#abby/henry

[tinknevertalks]

Chapter two of this @mfbingo Halloween madness. XD Abby's POV, we get a bit more about why she left the Sanctuary and the mystery overall. And it's deffo gonna be a Abby/Henry fic, because I can.

[chloesimaginationthings]

The FNAF Mikes talk about their extended family..

[fnafretold]

I love this meme so much I made 4 versions of it!

BONUS DOODLES

(Note: I’m currently struggling to make posts idk why. Mobile is being weird)

[tawneybee]

Okay so I had an intense fnaf movie theory

(⚠️SPOILERS FOR THE FNAF MOVIE⚠️)

So starting off, one of the major plot points of the film is that Vanessa is William's Afton's daughter, and that Mike and Abby don't seem to be related to them at all, right?

And there's a theory about the Golden Freddy Spirit BEING an Afton kid. Not just the blonde hair (the actor isn't a natural blonde, it was dyed for his role) but the way the kid seems to react to everything.

He remembers his death. That's a plot point for the other kids, that they don't remember their deaths and the drawings make them believe the Yellow Rabbit is a friend. But he does seem to remember, since he told Mike through a drawing that the Yellow Rabbit killed his brother.

It's uncertain why he doesn't tell the other kids, or why his main goal is getting Abby rather than getting revenge, but it seems he's playing William like a pawn rather than vice versa. It's only when William stabbed his sister Vanessa that he stepped in. And the way William reached out for him in the safe room like he was asking for help almost solidifies it.

Now back to my theory, I'm sure plenty of you have heard the theory that the Schmidts are actually Henry's children, not William's. It would explain why William drove 9 whole hours to kidnap some random kid in Nebraska if the kid wasn't actually random. Maybe a revenge scheme over some company fault.

So my thought is, the family dynamics with the Aftons and Emily's are switched in the games vs the movie.

Game:

Micheal Afton (eldest brother)

C.C Afton (supposedly middle brother)

Elizabeth Afton (supposedly youngest sister)

Charlie Emily (murdered twin)

Sammy Emily (supposedly survived twin)

Movie:

Mike Schmidt (eldest brother)

Garrett Schmidt (middle brother)

Abby Schmidt (youngest sister)

Golden Freddy Spirit (murdered twin)

Vanessa Shelly-Afton (survived twin)

I say twins because young Vanessa looks about the same age as GFS (although we don't know what year the photo was taken).

It feels like swapped dynamics to me. Garrett is a Charlie Emily parallel in their identical deaths, which could make both Mike and Abby Sammy Emily parallels as the surviving siblings. And the way Vanessa parallels Micheal A. (especially in her guilt and need to make up the kid's childhoods), would make GFS both C.C and Elizabeth. Honestly if GFS did have some sort of loyalty/passiveness to William murdering him like I mentioned, it definitely confirms an Elizabeth parallel.

I don't even need to mention how William makes Vanessa help him with his crimes (just like Micheal in the games) or how he plays with her guilt by blaming the mess on her (which suggests he would've blamed her brother's death on her, just like how Micheal feels guilty for C.C's death).

Sammy would probably also feel guilty for Charlie's murder, as that's how Charlie felt in the books when she thought it was Sammy who got taken. That was a situation that wasn't in the surviving sibling's control, just like how Mike couldn't stop Garrett's kidnapping. But GFS's murder could've been a preventable accident that Vanessa felt at blame for, just like Micheal for C.C (and probably Elizabeth).

