#a massive thank you to the ao3 volunteers for their hard work getting the site back up

[skye-dimitrescui]

Return of the king

[dawnfelagund]

Thank you so much for such a detailed and well reasoned reply! That makes me feel a lot more educated on the subject. Out of curiosity, since ao3’s popularity and ubiquity seems to have bred its insularity and lack of accountability, what do you think they would have to do, promise, or change to become more credible again, or to excise this issue? (While preserving their mission, as AO3 is not a moderated site like SWG). Because I do like their mission statement, and some of their operations seem transparent, but as you said, the zero commentary and progress (outside coding) for three years is ridiculous. And if this is outside the realm of something you can or want to answer, that’s okay! No sweat.

It's really hard to say, to be honest! I'm not very familiar* with how the OTW runs (aside from knowing that it is a registered nonprofit in the U.S. and therefore follows the law where that is concerned), and really, I think the question of what needs to be done to regain credibility is really up to individual users/fans to decide. Like the AI thing? Kind of eye-rolly as indicative of dysfunction because of the lack of communication within the upper echelons of the organization and the inability to quickly get about even a basic reassurance that AI scrapers were blocked. Probably not something I'm going to leave over, though. But End OTW Racism? Especially if I was a fan impacted by racist harassment who felt the site had been made off-limits to me as a result?? Every day of silence would make it hard for them to win back my trust, I'd imagine. I wasn't even involved in the protest but find myself pissed, as we approach a week with no response after the protest ended, by the complete lack of response.

* Though it seems that not many people are familiar with how the OTW runs. I recently read this post, which does go into organization-level changes (and Chestnut is in a much better place to speak on this topic than me), which also has a number of comments from OTW volunteers along the lines of, "Well, I was a volunteer for x years but I'm not 100% sure how this is handled in the org." Which is interesting to me that even long-term volunteers--some of whom were quite high in the hierarchy!--lacked that big picture understanding.

The [lack of] communication piece seems quite big to me. In my experience, that torpedoes an organization quite quickly. In my work running the SWG but also as a teacher-leader (someone who takes on leadership roles in my school and district while remaining in the classroom), I have found that better communication always makes things better. Even just saying, "Hey, I know this is a thing. I'm working on it," makes a difference. My experience is that people tend to be pretty understanding. It's the radio silence that is hard to handle. People feel unseen and unheard. Like right now ... there was just a massive antiracist protest against the OTW and still there is nothing on their news page about their promises three years ago, much less a response to that movement. How can that be?? It's hard not to hear in that, "We don't care." It's hard not to see the lack of response as the response.

I wonder too to what extent this dysfunction is going to be endemic in an organization of this size that is run almost entirely by volunteers. Over the weekend, in writing this post about the SWG archive, I realized that we recently reached 5,000 fanworks. Then while checking the OTW news page to see if there were any updates on antiracist actions going forward, I saw that AO3 recently hit 11 million fanworks. 11 MILLION. I know what goes into an archive of 5,000 fanworks and cannot imagine scaling up more than 2,000 times that on volunteer power alone. I also know that the most difficult and time-consuming work the SWG mods do is moderating our Discord server (which is, again, relatively small and friendly!), and while I don't agree with the argument that "AO3 is no longer an archive but a social site and should be moderated accordingly" (i.e., throw out their ideals around serving as a universal archive), I do wonder if we, as fans, need to accept that a site of that size will not be able to do an adequate job of even the limited moderation they do and socialize/interact elsewhere. Which again takes us back to a "small internet" with sites and groups that function as communities and can be moderated by members of those communities. If people want that, let's do it! Let's build those places again. But as I said in my last post, that task isn't on the OTW/AO3, it is on us.

[brainrotallthewaydown1312]

this is everyone's reminder that AO3 is very important and the staff works tirelessly to keep it as nice, as organized, and as secure as it is. they keep the tags organized and functional, wrangling all the misspelled and slightly different variations of all your favorite tags together. they maintain the largely positive comment base and are regularly getting rid of new comment bots quicker than any other site right now, including much smaller ones. they have protected us from security attacks, given us ways to combat ai scraping, and kept donor lists private, all despite having to swim against the current of modern tech and security company standards to maintain what is best for, us it's userbase. and we are massive. there are so many of us. and staff works hard making sure we are all able to have our comfy little pocket. and they do this as a volunteer run company, relatively quietly. everyone thank staff every chance you get, appreciate them for all they continue to give us, and if you have the means, donate at every opportunity. AO3 is one of the last public safe havens of free expression for writers and artists left and we have staff to thank for that

[mckitterick]

Feel free to not answer this if you don't want to get into it, but what's with all those people saying that AO3 hosts child porn? Like where is it coming from? Is there actual child porn?, I highly doubt it, but like, you seem to know a bit more a bout these "ant1s" (the anti Vs. Pro debate is something I've been trying to avoid cuz it seems v. Stupid, but like, if they are accusing it of hosting CP, is not something I can easily ignore???)

