#Yamamoto would prefer not to see analysis like this

[gallusrostromegalus]

Kenpachi Realizes Nobody Else Actually Read The Employee Handbook And Decides To Get Inventive, A Story In A Ranking Chart

Yamamoto Thought He Was Punishing Everyone Including Zaraki By Making Him Actually Fill Out That Report, Was Not Ready For Zaraki To Deliver A Twelve Hundred Slide Powerpoint Category Seven Autism Infodump About It A Week Later, A Sequel

[fantastic-rambles]

The Snakes’ Deception

Fandom: Haikyuu!! (@aikk00's Racing AU)

Characters (in order of appearance): Kozume Kenma, Kuroo Tetsurou, Yaku Morisuke, Sakishima Isumi, Daishou Suguru, Fukunaga Shouhei, Yamamoto Taketora, Haiba Lev, other Nekoma members (not mentioned by name)

Warnings: Physical Violence, Language

Word Count: 2.2k

Summary: When the Snakes, led by Daishou Suguru, come to challenge Kuroo for the title of Drift King, the Nekoma Crew isn’t going to take that lying down. But when the Snakes start to play nasty, the stakes are raised even further, and Kuroo has to fight to stay calm and prove that he’s the undisputed champion.

[A/N: RIP my dozen other drafts for other stories. I actually was planning to write this a few days before the Daishou art (also by aikk00), except I knew practically nothing about drift racing so I needed to do research, lul. I watched Tokyo Drift, some Initial D, some Grand Tour, and did a lot of reading online on drift racing and drifting in general, but tbh, I still don’t quite understand the mechanics (I don’t drive stick and I can’t go out and learn how to drift), so I apologize if this is horribly inaccurate. :P]

"The road condition looks good today, but it's still a little wet from earlier. Watch yourself going into the turns so you don't end up spinning out. The Snakes will probably do something though, especially since they asked you to race with Sakishima before Daishou. It should be okay when you're in the lead, but be ready to take defensive measures when you're chasing. My guess is that they'll try to take advantage of your skill at closing the gap and your power-over drift to orchestrate some sort of accident," Kenma commented quietly without looking up from his laptop, his fingers tapping away as he inputted a continuous stream of data. He seemed oblivious to the roar of the crowd outside the car, and Kuroo reached over to tousle his black-and-gold hair affectionately.

"Got it, Kenma. Anything else?"

"I know you won't listen, but you should just go all-out from the start. Not your usual way of racing. But if you do end up chasing, just do a normal drift and keep space between you and Sakishima. If they are aiming for an accident, it's more likely to happen when you're on the outside, so it'll slam into your side and Sakishima will be safe. But your numbers look good. I'm just going to tell Yaku-san to put a little more air into your rear tires," Kenma replied, closing the lid on his laptop and pushing open the passenger-side door, letting the sound of cheering and taunts into the vehicle. After he'd left and closed the door, Kuroo rolled down his window to light a cigarette, letting the smoke drift out into the night sky. Kenma hadn't said anything that he hadn't expected--especially with regard to the Snakes--but it was always reassuring to get their analyst's perspective before a race. Kenma wasn't the type to get fired up like the rest of the crew, but that cool-headed analysis was part of the reason they were able to climb so high in the rankings despite not always having the best cars or the best drivers. The ridiculous title of "Drift King" that he'd somehow ended up with was the result of Kenma's work as much as his own.

Still, Kenma was right. Even if it meant getting into an accident, Kuroo didn't intend to change the way he drifted. Part of the thrill of these races was the pure adrenaline high from going fast, especially when there was the risk of injury or even death. It was the reason why he'd mastered the power-over drift so that he could keep accelerating through the turn, and swung close enough to his opponents during his chases to make them panic. Even against the Snakes and their underhanded dealings, he'd show them that his way of fighting was still better, no matter what they threw at him.

He looked up when a shadow fell over him as Yaku leaned over his open window, the electric pump in his hand.

"You're good to go, Kuroo. Go ahead and show off," Yaku shouted over the din. Kuroo nodded, flicking his cigarette out the window and rolling up the glass. Yaku stepped back as he revved the engine, pulling up to the starting line where Sakishima was already waiting. Unlike most racers, Kuroo preferred chasing from the start to throw his opponent off his game. Before he'd inherited the title of Drift King, he'd been known as the Comeback Kid for his knack for overcoming what was traditionally seen as an unfavorable position. But the psychological benefit of overtaking the opponent and the pressure it put on the other racer, in addition to his skill with his clean lines and sharp angles that allowed him to do so consistently, had eventually shot him to the top of the Tokyo drifting world.

At the signal, Sakishima peeled past the starting line, and Kuroo quickly shot after him, staying close to his tail as they sped down the course. Even though his heart was racing, his head was completely clear, every sense focused on the view just beyond his windshield. Both he and Kenma were confident that Sakishima wouldn't try anything until the turn, but that was no reason to relax, especially at the speeds that they were going. Still, nothing happened when they reached the first clipping point, and Kuroo's eyes narrowed as he quickly estimated the distances and speeds between their cars, making his calculations swiftly and throwing himself into a drift just a heartbeat after Sakishima.

