#about Laserblast

[running2redemption]

What colour is your aura?

(Triplet edition)

Mauve

shooting stars, grapevines, velvet curtains, evening skies, mirrors, tarot cards, bookmarks. your essence is mauve: you are enigmatic, a professional surface riddled with deep emotion. you indulge in teamwork only when you surface for air; you project a fractured image, just a glimpse of what others consider admirable. you are well-spoken and a cultivator of hobbies and projects. you are the aristocrat. you are the virtuoso. you find kinship in like-minded individuals of periwinkle, indigo, purple, and blue, who share your need for a guided purpose. you are also drawn to the determined wine and terracotta, who will help you grow and see there are others worth opening up to. however, you may struggle to get along with the aimless personalities of fire and chiffon who struggle with social savviness.

Tawny

fall leaves, candles, blood oranges, hawk feathers, ladybugs, clay dust, toadstools. your essence is tawny: you are an energetic force with purpose. there is a genuine care for others that dictates your actions; still, you do not doubt you know best. effortlessly a leader, you extend your wings to watch over the ones you love. you are the protector. you are the consul. you find kinship in like-minded individuals of terracotta, garnet, blush, and beige, who share your strong core. you are also drawn to the open-minded souls periwinkle and peach, who will help you grow and show you how to open your boundaries. however, you may struggle to get along with the internal personalities of seafoam and ashen who are thought-heavy.

Crimson

rose vines, blood, apples, velvet, sharp nails, galaxies, dripping jewelry. your essence is crimson: you are the strong, defiant and avoidant. you crave some sort of deviation; to walk in another's footsteps feels mundane, a waste of your time. you are possessive and never look back at the things you've lost or forgotten. you are the rebel. you are the one who will change the world. you find kinship in like-minded individuals of red, blush, garnet, and bronze, who share your impassioned existence. you are also drawn to the confident souls royal and gold, who will help you grow and show that not everyone seeks to break you. however, you may struggle to get along with the slow-acting personalities of navy and umber who never seem assertive about anything.

[theromanticscrooge]

Professor Venomous, the Hot Mess in a Lab Coat

Note: If you haven't seen the entirety of O.K. K.O., please save this until after you've seen all the episodes. Even if the PV twists are obvious, he's a HUGE part of the ending and an important part of K.O.'s character arc.

POINT's origin in show starts when Silver Spark, El Bow, and Rippy Roo officially join the main team as junior members. Laserblast and Silver Spark immediately take a liking to each other and Laserblast comes up with convenient excuses for alone time with Silver. From what little there is of them on-screen, Silver is absolutely infatuated with Laser, partly because of his flashy attitude, his years of experience, the air of mystery around him, and definitely the confidence. These two were in the early, honeymoon phase of their relationship. El Bow's graphic daydream involving the weird sucker French kiss sequence tells the whole story: If these two weren't working, they were doing other things. Very often and very enthusiastically.

Besides tonsil hockey with Silver, Laserblast has a series of questionable projects he's been working on in a secret sandwich shop lair. Dr. Greyman, the brains behind POINT, discovered two of Laser's mysterious orbs and the consensus was "these were made by villains." When Laser suggests using them to stop bad guys, Greyman immediately shoots him down, citing that they're too dangerous for anyone to use. Greyman accidentally sets off one of the orbs and loses all of his powers. The new mission is find and apprehend the perpetrator. Laser prioritizes covering up his lair and experiments; he's more concerned about his image and standing than the well-being of his teammate.

When he goes with Silver and El Bow to scope out the sandwich shop, he insists on going first and alone. He puts on a show about how brave he is and promises Silver he'll be back. Then Laser enters the sandwich shop/lair and "disappears" into a blackhole. Silver is heartbroken and devastated. She blames El Bow for keeping her from potentially making it in time for that small possible window of opportunity to save Laser. This causes a rift in their friendship for years after. POINT unceremoniously drops El Bow and plants him as solely responsible for Laser's "death." After that, El Bow slowly finds new meaning and actualization as Mr. Gar; it's so painful for him to think about his past, he prefers to consider El Bow as dead as Laserblast is. Even after Carol has made peace with losing Laser, Mr. Gar is wracked with guilt and grief. He still blames himself and puts up a wall between himself and Carol despite her attempts to reach out or reconnect for a long time. In a nutshell, Carol becomes more emotionally mature, patient, and empathetic with time and introspection. She understands the importance of open, honest communication and that's what repairs, even strengthens, her relationship with Mr. Gar once he actually talks to her.

