#Whee we get to know some of their past. Specifically their turning point

[deiaiko]

#19.3 Unravel

It had been some time since Agni felt this nervous. Not even talking with Jinsung Ha recently had made him feel like this. He fiddled with the mask on his hand as he waited for Grace to come back. He had thought hard on how to deliver the news, but he knew that no matter how he phrased it, Grace would be upset. Velt nuzzled under his palm and Agni gave her a few pats, before deciding that she would be better inside her bowl in his lighthouse, just in case the shinsu acted up around Grace after he received the news.

Grace came back wearing the comfiest shirt and shorts Agni knew Grace liked to wear on lazy days. He joined him on the floor, and they ate dinner together. Agni always finished last, so while waiting for him to finish his meal, Grace told him about his day with Bam. Grace was intrigued by how much his way of thinking had changed, and how glad he was to be able to be by Bam's side when he was having a bad day. It reminded Agni of the hidden floor, when Grace faced his sworn enemy.

They left the used bowls on the coffee table and went to brush their teeth. Afterwards, they turned off the light and went upstairs to sit on their bed. Grace's curious gaze never left him, and Agni curled his feet nervously.

Grace was the one who broke the silence. "So…what is it?"

Agni's breath hitched. This was the part he dreaded most. "I talked with the crocodile earlier. Did you know that he could manipulate stone already?"

"Huh." Grace needed a few seconds to let the information sink in. "Didn't Rak learn it on the Hell train? How does he know it?"

"Turns out our crocodile also traveled back to the past like us. He found the young crocodile and taught him."

"What?!" Grace gasped, wide eyed. "That means our Rak is–!!"

"He's dead." Agni quickly snuffed out that hope. They had been in delusion for long enough; it was time that they faced the bitter truth. "He suffered a fatal injury from the explosion. He couldn't have lasted long without proper help." Agni omitted the actual cause for Rak's death, but still kept his words true. "I'm sorry."

"…Oh." Grace looked lost, just like Agni was. His lips parted a little, but they closed before any sound escaped.

Agni gently squeezed Grace's hand, encouraging and comforting as he let the silence stretch on, giving Grace some time to process the information.

"Agni…" Grace whispered, "do you think Hatz and Isu…?"

Agni bit his lip and avoided his gaze, as the nightmare of that day replayed in his mind. He witnessed Hatz get his arm ripped off when trying to protect him. He could still recall the clang of a sword hitting the floor, and Hatz's suppressed scream that gnawed deep at his guilt. He witnessed Isu get beheaded after being taken hostage, the memory of warm blood painting them both still vivid like it happened yesterday. 

Agni refused to acknowledge their possible deaths, because it felt like a nightmare that one day he could hopefully wake up from. He avoided the topic when Grace brought it up, so he wouldn't have to say it aloud and make it real. He had been so hard on himself, because he couldn't get rid of the feeling that he had failed Grace and everyone else involved.

Agni knew this had to change if he wanted to live better, now that they had gotten a second chance. So he swallowed down the lump in his throat that had built up over the years and asked mostly to himself; "What are the odds of their survival?"

"There's always a chance–"

"Grace." Agni looked him straight in the eye. "They were already severely injured before the explosion hit."

Grace fell silent and went still.

Agni felt a pang of guilt upon witnessing Grace's reaction. "Sorry. I didn't mean to snap." Agni fiddled with his hands. He realized that he didn't know how much Grace knew of what happened. "My scar…do you know how I got it?"

"I…was told it was from the family heads' battle." Grace looked thoughtful. Agni knew he was trying to be careful with his words. "A stray attack?"

"It could have been worse." The memory of the scorching heat on his skin felt like it had only happened yesterday. He passed out right when he was about to heal Isu, and only found out later that he also lost sweetfish at that time. The days he spent recovering from the burn, to withstand the excruciating pain every second he was conscious, and finally coming to terms that it'd be a permanent scar, was one of the turning points that had changed him forever. Were Grace not there to care for him, he might have ended up destroying himself even more.

Agni hadn't realized he had his left hand clawing on his cheek until Grace pried his hand off and frowned, "You're doing it again."

"Maybe I should wear the mask…" Agni muttered to himself. After all, Grace gave it to him less so he could hide the scar but more to prevent him from unconsciously hurting himself. The only time he could safely take it off was when Grace was around.

Agni bit his lip nervously when Grace didn't reply. He no longer had the courage to look Grace in the eye that spoke so much concern, so he leaned close and rested his head on Grace's chest. "Rak, Isu, Hatz and Hwaryun were trying to get me out of that damned place. But we were caught while escaping, and…it was a bloodbath. I was…too occupied to react to the incoming heat. Rak shielded us from the explosion. And when I woke up…"

"They weren’t with you," Grace finished it for him after Agni trailed off a moment too long.

Agni nodded dazedly, "I've been telling myself that they're still alive, after a blow that could kill rankers. But…who am I kidding? I was lucky enough to survive with just this little–" Agni vaguely pointed to himself– "inconvenience."

Agni felt a hand gripping his arm, and he pulled away to see Grace looking at him with a pained expression. His eyes were glossy and his lips were pulled into a thin line. Trusting his instinct, Agni reached out to gently trace and cup Grace's cheek with his free hand.

"I'm sorry," Agni muttered. "I'm sorry, for not telling you sooner."

Agni silently witnessed tears that streamed down on his love's face. It was a bitter sight that Agni wished he'd never have to see again, that he had tried to avoid for so long by not telling him. He pulled Grace in and held him close to his chest, as if Agni was trying to gather his own crumbled heart back together.

Grace mumbled their late best friends' names as he held onto him tighter, shaking from each breath he took between sniffles.