And it was perfect. His hand rested casually on the wheel as his tires squealed, sending up plumes of smoke as the tail of his car whipped around the curve, flying nearly parallel to Sakishima. The Snake seemed rattled as he spun into the next turn, turning slightly wide as Kuroo effortlessly stuck to him, their cars nearly touching as Kuroo grinned. It was pretty clear already which of them was the better drifter, not that it had ever been a question.

He let the car carry itself into the third point with just a few adjustments on his side, almost laughing as Sakishima had to drag on his own wheel to make the turn. The perfect chance presented itself almost immediately, and he aimed for the gap in Sakishima's barely controlled swing. But then, suddenly, the other car was spinning out as the Snake overcompensated, an out-of-control, two-ton wrecking ball flying toward him.

Kuroo jerked his wheel, pulling himself out of the drift and spinning out himself, the two cars making donuts on the road until he couldn't tell left from right. But the ominous crunch of metal never came, and when his car finally screeched to a stop, Kuroo slapped himself out of the harness and kicked his door open, stepping out onto the asphalt and casting his glare out at the spectators, looking for one specific slit-eyed face in particular.

"Daishou!" he bellowed, stomping toward the crowd and seizing the Snake by the collar, dragging him over the barrier. "What the fuck was that?"

But the other man just stared at him, all wide-eyed innocence. "'What the fuck' was what, Kuroo-san? Isumi made a mistake. Everyone saw that. He's not used to wet roads, but that's why I asked you to run with him so he could get some practice, because you're the only one good enough to not get hurt if he really fucks up. Like he did."

"Don't give me that bullshit!" Kuroo spun and slammed Daishou onto the ground, making the Snake wince as his back made contact with the asphalt. "That trick had your slime smeared all over it. You wanted to use Sakishima to take me out so you'd win the next run by default. If I hadn't been expecting something like that from you, I'd probably be in an ambulance on my way to the hospital right now."

Sakishima had caught up to them and was now clinging to Kuroo's arm, trying to pull him off while babbling insincere apologies. Kuroo shrugged him off impatiently as Daishou's hands landed on his wrist, trying to make him let go, but Kuroo shook him like a terrier with a rat, the adrenaline and testosterone giving him an incredible high.

"Really, Kuroo-san. Ask anyone. They would all say that it's a normal accident," Daishou protested. "You know these kinds of things happen all the time. But you're okay, Isumi's okay. No harm, no foul, right?"

The crowd was murmuring in the background, but Kuroo couldn't hear what they were saying through the blood pounding in his ears. He was just drawing his fist back to punch that smarmy smile off the Snake's face when a deluge of water crashed over both of them. Sputtering, he looked up to see Shouhei holding an empty bucket, Kenma standing beside him.

"Cooled off, Kuro?" Kenma asked in his deadpan voice as he approached them. "Or should I ask Fukunaga to get another bucket?"

Kuroo grimaced, shaking the water out of his eyes and hair as he leaned back slightly, still not letting Daishou go. Kenma crouched beside him, speaking softly, so that the crowd couldn't hear.

"You know that the Snakes are just like this. To everyone else, this does look like a normal accident. If you go any further, you're the one that's going to get a bad reputation. Right now, we can still pass it off as the heat of the moment. Let him go, Kuro."

"Yeah, listen to your girlfriend, Kuro," Daishou taunted. Kuroo's expression shut down, and he drew back his arm again. But this time, Kenma clung to it, still hissing in his ear.

"Stop it, Kuro. You know that everyone says that. They've been saying it for years. It doesn't mean anything. Stop letting him get to you!"

Kuroo grimaced again, but he listened to Kenma, letting his friend quietly talk him down until he was calm enough to shove Daishou away and get up. Accepting a towel from Shouhei, he tousled his hair dry while glaring at Daishou, who got back to his feet with as much dignity as he could muster.

"Sakishima-san forfeited the run," Kenma continued, still talking in his flat, measured tone. "So you'll be up against Daishou later. Are you up to it?"

"Fuck yeah, I'm ready to beat his ass," Kuroo snarled, and Kenma nodded at Shouhei, who ran across the asphalt to retrieve Kuroo's car. They'd probably replace the rear wheels to be safe, and then Kenma would have to run his checks again, but when they were done, his car would be better than new and more than ready to run the cheating bastard into the ground.

He reached into his pocket to pull out his pack of cigarettes, bending over to accept Kenma's offer of a light, and took a deep drag to steady his nerves. Being emotional during a race was the fastest way to get a ride to the morgue, so he needed to re-center himself. By then, the rest of his team had caught up to him, and Tora's particularly heated spiel about Daishou and his team helped bleed away most of the anger as they walked back to the starting line. Kenma had slipped away at some point, and Yaku was nowhere to be seen, so they were probably working on the car while he settled down. Really, he didn't deserve his friends.