Laser made it out of the sandwich shop in time to avoid the blackhole and hides in a nearby storm drain. The evidence that he's responsible for the spheres is gone, but he hears Silver say "he wasn't powerful enough to get out." That comment is enough to seriously wound Laser's ego. He retreats, ashamed and feeling small and vulnerable. He's lost his powers. In his mind, he's nothing without his powers. He's too insecure to face Silver Spark or anybody else. The idea of her being more powerful; that she'd potentially push him out of the way or underestimate his abilities is something he can't bear. So, he starts desperately experimenting on himself and trying to regain his powers. He's connected so much of his self worth to how powerful he was that he doesn't know who he is without special powers. Until he can "regain his former glory," he refuses to return to POINT or his former life. And he doesn't trust Silver or anyone else enough to be vulnerable or weak in any way around them.

In a way, Laser's reaction to Silver can be roughly approximated to how toxic masculinity can affect how a man views himself. Men are supposed to be strong providers. They can't show any weakness. They're the the master; the cornerstone of the financial health and overall lifeblood of the household. When a man ties his all of his value to a specific personal trait, like how much money he makes or how strong he is, it's a threat when his partner makes more money than him or she's more proficient than him at "his thing." This single trait is such an important piece of his personhood that it pretty much is him. It's difficult to extricate that piece and figure out a healthier approach to who he is outside of that one trait. And he's not going to talk to his partner when she seems more like a rival than a friend.

For all intents and purposes, Laserblast- at least the idea of who Laserblast might have been-died. He becomes Professor Venomous; a respected, renowned villain that's a threat because of his scientific prowess and powerful because of what status and money he gains as a result. He's more satisfied and satiated as a villain than he ever was as a hero. The ideas that POINT balked at are celebrated and encouraged by his fellow villains. It's liberating. While Laserblast was a mask, Professor Venomous is the closest he's been to full self-actualization. It's not full self-actualization, but he's happier as a villain than he ever was as a hero.

Enter Fink. She's arguably the most important character and interpersonal relationship Venomous has. There's ample hints that Venomous rescued her from a rough life surviving by herself out in the streets. They call each other "Boss" and "minion" respectively, but it's just a title. Fink is his adopted daughter. When Fink talks about him, it's with strong respect, admiration, and affection. He's a patient, gentle parent at his best. He brings Fink to every event he's allowed to. He makes sure that Fink has what appropriate weapons or toys she needs at an outing. Out of everyone Venomous interacts with, Fink has seen and intimately knows the kinder, softer side of him. It's why she stands by him despite everything.

Despite their strong relationship though, Venomous still avoids bigger confrontations. He ran away from Carol and avoids the reality of K.O. as his son when he's Professor Venomous. So when Fink starts complaining, he throws expensive toys, video games, and gadgets at her to appease her. Usually, Venomous offsets these materialistic solutions with talking to her at her level or active parenting. Though, at the height of the later Shadowy Figure debacle, Venomous has completely given up when he uses gifts as the only means of interacting with Fink period.

This is speculation, but it's interesting that Venomous never actively talks about himself as "Dad" until it's a direct confrontation between Shadowy Venomous and K.O. Perhaps, Venomous uses a set of mental gymnastics to place some degree of separation between his father-daughter relationship with Fink and his nonexistent relationship with K.O. Fink is his minion. She's an important piece of his daily operations as a villain. As long as K.O. doesn't know or realize his true identity, Venomous didn't have to think about the fact that he abandoned his son. There's a lot of complicated baggage attached to a potential relationship with K.O. If Venomous wanted to successfully navigate how they could foster a father-son relationship or at least a friendly dynamic, it means he'd have to be more honest and introspective with himself than he's willing to.

Throughout the show, viewers are introduced to K.O.'s dark alter-ego T.K.O. T.K.O. is initially treated as a separate entity. He's angry, he's frustrated, he's angsty. He wants to watch the world burn as a means of catharsis and for his own entertainment. The truth is that T.K.O. is the manifestation of K.O.'s unresolved feelings about his absentee dad, always following the rules without intensely questioning why things work a certain way, questioning authority figures in general. It boils down to: T.K.O. is a personification of the existential angst that comes attached with K.O. growing up and becoming better acquainted with the workings of the world around him.

Shadowy Figure is introduced as Professor Venomous' equivalent to T.K.O. Venomous thought he was content with "power" accumulated through money and villainous feats. That was enough for a long time, but then Venomous reached the pinnacle of villainry. He had inventions like a giant death ray; an easy button for threatening the squeamish Congresswoman for obscene amounts of ill-gotten wealth. When Venomous started seeing there was more to Lord Boxman and his Snidely Whiplash-esque rivalry with Lakewood Plaza, he realized he'd been in the throes of ennui. Throwing his resources and talents behind Boxman re-ignited his love of villainry. Boxman knew how to take risks and have fun. Unlike other villains, evil wasn't a careful, calculated set of moves or a set of ideas that needed to be run through bureaucratic red tape. Boxman's attacks leveled up in a deeply gratifying way for both of them.