hi anon, and thanks for asking! I appreciate your effort to learn more. I'll do my best to round up the arguments and share further reading

(full disclosure: I'm a pro author, editor, educator, and long-time fan of science and speculative fiction, not a fic writer. one of my friends helped establish the academic side of the Organization for Transformative Works, I know lots of fans and fanfic writers, I've volunteered at fan conventions and academic conferences for decades, and I teach fandom-related things, but I don't personally claim to be an expert)

let's start with this:

Any decent person is against actual childprn.

that includes those who run AO3 - it's specifically not allowed on that site. the site does allow fiction tagged with potential triggers (especially the Big Ones, which require "Archive Warnings")

people who claim AO3 hosts cp are the same folks who seek to ban books with uncomfortable sexual situations and LGBTQ characters just, y'know, living their lives

No decent person approves of actual cp or exploitation of children. that includes the Organization for Transformative Works, which operates AO3.

most folks also feel uncomfortable about a lot of media (including fiction) for a lot of reasons based on real concern for the well-being of others, especially kids and those with trauma in our past. AO3 requires creators to tag potentially triggering things. those who don't get strikes against them

it's easy to tag - and block tags - on AO3, so no one should have to deal with trauma triggers. children under the age of 13 not permitted to have an account or upload content. the volunteers who run AO3 do not tolerate abusive behavior or those who otherwise abuse the community:

so that's the background

I've posted a couple other things today about what some of the anti-fic and anti-LGBTQ contingent have been doing in attempts to limit free expression, but to consolidate here are some relevant pieces

first and most relevant to your ask:

lots about the debate on Fanlore:

basically it comes down to purity culture - that includes homophobes, transphobes, and general conservative antis - seeking to hetero-fy social media. just as they do elsewhere, their basic strategy is to call things they don't like scary names "to protect the childrens!" while they actively work to outlaw everything that actually helps protect kids, especially LGBTQ kids

so, no, AO3 does not host childprn

it does host a bunch of stuff I'd never want to read (even if I read much there), but then I don't have to because tags exist to help block such things

look deeper at the anti-fic folks to better understand why they say this - to be fair, much of it comes from honest concern, as with you, anon. just as many of us accidentally reblog TERF rhetoric because it seems well-intentioned, it's a natural reflex to feel uncomfortable or even disgusted by some stories

but if we let the anti-LGBTQ crowd win re: AO3, what's their next target? even discounting the massive loss of stories and community that would mean, if we begin banning uncomfortable fiction, who decides what's "uncomfortable" next?

I'd rather live in a world that contains both disgusting and LGBTQ-positive fiction than one that only allows straight-cis-white fiction and hard-right propaganda

I urge anyone with concerns like anon's to read the linked posts and talk to someone more deeply involved in fandom - Tumblr is one of the last bastions of pro-fic culture, so you're in the right place to learn more!

[itsclydebitches]

YYH Recaps: Koenma Appears

Welcome to episode two, everyone! Before we get to the recap proper, I want to continue down Nostalgia Lane for a moment. Remember how last time I mentioned a Hiei bookmark I used daily back in middle school? Well, I tore through an old "treasure box" I created as a kid (a collection containing everything from a shark tooth to a small book on witchcraft. You know, the important things every child needs) hoping to find it... but I didn't. It's a hard life we lead.

However, I did find some other YYH relics that I thought you all might enjoy seeing. Behold — and, if you'd like, laugh at — my collection:

First up is a picture of young Toguro and Genkai that I wanted to use as my bookmark, but found that it was too wide. For the record, I didn't (and still don't) care about Toguro much, he was just the byproduct of finding a cool Genkai picture. Not shown is the back of the image with the names of my classmates because I made them all sign this along with our yearbook.

God bless my friends for putting up with me.

Second is a collection of very pretty trading cards that I ordered from god only knows where. I have vague memories of not finding any at my local comics shop and convincing my mom to let me order on The Olde Internet. Did I want the trading cards to trade them? Absolutely not. They exist to sparkle and make my heart happy.

Finally, I've saved what is perhaps the best for last. Now, you have to understand that grade to middle school age Clyde did not have the education that she would receive later on, which includes a knowledge of the ephemeral nature of fanworks and the importance of accurate record keeping. What this means is that I have absolutely no context for this. No author, no explanation... just the image itself.

Was this a standalone fanart? A part of a fic? Some specific request or just the will of the artist? I cannot answer these questions. I tried a reverse image search (which is, admittedly, the extent of my tech skills) and you know what the single hit I got was? "Fiction." Thanks, google. So yeah, I can only assume that my child self considered Kurama giving a de-aged Hiei a bubble bath adorable enough to save, but the artist wasn't important enough to jot down for future viewing. Sorry about that, mystery artist. And, as should go without saying, if anyone does know where this came from please let me know! Though I suspect that this is a case of a YYH-specific site closing down and the fanworks getting lost along with it. That happened a great deal before the age of AO3 when volunteers decided to put their time and talent towards saving fanworks of all sorts... 

