#alice Echols

[haggishlyhagging]

Radical feminism remained the hegemonic tendency within the women's liberation movement until 1973 when cultural feminism began to cohere and challenge its dominance. After 1975, a year of internecine conflicts between radical and cultural feminists, cultural feminism eclipsed radical feminism as the dominant tendency within the women's liberation movement, and, as a consequence, liberal feminism became the recognized voice of the women's movement.

As the preceding chapters have shown, there were prefigurings of cultural feminism within radical feminism, especially by 1970. This nascent cultural feminism, which was sometimes termed ‘female cultural nationalism’ by its critics, was assailed by radical and left feminists alike. For instance, in the December 1970 issue of Everywoman, Ann Fury warned feminists against "retreating into a female culture":

“Like other oppressed [sic], we have our customs and language. But this culture, designed to create the illusion of autonomy, merely indicates fear. Withdraw into it and we take our slavery with us. . . . Furthermore when we retreat into our culture we cover our political tracks with moralism. We say our culture is somehow "better" than male culture. And we trace this supposed superiority to our innate nature, for if we attributed it to our powerlessness, we would have to agree to its dissolution the moment we seize control. . . . When we obtain power, we will take on the characteristics of the powerful. . . . We are not the Chosen people.”

Similarly, in a May 1970 article on the women's liberation movement in Britain, Juliet Mitchell and Rosalind Delmar contended:

“Re-valuations of feminine attributes accept the results of an exploitative situation by endorsing its concepts. The effects of oppression do not become the manifestations of liberation by changing values, or, for that matter, by changing oneself—but only by challenging the social structure that gives rise to those values in the first place.”

And in April 1970, the Bay Area paper It Ain't Me, Babe carried an editorial urging feminists to create a culture which would foster resistance rather than serve as a sanctuary from patriarchy:

“It is extremely oppressive for us to function in a culture where ideas are male oriented and definitions are male controlled. . . .Yet the creation of a woman's culture must in no way be separated from the political struggles of women for liberation. . . . Our culture cannot be the carving of an enclave in which we can bear the status quo more easily—rather it must crystallize the dreams that will strengthen our rebellion.”

But these warnings had little effect as the movement seemed to drift almost ineluctably toward cultural feminism. Cultural feminism seemed a solution to the movement's impasse—both its schisms and its lack of direction. Whereas parts of the radical feminist movement had become paralyzed by political purism, or what Robin Morgan called "failure vanguardism," cultural feminists promised that constructive changes could be achieved. To cultural feminists, alternative women's institutions represented, in Morgan's words, "concrete moves towards self determination and power" for women. Equally important, cultural feminism with its insistence upon women's essential sameness to each other and their fundamental difference from men seemed to many a way to unify a movement that by 1973 was highly schismatic. In fact, cultural feminism succeeded in large measure because it promised an end to the gay-straight split. Cultural feminism modified lesbian-feminism so that male values rather than men were vilified and female bonding rather than lesbianism was valorized, thus making it acceptable to heterosexual feminists.

Of course, by 1973 the women's movement was also facing a formidable backlash—one which may have been orchestrated by the male-dominated New Right, but was hardly lacking in female support. It is probably not coincidental that cultural feminism emerged at a time of backlash. Even if women's political, economic, and social gains were reversed, cultural feminism held out the possibility that women could build a culture, a space, uncontaminated by patriarchy. Morgan described women's art and spirituality as "the lifeblood for our survival" and maintained that “resilient cultures have kept oppressed groups alive even when economic analyses and revolutionary strategy fizzled.” There may even have been the hope that by invoking commonly held assumptions about women and men, anti-feminist women might experience a change of heart and join their ranks. The shift toward cultural feminism also suggests that feminists themselves were not immune to the growing conservatism of the period. Certainly, cultural feminism's demonization of the left seemed largely rooted in a rejection of the '60s radicalism out of which radical feminism evolved.

-Alice Echols, Daring to Be Bad: Radical Feminism in America: 1967-75

[phenakistoskope]

No politics remains innocent of that which it contests

- Elizabeth Fox-Genovese, in "The Personal Is Not Political Enough", Marxist Perspectives 2 (Summer 1979).

[kiki-de-la-petite-flaque]

If black musicians were fond of Janis it was in part because she always credited performers who had influenced her. Odetta was the first singer Janis tried to imitate. “Every time Janis and I were in the same area,” she says, “Janis made a point to thank me profusely.” Janis even picked up half the cost of providing Bessie Smith’s grave with a proper headstone. Fiery Etta James was initially angry about all the attention Janis received, but she, too, was won over by her. “She gave me respect, and I began feeling proud to be her role model. When I heard her sing, I recognized my influence, but I also heard the electricity and rage in her own voice. She had balls. I loved her attitude.