Yes, Venomous had a partner and lifestyle that were a fantastic fit for him. But he still hadn't confronted the trauma of losing his powers years ago. Consciously, he thought he had moved on, but really, he'd bottled up these feelings and resentment for so long they took on a life of their own. That's where the more active split between Venomous and Shadowy starts. Venomous' "former glory" isn't enough anymore. Now, it's a ravenous ghost that demands bigger, better, more terrifying; power that can match, if not more deeply fulfill, how long these feelings and dissatisfaction have sat untouched. When Shadowy looks at K.O., he sees a direct outlet for achieving his deepest desires.

"Power" is represented as a DBZ-esque energy source that can destroy planets or even the universe at large. It's simultaneously an in-show love letter to shounen battle nonsense while acting as an abstract stand-in for a parent living vicariously through their child. Shadowy Figure is the beginning phases of an overzealous parent pressuring their kid to become the sports star, the Harvard Law doctor, or any number of other concepts. The parent wasn't able to achieve this goal for whatever reason, but then they look at their child as a malleable lump of clay. The child is an extension of themselves; the last chance to achieve this dream the parent holds as their penultimate achievement. This dream is more important to the parent than everything; to the degree it supersedes the fact their child is an autonomous, independent being with their own wants, dreams, and needs for their life. The child has become a tool.

While there is still a degree of separation between Venomous and Shadowy, it's brief hope that he can catch himself and pump the brakes on how he's overstepping with K.O. When he outright calls himself Shadowy Venomous, he's completely surrendered to his need for power. Shadowy Venomous is the realization of who and what he thought he wanted to be. Its the means to a horribly self-destructive bender. He can do whatever he wants. Nothing is a challenge or threat to his self-esteem now because no one is more powerful. And if they are, he has a means to make himself greater.

K.O. has a solid support system between Carol and his adoptive family Mr. Gar, Enid, and Rad. Though, even with a solid support system, K.O. wanted some kind of relationship with his bio-dad Venomous. Parent-child relationships can be really complicated and messy. Even if a child has a fantastic mom and stepdad, the right combination of feeling unheard, misplaced, or having certain emotional needs unaddressed can make the originally absent parent appealing. Even if this other parent hasn't contributed as much, there's a want for their attention and validation. They're here now. They're trying now. They have something other loved ones can't offer. More importantly, it's a means to fill an existential hole in their life.

When K.O. takes a moment to acknowledge T.K.O. as part of himself that he's been grossly neglecting, he starts learning the importance of self love and that acknowledging and accepting his trauma is part of growing as a person. He's been able to empathize and show compassion for everybody else around him, but he refused to give himself the same kindness and patience. Shadowy Venomous exploited this. T.K.O. hoped that Shadowy would listen to and commiserate with him in a way nobody else was because Shadowy seemingly had a similar chip in his shoulder. They're mirrors of each other, right? That's what the wanton destruction and chaos were all about. When K.O. finally gives himself the consideration he needed, he realized that looking to Shadowy was never about him. It was only about being the convenient part that Shadowy needed. Shadowy was never interested in really reaching out and developing a meaningful connection with him.

Because of his self-reflection, K.O.'s relationships with his chosen family will be fuller and richer because he's including his inner voice as part of those intimate, heavy, vulnerable conversations with loved ones.

Despite Professor Venomous royally fucking up, the ending montage in the last episode shows he's not completely irredeemable. K.O. deliberately asks about him, too. At the very least, K.O. still cares about the Professor.

The President of the Universe gives Venomous a personal planet to destroy. In a way, that's Venomous finally confronting how much losing his powers years ago affected him. He has a healthier means to process his feelings around that sensitive subject and it's highly effective. He repairs his relationship with Fink; he's a more active parent than he was previously and encourages her interests more. There's a scene where he tells Fink he doesn't like video games and suggests she practices her piano scales while he's gone instead of further gameplay. Years later, he's enthusiastically cheering her on from the audience after she, presumably, became a professional gamer and won a gaming tournament.

Venomous also apologizes to Lord Boxman after their messy break-up during his spiraling as Shadowy Venomous. One sequence features a wedding ring. The bulk of these scenes are very fill-in-the-blank or connect the dots, but they're powerful. Seeing Professor Venomous with a wedding ring means that he learned how to have a vulnerable conversation with Boxman and that they trust each other enough to make that serious of a commitment. Previous scenes are very much coded as them having a gay romance and building a blended family as "business partners," but this cements it and cinches those last few parts of Professor Venomous' character arc. Its honestly beautiful how Venomous comes around to his equivalent of the healthy, satisfying life and family that Carol has between Mr. Gar and K.O.

