#a mini character arc in one sitting with like 3 plot twists and character personality changes | Explore Tumblr Posts and Blogs

existingoutofspite · 5 months

Text

Ranking The Twisted Wonderland Books

my personal (OPINION) ranking of the Twisted Wonderland Books with reasons that no one asked for (not including 7, prologue, and there is a half placing of six due to not having finished the book, these boss battles will actually be the death of me)

Would love to hear other opinions

Spoilers

Last Place/#6

Starting off strong with the worst one-

Book 2- Savanaclaw

I feel that this is generally agreed upon in the fandom from what i’ve seen. For me there are 2 main reasons for this

a. it’s boring

b. it actually just doesn’t make sense????? like within the explained rules of the universe???

for a, i just didn’t enjoy playing it. this is also the first time (i think) when lesson limits were put in place so this was the first time i just put the game down for like 2 months. The mystery wasn’t that intriguing especially because i kept getting distracted by the weird logistics of Leona’s plan. it felt like the weirdest inclusion of the previous chapters group also just because we don’t see enough of them, and the whole thing just felt kinda weird.

I remember being annoyed playing it because i just wanted to make it to book 3

for b, leona wasn’t casting magic???? why did he overblot and not ruggie???? this was the book that established what overblots were only to break their own rules (this might be explained by his contract with Azul, but we don’t know what the contract was so this is just speculation)

Also what even was Leona’s plan? It was really poorly thought out which is weird for the supposedly really smart scheming character.

It was also the most preventable overblot imo. Come on Lilia

more i could say but…

Book 5- Pomefiore

Honestly I really enjoyed book 5, I just couldn’t rank it above the others. Just felt really weird to me pacing wise because there are two distinct arcs in this one book between the Epel + Duece section and the actual Competition arc with Neige

I played through this book in mostly one sitting and really enjoyed it! but the beginning felt very repetitive with the twistunes (the bane of my existence) and this book just felt very slow until suddenly a character who was at most a bit harsh and a perfectionist was attempting murder(???)

Book 5 has one of the best moments of ramping up right before the main battle, but that amazing moment didn’t really have enough build up

it also feels like the Epel (and duece i guess) arc just sorta… stops. We have their moment until suddenly we have to get back to plot stuff

Honestly i don’t have much to say, in general this book was great after the initial slow build up of practicing and auditions, but the pacing was just weird enough and I am just biased enough to rank this below #4

Book 3- Octavinelle

In all honesty this should probably be 5th but if you’ve seen my blog before… it’s all Azul. that’s it. Actually as an Azul fan i probably should have put this lower due to the disservice it does his character.

they gave Vil’s motives in book 5 of being a second place superstar model who still was a major powerhouse in the entertainment industry and rich more time to develop and room to breath than Azul’s motives. Meaning that the bullying and eating disorder are just kinda lightly touched on. Also as someone who is admittedly not that skinny and was bullied in middle school(weirdly mostly not weight related) it felt really off that be book ends with Grim and the protagonist either making fun of or commenting on his weight as a kid.

The main reason that I think that Book 3 can get away with getting the spot above book 5 is that it’s basically 40 chapters shorter. You don’t really get bored in book 3 because it’s trying to fit all of its story in and doesn’t have room to get boring or include seemingly useless mini-arcs (ok being to harsh, love u epel). And unlike book 2 where the plan was crazy obviously flawed and would never work, Azul’s plan while still being flawed feels believable because what ends up being Azul’s downfall is his greed and over confidence.

Book 3 is fun! That’s really it. There are a million writes or flawed choices that I would have changed (who decided on the anenimies on the head) but in the end it’s just a fun little heist that takes enough inspiration from its movie without being overbearing. It has clear stakes, good aesthetic, Azul, beautiful overblot design, Azul, fun things to speculate on, and one of the the best and most interesting group in the game (Jade, Floyd, and Azul all have my heart)

Also from a fan of the octatrio, why are they the target of a lot of the weird stuff in the fandom. Like i don’t really care what you do, but come on they’re minors and also no Floyd isn’t crazy yandere, no Jade is not…there isn’t really one specific Jade mischaracterization i feel like i’ve seen a variation and he is on somehow every end of the spectrum, and no Azul is not your “precious UwU crybaby” or a a really mean manipulative unfeeling mob boss. Stop twst mischaracterization… please… for them

Book 6- Ignihyde

I haven’t finished the book yet but so far it’s really good! it feels like a culmination of what has happened so far. It has new mini games, more in-depth character exploration, the first time I’ve considered liking Leona, stakes, feeling like the player actually has a role for once, and I actually really like the mystery and intrigue of the whole book.

It’s so long though like jesus christ there is so much and the bosses are so difficult. Really enjoying it so far! (despite it being a bit tedious, not my fault I don’t have fire centric cards for Rook, Epel, and Vil)

Book 1- Heartslabuyl

I don’t have too much to say honestly, it’s just an amazing book and also one of the best game openings I’ve seen. Riddle is an Amazing character and the dread and confusion watching his overblot slowly build. He also has the benefit of being the first overblot you see so it’ 10x more powerful than any of the others.