From Echols, Alice. Scars of Sweet Paradise

Ph Odetta By Jac de Nijs, 1961

[lacangri21]

The Feminist Library

-7000 Years of Patriarchy by Petra Ioana

-A Deafening Silence by Patrizia Romito

-Against Our Will by Susan Brownmiller

-Against Pornography by Diana E.H. Russell

-Against Sadomasochism by Robin Linden

-Ain’t I a Woman by Bell Hooks

-All Women Are Healers by Diane Stein

-Anti-Porn by Julia Long

-Anticlimax by Sheila Jeffreys

-Are Women Human by Catharine MacKinnon

-Backlash by Susan Faludi

-Bad Feminist by Roxane Gay

-Beauty and Misogyny by Sheila Jeffreys

-Beauty Sick by Renee Engeln

-Beauty Under the Knife by Holly Brubach

-Being and Being Bought by Kasja Ekis Ekman

-Beyond God the Father by Mary Daly

-Big Porn Inc by Melinda Tankard Reist and Abigail Bray

-Blood, Bread, and Roses by Judy Graham

-The Book of Women’s Mysteries by Z Budapest

-Borderlands by Gloria Anzaldua

-Burn it Down by Lilly Dancyger

-Butterfly Politics by Catharine MacKinnon

-Caliban and the Witch by Silvia Federici

-Choosing to Conform by Avelie Stuart

-The Church and the Second Sex by Mary Daly

-Cinderella Ate My Daughter by Peggy Orenstein

-Close to Home by Christine Delphy

-Compulsory Heterosexuality and Lesbian Existence by Adrienne Rich

-Conquest by Andrea Lee Smith

-Damned Whores and God’s Police by Anne Summers

-Daring to Be Bad by Alice Echols

-Dead Blondes and Bad Mothers by Sady Doyle

-Defending Battered Women on Trial by Elizabeth A. Sheehy

-Deliver Us from Love by Brogger

-Delusions of Gender by Cordelia Fine

-Detransition by Max Robinson

-The Disappearing L by Bonnie J. Morris

-Does God Hate Women by Ophelia Benson

-Doing Harm by Maya Dusenbery

-The End of Gender by Debra W. Soh

-The End of Patriarchy by Robert Jensen?

-Female Chauvinist Pigs by Ariel Levy

-Female Erasure by Ruth Barrett

-Female Sexual Slavery by Kathleen Barry

-Femicide by Jill Radford and Diane EH Russell

-Femininity by Susan Brownmiller

-Femininity and Domination by Sandra Lee Bartky

-Feminism Unmodified by Catharine MacKinnon

-Feminist Theory by Bell Hooks

-Firebrand Feminism by Breanne Fahs

-Flesh Wounds by Blum

-Flow by Elissa Stein and Susan Kim

-For Her Own Good by Barbara Ehrenreich

-For Lesbians Only by Sarah Lucia Hoagland

-Freedom Fallacy by Miranda Kiraly

-Gender Hurts by Sheila Jeffreys

-Getting Off by Robert Jensen?

-Global Woman by Barbara Ehrenreich

-Going Out of Our Minds by Sonia Johnson

-Going Too Far by Robin Morgan

-The Great Cosmic Mother by Monica Sjoo and Barbara Mor

-Gyn/Ecology by Mary Daly

-Gynocide by Mariarosa Dalta Costa

-Handbook of Feminist Therapy by Lynne Bravo Rosewater and Leonore E.A. Walker

-Heartbreak by Andrea Dworkin

-Her Body and Other Parties by Carmen Maria Machado

-The Hidden Malpractice by Gena Corea

-How to Suppress Women’s Writing by Joanna Russ

-I Am Your Sister by Audre Lorde

-I Hate Men by Pauline Harmange

-Ice and Fire by Andrea Dworkin

-In Defense of Separatism by Susan Hawthorne

-In Harm’s Way by Catharine MacKinnon

-In Search of Our Mothers’ Gardens by Alice Walker

-The Industrial Vagina by Sheila Jeffreys

-Inferior by Angela Saini

-Intercourse by Andrea Dworkin

-Invisible No More by Andrea J. Ritchie

-Invisible Women by Caroline Criado Perez

-Jewish Radical Feminism by Joyce Antler

-Kill All Normies by Angela Nagle

-The Laugh of Medusa by Helene Cixous

-Laughing with Medusa by Vanda Zajko and Miriam Leonard

-The Lesbian Heresy by Sheila Jeffreys

-Lesbian Nation by Jill Johnston

-Letters from a War Zone by Andrea Dworkin

-Love and Politics by Carol Anne Douglas

-Loving to Survive by Dee Graham

-Making Violence Sexy by Diana E.H. Russell

-Man Made Language by Dale Spender

-Man’s Dominion by Sheila Jeffreys

-Medical Bondage by Deirdre Cooper Owens

-Men Explain Things to Me by Rebecca Solnit

-Men Who Buy Sex by Melissa Farley

-Men Who Hate Women by Laura Bates

-Men Who Hate Women and the Women Who Love Them by Susan Forward

-Milk and Honey by Rupi Kaur

-Misogyny by Jack Holland?

-The New Handbook for a Post-Roe America by Robin Marty

-Nobody’s Victim by Carrie Goldberg

-Not a Job, Not a Choice by Janice Raymond

-Not for Sale by Rebecca Whisnant

-Nothing Matters by Somer Brodribb

-Objectification Theory by Barbara I. Fredrickson

-Of Woman Born by Adrienne Rich

-Only Words by Catharine MacKinnon

-Our Blood by Andrea Dworkin

-Our Bodies, Ourselves by Boston Women’s Health Book Collective

-Overcoming Violence Against Women and Girls by Michael L. Penn and Rahel Nardos?

-Paid For by Rachel Moran

-The Pimping of Prostitution by Julie Bindel

-Pimp State by Kat Banyard

-Policing the Womb by Michelle Goodwin

-Pornified by Pamela Paul

-Pornland by Gail Dines

-Pornography by Gail Dines

-Pornography: Men Possessing Women by Andrea Dworkin

-Pornography and Civil Rights by Andrea Dworkin and Catharine MacKinnon

-Pornography and Violence by Susan Griffith

-Pornography Values by Robert Jensen?

