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duxarcana · 5 years

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Clear Card Chapter 40 Review

Looks like the fandom has kind of died down; there was no hype about the new chapter, and no one is talking about it. Since it seems no one else has uploaded a review of the new chapter, I’ll do so here (not that anyone will ever read it).

So let’s start off with the GLORIOUS cover artwork. I’ll admit I let out a rather loud squeal when I first saw the video thumbnail. This is one of the most beautiful outfits Syaoran has worn, and the similarity of its style and color scheme to his previous outfits makes me hope that we may one day see this as a battle costume. Kaito looks stunning here as well, and it’s nice to see his staff in colour. The image of these two enemy magicians who both hold the power of the Moon and are connected to time, depicted together, wielding their magical artefacts among clock gears with a full moon in the background--this image is simply ethereal.

Now, moving on to the content of the chapter:

We start off with Sakura recounting to Tomoyo the circumstances of The Mirror attending school in her place. I’m always down for some good Tomoyo content (which seems to be kind of lacking in Clear Card), so this chapter was off to a great start.

We also find out that because of all this, poor Syaoran was late to class. Since he seems to have quite a serious concern for punctuality, I hope he wasn’t too stressed out about the situation. I feel bad for the poor card, too. Accidentally coming to class without the homework was scary enough for me back when I was in secondary school, even without attempting to impersonate someone else on top of it! At least Sakura apologizes for putting her through that.

Sakura then gives the outfit she wore back to Tomoyo, and explains that she repaired it with Repair. Tomoyo comments on how much the card resembles her. I find it kind of funny that although she had seen it earlier in Chapter 34, she didn’t notice it looked like her because she was too busy fangirling over the adorableness of Rewind (weren’t we all?).

She then asks Sakura to not use the card except in emergencies, and to bring all other items to be repaired to her instead (she even makes a pun on the card’s name by saying “repair” in English, which was cute). I also find Tomoyo’s protectiveness of the dresses she made to be really cute. I hope at some point CLAMP allows her to tell Sakura how she feels, as it would not only continue their trend of LGBTQ+ inclusiveness (another aspect which seems to be lacking in Clear Card), but would be an excellent opportunity to demonstrate how much Sakura has matured in the supportive answer she would surely give to her dear friend.

Suddenly, enter Syaoran! He apologizes for being late and talks about his conversation with the teacher. We are also blessed with this precious image:

Anyway, something interesting is that since Japanese typically doesn’t require pronouns if they’re implied, the gender of his teacher is never revealed, but in other languages, these pronouns are necessary. The Spanish and French translations both chose female, but the English translation chose male.

Syaoran mentions how the teacher was worried about him taking care of himself when he’s living alone. I agree with your teacher (and Yue, and Sakura, and Eriol...), Syaoran! Please make sure you’re taking good care of yourself!

Then poor Syaoran goes on to do what he always does: doubt his own abilities and claim to not be able to do anything. As much as I hate it when he does this, I can honestly relate to him a lot. I hope he learns to develop more self-confidence and realizes how important his contributions are!

Sakura does her best to reassure him a bit, but it doesn’t look like it did much. Another thing I am hoping for in the series is for Sakura to at some point attempt to help Syaoran with his anxiety, instead of just commenting about it to others. I get that she’s trying her best, but I wish she would realize the extent of Syaoran’s insecurities and actively help him to overcome some of them.

Thankfully, Tomoyo brightens the mood a bit by starting to film them, leading them to start quickly opening their bentô in embarrassment, where we are graced with another beautiful picture of Syaoran:

Syaoran informs the two that the teacher also told him that on Saturday, their school will be having a zyugyôsankan, an event in Japanese culture where parental figures visit the school to observe their child in class for a day. And that’s the last we see of Syaoran in this chapter...

Sakura brings home the information, worried that her father will be unable to attend due to work. Tôya begins to offer to go in his place, but Fujitaka interrupts and excitedly declares that he can go, calling the university to arrange for him to not work that day. It feels like Fujitaka has been shown to be very cheerful and innocent in Clear Card. Sakura’s personality is often compared to Nadeshiko, but it is nice to see that she gets some of it from her father as well.