Again, not much to say. It is a fun chapter with likeable characters that you get to know just enough, and does an amazing job at just showing you the ropes of the game. I know that’s what the prologue’s for but Book 1 really does a great job at actually introducing you to the game. It mostly has the benefit of the player probably going in blind and being the first time some of the stuff is used. Also Riddle’s backstory is great and don’t let me get started in his costume design, it’s glorious.

and finally…

Book 4- Scarabia

It’s immaculate I don’t know what to tell you. It’s the only book for me that feels like it has an actual mystery at foot. It slowly builds until the breaking point and it’s amazing.

it has the most naturally integrated helper characters imo with the octatrio also being more likable than they were in book 3 tbh. Sure there are some questionable things with the translation and Jamil’s backstory but that’s mostly a flaw with the game itself.

Jamil and Kalim are some of the most compelling characters in the whole game, the pacing is great, the mystery is intriguing, the whole thing just culminates in a great book that I loved playing.

To me the only real flaws in this chapter are just flaws with either the source material being Aladdin or faults in the game that are more noticeable in this section. It has just the right amount of chapters to have room to breath, but also not drag on. It has amazing character dynamics, can be funny to absolutely devastating in a matter of seconds, and also doesn’t have to include characters like Jack, Ace, or Deuce, so it feels more isolated and possibly more suspenseful.

This is the real turning point in the game for me.

Also it has pretty much all of my favorite characters and my favorite ship in it. but that’s beside the point.

The answer to the mystery is clear to the player but not so obvious that it’s insane that the player character doesn’t know and i could honestly go on but the only real complaint I have about this book is some of it’s twistunes (I will find a way to kill “Let’s get cooking” i swear)

thank you for coming to my ted talk

#twisted wonderland #twst #disney twisted wonderland

6 notes · View notes

rejectedembers · 7 years

Text

Firebrant: Shades of Magic

So, here I go again, being a hypercritical bitch about a beloved book, or, rather, series. I want to make it clear right off the bat that I LOVE this series; I love the characters, I love the setting, I love the writing. I’d read this series again in a heartbeat, and no doubt eventually will. That doesn’t mean that I don’t see its flaws and weaknesses, or at least see what it could have been.

Spoilers inbound.

Without a doubt, this series’s biggest strength is its characters. I would even venture out in saying that Schwab doesn’t write characters, but rather people for how real they feel. A big part of this stems from her enchanting, but not overly flowery style of writing; descriptions never overstay their welcome. But these are all things you discover the more you read. The series’s major draw, however, is its setting, or at least that’s what the premise would have you believe.

The blurb on A Darker Shade of Magic immediately informs you of the parallel Londons (Red, Grey, White, and Black), and how only Antari can travel between the worlds. My assumption upon picking up this novel was that the inter-dimensional travel was going to play a significant part in the upcoming tale, and it does...for the first book. But once you get into book 2, characters seem to barely ever travel between the worlds.

This is especially noticeable in the third book where I don’t think they traveled outside of the Red world at all to resolve the main conflict within the plot. Traveling could have easily been facilitated without even changing much of the plot: the MacGuffin the protags are after could totally have wound up in one of the other worlds at some point in time (I’ll elaborate more on this later). It’s especially annoying since we get constant reminders via Ned’s chapters of how Osaron’s magic seems to be seeping into the other worlds. It’s like Schwab is dangling the possibility of going there in our faces only to never deliver on this promise.

Honestly, the big problem here is simply a lack of world-building. When Schwab does spend time describing even the small, insignificant parts of everyday life, the setting really comes to life. I had very little difficulty imagining all of the Londons despite the fact that I’ve never even been to a single London in my own reality. But after establishing these settings in the first book, Schwab rarely returns to world-building from the perspective of the past. Events and characters become very grounded in the present, and even in flashbacks the focus is generally on the characters and what they were experiencing internally. The Red, White, and even Black worlds start to feel like there just isn’t much history to them, when that can’t possibly be true. And while I agree that it would have been rather tedious to sit through pages and pages of a character expounding on the “grand history of Arnes” or something of the like, there is something in particular that irks me when it comes to the lack of history.

The Antari play such a large role in the series, and yet after everything is said and done, you don’t actually get to know all that much about them. You get to know tonnes about the Antari characters, but almost nothing of the Antari themselves, their culture, their historical roles. Granted, part of the appeal of the Antari is that even they can’t answer what they really are, where their powers came from, why they were chosen, but how Antari come to be and what they decide to do with themselves afterwards are two entirely different groups of questions. It’s mentioned that there were once dozens if not hundreds of Antari prior to the catastrophe that happened in Black London. I find it hard to believe that, even if they each had their own loyalties, some of them wouldn’t have come together to create a unique culture. Even, at least, something more or less academic, trying to find answers to the question of how Antari come to be.

I was really disappointed to find that the lore of the Antari was never expanded upon. More information on the Antari could have provided a lot of substance to many different areas of the story. The Antari characters could have learnt something about themselves while delving deeper into the mysteries of their predecessors, the concept of a culture of inter-dimensional travelers opens up more opportunities to include traveling in the story, and the plot could have received some much needed resolution for several key questions (I’ll expand on this later, too).

This leads us to the overarching plot of books 2 and 3, easily the weakest part of the series. I love a good “save the world” plot as much as the next fantasy junkie, but I feel like it was just tackled lazily here: some evil force shows up, threatening to destroy all that the characters love, and they are the only ones who can defeat it. Other than that, there’s not much else to say about the main conflict, no twists or turns in the structure that keep you on your toes. A large chunk of the time was just waiting for the characters to find a solution they can start working on so they can finally have something to do.

