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#Where he specifically said he wanted Captain America to be a gay icon
deweydecimalchickens · 7 months
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This morning I received revelation while listening to Metallica's cover of 'Turn the Page' (Bob Seger, 1971). And the revelation was:
If 'Easy Rider' (Dennis Hopper, 1969) were made today, it would be about trans people.
I SAID WHAT I SAID.
I will double down and say 'Priscilla, Queen of the Desert' and 'To Wong Foo' were, in their a-little-confused-but-got-the-spirit way, attempts at fix-it sequels where the social, sexual and gender outlaws on a road trip *don't* all die at the hands of frightened social conservatives (spoilers, sorry).
Fear and hatred of the counterculture was dripping with gender panic, from would-be mothers having free love on the Pill to would-be breadwinners growing their hair long and becoming hippies. The main characters are called "queers" and told to cut their hair, and I don't think the moral of the story is that what happens to them is only bad because they fucked women after all.
"So you walk into this restaurant, strung out from the road
And you feel the eyes upon you as you're shaking off the cold
You pretend it doesn't bother you, but you just want to explode
Most times you can't hear them talk, other times you can
All the same old clichés: "Is it woman? Is it man?"
And you always seem outnumbered, you don't dare make your stand
Make your stand"
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lokiondisneyplus · 4 years
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For his entire tenure as an Avenger, Anthony Mackie had never been the first name on the call sheet.
In a galaxy of stars populated by Robert Downey Jr., Chris Evans and Scarlett Johansson, the actor was aware of his place in the on-set pecking order, but would never miss an opportunity to make his presence felt.
“Number six on the call sheet has arrived!” Mackie would routinely shout on films like “Captain America: Civil War” and the box office-busting “Infinity Saga” sequels, according to Marvel chief creative officer Kevin Feige.
It exemplifies the sort of winning tone that the 42-year-old actor has brought to his superhero character the Falcon, aka Sam Wilson, for six movies from the top-earning studio — wry and collegial humor, with the potential to turn explosive at any moment. Both Mackie and his character are set to burn brighter than ever when the Disney Plus series “The Falcon and the Winter Soldier” lands on March 18.
On that call sheet, “Anthony is No. 1,” Feige is happy to report, “but it still says ‘No. 6.’ He kept it because he didn’t want it to go to his head.” The series is essentially a two-hander with his friend and longtime co-star Sebastian Stan, the titular soldier. All six episodes were produced and directed by Emmy winner Kari Skogland (“The Handmaid’s Tale,” “The Loudest Voice”). The series, for which combined Super Bowl TV spot and trailer viewership earned a record-breaking 125 million views this year, is reported to have cost $150 million in total.
For Mackie, though, the show comes at a critical time for both his career and for representation in the MCU. Sam Wilson is graduating from handy wingman (Falcon literally gets his job done with the use of mechanical wings), having been handed the Captain America shield by Evans in the last “Avengers” film. While it’s unclear if he will formally don the superhero’s star-spangled uniform moving forward (as the character did in a 2015 comic series), global fandoms and the overall industry are still reeling from the loss of Chadwick Boseman, who portrayed Marvel’s Black Panther to culture-defining effect. With this new story, Mackie will become the most visible African American hero in the franchise. And when asked whether he’ll be taking the mantle of one of its most iconic characters, he doesn’t exactly say no.
“I was really surprised and affected by the idea of possibly getting the shield and becoming Captain America. I’ve been in this business a long time, and I did it the way they said you’re supposed to do it. I didn’t go to L.A. and say, ‘Make me famous.’ I went to theater school, did Off Broadway, did indie movies and worked my way through the ranks. It took a long time for this shit to manifest itself the way it has, and I’m extremely happy about that,” Mackie says.
Feige says that, especially with the advent of Disney Plus and the freedom afforded long-form storytelling, the moment was right to give the Falcon his due.
“Suddenly, what had been a classic passing of the torch from one hero to another at the end of ‘Endgame’ became an opening up of our potential to tell an entire story about that. What does it really mean for somebody to step into those shoes, and not just somebody but a Black man in the present day?” says Feige.
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Like many comic book heroes, Mackie has an origin story marked by tragedy at a young age — specifically around the loss of a parental figure. The New Orleans native is the youngest of six children from a tight-knit middle-class family, whose trajectory was spun into chaos when his mother was stricken with a terminal illness.
“It was unexpected and very untimely. I was 15 when she was diagnosed with cancer, and a few months later, she was gone. She passed the day before my ninth-grade graduation,” Mackie recalls. “If my mom wouldn’t have passed away when I was so young, I wouldn’t be where I am today.”
Mackie had already gravitated toward the performing arts before the loss of his mother, having enrolled at the pre-professional school New Orleans Center for Creative Arts. Like many young people grappling with trauma, Mackie says he began to act out. A core group of teachers helped get him out of trouble. Ray Vrazel, still an instructor at the school, personally drove the student to a Houston-based audition for the University of North Carolina School of the Arts, where he was accepted for his senior year of high school.
“Everything I did, I did for my mama. The idea of leaving home at 17 to go away to school would have never been an option if she was still around. She was my best friend. Losing her gave me a kind of strength, and a desire to succeed,” Mackie says.
Succeed he did. Spending that formative year as a minor on a college campus helped Mackie find his “tribe,” a misfit crew of artists and performers, which propelled him to acceptance at New York’s prestigious Juilliard School in 1997. There he was part of the breakthrough class of students of color to be chosen for the notoriously selective drama program, which Mackie says was liberating given the institution’s track record.
“Our year was a huge transition. There were hardly any Asian people in the drama program, maybe one or two Black people and hardly any Black women. In our class, we had three black women, two black men, one Native American, one Asian female, out of 20 people. Ever since then, the classes have been wildly diverse,” says Mackie, whose fellow students included stage and film star Tracie Thoms and actor Lee Pace.