A redemption arc isn't realistic for every person that fits a Professor Venomous mold, but its meaningful to see a character like this work on himself. As an older fan, its appreciated how much attention and care are given to found family for all of these characters in a variety of situations and circumstances.

[serfuzzypushover]

somethin somethin bisexy

[finkisun]

was thinking about Laserblast / Venomous again the other day and how the root of most of his problems is that he was always far too focused on the negatives. how much of a negative impact he did or how powerful enough he was to hurt people

this is very prevalent with Laserblast, along with his relationship with Silver Spark. he never believed he was enough against his enemies and considered his power beneath Spark's. he never thought about the good he was doing. just the bad. obviously, this led him dwindling down a path of lust for power. it became his only focus

this is why i think he was always meant to be a villain. after losing his powers and becoming a villain, that was his whole job and joy. hurting people and making them suffer

but this disregard for the amount of good he did still left consequences i think

a topic i keep going back to is Fink (uhm ... i lov fink). talking about Venomous as a father is hard at times because i would never say he is a bad father but he doesn't consider that he is the number one good thing in this child's life. he completely ignores this for the most part and does not teach her to maintain her feelings. considering the fact that Fink spends her whole life around the concept of negativity, she is aggressive towards anything she doesn't like. that usually means anything that isn't Venomous

Professor Venomous is the only consistent "good" person she has in her life so it's natural that she would do anything to keep that. that is why she is so hostile against everyone that may take that away from her. Boxman, K.O., Shadowy Figure. she acts this way because she is frightened and angry and Venomous does nothing to stop her from acting violent and even endorses it. that. is not healthy !!

practicing healthy communication is unheard of for Venomous. which is exactly what he needs. but parenting is hard. and so is being a child

anyway. my collective thoughts on Laserblast / Venomous focusing on their negative influence so much that it has affected his life and now his whole life revolves around that concept. so much that it gets in the way of very important things

a lot of the parts where i talk about Fink's relationship with Venomous were @nyquillionaire's thoughts when i was having green rat girl brainrot (which is all the time)

[kyoobot]

Random Assortment of the last couple week Samson drawings

[theprinceandthewitch]

Hearing Laserblast say "We'll always be together" while he's hugging Rippy Roo AND getting hugged by every POINT member AND THEN seeing him completely ditch his friends and gf because he took Carol's words as confirmation she was lying to his face during their entire relationship will never not take me tf out lmao

[calmlythrilling]

[Why even bother at that point? In having such useless small talk? ...That's harsh to ask, isn't it?]

[He's quiet for a moment, stuffing his hands into his pockets] ...No. In another life, though... hmmm... maybe.

[k4pp4-8]

Is there anything you wished the Show Ok. Ko Lets Be Heroes focused more on? Whether it be a character, relationship, arc, villain ect?

OH BOY THERE'S SO MUCH I WANTED TO SEE

1. FIRST OF ALL I REALLY wish they had more time to focus on the big reveal because I waited since season for them to talk about the whole POINT situation and when they finally DO reveal laserblast's identity it's completely rushed. This is such an emotional plot line for MULTIPLE characters yet we only see a fraction of it! LIKE PLEEAAAAASE I WANT TO SEE MORE OF HOW THIS AFFECTED CAROL!!! What she went through is so tragic, she lost her love, her dream, her friends, AND she had to raise the child of her dead lover alone. And yet she stayed strong through all of it and became the best mom ever. (Carol I love you plz marry me)

ALSO I WILL NEVER GET OVER THE FACT THAT WE DON'T SEE GAR'S REACTION TO THE REVEAL!! He literally blamed himself for laserblast's death, who was his teammate, his best friend's lover AND K.O's father. Just imagine how he felt like knowing K.O looked up to him as a father figure while thinking it's his fault K.O doesn't have a dad???

And also every other POINT member's lives were immensly affected by laserblast's death, like Rippy roo who dedicated years of her life trying to find a way to bring him back or Greyman trying to make a hero people could look up to or Foxtail still holding a grudge against Gar for what happened. I reaaally wanna know how they would react to knowing not only their friend is alive but he is also a successful villain.

2. Another thing I REALLY wanted to see was Rad and Dendy's relationship actually being explored! I used to think her "obsession" with Rad was nothing more than a gag but I saw that there was supposed to be an episode explaining that "she looked up to Rad because he's unashamed of who he is even though he comes from he considered as unusual family background." AND IT JUST MAKES SO MUCH SENSE!!!! I think that would've been an amazing way to explore both of their characters.

