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#also if you want to see any particular gifs or scenes or whatever giffed don't hesitate to ask
gottagobackintime · 1 year
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hi! just wanted to thank you for your fantastic and committed job making gifs(specially the james lance ones 🤝🏻) Can assure you they are very appreciated 😌🫶🏻
Aww, thank you! I'm really happy to hear that people enjoy them. I feel like I'm spamming people haha. I love making gifs of him, because I get to stare at him for hours haha, no but seriously, I really appreciate your appreciation ❤
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The Moonlight Chicken Sign Language Index (aka signs that are the same or similar between Thai Sign Language and American Sign Language)
I asked, literally one person answered, and I kind of already had this assembled because of a conversation with @respectthepetty but that's enough for me at this point so...I'm basically just gonna copy and paste what I already had from that one reply in to it's own post.
DISCLAIMER: I am a hearing person with a minuscule (self-taught) knowledge of ASL and no knowledge of MTSL. My intention in making this post is not to teach anyone ASL, that is not my job and I should not be doing it because I am not Deaf. I am simply identifying signs I recognize. ASL is a beautiful language that I do hope to one day be able to learn properly because it is, personally, a very important language to me. I invite any Deaf or CODA people who may be reading this post to give me any critiques, or if anyone with actual knowledge of ASL, not my self-taught knowledge, identifies any more signs from the MTSL in Moonlight Chicken to ASL I would be incredibly interested to see them!
I am making this index partially because I really enjoy seeing where and how MTSL and ASL are identical or at least similar. Sorry they are not in alphabetical order.
The first couple are from @respectthepetty who also did a write up in the original post of this about finger spelling MTSL versus ASL.
So without further ado and in whatever order I feel like...The Signs:
TODAY/NOW
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NOW
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Tell me why when I google TODAY sign asl gif I get signs for literally every holiday "st patricks day, labor day" but not DAY on it's own. It's essentially the same in ASL although in ASL instead of a flat palm moving down it's can also be the letter D in sign language
DAY
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SAY/NAME
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NAME
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Side note, this is the sign for HEARING in ASL but in Moonlight Chicken the same/similar sign seems to mean SAY:
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DEAF
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DEAF
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(i don't) UNDERSTAND
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UNDERSTAND is the first part of this gif where he sticks his finger up next to his ear, it's essentially the same in ASL.
UNDERSTAND
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To say I DON'T UNDERSTAND in ASL you would use the same finger motion but also shake your head no.
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Double side note, sorry all of these ASL gifs are of white men, the Google Images market is absolutely overflowing with gifs of these two in particular.
DIFFICULT
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DIFFICULT
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WORK
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WORK
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HOME
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HOME
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If memory serves, Heart does not slide his hand from his lip to his cheek, just taps his cheek.
BEFORE:
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BEFORE:
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STUDY:
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LEARN:
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YEAR
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YEAR
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Clapping in MTSL:
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Clapping in ASL:
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And that is all I have so far. I linked it above, but please click through to the finger spelling write up that respectthepetty did because it also discusses Gloss and comments on Black Sign Language which is it's own sign language form in the US and is not ASL. I will update this post again if I find other signs that seem to correlate. There are a couple of more signs I discuss in the previous post about this, but I didn't include those in this index because they are far more speculative sign comparisons than these ones are and I don't want this index to have potentially incorrect information on it
Edit: Okay I know I literally just said above that I didn't want the index to have potentially incorrect information on it, and this bit of signing is not translated through caption or through Li Ming saying the words so I cannot be 100% certain that this is correct. However, I am posting this one because given the context of the scene (this is when Li Ming goes to Heart's house after his big fight with Uncle Jim and Heart sprays Li Ming with the hose) and how similar the sign is, I think it means the same thing. I will only put the word down for the ASL just in case I am wrong, I don't want to attribute the wrong word to the MTSL sign but...
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PLAY in ASL
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s-brant · 3 years
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Pirates and Princesses (8/8)
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(gif: @beccs) (PART SEVEN) (SERIES MASTERLIST)
Summary: JJ must confront his childhood trauma when returning home for the first time since his dad went to jail and prevent it from sabotaging his new relationship. Meanwhile, something sinister happens at the Chateau that brings Y/N face to face with her grief over John B’s death.
Word Count: 13.4k
Warnings: Angst, implied sexual content, strong language, parent/child abuse, mental illness, post-traumatic stress disorder, grief, and fluff.