MATPAT PLS NOTICE ME I THINK I'M ONTO SMT

[ziffy14]

Ofc I have a Horrid Henry oc, Her name is Annoying Abby and she's Ralphs little sister :)

Here's some dump

[personinthepalace]

primevideouk: i will NEVER shut up about this show x

Bonus:

[dalekofchaos]

FNAF movie sequel wishlist

Jeremy Fitzgerald as the protagonist and played by Jeremiah's actor Theodus Crane

Introduction of Henry played by Skeet Ulrich

Split it between the 80's and modern day. Showing us Freddy's at it's peek and showing the decayed ruins of Freddy's or potentially Circus Baby's? What they could do is Mike is reading Jeremy's old Security log book then we get 80's flashbacks with Jeremy while also getting modern day with Mike, Abby and Vanessa

Charlie's death

Toy Animatronics and The Puppet

Markiplier as Phone Guy

Making use of the make up/de-aging technology they used for Loomis in Halloween Kills for young Matthew Lillard to play young William in peek Purple Guy mode

Seeing the classics become Withered in the modern day

Mike finding there is something more to who he is. aka he's Michael Afton and he will discover that by the third movie.(yes I will fucking die on this hill) What starts this off is watching Immortal and the Restless. "Clara, the baby isn't mine" and this triggers a flashback with the person he thought was his father telling his mother "Mike isn't mine" and Michael going down a path of rediscovering who he is and learning he repressed his trauma by replacing it with a happy family life and a missing brother because he cannot live with what he did and when the truth gets out? William's going to prey on him like a predator. "You remember what you did, don't you Michael?"

The movie ending with William rising and dismantling the band and him simply saying. "I ALWAYS COME BACK"

Potentially either Abby or Vanessa will die by Circus Baby's hands.

The third sequel will either be FNAF 3 with Springtrap in Fazbear's Fright or Sister Location. So my suggestion is to combine it. We have half of Sister Location in the beginning and FNAF 3 in the other

[neverscreens]

— MY LADY JANE, SEASON ONE.

Who'll Be the Next in Line?, Part One, Part Two.

Wild Thing, Part One, Part Two.

With A Girl Like You, 495 Screencaps.

Bluebird is Dead, Part One, Part Two.

I'm Gonna Change the World, Part One, Part Two.

I Feel Free, 498 Screencaps.

Another Girl, Another Planet, 497 Screencaps.

God Save the Queen, Part One, Part Two.

Like or reblog if it was useful, every interaction shows us that we should keep making screencaps for y'all ♡

[hascious]

Chapter 7 of Cycle 360 has been dropped on a whim

i only read over it a few times so lmk if you see typos or something idk

this was probably one of my favorite chapters to write tbh... as much fun as rise was i love the dynamic between these 3 bozos so much. the main part of this chapter comes from part 4 of The Illusion of Living by Adrienne Kress, so be warned, there's spoilers for that. if you for some reason havent read the books, i'd highly suggest it, they're amazing. TIOL specifically was one of my favorite (if you couldnt tell)

and heres some bonus art i've made since the last post, unrelated from cycle 360:

also!! i havent directly said this here but if there's any questions at all about cycle 360, and i mean any, send them my way!! im more than happy to answer, especially given how long its taking me to write these chapters. worst case scenario, the answer is a spoiler and i'll just give a vague hint. or even if youve just got something to say, feel free :)

[midnightfrappe]

FNAF MOVIE THEORY AND RAMBLING (spoilers with some images and quotes)

Okay so, idk where to start but i'll try to make everything that i say connect, starting with Garrett, Mike's lost brother.

We see the exact moment he was taken, just playing around and the next second he was in a car that was driving off. But there was no screaming, not even a scared face from Garrett, this is a kid who's not sure why his brother is chasing the car with so much fear.

We obviously know at the end of the movie that William was the one that did it, but there was never an explanation of why. He did say ''First i killed your brother. Now i'll kill you'', but how did he know about Mike's brother? It could be Vanessa that told him about Mike's brother, but there was something off about William since the beginning of the movie, before Vanessa even knew Mike.

Mike is searching for a job and ''Steve'' is looking thru his records and saying he's trying to figure out who he is. Well, that's exactly what he does when he reads his name. He quickly looks up to him in a shocked way, even getting a closer look at Mike like he was trying to recognize his face which he probably does because he starts acting weird and nervous, then he is very insisting on giving him the job that he knows will surely kill him.

But then again, how does he know Mike and Garrett? The name Schmit could be one of the reasons and just looking at Mike's face is a confirmation. Now this is where i start with my theory.