By the time they arrived back at the beginning, the cool night air had washed away the rest of his irritation, which was probably Kenma's intention in making him walk back with the others. Shouhei and Yaku had just finished installing new tires, and Kenma was hunched over his laptop again on the curb, only looking up briefly when Kuroo sat down next to him.

"Thanks."

Kenma shrugged, his face bleached by the light from his screen. "I'm just doing my job."

"I mean earlier."

Kenma shrugged again, and a comfortable silence settled between them, broken only by the clicking of the keyboard. The rest of the team was huddled around the car, making checks and occasionally bringing Kenma more numbers, gradually shifting to sit around their captain and his brain, filling the silence with their chatter as other drifters made their runs.

"Hey, wait! You're playing a game, Kenma!" Lev protested, peering over Kenma's shoulder. "What about the race?"

"Kuroo will be fine," Kenma replied calmly as Kuroo looked over at his screen too, which seemed to be displaying the view through a sniper's scope. "His car's fine, and Daishou wants to beat Kuroo. If he tries the same thing, it'll be suspicious, and even if he did, if Kuroo doesn't spin out again, then Daishou will lose. And Kuroo is better than him, so if he does try anything else, it'd be more likely that he'd mess up and Kuroo would still win. His best chance at this point is a fair fight, and that means Kuroo could drive laps around him all day."

Kuroo grinned, standing up and stretching. "Well then, I guess that's my cue to get ready. I'll see you all at the finish line."

He walked over to his car, standing by the driver's door and just running a hand over the shining, red exterior for a moment. Then, taking a deep breath, he got inside, strapping himself down. The familiar feeling of exhilaration that he got just before a run made him smile as he pulled into place behind the next pair of cars, watching out of the corner of his eye as Daishou pulled up next to him.

And then, soon enough, they were flying down the road, Kuroo chasing again, keeping the pressure on his opponent. As Kenma had said, there was no way for Daishou to beat him, and he proved that as he took the lead at the very first bend, hitting the edge perfectly while gunning his engine through the whole course, making the best run that he'd probably ever done and leaving Daishou in his dust. If it was possible, he was even sharper on the turns than he had been against Sakishima, pushing himself and his car to the utmost limit. And there was no better feeling than watching the Snake come up to him to shake his hand after his loss, smiling like it hurt his teeth.

"As expected of the Drift King. But it won't last forever. Someday, someone will knock you off that throne."

And Kuroo had smiled back, the smirk that he knew infuriated Daishou more than anything else.

"Come at me whenever you want. I'll beat you down every time."

[A/N2: This isn't KuroKen. They're just really good childhood friends, so Kenma knows how to calm Kuroo down because they've been part of each other's lives for so long, and Kenma in particular is good at paying attention to people. Kuroo gets pissed at Daishou for calling Kenma his "girlfriend" not because of the implication that he's "whipped" (because Kuroo is perfectly secure in his masculinity), but rather because I have a headcanon that Kenma got teased a lot for being "girly" (weak, thin, kinda androgenous, etc.) growing up, so Kuroo still gets upset when that's used to insult his best friend (even though Kenma honestly doesn't give a fuck). But they're not in a romantic relationship; they just spend a lot of time together.

Of course, if you wanna interpret it as KuroKen, that's your prerogative, but that wasn't my intention in writing this.]

[goldenhydreigon47]

Y'know, I'm bored. May as well talk about the OCs I have for Rebel Hearts.

Aight so context: Rebel Hearts is based on the Terraria Calamity mod and is set after the Supreme Calamitas fight (Henceforth, I shall refer to Calamitas as Cal, Catastrophe as Cat, and Devourer of Gods as Dev. Why? Because that's what they prefer to be called in the story) but before the Yharim fight. Why? Well, simple: The Yharim and Draedon fights aren't in the game yet.

Please note, the only characters original to Calamity mod involved in this story are Cal, Cat, Cataclysm (the youngest of the siblings of themself, Cal, and Cat. I'll make another post about these three and Dev since I like all four of them so much), Dev, Xeroc, Noxus, Ignalius, Providence, Yharim, Yharon, and Draedon. Everyone else is a fully original character. So, uh, yeah. Here we go!