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Following his training, Mackie launched a staggeringly versatile career. He has played Tupac Shakur and Martin Luther King Jr. to similar acclaim, a juicehead bodybuilder in “Pain & Gain” and a homeless gay teen in the Sundance player “Brother to Brother.” He has exhibited remarkable staying power in an industry that often pigeonholes actors and has a pockmarked soul when it comes to inclusion.
“I was drawn to Anthony because of his electrifying ability to combine intensity with sensitivity, courage with compassion, and all of it comes across as inevitable, as if it could be no other way,” says Kathryn Bigelow, who directed him in the 2009 best picture Oscar winner “The Hurt Locker.”
Samuel L. Jackson, whom Mackie calls a mentor and has played alongside in several films, says he has “an innate quality that first and foremost makes everyone want to cast him.” On a recent idle Netflix search, Jackson came across Mackie’s latest sci-fi film, “Outside the Wire,” and it triggered a memory of sitting in the audience for his performance in the 2010 Broadway production of Martin McDonagh’s play “A Behanding in Spokane.”
“Watching him onstage, I thought, he’s a very adroit actor capable of putting on many hats. He’s fearless and will try to be anybody. Then, on my TV, he’s playing a nanobyte soldier or some shit,” Jackson says.
Though always humble about getting the next job, pre-Marvel Mackie was rarely offered pole position.
“There were certain pegs. My first was ‘8 Mile.’ It was a monumental step at the beginning of my career,” Mackie says of the 2002 Curtis Hanson film that elevated rapper Eminem to multi-hyphenate stardom.
“After that it was ‘Half Nelson.’ It blew up Ryan Gosling, so I was there to ride the wave. Then ‘The Hurt Locker,’ and it blew up Jeremy Renner. It was the joke for a long time — if you’re a white dude and you want to get nominated for an Oscar, play opposite me. I bring the business for white dudes,” says Mackie.
He remembers the sensation “Hurt Locker” caused during its awards season. It was a moment he thought would change everything as he stood on the stage of the Dolby Theatre with the cast and filmmakers, having just sipped from George Clooney’s flask while Halle Berry radiated a few rows away.
“I thought I would be able to move forward in my career and not have to jostle and position myself for work. To get into rooms with certain people. I thought my work would speak for itself. I didn’t feel a huge shift,” he says, “but I 100% think that ‘The Hurt Locker’ is the reason I got ‘Captain America.’”
He’s referring to “Captain America: The Winter Soldier,” the 2014 Marvel film that was the first to be directed by Joe and Anthony Russo (the current title holders for the highest-grossing film of all time with “Avenges: Endgame”). Mackie says that blockbuster not only gave him his largest platform to date but changed expectations of superhero movies forever.
“It was the first of the espionage, Jason Bourne-esque action movies at Marvel. After that, the movies shifted and had different themes and were more in touch with the world we live in, more grounded,” he says.
Bolstered by the words of another mentor, Morgan Freeman, Mackie feels no bitterness about his path.
“We did ‘Million Dollar Baby’ together, and when we were shooting this movie, I got offered a play. When you do Off Broadway, it’s $425 a week. In New York, that’s really $75 per week. I got a movie offer at the same time, and it was buckets of money. Three Home Depot buckets of money were going to be dropped off at my door,” Mackie says. “The script was awful; the whole thing was slimy. I went to Morgan’s trailer and asked him what he would do. He took a second and said, ‘Do the play. When Hollywood wants you, they’ll come get you. And when they come get you, they’ll pay for it.’ That blew my mind, and I left him that day with such a massive amount of confidence. He’s been a huge influence on me.”
He used the currency of that first Russo Brothers film and five subsequent ones to do what many creators and performers in Hollywood have done in recent years to help balance the scales of profit and representation in content: make things on his own.
Last year, Mackie produced and starred in “The Banker” — what would be Apple Studios’ first foray into original streaming film distribution and the awards landscape — through his banner Make It With Gravy. The film follows the true story of America’s first Black bankers and the white frontman they deployed to acquire the institution, all while supporting Black-owned businesses and communities in the process. A late-breaking scandal over sexual misconduct accusations involving the real-life family members of the film’s subjects delayed the release, overshooting awards-season deadlines and entangling the fledgling producer.
“It was a good lesson, and gave me a new perspective on the world around us. It’s very important to me that the women by my side are treated equally. It was a valuable lesson learned. I was very humbled by my sisters, for once not being mean to me,” he says.
Mackie is in development on the film “Signal Hill,” about the early days of lawyer Johnnie Cochran and the theater he brought to courtrooms long before the O.J. Simpson trial, and is hoping to secure the life story of civil rights pioneer Claudette Colvin as a vehicle for his directorial debut. Raising four sons of his own now, Mackie wants his off-screen work to make them well-rounded men.
“Look at Robin Williams,” he says. “He used to be crass and funny, and then he had kids, and he started doing all these family-friendly movies. Same thing with Eddie Murphy. I’m trying to curate my children’s experience with the things that I’ll be producing, rather than starring in. That’s what is most important. They know my job is my job; they know who I am. I’ve given up the idea of them ever thinking that I’m cool,” he says.
Jokes about the call sheet are among many of Mackie’s filming quirks. Jackson says that sets are often littered with hidden cigar stubs, to be fired up between takes or after long days. Bigelow says his rapport with crew has led to nights where the “clock was ticking but it was impossible to regain composure enough to shoot.” But according to Evans, no Mackie-ism is more famous than the phrase he bellows whenever his directors cut a scene: “Cut the check!”
Evans says this “will be forever associated with Mackie. I find myself saying it on sets all the time. I love it. But I’ll never be able to say it as well as him.”
As the man handing Mackie his armor, Evan says the Falcon’s “role within the Marvel universe has answered the call to action time and time again. He’s proven his courage, loyalty and reliability over multiple films. Sam has given so much, and he’s also lost a lot too. He believes in something bigger than himself, and that type of humility is necessary to carry the shield.”
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The question of Sam Wilson’s humanity will be explored at length in “The Falcon and the Winter Soldier,” what Mackie calls a deeper showcase for both himself and Stan and their characters. It was a prospect that at first confused and frightened him.
