becoming a furry nonhuman otherkin objectum genderweird relationship anarchy freak has made me immune to weird conservative whatifs. "what if people want to identify as animals" let them "what if people want to marry furniture" let them "what if-" is it hurting YOU? personally? or are you just so joyless that you can't conceive a living thinking person that isn't as repressed and deprived of whimsy as you
EDIT: Incest and pedophilia (including simulated pedophilia) don’t count because they do hurt people. I can’t believe I have to say this but things that hurt people aren’t part of the list of things that are weird but don’t hurt people.
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I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):
It's a phrase taken from the Book of Job. Here's the quote in full (King James version):
When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls.
--(Job 30:29)
Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.
Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.
They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.
Your punishment is terrible, tormenting loneliness.
(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)
To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the most tragic of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.
So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.
Because this story is about Aziraphale.
The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.
He does so fully believing that he's giving in to a temptation.
He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.
And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.
Fallen or not, that's the kind of knowledge that...separates you.
(Whoooo-eeeeee, tormenting loneliness!!!)
Aziraphale is the companion.
...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:
Check out Crowley's glasses.
(screenshots from @seedsofwinter)
Crowley is the owl.
Crowley is the goddamn owl.
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TAC
sauropoda is a clade of saurischia that includes some of the largest dinosaurs we currently know of. if i'm going to submit something to you it's going to include these guys. they include some familiar faces like the brontosaurus. but the largest specimen within this group is a giant barosaurus fossil.
credit to Paleonerd01 on DeviantArt
they've inhbabited every continent (including Antarctica!) and give us those comically large prints we're so fond of zooming out on.
another good giant friend of mine is the colossal squid. why do they keep making bigger squids? because i love them. i love their huge eyes and big fights with sperm whales. i love their elusiveness. i love that we went "kraken?" haha very funny. cthulhu? sure guys. and they EXIST <333
credit to Te Ara in New Zealand
and charismatic megafauna are cool and all but have you considered something a little smaller? maybe a Black Capped Chickadee? they tend to travel in groups or two or more when they're flying outside the nest and their call "chicka dee" functions as a warning call of increasing intensity depending on how many "dee"s they add.
and bugs? here's the thing: i have fought with Polistes metricus for years growing up. have they stung all of my loved ones? absolutely. do they also eat an invasive species of worm in my area? yes. and while these guys will sting you without a second thought and fly away laughing, they are a necessary evil. just like the birds, they stop for a sip of water. they are, i must admit through gritted teeth, an important part of my ecosystem.
ATT
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TAC
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Closest match: Acipenser ruthenus genome assembly, chromosome: 41
Common name: Sterlet sturgeon
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Ok I've processed the 2.1 questline and in regards to aventurine's status, I'm confident that he's alive. I thought so while playing but had doubts.
Acheron explicitly said that his gamble isn't over, and even went so far as to sever the harmony from him. So his death sentence has been lifted.
He was also the main character of this patch in a way. Whenever we were in his pov we saw glimpes of his past giving context to his actions now and we even got to see conversations between himself that revealed his real self. At every turn we're told that he's going to die, whether by the harmony or his own machinations. His backstory peppered in even gives him death flags.
But his death is entirely expected. By us, by sunday, by sparkle, by himself. He follows the path of preservation, he's been invited by the path of elation, and by the end of his quest he's ended up on the path of nihility. A fool who wants to protect what he loves but all who he loves are gone, making it meaningless.
Acheron obliges his wish and unsheathes her sword. She is the emanator of nihility but will not allow him his end. Throughout this quest as we see more and more of aventurine we see how careless he is with his life and as his mask gets ripped off again and again it's apparent how little he regards his life and his suicidal ideation comes to the forefront. He doesn't care how this will pan out, he wants to go home and his home is where his family is.
Acheron apologizes that this void wasn't what he was expecting or where he wanted to go. She uses the power of nihility to save him from the harmony, an inversion of expectations. She denies his suicide by cop, tells him he's not done yet, and wishes him luck.
Aventurine even apologizes to his younger self saying it's not time for him to reunite with his family, some day but not yet.
Thematically, acheron talked him away from the ledge and encouraged him to live. She's giving him another chance. And he's taking it.
Where he is right now is probably outside the domain of the dreamscape where presumably robin and firefly have been. We probably won't see him for awhile as he treks through and finds a way to escape. But I am confident he'll find his way back.
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So I've been wondering about one particuar point on the "Jiang Cheng marriage recquirement" list and it's the one about low cultivation.
Now on its face, except for the "must be nice to jin ling" point, the whole thing just looks like the most standard list of "ideal wife characteristics under a patriarchal society." naturally beautiful, graceful and obedient, coming from a good family, voice not too loud, etc. This leads to either the interpretation that jiang cheng really wants that (doubt dot png) or just... put all the most stereotypical things on a list even though that's not what he really wants.
In that context "cultivation must not be too high" sounds like a typical "men are scared of women who are smarter/stronger" thing. you know, the dudes who feel 'intimidated' when their wife or girlfriend makes more money than them.
...Except wasn't Yanli openly mocked for her low cultivation? Like, wasn't one of the reasons Jin Zixuan was such an ass to her initially because he shallowly assumed her lower cultivation made her an unworthy marriage candidate? Jin Guangshan may hate women who can read but society overal doesn't give the impression that high cultivation in women is seen as something undesirable. I mean... a wife that never looks like she's over 20 even as she starts aging? yeah I have no problem believing a misogynistic society is okay with high cultivation.
So if it's not there just to fit the stereotypical standard of an ideal wife...
Jiang Cheng, are you just describing your sister?
LIke?? Every single point on this list applies to Yanli. All of them. I don't mean this in a freudian incest-y way but in a "jiang cheng are you so unaware of what you want in a partner you just took the only woman you've had an unambiguously good relationship with and hoped no one would notice???" way. Does he know the difference in what you should like about your sister and what you should like in a spouse? Is he even aware he's doing this? Jiang Cheng answer meeeee.
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do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?
i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.
most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.
Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.
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