First up is the main character: Mariko Yamamoto (he/him or they/them pronouns). He's half human and half demon and boyfriends with Cataclysm in the story. Mariko's in the Mage class but specializes particularly in ice magic. His father, who was a thief and murderer who also did quite atrocious things I don't feel comfortable mentioning on here, was killed in front of Mariko when he was only 5 years old. His mother, depressed at the loss of her husband, tragically took her own life a few weeks later. Mariko was trained in combat, education, and life skills by his brother, Kronus, until Mariko was 16. A few weeks later, Yharim came along, bringing a then brainwashed Dev and Cal with him, and demolished Mariko's entire hometown, his brother sacrificing himself to save his life. Mariko, determined to save people, guided everyone to the exits while warding off Cal, who was less aggressive seeing how noble and polite Mariko was. Afterwards, Mariko literally dies from exhaustion, but is revived by Xeroc, who mentioned that his brother's dying wish was to, "Keep Mariko safe," or something along those lines and gives Mariko temporary immortality. Three years and three hundred and sixty deaths later, he defeats Cal and her brothers, but spares their lives, knowing that they don't want to live under Yharim. Months later (and additional fifty deaths, one of which caused by a backstab from Mariko's ex-ally Necro. Also, Mariko is 20 by now), Mariko is kidnapped by Yharim and tortured, causing him to die ten more times. However, as he was chained up, Mariko saw remorse in Cal's eyes, and decided to free her himself since her brothers had escaped already. Three months later, he encounters an escaping Cal and Dev and togther, with Cal's brothers, they form an alliance to defeat Yharim, with others joining later on. Speaking of which...

Akira Tadashi (they/them) is the next major OC to join Mariko's alliance. They were a vigilante Rogue class after Yharim burned down their hometown with Yharon when Akira was 15. This, along with constant abuse from his father because of Akira's feminine looks, caused immense trauma and PTSD for Akira. As a vigilante, they sometimes encountered and helped Mariko, with Akira never saying their actual name to Mariko. Upon encountering Mariko, Cal, Cat, Cataclysm, and Dev, Mariko and Akira have a friendly duel to test each other's strength and, after Mariko wins, Akira quickly joins them in their quest to eliminate Yharim (they are 19 during the story).

Next is Josephine Joachim (she/her), or Jojo as she prefers. Raised in the village of Erupis, she is from a long line of Summoners and gained her Stardust Guardian, which she dubbed 「Guns and Roses」 (yes, this is the character most of the Jojo's Bizarre Adventure references are going to) after an encounter with Yharim when she was 14 (she's 18 in the story). Upon meeting Mariko and Cal, she offers to take the team to her hometown but tragedy strikes as her mother is killed in front of her by Draedon and his new assistant, Sunork (keep that name in mind when I give the villains analysis later this week 😉). As she watched her mother die in her arms, she realized her true purpose: Defeat Yharim and free those trembling in fear from his tyranny.

Also, Yhagrim (he/him). Labelled as the "Hermit of the Mountains," most details about him are unknown minus his age (he's 27). After being discovered by Mariko, Yhagrim explains that, in fact, he is the youngest of the sibling trio of himself, Ignalius, and Yharim (Yharim is also related to Mariko but we'll get to that in the villain info). Upon their village trying to kill Yharim for trying to obtain power with dirty deeds, Yharim goes mental and destroys the village, including killing Ignalius. When he saw his brother, Yhagrim noticed Yharim stole the dragon egg that he was given by his parents at age 13 (this egg hatches to become Yharon). Yharim then quickly takes over a majority of the world and banished Yhagrim, erasing his name from all records as well as any info about him. When asked if he wanted to join Mariko's squad, Yhagrim initially declines, but joins after hearing about some of what Yharim did to his subjects (trust me it isn't pretty. Btw, Yhagrim's Joining arc isn't complete yet but it goes DEEPLY in depth into Yharim's childhood and family life. This is just a summary). Being an expert at Melee class attacks, Yhagrim can dual wield two of the Melee's best weapons: Nanoblack Reaper and Triactis' True Paladinian Mage Hammer of Might, so don't cross him.

And finally for the main cast out of the OCs I made, Drakonis Tremaine (she/her or they/them). While this Ranger class hasn't joined Mariko's group yet, her arc is after Yhagrim's so its very soon (she even forms a love relationship with Jojo). However, I wanted to mention her here because, what the hell, I mentioned everyone else, may as well talk about her. She is notably the edgiest and angriest of the group (only getting slightly less edgy during the story might I add) and is very reckless. How this came to be? Well, as a child, she grew up around a very conservative community she didn't really care for, despite how rich her parents were. This hatred only grew as she slowly started to become more comfortable with saying she was trans feminine and lesbian. However, upon coming out to her parents, they screamed at her and abused her for several months because bastards. If that wasn't enough, because her parents were high standing citizens in her city, many of the other bigots living there harassed, bullied, and even attacked her with intent to kill. All she wanted was to be accepted and validated, which she would later gain upon meeting Mariko's group, but her idiotic community wouldn't give her the acceptance or validity she needed (this entire bigoted community thing is based on my experience as a bisexual in the highly conservative state of Kentucky. I am not okay. Send help). So, eventually, her bottled up sadness, pain, and rage erupted and she genocided everyone in her town. This temper and dark side of her was sought out by mega bastard Yharim. However, Drakonis now lived by the ideal of, "Trust nobody, not even yourself, unless your desperate," so she outright refused to join Yharim, shooting him in the arm and nearly killing him, but he escaped because of Draedon's teleportation device. Many years later (she's 18 by now), she encounters Mariko and Cal, who offer her a spot on the team. With an annoyed and sarcastic tone, she again refuses, but some midnight talks with Jojo while the group is in Erupis and another major event that takes place during Drakonis' arc force her hand causing her to join.