“I didn’t think we could do on the television what we’d been doing on the big screen. I didn’t want to be the face of the first Marvel franchise to fail. Like, ‘See? We cast the Black dude, and now this shit is awful.’ That was a huge fear of mine, and also a huge responsibility with playing a Marvel character,” Mackie says.
He was quickly assuaged by the level of depth in the scripts from head writer Malcolm Spellman (“Empire,” “Truth Be Told”), especially when it came to the nuances of Wilson — a Black American man with no powers beyond his badass wings.
“Sam Wilson as played by Mackie is different than a Thor or a Black Panther, because he’s not from another planet or a king from another country,” Feige says. “He’s an African American man. He’s got experience in the military and doing grief counseling with soldiers who have PTSD. But where did he grow up? Who is his family? Mackie was excited to dig into it as this man, this Black man in particular, in the Marvel version of the world outside our window.”
Mackie celebrates Sam’s relatability in a universe full of mythological gods and lab-made enforcers. “I’m basically the eyes and ears of the audience, if you were put in that position where you could go out and fight alongside superheroes. It adds a really nice quality to him, that he’s a regular guy who can go out there and do special things,” Mackie says.
While bound by standard Marvel-grade secrecy, the actor confirms there have been no discussions of a second season for “The Falcon and the Winter Soldier.” As the majority of domestic movie theaters remain closed due to the coronavirus pandemic, he is equally unaware of the theatrical prospects for his Falcon character — or the Captain he may become by the end of this Disney Plus run. For now, he’s content to take up the mantle left by Boseman, a quietly understood pact of responsibility to Marvel-loving kids the world over.
“For Chad and I, [representation] was never a conversation that needed to be had because of our backgrounds. There was a hinted-at understanding between the two of us, because we’re both from humble beginnings in the South; we have very similar backgrounds. We knew what the game was. We knew going into it,” he says.
Outside comic book movies, Mackie is not done searching as a performer. There is a particular genre he would very much like to cut him a check.
“My team gets mad at me for saying this, but I would love to do a cheesy old-school ‘When Harry Met Sally’-type of project,” he says. “One of those movies where I’m working outside and have to take my shirt off because it’s too hot. I want a romantic comedy. I want to do every movie written for Matthew McConaughey that he passed on.”
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dickspeightjrs · 4 years
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Show Me How Big Your Brave Is (au / 4.8k words)
Prompt 17 from my ‘30 Destiel Prompts’ for @eccentriccas 
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It stared at Dean from the fridge, tacked up by a Stanford University magnet gifted to Dean by his brother, Sam. 
He’d known his high school reunion was coming up at some point but seeing it embossed in gold lettering created a pit in his stomach. 
High school wasn’t the best time for Dean for a few reasons. First, his dad had died in freshman year, which Dean had had mixed feelings about if he was honest. He was mostly concerned about his mother. She didn’t take it well. And then there was-
Dean was torn from his stare down with the invitation by the door bell. He trudged over to answer it.  His best friend, Charlie, came bounding in with all the energy of a labrador puppy. 
“Hey, friend!” She exclaimed, pulling Dean into a tight hug. “Are you ready for our movie night?” 
Dean let himself be infected with Charlie’s excited energy. “Of course, dude! Give me superheroes in spandex already.” He laughed. 
“You go set up the first movie and I’ll put the beers in the fridge, okay?” Charlie instructed. 
“Sounds good, Bradbury.”
Dean lucked out when he’d met Charlie. They’d been assigned as roommates in college. There had been a mix up with the room allocations. Dean had been a little confused when he’d turned from his boxes to find a tiny red-head standing in the doorway of his dorm. 
Charlie had taken a step into the room, let her backpack fall to the floor, and said, “Don’t even think about trying anything. I’m gay as the day is long and I’m not afraid to punch a guy back into his place.” Dean hadn’t known how to reply so he’d just nodded and silently gone back to unpacking his things. 
It was when Charlie had put up a Star Wars poster above her bed that Dean knew he was about to make a best friend. 
“Ooh what’s this?” Charlie’s voice came from the kitchen.
Crap. Charlie had probably found the invite. He should have hidden it when he had the chance. He sighed and moved into the kitchen. 
Charlie had an extremely mischievous grin on her face, and that was saying something for her. 
“When were you going to tell me about this?” Charlie asked. 
“Urm, never?” Dean mumbled, reaching to snatch the paper out of Charlie’s hand. 
But Charlie was too quick and dodged Dean’s grasp. 
“Come on Dean. You have to go!” Charlie implored. “It’ll be fun!”
Dean gave his friend an unimpressed look. “Charlie you know how much I hated high school.”
Charlie’s face softened. “I know, it sucks that you got outed before you were ready. No one deserves that. But, it’s been ten years. Things have changed.”
“You don’t know the people I went to high school with.” Dean scoffed. 
Charlie rolled her eyes. “Stop being dramatic, you nerd.”
“Dramatic or not, I ain’t going.” Dean plucked the invite out of Charlie’s hand and tore it in two. 
Charlie stuck her tongue out at him. “Party pooper.”
*  *  *
A few hours later, Dean and Charlie were deep into their annual ‘NerdFest’ movie night. 
“I swear, if I didn’t bat for the best team, I’d be so down for a bit of Black Wing.” Charlie mumbled around a mouth full of popcorn. 
Dean couldn’t help but nod in agreement. Aside from Captain America (because, hello Chris Evans!), Black Wing was Dean’s favourite superhero. But he’d only appeared in ensemble movies. There had been rumours of him getting his own solo movie after fans online had campaigned for it but nothing ever seemed to come of it. The guy who played him seemed to just drop off the map. 
Shame, Dean thought as he watched Black Wing kick ass on-screen, that dude was hot! 
“Take someone like that to your high school reunion and it would make those dicks’ jaws drop.” 
“Drop it, Charlie.” Dean groaned, glaring at the red-head. 
“Just saying. Get a hot date and you’ll win the game of life in their eyes.” Charlie raised her hands in defence. 