Agni felt his own eyes sting with unshed tears. He remembered the years he spent climbing the tower together with his old team. Despite their banter being his source of headaches, Agni knew he too had come to acknowledge them as his cherished friends. Only when they were gone did Agni realize how much he'd miss having them around. Seeing the younger them didn't exactly close the gaping hole in his heart, but at least the emptiness was more filled.

Agni squeezed Grace tighter. "We have their younger selves with us now. We will protect them better this time."

Grace only nodded and sank further into his embrace. And Agni planted kisses on his hair, relishing the thought that after everything he had gone through, Grace was still a constant in his life. As long as he had him, everything would be okay.

When Grace started shaking again, Agni caressed his hair and hummed a comfort song they had known by heart. Still, it didn't make falling asleep any easier for Agni, especially not after admitting that his nightmare was very much real. However, as he had been through grief…this, too, would pass.

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The Old Guard

This post comes to you courtesy of the generous support of one of my Patreon patrons, who wanted to know what I thought of The Old Guard. This post contains some spoilers for both the movie and the comics.

So, a few days after it came out, my wife and I watched The Old Guard on Netflix. Tumblr had said a bunch of good things about it, and both of us basically cut our fannish teeth on Highlander fandom so we already had an automatic buy-in for a story about immortals. I knew it was based on a comic by Greg Rucka, but I had not, at the time, read the comic, although I am now reading it in order to write this post.

The premise of the film is as follows: a four-person team of immortals (Andy, Joe, Nicky, and Booker) makes a living hiring themselves out as mercenaries, fighting for causes that they believe are right. They are successful at this basically because their grasp of tactics appears to be (1) die, followed by (2) come back to life and (3) murder your attackers who are no longer paying attention to you because they think you're dead. Honestly, at this point, you wouldn't really need to be very good at the actual fighting part, I would think, but the film establishes that all of them are -- especially Charlize Theron as Andy -- because presumably it wants you to watch action sequences of everyone being badass, which they are. So, yeah. They take all the good-guy mercenary jobs that no one else can do because it would kill them, which is not a problem for them!

Anyway! The group's routine is interrupted by two major events: the discovery of Nile Freeman, a new immortal, who is a Marine serving in Afghanistan who survives getting murdered; and also the fact that one of their employers, Copley (played by Chiwetel Eijofor, whom you may remember as Mordo in Doctor Strange) has sold them out to the movie's Actual Villain, a Big Pharma CEO named Merrick (played by the guy who played Dudley in the Harry Potter series), who has (as far as I can tell) been given instructions to play this role just like he's Martin Shkreli, who is interested in finding the secret of their immortality, and whom you can tell is evil because he has his name in giant letters on the side of his building.

ME: Look, it's the villain! I've found the villain! MY WIFE: Other than Tony Stark, who actually puts their names on buildings like that except villains? It's just villains, right? ME: Uh. The president? The president definitely does that. (We make horrified faces at each other.)

Because we are Extremely Pedantic, we also spent a lot of time picking at how the characters' names and language abilities match up to their stated background. They all know a lot of languages, as you might expect, and the movie was determined to get through them without subtitles, which is an interesting choice but also kind of left some linguistic plot holes.

For example, Joe and Nicky claim to have met each other in the Crusades, with Nicky as (presumably) a Crusader and Joe as (presumably) a Muslim occupant of the area, although the movie doesn't specify this; Wikipedia gives Joe's name as Yusuf Al-Kaysani, which would at least fit that. Nicky is clearly Italian (as is Luca Marinelli, the actor who portrays him) and when he speaks Italian to the rest of the group we see that he definitely speaks modern Italian as spoken in Rome... which is absolutely, definitely not the language he grew up speaking, given that, among other things, Wiki lists the character's full name as Nicolò di Genova. I don't know if the writer of the screenplay (who I see now is also Greg Rucka) didn't know how much Italian dialects had changed in the last thousand years, if he thought that was good enough to be a nod to the character, or if there's some kind of backstory that didn't make it in where every so often Nicky decides to learn a modern dialect and keep his hand in, and also decides that that's the language he wants to use among his friends who would presumably understand several different dialects.

Also, the reveal that Andy's real name was in fact "Andromache of Scythia" was indeed badass but was slightly undercut by my wife yelling BUT THE SCYTHIANS DIDN'T SPEAK GREEK at the television.

Additionally, I feel like the movie could perhaps have been aware of the ways it chose to label on-screen locations, in which the countries were spelled out in large fonts with the cities above them. Places like LONDON, ENGLAND got their entire names spelled out, as did small French villages whose names I can no longer remember, but I guess AFGHANISTAN and MOROCCO and SOUTH SUDAN have zero cities, huh? However, the end of the movie did take place in PARIS which I guess unlike London is its own country now.

So the actual plot features the group of immortals trying to explain this whole immortality thing to Nile while being on the run from the people who are trying to turn them into Big Pharma, who wants to capture them and exploit the secret of their immortality. This is where it falls down a little for me, because the worldbuilding... gets a little shaky. They dream about each other when they're apart. Okay. Why? Sometimes they just stop being immortal and lose the capacity to heal and are dead in their next battle. Why? Why do they even exist? I just... wanted more answers than the movie gave me, and the pacing where I kept expecting there to be explanations wasn't there. There were a couple of scenes where Nile sat there in silence contemplating the fact that she would outlive her loved ones and my brain kept trying to insert Queen's "Who Wants to Live Forever?" Granted, the Highlander canon explanation for immortality is deeply, deeply weird, but at least it tried. No, I can't believe I'm defending Highlander II either.

The characters, too, could have been more fleshed out. The bulk of the character development is given to Andy and Nile, and I'm not complaining about that -- they were great -- but Joe and Nicky and Booker only got maybe a few lines each. They would have felt so much more real if they'd just had a little bit more to them. Also I didn't understand Copley's arc at all, but saying more about that would be spoilery. I do like that they have definitely set themselves up for a sequel.