It doesn’t help that Osaron is one of the least compelling villains I’ve read about recently. I feel that Schwab was aiming to make him both a threatening, alien force unable to be reasoned with or properly comprehended by mortals, and a relatable human-ish being with desires and personality. I find him to be a failure on both ends, since the addition of some aspect of humanity completely destroys the image of him as an imposing, unbeatable entity, and he never reaches a level of depth and complexity that the human characters do, making him seem more like a caricature of a villainous person than anything. And this comes in stark contrast to Athos and Astrid, the villains from the first book, although you don’t even know they are the true villains until at least halfway into the novel. They were quite compelling for how they were very human and yet very, very twisted, and I really wished there had been more with them, especially for how they could have contrasted with Holland, showing us what White London is versus what it could be. Obviously, Athos still would have had to die, but it would have been interesting to see Astrid try for revenge or something of the like.

All in all, I don’t think the structure of the series helped. The first book very much feels like a standalone; one or two elements don’t get completely solved, but I also don’t think it was necessary to have seen them get resolved to have still had a full story experience. And while the first book provides set up, the plot of A Darker Shade of Magic feels entirely separate from the plot of A Gathering of Shadows and A Conjuring of Light, and because of this, the entire series feels stilted. Books 2 and 3 are so intertwined they might as well be one book, but the jump from book 1 to 2 is downright jarring in comparison. To be honest, I prefer the jump from 1 to 2 over 2 to 3, but considered as a whole, the lack of a continuous plot through all three books (or the lack of dedication to a series of single book adventures) definitely makes it seem like Schwab only intended to write one book but somehow came out with three.

In general, I would have liked to see a story that had an overarching plot, but included smaller moments of drama and adventure within. The characters are what really make this series stand out, and they shine the brightest when they interact with each other. They needed more time together, conversing and taking part in some action, solving problems together. Setting up almost episodic mini-arcs would have provided a good platform for this.

When it comes to leaving the main plot (mostly) intact, the ending could have been a bit more like this. Lenos could have known of an Inheritor due to his Antari grandmother, and, through tracing its path, they discover that she smuggled it to one of the other worlds (providing a little validation for Kell). Thus, our three Antari travel to either White or Grey London (perhaps Lenos’s grandmother sent it somewhere it could do no harm), and take part in their own little adventure to retrieve it. This would also provide an ideal chance to have them discover and learn from each other and/or their surroundings something about Antari history and culture. Meanwhile, Alucard stays behind with Rhy, and the two discuss what happened in the past (I’m not sure it’s ever explained why Alucard can’t just tell Rhy the truth. Is there a reason why Rhy may not believe him without proof? Seriously, it bugged me how they just never talked it out.). Rhy forgives him either then or later, and Alucard should have a moment where we see him protecting Rhy, making Rhy’s choice later on to have Alucard be an official protector make more sense, especially politically since there would have been witnesses. The three Antari eventually return, and execute their attack (or still have to travel to the ship market since maybe the Inheritor got smuggled around again). The point is the majority of the time spent mostly just sitting around the palace struggling to find a solution would be cut out, or relegated to some much more concise Rhy/Alucard chapters.

There are a few other disappointments I had with the series. Ojka, while an interesting character, is never really given much to do, a moment to shine. Most of the chapters involving her feature her internal thoughts about Holland and what he’s done, but not what she’s done. It feels like she was built up to be and do more, and so is far too quickly killed off.

I’m also disappointed that there wasn’t some deeper connection revealed between Osaron and the Antari. I really got the sense after A Darker Shade of Magic that there was something about the Antari specifically that resulted in Vitari not being able to immediately take over their minds and bodies, something more than just “they are extra magical and thus extra magically resistant”. Once I got a bit into A Gathering of Shadows, I theorized that everything from Black London, including stones, was a piece of Osaron via his magic, and that Vitari was just a branch of Osaron’s consciousness. Thus, whatever special connection Vitari had to the Antari also applied to Osaron.

After more solid evidence was given to suggest Delilah was Antari, I came up with a more fully-fledged theory: Osaron was to be the Black London Antari, or at least used to be one prior to absorbing all of the Black world’s magic. This would check out with the general pattern that was emerging: one Antari from each of the worlds. It also made sense logically as only an Antari should have been capable of whatever magic resulted in Osaron claiming it all in his own world. Not to mention this would explain the relative lack of/access to knowledge on the Antari; one of their own practically destroyed an entire reality, and they would not want that happening again. The magic, thus, that connected Osaron/Vitari to the Antari was more than just power, but some mystical tie that exists between Antari. Obviously, this is not what happened at all.

I have a few other, smaller nitpicks. I really wanted to see Kell and Alucard face off in the tournament just to experience the absolute bitterness that would be Kell after being forced to throw the match or else be caught. This would have contrasted well in a later scene of Kell and Alucard fighting side-by-side and discovering that they work well together. I also wanted to see more adventures aboard the Night Spire. It could have been more removed from London, or at least on the outskirts and so available to the group. In any case, the ship got a lot of play early on and build up in general for something much bigger, and for it to pretty much never come back in the main plot was disappointing. Pretty much everything with Ned and King George the IV was a waste of time. I was really hoping that that subplot would go somewhere if only to allow for some inter-dimensional traveling, but unfortunately not. I’m not a fan, either, of the decision to make the series rather dark and depressing by the third book. I understand that the situation was meant to be dire and “real” and adult, but it started to feel cheap once characters just started getting killed off left and right.

