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lan-wangjis-autism · 2 years

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The wanton talk, the divers change of play, The friendship sworn, each promise kept so just, Wherewith we passed the winter nights away. And with this thought the blood forsakes my face, The tears berain my cheeks of deadly hue, The which as soon as sobbing sighs, alas! Upsupped have, thus I my plaint renew: "O place of bliss, renewer of my woes, Give me account where is my noble fere, Whom in thy walls thou didst each night enclose, To other lief, but unto me most dear.' And with remembrance of the greater grief To banish the less, I find my chief relief.

Henry Howard, Earl of Surrey, in his short time of serving Henry FitzRoy, seemed to join him everywhere. When the latter had been kept in the French court, Surrey had joined him. Surrey had ended up gaining influence from the French court in his overall style later. Below is a quote I got from British “History Online’s Letters and Papers of Henry VIII’s Reign”.

Jessie Childs, in her biography of Henry Howard called “Henry VIII’s Last Victim”, says this of Henry Howard’s poem about Windsor:

It has been suggested that Surrey’s elegy can also be read as a love poem. He adopts romantic language and applies Chaucerian subtexts in order to convey the strength of his feelings for Richmond. He wants to express the power of their ‘sweet accord’ and emphasise the uniqueness of a relationship that transcended all others. This sentiment is extremely powerful and very real. Surrey longed for close companionship and a friendship based on trust and mutual attraction, not kinship or service. His exultation at finding a soulmate, an alter ego, is contrasted with his isolation and pain at his subsequent separation from Richmond – ‘Give me account where is my noble fere . . . To other lief, but unto me most dear.’ Surrey defined himself in terms of his relationship with Richmond; together they were Priam’s sons whose destiny was intertwined and even in his last portrait, Surrey chose to depict his friend alongside him.

Stephen Guy-Bray in “Homoerotic space: The politics of loss in Renaissance Literature”, says this:

Given the critical unwillingness to consider the possibility of homoeroticism, the usual assumption is that what Surrey felt for Richmond was friendship rather than love, but the distinction cannot be supported from the poem itself, or at least not in the very modern sense in which critics use it. Surrey depicts his relationship with Richmond as something that transcends other relationships, as a bond that can be compared to the love between Troilus and Criseyde or to love affairs in Surrey's other poems. I think the crucial word in this context is 'fere,' the main term Surrey uses to refer to Richmond. This word was fairly common with Surrey and Chaucer, but fell out of use within a hundred years of Surrey's death. The Oxford English Dictionary lists three main definitions: companion, comrade, mate, partner; consort, spouse, husband, wife; equal. [...] and in 'So crewell prison' to mean the Duke of Richmond, whom I think we should see as Surrey's companion, consort, and equal. [...] The relationship depicted in “So crewell prison' seems impossible to restrict to any one point on that continuum and is better placed in a complex of relationships that includes friendship, companionship, love, and sexuality. For this reason, Padelford's classification of the poem as autobiographical is helpful, because that category in his edition includes political poems and love poems that talk of love between men and women. If we discuss 'So crewell prison' only as an elegy for a friend, we ignore much of the poem. If we follow the implications of Padelford's classification and consider 'So crewell prison' as a poem that tells, among other things, of the romantic love between two young men, we shall finally be in a position to appreciate the poem's complexity.

Both boys seemed to like poetry and the hunt. Richmond was known by his tutor to be “lured into” skipping classes by his gentleman usher, George Cotton (who eventually became Governer of the Household) and a boy simply named “Scrope”, in favor of going hunting and playing archery. Despite this, his tutor still complimented Richmond for his “great wit”.

They both seemed on even playing field in terms of wit and skill in the hunt. They seemed, in their short time together, to be very close. Whether or not they actually had a relationship is unknown, but I personally believe that they had some type of relationship. Henry Howard, I believe, definitely was bi or gay, or somewhere in between, due to reasons I may dive into on another post.

#henry fitzroy #henry howard #henry howard earl of surrey #henry fitzroy duke of richmond and somerset #;informational

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twooldguysemporium · 7 years

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Crewel Embroidery

A person who grew up in London in the sixteenth century, would surely be one of the many who knew all too well about crewel embroidery. The period was actually the height of this form of art identified by its intricacy. This type of needlework refers to wool that has been twisted in a tight manner. The thread has been created by plain hobbyists in order to be productive in their pastime along with the professional designers who make a living out of it.

At the age when England started its barter relations with India, stylists started to integrate in the crewel embroidery wild elements inspired from the east. If you can obtain a sample, you will most likely see what Mother Nature has to offer such as plants and animals. One of the most popular was the pattern of the Tree of Life. The Hindus in return, followed some versions that were all conceived by the English. Basically, the form of art in the succeeding years was a fusion of two cultures.

Crewel embroidery turned out to be very famous to the point where British citizens who were unemployed but were knowledgeable in the tapestry industry rioted. By 1722, the country was compelled to prohibit bringing in fabrics from a foreign land. It then ushered in a domestic type of needlework. Meanwhile, the conquerors in the United States fashioned their own version which was motivated by the marvels spotted all around like rabbits, deers and squirrels, among the others.

Considered as free stitching, crewel embroidery can be very ideal in either linen or cotton. The textile has to be strong in order to support the weight of the hemming. Chiffon, flannel, gauze, georgette, knit, jersey, lawn, organza and satin, to name a few, are not applicable. In fact, there are special needles required which specifically have to have sharp edges and huge eyes such as the Chenille, for example.

Frequently, the borders of crewel embroidery have to be screen- printed. If not, you can transfer to any plain sheet through pens that contain soluble ink that are water- based. A method called “prick and pounce” can also be well utilized. With the technique, the figure is drawn on the paper in order to come up with perforation along the edges. Powdered chalk is then pressed to the openings using a felt pad to imitate the flair of the material.

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