But even with what we got, there's a lot to love about the characters. If you're here for canonically queer characters, you will enjoy Nicky and Joe, who have been in a relationship for probably about a thousand years. They are minor characters as far as the overall plot goes, but what they do have is lovely, and there is a romantic declaration between them at one point that is absolutely beautiful and possibly the most fervent love declaration I can remember seeing in a movie since maybe... ever. If you also like your queerness more subtextual, though Andy is never portrayed as explicitly queer, her past friendship with a fellow immortal Quynh was shown as very intense, as is the role she takes here mentoring Nile into the world of immortality. Also she has a double-bladed axe (yes, we kept yelling BRING ME MY MAN-KILLING AXE at the television) and as we all know, the double-bladed labrys has in modern times become a symbol for lesbians. So there's that.

In addition to the characters of color who play important roles here -- Nile was my personal favorite, but there's also Joe and Copley and (in flashback) Quynh -- there's a lot of diversity behind the cameras as well, or so the internet informs me. The director (Gina Prince-Bythewood) is the first Black woman to direct a superhero movie, and the same is true of her editor (Terilyn Shropshire). And, furthermore, apparently 85% of the post-production crew were women. They didn't have to do that, and yet they did. It was nice.

I don't watch a whole lot of action movies these days because I usually find R-rated violence too... violent, but I found myself really liking almost all of the action sequences here. None of them felt gratuitous, and a lot of them really focused on the physicality of the immortals fighting in a way I liked, because I feel like people are probably going to fight differently if they know they can survive every single hit, and I think the movie portrayed that in a way that a lot of superhero comics and movies don't. My favorite fight scene is definitely the one between Nile and Andy at the beginning, when Andy has trapped her on a plane and it's extremely close-quarters fighting and also extremely brutal. They don't stop basically until Nile breaks enough bones that she can't get up anymore, because until then she's going to keep trying, which is both kind of horrifying and a great character note. And they didn't film it like it was a Sexy Catfight! It was so good.

Also, the soundtrack is really good, and I've found myself streaming it on Spotify all week. I didn't know any of the songs in the movie, but there's a lot of hip-hop and -- okay, I don't even know if this is a genre? -- specifically a lot of hip-hop with an electronic/industrial sort of beat, which I thought was really great and livened up the fight scenes even more; "Going Down Fighting" did a really good job getting me in the mood for the final confrontation with the villain, and... yeah, it's all good. Someone made a playlist on Spotify that will come up if you search for it.

So, yeah. It's on Netflix. It's not without flaws (mostly, explaining how the hell immortality works, and a couple of pacing issues), but it's a really satisfying superhero movie.

That's the movie. Onto the comic, which I am just now starting to read as I write these words. Whee!

So The Old Guard: Opening Fire is a 2017 five-issue Image Comics series written by Greg Rucka, with art by Leandro Fernández, and there's also a 2019 sequel, The Old Guard: Force Multiplied, by the same creative team, also with five issues. I have not actually read any of Rucka's work before now because he is mostly famous for his DC work, but I have heard good things about it, especially his Wonder Woman run.

Anyway. The art is very stylized, with a minimal color palette, and it's very pretty but I honestly found it hard to parse sometimes. Many of the characters have very weird noses. Yes, noses. It's basically mostly in Andy's and Nile's POVs, like the movie, and as far I can tell Andy is explicitly queer, because unless I am entirely misreading this panel in issue #1, here she is in bed with a woman in one panel. Whee. Also there are some nice epigraphs at the beginning of each issue.

Okay, so, the plot here is basically the plot of the movie. There is still no explanation of why immortality exists. But even so, there are some fun character moments that didn't make it into the movie -- for example, Andy saying smartphones are too hard to use and she liked the old ones better, only for the rest of her team to say that she couldn't use those either. I think you get a better sense of Andy's world-weariness in the comic. There are also other, now-dead Immortals mentioned, like Noriko, who "went overboard off the Horn." Quynh is not one of them; Quynh basically is Noriko, which is because they cast a Vietnamese actress who asked if her character could be Vietnamese too, which seems perfectly reasonable to me. But anyway, in the comics, she's Noriko. Weirdly, Andy's full name, as she tells Nile when they meet, is Andronika ("man-victory") rather than Andromache ("man-battle," in case you were wondering); I think the movie made a better choice because Ἀνδρονίκα has exactly two attestations in the Lexicon of Greek Personal Names, whereas Ἀνδρομάχη has all that shiny name recognition of being shared by the wife of Hector and also the queen of the Amazons and will ping viewers as a Greek name, and therefore ancient, even if it can't be the name she was born with. (There are five for "Andronike" and four more for "Andromacha" so they actually have about the same number of total attestations, as far as I can tell, when you consider the alpha/eta alternation in how various Greek dialects mark feminine nouns.)

(Yes, you totally wanted a review by someone who looks up character names in the LGPN. Don't lie.)

Plotwise, Andy gets all of the initial exposition in for Nile before they get to the safehouse, which Copley has already gotten to before they get back, so Booker is bleeding on the floor and Nile doesn't get to meet Joe or Nicky at this time, and I am also glad they changed that for the movie. But, don't worry, Joe and Nicky's romantic declaration is still in here. We also get Andy pondering the last time she was in love, with a human who grew old.

Oh, and we get Andy's age: 6,732. And by issue #5 her name has changed to Andromache, because what even is continuity? I guess Andromache is her name now.

So Nile finally meets Joe and Nicky when she rescues them and also, uh, that plot point where Andy might die? Totally not a thing here. Nope. And no "surprise! even more immortals!" end-credits moments either.