-Pure Lust by Mary Daly

-The Purify Myth by Jessica Valenti

-Quiverfull by Kathryn Joyce

-Radical Feminism Today by Denise Thompson

-Radical Feminist Therapy by Bonnie Burstow

-Radical Reckonings by Renate Klein

-Radically Speaking by Diane Bell...

-Rape by Susan Griffiths

-Rape in Marriage by Diana E.H. Russell

-Rape of the Wild by Ann Jones

-Refusing to Be a Man by John Stoltenberg?

-Right-Wing Woman by Andrea Dworkin

-A Room of One’s Own by Virginia Woolf

-Runaway Wives and Rogue Feminists by Margo Goodhand

-SCUM Manifesto by Valerie Solanas

-Selling Feminism by Amanda M. Gengler

-Sex Matters by Alyson J. McGregor

-Sexual Harassment of Working Women by Catharine MacKinnon

-Sexual Politics by Kate Millett

-Sexy but Psycho by Jessica Taylor

-She Dreams When She Bleeds by Nikki Taraji

-Sister Outrider by Audre Lorde

-Sisterhood is Forever by Robin Morgan

-Sisterhood is Global by Robin Morgan

-Sisterhood is Powerful by Robin Morgan

-Slavery Inc by Lydia Cacho

-Spinning and Weaving by Elizabeth Miller

-Surrogacy by Renate Klein

-Sweetening the Pill by Holly Grigg-Spall

-Taking Back the Night by Laura Lederer

-Talking Back by Bell Hooks

-Testosterone Rex by Cordelia Fine

-The Beauty Myth by Naomi Wolf

-The Creation of Patriarchy by Gerda Lerner

-The Dialectic of Sex by Shulamith Firestone

-The Feminine Mystique by Betty Friedan

-The First Sex by Elizabeth Gould

-The Legacy of Mothers: Matriarchies and the Gift Economy as Post-Capitalist Alternatives by Erella Shadmi

-The Lolita Effect by Gigi Durham

-The Man-Made World by Charlotte Perkins Gilman

The Porn Trap by Wendy Maltz

-The Prostitution of Sexuality by Kathleen Barry

-The Second Sex by Simone de Beauvoir

-The Sexual Liberals and the Attack on Feminism by Janice Raymond...

-The Spinster and Her Enemies by Sheila Jeffreys

-The Transsexual Empire by Janice Raymond

-The Women’s History of the World by Rosalind Miles

-This Bridge Called My Back by Gloria Anzaldua

-This is Your Brain on Birth Control by Sarah Hill

-Toward a Feminist Theory of the State by Catharine MacKinnon

-The Traffic in Women and Other Essays by Emma Goldman

-Trans by Helen Joyce

-Unbearable Weight by Susan Bordo

-Unpacking Queer Politics by Sheila Jeffreys

-Unscrewed by Jaclyn Friedman

-Unwell Women by Elinor Cleghorn

-The Unwomanly Face of War by Svetlana Alexievich

-The Vagina Bible by Jennifer Gunter

-A Vindication of the Rights of Woman by Mary Wollstonecraft

-The War Against Women by Marilyn French

-We Were Feminists Once by Andi Zeisler

-What Do We Need Men For by E. Jean Carroll

-When God was a Woman by Merlin Stone

-Who Cooked the Last Supper by Rosalind Miles

-Why Does He Do That by Lundy Bancroft

-Why Women Are Blamed for Everything by Jessica Taylor

-Why Women Need the Goddess by Carol P. Christ

-Wildfire by Sonia Johnson

-Witches, Midwives, and Nurses by Barbara Ehrenreich

-Witches, Witch Hunting, and Women by Silvia Federici

-Woman and Nature by Susan Griffith

-Woman Hating by Andrea Dworkin

-Woman-Identified Woman by Trudy Darty

-Women v. Religion by Karen L. Garst

-Women’s Lives, Men’s Laws by Catharine MacKinnon

-The Women’s Room by Marilyn French

[clamcastle]

thank you for the tag @elfgarlic c:

last song i listened to: interludium - negator

favorite color: pink and green

currently watching: i started the og one piece o-o

last movie: war of the worlds

currently reading: practical magic - alice hoffman, a history of the world in 100 objects - neil macgregor, the four agreements - don miguel ruiz, angels & archangels - damien echols

sweet/spicy/savory: savory

relationship status: single

current obsessions: i feel like i dont really get obsessed with things anymore - maybe fletcher from whiplash lmaoo and what we do in the shadows sort of? the movie not the show

last thing i googled: garter

currently working on: friendship bracelets c:

mutuals id like to know better weoee

@megmoon1111 @niirumarin @rootfetish

[ghelgheli]

The Stuff I Read in October 2023

Stuff I Extra Liked is Bold

Books

Women with Mustaches and Men without Beards, Afsaneh Najmabadi

Network Effect, Martha Wells

Fugitive Telemetry, Martha Wells

Gateway, Frederik Pohl

A Call to Arms: Iran's Marxist Revolutionaries, Ali Rahnema

Manga (mostly yuri)

Aoi Hana / Blue Flowers, Takako Shimura

Kekkon Aite no Jouken ni Perfect datta no wa Shokuba no Kouhai Joshi deshita / Mr. Right Turned Out To Be A Younger Woman, Kozumi Miura

Tokidoki kaette kuru on'na tomodachi no hanashi / My Lady Friend Who Visits Now and Again, Sumiko Arai

She Loves to Cook and She Loves to Eat Vol 3, Sakaomi Yuzaki

Double House, Nanae Haruno

Fujouri na Atashitachi / An Absurd Relationship, Jin Takemiya

The Girls' Arcadia, Yatosaki Haru

Recipe for Arcadia, Yatosaki Haru

Short Fiction (all SF)

17776, Jon Bois [link]

The Merchants of Venus, Frederik Pohl

The Merchants of Venus, A. H. Phelps Jr.