Also it's pretty ironic because Rad IS ashamed of who he is! Since day one he's been hiding things he loves and acting like a jerk to cover up his insecurities. I think Dendy telling him she looks up to him would've encouraged him to change the way he acts just like in the "Radical rescue" episode, when he tells K.O he doesn't want him to imitate his bad behavior.

3. Now we're getting to the REAL interesting part. BOXBOTS!!!! LISTEN I HAVE SO MUCH TO SAY ABOUT THEM BUT I'M GONNA TRY TO MAKE IT SHORT AND UNDERSTABLE.

I REALLYYY wish we had more moments of vulnerabilty with them. Pretty much every single one of their scene is comedic and, while I do ADORE the comedy, I still wish they were taken more seriously. Like their whole situation is really tragic in many ways yet it's completely ignored. I know it's a mostly light hearted show but the boxbots are never given a genuine moment that felt like their feelings were taken seriously. It's probably just me who's wayyyy too attached to them but my favorite moments are when we get to see the more "human" side of them. Like when they act like an actual family, playing board games, having dinner together, hanging out, or bickering like siblings

I wish they explored how being robots affects them and the way everyone treats them. It's like robots are not considered like "real people" to some degree. We already know that in the okko universe being a certain species will change the way people perceive you and treat you (ie aliens and kappas) and it's shown to be a bad thing when it happens to Rad and Dendy, but when the bots are treated badly it's always seen as a joke and brushed bc you know , they're robots so who cares. There's like an implication that all robots are inherently bad because they're robots, K.O even said Mr.logic was "one of the good ones" implying he's just an exception (also it's crazy that he actually said that sentence and no one batted an eye)

And finally the ONE thing I really REEAALLYYY wanted to see more of is *drum rolls* LORD COWBOY DARRELL (who could've seen that coming)

LISTEN THERE WAS SOOOOOOOOO MUCH POTENTIAL THERE IT ACTUALLY MAKES ME CRAZY JUST THINKING ABOUT IT I WISH I WAS EXAGGERATING!!! Like for the first time we actually see boxman suffer the consequences of his actions, his kids FINALLY stand up to him after being treated like crap 24/7 and then he's forgiven in episode two??? And we don't even see how this affects the other bots!! Like Raymond and Shannon also loved boxman but they seemingly didn't hesitate to side with Darrell over him. I wish they explored how they chose their brother over their father who they were absolutely devoted to since birth.

I was actually disappointed to see Darrell forgive him SO easily and all the character development he could've had was thrown out the window in two seconds!!!! We actually get a glimpse of Darrell's potential but it's all forgotten as soon as Boxman becomes the boss again

I loved seeing Darrell actually fight back for once because he is one of the characters who gets mistreated the MOST by the whole cast. Half of his scenes are just him getting beat up and insulted, he's always treated like an idiot or a joke character so it was incredibly satisfying to see him actually stand up for himself and take charge. Like yeah he is goofy as hell and very immature and I love that about him! But when he became Lord Cowboy Darrell we actually got to see a whole new side of him. He was cunning and smart and resourceful and it KILLS me that we never got see that side of him again. I wish people aknowledged how competent and mature he can be instead of treating him like an actual child. I actually hate how infantilized he is sometimes

Anyway I could go on and on and on forever about the boxbots but that's just a few things i wish the show focused more on, there's probably more but I can't remember them rn

[tentacleteapot]

callout post for Zargothrax, Keeper of the Celestial Flame of Abernethy

okay listen I know a lot of us really love Zargothrax. he started out as a simple peasant weaving baskets in a field and I think that’s really relatable and endearing! but it does NOT excuse his toxic behavior. like everybody knows he’s a sorcerer but nobody talks about how he’s a sorcerer NEFARIOUS, with eyes that burn like fire, and I’m tired of staying quiet about it. why does nobody question the fact that he’s the master of nightmares? shouldn’t we be worried about that?

other problematic behavior:

forged a pact with chaos to bring the Prince of Fife to his doom

as previously mentioned, he’s a sorcerer nefarious, with eyes that burn like fire

slays those who dare oppose the power of his evil desires

wields the Laserblaster

is the dark lord of Dundee

and like that is just for STARTERS. even if a prince destroyed his home to build a kingdom new, does that really excuse the fact that he’s bound to the darkness? that evil lies in his brain? he’s the wizard king, chaos INCARNATE, you guys. we have to think about this stuff and be critical about our faves, regardless of whether or not the dawn of double wizard will reveal his fate.