But enough of all that. Let's get to recapping!

As we established last episode, Yusuke and Botan are on their way to the spirit world to kickstart Yusuke's ordeal. Watching this after over a decade of consuming other media, I really appreciate that Yusuke acts like a human person and asks lots of questions about this. When Botan is cryptic for the sake of the audience — we're going to see "the person" who can explain everything — Yusuke is justifiably like, and what person would that be?? I mean, this is also a way to establish basic facts for the viewer and it simultaneously feeds into Yusuke being someone who is difficult for the sake of being difficult — "If someone wants to say something, they should come to me!" — but it's just nice to see a character who doesn't accept cryptic BS because the story needs them to. If Botan gives an unclear, but ~dramatic~ explanation, Yusuke is going to call her out on that.

So she explains that they're going to see King Yama and Yusuke is all whoa whoa whoa, there's royalty involved? Suddenly, he's not so adamant that they come to him. 

Botan tries to reinforce this rare spark of humility and demands that Yusuke be on his best behavior from here on out.

Pff. Yeah right.

But “he can send you to oblivion forever if he wants to!” is a suitable enough threat to cow Yusuke for now. Which is interesting considering that a few hours ago he was happy to accept hell as his rightful ending. Granted, we could argue that there's a big difference between hell and oblivion — a character may not be afraid of punishment in the same way they are a lack of existence — but I'd say this ties more into Yusuke's development at the wake. Now that he's accepted that people care for him and that he should strive to return to them, the threat of having it snatched away actually means something. Even if that line is otherwise positioned as a comedic moment.

Botan flies them through a portal where we see the River Styx below and Yusuke comments on how big everything is. At first I was like, "What are you talking about? You were just flying over some major city in fictional Japan, wasn't that big too?" but this line makes more sense when they reach the palace and you realize that yeah, it's big. As in, the camera blurs while tilting down its length to show how insanely tall it is. Yusuke and Botan are tiny gnats at the gate's entrance.

"Oh man, what a pad!" Yusuke says and sure, that's one way to look at it lol.

Botan announces that she has a "new arrival" and the gates open for them, but so far there's no one else around. One part of me wants to question the time and budget put into this scene because shouldn't there be, like, thousands of people? Even just waiting outside? The idea that this is the hub of the underworld and that Botan is responsible for ferrying all the souls, yet she is guiding just this one (1) dude for a solid day is, from a world building perspective, kind of nuts. But beyond the need to develop Botan as a character (she can't be a part of the story if her job is treated realistically, with all the endless work that entails), I think this choice functions rather well from an atmospheric perspective too. Meaning, this moment is supposed to be rather tense for Yusuke. He just died, just found out the afterlife exists, just discovered a desire to get his life back, and is now about to meet a King who can toss him into oblivion if he's rude — which Yusuke always is. So this is a Very Dangerous Moment and their relative isolation feeds into that. As does the setting. Yusuke flinches back from the hallway, saying that it looks like a giant throat, so he is now literally walking into the belly of the beast. 

Suddenly, the size of the palace isn't an indicator of awesome wealth, just general intimidation. Also, check out the spikey purple mountains in the background and the harsh reds of the scene, especially compared to the soft yellow of the river. All of it is designed to create an, "Oh shit" reaction in both Yusuke and the audience.

Yusuke's image of King Yama matches these surroundings:

Oh wait! Wrong character ;)

He's massive, red, shadowed, and poses a formidable threat. And how does Yusuke deal with threats? By fighting them! Even those he can't hope to beat. Remember, this isn't a situation where Yusuke has any power here, but he still desperately holds onto the possibility that he might. What if he gets off a punch on King Yama's nose? Then goes for his eyes? Yeah, that'll work! 

Overlooking the fact that it absolutely would not — Yusuke's fantasy conveniently skips how he escapes Yama's clutches — what exactly is Yusuke hoping to accomplish here? Somehow take over the entire underworld? Escape as a ghost and live out his afterlife in hiding? We don't know and that's because Yusuke doesn't know. He doesn't think ahead, he just obeys this instinct to fight. An instinct that, crucially, overrides everything else. Botan has already told him that all Yusuke needs to do is be polite and everything will be fine, but it's not even that Yusuke believes that he can't achieve that; that he knows himself too well and, fearing a slip, starts planning for a potentially inevitable confrontation. There are simply no plans outside of battle plans. Yusuke just hears about someone vaguely intimidating and his brain jumps straight to, "How do I beat him in a fight?" no matter the odds, or that other options are readily available to him. Again, much of YYH's characterization occurs though its comedy, so outside of the general humor of witnessing this fantasy, it actually does a stellar job of reinforcing precisely who Yusuke is. In life the only thing he had going for him was his ability to fight. It was his one joy, his one skill, arguably the one good thing he did if we frame those reflexes as "saving" the kid... so is it any wonder that fighting dominates his every thought? It's all he knows.