“Noted. Let’s move on.” 
“Fine.” Charlie pouted. 
Dean nodded and turned back to watch the screen, content that the subject had been dropped. 
“OH MY GOD!”
Dean jumped out of his skin, sending popcorn flying through the air. “What the hell, Bradbury?” He exclaimed. 
Charlie started excitedly slapping Dean on the arm. “I have the best idea.” She practically squealed. “Put an ad up on Craigslist for a hot date.”
Dean’s eyes went wide. “No fucking way. Never happening. Now stop.”
“But-”
“No!”
Charlie sulked for the next half an hour, all through the iconic fight scene with Black Wing and his fellow team of superheroes. She stopped eventually after Dean offered her a piece of pie as a peace offering. 
*  *  *
After a couple more movies, Charlie had to leave. Apparently, being an adult meant that you can’t just spend all night watching with your best friend anymore - who knew? So with a ‘see ya later bitch’, Charlie was gone. 
Dean felt the aches from being sat on the couch for hours and he was looking forward to laying out on his bed for a good night’s sleep. 
He sighed to himself and tidied up the last remains of the movie snacks. He was ready for sleep but he had to work early in the morning and he wouldn’t have time to clean up before he left. 
Shuffling into the kitchen to put the rubbish in the trash, Dean spotted his reunion invite where he left it on the counter. Except, it wasn’t ripped in two like he’d left it. It had ‘mysteriously’ been taped back together. He dragged a tired hand down his face in exasperation. Charlie just didn’t know when to quit. She was the bratty little sister he never wanted. 
He plonked himself down on the chair at the counter and stared at the white paper for a few moments. 
Fuck it! 
Charlie was right (though he’d never admit it to her face). He was determined to prove to the assholes he went to school with that the shit they threw at him didn’t stick. It didn’t matter that Dean didn’t really believe it to be the truth,’ fake it til ya make it’ as they say. 
Before he could chicken out, Dean had Craigslist opened up on his phone. Thinking back to Charlie’s suggestion earlier, Dean decided against asking specifically for a ‘hot’ guy. He dreaded to think what kind of douchebags that would answer the ad proclaiming themselves to be an adonis. 
And, despite knowing since he was young that he was bisexual, he decided to aim the ad towards guys. His few relationships with women had never worked out. Even though this was all going to be fake, Dean would like to be able to at least get on with the person. 
In the end, he decided on a short and simple ad:
‘Hi, I’m Dean (28M) looking for a guy to take as my date to my stupid high school reunion next Saturday. Message if interested (no weirdos)’
He posted the ad and then spotted the time at the top of the screen. 
Midnight. Shit. 
He closed the website and dashed upstairs as fast as his tired legs could carry him. 
*  *  * 
The next morning, Dean got woken up by the feel of sunlight shining on his face. He must have forgotten to shut the curtains before he passed out last night. 
His blood ran cold when he realised that the sun shining on his face meant only one thing. He was late for work. He scrambled around looking for his phone to check the time but it was nowhere to be found. 
Suddenly, it came to him. He must have left his phone on the counter in the kitchen, meaning he didn’t hear his alarms going off. 
He cursed himself and sped to get ready. Quickly sniffing a shirt to check it was okay to wear, he got dressed and raced downstairs. Sure enough, his phone was sat on the table where he'd sat the night before. 
When he picked it up he found that it had also run out of battery overnight. 
Great. As if this day couldn’t get any worse. 
Forgetting all else on his mind, Dean grabbed his phone and dash out of the front door. 
*  *  *
The ad remained forgotten until a few days later. 
Dean was just about to sit down and relax with a beer when his phone lit up with a notification. He put his beer down on a coaster to check it out. 
It was a message from Craigslist telling him someone has been trying to contact him about his ad. 
Dean’s eyes went wide. He’d completely forgotten about the ad for a date after being late for work and being chewed out by his boss. He couldn't believe someone had actually responded. He looked at the date for the first message. This guy had contacted him like an hour after he’d posted the ad. 
He opened the message. 
(01:28) BlueEyesAndBlackWings says: Hello. I saw your ad for a date to your reunion. It says I’m only 10 miles from your location. I’m interested in helping you out. Are you still in need of assistance?
(10:11) BlueEyesAndBlackWings says: I assume, as you haven’t replied, that you’ve decided to go with someone else for your date. 
(11:20) BlueEyesAndBlackWings says: On second thought, this ad was probably a joke. Please ignore my messages. 
Wow. This dude talked funny. And reading that last message, Dean felt a little sorry for the guy too. He seemed lonely. But beggars can’t be choosers, so Dean prepared to reply. 
As he went to type, he noticed the guy’s username and smiled to himself. 
(19:37) impala67 says: don’t worry dude! the position as my date is still open. you’re the only one who has responded. 
PS. I like your username. you a Black Wing fan too? 
The reply was almost immediate.
(19:41) BlueEyesAndBlackWings says: Okay. What information do you need from me?
PS. You could say so. 
‘You could say so’? Was this guy purposefully trying to be mysterious? Either way, Dean was intrigued. 
(19:45) impala67 says: idk dude, just the basics I guess. how old u are, what u look like
(19:53) BlueEyesAndBlackWings says: I’m 30 years old. I have blue eyes and dark hair. I’m 6 feet tall. Anything else?
Dean hummed to himself. The guy sounded pretty average, which was okay with him.
(19:55) impala67 says: nah, that’s awesome dude. anything you want to know? 
(19:58) BlueEyesAndBlackWings says: I suppose it would be nice to know what you look like too. Also, if you don’t mind me prying, I wondered why you need to have a date for a school reunion. And why have you turned to Craigslist to find it?
Dean was set aback by this guy’s forwardness. But, he did have a right to know what he was getting into Dean supposed. 
(20:05) impala67 says: you already know I’m 28. I have green eyes. sort of light brown hair and i’m around 6’2”. as for the other shit. high school was a shit show. I’ve always been a bit nerdy i guess. people didn’t like it. then I realised I’m bi (hope that’s not a deal break btw). tried asking this guy out senior year. got outed to the whole school. got a lot of shit for it. 