We then see that Akiho is having a similar conversation with Kaito. She talks about how she told the teacher that no one could come to observe her, as all her family is living overseas. She also mentions that there were other students who didn’t have any family members who could come, one of which would obviously be Syaoran. Since we don’t see him at school at all on Saturday, I wonder if he went about his school day alone or just stayed home. I just wish someone (like one of his friends, maybe? Looking at you, Sakura and Tomoyo) had remembered him that day and made sure he wasn’t lonely :(

But anyway, enough about my favorite character, since CLAMP clearly doesn’t feel the same way.

Kaito slyly remarks that he could go to the school as her parental figure, if Akiho so desired. Akiho, blissfully ignorant of Kaito’s evident malicious intent, says she would be very happy if he did so. I must admit that while I wish Akiho were a bit more perceptive, her elation is very cute. I hope Kaito listens to Momo and realizes how much Akiho cares about him before he decides to do any evil stuff around her--or worse, continue to use his time magic and sever his soul beyond repair.

After Akiho is safely out of earshot, Momo asks Kaito if he intends to “do something”; i.e., attempt to cause the creation of another Clear Card. Kaito says that he would like to if he has an opportunity, but explains that his real reason for wanting to go is that there is a person he assumes will be there whom he would like to meet.

The day comes, the parents see the children in class, et cetera. The topic of Sakura and Tomoyo resembling their parents comes up, and Sakura asks Akiho if she looks like any of her family members. Akiho says she doesn’t know, as she has rarely seen the faces of any of her family members, and she was told her parents passed away right after she was born. This is very interesting information. While the depiction of the person assumed to be Akiho’s mother on the cover of Chapter 37 having angel wings did suggest that she was not alive, it has now been more or less confirmed. However, Akiho’s phrasing unnerves me a bit. The creepy and clearly evil Clan to which she belongs, which has always valued the gaining of more power above even the lives of its members, informed Akiho that right after she was born, her parents “passed away”? I wonder what terrible fate befell the two of them after their failure to bear a magical child...

Sakura, being kind as always, takes Akiho’s hand and tells her with a smile that she is the first person whom Akiho resembles. An innocent comment that, with the knowledge of the forced magical synchronization of Sakura and Akiho, becomes slightly less cutesy.

Kaito comes in to watch the choir practice, and Fujitaka seems quite startled--I wonder if, with half of Clow’s power, he can sense Kaito’s presence?

We find out that the person Kaito wanted to meet was indeed Fujitaka. Here lies another bit of discrepancy between translations. In the Japanese and Spanish versions, Kaito says that the vessel they have created (i.e. Akiho) holds even greater magic potential than Fujitaka, half of the reincarnation of Clow Reed. In the English version, however, he says that Fujitaka himself is a vessel, and that he is an even bigger one than Akiho. (I did not finish the chapter in French, and it seems CLAMP has taken down the video now, so I unfortunately do not know how the French version translated this scene.) The quality of the official English translations for Cardcaptor Sakura, whether the original manga or the Clear Card chapters, is just pathetic. It’s no wonder I spend half my time in the fandom answering basic questions for English fans--the garbage translations can’t even bother to properly translate essential plot points. Just how is it that the unofficial fan translations people produce are more accurately translated than all of the OFFICIAL English translations? Alright, I’m done being salty. Back to the chapter.

Kaito is all ready to start causing mischief in order to inspire the creation of a new card, when who should appear...but NADESHIKO. Oh my god. The intensity of her expression, the mild fear in Kaito’s eyes...I am entirely ready to see Nadeshiko protect her husband and the two little Alices in Chapter 41!

If you read this far, thank you so much for taking the time to hear my thoughts!

#ccs #clear card #lgbtq #syaoran #yuna d. kaito #cardcaptor sakura #cardcaptor sakura clear card

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