Basically, I feel like every change they made to the script for the movie really strengthened the story, and even though I thought the movie could have used more character moments, it's way better than how the characters are separated for even longer in the comic. Nile rescuing the team means a lot more when she has met them before, you know?

So Force Multiplied starts us off with Andy, Joe, Nicky, and Nile, because Booker is still on time-out. They are in the middle of a car chase, and Booker's off getting himself kidnapped by someone who wants to know where the others are. The villain of the piece turns out to be Noriko, who is still alive, whom Booker had never had a chance to meet and apparently had never heard of. So, basically, a lot like the Quynh plot that the movie is teasing.

Overall it's a little less action-filled than the first one, which had multiple splash pages of nothing but violence; this one is a little more character-driven and explores the relationship, such as it is, between Andy and Noriko, as well as Nile coming to terms with her immortality, as well as with what everyone else has done over the years. It does have a bunch of violence at the end, though.

I don't want to spoil the ending, but I definitely wasn't expecting where that was heading. There's apparently going to be a third volume, and I am looking forward to it, whenever it exists.

(Although, now that I think about it, the ending is a lot like a fan-favorite moment of Highlander: The Series, but I think if I said which episode you would know exactly what the ending was.)

So, yeah! The Old Guard! I can't say as I feel particularly fannish about it -- there's nothing that makes me yearn to fill in the gaps in canon -- but the movie was really good and you should see it. And you should read the comics if you're into that.

[solartranslations]

VF Dante Love x Laugh 2: Let’s Clean Up

Dante has the job of keeping the free-spirited executives in line. It’s a constant struggle…

~*Scene: Entrance Hall*~

Dante: I told you to start cleaning the place up, Debito

Debito: Such a pain… Isn’t that why I submitted a request for the Coins to have a bigger room?

Felicita: ?

Dante: Did you think I’d approve an expansion for a Serie that can’t keep their space tidy?

Dante: You need to clean up your room first

Debito: I told you, it’s messy because we don’t have space!

Dante: And we’re back to where we started…

Felicita: …

Debito: Hey, Bambina! Can you believe this picky old man?

❤≪Debito≫ Doesn’t seem interested

Person: Such a pain…

Daily: I’m tired of arguing

Dante: I am not being picky. I am raising a valid objection

❤≪Dante≫ Can’t seem to handle it

Daily: It’s not like I want to tell him that

Place: Today is the day I get them to clean up

Dante: And I’m not trying to lecture you. I’ve already secured a bigger room for you

Dante: It just needs to be tidied up

Debito: Are we supposed to clean that too?

Dante: Yes, obviously

Dante: Ojou-san, what do you think about cluttered rooms?

>A sound mind needs a sound space

>It’s fine if it doesn’t get in the way of work

Dante: Yes, exactly. It’s a statement that I’d like the entire Family to hear

Debito: …Doesn’t a little bit of clutter make it more like home?

Dante: Once that “little bit” starts overflowing into the hallway, I can’t just leave it be!

Debito: Exactly~. It’s no problem if we’re getting our work done

Dante: Unfortunately, it actually is

Dante: I heard from your subordinates that it’s such a mess that they even had to look for important documents in the garbage!

❤≪Dante≫ Seems concerned ❤≪Debito≫ Seems concerned

Pleasure: As expected of Ojou-san

Daily: Yes, shiny and clean just like my head……

Place: What will they do once there isn’t space to walk?

Pleasure: She really understands

Place: Work and how tidy your room is have no relation

Daily: I need to get away from them, fast

❤≪Debito≫ Doesn’t seem interested ❤≪Dante≫ Can’t seem to handle it

Person: Things can’t just be clean all the time, Bambina

Daily: Such a pain…

Pain: I need to get away from them, fast

Daily: They have passed the point of needing to clean

Pain: Has he considered that I have to look at documents that smell like garbage!

Daily: Everything must be categorized

Debito: Hey, it’s better than if I turned in documents stained with lasagna like a certain someone, right?

Dante: That a different problem. You can’t compare the two

❤≪Dante≫ Can’t seem to handle it ❤≪Debito≫ Doesn’t seem interested

Pain: That’s terrible…

Daily: But, there’s no comparison!

Place: They will clean up. Today!

Person: I’m not the worst, okay?

Daily: The right timing would be…

Place: I’m asking which is less worse

Dante: And you’re in no position to say that

Dante: I haven’t forgotten that you turned in your overdue report for the Coins folded into a paper airplane the other day

Felicita: *mad*

Debito: Ugh…Bambina, you’re seriously on the old man’s side?

❤≪Debito≫ Seems to want to run away

Daily: Okay, I’m outta here

Person: They’re so stuffy…

Daily: Such a pain…

Debito: You clean if you want. I won’t stop you. Bye

Dante: I knew the Coins’ room was small, but I didn’t think it would get that full

❤≪Dante≫ Can’t seem to handle it

Person: He ran away again

Place: Unneeded items should be disposed of

Place: I can’t leave this alone

Dante: This is because those people can’t get rid of things they don’t need

Dante: Their current room needs to be cleaned, and their new room needs to be put in order too.

Dante: Seriously…what do I do with them

>I’ll help clean up the new room

>I’ll help clean the Coins’ room

Dante: Yes, I suppose we’ll make some space for them to put their things

Dante: There’s a room in the mansion that I’m not sure about the state of

Dante: Well, we have their executive’s permission

Dante: We’ll assume that if in doubt, we can just throw anything away

❤≪Dante≫ Seems concerned ❤≪Dante≫ Seems concerned

Pleasure: Ojou-san is so kind

Place: It’s just a storeroom at the moment

Pleasure: I wish everyone would learn from you, Ojou-san

Place: Unneeded items should be disposed of>

Dante: In any case, your help is much appreciated

Dante: It might be a lot of work, but is that alright?

