is responsible for the mythos of queen maeve, but this character was still aspirational, and likely someone maeve wanted to live up to. in any case, this new identity gave her a purpose and tools to achieve it: she wanted to help people! by her own admission, maeve enters vought bright-eyed and hopeful, not far off from annie. (maeve is also one of the only supes in the seven not to know about compound v -- she doesn't strike me as religious but believing she's among the very few born with powers would have strengthened her internal drive to be a hero.)

it's for the same reason that i think maeve actually... liked having powers? of course she says otherwise in her last season, but season 3 maeve is cynical and weary from about two decades of dealing with vought and homelander's abuse. they've used her first as the token woman and then the token gay person of the seven. after growing largely passive to the brutality of the job, the flight 37 incident forces her to confront all of the violence she's witnessed and tolerated. she's given pieces of herself away and she loathes the husk of herself that's left. i don't find it surprising that she would want to relinquish every single connection to vought, including her powers.

assuring herself that she will be better off without her powers comes with an added benefit: she gets to distinguish herself from homelander, who would be lost without his powers. and i think she is eager to make this distinction in her mind because there are some uncomfortable similarities between their initiations into vought. the mantle of homelander allows him to exert agency for the first time in his life, just as the mantle of queen maeve endows her with purpose for the first time in hers. (crucially, none of his current circle call him john, either.) they both enjoy being the most powerful superheroes in the world, the unending public adoration, and (in my interpretation) each other. they're also both overwhelmingly lonely and they know it -- homelander teases her multiple times about how she has no friends with a bit more bite in every passing season, while maeve is keenly aware of his isolation and exploits his yearning for love pretty effectively.

maeve steadily grows disillusioned with her position at vought because she still has a moral code, suppressed though it may be. even so, she nearly relents to homelander's vision: that they will be lonely at the top but lonely together. she's pulled out of her miserable state of inaction by annie and elena. annie reminds her of what a hero should be (what she was, once); elena offers her a way out of vought, serving as maeve's light at the end of the tunnel, so to speak.

she escapes that tower as maeve, not maggie. she rejects homelander's god complex which engenders his cruelty towards regular people and 'lesser' supes -- no one will call her queen maeve ever again, at least -- but it is still important to her to be a hero, and for better or for worse, she found that as maeve. i feel like she'd struggle to exist without her powers (possibly the self-awareness hasn't settled in yet) for all the reasons mentioned above. i like to think that eventually, she'll circle around to helping people and resisting vought however possible -- albeit on a smaller, more covert scale so she can continue living a peaceful life with elena.

[dollypopup]

i think what rubs me the saddest way about the 'pen ghosts colin and makes him grovel for her forgiveness' narrative playing out on screen is that it would just be heartbreaking from Colin's perspective in such a pointed way, but i don't know if it could conclude with any real satisfaction when he's a fleshed out character

i look at colin and i see a lost, lonely person who is trying so hard to fit in and be loved and understand himself, trying to learn and come into his own, never really clicking with much of anyone in a meaningful way, not completely. how so much of charm is people pleasing, wanting to be wanted. how he told Pen that he was starting to really believe that she 'would never forsake' him, how he praised and admired her loyalty, her friendship, how he started to really open up to her. how he told her she inspired him. how grateful he was that she tried to keep him from heartache. how she was one of the few people who didn't talk down to him about discussing his travels, who would listen to him like he listened to her.

and how she will forsake him in that narrative, for one comment, for one action in all the entirety of their friendship. how she will show him, truly solidify, that what he thinks of himself when he's feeling particularly low, that he's empty inside, not worth taking seriously, just a charming mask of a person, that he's not even worth keeping around if he isn't always being as perfect as he can be, is true.

i think this narrative could absolutely be done well! or it could be light if it's played for the bit without delving into colin's character and really only focusing on penelope's. but i want to delve into his character. i crave his perspective, want to know more that shaped him into being who he is. and exploring that, looking into it, the more it feels like that narrative couldn't be played for laughs. it could be gut wrenching, poignant. but it would take time, would have to unfurl. because when someone does that to you, when they decide you aren't worth the effort, the time (for a returned letter, for an explanation or any familiarity, stripped even of a nickname) it's so hard to heal it all. even more so when you were so close.

how he'd always worry about saying anything wrong to her from then. how he'd always have it in the back of his head: is this the one she leaves me for? again? because what if she decides he isn't worth it? she decided once, why not a second time? and, worse: what if she's right to? what if he really never had anything of substance worth holding onto in the first place?

any narrative can be a good narrative, a satisfying romance, if it's written well, if it explores and deepens a character, a connection, if it opens a new facet or shines light onto old ones so they reflect new colors. but i want to know Colin, in it. i don't want it just to serve half a ship's story. i want him to have a perspective, to have a background.

no matter what direction it all goes, what's gonna be done, it should be done in a way that serves the betterment of both their stories

[falskaprofeter]

“I'm here with my confession Got nothing to hide no more I don't know where to start But to show you the shape of my heart”

Songs that remind me of Polin: [x]