Also, while I feel that the characters were very well-written, there is one thing concerning Kell that has bugged me since the end of the first book: he never seems to feel any real guilt over sending Holland to Black London. Admittedly, Holland was the aggressor, and so I can see Kell not feeling overly guilty about besting him and pretty much killing him in their last duel, but Kell is an Antari and he knows that they heal faster than most and can recover from some otherwise pretty nasty injuries. So, it kind of baffles me that his excuse for why it’s alright that he sends Holland to Black London is because Kell’s sure the other Antari is going to die anyways. Holland did end up recovering, so I just feel that maybe Kell should have known better than to assume.

In any case, Kell’s never really forced to confront any guilt over the fact that the whole situation is entirely his fault even if it was simply a chain of consequences from one unfortunate choice. The closest we get is that he, eventually, sympathizes with Holland and the poor treatment he’s getting from everyone, because, had he given in at the end of book 2, Osaron would have used his body to get to Red London. If anything, though, this consequence didn’t feel like a result of a decision Kell made, but rather one that Holland made when he first found Osaron in Black London. The reason for Kell’s guilt or regret should come from the decision he made back in book 1 to send Holland to Black London, but there’s never get a good scene of him mulling over this fact, or even approaching Holland about it in a meaningful way. There’s also, that I can remember, no mention of Kell ever feeling that he should be completely responsible for finding a solution to the situation he inadvertently caused. Even if he never vocalizes it, or tries to go out on his own, he just never even thinks about it, and I just find it so incredibly odd that a character like Kell never feels the depth of that guilt either towards Holland or the entirety of Red London.

So, that’s all I have to say on this series, I hope. I do really love this series. It captured me from the onset, and even as I sat there with a critique starting to form in my brain, I couldn’t help but want to read more, for it to go on forever. My complaints are largely things I’ve noticed in retrospect, and aren’t about to deter me from picking up these books again. The Shades of Magic series deserves all the praise it gets, and I hope this rant doesn’t deter anyone from loving it any less.

#shades of magic #a darker shade of magic #adsom #a gathering of shadows #a conjuring of light #v e schwab #book rants #booklr #rejectedembers

9 notes · View notes

eddycurrents · 6 years

Photo

For the week of 5 February 2018

Quick Bits:

Armstrong & The Vault of Spirits is a fun one-shot that uses Aram’s collection of wine to weave together the “true story” of Noah, the emergence of a previously unknown arch-nemesis, the secrets societies that continue to plague Archer & Armstrong, and the often hidden emotional connection that Armstrong has with his family. It’s really nice to see Fred Van Lente back chronicling these characters, even if just for one special right now.

| Published by Valiant

Avengers #679 tags in Kim Jacinto for art duties, appearing to be up to the challenge laid out by Pepe Larraz in quality of work on this book. We get the stakes of the match here between the Grandmaster and the Challenger, of whom we also get a history, and it manages to make all of the destruction and battles seem like mere whims of these members of the Elders of the universe. I suspect when discovered, this isn’t going to sit well with the Avengers. As only part five, this also makes me wonder what else Mark Waid, Al Ewing, and Jim Zub have up their sleeves.

| Published by Marvel

Black Bolt #10 has a brief crossover segment with Inhumans: Judgment Day, illustrated by guest-artist Stephanie Hans. It’s beautiful, and an interesting way to work in the events of the broader Inhumans saga into the current arc in this series. I like how Saladin Ahmed handles Lash’s plan to advance all of the interwoven spinning plates.

| Published by Marvel

Coyotes #4 closes out the first arc along the theme of upheaval. There are some interesting parallels put forward in the Duchess and Red’s situations, as well as the comeuppance against the coyotes who have been hunting women. As usual, Caitlin Yarsky’s art elevates everything. I highly recommend picking up these issues or pre-ordering the collection for April; Sean Lewis and Yarsky did something great here.

| Published by Image

Extremity #11 is the penultimate issue of the series as the final battle is enjoined. Daniel Warren Johnson mainly focuses here on the action and as usual the artwork is gorgeous. I’m going to really miss this series when it’s done.

| Published by Image / Skybound

Giant Days #35 somewhat skirts the issue of the fallout of Ed’s admission of love to Esther last issue for now, instead following on a visiting Sarah and Lottie Grote. It’s funny seeing Daisy and Susan trying to look after a kid, plus the interesting development that Daisy may finally be cluing in that Ingrid is absolutely horrible.

| Published by Boom Entertainment / Boom! Box

Incognegro: Renaissance #1 kicks off a new mystery with the death of a black author at a literary shindig, with the police appearing completely disinterested in the case completely. Mat Johnson and Warren Pleece deliver an interesting start.

| Published by Dark Horse / Berger Books

Infinity Countdown: Adam Warlock #1 acts as a bridge between Guardians of the Galaxy #150 and, as well as a primer for, Infinity Countdown: Prime. Adam Warlock has been reborn and this issue gives us a summary of Warlock’s history and teases what’s to come at the end of time, as he enters into an uneasy alliance with Kang the Conqueror. A lot of this issue has Gerry Duggan recapping events and foreshadowing what’s to come, but it is highly elevated by the art of Mike and Laura Allred.