(20:11) BlueEyesAndBlackWings says: I’m sorry to hear that happened to you. No one deserves that. Why do you want to go back? No one would blame you for leaving and never going back. (Again, if you don’t mind me asking.)
Dean blinked at the screen. His forgotten beer was getting warm but he was fascinated by this guy. He seemed genuine and Dean felt himself wanting to share the darkest parts of himself with a complete stranger. He sighed and typed. 
(20:20) impala67 says: I guess I want to prove to those assholes that the things they said didn’t affect my life. even tho that’s not always the truth. I still struggle to accept myself i guess.
Dean chewed his lip, debating whether to include that last line or not. But, hey, he was asking this dude to be his date, the least he could do was be honest with him. He pressed send. 
Blue Eyes didn’t reply instantly this time and it made Dean nervous. He wished he could take back the last bit of the message. 
After a few anxious moments, Blue Eyes still hadn’t replied so Dean gave up, figuring he’d scared the guy away. He cursed himself and moved to put his Doctor Sexy DVDs into the player. He’d never admit it to anyone, not even Charlie, but Doctor Sexy was his comfort show. It provided him with a much needed distraction. 
A couple hours later, Dean was beginning to doze. The extra few beers he’d had cushioned him into a deep sleep. 
When he woke, surrounded by darkness with only the DVD menu playing to no one lighting the room, Dean rubbed his face tiredly and went to check his phone for the time. 
Instead of looking at the clock, Dean’s eyes were distracted by the Craigslist notification. Blue Eyes had messaged him back! Feeling a little foolish that he’d reacted too quickly before, Dean opened the message.
(23:23) BlueEyesAndBlackWings says: You’re incredibly brave, Dean. Not many people would be able to do what you’re doing. 
Dean blushed in the darkness. Why were a random internet dude’s words affecting him so much? He didn’t really know what to say in response so he just sent a quick ‘thank you, dude.’
*  *  * 
Over the next few days leading up to the reunion, Dean carried on messaging Blue Eyes just to get to know him a little more. Turns out the dude is dorky as hell. And, despite the original impression he gave with the Black Wing username, the guy didn’t understand any of Dean’s other references. 
It had occurred to him after they’d been messaging for a while that Dean still didn’t know his name. 
When he confronted Blue Eyes about it, the man had taken a while to respond again and answered only with ‘I’d rather not disclose my full name at this time. But, you can call me C.’
Dean had been a little skeptical of the guy’s response at first. But then, he figured the worst case scenario was the guy turned out to be a catfish and Dean would just blow off the reunion altogether and go get drunk. And he couldn’t blame the guy for not wanting to give out personal details over Craigslist. 
The day before the reunion, they agreed it was probably best to meet somewhere a couple hours before so they had time to get to know each other in person and iron out the final details they’d need to know about each other. 
*  *  * 
Dean sat in the coffee shop they’d agreed to meet at (public and easy to escape if things went south). He tried to stop his leg from trembling under the table. 
He was nervous for a couple of reasons. The obvious: this guy could turn out to be a creepy old dude stalking men on the internet. And the less obvious but more surprising to Dean: he actually wanted this to go well. Without even knowing what he looked like, Dean had found himself beginning to like the guy. Even if he wasn’t attracted to him when he finally saw Blue Eyes, Dean would be cool with being friends with him. 
His eyes were following the patterns in the wood on the table top when a deep voice came from above him. 
“Dean?” It asked, with nervous uncertainty. 
Dean swallowed and looked up to the source of the voice and- 
Holy shit! 
It was him! It was the Black Wing!
What was the guy’s name? Cas- something? Castile? Casteel? Castiel! That was it!
Holy fucking shit! This couldn’t be happening. 
Dean realised he’d been staring wide-eyed during his internal freak out and Blue Eyes, Castiel, was stood looking as nervous as Dean had felt before the surprise adrenaline took over his body. 
“Sorry, dude. Please sit down.” Dean gestured to the chair opposite him. He wiped his hands on his jeans, nerves starting to take over once again. 
Neither man spoke for a few moments. 
“So I-” Castiel began.
“I don’t-” Dean spoke too. 
Both men chuckled. “You go,” Dean told Castiel. 
Castiel smiled softly, “I suppose, from your reaction, you know who I am.”
Dean blushed. “Yeah. For what it’s worth, I’m a big fan.” He scratched the back of his head awkwardly. 
Now Castiel blushed, “Thank you, Dean.” His expression turned serious. “I hope you understand now why I didn’t give you my full name while we spoke online.”
“Yeah, of course, dude. Don’t want any crazies hunting you down.” Dean chuckled. 
Castiel chuckled with him. “Yes, something like that.”
“So, um, before we get into the details for later, I was wondering if I could ask you a question?”
“Of course, Dean. You were honest with me, it’s only fair I return the favour.” Castiel smiled. 
“It’s only because I watched one of your movies the other night with my best friend, Charlie-” who was totally gonna freak out when Dean told her about this “-but wasn’t there meant to be a solo Black Wing movie? Everyone in the fandom was talking about it and then suddenly you seemed to disappear. I guess, I’m just wondering why you changed your mind?” Dean asked, nervously. He was waiting for Castiel to tell him to go fuck himself (though Dean knew that Castiel wasn’t really that kinda guy). 
Castiel cleared his throat and met Dean’s eyes. “We were just about to go into production for the solo movie when my brother and his wife were killed in a head-on collision with a truck.”
Dean’s mouth dropped open. But, he could sense Castiel hadn’t finished so he stayed quiet. 
“The only blessing was that it was instant, so they didn’t suffer. That, and luckily their daughter, Claire, was at the babysitter’s at the time.” Castiel smiled, melancholy whispers gracing his features. 
Dean knew he barely knew the guy but he could sense when someone needed comfort so he reached across the table to place a soft touch on Castiel’s hand. 