And, as we'll see down the line, that single-minded obsession is very useful to the spirit world.

For now though, Yusuke finishes his absurd plans to take down King Yama and Botan asks what in the world he's muttering about back there. Which is an unintentionally hilarious line because by the end Yusuke is not muttering, but full on shouting. Botan. How did you not hear him?

Not important. They reach the next door and we get our first inkling that all is not as Yusuke (and we) expect when Botan leans into an intercom to say that they've arrived. Tech in a fantasy spirit world? This feels not only out of place, but rather... mundane? That's the point. When the doors open Yusuke expects his super scary monster, but gets... a whole lot of monsters that aren't scary at all!

The underworld is run by various demons (or ogres), though their looks are contrasted with the harried office worker personalities they've got going on. Someone is running by with a comically tall stack of papers. Someone else is shouting into a cell phone. The first two demons we see cross paths, looking like they're about to punch one another, just as Yusuke expects... except they're just dramatically getting out of the other's way, worried not about the hierarchy of this realm, but the fact that someone is behind schedule. The nerve!

"This place is a madhouse!" we hear somehow shout and yeah, that's the joke. The afterlife is just as chaotic, overworked, and — ultimately — boring as any human office. For all the strangeness of seeing hundreds of demons, this is familiar.

Which, alongside Botan's bubbly nature contrasting assumptions about the Grim Reaper, is one of the first instances of YYH undercutting the viewer's expectations in terms of looks. No one entirely looks the part they play in this tale and if you're trying to teach people to look past surface characteristics... there are worse ways to do it. Horrifying creatures with horns and sharp teeth? Nah, they're just chill dudes trying to do their job. Cutesy girl who looks like she belongs in a mall reading magazines? Nah, she's the Grim Reaper. Terrifying delinquent with a spine-chilling reputation? Nah, he makes faces at kids and saves them from cars.

Of course, the "nah" isn't accurate either. These are monsters with horns, Botan is a cutesy girl, and Yusuke is a delinquent with that reputation. The message isn't so much that people look like Thing A, but get to know them and you'll discover they're actually Thing B, it's the idea that you can be A and B (and C, D, E...) simultaneously. People — or rather, seemingly simple archetypes — can, in fact, embody multiple characteristics at once.

We'll get our third example in just a second.

Yusuke makes a comment about this being the "dead people stock exchange" — accurate — and Botan leads him to a more ornate door past all the desks. It's clear they've arrived at King Yama's office, since she's bowing and formally presenting him to... someone. Yusuke looks around for the giant beast he's imagined, only for a tiny voice to hail him from the ground.

Looks are deceiving!

“This is Yusuke Urameshi and he’s honored to meet you." Botan knows what's up. She knows Yusuke isn't going to express anything of the sort without some prompting. Too bad he's busy cracking up at this apparent child running the show. Side note: Yusuke has a fantastic laugh.

He even goes so far as to accuse Botan of lying to him.

“Why would I lie about such a thing?!”

“Why would the spirit world be run by a toddler?”

It's true! That’s a legitimate question! I love that Yusuke asks questions. The "toddler" goes on to explain that he's actually the "mighty Koenma," son of King Yama, though he's lived fifty times as long as Yusuke, "so watch your mouth." Assuming Koenma knows and/or remembers how old Yusuke is — fourteen — and is good at math, that puts him at seven hundred years old. He looks good for his age!

"And in addition to knowing the secrets of the universe," he says, "I am quite potty trained."

You've gotta love Koenma.

Yusuke's attitude changes drastically once they get down to business. Koenma produces an egg, saying that Yusuke's ordeal is to hatch it and face what comes out. The hatching part isn't difficult, all he needs to do is keep it on his person. The challenge is in the fact that this egg will feed off his spirit energy and that energy in turn will change what kind of creature develops. If his spirit is wicked and cruel, so will be the beast and it will devour Yusuke upon hatching.

However, if his spirit is good and kind, the beast will become a sort of guardian, guiding him back to his living body.

Note though that throughout this conversation the egg is always a "beast." It's a "monster." It's not necessarily intentional, but there's a strong bend towards the negative here in the description that really emphasizes the whole "ordeal" aspect. Koenma briefly reassures Yusuke that he can remain a ghost if he prefers, but he's already made up his mind. Despite another threat of being lost to a void — this time through spiritual digestion — Yusuke takes the egg almost without hesitation.

He regrets it later though.

"I can't believe I did that."

Can we blame him? I'd be nervous about some egg feeding off the energy of my soul too and I'm a former, almost straight A student (damn you, math) with no life-altering regrets and a general desire to put as much good into this world as I'm able. I’m boring. But what if those occasional, mean little thoughts you have add up? What if the prejudices you're still unlearning stack against you? Does the egg care about what you do, or only how you feel about the act? This sort of test would eat me alive!