Garrett was taken just like Charlie in the games, no one was looking and then a car just passed by to use that opportunity, making them the first victims in the movie and games respectively.

Now, that gives the possibility that Garrett's father was somehow connected to William, perhaps as a friend or coworker, because why would William go to a place as far away as the woods just to kidnap and kill a random child if the pizzeria was the safest option? He had a reason to target his friend's son, I can't think of one rn, but that could mean Garrett's dad takes the rol of Henry. Explaining why William recognizes Mike, he was the older son of his friend, the brother of his first victim.

As a bonus, that could explain why Garret didn't scream or looked scared and everything happened so fast. He just saw a familiar face, someone his dad knew and wasn't really a stranger.

William says to Mike at the end ''You couldn't just leave it alone, could you?'', he knows what he did and thinks Mike was trying to go after him (i mean, he was looking for him thru his dreams, but something tells me William thinks he was searching for him irl, that's why he's shocked when he sees him right in his office, the thinks Mike finally found him but my guy was just trying to look for a job lmao).

Now getting a little crazier, in the credits we hear some words that say ''COME FIND ME'', who do we need to find? the children? We already know where they are. William? Let that mf be trapped where he is. The only one we don't know where it ended up was Garrett, but where is he? Maybe that music box at the end is an indication that Puppet is present, and the possibility of having some things related to the games could mean that Garrett may or may not be related to the puppet. (Coffcoff Garret being the Puppet just like Charlie).

Now for some silly stuff: I really think this is an AU where William and Henry swap children, Henry has 3 and William only has one. Of course William would have a normal life after killing kids and ruining Henry's life, he doesn't have to worry about his children killing each other, he just takes care of one who can be easily manipulated and lives a normal life as a career counselor. Giving his trophy (the pizzeria) people who can keep it safe.

Meanwhile Henry's family suffers just like the game but with extra steps, but I also think that Mike and Garret having a good relationship is proof of good parenting, not like the games where Mike bullies his little brother and William doesn't give a fuck about them or Elizabeth. That's also my opinion that the movies could work without the bite of '83 or even sister location, all of that could be avoided with a loving family.

The family Michael Afton and his brothers needed, the one that they deserved.

''This isn't how it happend. This isn't real.''

[willstarr]

some old drawings I made a little back

[ameagrice]

Genesis

chapter three

summary: you begin the journey across the country with two adults who couldn’t hate you more.

Marlene handed you over to them without hesitation. Take her, she yelled, getting away before FEDRA showed up. Get her there, Joel!

Now, Joel is a man you decide to be in his late forties, with greying hair, and a pissed-off-don’t-talk-to-me look about him. He’d looked at you with nothing but distain the second Marlene hauled off.

Here’s how it went:

“She’s immune, Tess. No—listen! I know what you’re thinking, but I’ve seen it. I’ve watched her for a week. She’s immune.” Those words meant nothing to Tess, a woman near Joel’s age, with also greying, brown hair and a piss-me-off-and-I’ll-kill-you look about her. They’re a team, this Joel and Tess. They’re going to take her across the country and hand her over to them when they arrive, them, being Marlene’s team.

“Do you have a clue what’s out there?” Joel spat, waving his gun around. Slight exaggeration—he waved it. Marlene pressed her hand against her stomach, against the blood bulging out there, breathing deeply.

“Of course I do! But, do this for me, and you can have whatever supplies you want for however long you want. I promise. You’ll have no trouble from us. We’ll help you out—the Fireflies; if you need protection, we will—”

“Yeah, alright, Marlene,” Tess scoffed. She paced the rotting hall, floorboards creaking, all the while the sound of FEDRA got closer. She stopped short and shared a look with Joel. Neither of them had spoken to you, like you were invisible, an imaginary thing they could only talk about. “What are you thinking?”

Marlene huffed. Your head turned like a ping-pong ball, this way and that, between the three adults. “Y’all talk it out, but remember I’m bleeding here!”