“I took Claire into my care. And that ended my career as I knew it.” Castiel shrugged. “I was deeply disappointed to have to leave the movie, but Claire came first. And I didn’t want her to grow up in the spotlight, with people using her parents’ tragic death as a way to sell magazines. So I left the industry. That was three years ago and I haven’t looked back. Claire is five now and she’s all I could ever want.” 
Dean was awestruck. “Wow.” He breathed. “I can’t believe it.”
“What?” Castiel asked, head tilting in confusion. (If the situation wasn’t so serious, Dean would have struggled not to comment on how adorable he looked.) 
“Dude.” Dean choked. “You called me brave for wanting to face a coupla high school assholes. But you - you gave up your entire career to give the best life to your niece.” He shook his head in disbelief. “You’re amazing.” 
Castiel blushed again (and Dean found he was slowly falling in love with that look on Castiel’s face). “I don’t know that I’m amazing, I just want a normal life for Claire and I.” He shrugged. 
“A normal life, huh?” Dean asked. “Well, I can try and help with that.” He lifted his hand from where it had been placed on Castiel’s and held it in the air between them. “I’m Dean Winchester. I’m twenty eight. A bit of a nerd and in need of a date this evening.”
Castiel huffed a laugh and placed his hand in Dean’s, shaking it. “I’m Castiel Novak. I’m thirty. Uncle to a beautiful niece and I would be honoured if you’d let me be your date for this evening.” 
Dean’s face broke into a smile, which turned into a laugh that caused a smile to spread across Castiel’s cheeks. 
They let their hands settle naturally on top of the table. 
Now, with their barriers down, they began making plans and ideas for that evening. Though, if Dean were being honest, it felt like he’d known Castiel forever already. 
Eventually, after what felt like hours of talking, Castiel got up to finally get himself a coffee. It wasn’t until Castiel’s hand left his that Dean realised they’d been holding onto each other the whole time. 
*  *  *
Dean and Castiel ended up talking for so long in that coffee shop that they were late for the reunion. The party was in full swing when they arrived. 
Just before they entered the hall, Dean stopped in his tracks. 
“What’s wrong, Dean?” Castiel asked, worry etched into his features. 
“Are you sure about this, man? There’s a chance someone in there could recognise you or something. It’s not worth ruining your life plan over just for me to say ‘fuck you’ to a couple of dicks.” Dean stressed. 
Castiel reached to take Dean’s hand in his. “Some things are worth a little risk.” He whispered and walked with Dean through the hall doors. 
It seemed Dean had had nothing to worry about in the end. They’d spoken to a few people who had seemed genuinely interested in that Dean had been up to since graduation. And they barely batted an eye when he’d introduced Castiel as his boyfriend. (He’d meant to just call him his date but clearly his mouth had had other ideas.) Castiel himself had just placed a soft hand around Dean’s waist - stopping Dean from an internal panic. 
It was all going so well and Dean was starting to think Charlie had been right (again, damn her!). Maybe everyone had just grown up and moved on. 
Once they’d finished a conversation with the guy Dean sat next to in English class senior year, Castiel went to the bar to get them some drinks, whispering in Dean’s ear that he’d be back in a moment. Dean was a little sad Castiel hadn’t gone a bit further and placed a kiss on his cheek. 
“Well, well, if it isn’t Dean Winchester.” The voice of Bela Talbot came from behind him. Dean turned with a scowl on his face. 
“Hello, Bela.” He said through gritted teeth. She’d been one of the main people instrumental in his forced coming out. 
“Goodness me, Dean. If I’d known how pretty you’d turn out, maybe high school could have gone a lot differently.” She practically purred, running a perfectly manicured finger along Dean’s cheek bone. “But, hey, there’s still time now, I could be the one to knock you straight again.”
Dean was frozen to the spot. He was back to being a scared kid, dealing with the loss of a parent and being taunted daily for his sexuality. He knew he shouldn’t have done this. He wasn’t brave. He was pathetic. He couldn’t even stand up to a school bully ten years later.
“Excuse me.” Castiel appeared suddenly at Dean’s side. “What did you say to him?” The look on his face was nothing short of murderous. 
“I’m just getting reacquainted with an old friend.” Bela answered, sickly sweet. “And who are you?”
Castiel’s eyes narrowed. “I’m Dean’s boyfriend and I don’t appreciate the way you’re speaking to him.” 
Dean’s eyes went wide. Earlier it had been a slip when he’d called Castiel his boyfriend but now Castiel was purposefully saying it? Dean didn’t dare to hope. 
Bela laughed, causing Castiel to glare even harder (honestly, if looks could kill, she’d be in hell). “Ah! So he’s definitely still gay then.” She said, lip curling with distaste. 
“Not that it’s any of your business, but he’s bisexual, not gay. I’d tell you to educate yourself, but clearly, after ten years you’re still the same bitch you’ll always be.” 
Bela looked taken aback, like no one had ever spoken to her like that before. 
Castiel didn’t wait for her response. Instead, he grabbed Dean’s hand and stormed out of the building.
It wasn’t until the cool evening air hit his face, that Dean finally snapped back to himself. They’d ended up in the parking lot, stood next to Dean’s car. 
“Cas..” Dean breathed.
“I’m sorry, Dean.” Castiel said, begging for forgiveness. “I just couldn’t stand the way she was speaking to you.” 
“Cas-” Dean spoke. 
“She was just so rude a-and small-minded. I hated it.” 
“Cas!” Dean raised his voice. Castiel snapped his jaw shut. “It’s okay. Thank you for sticking up for me.” Dean stepped closer to Castiel, playing with the lapel on Castiel’s suit jacket. 
Castiel looked into Dean’s eyes but Dean couldn’t hold his gaze. “I’m just embarrassed that I froze up. After all of this, I failed at standing up for myself. I’m pathetic.” 
Castiel placed his hands on Dean’s cheeks, forcing Dean to look at him. Green eyes finally met blue. “Dean, listen to me. It was incredibly brave to walk into that room tonight. You are the bravest person I’ve ever met.” He said earnestly. 