Maybe literally. 

Good thing Yusuke doesn't have time for an existential crisis!

Just as he's beginning to regret this decision, Botan points out that it won't matter if he passes if he doesn't have a body to return to. Now, why wouldn't he have a body? Maybe because his mom is set to cremate him tomorrow.

Whoopsie.

Yusuke is, understandably, distraught. We get another excellent exchange:

“Botan, is there any way for ghosts to communicate with living people?”

“Yes.”

“SO ARE YOU GONNA TELL ME?”

I swear, Yusuke is the only smart protagonist. I mean, he's dumb as a sack of bricks at times, but that's neither here nor there. Bless this fictional boy for reacting like an actual person. 

Botan explains that people are more attuned to the spirit world when they're asleep, so Yusuke can deliver a message to someone in their dreams. Seems easy enough. They first head to Atsuko, but find that she's raging drunk and nowhere near sleep. 

"You fool!" she yells. "No one gave you permission to die!" Atsuko continues to yell about how plenty of people survive car accidents, so why couldn't you? "Were you mad at me, Yusuke? Didn't I raise you right?"

Botan comments on how sad the display is. Yusuke's response?

“The only thing that’s sad is now she’s got one more excuse to act that way."

Y'all, that's some mature shit for a goofy shonen anime. Yeah, Yusuke recognizes that, while she's obviously heartbroken, his death has just given her another reason to do what she's been doing for years: drinking herself into a stupor. Toss in Atsuko putting the blame on Yusuke — "No one gave you permission to die!" — plus the belief that she did do a good job — "Didn't I raise you right?" — and it paints a rather bleak picture. This is by no means an uncommon theme. Negligent parents, whether they're framed that way or not, are pretty common in shonen series, but it's still rather jarring to re-watch this as an adult and go, "Oh. The situation’s like that." It's honestly a lot when you remove it from YYH's otherwise humorous, casual context.

Yusuke heads to Keiko's next and finds her sound asleep, commenting on how her room looks more "girly" than when they were kids. Check out that smile!

He's about to try and deliver his message, but Keiko is in the midst of a nightmare. “She’s crying… what’s wrong?”

Oh my god. Remember how I just said Yusuke is also the densest protagonist around? Example A right here. You just died, you fool! You just saw Keiko collapse at your funeral. What do you think is wrong??

We get a peek at Keiko's dream where she is — shockingly! — thinking of Yusuke. He's far out of reach, walking away and unresponsive to her calls. Keiko soon trips and Yusuke disappears completely.

Luckily, she has the real thing at her bedside. Yusuke tries talking to her and at first it's unclear if this supernatural stuff is really working. That is, until Keiko murmurs about how heavy he is.

Reassured, Yusuke delivers his message that Keiko needs to help Atsuko pull herself together and, most importantly, call off burning his body. We get this very soft and pretty background to establish their yet unspoken feelings for one another, though Yusuke gets close with, “I’m coming back. I don’t want to see you cry anymore" as he brushes her tears away. Aww.

Keiko wakes, thinking at first it was just a dream, but no, "I'm sure I felt it."

The next morning she heads to Atsuko's to explain the dream, only to first hear that Atsuko had a dream too, this one about Yusuke "living in some other world full of ogres and he kept knocking them down until he became their leader." It sounds absurd, of course, but it brings Atsuko some comfort to think of her boy in a place like that and Keiko backs down. Right, she'd only had a comforting dream too.

Now, there are two important parts to this exchange. The first is that this is an excellent example of how you let the characters drive the story, rather than forcing the characters adhere to the plot you've come up with. Meaning, in the latter situation, our cast would have needed to have their personalities twisted and the viewer's suspicion of disbelief tested to give Yusuke what he needs: a sleeping family member willing to believe his message. But it absolutely makes sense for Atsuko to be drunk rather than sound asleep, so Yusuke can't rely on her. Likewise, it absolutely makes sense for Keiko to be asleep, but not believe the dream once she's woken up. After all, how many times have we been persuaded by something in the dead of night only for things to look more logical and less likely in the morning? The characters act both like themselves and like people who do normal, people-ish things, which means that Yusuke runs into more conflicts. That's good! It not only raises the tension and stakes — now he has less than a day to convince someone — but makes his inevitable success feel that much sweeter. A less well written show (cough-RWBY-cough) would have had the characters change their personalities, behave in unlikely ways, or just come up with a sudden, contradictory solution because Yusuke needs to keep his body. Instead, Yusuke actually has to work for that within the bounds of the rules established and the likeliness of each plan succeeding. The first one fails? Move onto plan #2.