The pair talked amongst themselves for a few seconds, in a corner of the hall, voices hushed. Finally, just as the flashing lights arrived through the grimy windows, Tess strolled over, picking up your knife from the floor—you had unsuccessfully tried to stab Joel. Feral, he had called you, you want us to take this feral kid?

“We get all the guns we want,” she declared. “Accommodation when we need it, and food, medication. We get this kid there unharmed, and we have a deal. Agreed?”

“Yes!” Marlene snapped, rolling off her leaning stance against the wall. “Can we go before we’re hanged?”

“What?!” You shrieked. Even now, you remember the way Tess had looked at you: like you were one of the decaying infected out behind the walls. “I’m not going with them! Marlene—!” These people were strangers, and clearly thugs—trading you for guns.

Her eyes pleaded with you, weak, and walking backward to the exit. “I’ll meet you on the other side, alright? Now go!” Cops began yelling outside. “Take her! Get her there, Joel!”

Tess snatched your elbow with a strong grip, fingers digging in hard. She pulled you along, through a gap in the wall you hadn’t seen. “Get down the ladder. Move.”

“Fuckin’ Marlene,” Joel grumbled above you, climbing down after you, marshmallowed between the two adults. “ ‘S exactly what we need. Where now?”

“Back to the apartment,” Tess demands. “We’ll figure it out there.” Tess is strong of tone and sure of herself, and it’s intimidating. Joel is harsh-toned and refuses to look at you, which might be worse. Either way, you’re feeling pretty intimidated by these adults.

Town is crawling with cops, even more than usual. They’re raiding the building and the ones around it forcing people out into the thunderstorm raging overhead, even the kids. The sky is dark, plummets of rain forcing down on everyone’s heads. Tess and Joel crouch by the staircase of which you’ve emerged by, looking left and right before Joel runs across, straight into an alley opposite. He holds against the wall and peers out, before gesturing for Tess to follow. She snatches your wrist and gets to her feet, looking around as you run. Her longer strides yank you along at an impossible speed, and if she wasn’t holding on tight, you would have tripped from the get-go.

They seem to know their way easily. Up the rusty steps of a fire escape stairwell, through that door at the top and round a block of apartments, down, down, down until you’re back on the ground floor. Then it’s across another street, through barbed-wire topped alleyways, until they’re slowing, ducking into an apartment block. The hallways are covered in wilting wallpaper, and dirty hardwood. Some people are home, voices floating through their apartment doors. Tess has long since let you go, so you opt for trailing after them up the stairs to the third floor, all the way to the end of the hallway, to a door on the right. Tess unlocks the beaten door with a set of jingling keys, pushing it open.

“Get in,” she orders, so you trudge between the adults into the apartment, where the door swings shut behind you. Instantly you’re on guard.

“Hey!” You try the handle, giving the door a strong pull, to no avail—someone’s holding it on the other side. You drop your hand and press your ear to the door, trying to listen to them. All you get is muffled words—voices low.

You take the time to look around. It’s small. The wallpaper is floral and faded—not something you’d have imagined people like Tess and Joel to have in their home. A slouchy sofa sits by the window, a side table beside it and a coffee table opposite. In the adjoining kitchen are the typical, worn cupboards in nearly every facility in the Zone, a table and chairs set neatly in the middle. Curtains, a painted butterfly in the window, and a couple of pictures standing on the window ledge: Tess and a little boy. Joel and another man. None of Tess and Joel together, which you think is relatively strange.

The door open jolts you back into the living room. It’s Joel, only Joel, rubbing his forehead like he has a headache.

You hesitate before you speak. “Where’s Tess?”

Joel ignores you, sitting down on the sofa and leaning his head back.

“When are we leaving?”

“I don’t know.” Hm. Progress.

“What are we doing now?”

“Waiting.”

“Well, what am I supposed to do?”

“Figure it out.”

You huff, turning in a circle for something to do. Joel appears to fall asleep, and you wave a hand in front of his face daringly, testing a response. He doesn’t budge.