Felicita: …!

Dante: Alright, let’s go then!

Love

~*Scene: Spare Room*~

Dante: Hmm…putting away that bed is probably the first step

❤≪Dante≫ Seems as usual

Place: That would make it able to function as an office room

Pleasure: I’m grateful to Ojou-san

Daily: Just a little more

Dante: You’re a big help, Ojou-san. Thank you

(*rustle)

Felicita: !

Dante: Oh, that takes me back…would you like to see?

❤≪Dante≫ Seems happy

Place: I remember those days…

Person: I was so young back then…

Dante: It’s a picture from when I was younger

Dante: I don’t know why it’s here, but Mondo must have just decided to store it away

Dante: As you can guess, this is from before we met

Dante: It’s hard to believe that I would be looking back at my past with you like this…

❤≪Dante≫ Seems concerned

Link: And to me, Ojou-san is…

Arcana: I hadn’t decided on staying on this island yet at the time

Place: It was so long ago…

Dante: I never thought I’d be spending my days like this. It’s a miracle

Dante: It’s embarrassing, but I don’t know how else to say it

Dante: …I just know that me being here is all thanks to you

(*stroke)

Dante: Right, Fukurota. I’m thankful to you too

Dante: Alright, that’s enough of that

Dante: As for this picture…would you like to hold on to it?

❤≪Dante≫ Seems thrilled

Link: I can’t express my gratitude to Ojou-san enough

Love: Ojou-san is my reason for being here

Place: I want her to know about my past and present

Felicita: !

Dante: And perhaps in exchange…

Dante: Would you like to go get our picture take too sometime?

Felicita: Yeah

~*End of Scene*~

Laugh

~*Scene: Hallway*~

Dante: The Coins Serie’s poor behavior really is one of our Family’s problems

Dante: I really wish their executive would shape up…but it really is hopeless

Felicita: …

Dante: Well, we’re here

~*Scene: Coins Waiting Room*~

Dante: Hm?

(*whee)

Dante: Uwah!?

(*crash)

Pace: Huh!? You’re not Debito!

(*collapse)

Pace: Why are you and Dante here, Ojou?

❤≪Pace≫ Seems confused

Person: Dante!?

Pleasure: Yup! It made a nice sound!!

Place: Huh? Huuuh??

(*shaky)

Dante: Paceee…!

❤≪Dante≫ Can’t seem to handle it

Person: Pace!!!

Place: Why is he in the Coins’ room!?

Dante: How many times will you make a bump on my head until you’re satisfied…

Pace: Um, you see, Dante. That wasn’t on purpose, but was according to plan, er…

❤≪Pace≫ Seems shocked

Pain: S-scary~!

Person: Why is Dante here?

Pace: The uh, metal basin…suits you

(*serious)

Dante: You planned to drop a basin on my head!!!

Pace: Eeeek! But, Debito said he was coming back around this time!

(*rumble) Dante: So you specifically got one that would make a good noise

Dante: And why did you set up something like this in another Serie’s room anyway!

Dante: First Debito, and now Pace…are Ojou-san and Nova the only proper executives we have!

(*crying) Dante: If so, then it’s a very sad truth!

Felicita: …

Pace: It’s just that we haven’t lost our sense of humor even after growing up…

(*whack) Felicita: Hya!

Pace: Ow!! Ojou, have mercy~!

❤≪Pace≫ Can’t seem to handle it

Person: Now Ojou’s mad too

Place: I’ve got to complain to Debito about this!!

Daily: But…it’s kind of fun…

Dante: The Clubs Serie will clean this room as punishment then

❤≪Dante≫ Seems to be plotting

Person: The bump on my head hurts…

Daily: He needs a strict punishment

Arcana: I’m worried about their future

Pace: Noo~~! You baldy demon!!

(*whack!)

Pace: Gyaha!

~*End of Scene*~

(Continue to Dante Love x Laugh 3)

(Back to Directory)

[tsaomengde]

Some Musings:

As I play again through Ghost of Tsushima, one of the most engaging open-world games of the past ten years (up there with Witcher 3 and Horizon: Zero Dawn), with one of the best stories in quite a while, I find myself drawn back to the whole now-mostly-settled controversy about "can games be art?"  We have, by and large, agreed "yes."  So I find myself reminiscing about the first game that inspired a real emotional response in me beyond "whee I have a lightsaber" or "hurr hurr things fall over."

The year was 2001.  Dad had just passed.  I don't remember how I came into possession of it - I think it was included as a freebie with a video card Mom bought - but I got this game that had come out last year, called "Deus Ex."  You play a nanotech-augmented man named JC Denton, working in the post-apocalyptic cyberpunk future for UNATCO, a paramilitary police force arm of the United Nations.  The world is being ravaged by a disease called the Grey Death, and there's only one cure, and it's only being given to the rich due to limited supply.  Your job is to get back a shipment of the cure from the NSF, a domestic terrorist organization that's stolen a bunch of the stuff.

That's the first, like, four to ten hours of the game, depending on how long you spend sneaking around and reading everyone's mail.  It culminates in you tracking down the NSF leader, a man named Juan Lebedev, only to find your brother Paul waiting for you in Lebedev's hangar!  Paul is with the NSF!  But why?  He insists you go talk to Lebedev.

Now, up until this point, you've had a pretty straightforward path.  Granted, you've been able to tackle the challenges in front of you in a number of ways - stealthily, with brute force, by talking and bribing your way through stuff - but you've mostly been going from point A to point B.  But now, you get onto Lebedev's plane.  You confront him.  He surrenders.  You tell him you're taking him in.  And then your partner, Anna Navarre, an older-generation cyborg, tells you to assassinate the guy.  Kill an unarmed prisoner.