The Erasure Game, Yoon Ha Lee

Compulsory, Martha Wells

Obsolescence, Martha Wells

Home: Habitat, Range, Niche, Territory, Martha Wells

The Shoe Shop Jinn, Sakina Hassan [link]

Earth-747, Saud Ahmed [link]

Communism, History, Politics

The Palestinian Left Will Not Be Hijacked – A Critique of Palestine: A Socialist Introduction - Viewpoint Magazine, Samar Al-Saleh & L.K. [Viewpoint Magazine]

The Algerian War: Cause Célèbre of Anticolonialism, Malika Rahal [JSTOR]

Socialism for the Welsh People, Gareth Miles & Robert Griffiths

Soviet time capsules: messages from the past with lessons to teach us in 2017, Sasha Raspopina [New East Archive]

No Human Being Can Exist, Saree Makdisi [n+1]

The Other Nuremberg Trials, Seventy-Five Years On, Erica X Eisen [Boston Review]

The 1932 Harvest and the Famine of 1933, Mark B. Tauger [JSTOR]

Political Islam in the Service of Imperialism, Samir Amin [link]

Dismantle the ADL [link]

Women and Men, Cloth and Colonization: The Transformation of Production-Distribution Relations among the Baule, Mona Etienne [JSTOR]

Iranica

The Defender: Waiting for the revolution in Tehran, Nargol Aran [Point Magazine]

Divided by a Common Tongue: Exclusionary Politics of Persian-Language Pedagogy, Aria Fani [link]

The Necessity of Armed Struggle and Refutation of the Theory of “Survival”, Amir Parviz Pooyaan [pdf on marxists dot org]

Queer Stuff/Feminism (broadly construed)

Cultural Feminism: Feminist Capitalism and the Anti-Pornography Movement, Alice Echols [JSTOR]

Against the "Prison/Psychiatric State": Anti-violence Feminisms and the Politics of Confinement in the 1970s, Emily Thuma [JSTOR]

"Some Could Suckle over Their Shoulder": Male Travelers, Female Bodies, and the Gendering of Racial Ideology, 1500-1770, Jennifer L. Morgan [JSTOR]

Collective Memory and the Transfeminist 1970s: Toward a Less Plausible History, Finn Enke [DOI]

Racial-Class Paternalism and the Trojan Horse of Anti-transmasculinity, Nsámbu Za Suékama [Medium]

Trans Misogyny in the Colonial Archive: Re-Membering Trans Feminine Life and Death in New Spain, 1604–1821, Jamey Jesperson [DOI]

Other

The Establishment of Scientific Semantics, Rudolf Carnap

On What There Is, Willard V. Quine [JSTOR]

On the Ancestral Plane: Crip Hand Me Downs and the Legacy of Our Movements, Stacey Milbern [link]

Megastructures, Superweapons and Global Architectures in Science Fiction Computer Games, Mark R. Johnson [link]

[askgothamshitty]

Do you know any books that deals with radical feminism history, specifically + also deals with the history of TERFS and their rhetoric?

Check out “Daring To Be Bad: Radical Feminism in America 1967-1975” by Alice Echols which summarizes radical feminist activism when it was at its peak.

Unfortunately it does not mention TERFism as that didn’t form until 1979 with Raymond’s The Transsexual Empire. It’s still a relatively new movement (the term “TERF” wasn’t even coined until 2009) so I’ve yet to see any literature documenting its history.

However, there is a special edition of Transgender Studies Quarterly that seems to be one of the first attempts at studying TERFism academically: https://read.dukeupress.edu/tsq/issue/9/3

[traeumenvonbuechern]

My Trans Rights Readathon TBR

Infatuation. Reincarnation. Damnation.

Gem Echols is a nonbinary Seminole teen living in the tiny town of Gracie, Georgia. Known for being their peers’ queer awakening, Gem leans hard on charm to disguise the anxious mess they are beneath. The only person privy to their authentic self is another trans kid, Enzo, who’s a thousand long, painful miles away in Brooklyn.

But even Enzo doesn’t know about Gem’s dreams, haunting visions of magic and violence that have always felt too real. So how the hell does Willa Mae Hardy? The strange new girl in town acts like she and Gem are old companions, and seems to know things about them they’ve never told anyone else.

When Gem is attacked by a stranger claiming to be the Goddess of Death, Willa Mae saves their life and finally offers some answers. She and Gem are reincarnated gods who’ve known and loved each other across lifetimes. But Gem – or at least who Gem used to be - hasn’t always been the most benevolent deity. They’ve made a lot of enemies in the pantheon—enemies who, like the Goddess of Death, will keep coming.

It’s a good thing they’ve still got Enzo. But as worlds collide and the past catches up with the present, Gem will discover that everyone has something to hide.

"Ich weiß, dass du Angst hast. Aber diese Angst könnte verhindern, dass wir etwas richtig Gutes erleben"

Lark Winters größter Traum ist es, Autor*in zu werden. Aber dey erhält eine Agenturabsage nach der anderen. Zu jung, zu queer, zu emotional - niemand will die Relevanz der Geschichte für nichtbinäre Menschen wie Lark erkennen. Doch als plötzlich ein Tweet von Lark über unerwiderte Liebe viral geht, ist deren Traum zum Greifen nah. Endlich bekommt Lark die Aufmerksamkeit, die dey sich die ganze Zeit gewünscht hat. Einziges Problem: Lark hat den Tweet nie geschrieben! Er stammt eigentlich von Larks ehemals bestem Freund Kasim, der seit einem Jahr nicht mehr wirklich mit demm redet. Lark muss sich entscheiden: einen Traum leben, der auf einer Lüge basiert, oder herausfinden, was hinter Kasims Tweet steckt und was mit ihrer Freundschaft passiert ist ...

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep. Memories of that night torment Alice, but when Ila asks her to return to the House, to go past the KEEP OUT sign and over the sick earth where teenagers dare each other to venture, Alice knows she must go. Together, Alice and Ila must face the horrors that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, whom the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that examines the devastating effects of trauma and how fascism makes us destroy ourselves and each other.

When seventh-grader Ash, his crush Eleanor, and their friends are transported to a girls-only imaginary world, Ash must come to terms with the fact that he may actually be a transgender girl. Full of wonder, humor, and heart, Girl Haven is the newest original story from the author of Lumberjanes.

Three years ago, Ash's mom, Kristin, left home and never came back. Now, Ash lives in the house where Kristin grew up. All of her things are there. Her old room, her old clothes, and the shed, where she spent her childhood creating a fantasy world called Koretris.

Ash knows all about Koretris: how it's a haven for girls, with no men or boys allowed, and filled with fanciful landscapes and creatures. When Ash's friends decide to try going to Koretris, using one of Kristin's spellbooks, Ash doesn't think anything will happen. But the spell works, and Ash discovers that the world Kristin created is actually a real place, with real inhabitants and very real danger.

But if Koretris is real, why is Ash there? Everyone has always called Ash a boy. Ash uses he/him pronouns. Shouldn't the spell have kept Ash out? And what does it mean if it let Ash in?

I no longer recommend this author's books.

Laced with romance, gothic imagery, Catholic mysticism, diaspora, and horror…

When lonely transgender exorcist, Colin Hart, finds himself challenged by an unruly haunted house in Gideon, Colorado, he’s kept awake by ghosts, demons, ghouls, and the handsome nonbinary owner of the house, Bishop Martínez.

Unlike the simple hauntings Colin is accustomed to, Bishop’s house is a living beacon, attracting a plethora of inhuman creatures, including a vengeful wolf-headed spirit who might be the key to quieting their sleepless nights.

But as a heartbreaking mystery unravels, Colin comes face-to-face with the past Bishop tried to bury, opens a closet full of bloody skeletons, and trips into an accidental romance.

As paranormally skilled as Colin might be, this particular haunting may be too messy for him to handle…

A groundbreaking memoir about being a trans teen, in the vein of FUN HOME and FLAMER... and at the same time entirely its own.

Lewis has a few things to say to his younger teen self. He knows she hates her body. He knows she's confused about who to snog. He knows she's really a he and will ultimately realize this... but she's going to go through a whole lot of mess (some of it funny, some of it not funny at all) to get to that point. Lewis is trying to tell her this... but she's refusing to listen.

In WELCOME TO ST. HELL, author-illustrator Lewis Hancox takes readers on the hilarious, heartbreaking, and healing path he took to make it past trauma, confusion, hurt, and dubious fashion choices in order to become the man he was meant to be. It's a remarkable, groundbreaking graphic memoir from an unmistakably bold new voice in comics.

[ao3feed-love]

[VID] My 37 OTPs

by UltraVids1 (Ultra)

A simple tribute to my 37 OTPs.

Words: 0, Chapters: 1/1, Language: English

Fandoms: Firefly (TV 2002), Agent Carter (TV), How I Met Your Mother, Hart of Dixie, Once Upon a Time (TV), Gilmore Girls, 10th Kingdom (TV), Leverage, Necessary Roughness (TV 2011), Buffy the Vampire Slayer (TV), X-Men (Movieverse), Veronica Mars (TV), Pirates of the Caribbean (Movies), Lethal Weapon (TV), My Boys (TV), Caroline in the City, That '70s Show, Chuck (TV), Angel: the Series, Press Gang, The Librarians (TV 2014), Alice (TV 2009), Smallville, White Collar (TV 2009), Timeless (TV 2016), The Big Bang Theory (TV)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Categories: F/M

Relationships: Malcolm Reynolds/Inara Serra, Peggy Carter/Daniel Sousa, Robin Scherbatsky/Barney Stinson, Zoe Hart/Wade Kinsella, Belle/Rumplestiltskin | Mr. Gold, Luke Danes/Lorelai Gilmore, Virginia Lewis/Wolf, Sophie Devereaux/Nathan Ford, Nico Careles/Danielle "Dani" Santino, Spike/Buffy Summers, Logan/Rogue (X-Men), Lemon Breeland/Lavon Hayes, Rory Gilmore/Jess Mariano, Logan Echolls/Veronica Mars, Jack Sparrow/Elizabeth Swann, Maureen Cahill/Martin Riggs, Brendan Dorff/P. J. Franklin, Caroline Duffy/Richard Karinsky, Jackie Burkhart/Steven Hyde, Chuck Bartowski/Sarah Walker, Cordelia Chase/Allen Francis Doyle, Parker/Eliot Spencer (Leverage), Lynda Day/Spike Thomson, Eve Baird/Flynn Carsen, Jayne Cobb/River Tam, Alice Hamilton/Hatter (Alice TV 2009), Baelfire | Neal Cassidy/Emma Swan, Hoban "Wash" Washburne/Zoë Washburne, Lex Luthor/Chloe Sullivan, Elizabeth Burke/Peter Burke, Garcia Flynn/Lucy Preston, Tansy Truitt/George Tucker, Cassandra Cillian/Jacob "Jake" Stone, Dick Casablancas/Cindy "Mac" Mackenzie, Sheldon Cooper/Penny, Kaylee Frye/Simon Tam, Neal Caffrey/Sara Ellis

Additional Tags: Love, Kissing, One True Pairing, Video, Embedded Video, Song: Can't Help Falling in Love (Elvis Presley)

source https://archiveofourown.org/works/41913813

[haggishlyhagging]

One cannot discuss The Feminists without first discussing its founder, Ti-Grace Atkinson. Her biography is relevant not only because she so dominated the group while a part of it, but also because it can help illuminate why it was that Atkinson was so invested in being the most radical of all radical feminists. Atkinson was raised in an upper-class, Republican family in Louisiana. After marrying at the age of seventeen, she attended the University of Pennsylvania where she received her B.F.A. While living in Philadelphia she helped establish that city's Institute of Contemporary Art and wrote art criticism for Art News. She and her husband divorced in 1961, and in the mid-60s she moved to New York and enrolled in Columbia's graduate program in political philosophy. When she joined NOW in 1967, at the age of twenty-eight, she was a registered Republican with no prior political experience. However, Atkinson was no novice to feminist ideas. She had read Simone de Beauvoir's The Second Sex in 1962 and, like so many other other women who helped spark the second wave of feminism, she was profoundly affected by it. Feeling isolated, she wrote to de Beauvoir in 1965, who suggested that she write to Betty Friedan. Atkinson did contact Friedan, who initially viewed her as her protégé. Indeed, Friedan claims that it was she who pushed Atkinson into NOW's leadership for she felt that Atkinson's "Main Line accent and ladylike blond good looks would be perfect . . . for raising money from those mythical rich old widows we never did unearth." Before long, however, Friedan discovered that Atkinson was anything but an obedient acolyte.

Atkinson's turbulent relationship with NOW began in February 1967, when she attended the first organizational meeting of the New York chapter. In December 1967 she was elected president of New York NOW, by far the largest and the most radical of all the NOW chapters. Although there were forty-five other chapters, the New York chapter contained thirty percent of the organization’s membership. Kate Millett, author of the 1970 bestseller Sexual Politics, feminist playwright Anselma dell'Olio, and civil-rights lawyer Florynce Kennedy were among the more radical women who belonged to this chapter. As a result of her involvement in NOW, Atkinson met women who politicized her about other forms of oppression and who introduced her to the "more radical factions" at Columbia University during the strike of 1968. As Atkinson puts it, "my feminism radicalized me on other issues, not vice versa."

But as Atkinson became more radical she grew disillusioned with NOW, and the NOW establishment grew increasingly apprehensive about her. From the beginning, Atkinson wanted the organization to take "unequivocal positions . . . on abortion, marriage, the family"—the very issues which many members were anxious that NOW avoid. Increasingly, Atkinson staked out positions that were on the cutting edge of feminism. For instance, abortion-rights activist Cindy Cisler contends that it was Atkinson who first pointed out the inconsistency of supporting both the repeal and the reform of abortion laws. Moreover, Atkinson's involvement with controversial figures like Valerie Solanas and abortion advocate Bill Baird made the NOW establishment extremely uneasy. Her very public show of support for Valerie Solanas in the aftermath of the Warhol shooting infuriated many NOW officers who feared that people might think the organization actually condoned the act. Years later, Friedan was still furious about Atkinson's behavior. "No action of the board of New York NOW, of National NOW, no policy ever voted by the members advocated shooting men in the balls, the elimination of men as proposed by that SCUM Manifesto!" Of course, Atkinson's outrageousness delighted the press who seemed to hang on her every word. As early as March 1968, a New York Times reporter labeled Atkinson the movement's "haute thinker."

The situation came to a head on October 17, 1968, when Atkinson and other "younger dissenting" members tried to bring participatory democracy to NOW. They proposed that NOW scuttle elections and instead choose officers by lot and rotate the positions frequently to equalize power within the organization. However, the New York chapter defeated the proposed by-laws by a two-to-one margin. Atkinson claimed that the speeches given by those opposing the democratization of NOW

“revealed unmistakably that the division in N.O. W. as well as in the feminist movement as a whole is between those who want women to have the opportunity to be oppressors, too, and those who want to destroy oppression itself.”

To Atkinson, the lopsided vote demonstrated beyond a doubt that NOW was part of the problem rather than the solution. She resigned that night as New York chapter president and from her four other NOW offices as well. In her press release, Atkinson explained that the dissidents wanted

“to get rid of the positions of power, not get up into those positions. The fight against unequal power relationships between men and women necessitates fighting unequal power everyplace: between men and women (for feminists especially), but also between men and men, and women and women, between black and white, and rich and poor.”

Although several other NOW members apparently had vowed that they too would resign from the organization if the proposed by-laws were defeated, only two other women besides Atkinson left the organization in protest.

-Alice Echols, Daring to Be Bad: Radical Feminism in America: 1967-75

[ao3feed-that70sshow]

[VID] My 37 OTPs

by UltraVids1 (Ultra)

A simple tribute to my 37 OTPs.

Words: 0, Chapters: 1/1, Language: English

Fandoms: Firefly (TV 2002), Agent Carter (TV), How I Met Your Mother, Hart of Dixie, Once Upon a Time (TV), Gilmore Girls, 10th Kingdom (TV), Leverage, Necessary Roughness (TV 2011), Buffy the Vampire Slayer (TV), X-Men (Movieverse), Veronica Mars (TV), Pirates of the Caribbean (Movies), Lethal Weapon (TV), My Boys (TV), Caroline in the City, That '70s Show, Chuck (TV), Angel: the Series, Press Gang, The Librarians (TV 2014), Alice (TV 2009), Smallville, White Collar (TV 2009), Timeless (TV 2016), The Big Bang Theory (TV)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Categories: F/M

Relationships: Malcolm Reynolds/Inara Serra, Peggy Carter/Daniel Sousa, Robin Scherbatsky/Barney Stinson, Zoe Hart/Wade Kinsella, Belle/Rumplestiltskin | Mr. Gold, Luke Danes/Lorelai Gilmore, Virginia Lewis/Wolf, Sophie Devereaux/Nathan Ford, Nico Careles/Danielle "Dani" Santino, Spike/Buffy Summers, Logan/Rogue (X-Men), Lemon Breeland/Lavon Hayes, Rory Gilmore/Jess Mariano, Logan Echolls/Veronica Mars, Jack Sparrow/Elizabeth Swann, Maureen Cahill/Martin Riggs, Brendan Dorff/P. J. Franklin, Caroline Duffy/Richard Karinsky, Jackie Burkhart/Steven Hyde, Chuck Bartowski/Sarah Walker, Cordelia Chase/Allen Francis Doyle, Parker/Eliot Spencer (Leverage), Lynda Day/Spike Thomson, Eve Baird/Flynn Carsen, Jayne Cobb/River Tam, Alice Hamilton/Hatter (Alice TV 2009), Baelfire | Neal Cassidy/Emma Swan, Hoban "Wash" Washburne/Zoë Washburne, Lex Luthor/Chloe Sullivan, Elizabeth Burke/Peter Burke, Garcia Flynn/Lucy Preston, Tansy Truitt/George Tucker, Cassandra Cillian/Jacob "Jake" Stone, Dick Casablancas/Cindy "Mac" Mackenzie, Sheldon Cooper/Penny, Kaylee Frye/Simon Tam, Neal Caffrey/Sara Ellis

Additional Tags: Love, Kissing, One True Pairing, Video, Embedded Video, Song: Can't Help Falling in Love (Elvis Presley)

from AO3 works tagged 'That '70s Show' https://ift.tt/ZYLG8kv via IFTTT

[phenakistoskope]

i've been reading alice echols' cultural feminism: feminist capitalism and the anti-pornography movement, an essay linked in this post and contemplating the ground that movements ostensibly directed towards liberation inevitably cede to oppressive structures, in this case capitalism, but what interests me more is an essay cited by echols, namely the personal is not political enough by one elizabeth fox-genovese. now this is a piece i'm going to have to track down at some point, because it touches upon a phrase that has been rendered utterly meaningless by contemporary cultural feminism (i've clearly imbibed a bit of that essay into my vocabulary). besides that i'm quite curious as to why race isn't mentioned even in passing in echols' essay.

[ao3feed-spuffy]

[VID] My 37 OTPs

by UltraVids1 (Ultra)

A simple tribute to my 37 OTPs.

Words: 0, Chapters: 1/1, Language: English

Fandoms: Firefly (TV 2002), Agent Carter (TV), How I Met Your Mother, Hart of Dixie, Once Upon a Time (TV), Gilmore Girls, 10th Kingdom (TV), Leverage, Necessary Roughness (TV 2011), Buffy the Vampire Slayer (TV), X-Men (Movieverse), Veronica Mars (TV), Pirates of the Caribbean (Movies), Lethal Weapon (TV), My Boys (TV), Caroline in the City, That '70s Show, Chuck (TV), Angel: the Series, Press Gang, The Librarians (TV 2014), Alice (TV 2009), Smallville, White Collar (TV 2009), Timeless (TV 2016), The Big Bang Theory (TV)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Categories: F/M

Relationships: Malcolm Reynolds/Inara Serra, Peggy Carter/Daniel Sousa, Robin Scherbatsky/Barney Stinson, Zoe Hart/Wade Kinsella, Belle/Rumplestiltskin | Mr. Gold, Luke Danes/Lorelai Gilmore, Virginia Lewis/Wolf, Sophie Devereaux/Nathan Ford, Nico Careles/Danielle "Dani" Santino, Spike/Buffy Summers, Logan/Rogue (X-Men), Lemon Breeland/Lavon Hayes, Rory Gilmore/Jess Mariano, Logan Echolls/Veronica Mars, Jack Sparrow/Elizabeth Swann, Maureen Cahill/Martin Riggs, Brendan Dorff/P. J. Franklin, Caroline Duffy/Richard Karinsky, Jackie Burkhart/Steven Hyde, Chuck Bartowski/Sarah Walker, Cordelia Chase/Allen Francis Doyle, Parker/Eliot Spencer (Leverage), Lynda Day/Spike Thomson, Eve Baird/Flynn Carsen, Jayne Cobb/River Tam, Alice Hamilton/Hatter (Alice TV 2009), Baelfire | Neal Cassidy/Emma Swan, Hoban "Wash" Washburne/Zoë Washburne, Lex Luthor/Chloe Sullivan, Elizabeth Burke/Peter Burke, Garcia Flynn/Lucy Preston, Tansy Truitt/George Tucker, Cassandra Cillian/Jacob "Jake" Stone, Dick Casablancas/Cindy "Mac" Mackenzie, Sheldon Cooper/Penny, Kaylee Frye/Simon Tam, Neal Caffrey/Sara Ellis

Additional Tags: Love, Kissing, One True Pairing, Video, Embedded Video, Song: Can't Help Falling in Love (Elvis Presley)

source https://archiveofourown.org/works/41913813

[ao3feed-peggysous]

[VID] 100 Kisses

read it on the AO3 at https://ift.tt/OxwjRp0

by UltraVids1 (Ultra)

74 fandoms, 91 couples, 100 kisses.

Words: 0, Chapters: 1/1, Language: English

Fandoms: Marvel Cinematic Universe, Gilmore Girls, Hart of Dixie, Veronica Mars (TV), Friends (TV), Lois & Clark: The New Adventures of Superman, The Librarians (TV 2014), Star Wars - All Media Types, Timeless (TV 2016), Angel: the Series, Buffy the Vampire Slayer (TV), Alice (TV 2009), Agent Carter (TV), Firefly (TV 2002), Leverage, Once Upon a Time (TV), The Big Bang Theory (TV), White Collar (TV 2009), The Princess Diaries - All Media Types, 10th Kingdom (TV), The Adventures of Brisco County Jr., 10 Things I Hate About You (1999), How I Met Your Mother, Sleeping Beauty (1959), Beauty and the Beast (1991), Cinderella (1950), Frozen (Disney Movies), Tangled (2010), While You Were Sleeping (1995), Pirates of the Caribbean (Movies)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Categories: F/M

Relationships: Steve Rogers/Natasha Romanov, Peggy Carter/Steve Rogers, Pepper Potts/Tony Stark, Peggy Carter/Daniel Sousa, Zoe Hart/Wade Kinsella, Tansy Truitt/George Tucker, Rory Gilmore/Jess Mariano, Luke Danes/Lorelai Gilmore, Lane Kim/Dave Rygalski, Lane Kim/Zack Van Gerbig, Logan Echolls/Veronica Mars, Garcia Flynn/Lucy Preston, Rey/Ben Solo, Leia Organa/Han Solo, Sophie Devereaux/Nathan Ford, Parker/Eliot Spencer (Leverage), Neal Caffrey/Sara Ellis, Jack Sparrow/Elizabeth Swann, Captain Hook | Killian Jones/Emma Swan, Baelfire | Neal Cassidy/Emma Swan, Belle/Rumplestiltskin | Mr. Gold, Virginia Lewis/Wolf, Alice Hamilton/Hatter (Alice TV 2009), Eve Baird/Flynn Carsen, Spike/Buffy Summers, Malcolm Reynolds/Inara Serra, Kaylee Frye/Simon Tam, Angel/Cordelia Chase, Clark Kent/Lois Lane, Phoebe Buffay/Joey Tribbiani, Ross Geller/Rachel Green, Brisco County Jr/Amanda Wickwire, Sheldon Cooper/Penny, Michael Moscovitz/Mia Thermopolis, Aurora/Phillip (Disney), Eugene Fitzherbert | Flynn Rider/Rapunzel, Prince Charming/Cinderella (Disney), Adam/Belle (Disney), Anna/Kristoff (Disney), Kat Stratford/Patrick Verona, Jack Callaghan/Lucy Moderatz

Additional Tags: Kissing, Video, Embedded Video, Song: Kiss Me (Sixpence None the Richer)

read it on the AO3 at https://ift.tt/OxwjRp0

[morb1dg1rl]

𝖈𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗 𝖎𝖓𝖘𝖕𝖎𝖗𝖆𝖙𝖎𝖔𝖓.

𝖒𝖚𝖘𝖎𝖈𝖎𝖆𝖓𝖘.

pelle ohlin. kurt cobain. gg allin. sid vicious. layne staley. trent reznor. johnathan davis. varg vikernes.

𝖇𝖆𝖓𝖉𝖘 / 𝖆𝖗𝖙𝖎𝖘𝖙𝖘.

mayhem. morbid. burzum. venom. bathory. pentagram. death. deftones. korn. type o negative. nirvana. misfits. acid bath. alice in chains. sex pistols. nine inch nails.

𝖋𝖎𝖑𝖒𝖘 / 𝖘𝖍𝖔𝖜𝖘

black circle boys. i am not a serial killer. american horror story.

𝖈𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗𝖘.

violet harmon. brigitte fitzgerald. nancy downes. tiffany valentine. montana duke. hypodermic sally. lydia deetz. ginger fitzgerald. baby firefly. lisa frankenstein. maxine minx. scarlett winslow.

𝖙𝖗𝖚𝖊 𝖈𝖗𝖎𝖒𝖊.

damien echols. ricky kasso. rod ferrell. richard ramirez. charles manson. varg vikernes.

𝖙𝖆𝖌𝖌𝖊𝖉 𝖇𝖞 : @chrislaplante

𝖙𝖆𝖌𝖌𝖎𝖓𝖌 : you !