#adrestian empire

[pathetic-gamer]

Fashion in Fódlan: a very long, non-comprehensive, and entirely unsolicited analysis

The fe3h writers did a pretty solid job of creating three nations with clear social, economic, and political differences. The fashion stands out to me as doing exceptionally well at expressing those differences, and, just like in the real world, it works as a sort of socioeconomic barometer that helps tell Fódlan's story.

In this post, I'll break down the key clothing trends in the three regions and provide some light interpretations, largely related to $$

Please note that I'm NOT using this post to discuss historical inspirations. Also, not everyone from every region is included. In particular, anyone whose outfit is too much of just a riff on a class uniform (like the Ashen Wolves or the various minsters in the empire) is left out.

There's a part 2 now lol (church of seiros time); part 3 as well!

1. Holy Kingdom of Faerghus: function IS fashion, baby!!

Fearghus, beloved land of ice and snow and spooky folktales about watering your fields with blood and ghosts living under the ground - you did not come to fuck around. You're here to protect the commoners and go back home to a stew that may, if you're lucky, actually have some meat in it. In this kingdom, you're going to dress warm and you're going to like it. Oh, you have some extra money? Gonna spend it on something for yourself? Better be using it for something useful, like keeping your plate armor in good condition. (Please note: Catherine, though being Faeghan, is excluded because she wears the uniform of the Knights of Seiros, not her own clothes.)

Trends:

High collars, long skirts - generally as little exposed skin as possible. (There is exactly one pair of bare hands in the entire kingdom. Mercie is getting a little bold 👀)

Fur cloaks/capes/gloves, or just fur around the cuffs and collars if they don't have a full fur cloak.

Armor - every single man is dressed in armor, as is Ingrid. Most of the men have full suits of plate armor, but Felix, Rodrigue, and Ashe are wearing only gambesons (note the quilting in Felix's sleeve - that's what gives it away, imo). The folks in plate armor would have gambesons on as well (you can see Ingrid's underneath her breastplate), acting as padding for the plate armor. I think Gilbert is wearing plate armor with a tunic over it (a realistic historical practice).

Fastening is accomplished with clasps and lacing, and there are relatively few buttons or adornments to be seen on the main garments - Annette is an exception, which will be addressed later.

Brief analysis:

Notice the economical use of fabric - their clothing tends to lie flat, with fabric being layered for warmth rather than pleated, gathered, or puffed. The folks in plate armor may spice it up a little with a sash of some kind if they aren't already wearing a cloak or cape. I'm assuming Gilbert's ~stylish tunic~ is keeping him warm well enough to not need a cloak or larger scarf. (Mercedes has a ruffles and puffier sleeves, plus a fuller skirt, but it's worth noting that she is currently part of a merchant house, and merchants tend to be wealthier and actually occupy a unique social class between nobles and commoners.)

Note the colors, too. Greens, browns, and yellows are the cheapest and easiest dyes to make and use. That bright sort of tawny color that Gilbert, Annette, and Jeralt all have is easy and cheap. Gilbert's grey tunic could feasibly just be undyed wool. A true blue is difficult, but you'll note that the blue the people wear up here leans towards grey and green - could be that the dye is faded, or that it was never very blue to begin with. The only true blue is on Dimitri.

All of this reinforces the idea that Faerghus is not a rich nation, and the nobility don't live too far off from the common folk. The vast majority of the cost we see is actually their armor (worn by Dimitri, Dedue, Sylvain, Gilbert, Jeralt, Matthias, Ingrid, and also if we're getting all the way into it, Gwendal, Miklan, Lonato, and Baron Dominic as well), which is would have been pretty expensive. You'll notice they mostly wear grey armor with very little extra decoration, keeping the costs low. Ingrid, the poorest of the nobles in armor, also has the least actual plate. Felix and Rodrigue both have full cloaks, which most other people don't have (just Dimitri), but they also aren't wearing plate, so clearly that's a calculated choice.

That being said, even within these more economical fashions, we can still see clear differences between classes. Most noticeably, Felix (rich) and Ashe (not rich) have very similar outfits, but Felix's tunic/gambeson is lined with fur, while Ashe's is not.

BTW I'm of the opinion that the Fraldariuses are the richest people in the kingdom other than the royal family, and I believe that specifically of their fancy cloaks lol

so luxurious~

2. Adrestian Empire: look at my money bitch

Ah, the land of beauty and excess! I love to live in the capital and visit the cultural icon that is the opera and pretend that I'm not in Wealth Inequality Central. (Please note: Petra is not included, since she dresses according to Brigid's fashions. Also note: I fuck w these styles so hard, dude.)

Trends:

Short skirts (above the knee - Dorothea has a draped over-skirt thing, but her main skirt is shorter, and Manuela has leg slits instead of a short hem), low or square necklines, open backs. In general, we're looking at a lot of exposed skin. Forgot to include Cornelia in the pics, but she has this too.

Tailored jackets with just SO many buttons. Hanneman fits into the tailored jacket category, but isn't included in the highlights by virtue of Not Enough Buttons. (Some concept art is included here to drive the point home.)

Finally, there's this specific very specific double-breasted neckline thing (baby edelgard is separate bc i forgot to include her when i made the first image shhhh)

Brief analysis:

Adrestian fashion is all about displaying status and wealth, in this case through ornamentation, rich colors, uniforms denoting class/role, and also a fair amount of excess fabric.

Historically, fabric itself was one of the major indicators of wealth - in fact, certain historical styles very explicitly showed off just who was rich enough to afford, for example, a whole gown made from the same length of fabric, or even just an entire skirt panel with no piecing. In the Adrestian Empire, We've got excess fabric galore, tucked away into all those beautiful ruffles and bell sleeves, layered skirts, unnecessary capes, double collars, and puffy pants - and it's all in much more luxurious colors, too. In fact, I'm pretty sure the largest single piece of fabric on anyone in the game is Edelgard's cape, which is then also adorned with dozens of buttons and extra bits of fabric. It's almost definitely fully silk, both the outer layer and the lining. (And it's badass.)

