#Women in Menswear

[luxus-aeterna]

luxus-aeterna/iridessence

[thurstongrey]

[heinfienbrot]

Manish Puri and Brit Bones.

[kirajw]

[aloysiavirgata]

I love women in menswear. LOVE.

I have a version of this outfit in my closet and I want to wear it but my boobs are absurd so I look like a stripper. 😞

[theersatzcowboy]

Woman of the Year (1942)

In their first (and low-key best) cinematic pairing, Hepburn (erudite) and Tracy (loutish) crackle with sexual tension (they’d never be this openly sexy onscreen again) as the latter struggles to accept the former’s disparate feminist ideals after a whirlwind romance and marriage.

Director: George Stevens

Cinematographer: Joseph Ruttenberg

Costume designer: Adrian

Starring: Katharine Hepburn, Spencer Tracy, Roscoe Karns, Fay Bainter, Reginald Owen, and William Bendix.

[embarrassementofriches]

Couples style.

[sylvia-und-sybille]

Women in menswear :D

(the shirt, at least):

Sybille from (Sylvia und Sybille)

(2023–2024 Dresden State Theatre, modern version of Christa Winsloe's unpublished play of 1931 or so, rewritten by Daniela Löffner.)

Photo: Sebastian Hoppe (Sybille with her beloved girlfriend Sylvia)

(I've been thinking about this from time to time for several weeks, but have decided to check for whom the shirt is made only now.)

Synopsis (read all below and if you like it, please, join shipping with me): modified reality of almost 14 year-old girl* the writer (16 instead) and a friend's Mum.) Fast-paced love story which started as a bond during first meeting. (But Mum's son is in love with the girl (who thinks about him as a friend only) and jealous.) I love it sooo much. If add happy end, then (♡‿♡) Also: real version of this is in Mädchen in Uniform (1931) book Das Mädchen Manuela; because Sylvia is the same Manuela the writer Christa.

*The girl had an older brother (who had a girlfriend) and their Mum died not long ago, but alcoholic father is no help, and the girl blamed him for Mum's death. (In reality, Christa didn't blame father, but his shouting and selfishness led to Katharina Winsloe's death; apart from she needed to do a lot at home after moving in a new house.)

Sybille had a husband who died recently, so it makes her bisexual (hopefully, she had romantic feelings for him, or the marriage was forced by society and it's one big no, and then she isn't bi), but Sylvia is lesbian (in the detailed description of the play, it's said that unlike other teenagers, the greeving girl hadn't had romantic feelings for anybody before Sybille.)

○○○○○

PROOF OF THE SHIRT

(if not to try to understand where the buttons are sewn): either: A. if imagine a shirt as two parts, the top one or a"flap" is left in case of men's shirts | buttoned jackets etc., or B. free space in-between of buttons can be used as a hand warmer, and in case with men's clothes with buttons, right hand can "go in." (I used B too many times to count.) . . .

. . . or . . . (a random picture via Google images)

[oxfords---notbrogues]

Fran Lebowitz

[constanzel]

[mentalstateuniversity]

Unreleased photo work w friends

[thurstongrey]

[heinfienbrot]

Nat Schedler.

[toongrrl-blog]

My Style Analysis: Cyclical Iconic Fashion and a Missed Prom

Originally posted on Reddit

Anyone notice something about Devi's prom dress? Something retro?

The chiffon, long flowing dress, the neckline, the ruffles, the florals and pinks feel very retro. Like very 1970s (look I know per ShopYourTV that it's a recent find from Nordstrom's) maybe 70s does 30s...

In fact Devi's dress slightly reminded me of Marge Simpson's prom dress in "The Way We Was" which was set in 1974, 49 years before Nalini almost had a heart attack seeing her daughter and Ben in bed together (albeit with clothes on). It's all there: the pink, the apparently lightweight fabric (chiffon or rayon or polyester or a combination, that was a staple of the era), the ruffles around the neck. Marge's pink dress (surely from Gunne Sax, which was fondly remembered by Boomers and Gen Xers alike) and Homer's baby blue tuxedo were so iconic that they were made into figurines.

In fact Devi's dress falls into good company with some other examples I listed in a old post on Tumblr about this frilly, utterly feminine aesthetic in fact I want to show another Mad Men example and one from the 1930s period piece The Group (1966).

Every outfit looks so floaty here and these were promos for episodes set in 1970, thankfully our girls up there have much happier endings than the former Mrs. Drapers.

Here is your 1930s example with The Group, which focuses on graduates of a Seven Sisters college as they navigate adult life in Depression era America and the patriarchy (it's rough as hell). The brunette in black is future Lucille Bluth, the late Jessica Walter. Bonum est mulier.

Eleanor's look sort of reminds me of: Cher, Selena, and Liz Taylor. All very iconic women who followed their passions boldly and became icons without blindly following trends set for either fashion or for their gender.

(EDIT: Much better example)

As for Fabi? Well the tuxedo is pure androgyny. Calling to the OG ladies in a suit, Bessie Smith (EDIT: Gladys Bentley) and Marlene Dietrich and Annie Lennox

All these women flouted restrictions regarding gender expression admidst the jeers of conservatives, pearl-clutchers, white supremacists, Jim Crow, fatphobia, and one even told Hitler to go fuck himself (okay maybe not those words but you get the gist).

The red may be a call back to predominantly African-American men in the media donning a red suit, as noted in u/eve_salmon's "A Cinematic Guide to The Weekend Pt. 3", Rat Pack member Sammy Davis Jr. (known for a flashy yet very traditionally masculine sense of style) donned a red suit for the film Poor Devil, whom like Fabi, was Black and queer in an era that was even more racist and queerphobic than the present. We also see Richard Pryor (comedian for those not in the know) donning a red suit along with Joe Pesci in Goodfellas and Casino. The red is likely a sign of pure confidence and defiance, keep in mind that Pesci's characters and Pryor (as well as Davis) grew up in eras where looking a white person in the eye can get a Black person made past tense to use a TikTok phrase and where Italian Americans were still looked down upon, so dressing well and in a manner that commands attention was a act of resistance.

Both examples of Marginalized Men in Red Suits and Gender-Bending Women Looking Sharp-Dressed, speaks well to Fabiola's own development as a character and taking ownership of her identity in a world that tells you to be a laundry list of things to be acceptable (be girly, be outgoing, be into pop culture, be straight, listen to your parents, focus on what boys like, fade into the background, wear uncomfy formalwear that ain't you) and points for the series highlighting HBCUs as up there with the Ivies; where the Ivies represent mainstream power, the HBCUs represent how a community managed to carve their own space to let it's members thrive and accomplish more (also while Princeton waited until 1969 and Columbia until 1983 to accept women, Howard been doing that since it's founding!), what better place for Fabiola whose journey is about owning her sense of self?

What can Iconic Lady Joan Holloway say, well I can think of her Bonwit Teller shopping spree where she decides what to take with her fabulous black dress with ostritch feather cuffs: "I'll take the boots, the tan heels, the chiffon (in a cooing voice), the red (even more cooing), and this (to her flamboyant dress)", in other words, she approves.

[homicidalbrunette]

It's giving Una in a suit and Una femmed up, dressed up to go out with her girl

[our-ghsts]

ERICA SARDA FOR JKEEFER