Dean couldn’t hold it in anymore. He hoped he wasn’t about to ruin this before it even started. But, as a wise man told him recently: some things are worth a little risk.
Wasting no more time, Dean pulled Castiel into a deep kiss. 
Once Castiel was on board, he pushed Dean up against the car behind them. 
After a few heated moments, of what can only be described as heavy making out, Dean growled at Castiel to get into the car before they got arrested for public indecency. 
They somehow made it back to Dean’s house but their clothes only managed to stay on long enough to get through the front door. Dean directed them to his room and threw Castiel down on the bed. 
He took in the sight of the beautiful man laid out under him before kissing up Castiel’s chest and took over his mouth again. The only words said between them were muttered assurances that they were on the same page. Dean could never have dreamed this is how this night would end but he certainly wouldn’t change a thing. 
*  *  *
The next morning, Dean and Castiel laid in each other’s arms, content to be together in the quiet. 
Suddenly, a thought occurred to Dean. “What about your niece?” He worried. “Don’t you need to get back to her?” He sat up frantically. 
“Dean, Dean, don’t worry.” Castiel raised his hands to calm the other man. “I texted my babysitter yesterday at the coffee shop asking her to stay with Claire for the night.” 
Dean relaxed into the bed, smirking a little. “So you knew how the night would end even before we got to the reunion.” 
Castiel blushed. “I wouldn’t say I knew. But I did hope.”
Dean smiled, pulling Castiel closer to place a tender kiss on the side of his head. “I hoped for it too.” He whispered. 
They settled into silence again, warm in each other’s company. 
A short while passed before either of them spoke again. 
“Thank you, Dean.” Castiel murmured, breaking the quiet. 
“For what?” Dean frowned. 
“For thinking of Claire.” 
“Well, she’s important to you. She’s your whole world.” Dean shrugged. 
“Maybe my world could get a little bigger now.” Castiel suggested, smiling nervously up at Dean.”
“Yeah, I think it could.”
*  *  *
Later, as they dug into a couple of burgers Dean threw together, another thought crossed Dean’s mind. 
“Cas?”
“Hmm?” Castiel hummed around the burger in his mouth.
“Why were you looking through Craigslist ads in the first place?”
Castiel swallowed and chuckled to himself. “Sometimes I look through to find funny ads people put up.”
Dean was beginning to get a little offended when Castiel reached across the table to hold his hand. 
“But, the night that I saw your ad, I had just put Claire to bed and I was feeling lonely. I took a risk. And I think it worked.” Castiel smiled shyly. 
“Hell yeah, it did!” Dean grinned from ear to ear. 
*  *  *
Charlie’s phone vibrated next to her. She paused the video game she was playing to pick it up. Seeing it was a text from Dean, she opened it immediately. 
On her screen was a selfie of Dean with another dark haired dude captioned:
‘I should take your advice more often Bradbury.’
Her eyes turned to saucers and she looked at the image again more closely. She frowned slightly, looking at the man whose cheek Dean was kissing. 
Wait- That totally looked like-
Her phone dinged with a new message from Dean. 
‘And yes, it’s exactly who you think it is.’
HOLY FRIGGIN SHIT! 
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A/N: Hope you enjoyed it Taylor! 
If you liked what you saw, REBLOG! and consider reserving a prompt from my ‘30 Destiel Prompts’ challenge, or just send me your own prompt you’d like me to fill!
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TAGS: @eccentriccas @starrynightdeancas @credentiast @imbiowaresbitch @starclaire @cockleslovesdestiel @bend-me-shape-me @destielfactory @dea-stiel @wendeano @wingsandimpalas @aggressivedean @flowersforcas @chill-legilimens @pancakesofthelord @saltnhalo @caslikescoffeeandfreckles @assbuttboyfriends @jhoomwrites @breathingdestiel @simplymisha @thekingslover @aelysianmuse
(once again tagging my faves, let me you if you’d like to be removed from future fics - or added if you’re not already there!)
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bigskydreaming · 6 years
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You will never catch me saying a single positive thing about some ‘progressive move’ Marvel editorial makes in an X-Men comic until every single decision maker of the past ten years is out of those offices.
Individual writers, yes. Editorial, the ones handing down the creative mandates? Hell no.
This means Northstar and Kyle’s wedding, Bobby, Rictor and Shatterstar’s outings, Storm’s solo series, etc, etc.
Because Marvel editorial does not actually give a single fuck about any of the messages embodied by the X-Franchise, and spent the last ten years proving it.
Marvel as a company was happy to profit off the X-Men movies after they sold the rights to save themselves from bankruptcy. But from the second Iron Man became a success and the movies they churned out featuring characters they still had all the rights to started making profits they got to keep fully, they actively torpedoed the X-Men franchise both in the comics and outside of them. Because now the X-Men were technically competition, at least in the arena of movies, which is where the real money was being made.
Like, it seriously pains me to remember how HUGE X-Men fandom was in the eighties, nineties and early 2000s. Across the comics, various cartoons and the movies, X-Men was one of THE biggest fandoms, back when the fandom juggernauts of today like SPN, HP and the like were still wee baby fandoms. 
And Marvel actively, deliberately killed it. Because they didn’t want people focusing on X-Men characters and reading X-Men stories and buying X-Men action figures instead of Avengers ones. It’s why they made no effort to resolve the issues blocking Wolverine & the X-Men from getting a second season. Even though the first season got ratings that more than justified a followup that would be guaranteed to be profitable for them. And why there hasn’t been another X-Men cartoon since. Even though Marvel always held the rights to make more cartoons while Fox held the movie rights.
It’s why Marvel editorial set out to do House of M and Decimation...those storylines aimed at essentially ending the possibility of new mutant characters were created specifically to do that. They literally did not want new mutant characters that might end up being breakout hits that fans wanted more of in place of more Iron Man, Captain America or Avengers-related properties like Young Avengers. Quesada, the EIC at the time, said it was because writers were getting too lazy with their origin stories as long as they had the concept of mutants to fall back on. All they had to do with a new character was say ‘oh they’re a mutant’ instead of coming up with a unique angle for where they got their powers.