Main Character OC Infodump completed. Infodump on Cal, her brothers, and Dev is next, then an infodump on the villains.

Hope you enjoyed this and I'll post excerpts from the story (currently in Yhagrim's arc) soon to show what happens during each arc (which range from two to twenty five sections). : )

[sunflowereviews]

WARNING: KATEKYO HITMAN REBORN! (Things to know before getting into KHR!) (A pinned post)

I’ve suddenly remembered why I made this blog in the first place (◣∀◢)ψ

(TL;DR at the end) 

TO WARN YOU ALL ABOUT KATEKYO HITMAN REBORN. 

If you’re looking to get into it, I want to tell you a few things. 

It was originally meant to be a gag manga, but its popularity was in decline so they turned it into a shounen manga.

I’m saying this because if you’ve searched up the main character, Tsunayoshi Sawada, you’ve seen this

But when you actually got into the series, you saw this: 

That’s the beginning, the original gag part of the manga where Tsuna is incredibly annoying and made everyone want to throw bricks at him. 

I believe that in the anime, the gag goes on for about twenty episodes. In the manga, it goes on for sixty-two chapters. 

I’m saying this because the original gag part is really annoying, boring, and slow. It’s not funny and it was a pain for me to go through when I started reading it. Now that you know when the serious shounen stuff starts, you can skip the original gag and get straight to the good stuff. 

The only issue you’ll have with skipping it is you won’t know anything about the characters and their abilities. I don’t know anyone who skipped it so I can’t say if you’ll be able to figure it out quickly or if it’ll take some time.

IF you do skip it, DO NOT, under ANY circumstances, look at ANYTHING on the Katekyo Hitman Reborn wiki pages. You WILL get spoiled. Instead, I’ll give you a summary of each character from the wiki pages. 

TSUNAYOSHI SAWADA - The main character

Tsuna is called “No Good Tsuna” by his classmates because of his poor grades, bad luck, wimpy attitude, and lack of athleticism. He easily admits these things about himself, lacking self-confidence and always doubting himself and quitting easily. 

Tsuna is also the tenth successor to the Vongola, a powerful and influential family in the mafia. His ability is Dying Will Mode and can only be activated by the Dying Will Bullet. He is trained to become the tenth boss by the best hitman in the Vongola family, Reborn.

Dying Will Mode: His body’s limiters are removed and he becomes stronger. This happens because when he is shot by the Dying Will Bullet, he is put in a life-or-death situation and he must fulfill his dying will. 

Tsunayoshi Sawada attends Namimori Middle School.

REBORN - Main

Reborn is the best hitman in the mafia. He helps Tsuna train to become the tenth boss of the Vongola. He is confident and unpredictable. He enjoys teasing his students and pulling pranks on them. Readers will find that he also enjoys cosplaying as he is often seen with different outfits.

HAYATO GOKUDERA - Main

Hayato is the right-hand man of Tsuna and he takes his role very seriously. He portrays himself as a delinquent but contrary to his image, he actually does very well in school. He has a short temper and is very irritable towards everyone except Reborn and Tsuna.

He uses dynamites and traps as his weapons and fights in enclosed spaces and at mid-range. He is also a very intelligent fighter.

Hayato Gokudera attends Namimori Middle School.

TAKESHI YAMAMOTO - Main

Usually called “Yamamoto,” he is friendly and naive, thinking that being part of the Vongola is simply a game that they are playing for fun. He is willing to make sacrifices for things that are important to him. He loves baseball and is just about as dumb as Tsuna. 

Reborn gives him a bat that is actually a sword as a weapon.

Takeshi Yamamoto attends Namimori Middle School.

LAMBO - Main

Lambo is a five-year-old hitman who came to Japan to kill Reborn. He is a whiny and spoiled brat who has to be babysat by Tsuna’s friends and family. He is confident in himself and his abilities but cries over little things. 

Whenever he is in trouble, he will use the 10-Year Bazooka, which is a bazooka that brings the version of himself from ten years in the future to the present and the five year old Lambo will disappear for five minutes. After five minutes, the future Lambo will return to the future and the five year old Lambo will return to the present. 

KYOUYA HIBARI - Main 

Kyouya Hibari is the leader of the Namimori Middle Disciplinary Committee, which is actually a group of delinquents. Kyouya enforces discipline in the school with his own methods, using his authority to assault people who get on his nerves.

Kyouya is cold and scary, having no care for the well-being of others. He will do whatever it takes to get what he wants. He hates crowds and prefers to be alone, often hanging out alone at the school roof.

He has an extreme loyalty to his school, punishing anyone who breaks the rules, even if they don’t attend Namimori. He has the school’s anthem set as his ringtone. 

He wields tonfas as his weapons. He has full confidence in his fighting ability and dives straight into fights without thinking.  He is the strongest at Namimori. 

Kyouya Hibari attends Namimori Middle School.