A/N: Welcome to the final chapter of Tokens! This one has a little bit of everything in it, but it also has detailed scenes about JJ and his dad, so proceed with caution if you’re easily triggered by that topic. The love you guys show this fic warms my heart so much, so thanks to anyone who stuck with this story until this chapter. Hope you enjoy it!
Now that she has been sentenced to both punishments, one as a consequence of the fight with Kacey and the other as a consequence of the stunt she pulled with JJ to break out of ISS, Y/N can confidently say that out of school suspension is superior to in-school suspension by a long shot. Instead of sitting in a humid room with Alec for the duration of multiple school days, she's allowed to stay home, go out surfing, and do whatever she wants in lieu of doing classwork.
She promised herself not to make it a habit, promising the invisible presence of John B that she likes to pretend follows her around that she will never get herself into trouble again, but she sees no problem in enjoying her suspension while it lasts.
For the first few days of her suspension, JJ skipped school to spend it with her. Their memories of the conversation they had at three in the morning on Sunday were fuzzy, but not missing entirely. She noticed a difference in his behavior for the first few hours after they woke up under the tree together for the second time in one week. It wasn't a difference in their relationship or how he treated her, it was a difference in him.
He was quieter than usual as they cleaned up cans of beer and tossed them into the recycling, sending pictures to Kie while she was in class after she made them promise not to throw them in the trash. Rather than cracking jokes or making casual conversation with her, JJ made his way around the yard with the recycling bin in his hands and his head in the clouds. It disappeared as the day progressed, but for a little while, he wasn't completely there.
Today, he went into school instead of ditching to spend extra time with her in between shifts at work and time spent with their friends. Since they can't exceed three consecutive absences without a doctor’s note and he doesn't own a printer or laptop to forage the header from a doctor's office, he had no choice but to part from her this morning.
He bites his lip to contain his smug facial expression at the recollection of her wake up call for him. The hand holding his locker door open for him to lean on in the midst of his not-so-wholesome thoughts of her squeezes the metal hard enough to turn his knuckles white.
The curtains weren't shut all the way when they fell asleep before midnight last night, allowing a shaft of sunlight to shine in and land on his face. But that wasn't what woke him up from the dream he was having. In fact, the reality he opened his eyes to was a hell of a lot better than any dream he remembered.
Most of his memory of those moments spent suspended between consciousness and unconsciousness consisted of feeling her pressing a kiss to his shoulder, then her hands rubbing up and down his waist to slip lower and lower until they settled on the waistband of his underwear. It was then that he woke to find her looking up at him for permission from where she peppered kisses along his chest.
Their eyes met right as she kissed the edge of his nipple with this pleading, needy look that he took pride in causing without actively attempting to. She woke up on the brink of coming undone from a pleasant—to put it tamely—dream about him. With a glimpse at the time displayed on the alarm clock, it didn't take much for her to roll over to wake him up.
It ended with her beneath the sheet, finishing what she started Friday afternoon until he was clutching the pillow beneath his head in the midst of his orgasm. It happened so fast, a fault of how hot he found it to wake up to her wanting him so badly, but it felt slower than it truly was in the early morning haze of exhaustion they felt.
The memory as he relives it is as heady as it felt the first time around. He sees it in fractions; her eyes looking up at his, warm palms finding the familiar planes of his muscular body with the exploratory touch of someone who's never traveled it before, and the intense sensations he felt at the end...It's easy for him to stand here and lose himself in it. Despite the class he has to go to, he bargains with himself for one more second spent in the paradise of his memories before he has to come back to reality.
Reality, as his shitty luck would have it, comes in the form of a familiar feminine voice chirping from behind his back as he replays his morning bliss.
"It's good to see you're alive and well, Maybank."
He decides, based on who he knows he'll see when he turns around, that he might invest in a sharpie to write "Bang head here" on the inside of his locker door for instances like these where he'd rather suffer brain damage than speak to someone he can't stomach the presence of.
When he turns to see Kacey with one arm still stretched to hold his locker open, he doesn't bother concealing the genuine reaction from his face for the sake of her feelings. Any care he had for her and her feelings was thrown to the wind as soon as she decided she could steal from and put her hands on his girl last week. However, after a second of thought, a condescending smirk finds its way to his face.
He says, jerking his chin to vaguely gesture at her bruised up face, "Purple really suits your complexion. It makes your eyes pop, don't you think?"
Though the swelling of her black eye has deflated in the days since the fight that’ll soon tally up to a week, the verbal jab hits right where it intended to if the light leaving her eyes tells him anything. She bounces back after a second, though, ever the relentless pest they've come to see her as.