Except then Marvel turned around and reconfigured Inhumans into the new mutants, tweaking their decades old concept to make it so suddenly there was no limit to how many new Inhumans could be created, unlike the limit they’d imposed on new mutant characters. And suddenly you had dozens of new characters with electricity powers and flight and super strength and shapeshifting and who looked no different in any meaningful way from any new mutant character introduced ten, fifteen years prior...except now, all of those dozens of new characters ‘unique angle for where they got their powers’ was oh, they’re Inhumans instead of oh they’re mutants. 
And it wasn’t even like Marvel made Inhumans the new mutants because they had active, important plans to incorporate their concept into their live action universe....again, it LITERALLY was done simply to make the X-Men franchise less necessary. They pushed the Inhumans movie back year by year by year until finally scrapping it altogether, and put barely any effort into the TV show they made of it instead. The only evidence of Inhumans in the MCU is still just in Agents of SHIELD, the show they barely do any promo for and honestly don’t care all that much about. The Inhumans’ sole purpose over the past ten years has basically just been to be an alternative to mutants, should anyone want one....not even BECAUSE the MCU actually wanted one.
And then you had shitty events like Avengers vs X-Men where it was never in question that it was going to be at the X-Franchise’s expense. And in the aftermath of that, they claimed to be making a big push to incorporate the X-Men more into the Marvel universe, do stories showing that the other heroes cared about mutant issues.....all by folding the X-Men into Avengers titles. Books like Uncanny Avengers were launched, with X-Men on lineups with Avengers and calling themselves Avengers....but no new X-books were launched with Avengers in their stories. Because that was never the point. The point was that it basically got X-readers who didn’t give a shit about Avengers comics to pick up Avenger titles in order to read about Storm and Rogue and other favorites....without marketing having to acknowledge the X-brand label in any actual way. Literally just to use X-characters to sell Avengers books, without actually doing anything for the X-franchise.
Not to mention the way the X-franchise’s direction has dramatically shifted every one, two years over the past decade, with no clear oversight or shepherding of it....because it basically became the place for writers to do whatever the hell they wanted, because Marvel as a company DID NOT CARE what happened with the X-books. All the terribly thought out storylines to appear in X-titles of the last decade happened because pretty much any pet project a writer Marvel valued wanted to try out got the green light for them to do in the X-books, because they didn’t have anything they wanted out of the X-brand, other than for it to not siphon fans away from their preferred properties. So you had things going one way one year and then pull a complete 180 the next year when a hot new writer at Marvel wanted to do something completely different. 
Not to mention the way Marvel’s consistently funneled their low-selling writers into writing X-books, except for when high profile writers wanted on an X-title. The X-books became a testing ground for new and unproven writers, which occasionally did result in some good stories, yes, but I don’t really think Marvel deserves props for the efforts of those writers when they only got to do those stories because Marvel didn’t actually care. 
And the most obnoxious thing about all of this is....they were still making money off the X-Men the whole time. From their comics, from repeated viewings of their older cartoons, from toy sales, etc. The X-Men have continued to turn a profit for Marvel even as Marvel actively drove them into the ground....because as long as it wasn’t ever going to be AS MUCH profit as Marvel could make off the movies of characters they had all the rights to....they didn’t want the X-Men ever even potentially overshadowing the Avengers in current readers’ eyes.
So it honestly pains me to see Marvel given any credit whatsoever for various progressive moves they’ve made with X-characters over the past decade. Because while all companies are in it to make money and I don’t expect otherwise, I can’t think of any other occasion where I’ve so clearly watched a company spit on one of its most profitable and iconic properties and all its fans, for the crime of....making money. They literally crashed and burned the franchise with full knowledge of what they were doing, and actively drove away one of the biggest fandoms out there, turning it into a wasteland compared to what it was, because the well established success and visibility of the X-franchise and fandom was in their eyes a threat to the MCU franchise and fandom they were trying to cultivate instead.
And given that on a meta level, the X-Franchise has always appealed more than most to readers from marginalized communities because of the allegories inherent in its core concept....its honestly kinda insulting whenever I’d see mainstream headlines and news stories giving Marvel editorial kudos for a high-profile gay wedding or making a founding X-Man gay or other well-received moves over the last decade....knowing full well how little regard they actually have for the readers those moves mean so much to, given that pretty much every other decision they make around it is meant to keep the X-Franchise from overtaking the Avengers in popularity again.
Like, don’t get me wrong because Bobby Drake has been one of my three favorite superheroes of all time for most of my life, in part BECAUSE I always read him as gay or bi.....so I love love LOVE that he’s officially a mlm in canon and has gotten his own solo series. But at the same time, its obnoxious as hell to be aware that people have been speculating about his sexuality for decades and making references in canon even, and outing him only actually happened BECAUSE he’s an X-character. You notice that for all the positive praise Northstar’s wedding and Bobby’s coming out garnered Marvel, they haven’t been in any rush to make a high profile Avenger gay, have they? Like....yes, the X-franchise has always been the franchise to make social commentary in, but that doesn’t mean that’s the only reason big creative alterations like making one of the oldest Marvel characters gay was only happening in the franchise Marvel didn’t give a fuck about.
So it’ll be interesting to see what happens in the comics now that the X-Men movie rights are back with Marvel and under the Disney umbrella. And I do hope and think that means the comic books will start to get a more cohesive direction again with the X-Men taking more pivotal roles in the comics and getting higher profile treatment again.
But fuck ever giving any of the current Marvel editorial staff credit or recognition for any progressive stories in the X-books. Because they very much do not care about the concept of the X-Men or the messages the X-Franchise is capable of sending with its stories. You can’t dedicate ten years to actively minimizing the franchise that means so much to marginalized readers and still claim to actually give a crap about any of the representation that franchise provides for those readers. Like, lol, you just can’t. 
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