RYOUHEI SASAGAWA - Main

Ryouhei loves boxing and lives life to the extreme. He is the captain of the boxing club and has a great passion for it. Ryouhei has a tendency to rush into fights without doing a fully analysis due to his enthusiasm. He has a short memory so he often forgets important details. He is always looking to fight new opponents and learn to improve himself. 

He is loyal to his friends, as he will protect his friends without thinking twice about the danger he is putting himself in. He has a soft spot for women and children.

Ryouhei utilizes boxing to fight.

Ryouhei Sasagawa attends Namimori Middle School.

FUUTA DE LA STELLA - Supporting 

Fuuta has the ability to determine rankings of people in any kind of category. He has a wide range of knowledge which makes him invaluable to the mafia. He becomes friends with Tsuna.

DINO CAVALLONE - Supporting 

Dino is the leader of the Cavallone family which are allied with the Vongola. He has great leadership and combat skills.

Reborn trained him so he could become the boss of the Cavallone. Dino is devoted to his family (mafia family) but it backfires as he can no longer fight without the members of the family watching him. 

He uses a bullwhip and his pet turtle, Enzio as his weapons. 

DOCTOR SHAMAL - Supporting 

Doctor Shamal is a skilled doctor. He is a womanizer and hits on every woman he sees. Due to his obsession with women, he refuses to treat men with injuries and will only treat women. Occasionally, he treats men out of sympathy. He has 666 disease but none of them have killed him because the diseases negate each other. 

He is called “Trident Shamal” because he is an incredibly skilled assassin. He uses Trident Mosquitoes as his weapon. He can inflict illnesses or cancel illnesses with the mosquitoes. 

BIANCHI - Supporting 

Bianchi is a freelance assassin from Italy and the older half-sister of Hayato Gokudera. She is passionate when it comes to love, to the point where she can become violent. Aside from that, she is generally a kind person. 

Her ability is Poison Cooking. Anything that she cooks or touches will be poisoned and uses this to incapacitate her opponents. When she snaps her fingers, the poisoned food will explode. Tsuna tried to avoid eating her food because he is the only one who knows it is poisoned. 

Bianchi developed this ability when she was a teen. She would cook food for Hayato but the food was so bad that it would give him horrible stomach pains or make him vomit. Eventually, it became Poison Cooking. Hayato can no longer look at Bianchi without having severe stomach pain, vomiting, or passing out because when he looks at her, he remembers to horrible food that she forced him to eat. 

KYOKO SASAGAWA - Supporting 

Kyoko is the younger sister of Ryouhei Sasagawa and the love interest of Tsuna. She is care free and doesn’t question the odd things that occur around her as she is also somewhat of an air-head. She is a kind and caring girl and rarely gets angry. 

Like Yamamoto, she thinks that being part of the Vongola is a game that they are playing. 

Kyoko attends Namimori Middle School.

HARU MIURA - Supporting 

Haru is an upbeat, enthusiastic, and care free girl. Although she has a crush of Tsuna, she is not the love interest. Unlike Kyoko and Yamamoto, she knows that the Vongola are real and aims to become the wife of the future boss, Tsuna. 

I-PIN - Supporting

I-Pin is an assassin from Hong Kong who came to Japan to assassinate someone. She is energetic and friendly with everyone but will often get into fights with Lambo. She is also infatuated with Kyoya Hibari because he resembles her master. 

Gyoza-Kempo and Pinzu-Timed Super Explosion are her abilties. Gyoza-Kempo is an attack that combines her martial arts with the strong scent of garlic from gyoza dymplings. This attack contains the essence of five-million gyoza which is enough to kill a human. 

Pinzu-Timed Super Explosion is an ability where, when activated, she becomes a human bomb. A count down begins and the process of the count down can be seen on her forehead. 

Credit to MyAnimeList.net and the KHR fandom wiki for the pictures and information.

TLDR: If you’re watching the anime, skip the first twenty episodes if you don’t like bad gag comedy. If you’re reading the manga, skip the first sixty-two chapters. If you want to educate yourself about the characters, you can read the character summaries I’ve made above. 

You guys have no idea how much time I spent on this. At one point, I accidentally deleted everything and had to start again D:

Thanks for reading!!!

-Taiwan

[ouranimeyeah]

The Dangers of Blindly Watching Anime: Why Staff  Matter

Over the course of my career as a blogger and anime you-tuber I’ve realized that in the cultural consciousness of the average anime fan there isn’t much of a knowledge or awareness of the staff members behind a show outside of the higher tier inner circle of Otaku.  Staff is extremely important because over the course of the career of a creative staff you can realize which people prefer to work with whom and what type of content they either want to create or adapt. For example if you look at a studio shaft show directed by Akiyuki Shinbo there tends to be a lot of christian Iconography, stark black and white coloring, close-ups the eyes, and really striking color palettes. When he was working on Yu Yu hakusho as an animation staff he put a lot of emphasis on exaggerated movement often changing up the style of his characters faces to really sell the intensity of  scene.  Many people can appreciate these aspects of this guy’s work but alot of people are turned away from his more recent work on the Bakemonogatari series, written by Nisio Isin. Isin tends to write works with very sexualized characters who appear to be younger then they look and so seeing how Shinbo Adapts these works many people who feel uncomfortable with these aspects of something could find themselves clocking out of works done by him. However if you aren’t aware of the fact that Shinbo and Isin are the ones in charge of the creation of the project, and aren’t aware of the history of their works, you could pick up a show you very quickly regret. This same difference could be said for shows you could be spending more time on and actually enjoy. 