And then the game just sat there.

I didn't know what to do.  For the first time in a video game, I'd been presented with an actual moral dilemma.  Jedi Knight had this thing where if you indiscriminately murdered civilians, you would get Dark Side points, and not doing that would give you Light Side points, but that's not a moral dilemma, that's "which set of Force powers and game ending do you want."

He's the guy you've been chasing, he's somehow turned your brother, but he's surrendered and unarmed.  Your partner is telling you to kill him.  But he says he knows why Paul betrayed your agency.

You can walk away, and Anna will kill him once you leave.  You can kill him yourself, and Anna will praise you.  Or you can kill Anna, and learn a *lot* more about the real shit going down behind the scenes in the game.

I'm prepared to argue that, 20 years later, all of the games that are obsessed with player choice and agency still owe Deus Ex, and specifically this scene, *everything.*  Here's two different versions of the conversation with Lebedev, one where JC only kills Anna most of the way through (warning, she explodes into some low-polygon meaty chunks), and another, where the player knows she's going to spawn in after the first part of the conversation, so they set a mine on the wall outside (starts at 3:20) and kill her that way.  She never gets a word in.

https://www.youtube.com/watch?v=Mdc41byknCc

https://www.youtube.com/watch?v=ZO8DET8-vBk

I still remember this part of the game, 19 years after playing it for the first time, in perfect detail.  I tried to kill Anna, she whooped my ass, so I loaded a quick-save after she told me to kill Lebedev, planted a mine on the wall outside, shot her once to get her to chase me, and she ran into the mine and died.

Much, much later in the game, you're brought to the HQ of the Illuminati, who are a real thing in this world.  You can walk in, talk to the leader, Morgan Everett, and walk back out to advance the plot.  But if you steal a key out of his laboratory, and find the hidden door behind the mirror in his bedroom, that in no way are you expected or required to find, you stumble across a chamber where he's keeping the previous leader in cryo-suspension to preserve his health.  You also find a prototype AI, named Morpheus, and have one of the most compelling conversations in the history of video games.

https://www.youtube.com/watch?v=1b-bijO3uEw

Included are such gems as:

"The unplanned organism is a question asked by Nature and answered by death.  You are another kind of question with another kind of answer."

"The need to be observed and understood was once satisfied by God.  Now we can implement the same functionality with data-mining algorithms."

And one of my all-time favorites, "God was a dream of good government."

To repeat this point: this thing is hidden behind a locked hidden door concealed past a mirror.  It's not *hard* to find, and by this point you're used to exploring every nook and cranny looking for stuff, but the developers were *totally okay* with the possibility of you just la-dee-dah-ing your way through this building and never experiencing this.  That makes the whole experience that much more amazing.  Just like with Lebedev, I still remember finding Morpheus and talking to him almost perfectly, 19 years later.

Thanks for joining me in my musings.  I don't have much of a point, here.  I just like sharing random thoughts after midnight.

[taaroko]

Post-IW MCU Rewatch: Thor: The Dark World

Yay more Thor! (Yes I know this is widely considered to be the worst of the MCU movies and I DO NOT CARE. *hugs entire population of Asgard possessively*)

This prologue is ridiculous. I don’t know if it’s Anthony Hopkins’s inflection or if it’s just a step too far in the high fantasy direction, but it does make me cringe a bit. More showing, less telling! The prologues in the LotR movies were way more interesting than this.

The Dark Elf language also makes me cringe. I am very aware that it’s preposterous to assume that people from different planets speak English, but what’s most important to me is that actors cannot deliver nuanced performances when they are speaking gibberish. At least when it’s real languages, someone can coach them on inflection and stuff, but they really hamstrung Christopher Eccleston by making him say these silly-sounding lines.

Malekith has no imagination if the only thing he could think to do with the Reality Stone was turn stuff into dark matter.

“Benevolent god” indeed. Sending the Chitauri to slaughter people doesn’t really fit that description, sweetie.

Seriously Anthony Hopkins’s delivery is really weird in some places.

Odin is now three for three on children who showed scary genocidal tendencies, so I think there’s a lot of bitterness and feelings of failure behind what he says to Loki. Also Loki’s not showing any remorse at all, even though now would be a great time to explain that he was tortured and manipulated by Thanos. They’re both getting defensive and lashing out instead of engaging in meaningful communication.

Hi Sif! Hi Volstagg! HI THOR! He has such good entrances. Hi Fandral and Hogun! (Even if this is Zachary Levi Fandral with his stupid wig.)

The weapons the raiders are using are really interesting.

Hey I wonder if this Kronan knows Korg.

I love Thor’s smile when all the raiders laugh at his “I accept your surrender.”

*dreamy sigh* Asgard.

HUGIN AND MUNIN! And one actually lands on Odin’s arm! That’s awesome.

Odin ships Thor/Sif. (Me too, Odin.)

Obligatory shirtless Thor scene!

Volstagg and his family! *wibble*

Oh Sif. Rejected. (But Thor’s pretty nice about it.)

Jane is really quite socially awkward, isn’t she? Why did she go on this date?

It says something about how bad of a driver Jane is (hitting Thor, nearly driving off the road) that she would trust Darcy to drive her around (I guess Darcy’s record is slightly better, having only hit Thor once, while they were in the middle of a dust cloud).

“Why’re you calling me?” “I didn’t want to shout.”

Portals! Whee! (Honstly the portal shenanigans are one of the big reasons I love this movie. This crap is so much fun.)

I love the way Darcy wiggles her hand when she says “Gimme your shoe.”