Second, this dream of Atsuko's has some cool implications within YYH's world. Meaning, we're about to learn in just a moment that some people are naturally more aware of the supernatural than others, even when they're not asleep. We'll also see down the line that spiritual awareness tends to run in families... so perhaps Atsuko possesses more than the average mother? I'm not saying it's necessarily intentional on the author(s) part, but we can choose to read this dream as evidence of spiritual awareness — true insight into the world Yusuke was just in and the fantasies he'd had about conquering it — rather than just a coincidental joke for the viewer. After all, Yusuke gets his own spiritual awareness from somewhere...

(Okay, so there's totally another, canonical reason for that, but we can have both!)

So, as Yusuke puts it, “This dream business isn’t gonna cut it.”

“There’s always the final method," Botan says.

“You always this vague?”

I am literally living for these interactions.

Botan explains that the more extreme form of communication is possessing a living person, but there are two rules attached: it has to be someone you know and the vessel has to be someone who is quite spiritually aware, as discussed above. Atsuko isn't a contender because the story hasn't acknowledged that she might be sensitive, that's just my own headcanon now. Yusuke outright says, “In that case I’m screwed. There’s no one like that!"

Cut to good old Kuwabara.

At first it looks as if he's just oh so conveniently sensing a spirit right when the audience has learned he has this power, but in reality it's Yusuke and Botan flying behind him that sets it off. Again: this show is pretty good about keeping things internally consistent, rather than making choices because That's Just How Stories Work, I Guess. Kuwabara's friends note that he's acting strangely and I love this detail that apparently one of the guys is new to their group because the other two need to explain that this is the "tickle feeling." Ever since Kuwabara was a boy he's been able to sense the dead around him. Some nice, some... not so nice.

He looks directly at Yusuke — even though he's not able to see him — and declares that what's following them is “A puny low-level ghost, like a haunted racoon or something.”

I'd support Yusuke's anger more if he hadn't just exclaimed his surprise that Kuwabara serves a purpose 😂

Yusuke is pissed enough though to proclaim that he won't do it, nuh-uh, no way is he possessing this guy's body. Botan's response is one of my FAVORITES in the WHOLE SERIES:

"Here's my impression of Yusuke: look at me, I’m burning!”

Literally 75% of this series is just about a found family sassing one another and I love it.

Obviously this helps Yusuke remember his priorities and he grudgingly agrees to the plan. Botan prepares Kuwabara's body somehow — idk, spiritual magic or whatever — and warns Yusuke that he only has an hour to find someone and warn them because a human body can't handle possession any longer than that. Sure. I buy it.

So Yusuke takes control and please ignore the incredible ethical issues here. The show will never acknowledge them again. 

He blurts out, “Hey, check it out! I’m inside Kuwabara, feeling smooth!"

Istg I don't remember the series being this unintentionally gay. I don't even ship Yusuke/Kuwabara and I'm digging the possibilities here lol.

Back on track, his friends drag him with, “Looks like he’s back to normal” because again, 75%. What's not normal though is Kuwabara (Yusuke) suddenly charging down the street to leave them behind. He heads straight to the restaurant where Keiko's parents work, demanding to see her. They're rightly concerned about this stranger barging in and screaming for their daughter.

Upon asking who he is/why they should tell him, Yusuke makes his biggest mistake: “Because it’s me, you guys, I’m Yusuke!”

Obviously the time limit and raw emotion of knowing who he is has outweighed the knowledge that, you know, no one would believe that. Yusuke has spent the last two days bopping around as a ghost and familiarizing himself with some of the afterlife's insanity. The knowledge of what's normal for everyone else — AKA, not dead boys appearing in strangers' bodies — is not at the forefront of Yusuke's mind.

So, Keiko's parents react accordingly! The father in particular is disgusted by this claim, going so far as to threaten Yusuke with his knife and outright insult Kuwabara's looks: “Yusuke was never ugly like you… we were close family friends with that boy!" His wife chimes in that this kind of joke is particularly heinous on the day of his funeral. Between Atsuko drunkenly blaming Yusuke for his death and Mr. Takenaka grieving for what he might have been, this is one of the few times we see someone just sad for Yusuke's passing, exactly as he was and without regrets or criticism. "We were close family friends with that boy" paints a nice contrast to the delinquent persona Yusuke was cultivating.

As he's thrown out of the restaurant he says, “We should have special passwords for times like this!” Fun fact, my family does! Well, not this exact situation lol. I was given a password as a child to memorize in case my parents ever needed to send someone else to pick me up or interact with me in any way. If the stranger didn't know the password, I was to kick up a fuss. I rest easy with the knowledge that this password would not doubt assist me if I was ever in Yusuke's position!

With Keiko's parents a bust, Yusuke starts sprinting to everywhere she frequents with the hope of running into her. Or at least he tries. 