| Published by Marvel

Koshchei the Deathless #2 continues to be a fun and exciting fable of Koshchei telling Hellboy his story. Mike Mignola does a great job of including some subtle humour into the telling, along with the absurdity of some of the Russian folktales (or the like), and Ben Stenbeck (with Dave Stewart’s colours) is again phenomenal.

| Published by Dark Horse

Mech Cadet Yu #6 has the kids face off against baby Sharg and it’s all kinds of awesome.

| Published by BOOM! Studios

No. 1 With a Bullet #4 finds new and inventive ways to ruin Nash’s life further, with weirdness continuing and lies emerging to cast her as a willing participant in her sex tape.

| Published by Image

Noble #9 is a kind of coda to the first two arcs, allowing David and Astrid a bit of quiet time and reflection before tackling the next stage in their lives. It’s interesting in their dealings with Foresight and Lorena Payan here that even when they manage to get somewhat free, Payan has to remind them that even their personal lives are still under observation.

| Published by Lion Forge / Catalyst Prime

Rasputin: The Voice of the Dragon #4 amps up the action in this penultimate issue of the series. Christopher Mitten (with colours by Dave Stewart) is on fire this issue.

| Published by Dark Horse

Rogue & Gambit #2 reminds me again that I don’t like Rogue and Gambit as a couple, something about them together just seems like nails on a chalkboard at this point, but I do like Kelly Thompson writing about them. There’s a nice mix of humour, action, and history that keeps this flowing nicely. It also helps that the art from Pere Pérez with colours by Frank D’Armata is amazing.

| Published by Marvel

Rose #8 gives a bit of history on Drucilla, with Felix giving excuses for why she’s grown into a selfish, evil monstrosity. It’s interesting to see the lengths we’ll go to in order to explain away bad behaviour of family members. Ig Guara, with colours by Triona Farrell, also deserves more attention. Their art on this series since day one has been impeccable.

| Published by Image

Scarlett’s Strike Force #2 advances many of the story threads in an interesting fashion, particularly Skywarp’s disillusionment with the Joe’s in fixing his teleportation and the burgeoning mystical aspect to Cobra. There’s also a humorous exchange between Raptor and Croc Master.

| Published by IDW

Spirits of Vengeance #5 concludes what was an unexpected, but excellent, mini-series from Victor Gischler, David Baldeón, and Andres Mossa. It was a nice mix of humour, action, and gorgeous art playing with some of Marvel’s lately underutilized supernatural characters. I know that they’ll likely reappear during the upcoming Damnation event, but I’d definitely like to see more from this creative team.

| Published by Marvel

Star Wars #43 brings the “Ashes of Jedha” arc to a close with a surprising twist. Also, some great art again by Salvador Larroca and Guru-eFX.

| Published by Marvel

TMNT Universe #19 begins a new arc “Service Animals” by Ian Flynn, Dave Wachter, and Ronda Pattison, as a well as a prelude for the upcoming Kingdom of Rats storyline in the main book, by Bobby Curnow and Pablo Tunica. It’s always great to see Wachter’s art, especially with how expressive his turns at Alopex are here.

| Published by IDW

Transformers: Lost Light #14 is mostly a Scavengers story, but unlike most of them, this one is no light-hearted romp. Like the recent Getaway arc, this gets pretty serious and pretty dark.

| Published by IDW

Transformers vs. Visionaries #2 gets into more of the internecine warfare and skirmishes between the factions of the Visionaries themselves as the Darkling Lords and the Spectral Knights battle for the soul and honour of their people. I like what Magdalene Visaggio is setting up here and Fico Ossio’s artwork, with colours by David Garcia Cruz, is beautiful.

| Published by IDW

Twisted Romance #1 is off to a good start. This issue has a trio of tales that largely mix horror/supernatural with love/sex/romance. The highlight for me is Sarah Horrocks’ piece that reminds me of the existential eroticism of Clive Barker’s work, but all three are worth the price of admission. Alex de Campi and Katie Skelly’s story is a bit of revenge on a cheating partner’s lover with a confrontation between an incubus and a succubus, while Magen Cubed delivers a sweet prose story of a monster hunter and the vampire who loves him.

| Published by Image

Venom #161 has some truly excellent artwork from Javier Garrón (with colours by Dono Sánchez-Almara and Erick Arciniega) as Mike Costa pens a done-in-one story advancing some of the series’ sub-plots while giving a fitting confrontation between Venom and Spider-Woman. With this issue sandwiched between two crossovers (the just finished Venom Inc. on one side and Poison-X on the other) it’s nice to see how the team make this wholly satisfying on its own.

| Published by Marvel

Vs. #1 debuts with gorgeous artwork by Esad Ribić and Nic Klein, perfectly capturing turning war into a commercialized sport. Along with the lettering from Aditya Bidikar and graphics by Tom Muller, it manages to have a nice European, particularly Humanoids, feel to it, despite not being particularly over the top.