The shelf holding papers and books looks interesting. You take a slim one from the end, American Woman. At first it’s good enough—new books are always good at first. But it soon proves boring, and you dump it back where you found it. It’s still drizzling outside, and the sky is darkening with nightfall instead of thunderclouds, by the time Joel wakes and Tess returns.

“You got a coat in that pack?” She asks you, and you nod your head. “Good. It’s time to go.”

She and Joel spends a few minutes throwing things into their backpacks, things from the kitchen—rations, bottles of water, the pictures and things from the bedroom and bathroom. You can’t fit your whole life into bags, so when they’re not looking, you take some memorabilia from here, too, to remember your pit stop: the butterfly in the kitchen window, a book. Your own belongings—the small amount of things you own—are in there, too, stolen from your dormitory after Marlene’s group caught you. Your hairbrush, the water bottle from the night, your necessities. There are a couple of tees and leggings, too, and a book of your own, and finally your precious Walkman. The only things you own. Ironically, a Firefly also shoved in your grey hooded jacket, lettered in gold: FEDRA TRAINEE. Because that’s what you are. You don’t doubt they didn’t take it for what you’re training to become, though, and more for warmth. In a few weeks the temperatures will fall even further.

Tess is fumbling around in the bathroom while Joel sits waiting on the sofa, elbows on his knees, silent. He hasn’t looked at you still, and it’s grinding on your anxious nerves. You’re going beyond the walls of the Zone. This won’t be like exploring with Rudy, where your biggest threats are gangs and older men. No, out there, your biggest threat is also the source of all your confusion.

“We’re gonna be okay out there, right?” Your words cut through the silence like a knife. Joel opens his eyes, blinking at the wall next to your head. “I mean, you’ve done this before, haven’t you? So we’re gonna be okay.”

Finally, those empty eyes land on your own. He doesn’t speak for a second, just searching your face. Then he sighs through his nose slowly and nods his head. “Yeah.”

That one word is enough of a prompt to get you to your feet, abandoning the arm of the chair. Thunder cracks and rumbles in the distance; you turn your head to watch at the window.

“Alright,” Tess strolls in. “Time to go.”

You’ve shrugged on your FEDRA trainee jacket and pulled up the hood, laying on the thin black coat Marlene dug up from somewhere for you. There wasn’t much need for proper coats at the school: you never left the walls of the building unless on a guided walk by the guards, and even that was rare. The times you slipped out around the Zone were only because Rudy had the guts to go and drag you with him. In the winter, Rudy’s inquisitive nature was a curse.

Tess leads the way down the apartment block with Joel calling out questions to her, that have no real meaning to you: exit round the back or the slow way? should we drop by the South end first?

FEDRA presence is still very, very strong. They’re storming the streets, even in this awful rainstorm, their radioes blaring directions and muffled tones from the headquarters. Tess stops by the front door and turns her head this way and that before she sets off with a hand to the hood of her jacket. For a second, you watch as the rain bounces off of it like pelts, until Joel shoves you firmly in the back with a strong hand, almost winding you. You trail after Tess with a hammering heart, wishing somebody were here to save you. What would they do, really, if you approached a FEDRA officer and explained you were being smuggled across the country by two random strangers? But then, you would have to explain why you were being smuggled by two random strangers, and it wouldn’t end well.

“Keep your head down,” he mutters, jogging after you. “Follow Tess.”

It’s easier to do as he says, though everything in you is screaming to yell back. Tess is almost a blur of khaki as she zips through streets and people, until you reach a barren area full of wilting, soggy boxes. You don’t ask where you are, and don’t have much chance to, before Tess is crouching and yanking on a drain cover. She looks up to Joel, eyes falling to you, and back again.

“I’ll head down first,” she breathes, ditching the dirty cover. “Get a look at the other end. If I come back, we’re all clear, if I don’t…”

Joel nods his head, expression unclear. Is that the only look he has? He guides you to the wall and you’re pliant, while he stands at the end of the street keeping watch. You’re tempted to follow Tess anyway and avoid being stuck here with Joel any longer, but before you know it, she’s back, lifting herself out of the drain. Joel turns.