Yusuke is suddenly waylaid by a group of nameless teens with a bone to pick with Kuwabara. And you know what? I like it. I wonder how much of my praise stems from coming off of RWBY Volume 8, but it's just so nice to watch a story where the plot — simple as it is — hangs together. We've established that Kuwabara is a street fighter. Last episode we watched him start a fight with Yusuke. Yusuke is on a time limit. Now Kuwabara's tendencies have created a new hurdle for Yusuke!

Needless to say, Yusuke kicks butt, even in Kuwabara’s body. 

As one guy is passing out he says, “Man that hurt! I didn’t think anyone could throw punches that hardcore except Yusuke Urameshi."

Yusuke: “Darn, giving Kuwabara a good name." LOL

You think this challenge is finished though? Nah. Over the course of about half an hour Yusuke encounters a comical number of people trying to get even with Kuwabara. 

As always, I like the nods towards this writing decision to help justify it, with Yusuke wondering how Kuwabara has pissed this many people off. If you want to pull off something that has a low chance of happening, it can help to give the characters a "Seriously?" moment. If both they and the audience are on the same page over how ridiculous this situation is, the audience is more likely to accept it once the character does.

By the time Yusuke escapes his hour is nearly up. However, thanks to some coincidental plotting, he spots Keiko's friends just across the street! 

YYH does a decent job of making its characters feel like they have their own lives outside of what's immediately happening on screen and we get a good example of that here. We pick up the girls' conversation partway through, both of them worried about Keiko's state of mind and, given that we'll see in a second that Keiko was in the store with them, it implies that something happened to reignite this worry. They're off enjoying their day, doing their own thing, there was an event we're not privy to, and now we catch the response to that. It just helps make the characters feel more well-rounded even though they are, at their core, one-dimensional background characters who don’t even have names yet.

Case in point: the one girl is still concerned with their image. "People are starting to say things!"

Yeah, your friend's childhood friend just died. Hopefully they're saying, "Poor thing."

Anyway, Yusuke runs up to ask where Keiko is only for both girls to run away screaming. Turns out his face is messed up from the numerous fights and Keiko's friends are easily scared. 

Luckily, Keiko comes out just a second later and Yusuke is faced with the challenge of how to convince her in, oh, about five minutes. Remember, we've already established through Keiko's parents that just saying, "I'm Yusuke" doesn't work. That's why he hesitates. It's not just drama for the sake of drama, he's stuck.

“I’ve known her my whole life, there must be something between us that only I would do!”

Yeeeeaah. About that 😬

Suddenly inspired (I suppose that's one way to put it...) Yusuke runs up behind Keiko and grabs her breasts. “Keiko, nice uniform! They’re so squishy!”

It goes without saying that, like flipping her skirt up, this isn't okay. More specifically, the problem lies in the story framing this as a joke for the audience, something to laugh at despite Keiko's discomfort, rather than the concept of two childhood friends actually be that comfortable with one another. But, as already established, this is one of the more ehhhh aspects of Yusuke's characterization that, luckily, will mostly disappear as the story goes on.

Note though that the show clearly wants us to think highly of this. Not just as a "joke," but as a smart solution to his problem and more evidence of their inevitable relationship — the background becomes the same soft, bubbly background we saw during their dream conversation. And, admittedly, it does work. Keiko instinctively slaps Yusuke hard enough to knock him to the ground and he starts laughing, saying that he doesn't care what anyone on the street says, she hits the hardest.

What I do like about this is that the assault isn't the only thing Keiko bases her faith on. Not only has she already had the dream, we get to see Yusuke from her perspective, showing all the mannerisms she picks up on by superimposing Yusuke's real body over Kuwabara's. Indeed, she says as much: “I knew it was you from the first time you spoke…and it’s not just your stupid gags, or how you laugh. There are ways you move and speak that in a hundred years I wouldn’t forget."

Catch me crying in this club!

Knowing she believes him and that he's almost out of time, Yusuke reiterates his message: please don't burn my body and also keep Mom on track. Only, you know, it's phrased far better than that lol. As he speaks, both Yusuke's and Kuwabara's voices overlap until the latter grows fainter and only Yusuke's voice remains. His body too. It's a nice touch, avoiding the awkwardness of Keiko having this moment with a stranger, even if that is what's happening on some level.

“I know I’ve been a bum to you at times, but please wait for me."

His hour up, now we can get the awkwardness! Kuwabara comes out of his weird trance thing to find Keiko crying against his chest. Wow, he thinks, this girl must be really into me! 

God, to have the confidence of Kuwabara.

Of course, Keiko quickly realizes it's not Yusuke anymore and slaps him too for cuddling her closer. My favorite thing is that when she does this a crowd INSTANTLY appears. I mean they TELEPORT in. We needed an audience for Kuwabara's shame and YYH delivered, all logic be damned.

“Um, sorry about that!” Keiko yells as she runs away, because she's a good person who recognizes that weird spirit things just went on and Kuwabara isn't actually to blame.