I want to stress that I have a lot of compassion for the people who grew up admiring and looking up to Dark Lord Zargothrax, master of nightmares, keeper of celestial flame, wizard king, chaos incarnate. I totally get the desire any fan of his has to ride far away to the Fortress of Crail and revive the frozen wizard from his tomb of liquid ice, even if I think fighting to destroy and vanquish the name of the scion of the kingdom is king of taking it too far. not to mention unleashing the celestial flame! I just want people to be aware of who they’re supporting when they voice desires like this and to keep in mind who would be harmed if those goals were ever realized. just keep in mind that he’s a sorcerer nefarious, and he will bring the kingdom to its knees.

yeah.

[fabulous-gabulous-theartist]

Why can I not just do a simple thumbnail sketch?! Thinking about my most cartoon villains were drama kids in high school theory eventually lead my mind down this rabbit hole. Laserblast/Lad Boxman x Sixteen candles. Just a concept I plan on drawing on redrawing and coloring digitally, especially cause I really hate how Laserblast's face looks and Lad Boxman's pose is a little too stiff.

Also, bonus sketch of Lad Boxman as Sam (Molly Ringwald) saying the line.

[wheeliescoot]

PV/laserblast is an interesting character with a lot more personality than people give him credit for. Yes he’s hot but I’m kind of tired of people acting like that’s his one trait…he can be annoying and neurotic and controlling and gentle. He can be calculating and incredibly intelligent. He can be regretful and yearn for excitement. He likes cars and driving. He’s incredibly passionate about bio engineering so much he experimented on himself for years. He has a daughter that he cares for and an eventual husband who changed his life for the better. He’s not just purple sexyman.

[itslilacokay]

umm...soo..I have a question about your NS?au!!!! (Hi it's me the anon who needed to know as much as humanly possible) does the showdown go down like it does normally? Yellow deletes the others (excluding TR because you see his head in TDLs memory, unless they do get deleted) and SCNs powers awaken again?? or does something else happen ?? thank you,!!!!

we meet again!! hello

yes not much changes in how showdown in ns?AVA goes down, however i guess a difference is that yellow doesnt have the virus spiders, nor a blade, he just blasts with his staff

and when anyone that isnt ""animator-made"" gets blasted by yellow's staff, they just get vaporized out of existence basically

and for those that ARE ""animator-made"" that get blasted by the staff, theyre just severely weakened due to said blast

ballista gets vaporized firstCOUGH COUGH WHO SAID THAT anyway

so about scns powers awakening. its only because of yellow just blasting them over and over again because scn kept trying to stop him

fun fact! scns power reawakening is referencing (i think thats the right word) this scene!!! sooo yeah

also AAAHHH YOU NOTICED TR IN THAT DOODLE HELL YEAH!!! nice eye!! okay so um about that doodle i decided to change something

scn doesnt laserblast yellow he just full on punches him. hard. there is no coming back from that

and unlike tsc, scn doesnt forget about his powers so woohoo

[theromanticscrooge]

Mr. Gar, a Fount of Masculinity and the Step Dad that Stepped Up

Mr. Gar is introduced as this stoic, gruff picture of manliness. The most promising up-and-coming heroes at the Plaza, Rad and Enid, work and train directly under him. Most Boxmore threats are small enough that Mr. Gar trusts Rad and Enid to handle things but when the stakes get a little too high, he parts the clouds themselves and enters the fray. He's a slightly mysterious, larger than life figure; the pinnacle of role models and exactly who K.O. aspires to be when he's older.

At the start of the series, viewers only see the stoic facade crack around Carol. He becomes an anxious, tongue-tied wreck. Its an achievement if he's able to string together anything close to a coherent sentence around her. The first hints viewers get about their history together are the Silver Spark portrait on Mr. Gar's desk and the sub sandwich flashbacks. Everyone is aware of how he feels about Carol and even ship them together to some degree. Carol wants to talk to him and reconnect, even when she has to take the initiative in general conversations. So, the question becomes what's actually stopping Mr. Gar here?

--

In the POINT flashbacks, the young Mr. Gar is the anxious, meek, tongue-tied luchador-themed hero El Bow. El Bow was very much a capable and talented hero. He was one of three hand-picked junior candidates to join the prestigious hero team POINT. Before that, he was known and highly respected for his lucha libre, as revealed and fangirled over by Punching Judy. Though these parts of his character are dramatically overshadowed by his seeming lack of confidence and self-esteem. The handful of screen time El Bow has are usually centered on how hard he's crushing on his coworker Silver Spark. He's so focused on drumming up the courage to confess his feelings that it takes a comment from Rippy for him to clock how obvious Silver and Laserblast are. Laser made a move the minute he met Silver. El Bow knew her long enough to develop a rapport and become close friends, but he was waiting for the 'perfect moment' to say something.