| Published by Image

The Wicked + The Divine 1923 is quite possibly the greatest issue of this already magnificent series, and a must buy for the people who may have otherwise been missing out on the tangential one-shots. This one is meaty with story and purpose as Kieron Gillen and Aud Koch blend prose and comics, along with conventions of pulp mysteries, silent film, and more to create a ritual that helped shape the rest of the 20th century as a kind of prelude to the main WicDiv series. This is a thing of beauty.

| Published by Image

Witchblade #3 goes deeper on both Alex’s history and the mystery of the supernatural stuff going on around her. I may sound like a broken record, but again I have to commend Caitlin Kittredge, Roberta Ingranata, and Bryan Valenza for this series, because it’s got a great story and beautiful artwork.

| Published by Image / Top Cow

X-Men Red #1 is off to a pretty good start. The artwork from Mahmud Asrar with colours by Ive Svorcina are a real draw, as is the return of Jean Grey to the X-Men, but the breakout star is still Tom Taylor’s characterizations. Particularly of Honey Badger.

| Published by Marvel

Other Highlights: 30 Days of Night #3, Amazing Spider-Man #795, The Backstagers 2018 Valentine’s Intermission #1, Black Comix Returns, The Damned #8, Daredevil #598, Dejah Thoris #1, Get Naked, Ghostbusters: Answer the Call #3, The Gravediggers Union #4, Half Past Danger II: Dead to Reichs #5, Hawkeye #15, Iron Fist #77, Jazz Maynard #7, Legenderry: Red Sonja #1, Monstro Mechanica #3, Paper Girls #20, Rock Candy Mountain #8, Runaways #6, Scales & Scoundrels #6, She-Hulk #162, Spider-Man #237, Spider-Man vs. Deadpool #27, Tomb Raider: Survivor’s Crusade #3

Recommended Collections: Avengers & Champions: Worlds Collide, Backstagers - Volume 2, Clue, Incognegro, Inhumans: Once & Future Kings, Scales & Scoundrels - Volume 1: Into the Dragon’s Maw, Secret Weapons Deluxe Edition, Star Wars: Doctor Aphra - Volume 2: Doctor Aphra and the Enormous Profit, TMNT - Volume 18: Trial of Krang, Transformers/GI Joe: First Strike, Transformers/GI Joe: First Strike - Champions

d. emerson eddy believes that you shouldn’t be the problem, be the solution.

#This Week in Comics

3 notes · View notes

michelles-garden-of-evil · 5 years

Text

Episode 9 Review: Nine of Swords

{ YouTube: 1 | 2 | 3 }

{ Synopses: Debby Graham | Bryan Gruszka }

{ Screencaps }

Another day, my darling Erica, another day without you. The storm we’ve been sitting through has subsided and I’m going over to the main island to commission the young man your sister recommended to do an oil of you. Until the day your loveliness returns from the beyond to reality, your portrait and I will share the hours.

My darling Erica, I have to go. Quito is waiting. Sleep, my love. I love you and I need you.

Don’t you want to give Jean Paul a hug? No? I do.

After an argument scene between Reverend Matt Dawson and Elizabeth Marshall that consists entirely of recap, we see Jean Paul and Quito in the Great Hall talking about how they need to find Raxl before they leave to watch the cryonics capsule. (It’s really weird how this show lampshades the absent cast members by having the other characters say things like “Where is X?” and “we need to find X.” There’s a whole pointless filler scene about halfway through where Jean Paul says, “I was wrong about Raxl. She was with my wife all the while.” If Raxl doesn’t show up and isn’t important to this episode’s plot, why does she even need to be mentioned?)

Jacques, too, has to comment about Cosette Lee’s absence from this episode.

In other news, Jean Paul has begun to suspect that he is not only damned, but is also a devil. Fearing that Jacques has cursed him, he threatens to cut up the portrait, which pleases Jacques as much as one would expect. “If you do, you just might cut your dear sweet Erica from you,” the handsome devil replies. “The choice is yours. But I do promise you this: I won't bleed.”

“Raxl is right!” Jean Paul exclaims, and Jacques does not refute the claim, but rather says, “I'm the devil? As you yourself said, maybe you are too. Now, how does the saying go? As thick as thieves.”

With this line, we get one of the first examples of a clever script-writing trick Ian Martin often used in his episodes: having the last word or line of dialogue in one scene double as the first word or line in the next scene, with different characters. Here, the scene transition line is “as thick as thieves,” used both by Jacques to describe his possession of Jean Paul and by Elizabeth when telling Matt of Holly’s closeness to the late Mr. Marshall. We shall see many more of these from now on.

Because this episode jumps back and forth from Matt’s office to the French Leave Café, I think that, for the rest of this review, I will do what I did in my Episode 3 review and lump all the scenes in each setting together instead of writing one small paragraph for every mini-scene. Elizabeth says this rather enigmatic line about Holly: “ I begin to realize why you helped her to run. Suddenly, a child seemed like a woman to you--a child who is going to be very rich very soon, a child who knows how to twist men around her little finger. I should know. I lost a husband to her.” (Emphasis mine.) What does she mean by this? Is she jealous of Holly because her late husband liked her more or gave her more attention, or is there a darker meaning behind it? Could she possibly be blaming her for Mr. Marshall’s death? This is a plot point that none of the writers ever explored, one of many plot threads dropped later on. That Matt responds, “You lost your husband to God” only makes it sound more like she’s blaming Holly for his death. Was that Ian Martin’s intent, to imply that Holly somehow caused her father’s death, or am I reading too much into this scene?