Look at all that fluff! Dimitri's cloak probably rivals hers in the size of the actual fabric itself, but his is likely a heavy wool (unlined, maybe?), plus has a lot of fur.

"Oh, but pg, there are capes in Faerghus, too!" yes, but in Faerghus, they live in the arctic /hj. Note the vast expanses of exposed skin down here in the empire - clearly, cold is not an issue. You'll also note that the cloaks in Faerghus were heavy and lined with fur; that's not the case here. Given the prevalence of tailored jackets and the dual colors on Ferdinand's cape, I'm guessing they're either a comparatively lightweight wool with a silk lining (typical for tailored suit jackets, nothing particularly noteworthy about that), or just fully silk. (Bernie's shawl is just cotton though, prove me wrong...) Hanneman and Manuela are exceptions, since they both have fur, but they live at Garreg Mach, not in Enbarr.

The jackets themselves, by the way, could be silk OR wool. Ferdinand's in particular (especially thropes) reminds me of early 18th c. waistcoats, which would have been full silk.

We also have much richer colors down here in the land of art and song. Red, purple, and black were all very difficult colors to maintain, and very expensive. The most expensive colors, in fact. Not gonna lie, as far as price per yardage goes, I think Hubert's outfit might rival Edelgard’s in expense.

A notable exception to the excess fabric bit is Bernadetta. However, her dress is in what is arguably the most expensive color, and is heavily decorated, so that's a reasonable trade-off, and I don't blame her. I, too, would go for a smaller amount of pretty purple silk embroidered with bright, beautiful gold and yellow instead of a bigger, more impressive-looking option. It's about the little things.

I do want to take look at Caspar, in particular. He's unique in that he's dressed in a full suit of armor. But, given that he's the second son and not set to inherit anything, unlike all his waistcoat-wearing friends, he isn't being held to some particular uniform, and even if he were, it's the ministry of military affairs. Of course they wear real armor. What's interesting is that his armor is a sort of rosy grey/brass, rather than silver, and he has a lot more decoration and flair than the folks with full armor in Faerghus, in both his throuses and thropes outfits.

Worth noting, btw, that we have exactly zero examples of actual commoners in Adrestia, other than generic NPCs. Dorothea belongs to that peculiar niche that is opera and acting, so she is expected to dress and act like a noble, despite not having a title or property of any sort.

Adrestia - and Enbarr in particular - leads the slow march of fashion across Fódlan, given that it's a cultural hub and is so much wealthier, while Fearghus slowly picks things up over time. Thus, we have Annette, who lives closer to the empire and has disposable income, having some decorative buttons and tassels and a mock low neckline.

It's not nearly as much as the actual Adrestians, but she's picking it up!

3. Leicester Alliance: the beeeest of both worlds~

Oh, Alliance, you messy bitch. What we see here is a mix of everything, where some of them are influenced by Faerghus, and others by Adrestia (just like how some of them have kingdom-style names and some have empire-style names), and a few fit neither camp. There are clear reasons for similarities where they exist, though, so let's take a look! (Please note: Claude is not included, since his clothes are heavily influenced by Almyra.)

Hilda and Lysithea have the frills, puffy sleeves/skirt, short hems, low/square necklines, and expensive colors of the empire (plus, Lysithea gets a decorative veil in dark purple. How ~fancy~). This reinforces the idea that Adrestia sets the standards for fashion: Hilda cares about fashion and keeps up with the times. Lysithea lives on the border and was briefly under the control of the empire, and thus is influenced by it. Mostly, though, I think it's about how she tries to seem older and tends to see Hilda as a model of maturity (lol), so she's following that example.

Holst's armor is quite decorative, similar to Caspar's, but what stands out to me is the fringe in particular. We see the exact same fringe on Caspar, Hubert, and Edelgard, but not anywhere else.

Lorenz and Erwin are a bit of a border case, tbh! They both wear practical, full plate armor with little in the way of extra decor (other than Lorenz's rose and Erwin's little cape thing), but Jesus christ how much does it cost to keep it all so purple like that??? That's a blatant display of wealth that would impress any empire noble.

Marianne, on the other hand, would fit right in in Faerghus, with the old fashioned long skirt, high collar, capelet, and lack of extra decoration other than some pretty trim. Makes sense, since her territory is so close to the kingdom and she's clearly not interested in trying to stay fashionable.

Judith is dressed very practically, has some fun puffy sleeves and bright but inexpensive colors, has a short cape and gambeson (a short vest one, though). I want to say leans toward Faerghus, which makes sense since it's on the border and the house did at one point split off, with part going back to the kingdom.

Now we get to the only real, honest-to-god, never-owned-land-or-property, born-as-and-remain-now peasants/commoners: Leonie and Cyril. (Raphael was born into the merchant class and was able to support himself and Maya by selling his estate, so while we can consider him a real commoner at this point, it's not nearly to the same degree.)

Their economic status is obvious from their outfits: both have very practical clothes with no extra decoration, in cheap and easily accessible colors. Leonie's cloak wrapped around her waist is purely functional - she can use it when the weather calls for it, but it's out of the way of her arrows when she doesn't need it - and looks to be pretty soft, so likely is lightweight. She has a hint of some light protective wear (note the quilted sleeve) and the same front clasps as Felix and Ashe, so i think she's also meant to be wearing a gambeson, but it's shorter and less protective. Cyril doesn't seem to have any armor at all except for the shoulder protection - we can tell from the lack of center-front closures on his shirt and the shape of the cuffs of the sleeves that he's actually just wearing a tunic (or rather, two tunics on top of each other).

Raphael also has a very practical outfit, but notice that his is so much more protective, probably because he has a little more money than the other two. He has very limited, sparsely placed plate armor, but he is covered head-to-toe in quilted cloth armor. He's ready to get some punching done, baby!