Okay so the Dark Elves are set to wake up if the Aether gets activated? Headcanon time. Judging from all the creepy red lights in their ships, I think they used the Aether to make most of their tech, much like Schmidt did with the Tesseract. So yeah, if the Aether gets activated, their tech would react. That works.

Heimdall’s new armor has an orange stone in the breastplate. I thought he was gonna turn out to be the one who had the Soul Stone, and that it was the source of his infinite sight. ...I’m pretty sure I still like that better than what we ended up with in canon. Also, I only noticed this the other day, but Heimdall’s helmet is shaped the same as Hofund’s hilt, and that’s awesome.

Heee, I love Thor and Heimdall’s chat. I definitely believe that Thor would describe Heimdall as his best friend.

Whoops! Continuity error. Jane should not be in her Asgardian outfit yet. I guess they decided to move this bit to this part of the movie instead of later, but didn’t reshoot it.

Did Thor make this storm or is that just London being London? He does make it stop, I guess.

Sorry guys, Thor already has that dark strand of stuff in his hair; it’s not a Loki memorial braid.

Thor and Darcy’s interactions are always gold.

You sliced off part of that car!

Oh, question answered from before. You CAN see space rushing past from inside the Bifrost. Sweet.

Hi Eir! The Soul Forge is so cool.

Jane takes Odin’s rudeness pretty well. But dang, Odin. I know you ship Thor/Sif, but being mean to the competition is an elementary mistake.

That book is freaking awesome. It’s like the Book of Kells, except the images move and it’s in runes.

Dangit I don’t want the bad guys to be the ones who touch foreheads to show affection!

I really don’t like this look for Frigga. That one-boob breastplate is really weird.

The emotion in Loki’s scene with Frigga’s projection is so great. He wants to sever ties with Odin (or he thinks he does) but he can’t do that without severing ties with Frigga too, and you can see how much it hurts him to say anything that would hurt her. Which he plainly instantly regrets. And it’s the last thing he ever says to her.

Yessss more romantic exposition from Thor.

Hahaha, Jane is so much more shy around Frigga than Odin.

Man the way the Kursed dude kills people is really messed up.

Loki you would not be smiling at this dude if you knew he was going to do much more than cause a bit of mischief.

Thor jumping and grabbing Mjolnir is such a cool shot.

“It’s only because I’ve worried over you that you have survived.” Based on how Odin behaves as soon as she’s dead, that is extremely accurate.

Heimdall is so awesome. Oh, and I love the way the Dark Elves’ ships look almost like they’re made of dragon hide or something. Dragon hide or lava rock. Fantastic design. Fantastic movements.

This movie has so much more of Asgard in it than the first one, which is awesome. Even if it’s mostly getting pummeled by Dark Elves.

Those black hole grenades are freaking terrifying.

Yeah...if Loki hadn’t given that tip about the stairs to the left, the Kursed dude wouldn’t have arrived in time to help Malekith before Frigga finished him off, or before Thor and Odin arrived. :/

Frigga’s funeral is beautiful. The music, however, has been somewhat retroactively ruined by that play in Ragnarok. (Which I adore.)

Even if Loki doesn’t know how much his actions specifically contributed to Frigga’s death, I think he regrets helping the Kursed dude.

Hi Stan!

Dang, Asgardian law is crazy strict if Thor and the Warriors Three are casually talking about being killed by Einherjar if they screw up this plan.

This is so sad, because Loki actually doesn’t betray Thor at any point during this mission. He makes up for it by being incessantly irritating (which is the best stuff in the movie), but he sticks to the plan the whole time. The only one he betrays in this whole movie is Odin.

Okay the dagger/handcuffs trick by Thor is funny and all, but it really doesn’t hold up if you think about it. You’d definitely notice the difference between being handed a dagger and having thick cuffs put on.

Sif is very good at not letting her jealousy show too clearly. And her sword is awesome. Her and Volstagg’s threats to Loki are pretty great.

Peak annoying little brother stuff right here, when they’re in the Dark Elf blade ship. My favorite is “Oh dear. Is she dead?”

So Thor has the “face squashed against glass motif,” and I think Loki has a falling motif. Into the abyss in the first one, out of the ship in this one, and through whatever dimension Doctor Strange trapped him in in Ragnarok.

The flying longboats are so cool.

I love how much Loki likes it whenever Thor gets the better of him with sneakiness. He’s so used to Thor just smashing his way through stuff, so any subtlety he uses (especially when it’s successful against him) is fantastic in his book.

“Ta-dah.”

“What I could do with the power that flows through those veins.” I would love to see what Loki could do with the Aether. He’s already a master of illusions, and the Reality Stone would multiply that by about a thousand. It’d be awesome. And yet he sent it off to Knowhere instead of keeping it (or giving it to Thanos). Just like he kept the Tesseract safe in Asgard’s vault the entire time he was pretending to be Odin. If Loki had really done everything he did in Avengers of his own free will while in his right mind, he would not have gone to such lengths to keep multiple Infinity Stones away from Thanos. Heck, he might even have been the one to commission Stormbreaker from Eitri. I suppose he didn’t use the Stones himself because he knows as well as Thor does how deadly they can be to the wielder, or maybe he knew they’d draw Thanos to him like a beacon.

Thor thinks Loki wants to hurt him because he’s talking about Jane’s mortality, but Loki thinks Thor only cares about Jane and not the fact that their mother just died. They’re so bad at understanding each other.

The bittersweet smiles they exchange after “She wouldn’t want us to fight.”/“Well, she wouldn’t exactly be shocked.” are so painful to watch. They both desperately miss the days before any of this happened, when they were simply brothers, and I think they realize that about each other in this moment. But it’s not enough to fix everything, which is why Thor says “I wish I could trust you” and Loki says “Trust my rage.”

Ian is such a dope.