Because Laser and Silver were getting more serious, El Bow felt a 'now or never' compulsion to confess. During the three-man mission to discover what was going on with the donut shop, El Bow was focused on confessing over everything else. Seeing Laser flirt with Silver was agony. It was the final pin pull on the metaphorical grenade. The confession had to be now. El Bow still wasn't quite ready, hence the hemming and hawwing and stumbling over his words, but he finally had the momentum to follow through. He 'distracts' Silver long enough that she can't reach Laser in time. The donut shop gets sucked into a black hole. Laser is presumably dead. Silver and the entirety of POINT wrongfully blame El Bow for the tragic event, his friends ice him out, and he's unceremoniously dismissed from his position.

Another dimension to El Bow is his cultural identity as a masked wrestler. A luchador is traditionally part of an established family stable and has a legacy attached to their mask along with their title. Lucha libre typically features teams of three, too. In El Bow's case, his stand-in for the classic lucha team were Silver and Rippy. They're as much extended family as they are friends and teammates. When El Bow loses his mask, its a dramatic visual signifier for the death of both his identity and former life. That's why Mr. Gar deliberately refuses to go by that previous title and refers to it as something separate or other. He had to completely rebuild himself as well as the parts, pieces, and meaning of his life from the ground up.

Mr. Gar has a literal wanderer phase of his life where he walks aimlessly long enough his clothes get tattered and his hair grows into a long, unruly mass. He's lost and confused, but always stops along the way to help people in need. Even without POINT or El Bow, he became a hero because of an earnest desire to help others and stop bad guys. El Bow was just a moniker. The essence of who he was is still there; the new journey is figuring out what to do now and who he wants to become. Then Mr. Gar meets the President of the Universe and is assigned a new mission that aligns better with who he is and what he can do: protect the glorb tree and build a supply chain store for heroes.

The President of the Universe could be seen as a fun, campy stand-in for a person finding newfound purpose through religion. Or someone reconnecting with their spirituality in general. Sometimes, the parables, teaching, and morals connected to a religious practice or diving more into philosophy give a person that feels lost and directionless a good foundation for introspection. It can be a line thrown out to sea that guides them back to shore. Its a starting line that gives them the means to start exploring and learning about the more abstract part of 'what is life' that leads to growth, change, and hopefully, self improvement. Mr. Gar building the Plaza leads to him becoming the hero and legend of Mr. Gar. He's not attached to POINT. He lives and sustains a separate venture that promotes a more independent, self-discovery approach towards being a hero. There aren't concrete benchmarks or specific guidelines, but Mr. Gar gladly gives advice and presents a great space to help somebody figure out what direction works for them.

Enid in particular benefits from how much more open training at the Bodega is vs the more structured training and education at POINT. There's three particular classifications a POINT Prep student could be sorted into: logic, strength, or charisma. While the different areas overlap, there's still pressure to conform to titles like 'the smart one' or 'the charismatic one.' The charisma students, ala Elodie, are the most likely to be popular and well liked. In short, POINT Prep promotes and curates specific visions of what a hero should be like. With Mr. Gar, he pinpointed Enid and Rad's respective strengths and encourages their next moves or training based on what makes sense for them individually vs a strict, one-size-fits-few curriculum. Enid ultimately chooses Gar's Bodega over POINT Prep because his more free-form approach as a mentor is a better fit for her. She's still trying to figure out what kind of hero she is and wants to be. As it was, POINT Prep is a better match for someone that already knows who they are and what their ultimate goals are (hence why Elodie thrived in that environment).

--

While Mr. Gar eventually recreated himself, he still bottled up and buried El Bow, Laserblast, and POINT. He refuses to confront what happened and as a result, has stilted, awkward run-ins with Carol. Talking to Carol in a deeper, more meaningful way than "How are you?" means he has to unpack his guilt over Laserblast's demise. Carol has processed what happened, realized that if she had run in she might have 'died' along with Laser, and that she lost an important friendship. She learned to live with what happened, in large part to be an aware and active parent for K.O., and is trying to live as full and satisfying a life she can now. Yes Mr. Gar built the Bodega and became an impressive, respected figure in his own right, but part of him is stuck in the past on that horrible night.

In his mind, he might as well be the one that killed Laser instead of the black hole. The angry, upset Carol in the constantly rewound tape of his mind's eye is more tangible and immediate than Carol in reality. Mr. Gar is so scared that if he actually tries to talk to her, it would be an instant means to transport him back to that painful transition period between losing El Bow and who Mr. Gar is now. Its a weird balance: the tragedy rules his life to the point that it makes it difficult for Mr. Gar to be vulnerable but admitting it happened would supposedly shatter what peace and status quo Mr. Gar managed to achieve otherwise.