For example if you’re someone who has a thing for high quality gorgeously animated action shows you could look to people like Shinbo who has that understanding but try to veer away from the more niche and fetish sides of Otaku culture. For example if you see animation director Yutaka Nakamura, Kazuto Nakazawa, Takeshi Koike and the like of these types of people. I would even make the call of someone like Hiroyuki Okiura as well. These guys understand the best way to convey movement and create some of the best fight scenes and I hope to elaborate on who these guys are in hopes of instilling a comprehensive understanding of being able to pick out what types of show you want to watch. Whether it be Osamu Dezaki, Satoshi Kon or Yoshiaki Kawajiri , Sayo Yamamoto, Naoko Yamada, or Rie Matsumoto  these names can really be paramount in defining your taste as an anime fan and really help you optimize on your experience so you aren’t wasting your time watching shows you otherwise wouldn’t because the premise might be good. 

Over the next couple month’s I will be posting analysis and giving details on these different staff members and which studios they commonly occupy in order to help you guys find which shows are best for you!

Have fun!

[identybeautynet]

Black In Fashion 2021

Black In Fashion Only black is the new black: a cultural history of fashion’s favorite shade When the group Time’s Up encouraged all actresses and actors who would walk the Golden Globes red carpet to dress in a show of solidarity against sexual harassment of women in Hollywood and other workplaces, the color it asked them to wear was black. On Jan. 30, a group of women in the US congress followed their lead, donning black for the first state of the union address by president Trump, who has himself been accused by numerous women of sexual misconduct. There is nothing about black that inherently signifies protest, but really no other shade would have sent so clear a message. There’s a reason country legend Johnny Cash also chose to wear black as a reminder to Americans of the everyday injustices in their midst. Black clothing has an undeniable power. Unlike red or green, which represent specific wavelengths of light, black isn’t exactly a color; it’s what we see when an object absorbs all visible wavelengths, putting it in a category by itself. Its singular darkness has a unique visual potency, and its adaptability has long made it open to interpretation by the numerous groups that have adopted it. Black connotes seriousness and diligence, as in the black worn by religious orders. It can be sinister or rebellious, like the black cloaks of witches or the black leather jackets worn by biker gangs. In many cultures, it’s the color of mourning. But it can simultaneously be the epitome of chic and sophistication, yet charged with eroticism. All these qualities have given black a distinctive position in fashion enjoyed by no other color. The Little Purple Dress is not famous. “Yellow tie” is not a recognized dress code. Only black will ever be the new black. Black is in Among the endless variety of colors and combinations that fashion retailers stock, black is a perennially popular choice. In a recent analysis of more than 183,000 dresses retailing online in the US, retail technology firm Edited found that about 38.5% were some shade of black, making it by far the most common color available. Only about 10.7% of dresses came in the second-most popular shade, white. EDITED Edited’s representation of the dress colors currently retailing online in the US. At the moment, black’s popularity also appears to be surging. According to Edited’s data, black dresses sold out in far greater numbers in the first few weeks of January 2018 than during the same period last year. Edited did point to Time’s Up having an effect, though it’s difficult to pinpoint exactly what’s fueling the trend, since an increase in the availability of black clothing online predates the movement. From the third quarter of 2014 to the same time in 2017, Edited found that black clothing for women grew substantially at a number of fast-fashion brands—by 269% at Boohoo, 145% at Zara, 114% at H&M, and 89% at Forever 21. Katie Smith, the firm’s retail analysis & insights director, attributed it to the brands “using black to try and establish longevity of their ranges, and appeal to a wider customer base.” The numbers speak to the breadth and endurance of black’s appeal. It works with every skin tone, every body type, and is generally a safe choice for a purchase—because even if demand for it ebbs, it never goes out of style. AP PHOTO/FRANCOIS MORI Naomi Campbell in classic black on the Louis Vuitton fall-winter 2018 runway. A cultural history There’s no official start to the modern popularity of black in European and American women’s fashion. Historically it’s been a signifier of grief, dating back to at least the ancient Greeks. But it has also been widely coveted for its appearance. In his book The Story of Black, critic John Harvey notes that, though the Romans principally dyed clothing black for mourning, there are indications they prized it for its stylishness. In the 16th century, there was a vogue for black clothing—then notoriously expensive (pdf)—among Europe’s wealthy, from Spanish nobility in the south to Dutch merchants in the north. But a convenient turning point in black’s more recent reign arrived around the early 20th century. That, Harvey writes, is when black “came to centre stage.” The spotlight fell squarely on it in 1926, with the introduction of Chanel’s