At the French Leave Café, Vangie tells Boring Artist Tim that she keeps drawing the Nine of Swords--“the card of death”--for Holly whenever she tries to read her fortune. This worries her especially because, as she explains, her ESP is accurate slightly over half the time, meaning that Holly will almost certainly die. When Holly walks up to them and asks Vangie to read her future, she refuses and the focus shifts to Boring Artist Tim and the debt that Jean Paul is just about to pay off. Cue an interminable recap of Tim’s backstory (in short, he’s in debt to the Mafia because he took out $7,500 in loans to pay his mother’s hospital bills). Also cue one Holly line that is interesting if you’re re-watching this after Desmond Hall and you consider how the writers of that arc turned her into a hopelessly naïve ingenue:

An example of the Dunning-Kruger effect? Or did Martin originally intend for Holly to be smart and later writers dumbed her down? I’m thinking the latter.

Enter Jean Paul looking especially dapper in an all-blue ensemble, to which the poor video qualty does not do justice. (He also wears it in the next episode which has clearer video, so, when I write that review, there will be good screencaps.) He goes to talk to Vangie, who tells him that she keeps drawing the Nine of Swords when reading the fortunes of everyone connected to him. She also tells him that he knows of Dr. Menkin’s death because Quito brought his body to the island (or is it mainland?) where the Café is located. And then they have this exchange:

Vangie: "I guess now you will be leaving the Island."

Jean Paul: *shocked* "Why should I?"

Vangie: "With your wife in her last months of pregnancy, she should not be so far from a doctor."

Jean Paul: *suspicious and worried that she knows about Erica* "She isn't. Her sister is with her; she's a doctor. Now...” *hurriedly pulls out paper from his pocket, desperate to change the subject* “Tim Stanton?"

He promises to pay off the Mafia so that they stop pursuing Tim. Then Vangie says, smiling, “Your wife will love his work!”

She has to be feigning ignorance, or at least pretending not to be suspicious of him. Jean Paul is trying so hard to act nonchalant, but failing because he, too, knows that she suspects that something is going on.

Jean Paul: “Will she?”

Meanwhile, Holly is discussing her plans for the future with Tim:

LOL

He flirts with her a little before Jean Paul comes over to the table to commission him. He gives him $7,500 in cash, which must consist of $500 and $1,000 bills that were withdrawn from circulation that same year because the wad of bills that he gives him is way too thin to consist of 75 Benjamins.

That does not look like 75 $100 bills.

Jean Paul tells Tim that he hopes he can bring Erica to life, which Holly thinks is a strange thing for such a “dreamy” man to say. Tim, on the other hand, is just grateful that his debt with the mob has been paid off before the end of Week 2--which is also probably before most people in the audience have started to care about that subplot. Still, it’s downright exciting compared with his next subplot, which will provide many of the low points of the Maljardin arc and, in some episodes, slow the pace down to a screeching halt. But that’s for another review.

Vangie hires Holly, but, right after she does, look who comes waltzing into the Café just as she stands up:

It’s Reverend Stalker!

Holly: “Why don’t you leave me alone? Get out!”

Overall, a mediocre episode, save for a few good scenes and that cliffhanger ending. Other than that, it mostly consisted of filler--especially of the “where’s Raxl” variety--and recap. Next one’s better, though. I just don’t know if I’ll have time to review it this week, because I’ll be very busy. (I actually wrote this post last week and scheduled it for today, if anyone is wondering.) Granted, I don’t think that anyone other than me reads this blog yet, but I have the sort of personality where I want to do everything yesterday and so I feel like I should be writing these reviews at a faster pace even if no one else is reading them. I wish that I could publish a new review every single day, but it’s just not practical for me, especially during this time of year. So I’ll see you...whenever.

{ <-- Previous: Episode 8 || Next: Episode 10 --> }

#strange paradise #gothic soap opera #week 2 #episode 9 #review #ian martin #maljardin arc #scene transitions #tape recorder journal #tarot #twentysomethings treated like children #unexplored plot point

0 notes

zephyrthejester · 7 years

Text

Reflecting on Fullmetal Alchemist: Brotherhood

Please click “Keep Reading” to view my concluding thoughts on Fullmetal Alchemist: Brotherhood. Unfiltered spoilers inside.

Fullmetal Alchemist: Brotherhood is, simply put, a narrative masterpiece. One of those once-in-a-decade stories. But before I sing its praises, I feel I'd best get my complaints out of the way first thing. They're all laughably petty, as far as complaints go, and I'd hate to leave this reflection off on a sour note.

1: For how important he was, I felt Alphonse's role was too small. He had a very interesting mini-arc about his identity early on, but after that, he was very passive. He took the support role in both dialogue and combat. Though, he did have what is probably the show's single biggest "fuck yeah!" moment all to himself when he turned the tables on Pride and Kimblee. I dunno, maybe I was just hoping for FMA:B to be "The Edward and Alphonse show ft. a ton of cool characters." But it was actually "The Edward show ft. Hohenheim, Alphonse, and a ton of cool characters."

2: Let's be real. Trying to dethrone God and take their place is just about as cliche an anime/JRPG plot you can get. It was a bit underwhelming, but this complaint is completely dwarfed by the fact that the whole narrative I'm about to exclaim love for is written closely around it, and the fact that the villain actually succeeded (briefly).