Our real outlier, however, is Ignatz... But you bet your bottom dollar I've got an explanation for that one, too!!!!! Mans is an artist and he has rich(?) merchant parents, he can do whatever he wants.

Absurdly unnecessary lengths of (probably not very expensive) cloth? Sure. Fancy feathers that literally no one else gets? Why not! A billion buttons, half of which arent even keeping anything closed? Curly and intricate cloak fasteners probably made of some kind of cording? Sashes and tassels and a decorative sword??? Fuck it, we ball. I love this so much, it's easily my favorite outfit in the entire game and I would ABSOLUTELY wear it irl. I already have the right haircut and glasses and boots, I'm ready

4. In conclusion

These designs really are Fódlan in a nutshell. From the quiet wealth and functionality in Felix's fur-lined gambeson to the audacious luxury of Ferdinand's waistcoat to the unrepentant anarchism of Ignatz's entire vibe, we can see the history - and future - of the continent outlined right before our eyes:

Faerghus is cold, practical, focused on survival, and probably has the most even distribution of wealth. Leicester is a mix of remnants of the empire and kingdom, with clear wealth disparity but also a relatively high amount of social mobility and communal support systems. Adrestia has significantly wealth disparity, with nobles very disconnected from their people and instead busy politicking about.

Side note I know I said I wouldn't go into the historical inspirations, BUT I do think it's interesting that the men's clothing in Adrestia - particularly the tailoring - is similar to much later styles than the men's clothing in Faerghus, and the reverse is true of the women's sleeves and necklines.

Okay that's all, thanks for reading!

[azelfandquilava]

Here. A deep Three Houses lore joke for ya'll about Rhea (or Seiros I suppose) and Wihelm.

[mwezina]

Queen of Wands & FE3H

The Queen of Wands is a supporting and nurturing archetype, making sure that everything is running smoothly behind the scenes. She is challenging and encouraging, but practical in her views of people and their uses. She will nurture those who will be helpful to her kingdom and to her King, but will not hesitate to weed out those who hinder her cause. 

As much as I would have liked to put this as Edelgard and said the black cat is Hubert, I actually have to say Hubert von Vestra is the Queen of Wands himself. As usual, gender expectations are reversed for the Black Eagles, as Hubert is the one that supports Edelgard, instead of a woman supporting a man. He runs everything behind the scenes, including espionage and procuring demonic beasts. While his supports with Bernadetta and Linhardt showcase a caring side to him, it’s still important to remember that he won’t hesitate to dispose of others if he deems them a threat to his King, Lady Edelgard. In addition, he very practically sees citizens as pawns for his and Lady Edelgard’s cause, using them as fodder or shields against their enemies. 

I like that inspecting Hubert through this lens allows him to take on some of the gentleness and tenderness that touches him in other parts of the fandom. I think I agree that he is more of a supporting character and a queen figure to the rest of his classmates. I do think that some of the aggression and fierceness of the Wands cards in general doesn’t quite fit Hubert. But the Queen of Wands is described as the “Water of Fire”, so perhaps he is demonstrating the more underhanded and fluid ways that ambition can play out in a leader. 

What do you think? Who would be the best fit for the Queen of Wands in your eyes?

Previous: Knight of Wands

Next: King of Wands

[moltz23]

Three Houses Trivia (& Analysis): How the writers roadblocked a Revelation-like route with impunity.

It’s no secret by now that Three Houses has no Golden Ending/Route where everyone lives and/or the big conflict is solved without the involved factions taking huge casualties, much to the chagrin of fans. IS & KT were even asked about it in a developer interview back in 2020, mainly because a previous entry in the series did feature one: Fire Emblem Fates:

In all four routes the player can go through, each story ends with Fódlan at peace, yet somehow there’s still this air of sadness. In Fire Emblem Fates, Revelation served as the all-encompassing “route” that wrapped up the games’ story. Was there any reason you didn’t make something like Revelation again?

Kusakihara: If we had created a route for Three Houses like Revelation was to Fates, that route would have definitely ended up being perceived as the “correct” route. In Three Houses, each route is its own history, and we wanted players to be able to decide that for themselves. In this game, the leaders of the three houses have their own unwavering beliefs and worldviews that are unique to themselves. We wanted to model the story and its themes after a dilemma that was grounded in reality, so from the beginning there were never any plans to make something like Revelation.

Yokota: I actually really love the big all-encompassing finales, but Kusakihara-san was so passionate about not including it we decided not to go with it. I also felt like we might just end up doing the same thing we did in Fates… I was pretty worried about it, so from the beginning I had decided I’d just go along with Kusakihara-san’s decision.

From a writing standpoint, I haven’t seen much talk about the specific decisions made for this purpose, which is why I wanna tackle the topic here.

To make things more interesting though, the focus will lie in how the Silver Snow route (the first story written for 3H) handles the conflict. After all, if there were truly no plans to make a definitive story branch, then we should be seeing some cues of it on this path alone.

Oh, and I know this is a given, but there will be spoilers for Three Houses (and almost none for Revelation).

With the introduction out of the way, let’s set the relevant context:

Fire Emblem Fates, and Revelation

Fates' artwork was something else man...

Fire Emblem Fates was released back in 2015 in Japan, and 2016 internationally for the 3DS. One aspect marketing made sure everyone would know about was its branching story. And while before Three Houses, Fire Emblem was no stranger to the idea (given games like Binding Blade and Sacred Stones had branching paths which converge later), no game beforehand had previously based its entire narrative on this idea.

Fates was advertised with two main routes which, unless you had the Special Edition, Korean, or Digital version of the game, were sold in separate cartridges: Birthright, in which Corrin supports the Japanese-inspired Hoshido opposing Nohr’s invasion; and Conquest, where instead Corrin’s loyalty falls to the Western-themed Nohr seeking to invade Hoshido. A third path, Revelation, was also announced ahead of time, but not much was said about it beyond being a third option where Corrin sides with no one, and players would need to pay for it sometime after Birthright & Conquest’s launch unless they got the Special Edition (good luck getting it through legal means nowadays, given the E-Shop’s dead and all).

Either way, regardless of the story chosen/bought, the plot’s main goal always lies in finding a way to end the war between the 2 main factions. Of the three stories, Revelation is the only one where by the end, the solution reached allows both sides to come out relatively unscathed, while also directly dealing with the main source driving the war. This is why in the developer interview quoted, the devs talk about Revelation being perceived as the correct path.

In contrast, Three Houses has no such solution, nor were the developers - by their admission - interested in making it happen. As a matter of fact, I dare say that if one analyzes all the key pieces and the nature of their involvement with the game’s conflict, we can find instead three roadblocks complicating the possibility of a Revelation-like route ever happening.

These, for those wondering, are the following:

1. Edelgard: Agency, and Rise to Power

She who commands her crimson destiny.

Silver Snow’s starting point from a story perspective is the conflict between Byleth and Edelgard (according to the game’s director), with the latter going from a big ally and deuteragonist during the first half of the story, to a major antagonist. Edelgard’s character, and her circumstances in which she assumes this role, is the story’s first identifiable roadblock.

As a quick backstory recap: In Imperial Year 1174, Thales (post body-snatching Lord Arundel) leaves the Kingdom along with Edelgard, and establishes a public partnership with the Adrestian Prime Minister Ludwig von Aegir under his Arundel disguise. With the assistance of House Vestra, Ludwig – in secret – had Edelgard and her siblings captured, and allowed his Agarthan partners to experiment on the Hresvelg children for the sake of, in Edelgard’s own words, “create a peerless emperor to rule Fodlan”, all while the actual Emperor was unable to do anything due to previously losing a power struggle vs Ludwig and the Adrestian nobility 3 years prior.

With only these events at hand, it’s clear Edelgard was intended in-universe to be a puppet emperor/super soldier hybrid meant to have the Empire wage war and conquer Fódlan. In any other instance, this context gives the narrative an easy way out for defusing the war; first by rescuing Edelgard, and then by spending the rest of the story dealing with Ludwig + Thales & their allies. That way, Edelgard is able to rise to power at the end and bring official closure to the conflict.

It’s right here however, where Edelgard’s own agency in the story shows the cracks with the idea, as the Black Eagles Route’s first half establishes:

Edelgard has her own bone to pick with the Church - one of the enemies she would inevitably face during the Empire’s conquest - and the social system it helped cultivate in Fodlan under Rhea’s leadership. Also-

Edelgard has been in talks with some of Ludwig’s own allies behind his back to ensure she reaches the Imperial throne on her own terms (which leads to her surprise coup from Ch. 11). And it’s all but stated this is possible because-

Edelgard has no qualms with waging war as long it’s a means to an end (see point 1), to the point she even assumes a secret persona - the Flame Emperor - to stage attacks against the Church before her coronation.

At many points in Part 1 of Black Eagles, Edelgard is even seen testing the waters with Byleth, confiding a bit on her ideology and plans for the future to see if they would be willing to stand by her side once the time comes, before finally relenting and continuing her plans as previously established before Byleth came into the picture.

These facts flip our understanding of the conflict and the key players driving it on its head. And this is considering only how Edelgard factors into everything, because with our other two parties involved, it gets even more complicated:

2. TWSITD: Scheming Outside Their Comfort Zone

Credit to sageofanys for their interpretation of Cleobulus btw.

In the context of Fire Emblem, “those who slither in the dark” stand out like a sore thumb due to how alien they are. For the sake of this post however, I will only focus mainly on how the group’s used in the narrative they were originally created for, as it showcases our second roadblock.

The group assumes the role of the puppeteers behind the scenes, having already infiltrated the antagonistic faction of the story (the Empire) and using them to achieve their goals, while also playing a noticeable role in the backstory of some key players of the conflict. And given the archetype they follow, it appears there’s a clear cut way to stop them: just deal with them directly - while avoiding their puppets as much as possible - and bingo. Problem solved.

…Which would be a viable solution, if it wasn’t for Three Houses complicating the slitherers’ job, forcing them to work outside their comfort zone:

Remember when I mentioned Edelgard did some deals behind Duke Aegir’s back? Well, the Agarthans were part of those deals too due to utilitarian (manpower, assets and tech) and practical reasons (Edelgard is not in a position to get rid of them normally), foreshadowed and implied midway through Part 1. This results in-

Having the puppeteers lose much of their agency in the story once Edelgard assumes the Imperial throne. As mentioned earlier, the “puppet” in question gets control of the Empire once she assumes the antagonist role, and has her own reasons to wage war and conquer. This begs the question: How much control do the slitherers even have in the story once the war starts? Their uncertain input is even compromised further because-

Their success is entirely dependent on Edelgard winning. The slitherers have no trump-card nor a “revive this ancient evil” button freely available which could potentially make the need of a war pointless, meaning that once Edelgard and her Empire is taken care of, they have no choice but go into hiding to scheme again in the future, which is what happens in the story. Lastly-

They are acting on borrowed time. In spite of all their bravado, smugness, hi-tech toys, and hubris (heck, partly because of it), Edelgard, thanks to their established alliance with TWISTD and her own spies (ie. Hubert.) eventually gains the info needed to get rid of the group once their assistance is no longer needed, proven through Hubert leaking Shambhala’s location to Byleth after him & Edelgard are hit with a sudden case of death. Meaning that by the end, any potential win the slitherers gain is bound to become a pyrrhic victory.

So to wrap up this part, TWSITD’s purpose in Silver Snow’ main plot can be summed up as the following:

Remove Jeralt from the story, which leads to Byleth fusing with Sothis while also (unintentionally?) foiling Rhea’s plan for them in the process, which would otherwise never happen without their involvement.

Give Edelgard the means to remove Rhea from the story between Chapter 13 and 19.

Wound Rhea lethally near the end of the story, unwillingly setting her up as the Final Boss.

And speaking of which-

3. Rhea: Snow in the Crimson Gardens

Not so immaculate as she wants you to think.

All I have covered so far comes from the antagonist-side of things. But because Three Houses' story is not done throwing wrenches at our understanding of how the war happens, it seems natural it would add one last, final roadblock within the main supporting roster of characters. And who else to give it than Rhea: Archbishop of the Church of Seiros; leader of Fódlan’s main religion; and Byleth’s boss for all of Part 1.

Within the narrative, Rhea’s role in the plot is very straightforward:

In the Academy Arc, she gives Byleth missions in the story for them & their class to do, while also delivering exposition whenever necessary.

Then in the War Arc of Silver Snow, she has to be rescued from the Empire, delivers one final piece of exposition the story teased late into Part 1 (what is Byleth and what’s up with their mom), and then becomes the Final Boss though circumstances beyond her control.

None of this is really a problem for writing a definitive 3H route. The crux at hand however, comes when we learn about Rhea’s character, painting a different looking picture:

She’s quite secretive, being her reasons for hiring Byleth as a teacher the best example of it in the story, as her vague justification for it puzzles Seteth (her right hand man), Jeralt, and even Edelgard.

As the story goes on, it’s also clear Rhea’s preparing and testing Byleth for something, later revealed to be their status as Sothis’ new vessel - with having them sitting on Sothis’ Throne the intended final step - which, not only doesn’t pan out as planned, it’s also something she kept everyone in the dark about on purpose up until it was too late.

Her answer against insurrections and direct threats against her authority is execution.

She is willing to cover-up truths if it means safeguarding the reputation of Crests and Nobility.

The last two points in particular stand out a lot considering that in Black Eagles’ story, these facets of Rhea’s character are often highlighted right next to Edelgard’s in adjacent events, further showcasing their differences.

Take Chapter 3, for example:

“Even if our enemies are the gods themselves... we must never lose sight of our goal. [...] Really, I'm just like Lonato. I, too, will be the sort of ruler who's willing to risk the lives of my citizens in service of a higher cause. It's not possible to change the world without sacrifice. Dying for the greater good is not a death in vain.” - Edelgard in A Harsh Reality

“I heard some of the students were...hesitant about fighting militia. However, we must punish any sinner who may inflict harm upon believers, even if those sinners are civilians. I pray the students learned a valuable lesson about the fate that awaits all who are foolish enough to point their blades towards the heavens.” - Rhea in Report: Garland Moon

And Chapter 5:

“I have already heard Gilbert's report about what happened. See to it that you keep what transpired at the tower to yourself. People would lose faith in the nobles should rumors spread of one using a Relic and transforming into a monster. All regions of Fódlan would fall into chaos. We must avoid that at all costs.” - Rhea in The Lance of Ruin 

“People believe Crests are blessings from the goddess, that they're necessary to maintain order in Fódlan. But the people are wrong. Crests are to blame for this brutal, irrational world we live in. Their power is granted only to a select few, whom we elevate and allow to rule the world. Have you ever wondered if the only way to create a truly free world is to dispense with the goddess and the Crests?” - Edelgard in Crests: The Good and the Bad

The more the plot progresses, the more it becomes clear that both Edelgard and Rhea are not on the same wavelength, are up to their own devices, and that neither is willing to show their cards before their plans have reached completion. This ultimately causes tension, telegraphing to the player that both sides will eventually crash against each other, but without making certain when and how it will happen (one can guess Edelgard will throw the first stone, but…?).

Thus, with these 3 roadblocks set in stone, the seeds of Fodlan’s main conflict are allowed to blossom unopposed, setting the blazes of war loose.

… And all this is just as far as it goes in Silver Snow. Due to my self-imposed restriction, I deliberately didn’t cover stuff like:

Edelgard’s beef with the Nabateans and their involvement in Fódlan (which Silver Snow hints at but never elaborates upon).

The circumstances in which Dimitri’s rage and madness is unleashed towards Edelgard and the Empire.

The complicated relationship between the Alliance and the Empire.

What’s up with the TWSITD’s “Javelins of Light”.

What’s up with Nemesis coming back only in Verdant Wind.

And all the stuff that Warriors: Three Hopes shows, elaborates upon and makes clear with little room for ambiguity (like the fact Duke Aegir and Thales have history together), plus how the war happens in its timeline.

As a conclusion of sorts, I wanna say that: while I appreciate and see the potential of an hypothetical Revelation-like route in Three Houses, to me, it’s abundantly clear that’s simply not the kind of story IS and KT ever intended to write. Considering the sort of roadblocks at play, a major rewrite is required to even start entertaining such an idea, which would need to drastically shake the foundation of its story, lore, and characters as it currently is, to the point it’s worth raising the question if it would be far more practical to just start from scratch and create a whole new universe altogether…

[cartoonnonsensegirl]

The fact that the Black Eagle Strike Force did not rename the monastery "The Nest" when they made it their base of operations is, sadly, a missed opportunity.

[umbralstars]

Fódlan Landscape Gallery: Enbarr, the Imperial Captial edition

[dragongutsixofficial]

she who bares her fangs at the gods

[fallenkingoffaerghus]

Here’s my attempt at making Edelgard Von Hresvelg in Artbreeder!

[quillfulwriter]

I love the idea that 1) Adrestia always comes up with nicknames for prominent figures and 2) Claude got his from the Empire, of all places.

[fandompeepsgoburrrr]

The Adrestian Empire Headcannons (mostly of Black Eagle Family Headcannons)

- lots of Europe influances

- the buildings and arcitecture is more Roman or Gothic inspired

- COURT. IS. IMPORTANT.

- the most noble obsessed country

- only legitimate children can inheirate, which is why Ferdinand is so vocal about it

- the saints crests are vastly more important than the "10 elites" crests

- 10 elites crests are normally kept hushed.

- the most promient ones are, Gautier, Charon, Dominic, Gloucster, and Maruice's

- being gay is not ok in the empire!

- they are very bing on inheiritance and traditions, so having blood children is better than loving who you do

- even if this means you have children from multiple different spouses

- many of the minor nobles have crests in thier bloodlines somewhere from a lot of intermixing

- all crests of the saints run in the Hresvelg family, the crest of Serios is just most prominent and the only crest allowed to take the throne

- 4 is a lucky number in the Empire, a reason some believe Edelgard survived so much of her family's torments

- Edelgard was the eighth child born to Ionius, and the 4th one to have the crest of Serios

- Edelgard was the 4th daughter as well

- her siblings went:

Salomo/brother (12 years older) - no crest (1st Consort/Marcy)

Franz/brother (9 years older) - minor crest of serios (2nd Consort/Ada)

Gwen/sister (8 years older) - minor crest of serios (2nd Consort/Ada)

Twin brothers Tristian and Victor (5 years older) - no crests (2nd Consort/Ada)

Fiora/sister (3 years older) - minor crest of Indech (3rd Consort/Lucia)

Johanna/sister (1 year older)- Minor crest of Serios (3rd Consort/Lucia)

Edelgard (4th Consort/Anselma)

Twin brothers Gerhard and Andreas (4 years younger) - eldest had minor crest of Dominic (5th Consort/Isabella)

- Ionius had 5 consorts, Anselma being the 4th

- 1st -Marcy - died shortly after birth of her son

2nd - Ada - eventually put to death for treason

3rd - Lucia - put aside for Anselma

4th - Anselma - the revolt stopepd her from having more children

5th - Isabella - forced upon Ionius until there was a child then ignored

- Hubert was an only child, as that was traditional in the Vestra household

- Ferdinand's mother was a Gautier. Which is why he takes to the Paladin route so well.

- Ferdinand and Sylvain are 2nd cousins

- Ferdinand has 5 other siblings, 2 older and 3 younger

- Emma - 5 years older than Ferdie (different mother/ Ludwig's first wife)

Otto - 2 years older than Ferdie (different mother / Mistress)

Heidi - 3 years younger than Ferdie (Same mother / No crest and sickly)

Alice - 5 years younger than Ferdie

(Different mother / Mistress)

Werner - 7 years younger than Ferdie (Same mother/ Minor crest of Gautier)

- Caspar's older brother is named Jakob and is 7 years older

- the crests of Cichol, Macuil, Indech all run in the Von Bergliz blood

- Caspar's mother was a Varley making him and Bernadetta distant cousins

- Caspar would have had a younger sibling, but when his mother was 8 months pregnant she got extremly ill , and not only lost the child, but the ability to have more

- Linhardt doesn't have any siblings, becuase he was too sickly when born and his parents were worried to try again

- Bernadetta is the oldest of 3 sisters

- Dahlia- 2 years younger than Bernie

(Same mother)

Claire- 3 years younger than Bernie (from a mistress)(minor crest of Gloucster)

- Bernadetta's mother was a Von Vestra, distantly related by marriage to Hubert's Father

- Dorothea was the bastard child of a minor noble

- Her mother was a prostitute that couldn't prove Dorothea's legitmacy

- Dorothea fell in love with singing due to the lullabies her mother would sing

- Petra only has a younger brother named Marek

- Constance family was Lord Nuvelle

- the Crest of Noa came from her mother's side, as did her magical talent

- most in the Empire consider the Four Apostoles as Treachery against the Goddess

- the order of titles in the Empire goes:

Emporer/Empress

Duke/Duchess

Marquis

Lord/Lady

Count/Countess

Baron/Baroness

- HOLIDAYS ARE SUPER IMPORTANT

- you can take thier prime beach realistate from thier comd dead hands

- they accept people from the kingdom and leicester but normally with a upturned nose or close eye

- marrige though? Bring it. Bring all of it

- the kingdom has Sreng and Leicester has Almyra, so occasionally the empire boasts about Brigid or Dagda, despite fighting them once

- the reason the empire excells in Mages is becuase veins of magic run under the soil.

- thats also why they have very few plauges and great harvests

- empire boasts its been blessed by the goddess and the fact that the kindom (and in turn the alliance) broke away, they have been cursed

[pathetic-gamer]

I'm really surprised yall liked that costume breakdown so much! Glad it wasn't a waste of time lol By popular demand, I'm back with more unnecessary analysis, this time of the lettuce fam (and the church as a whole).

I bring you:

Fashion in Fódlan part ii: a very long, still not comprehensive, but this time solicited analysis

FYI this post is way more detailed and is significantly more focused on the relationship between the Adrestian Empire and the Church of Seiros, especially relating to politics and power, rather than the clothes.

The Curch of Seiros: tradition!

The reason I didn't originally include these babies is simply that the pool seems at first to be very small. Besides, Flayn is in an academy uniform, and Sothis is a god, so there's really only two outfits and it's kinda hard to get a real feel for it overall.

Fortunately, I Am Very Smart (jk) and was able to gather a sizable amount of material by broadening my horizons a little

Statues from left to right: Macuil, Cichol, Indech, Cethleann

Trends:

The very first thing you will notice is that, unsurprisingly, there are a lot of similarities with the generic clergy outfits, and the Saints are just in regular class uniforms rather than unique clothes. You can actually see a sort of evolution from Sothis's dress (the og) to the generic female bishop and priest, and a sort of similar silhouette between the male monk and Seteth:

Also, Rhea, dead Sitri, and the mural version of Sothis are all wearing the same white dress but with decreasing amounts of embellishments :) dragon ladies :)

Flayn's version of the academy uniform actually keeps a couple of these influences, as well, primarily the center-front embellishments and the dropped shoulder bows.

Enlightened!Byleth, on the other hand, is a bizarre hodgepodge of stuff that doesn't immediately seem related to anything else.

The Saints being depicted in generic clothing makes sense, because the statues were probably erected after they had all "died." It is odd that Cichol, despite being a wyvern lord in game canon and a formidable warrior in CoS canon (whoa, so meta), is shown in the male bishop uniform in his statue. I think it's because they needed to differentiate between Cichol and Emperor Wilhelm.

The statue in the imperial palace of Wilhelm Paul Hresvelg, the first emperor, is in full armor, but the statue of Cichol is not - the years Cichol lived in Enbarr may have overlapped with Wilhelm's rule, so Cichol, despite being as much (or more) of a warrior as Wilhelm, held a more spiritually significant position. His association with Cethleann likely reinforced that, thus leading to the badass warrior-priest depiction.

*pointing at myself in the mirror* don't draw warrior-priest seteth on a wyvern don't draw warrior-priest seteth on a wyvern don't dr

"But pg," you say, "of course they all look like the monks and priests, they're literally the church. What does this have to do with the empire?"

Analysis:

The church and the empire grew hand-in-hand for a very, very long time, and that shows in lots of ways, including the prevelance of magic in the empire. I actually believe that the way the clergy dresses now is actually somewhat similar to how a lot of people used to dress, or at least influenced it. (Note that TWSITD, a group that has been around for longer than the empire and is separate from the church entirely, still wears their variations of clergy clothes, and Arval/Epimenides even have a similar silhouette to Sothis. That suggests that the styles are indeed very old.)

Now that more than 1000 years have passed, the Empire has continued to develop new styles and fashions, while the church, being a church, has maintained their ceremonial outfits. That being said, some similarities remain. I want to take a look at two of them:

Most units have outfits that draw from their canon classes, so that's not unusual, and all the magic classes are clearly influenced by the church, but what we should consider here is why the fashion aesthetics lean toward the faith classes when these two characters in particular are clearly specialized in reason and dislike the church.

Dorothea's dress is elegant and fashionable and also happens to bear a shocking resemblance to a generic priest outfit (outlined in red the points of interest on Dorothea). The sleeves are also similar to the mage outfit, of course, but it's the cut of the skirt, the thing at her neck, and the waistband that make it a priest.

For Lord Arundel, I'm mostly saying the general *shape* of the thing is similar, but there's also the deep round collar and the strong vertical lines, but only on one side instead of both.

As a side note, I'll argue that the military jackets we discussed in the last post are actually related to the church too, since the Officer's Academy (which is of course founded and run by the church) uses the same button styles, and we don't see it in the other two nations. (If this all seems like a stretch, that's because it is <3 a thousand years have passed, okay, things have changed.)

Besides just the practice of magic in general and some of the styles, the ceremonial importance of wearing some kind of uniform to show your role also remained, imo. We have two clear styles of uniform in the Imperial nobility - robes and jackets (it's unclear exactly what determines who wears which - I would think it's based on military roles vs political roles, which would explain the strike force being in jackets, but Jeritza is heavily involved in the military and he wears the robes. Possibly the exception that proves the rule?) - which are of course related to the two styles we see the most of at Garreg Mach, those being the clergy's robes and the officer's academy students. They may have evolved pretty substantially by this point, but I'm inclined to say the robes worn in the empire are related to the clergy robes, especially if they're meant to be associated with the people in more politically-oriented positions rather than soldiers.

We see the importance of these uniforms in the fact that they actually supersede armor/class uniforms. Hubert (canon class dark bishop), Ferdinand (canon class paladin), and Lord Arundel (canon class dark knight), all wear outfits that aren't actually related to their canon classes at all, and they still keep those outfits when in combat as enemies.

One more similarity I'd be remiss not to point out:

Love to be a bisexual God-King and wear a big tall collar and shoulder embellishment and gold stuff around my neck and a gold crown with a little dangly pearl thing on my forehead~

More analysis:

So, we've established that there's a connection between the clothes worn by empire nobility and church leadership, as well as the nature of those clothes. Cool. Now let's talk $$.

I'm not going to consider Sothis's outfit here, because she's a god and I don't think she's going popping into shops to buy ribbons. Likewise, I think Byleth's enlightened one outfit is more of a divine creation than an actual outfit that cost money.

Rhea's costume however, which as we discussed earlier takes inspiration from Sothis's, definitely did cost money, and a lot of it.

On the inner layer, we don't have a ton of excess stuff going on, as far as the cut of the clothing goes - the white dress is very simple, pretty fitted, not extravagant in any way, but we do have those extra gold details and the headdress, which is honestly a work of art.

What I want to pay attention to is the cloak in particular. That fabric with the beautiful, intricate repeating design of the Crest of Seiros is almost certainly a white and gold brocade (not only is that what it looks like, but it's also a typical fabric for liturgical vestments).

Brocade is a very expensive type of fabric that's woven to look like it's been heavily embroidered, example above (fabric plus a painting of somewhere wearing it). High quality, 100% silk brocade, especially hand woven and using precious metals like gold, costs literally hundreds of USD per yard, and a cloak of that size would be multiple yards (4? 5 maybe? idk I can't actually sew). That's a lot of money.

You'll notice that Seteth has a similar pattern on the inside of his cape, but I highly doubt it's a brocade. It could be damask (similar to brocade but cheaper and easier to take care of - example shown below), but I think it's just a patterned silk.

I think his main garment - cape included - is meant to be a play on a cassock, so it's probably a lightweight, soft wool with the decorative facing only on the cape part, possibly not lined at all in the rest of it. The details around his cuffs and shoulders and the back of the cape are probably embroidery or applique, I'm guessing the same as the academy uniforms, whatever those are.

It's definitely nicer than what most of the students or everyday people wear, but not nearly as extravagant as the jackets in the Empire. You'll also notice that Flayn's officer's academy uniform is a little fancier than the regular students, but not enough to be worth investigation.

The blue is probably a pretty expensive dye color, and you'll note that Rhea has it too. (The black of the academy uniforms would be similar in cost...)