famed little black dress. THE MUSEUM OF MODERN ART/MARTIN SECK An array of Little Black Dresses from the Museum of Modern Art’s “Items: Is Fashion Modern?” exhibit. Just prior to that period, black was the standard uniform color for domestic servants and the “shopgirls” who staffed retail shop floors. Social norms, however, were losing their trappings of formality. Sportswear was beginning its rise, and hemlines already climbing higher, as young society women moved away from eras of lavish, restrictive gowns. Shelley Puhak describes in The Atlantic how the upper classes co-opted the easy, modern shopgirl style for themselves. “By the early 1900s, socialites who wanted to appear especially youthful and edgy donned little black dresses,” she writes. When Vogue put a sketch of Chanel’s simple, practical black dress on its cover in 1926, calling it “The Ford” of a woman’s wardrobe, it seemed to make official a new era in women’s clothing. It also promoted black as smart, elegant, attractive. AFP/GETTY IMAGES Coco Chanel lounging in black in 1944. In addition to fashion, black had another powerful force helping it to stand out: film. “The other great promoter of the Little Black Dress was the camera, especially the movie camera,” art and costume historian Anne Hollander wrote in her excellent 1984 essay (pdf). A novel world of entertainment, romance, and movie stars was opening up to an eager public—all in black-and-white. The brilliance of black Black’s effect on the eye gives it an irresistible visual appeal. “A black dress seems to make the body neater and smaller and to unify the parts,” Hollander declares. “Since many bodies are not slim and lack either perfect harmony or absolute coordination, a black dress can help give them that delicious resemblance to a stretch limousine that seems so desirable in the present fashion climate.” Yet black has a remarkable tendency to be distinctive without overshadowing the wearer, in a sense amplifying the person. Hollander points to a scene in Anna Karenina, where Anna attends a ball. Tolstoy describes another woman, Kitty, remarking on her black gown. She realizes that Anna could not have worn lilac, that she was most alluring when she stood out from her clothing. “And the black dress with luxurious lace was not seen on her;” Tolstoy writes, “it was just a frame, and only was she seen.” While it’s not exactly analogous, a recent study of male birds-of-paradise reveals an intriguingly similar power in their black plumage. The birds are well-known for their bobbing courtship dance, but according to the researchers, it’s actually their coloring that determines their success in mating. The mostly black birds raise their wings to form a light-absorbing field, causing their other colors to appear all the more brilliant. “The juxtaposition of darkest black and colors create to bird and human eyes what is essentially an evolved optical illusion,” explained Harvard University evolutionary biologist Dakota McCoy. “This study shows us that black makes us glow.” On male humans, black is often seen as dignified and levelheaded. In his Book of the Courtier, a sort of guide to life in the aristocratic courts of Renaissance Italy, Count Baldassare Castiglione states that black is the preferred color for a man, or at least something dark. Harvey points out in The Story of Black that black has been the standard for men’s evening wear since the 1810s, in large part thanks to the advocacy of Beau Brummell. The name may be familiar to some men. He’s widely considered the inventor of the modern men’s suit and a sort of founding father of contemporary menswear. AP PHOTO Sean Connery on the set of the James Bond movie “You Only Live Twice” in 1966. Black’s hold on high-fashion AP PHOTO A black chiffon cocktail dress from Balenciaga shown in 1957. In the decades since Chanel’s compact black number graced Vogue‘s cover, numerous designers have adopted and elevated black for their own purposes. Cristóbal Balenciaga used it for his elegant, architectural silhouettes, and Yves Saint Laurent for his androgynous “le smoking” women’s tuxedo. In the latter half of the 20th century, it became closely linked to fringe groups and rebellion. Bikers and beatniks donned black. Then, the Japanese design wave of Issey Miyake, Yohji Yamamoto, and Rei Kawakubo of Comme des Garçons made a new art form of the black look. Fashion journalist Suzy Menkes asked Yamamoto what was behind his well-known predilection for black in a 2000 interview for the International Herald Tribune. Yamamoto’s response has evidently summed up the feelings of black’s devotees so well that it has circulated for some time on social networks such as Tumblr and Instagram. ”Black is modest and arrogant at the same time,” he said. “Black is lazy and easy — but mysterious….Black can swallow light, or make things look sharp. But above all black says this: ‘I don’t bother you — don’t bother me!'” Given black’s adaptability and allure, it’s little wonder it remains a popular choice for all sorts of styles today. Black-obsessed artisanal menswear designers deploy it for their exquisite leather jackets. Designers such as Ann Demeulemeester have gravitated toward its romanticism, others like Balmain’s Olivier Rousteing to its sleekness. Black colors fancy cocktail parties, and goth kids match their clothes to their black eyeliner as readily as socialites thrown on black for a night out. By all indications, its attraction isn’t diminishing. We’ll be flying the black flag for years to come. 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