“Alright,” she nods. “Let’s go.”

It’s so dark, even with Tess’s flashlight. Joel digs around for one too, in his pack, and you travel between them in the cramped drain. It’s barely big enough to crouch for you, never mind Tess and Joel. But they manage. It smells of shit and drains and dirty water, but it’s surprisingly empty, besides the odd sprinkling of moss and weeds growing. You stop and listen every few yards, before Tess waves you onward. The irrational fear of the drain being filled with water starts to become overwhelming just as you approach the decline and the raising ceiling. It leads out to a small running river, where Joel rises to his feet and stretches his strong arms above his head. His back pops and echoes. You scrunch your nose.

Tess has moss in her tied-up hair by the time she and Joel walk off down the embankment, and you wait a second to see what happens. They don’t turn back around, talking only in hushed voices with a lot of hand movement. You blink, feeling slightly dejected. FEDRA won’t have you back, Marlene passed you off like a broken clock, and now the two people who promised to get you to wherever the Fireflies are, are just walking off without you. Maybe they think you’ll just run after them. After all, it’s dark and you’re without a flashlight in a place you’ve never been before.

And if they thought that, they’d be right.

You sprint after them, slowing by the stream, and begin to panic as their lights disappear, turning the corner. You’re blindly stepping up an incline, beginning to get nervous.

“Tess?” You try, voice echoing. You guess you’re under some sort of tunnel, or bridge. With no answer, your heart speeds up. “Tess?!”

A flashlight appears around the corner, a tall figure looking very pissed off. An annoyed Joel, waiting on you. Although Joel’s presence doesn’t exactly calm your nerves, it calms a section of them, and you scurry to him like a scared kid. Which is definitely not what you are.

“Move it,” he hisses, waving his flashlight on the path. Something twangs in your chest, and you walk with your head down past the man. When you catch up, Tess is kneeling, pulling weeds and brambles away from another tunnel. She grimaces, looking down at her hands. The tunnel looks eery and grim, and you really don’t want to go down there.

“Alright,” she sighs, turning her head to meet your slightly-anxious gaze. “It’s just through here. When we go through here, don’t make a sound. Got it? There’s a lot of FEDRA on the other side tonight. If they catch us, we’re all dead. Understand?”

You nod frantically, mutely. Better to be quiet now. She hums, and holds your gaze for a second before the pair of light eyes move away.

This tunnel is arguably better, but it’s still a tunnel. By the time you’re out, you’re breathless and breathing deep, and your back is aching. You get to your feet and brush off your knees. You’re finally outside of the Zone.

“No fuckin’ way!” You laugh. Tess shushes you, but doesn’t look angry. The three of you walk in silence, sneaking around the debris scattered here, until you turn the corner. There’s a bit of light coming from the wall by the Zone’s entrance and a car engine rumbles, but so far, there are no guards this far out.

Until Tess slams to a stop, holding her arm out to stop you, too. Joel steps back, tilting his head slightly. They share a look, some form of silent communication, and then Joel nods his head, stepping out quietly. You and Tess follow him.

“Hey—hey! Stop! Fucking stop where you are!”

You freeze on the spot, gaze falling to the guard who’s fumbling for his gun laying against the wall. Tess sighs heavily.

“Hey, come on, man, just forget we were here!”

“Forget it?” He laughs. By now he has his gun in one hand, and has brought out the scanner used to detect Cordyceps in the other. “Hands up. Get on your knees. I said get on your fucking knees!”

You shift on your feet, looking to Tess for guidance. She’s visibly angry and nervous. Her eyes meet yours, looking to Joel. “Just get on your knees. Just get down.”

The three of you kneel with your hands behind your head in a line, while the guard goes to Tess first. The scanner bleeds green light, and Tess scoffs, whipping her head around to glare at him. “Seriously, man?!”

“Yeah, seriously. We’re doing this by the book. Unauthorised exit out of a Quarantine Zone—they’ll hang you for that.”

“Look, you let us go, we’ll give you half off on the next run,” Joel bribes.