“No, that’s okay. I probably deserved it," Kuwabara responds because he's also a good person and I didn't appreciate him nearly as much as I should have as a kid.

Keiko runs all the way to Atsuko's place where she finds her dressed for Yusuke's funeral. She blurts that Yusuke might still be coming back and Atsuko goes, "He already has." Turns out she opened his coffin to "smack him one more time for leaving me" — yikes — and found that his heart had started beating again, just as Koenma said it would. 

Being in a shonen anime, they apparently decide to just trust Keiko's message rather than, idk, taking him to a hospital or something.

The camera tilts up to show that Yusuke has been watching all this, including that both women break down again and comfort one another. Aww. How heartwarming.

What's less fuzzy though is this mysterious egg. Yusuke takes another look and finds that it has developed a heartbeat too, presumably in time with his body's. He theorizes that he did decent things today, right? But Botan (teasingly) points out that he did beat up a lot of other kids. Rather than getting angry, Yusuke remains uncharacteristically pensive, emphasizing the magnitude of what this means for him. He's got to get it right.

No pressure or anything! We'll have to see how Yusuke balances his karmic scales in the next episode. Until then, I'll try not to put all my TV time into Star Trek: Voyager :D 

See you then!  💜

[justmeandmythoughtson]

If you don't understand why AO3 needs so much money, here's a few pointers.

First: the difference between making a website and making AO3.

Making a website - like a Carrd - means that you're storing a tiny bit of information on someone else's hard drive, essentially. You might have organized it, but that information isn't being save to your computer - it's being saved to a central server. And you're paying the person who gave you server space in personal information, which they can sell for money to advertisers. OR, they put their own ads on your site, making money whenever someone opens your website.

Making a SERVER, however, means that you own ALL the hard drives that that information is stored on. It means you have to create code to allow outside individuals to access that information remotely. It means you have to create a website to let people accurately navigate your archive of information AND store that website data on that hard drive type thing.

You have to pay for maintenance, all the time, to make sure everything is working properly. And maintenance is physically fixing machinery and circuitry, not just fixing a few lines of code (though if you code you KNOW how annoying and time consuming finding the single issue can be) Like, did you know that the term "debugging" a computer refers to the fact that insects (used to) often nest in these giant computer storage units? And errors with programming would occur because of them, so people actually had to go through and search for the insects causing the problems? That's part of server maintenance - finding the loose connections or faulty lights in the maze of computer parts.

You also have to pay for massive air conditioning costs - have you heard your laptop fan kick on high and noisy when you're running a huge program or video game? Great, imagine that but it's a whole room or building of nothing but giant versions of your computer, just without the screens or anything associated with directly letting you look at the information coded into those machines. It gets HOT, so you need to keep it from overheating. Now imagine MILLIONS of people running that same program in different ways at the same time in the same computer. That's gotta be a HUGE computer to take that load without slowing down.

And, this server ALSO has to keep up with advancing technology! If it becomes obsolete, nobody can use it, and the archive becomes worthless, so it has to be updated every so often. That's more costs to deal with.

And then, you have to PAY people to do all this work! Being a non-profit doesn't mean that the professional coders who come in to fix an issue don't get paid. It doesn't mean that the maintenance crew that keeps the physical computer components running work for free. Non-profit means you're breaking even on costs and expenses and aren't actively trying to do anything but cover operating costs.

Sure, a LOT of people who work on AO3 put their time into this project without asking for anything in return. And we need to thank them for it. It's exceptional. But $300k to maintain a server with MILLIONS of users and millions of fanfics is NOT asking much. Hell. If we assume ten people and ONLY ten people are permanent AO3 staff, and that money ONLY goes to them, they're making 30k a year.

30k a year is LESS than the salary of someone with a 15$ an hour wage that works forty hour work-weeks, 52 weeks a year. That's barely a living wage. Hell, I'm not sure at this point I'd care if the people working in AO3's administration paid themselves from the leftover money, if there is any. They're maintaining an entire server! I mean, think about how much Jeff Bezos is making for doing something similar.

AND AO3 ISN'T EVEN ASKING FOR THAT MUCH MONEY. THEY'RE ASKING FOR 130k.

TL;DR

AO3 isn't a scam. It's a group of volunteers doing what is usually an immensely expensive thing on the cheap, and they're doing it on a massive scale. Sure, it's not Amazon. But it's huge and it's fan-owned. It's for us, by us, and you won't have to worry about your email address being sold for cheap to scammy advertisers to keep the site running.

And in addition: all this information is publicly available on AO3's front page. They not only post a breakdown of the budget, but they even post a link to the google doc that has all of their expenses and costs written out, plain as day.

And

if after reading all this shit, you STILL decide you don't like AO3 and that people shouldn't donate if they want to, well-

Fanfiction.net is right there.

AO3 isn't gonna change because you're whining about it. Either suck it up, or put your money where your mouth is and boycott the site.

Hypocrites