She offers a sickeningly sweet, yet fake smile to mirror the one gracing his striking features and spins so her back meets the locker beside his, allowing herself to invade his space further.
A collection of Y/N's stickers decorates the inside of his locker door that he briefly entertained the idea of designating as a place to bang his head against. They range from girly, glittery ones to those he willingly picked when she gave him the choice. Whenever they're at his locker together, she sticks one on the inside, and the evidence of the habit catches Kacey's wandering eyes.
Her fingertips brush against the surface of the sticker-covered metal while she ignores his protest of, "Can you not touch my stuff?" to inspect them. Since one of the Pogues in particular is famous for her endless supply of stickers, her expression sours at the thought of the girl responsible for them.
She spares him a quick glance out of the corner of her eye as she continues to analyze the sticker collection against his instructions not to, asking, "Why weren't you at the bonfire?" A failed attempt at a seductive look in his direction makes him fight not to roll his eyes. "After how last year's ended, I thought you wouldn't miss it for the world."
JJ doesn't bother to take a second to think things through before he reaches to slam the door closed with her hand still outstretched inside of it. Watching her pull it away just in time to avoid jamming it in the locker probably pleases him more than it should, but he can't help it. His hand catches on the edge of the door, halting it in place right before it closes where her hand previously rested.
She doesn't look too happy with him when he opens the door with no harm done except for the drop of her stomach when he initially pretended to swing it shut on her bruised knuckles. She didn't get many shots in on Y/N when they fought, but apparently it was enough.
He doesn't bother with the fake niceties she's giving him after the disrespect she showed him, his friends, and, most importantly, his girlfriend. The fact that she thinks she has any right to breathe in his direction, let alone flirt with him, after she stole JB's bandana is criminal. 'Cause not only did she mess with Y/N, she messed with John B on multiple levels, and his loyalty to his best friend hasn't disappeared with death. Kie and Y/N told him everything she said about their departed friend in the locker room last Thursday.
But he's smart enough to know what'll hurt her more, so he doesn't go for the general scolding he imagined giving her in his head. Since he was told everything about the encounter in the locker room, he knows she's still holding their history together near and dear to her heart.
"We stayed home," he says, casual and cool as always, with added emphasis on the first word, "You know how it is, my girl doesn't like parties. Especially not ones with kooks."
Hook, line, and sinker.
She scoffs, "Your girl?"
Looking at her now, he wonders if she was always this stupid, or if this is a new development she's had in the year since he last spent more than a minute or two at a time with her. It’s easier to trick her than it was with Kie and Y/N a few days ago, and those poor girls flew into that trap like moths to a flame.
"That's what I said, isn't it?"
The ire is visible in the way her face tenses up in places, her lips pressing together a little more firmly and her forehead creasing between the brows.
"Doesn't your, um, history bother her?" she asks, and he's gotta give her credit for being a sneaky little shit when given the chance. The girl takes every possible opening she can to strike for a potential weakness. "No offense, but you kinda get around."
He shrugs this time, deciding to drop his casual act and aim straight for the jugular.
"She likes having someone who knows how to fuck her right, actually, but I really appreciate the concern."
Much like Kie's reaction to their matching tattoos in the hot tub the other night, her jaw is unhinged to meet the unswept hallway floor they stand on. It makes him wish Y/N weren't suspended in order for her to see the gobsmacked reaction Kacey has to the harsh dismissal. Though he wouldn't want to incite an extra round of the Kacey vs Y/N WWE showdown by having her watch another girl flirt with him and essentially call him a slut upon rejection, he knows she'd get a kick out of it.
This one's for you, baby, he thinks with a quiet laugh to himself and turns his focus to the sticker collection she so lovingly crafted.
There are plenty of summer themed ones left over from the same pack he gifted her for her birthday with the surfboard sticker she used to tease him, as well as a newer genre of Valentine's Day stickers she started using the closer they grew since first getting together. They're mostly different colored candy hearts with corny phrases ranging from "U SXY THING" to the classic "BE MINE" and one printed with "ANGEL" on it—his favorite by far.
However, others are random ones from her endless stash built up over the years from birthdays and holidays deemed worthy enough by her dad to stop by Dollar Tree for a new pack, so the one he sets his attention on is likely meant for teachers or coaches to give to their students. The opportunity appears too good to be true to him when it clicks, but it isn't.
He peels the sticker off of the locker door, careful not to disturb the ones around it, and leans in closer to her to place it on the front of her tank top.