“Half off? All off. For the rest of the fucking year.”

It beeps green at Joel’s neck, and he approaches you.

“Look, you let us do this, and let’s just forget about it all.”

The scanner beeps, and you already know what the colour will be. Determined not to let Joel and Tess kill you, you turn abruptly and knock the scanner from the guard’s hand, he yells, and reach for your knife from your pocket, digging it right in his thigh. Tess shouts something furious at you, while the guard screams in painc dropping the scanner. He dives for his gun as you get to your feet, aiming for your head, retreating in sudden fear.

Joel moves in front of you. “Stop! We can talk this out!”

He’s relentless. “Move.” The light from the gun is blinding, bright and unmoving. “I said, move.” The gun clicks, and Joel doesn’t hesitate. He throws himself at the guard, the two practically wrestling. Joel gets a hit in, hard, and the guard goes down, trying to get his hands around Joel’s throat. You can hear your pulse in your ears, watching Joel’s fist go down over and over against the guard’s head, until he relents, heaving for breath with a bloody, shaking fist. The man on the ground doesn’t move.

You’re transfixed, barely able to believe what Joel has done. It’s horrifying and gross, but Joel saved your life in doing so. He’s staring at the man, catching his breath.

Movement on the ground behind you prompts you to step aside, heart plummeting to your stomach. Tess has picked up the scanner, and looks between the scarlet colour illuminating her face, to your own, an unfathomable look. She looks away, at Joel.

“Joel!” She calls, and you try to snatch it from her; she leans away, holding it out of your reach, showing Joel. He doesn’t move, doesn’t look away from the scanner showing red, a look you can’t describe.

“No,” you try. “I’m not sick! I’m not infected!”

“Joel!” She barks, kicking the man into action.

“Oh yeah?” He exclaims, taking the scanner from Tess’s outstretched hand. “Then explain this.”

“Look, I know it sounds crazy, but I’m not sick. Believe me!” You try, flaying your hands. Tess raises to her feet, and clutches her gun, raising it level with you. “I swear! Please just believe me—”

“Why should we?”

That’s when the sound of vehicles get closer, the familiar hum of FEDRA cars. Searchlights grow brighter. Tess and Joel share a look of desperation. The man reaches down and swipes you up by the strap of your backpack, pulling you along almost quicker than your feet can catch up. Tess sprints alongside, shutting off her flashlight. You’re running practically blind, with only Joel’s guiding hand on your back to lead you in the right direction.

Somewhere in the distance, an Infected screams, and behind you, FEDRA grow closer; you have no choice but to keep going, trusting Tess and Joel with your life.

[kingwoodok]

VOLVÍ. Anduve sin motivación para subir contenido unos meses jajs pero bn, ya andamos por acá otra vez.

Se me acumularon unos dibujos que nunca subí, más que nada de la familia Emily, y de Abby(quien en mi au es la hija menor de Henry y su esposa).

(Por cierto el segundo nombre de Samuel aquí es Garret :0)

[coralinejones]

the parallels between what henry did and kathleen’s reaction to that and what joel did at the end of the game and abby’s reaction to that… wow

[ziffy14]

HORRID AND ANNOYING A DEADLY DUO💥🎀

In early seasons Abby would act, well, very annoying towards Henry, kinda like how her book self would. she would be very bothered with his presence specially when he's around Ralph cause he was getting her older brother's attention and she wouldn't like that one bit ( I will make another post explaining this better ) This would go until season 3, I imagine a scenario/ep where Henry has to take lf Abby or something and then they have time to know eachother better, both of them realizing that they're not so bad as they thought. now Abby is pretty chill with Henry she likes him a lot they're besties🤙

[bendysinitiation]

Do you have human designs for employees?

I do! But only some.

Henry:

His design is still a little fluid but mostly when I draw him I think “rectangle”

Norman:

I like him

Sammy:

I don’t know what to say about him other than he’s a little pointy

Here’s also some of the cast from “Dreams Come to Life”:

And then, of course, Joey: