#afo is izuku's parent

[rain-coat-killer]

At the playground after school.

[delawaredetroit]

All for One: All Might, why aren't you following the comic book tropes. Everybody knows the mentor is supposed to die in a blaze of glory to spur the pupil onto greatness.

But well, All for One didn't raise Shigaraki to be independent. He did the opposite of that quite frankly. He raised Shigaraki as a Yoichi substitute (whom he never allowed to be independent) and as a future vessel and conduit for hatred. And it shows. Shigaraki didn't take much initiative in the following arcs until the narrative forced him to do so (by killing or kidnapping one of his friends (Magne and Giran)).

And on another note, All for One's inclusion of both Shigaraki and Izuku in his own "now, it's your turn" is ominous. It might just be cementing the narrative foils and foreshadowing Izuku and Shigaraki's future confrontation, but it could be more than that

[fractiflos]

[gentrychild]

you say afo doesnt respect izuku as a villain... like, how high ARE his standards, does he respect ANYBODY as a villain (genuine question)?? izuku's like a teenager and hes already stolen an unstealable quirk from the symbol of peace, broken into tartarus, has his own criminal organization, etc etc etc...

also, like, i wonder what he would have to do to get that "villain respect" from afo? though maybe that's a spoiler...

does he respect ANYBODY as a villain (genuine question)??

No. Absolutely not. He respects no one when it comes to villainy. He is the OG Villain as far as he is concerned and everyone else owes him copyright.

[cryptid-crawly]

new chapter of AFO’s Subpar Parenting AU this time with a 100% more Izuku causing Aizawa migraines

[corvidshadowgrovestrega]

So yeah, it seems I have another writing idea. And yes it is another one which I will probably never finish but still. I just can't help the fact that my brain is like that. Thus, now I am sharing what I came up with so far.

First things first is the fact it's a fanfiction from my newest brainrot a.k.a. MHA. It's obviously an AU and in here Izuku has a twin sibling named Hanako. Hanako or Hana as she likes to be called has an unspecified fire quirk. Izu still like in canon at first seems quirkless so Hana is very protective of him.

And when it comes to Hanako themselves, she is...something. Why? Because even if they are twins it's Izuku who's more like Inko. Hana on the other hand is in a lot of aspects a carbon copy of their father and absolute opposite of xer brother. It is even smarter than Izu, tall and muscled. Definitely not beautiful or pretty, at least not in the standard sense. Especially considering their scars, sharp features and narrow eyes. She dyes xer hair green and wears vividly green contact lenses. Why is under the red warning. Personality wise xe IS quiet. Like quiet quiet, she is able to talk but they're still effectively mute as she chooses not to. And well, xe's angry, bitter and jaded. Seeing how the society treats quirkless and people with quirks that are considered weak or villainous, people with mutations she doesn't trust heroes. They're not evil but definitely more morally grey. Xe's not exactly kind or comforting either. Even when she tries you can clearly tell it's awkward & unpracticed but nonetheless genuine. And they understand other people like that on a deep level. Still you can tell xer emotions by her eyes. They also force herself to be strong so the others do not have to be. So in conclusion she' a distrustful & sharp, quite antisocial person. She is polyamorous omnisexual however demiromantic & demisexual nonbinary xenogender(fugogender) with she/xe/they/it pronouns.

SPOILERS & PROBABLY V TRIGGERING STUFF UNDER. YOU HAVE BEEN WARNED SO PROCEED AT YOUR OWN RISK.

Firstly, AFO is Hizashi Midoriya and Inko is Nana's daughter. Momo is a Shimura too and Tomura's sister. She was born the same year as Tomura dusted the rest of the members, she's alive because she wasn't there but at the hospital. She was adopted by Yaoyorozus who needed a heir/heiress.

Hanako is exactly this kind of sibling who when she can, wrecks people bullying Izuku. They still can't be on the lookout 24/7 and Izu hides a lot from xer & their mom to not worry them.

Izuku actually has a quirk. It's telekinesis and it's stronger than Inko's. However it was jumpstarted when he took Katsuki's "good" advice. Kat himself saw it and had a brutal wake up call. Izuku did die for a second there but miraculously came back. (We will come back to how later.)

After that some truths came out. Mainly all about the bullying Izu suffered from Aldera & Katsuki. Also the fact how abusive Mitsuki Bakugo is and how Masaru doesn't interfere.

Well hearing that and the true regret from Kats, Inko made a decision. She formally adopted Katsuki and made him go to therapy, both for trauma and anger issues. Now he fixed his relationship with the twins somewhat and is protective of both. Still not the nicest and a huge tsundere but nonetheless slightly improved.

The sludge villain incident with Katsuki happened as in cannon, Izuku jumped right after. All Might after tried to find him but as Zu was in hospital he didn't have much luck. However he met both twins at "that" beach and approached them. He at first planned to do what he did in cannon when it comes to Izu but after learning of the new quirked status of our broccoli boy he just offer to train them. Hana though agreed only to keep on eye on Izu. In the end both siblings actually got OFA as Hana reasoned that if they share it, it may go 50/50 and as such be easier to handle. She wasn't wrong and as they are twins it also made their sibling connection that much stronger. Now they're literally able to feel each others emotions, pain & unfortunately if one dies.

Hitoshi and Kyoka were pretty quickly adopted after they started UA by the Yamada/Aizawa who are married.

Almost whole class 1-A is dating and all are poly. Most are LGBTQ+ in all ways.

Chisaki here is completely reworked personalitywise. While still a criminal and Yakuza leader few things are changed. He's kind to Eri who is his biological daughter. He's trans and dating Hari though only the Precepts know, also the Precepts, Hari & two Chisakis are a family before all else.

LOV is on the other hand even more found family and you can tear this trope from my cold dead hands.

Dabi is Toya Todoroki but he only wants revenge on Enji without including his siblings and mom a.k.a. he's a good older brother(and partner but that later).

Twice & Magne survive. I repeat they won't die here because I said so.

Hawks had been sent as a spy by the Comission but he quite quickly fully deflected after seeing all of the lies he was fed his whole life. He kept the act to protect LOV though and only stopped when told to kill Twice. He paid for it being tortured half to death before getting broken out by one slightly more decent person (OC) and then being brought to the LOV who nursed him back to health. Said OC though dies for that.

Most parents of the 1-A & 1-B kids suck very much. The only decent ones are Iidas, Inko, Rei, Kirishima's moms, Satos, Ashidos & Seros.

Tokoyami after his internship with Hawks got basically unformally adopted by him which much later was actually formalized.

Toru got adopted by Nemuri(who also won't die) and Emi Fukukado/Ms. Joke.

The war happens in their 3rd year but that would be another much more spoiler-y post.

[redphlox]

the fact is izuku managed to save tenkos soul his body was too far gone due to what afo done to him and the damage in his mind lets be real here if toga and tenko had lived they would have been put in prison for their tragic pasts don't change the people they killed and the fact their identities were well known

Look dude - come closer, come sit down next to me. Lets talk.

I'm not sure how to explain that this is a fantasy story. That means that it doesn't have to reflect our current world 1:1, which has flawed systems. Storied aren't biographies. You can tell the difference between reality and fantasy, yes? I hope so. If your mom let you borrow her phone so that you can get on Tumblr to talk to me, then maybe you can have her explain if you're still confused by the time I'm through with you.

If you're using this argument for why the villains who were humanized by the author had to die cruel deaths in a story that preached about giving people Second Chances, then I'm led to believe that you also believe that Bakugo surviving his exploded heart was realistic. And that's completely unrealistic, just in case you're not sure.

There were a lot of unrealistic aspects to this story, including the part about people having superhuman abilities like creating explosions from their palms and making things float. Those abilities aren't real either, just in case you are confused. You might have picked up this story and thought it was an autobiography or a history textbook, so I advise that you ask your mom to take you to the library and talk to a librarian about the differences between literary genres.

Now - hold on to your seat, this is why I had you sit down; this next part is going to be really perplexing to you if you believe quirks are real - stories are usually used with the purpose of conveying a message, of exploring our Humanity and to experience of some kind of catharsis or emotion using our imaginations. You know the story about The three little pigs? That are also unrealistic, but it serves a purpose - it teaches little kids about perseverance and working hard. The first two little pigs didn't want to put in the effort to make a solid house, so they paid for it in the end with their lives. Do we live in the world where wolves literally come knocking on our doors trying to eat us? No, but we do live in a world where it's important to persevere and work hard. Disney's The Little Mermaid also isn't real, because Mermaids Don't exist, but it dealt with very real human experiences that we all deal with such as feeling out of place in the world, our identity, etc.

So, you can see that authors use fantasy stories to explore very real human emotions, social issues, what have you. BNHA starts off like that too. The very first words are exactly, "people are not all born equal", and it goes on to tell the story of a teen who's basically considered disabled because he's different. He's bullied, discriminated against, and he deals with very real human experiences such as disregarding authority to go after a friend he really cares about because he felt it was the right heroic thing to do, experiencing death (Night eye, Midnight), dealing with abusive parents (Endeavor) and comforting abuse victims (Shouto, Eri.)

These characters are not real, but they go through very real human experiences. These are real world issues.

You're still following me, right? Characters and stories aren't real, but their issues usually reflect real life issues.

All right. Not that we've established that stories often and talk about real world problems that we experience in everyday life, let's talk about how authors can approach these topics. It's all about using different Tools in your writing to convey your message.

Let's go back to my example with the Three Little Pigs. The moral of the story, the message, the theme, is that hard work pays off. If you slack off, you're possibly putting yourself in danger. But what if the last little pig's house had fallen down anyway despite his hard work? What if the wolf had eaten him anyway? Then the moral of the story is no longer that hard work pays off. The moral of the story is that no matter how hard you work, sometimes things just don't work out the way you imagined or planned.

Okay - so, which one of these morals is more realistic? That your hard work always pays off, or that sometimes, no matter how hard you work, you fail? I'm not sure where you are in life, but it's the second one. It's true. Sometimes no matter how hard you work, life fucks you in the ass without prep. People go to college with the aspirations of becoming medical doctors and can't get into med school no matter how many straight As, perfect grades they get. They worked hard, yet they didn't achieve what they wanted. Many families have a two income household but still can't make ends meet because of unexpected expenses such as medical bills, car accidents, deaths etc. You could be the world's most safe driver and still die in a car accident because of someone else's negligent driving.

That's the harsh reality of life. Does that mean that the moral of the Three Little Pigs story is wrong? No. It's a story and it teaches a really important lesson about resilience and survival. In a perfect world in that story, hard work always pays off. That's comforting to adults and helps little kids understand the importance of persevering and working hard. Those are good qualities to have.

Sometimes a storys themes and messages don't align with the readers personal views of the world but that doesn't mean the writing is bad. You could even have a moral disagreement with the themes presented in a story but have the writing still be good writing. For example, I personally don't agree that hard work always pays off. But in reference to The Three Little Pig, when it's a story for little kids, I agree that the writing fits. If I were the author of The Three Little pigs, I would make the theme be, "it's always good to work hard, but if your dreams don't come true then that's okay." I would write a story about all the pains of working hard and meeting failure but then overcoming it and being happy anyway in the face of failure. The story's theme would be resilience, not about hard work always paying off.

But the Three Little Pigs isn't like I just decribed, so do I think it's bad writing? No, because the theme of the story matches the conclusion .

This is where My Hero Academia fails. The beginning of the story, all the messages about giving people Second Chances , fall flat. It presented a highly nuanced issue that's very real to the world we're living in about reforming criminals and getting to the core of understanding criminal behavior. The story presented itself like it would address this issue with societal change... and instead it gave us superficial change such as holding hands with victims who appear to be blameless and morally pure like Eri and that new mysterious crying boy who is literally nameless.

The issue with that is that it's really naive. A lot of times, people who break the law, people in need - mentally ill people, the sick, the poor aren't perfect victims. I work in a hospital and a lot of the people who seek treatment REFUSE to heed the doctor's medical opinion. Does that mean that they deserve to die? No. Does that mean I should give up on them? No, I'm going to educate.

Following the logic of BNHA though, you would give up on these people. The suicidal person who's about to jump off the bridge? Well, if they don't take your hand willingly, then why should you keep trying to save them? The crying boy at the end is only saved because he took the grandma's hand. What if he had pushed her away? If he had, the story's logic says that he deserves whatever is coming to him. And of course this is a more nuanced topic than I'm portraying it to be - victims and people in need also have a role in helping themselves, but this story makes it seem like they get only one chance and they're doomed if they don't take it. Which is literally a message that the story presents through Endeavor and Gentle and La Brava: people deserve second chances. But only specific people, according to the story. It teaches you that not all people are born equal. Which is literally what the story set out to disprove.

Do you see how the math isn't mathing?

[mishy-mashy]

"Midoriya can't have AFO, he's Quirkless!"

DUDE. ALL FOR ONE STARTS WITHOUT QUIRKS. IT'S A BLANK SLATE.

IF MIDORIYA DIDN'T KNOW "HISASHI'S" REAL QUIRK, HE'D NEVER REALIZE HE MIGHT NOT BE QUIRKLESS

AFO could only use an Ability at birth because he stole his mother's immediately. But at the start, All For One is just giving and stealing Quirks; there's nothing to start with (Quirks) that's usable before something is taken.

Garaki also mentioned the double-jointed pinky toe is used as a general measure. But remember again, this is Garaki, who's been working with AFO for decades. He knows things everyone else doesn't. He could totally diagnose Izuku as Quirkless if AFO told him to.

And when Midoriya tried using his parents' Quirks, he only ever tried pulling objects toward him. He never tried pulling people.

Two,

"Hisashi has a fire breathing Quirk"

AFO proves he carries around dud Quirks. Why is he carrying around a belly button laser from the advent of Quirks, up to the present time?

Three,

"Midoriya doesn't have holes in his palms"

Cough. Latest chapters hinting (written as of 421). Cough.

But also, Inko's Quirk lets her pull things towards her. Considering evolution, and the fact everyone but Endeavor gets the perfect fusion for Quirked children, Izuku could have "pull" combined with "All For One".

What if he doesn't need holes in his palms because he can steal Quirks from a distance? An upgraded version of AFO.

Also, Midoriya feels comforted having his hands held, but just a reminder that Inko's Quirk pulls things toward her using her hands, so his comfort could be influenced by that....

[greenhappyseed]

MHA ending drabbles #2

I’m gonna disagree with the folks who say that our main heroes and villains didn’t “close out their character arcs.” Of all the possible criticism, I just don’t get this one because:

Izuku became the greatest hero, even if he only held OFA embers for a short while afterwards

Bakugo saved All Might, admitted to Izuku that he wanted them to stay in the same orbit together, AND selflessly worked with All Might on the new suit for Izuku.

Ochako had a heart to heart talk. She also proved that she is capable of handling the most brutal of fights, as acknowledged by Izuku (and to some extent, the rest of 1A).

Shoto saved his entire family and all the surrounding civilians with his ice because he chose to, free of his father’s influence

Tomura got a few brief moments completely free of AFO’s interference. Not only that, he got to share those moments with Izuku and tell Izuku what was really, truly in his heart

Toya destroyed his father’s hero career and now gets to spend the rest of his life in purgatory with Enji. He also gets a chance to build relationships with his other family members, and at least Shoto is interested

Himiko’s greatest fear was being caught and forced to live in ways that went against her nature. She didn’t want to be a martyr; she simply wanted to be free to make her choices. She chose to die saving Ochako

Spinner wanted a purpose, and he found it in writing his book

Moreover, to the extent anything was left unfinished after the final battle, the epilogue tied it up. Izuku wanted to be a hero that saved people with a smile, and he finished the story that way, “pro” hero and “ordinary” hero.

Ochako had a more scattered “arc,” going from wanting to help her parents make money to saving the heroes to … well, Ochako basically solved the quirk singularity doomsday, allowing kids like Eri and Himiko to grow up with sufficient counseling to live freely in society, which had the knock-on effect of reducing villainy.

And Shoto is achieving his desire to be authentically himself, breaking free from the cycles of abuse in his family. Unlike his father, he treats his fans well, earning the trust and ease his father demanded but never earned.

In other words, the failure to save the lives of Himiko and Tomura, and to save Toya in time to live outside of a hospital, was NOT the endpoint of our heroes’ arcs. The end is how they reacted to that failure and what they chose to do AFTER. Turns out, they never stopped trying to be better heroes and better people while staying supportive and friendly with each other.

…..seems like resilience in the face of failure is a major theme, yeah? Good thing I’ve got more on that next time!!!!!

[tomatorabbitsticker]

Ok but like why mention Izuku right now?? You’re in the middle of the most intense fight of your life and that mf is still the first thing on your mind.

Dies- thinks of Izuku.

Miraculously comes back to life- looks for Izuku.

Rolling around chasing AFO and hurting himself - somehow mentioning Izuku.

NOW THIS?? Your parents and mentor are right there, chilllll. Dude is down bad.

[pikahlua]

Okay but regarding AFO and Yoichi's backstory, I feel like Horikoshi is doing a clever meta justification of MHA--like his idea for the story and why it's important. Because we've got two kids with no parent or guardian to help them parse the world, and so they're left to raise themselves and come to their own conclusions about life, and the guidebook they decide to use for that is a black-and-white superhero comic book because it has pictures. They can't read, so they also only barely understand the words in this comic, which means in many cases they're probably just guessing what's happening in the story.

In other words, these kids relying on a moral compass based entirely on their survival each derived starkly different dreams from a black-and-white comic book about good vs. evil, which is a commentary on the presentation of many other "good vs. evil" or "superhero" stories. MHA is pointing out these are fantasy while the reality is full of gray. MHA's depiction of villains as victims and in need of rescue BUT ALSO needing to atone for their crimes as history does not absolve them of that is part of the nuance Horikoshi wants to make sure MHA is getting across. "Please see how my story is different from the way this topic is often treated in other stories. Please make sure you're paying attention to this specific theme."

Because the next generation of heroes, Izuku and company, are meant to challenge that old generation's way of thinking.

[donkeys-waffles]

One piece of DFO brain rot that has lived rent free in the back of my mind for days is their hair.

AFO has always cut his hair very short, to the point where you can barely see the definition of his curl pattern. He definitely did this for both convenience and safety purposes. Afterall, when you're fighting against people, especially adults as a small child, you have to be careful of things like hair because it's easy for your opponent to grab it and catch you off guard. And I'm sure AFO would have no idea how to care for his curly hair because he never had a parent to teach him basic hygiene.

He kept his hair short all these years because it wasn't a priority for him. But what interests me is Yoichi always had long hair, during an apocalypse his hair poses a big threat for him. If he were to be caught by his hair by an enemy, he could easily be killed with a weak body and no quirk to fight with. AFO never forcefully cut his hair, (I also find it surprising that AFO didn't do this to make them look more alike, I feel like he'd like that.)

Their differences in hair length really illustrates the difference in childhood experiences/exposures to the worlds affairs that the two had. We see AFO was in the middle of everything, he had to fight and kill people from a very young age to protect his brother, and while Yoichi was exposed to some of that. I feel that their key differences in perspective are a root cause of AFO hiding Yoichi away from the worst of it. Like that scene where AFO flies into their hideout and Yoichi is already there, I don't think he was a part of a lot of the fights. I think he was very sheltered after that one scene when they were children, and it looks like Yoichi was attacked.

Yoichi's perspective is very idyllic while AFO is more realistic (in ways.) Yoichi's hair in some ways reflects the innocence he still has while AFO, who was forced to keep his hair short for protection, is scarred and brittle from what he was exposed to.

Yoichi is childlike in his heroic admiration.

AFO is childlike in his admiration for the villain who was surrounded by followers. He's childlike in his need for what he believed was love, a sense of belonging, and calm (his childhood scarred him to the point of sabotaging all of that.)

Now with Izuku, I see it as being similar.

Izuku keeping his hair on the longer side is very important to AFO. I like to think that AFO only started to learn how to take care of curly hair when Izuku was born with it. He read all the books and bought all the products. He kept his hair short, but he wanted to make sure Izuku could keep his hair long. I like to think that baby Izu had the best curls, fluffy, shiny, and soft. I like to think that Izuku knows how to care for his hair even if he doesn't remember who taught him.

And I like to think that AFO did all of these things for Izuku in the same way he did for his brother. He wanted Izuku to keep that innocence. He wanted to make sure his ducky never had to fear getting grabbed by the hair in a fight, because he'd never be a part of any fights. It all travels back to his hatred for All Might, that safety and innocence.

It all travels back to his warning, about the 'thorny path' Izuku was following. Because while the paths between them aren't the same, hero and villain, they take with very little reward. And I feel AFO knows that very well.

[aconstantstateofbladerunner]

I had a dream where it was DFO but Izuku was raised and molded specifically to be the kind of person who would appeal to All Might as a successor so that he would pick him and AFO could spy on him as well as set up a grand betrayal.  However, Izuku knows that his father is evil and doesn’t want to be his pawn.  Plus, All Might makes him believe in heroic ideals earnestly.

Eventually, Izuku lets it slip right before UA that he has an abusive parent, though can’t bring himself to confess the whole truth.  All Might immediately offers to take Izuku in, which he accepts in a heart beat.  But if he was too afraid to tell his caring hero mentor the truth, no way is he brave enough to stand up to his abusive villain father.  So he makes up a lie about finding a way to get even closer to All Might in order to bring him down harder, which AFO accepts.

So now Izuku is stuck between a rock and a hard place: he has to keep feeding his father information about All Might otherwise AFO could kill him for insubordination, but he also doesn’t want the only person who’s shown him love in years to get hurt, let alone find out what’s really going on, lest that love dry up.

[thelittlegirlinwonderland]

What I'd Change about MHA

firstly, i'd put monoma in 1-a. i'd replace sato b/c i hate his character design and does he even do anything?

i'd make aizawa more of a stoic, scary looking guy but he just wants what's best for these kids. he doesn't lie to them or use ruses but he tends to push more and seems like a hardass to prepare them for the cutthroat life of heroics

i'd flesh out the characters more, their backstories, why they want to be heroes. i'd also build their relationships more. give them time to bond, spend time together outside of school without a disaster happening. filler type stuff

i like most of the plot up until the war arc, so i'd probably keep it, changing small things like stain. i think i'd make stain a former hero, like lady nagant, who saw corruption in his field and decided to handle it in the most extreme way. i would either get rid of stain attacking tensei or have it be a 'wrong place, wrong time' scenario where tensei found stain attempting to kill a different hero and wouldn't leave(similar to midoriya running in to save tenya)

ofa is one of the things about the og that annoys me. firstly, more than 9 users. probably 11-13. if it's supposed to be 2-3 hundred years since quirks, 9 doesn't make sense. especially since the first 3 were all around the same age and most of them died young. i'd also have more diverse users and quirks. i hate fa jin and gearshift, and danger sense and smokescreen don't make sense. blackwhip and float are great quirks. expand on the users' pasts as well. why were they chosen? what did they do with the quirk when they had it? also more izuku/vestige scenes. no random bakugou look alike user

i'd change a lot of the villain's stories. i'd change toga to actually be a victim of the system instead of just a blood-crazed lunatic. she was starved and didn't understand her cravings until she snapped and accidentally killed a classmate. from there, she's treated like a monster and pushed into the league who help her get the blood she needs which calms her down significantly. no wanting to become the people she loves and creepy harrasment of izuku and ochaco. just make her a scared teenage girl with no one else to go

as for shigaraki, when afo gets arrested show a slow change in his thought process, behavior, and lifestyle as he adjusts to life without the man who had been grooming and abusing him his entire life. make him realize afo isn't a helpful sensei but rather manipulating him. have him grow and reject afo and his ideas. have him start forming his own ideas of how he wants to change society

dabi is a tough one. i think i'd make him ostracized from his entire family. he had the quirk but not the body or mind for heroics. enji rejects him, rei can't stand his ambition, natsuo and fuyumi don't have anything in common and so he pushes them away, shoto is the masterpiece. this makes him more sullen and closed off. i'd have him run away instead of nearly dying and being save by afo. when he finds the league, he starts to open up more and develops more of a personality in this new family.

i wouldn't make kurogiri oboro. i think i'd scrap oboro as a whole. kurogiri is still a nomu but he has no ties to any heroes.

i'd have more people die in the war. more important heroes like all might, miruko, edgeshot, jeanist etc. bakugo stays dead, it's a tragedy that even someone as strong as him can't always win. maybe parents, friends, past classmates of the students because this is a war, collateral is going to happen. gran torino also should've died.

izuku: -make izuku's hair slowly turn white after he gets ofa so by the end it is completely white. this can be due to stress, having multiple quirks, getting a quirk when he didn't have one, etc. -all for one is his dad. this can explain why izuku can wield all of the past users' quirks, he's built to have multiple. now, this doesn't make afo a good person suddenly. he's still the man who groomed tenko and killed countless. maybe he just makes kids every now and then to get/make new quirks. it's just a game to him, he doesn't care about izuku or inko but it give izuku more personal stakes. -lean into izuku's analysis and intelligence more. -make monoma part of his friend group and have them bond over quirk analysis. -i think i'd make Mic his tutor. like how aizawa saw shinsou and decided to train him, mic sees izuku and his destructive quirk and decides to do something about it.

[cryptid-crawly]

Some more excerpts from my fic chapter outline. The bold bullet points are individual scenes.

[villainsandvictimsalliance]

If there is something in bnha that'll always keep on giving, its the "parent figure" love.

It's the way how Inko recognized she was wrong in not believing in Izuku's dreams, but also told All Might no to his face because she was allowing her child to stay on a place that took his safety for granted. How she is always there for him.

It's Nao Shimura not being even a little terrified for herself as she ran to Tenko, just minutes after giving an ultimatum to his husband. It's her face sick with worry, even as her body fell apart, even as she died, eyes always on her little boy.

It's Aizawa Shouta cutting his own leg midair in the heat of the battle, because he couldn't afford to lose, not for himself but for Eri and Class A-1. It's the way he won't stand aside as they destroy themselves for the hero society, how he won't shy away from the responsibility.

It's Rei Himura trying her best to protect her kids on an abusive household, trying her best to get better (mentally), to make up for her mistakes. 'Cause even if she was broken, the minute things got ugly, she got there. There to support them, her kids, to take responsibility, to tell Enji to man up and get his shit together, now she's risking her life to reach Touya, a woman of her word.

It is quirkless Toshinori Yagi facing AFO because he firmly believes in what Izuku taught him at the beginning of the manga. It is Iida Tensei guiding his brother to become a real hero in a world full of anger. Nana Shimura making time for All Might to escape. David Shield supporting Melissa's desire to make an impact on the pro-hero world even if she's quirkless. NightEye dying to support Mirio and Izuku. Kurogiri breaking free because he is Tomura Shigaraki's protector. Rock Lock angry about how the kids of Class 1-A were risking their lives in the Overhaul arc. And many more.

Any chapter showing how far a parent would go for their children is a good chapter.