Traditionally, men are encouraged to ignore and bury trauma. Its presented as a simple obstacle that can be overcome with enough will power. Instead of the overcome by willpower tack, the dramatic slow-mo sandwich drop and ensuing story beat build towards similar 'talk things out' deconstruction that toons like Steven Universe regularly visit. One particular episode depicts Mr. Gar cowering at the sight of a younger Carol on a giant flying sub. It shows that Mr. Gar's attempts to ignore that particular event and the heavy emotions around it have been ineffective. He's a lot more self-confident and actualized. He can handle rude customers, tough bad guys, and most things that come his way, but brute force will not overcome trauma. Its something that haunts him like a ghost. Posing this as his greatest fear helps paint just how overwhelming trauma can be if not the importance of recognizing its effects on mental and emotional health period.

When Mr. Gar finally does talk to Carol, it's like opening a pressure valve. Its a release. Carol reassures him that he's not responsible for what happened with Laser and that she's sorry for blaming him. Hearing someone say this out loud, even if Mr. Gar had come to that conclusion himself, makes this concrete. Now he fully recognizes that the Carol in his mind is a projection; nowhere close to the present-day reality of the person he's talking to. After they finally talk, they start to reconcile, grow close again, and even start dating.

Their romance is a more in-the-background slow burn with the exception of the cute picnic date, but its rewarding to see play out. If anything, it shows that Mr. Gar is working through his trauma to the point that he has more meaningful and deep conversations with Carol. He trusts her enough to fully let his guard down and honestly let her in. Granted, it'd be nice to see a more detailed conversation between them about her still working for POINT in secret. Though, its not too much of a stretch that they built a strong enough foundation to work through that and fully talk things out later.

--

After working at the Bodega for awhile and Mr. Gar dating his mom, K.O. openly admits to Mr. Gar that he sees him as a father figure. At first, Mr. Gar looks baffled, but he ultimately decides to fill this role as best he can. Employing K.O. started as a favor to Carol. Through his general interactions and one-on-one time with the kid, he comes to care about him as much as his other pupils Rad and Enid. He recognizes the gravity of the role K.O. is asking him to fill. As far as they both know, K.O.'s bio-dad is dead, Carol's immediate friends and clients are other moms and older women, and Mr. Gar's pupils/adoptive family are pretty much K.O.'s older siblings anyway. K.O. is expressing his need for an older male role model; not just the ambiguous figure of Chip Damage he only ever gets cues from through TV appearances and action figures.

Mr. Gar is right there. He's reliable, he's a powerful hero, he's an enthusiastically Carol-approved symbol of masculinity. He's the picture of what K.O. wants to be like. The montage revealing that Mr. Gar and Carol started dating features happy, domestic scenes with Mr. Gar filling the role of 'dad' well enough that K.O. reflects on that with a smile. That particular scene with K.O. and Mr. Gar on the Bodega roof for a stake-out is the result most blended families hope for when a new parent enters the scene. The new parent, in this case Mr. Gar, has organically meshed with the existing family and carved out a spot that's unanimously accepted.

Considering how Mr. Gar is written and presented, he's an example of a positive masculine role model. He's tough, he's stern, and he kicks ass, but he's also patient and learning how important it is to be open and vulnerable. In the very last episode, its a mark of how much of an impact Mr. Gar had when an adult K.O. not only takes over the Bodega, but also his spot for an aerial attack from the clouds.

[r0zeclawz]

can we talk about how fucking badass the names of the magical artifacts are in gloryhammer songs like.

we got the HAMMER OF GLORY we got the KNIFE OF EVIL we got the ANCESTRAL LASERDRAGON we got the gotdamn VORPAL LASERBLASTER OF PITTENWEEN and NOW we got the fucking HOLY FLAMING HAMMER OF UNHOLY COSMIC FROST like HOLY SHIT DUDE. its fucking rad and makes me VERY happy

[robotjustice]

"Think about how vegeta blew up a whole city only to reform years later, but still live on earth the whole time, and earth can’t bring him to jail or anything because there’s like only one person strong enough to kick his butt and he’s the doofus who wears orange gis 24/7 and says “oh, yeah, he’s cool now, don’t sweat it”.

Vegeta walks into a shop and buys frozen pizza and sprite and the guy behind the counter is terrified and just focusing on how the entire planet was afraid of him like 10 years ago. Super powerful alien with laserblasts and super strength trying to kill ‘em all buying shitty pizza in his shitty cornershop. What're you gonna do about it."

[theprinceandthewitch]

Nobody understands Professor Venomous like I do...