If a flock of starlings burst up through the ground at my feet like that, I would be scarred for life.

Thor’s plan is awesome. I totally fell for it in the theater. I thought Loki had double-crossed him and chopped his hand off, but they were working together the whole time. I kinda don’t think they let Jane in on it, though. Is the lack of blood on Thor’s arm stump a mistake or a hint that it’s a trick? *rewinds and squints* Ooh, no, it’s because the dagger has a glowy energy field on it! Insta-cauterization! Anyway, this would’ve been the perfect time for Loki to betray Thor for real if he’d wanted to, but he plays along. In part, I think, because he was so impressed with the plan.

Hey guys, even when Loki’s pretending to be a traitor, he doesn’t call himself Laufeyson. STOP CALLING HIM LAUFEYSON IN YOUR TAGS. Also his knife-fighting is awesome.

The Kursed dude’s eyeballs getting sucked out of their sockets was NOT a necessary detail to include.

“You fool, you didn’t listen!” What does Thor mean? What did Loki not listen to? Did Thor tell him that he was only supposed to protect Jane, not him?

Okay so I’m really not sure what the deal is with Loki’s fake death here. I have a couple different theories.

Theory 1: Loki really did get stabbed and really did believe he was dying. After Thor and Jane left to seek shelter from Thor’s uncontrollable grief storm, Loki reverted to his true form (because, dying) and that actually saved his life because Kursed blood isn’t as deadly to the Jotnar as it is to the Aesir, or his vital organs aren’t in the same place anymore, or something. So he was able to heal himself and take advantage of the situation.

Theory 2: Loki never intended to betray Thor, but he always intended to fake his death, both as a way of escaping prison and of avoiding Thanos’s retribution. So as soon as he finished off those four Dark Elves, he turned one of their corpses into a copy of himself and puppeteered it over to stab the Kursed dude and get theatrically killed. It would explain why the Loki who gets stabbed only has a Dark Elf sword and a black hole grenade on him.

I lean more towards theory 1 because I don’t really like the idea that Loki would trick Thor into thinking he was dead the day after their mother died, and also because when they filmed it, they actually meant for this to be Loki’s real death scene, and they only changed it later because test audiences didn’t believe Loki was dead. However, if I put aside my emotions, I have to admit that theory 2 makes more logical sense.

Would Malekith have found the Aether sooner if it hadn’t gotten into Jane? The movie implies pretty strongly that Malekith woke up because the Aether was out of its hiding place.

Mjolnir on the coat hook is such a great gag.

The elevator in Malekith’s ship looks like a spinal column, which is some fantastic design.

Thor’s battle trash talk is always delightful.

PORTAL SHENANIGANS. YESSSSSS.

Poor Mjolnir. It’s trying so hard to get back to Thor. I like to think that when it shatters the glass of that building on its way back up, it’s doing so in frustration.

Hi Jotunheim!

So apparently this isn’t remotely how you get to Greenwich from Charing Cross. Whoops. Maybe that girl was just really flustered at being addressed by Thor and gave him crap directions?

Jane really likes trying to throw herself between an unconscious Thor and a thing that she thinks might kill him.

POETRY. Malekith tried to destroy the Asgardian army by dropping his fleet on them. Now he gets killed by his own ship falling on him.

How’d Loki know about Thor’s line to Odin “There will never be a wiser king than you”?

“I can assure you, it will be absolutely safe here in my collection.” LIAR.

It’s so cool that Chris’s wife is the one who played Jane in the end credits scene. I’m not sure how they failed to do this kiss scene with Natalie in the first place, but whatever.

Every time Thor’s about to show up somewhere in this movie, there’s thunder. :D

Okay so the biggest problems with Thor: The Dark World are that Malekith is the dullest villain in the entire MCU and that Thor kinda doesn’t have a character arc. In a movie where half of his family dies (as far as he knows). How is that even possible? Despite the beautiful funeral, Frigga’s death was really kind of glossed over, and then Loki seemingly dies too, but even though those are very powerful scenes while we’re in them, they don’t leave much of an impact on the rest of the movie. You don’t really feel those losses in the way Thor fights Malekith. Thor should’ve been struggling to stick to the plan instead of just whaling on Malekith blindly with Mjolnir. He should’ve had some breakdown with Jane there to witness it and comfort him. Instead he’s the one comforting Jane when she blames herself for all the loss he’s suffered? No no no. He should’ve either been very emotional, very bent on revenge, or smiling and joking through the pain like he does in Ragnarok and Infinity War. This stoicism is not effective, and it probably contributes to so many people’s (mistaken) belief that, prior to Ragnarok, Thor was a boring character. And Malekith’s side of the battle would’ve been better if it had been personal for him too. He could’ve been more upset at the death of his buddy Algrim, or maybe he had family members who were killed by Bor, which is why he’s so keen on killing members of Asgard’s royal family now. It would’ve been so easy to make this an emotionally intense fight. Instead, it’s merely fun because portal shenanigans. *shrug*

Despite not having much of an arc, Thor is still wonderful. He’s funny, he’s more thoughtful and wise than he’s ever been, he’s gallant, he’s romantic, and he’s getting better and better at working as part of a team and finding solutions besides smashing stuff. Also he makes the best entrances, has awesome armor, and is mesmerizing to watch in battle. I adore him.

Other stuff this movie has going for it. So much more Asgard screentime, even if they cut a few scenes I wish they’d left in. The music is still great. Everything looks gorgeous, and the Dark Elves at least have interesting technology and costumes. No Dutch angles. Plenty of screentime for Heimdall. Every single second of Thor and Loki’s scenes together, being obnoxious bros to each other but still working as a very effective team (heralding all the excellent contentious Brodinson stuff to come in Ragnarok).