(Speaking of blue dye, I did more research while writing this post and it turns out that the dull blues most of the folks in the kingdom have are actually some of the cheapest and easiest colors to get and maintain! Woad my beloved... Indigo is still extremely expensive, though.)

So anyway, as we can see, the issue of excess is really just Rhea. Being the Archbishop, it's understandable in the exact same way that Edelgard's outfit is - they're both trying to show their legitimacy as a sovereign, in part through their clothes.

However, I do want to point out something extremely important: Rhea didn't drop a shit ton of money on a fancy cloak any time in the last few centuries. When you observe her headdress during a tea party, she has this to say: "This crown is rather elaborate, but it has been passed down through generations of archbishops." So it was almost certainly created hundreds of years ago, likely during the early and much more prosperous years of the empire before the kingdom was a twinkle in Loog's eye. I think the cloak is probably the same way, created around the same time as the crown.

So, is she wasting a lot of money to make herself look powerful? Probably not. Is it still a little out of touch to be dressed so extravagantly? Yeah, on a social level. On a political level, she's reinforcing the idea that she's in control, especially while groups like the Western Church are acting up.

Because that's what this is all about: Control.

Conclusion

The church still has a significant impact on the culture of the empire, but it's more than just an old and famous church building still standing in the heart of Enbarr or the gown of an opera diva. It's explicit.

As our very last exhibit, I present a crown.

The crown Edelgard is given at her coronation is not the same crown she wears during the war, and - though we can only see the tip of the little spire in the front - it bears a striking resemblance to the crown worn by Sothis/enlightened!Byleth. (Using the Sothis regalia to show it bc it's a better image lol.)

I believe this crown may have been crafted at the same time as the Archbishop's, though you'll notice it's quite a bit smaller.

That's because the church and the empire didn't just grow up together - the church was the empire. Seiros named the capital, chose and crowned the first empire, and gifted him her own blood to give him power. The Adrestian Empire exists because Seiros wanted it to, but the church was the higher authority.

The Archbishop traditionally witnesses the coronation of each new emperor not as a show of friendship or an alliance or whatever; it's to remind everyone that originally, the Emperor served at the grace of the Archbishop, not by virtue of their own authority.

Edelgard wears a different crown when she declares war on the church, because she can't have anyone questioning her authority, especially not the church. That means all remaining influence the church has over the Empire and Fodlan as a whole simply must be destroyed. Unfortunately, it runs far too deep. What's she going to do, make Dorothea wear a different dress?

-fin- (lol)

working on a much more lighthearted part iii, which will literally just be ranking the outfits on how expensive I think they are lol no promises on that one though

EDIT: someone pointed me to an item description from FEH that confirms Edelgard did *not* have a new crown designed, it's just a different crown that already existed. Here's the ask where we talk about it a little

[mwezina]

Six of Wands & FE3H

The Six of Wands shows someone returning from a battle or a long sojourn victorious. They have earned respect and acknowledgement due to their service for their country or their community, and their people come out to support their triumphant return. Alternatively, this card can be seen as someone leading their people to a better place with the support of their community. Either way, this card exemplifies some of the positive aspects of having ambition, to contrast the negativity of the previous card. 

The event I relate the most to this card is Saint Seiros’ return from her fight against Nemesis. She led Adrestia to victory and brought peace to the continent with the support of the Emperor of Adrestia and her Holy Knights. 

I don’t think this is the best representation of this card, however, as Saint Seiros must have been rather sombre on her return. A war had been waged for over a hundred years. Many losses were had on both sides, and in the end Seiros even had to step in to protect the survivors of her enemies. However, based on the fact that she established her church and founded a country, I would say that she does reflect the themes of victory and recognition from the community. 

What do you think? Is there an event in Adrestia that ties better to the contents of this card?

Previous: Five of Wands

Next: Seven of Wands

[nightshadedawn]

Obsidian Sea Pt 1: Sophie von Häusler

Let's talk about Sophie.

Sophie is a young woman who was raised in Remire Village by her father, a tailor, after the death of her mother when she was very young. When she was thirteen, she discovered she had the Major Crest of Cethleann and was from an offshoot of one of the major Empire noble families. As a Crest Bearer, she was immediately brought to her mother's side of the family to be entered into marriage negotiations with a distant cousin to strengthen the possibility of Crested children. Sophie, as a lesbian, did not enjoy that idea, so ran away and joined the mercenary business as soon as possible. She was left properly orphaned during the events in Remire with Solan, when her father was infected and afterwards killed.

Sophie's true talent lies in healing and support magic, but ever since she learned she had a talent for magic at all, she's prefered more offensive spells.

After the timeskip, Sophie is rather more subdued than her pre-timeskip counterpart. The war's taken a toll on her, especially as she steps up to responsibilities she hadn't shouldered before. Her story is largely the same throughout the routes, where she joins the army and becomes a general. The difference comes in the Blue Lions route where there's not a proper army to join after Dimitri, so Sophie is on the search for Byleth full time.

The next group of pictures is for the new things added that have to do with Sophie, such as her personal ability and the new class she defaults as.

More personal information like favorite tea blends, gifts, lost items, etc will come at a later date, when I show off her character sprites. But for now, I'll leave you with a full side by side comparison of her when I first thought of her, her pre time skip design, and her post time skip design.

[umbralstars]

Architecture of a city in Hyrm

[nm-mattuz]

Adrestian Empire update:

Killed Edelgard, now time to kill those slithery sneeks in the dark.

[h-worksrambles]

MY CHILDREN AT LAST!!! I’ve already praised Edie and Hubie’s designs but I’m loving my boy Caspar having shounen protag hair. Bernie’s hair tied up is so cute. Dorothea is as much of a queen as ever. I will mourn the loss of Ferdie’s fabulous and luscious locks but he still looks sick so it’s fine. And look at Petra GO!!! The Black Eagles were my first house in the original and I love them all so much.