3: I wish that one of the show's biggest twists, the Country-Wide Transmutation Circle, wasn't revealed so early. Though the plot certainly had some out-of-nowhere reveals (that always made logical sense when they happened), most were foreshadowed or hinted at. But around episode 20, Dr. Marcoh dropped a guess about the plan to sacrifice Amestris, just... out of nowhere. Looking back, I can't help but think it would have been so much better if we first saw the Xerxes flashback story, then learned about Father's plan for Amestris. It would have been a gut-punch double threat. But by the time we did see the Xerxes story, we were well familiar with the concept. We could have been surprised at the same time as "young" Hohenheim. We could have felt that "oh shit!" feeling when we learned it was about to be repeated on a larger scale. But we didn't.

4: Lack of side character screentime. This may actually be a compliment in disguise, because I'm complaining that the characters I really loved weren't around enough! Danny Brosh, Maria Ross, Barry, Alex Armstrong, Sheska, Jean Havoc, Izumi and Sig Curtis, Ling Yao (who disappeared for a chunk of the show, and then when his body was on-screen, half the time he wasn't actually there, if you get what I'm saying)... I guess too much screentime for some of them would have made them grating or tiresome. But as trickle-fed novelties, I ended up loving the characters and just wanting more. More of everything!

5: It's understandable why this happened, as the second half of the show is incredibly grim and serious, but I found myself sorely missing the humor found in the earlier episodes. There was a new joke every minute, once. By the end of the show we were lucky to get one joke in an entire episode. Again, completely understandable, maybe even necessary. But I still missed the humor... because pretty much every joke landed for me.

Um. That's it. That's all the complaining I have in me. Literally every negative thing I feel about this legendary show. Let's get to the good stuff, shall we?

This story. This story is just... it's just mind boggling. It had the illusion that every little detail was planned out from the start. It juggled over 30 important characters and plenty more in lesser roles with breakneck pacing that never felt too rushed (outside the first three episodes). And let me tell you, I am just sitting in stunned awe as I think back about every single nuance. Every major character was admittedly fairly simple, but it is perhaps this very simplicity that makes them so understandable, likable, and sympathetic. Nearly everyone had only one character trait and a very clearly defined goal from the outset of their introduction... The beauty was seeing these various traits bounce off each other and seeing how the characters got to their goal.

This was not a story where characters changed and grew. I think this story was about how the characters fought hard not to be changed. Ed and Al were tempted to drop their morals, and they didn't. Hohenheim was tempted to hate himself, and he didn't. Winry was tempted to take a life, and she didn't. Mustang and Scar were changed-- into monsters-- and were pulled back from the abyss by their friends. It... genuinely feels like everyone was mostly the same person at the start and end of the story. And somehow, it actually all works. Though, saying this sounds a bit silly because Truth scolded Father for not changing... Oh well.

Moving from the macro to the micro, let's talk about the tiny little details. There were so many elements introduced that seemed innocuous and unimportant, but were actually extremely important. Edward's short height, the butt of many early jokes, was because his body was sustaining Alphonse's. The motion of clapping hands to form a Circle out of your body, a "gift" from God, looked like praying. Havoc's family business ending up being a munitions store. The creepy tubes beneath Central, which I didn't even think to question, ended up being the pumps that fuel the Mannequin Army. As I said, it feels like every single remote detail of this grand story was planned from the very beginning. From the small to the large, it all feels so complete. There's not a single part of me wishing something was more fleshed out (aside from wanting more screentime for my favorite characters, of course).

Indeed, I'll be fondly remembering and respecting this show's narrative and characters for a long, long time to come. It started strong, stayed strong, and though it may have slowed its pace at the start of the Briggs arc, it never faltered in its step. Best of all, it even delivered a very satisfying ending. So satisfying. So happy and perfect and sweet it almost made me diabetic.

Let's wrap things up with what's left, shall we? Thinking hard, I can't exactly recall most of the background music in the show. There were one or two standouts, but... Well, I guess none of the songs were jarring or displeasing, but all the same I can't exactly praise them. They were... serviceable. Yeah. Though, I do really like most of the OP and ED songs! They all grew on me more and more, and a few I still can't get out of my head.

Then there's the animation! My goodness, the animation! For an anime of this length, I was blown away by the effort put in to make all the important fight scenes look damn good. And damn, did they look good. This show had some stellar fight choreography, even with the more fantastical magic powers, and I won't lie when I say I immediately went back to re-watch a few fights the moment I had finished a liveblog session.

Well then. That's everything, I think.

I guess there's only one more thing I have to say.

Fullmetal Alchemist: Brotherhood has succeeded Gurren Lagann as my favorite anime of all time.

In the hopefully long-running lifespan of my blog, I expect that no show will ever top the final score I've allotted FMA:B. By averaging all scores, I calculate the final score of Fullmetal Alchemist: Brotherhood to be a stunning 9.3/10!

Experiencing this show was an absolute pleasure. But even better was taking this journey with you guys.

Thanks for reading.

#Fullmetal Alchemist Brotherhood Liveblog #Fullmetal Alchemist Brotherhood #Fullmetal Alchemist #Liveblogging #Liveblog

90 notes · View notes