ABOVE THE CRAWL
Don't want to live, live in the abyss
I can't go on with a life like this
Half a life is nothing at all
You got to rise above the crawl
You got to be a superman
Flying high above the land
You got to count every breath
You got to live before your death
I see my reflection, black in the void
I hate myself and i want to destroy
I'm like a phantom into the dust
I'm like an animal you can't trust
You got to be a superman
Flying high above the land
You got to count every breath
You got to live before your death
Easy to slip, easy to fall
All the noise just makes you small
Turn you off, turn you on
Turn the dusk into the dawn
You got to be a superman
Flying high above the land
You got to count every breath
You got to live before your death
You got to rise, above the crawl
You got to be a superman
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The Vampire Aesthetic
Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.
Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.
Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.
“So where’s the vampire aesthetic?
Everyone freezes.
Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.
“Come on, I know you guys are hiding it.”
Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.
He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.
People are weird! He doesn’t judge!
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you know I’ve been wondering why the phrase “Have mercy, for the spirited away shamans.” in Elden Ring sounds familiar. I remember where that phrase is from now.
Fromsoft also used that to refer to all the children being kidnapped and died from the Senpou monks immortality experiment in Sekiro.
There’s only one child who survived…
That girl later on also ate two Great Serpent hearts so she could become a Divine Cradle… essentially another vessel for the Divine Heir, a vessel for Divinity…
I wonder if that parallel is the reason why the Miko used to refer to Marika’s ppl is written as 巫子 / Sekiro divine child is 御子 (both pronounced as Miko / with 子 literally means children)
It’s like the more i think about it, the more Marika becomes the sum of all the Fromsoft girlies i have been mourning for for the past 4 years.
Enough. They can’t keep doing this to me 😭😭😭
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“Nine would have treated Martha better than Ten did”
I need to talk about this argument that never seems to stop circulating.
Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨
When making this argument, people seem to envision a scenario in which Nine never met Rose.
While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.
In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):
He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.
Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.
He falls in love (against his better judgment) and it's game over.
And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.
Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.
(I certainly wouldn’t object to reading that fic, though)
Now, regarding the unrequited elephant in the room…
His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.
It’s really only for one reason, which can't be denied — and now I’m a broken record:
He is still in love with Rose.
(cut from a tenrosedaily gif)
Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.
But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.
Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.
I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.
So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.
But Rose did exist, and when discussing canon, it matters.
“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”
-Jackie Tyler, Flight Into Hull!
Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!
Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.
The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.
But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.
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I'm so sorry but I'm going to talk about supernatural in the year of our lord 2023, because I just finished good omens season 2 and the way these shows occupy a very similar space in fandom attitudes is driving me insane.
In so many ways, good omens feels like what supernatural could have been, had they actually committed and not flailed around with like 15 seasons of queerbaiting and the most unintentionally funny ending imaginable. You have the demons and the angels, armageddon, team free will vs god's master plan, years of pining and repression and no personal space and small declarations of love. But good omens does it with genuine vulnerability and comittment, not as bait or comic relief or last minute bury you gays. But, because it’s big and well-known and allows itself time and nuance to get where it’s going, so many people really treated it horribly before the drop of season 2 for not immediatelyand explicitly giving them what they wanted.
Like, after the end of season 1 you could really feel the way spn damaged viewers treated them as the same thing. It’s like people were so prepared to be tricked that they came in highly on guard and defensive. Thing is, this manifested as taking anything other than the most bland, on the nose and immediate gay rep as the creators queerbaiting and trying to worm their way out of committing to 'real' queer rep. Gaiman refuses to confirm your 'they are gay men' headcanons? Clearly him being a coward and not the characters, explicitly, being neither gay nor men. Characters have a very close relationship but no kiss? Clearly queerbaiting and not an affirmation of ace/aro relationships, queerplatonic relationships, or even plain old platonic relationships.
There is so much hurt from years of stereotypes and queerbaiting and bury your gays that any attempt to tell a complex queer story - one where relationships take time, or where they don’t always happen, or where horror or tragedy strikes, become nigh on impossible. It becomes hard to distinguish subtext used to be genuine and subtle and queer-friendly from subtext used to queerbait and make fun, and rather than making the effort to tell them apart and giving stories a chance (and taking the risk of getting hurt) all rep must be distilled into the epitome of 'gay' before it’s accepted as good, because that way you cannot be tricked. Hell, just the way it’s referred to as 'rep' rather than 'characters' is telling.
This is noticeable in the way spn fan spaces talk about Cas, too; he’s always 'the gay angel', never the bisexual angel (despite having had female love interests) or the asexual angel (despite being largely uninterested in sex) or the nonbinary angel (despite not being human and on occassion using female vessels as well as male). Does Meg Masters mean nothing to you. Just. Please allow stories their nuance and their time and their right to not always cater to your ship in the exact way you want (or at all) without declaring them bait. It makes you look very silly when you come crawling back the moment a kiss happens.
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