"Leave us alone or I won't stop her next time," JJ says lowly, past the point of civility, then backs away to slam his locker shut for real this time as his voice raises back to a normal volume, "And keep John B's name out of your mouth, got it?"
All she can do is look down at the sticker placed on her shirt with squinted eyes to try and read it while he walks off in the direction of his next class. It tears away from the fabric with a soft noise, and when she finally reads it, she rolls her eyes.
“Good Try!”
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​​Walking out of school to see the Twinkie parked in the usual spot Y/N takes when she isn't suspended is a delightful treat he didn't know to expect after a rough day in class and his run in with Kacey. His head was hung low on his way to Kie's car to hitch a ride to his house before going home to the Chateau, since he had some things to pick up with his dad out of the picture for the near future, but then he heard her greet them.
JJ's body melts into hers upon contact, and he nearly pushes her up against the closed passenger side door of the van with how hard he hugs her. Though he doesn't want to acknowledge it, his dad has been living in his thoughts more than usual today. Ever since he texted him goodbye, he's been withdrawn inside of his head more and more, and after today's inconveniences, the rising anxiety of his plan to visit home has him two seconds from losing his mind.
Her eyes widen at his zeal, meeting Kie's concerned gaze from over the shoulder she rests her chin on. She stands with her keys swinging around her finger as she watches the couple embrace one another. In an answer to the silent question Y/N asks her in their stare, her lips mouth the words, "His dad," to her.
Deep down, Y/N had a feeling.
It began with his impromptu request to run away with her a few days ago and extended into his uncharacteristically reserved attitude the next morning that receded somewhat, but has yet to fully disappear. There is a part of her that's upset that he hasn't come to her to talk about it, to communicate the way they swore they would, yet she also knows it isn't that simple.
She has to remind herself that she knew what she was getting herself into with him. That's not to say that dating her must be a walk in the park for him, it isn't.
She knows based on the amount of times he had to hold her as she cried, or the time he curtailed her panic attack in this very parking lot, that she hasn't made it easy for him in the aftermath of John B's death. But it's because she knows how it feels that she has such patience with his communication issues.
It's not a conscious choice most times, it's an involuntary blockage preventing the words from being spoken no matter how desperately they long to be. They may have made a promise, but she won't chastise him for succumbing to the same pitfalls as her. It’d be hypocritical.
"Bad day?" she asks.
Her voice is tender with him, prodding gently for a clue as to why he pounced on her on sight. He sinks further into her arms at the sound and lets the sanctity of her touch sway him into submission. Everything about her sets him at ease, if only for a second. Her hand lifts the beat-up red hat from his head to allow the other to brush through his hair.
There's a hum of agreement that she feels vibrating through the center of his chest into hers, and her arms pull tighter around his shoulders in response. This time, when she looks up to see Kie there, she's waving a quick goodbye and setting off toward her car, clearly giving JJ the space he needs.
"We can go to the beach," she says softly, "I have a towel in the back of the van, we can just lay there and talk about it if you want."
The idea of her kind offer to him should add to the comfort he finds in her embrace. It should make him nod and whisper his gratitude to her for being the one person that knows him better than anyone, but it brings him back to the gloomy headspace he was in before seeing her.
It started as a minor distraction when he first arrived at school after carpooling with Kie. It followed him in the quieter moments, only making appearances when he wasn't distracted with more pressing matters. It began as that and built the closer the day came to ending. The sooner his inevitable visit back to his childhood home came, the more he lost himself in his fear, reverting back to a state of helplessness he now occupies with no small amount of shame.
His bottom lip trembles with the urge to cry.
"Can we stop somewhere on the way home first?"
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The last place she expected him to drive the Twinkie is here.
As they made their way down each street, taking each turn necessary to bring them closer to the house he seldom let her go to over the course of their lifelong friendship, she felt her heart begin to race. And now, as the van rolls to a stop in the yard in front of his house, she has swallow back the lump in her throat at the sight of it.
She has only been here a few times.
The first time, she was seven years old.
It was a sweltering summer morning in the Outer Banks for her and John B as they set off to retrieve their friend after he missed their plans to meet up at the Chateau for a day of having fun, riding bikes, and playing on the boat. Pirates and Princesses was her favorite game to play with them because JJ would switch roles with her halfway through when she grew tired of being the damsel John B had to rescue from the most cruel and vicious Captain Jesse James Maybank.
The HMS Pogue would rock beneath his feet as he marched across the deck of the boat and took her place as the kidnapped Princess Routledge. He handed off his "sword" to her, a stick he found in the yard, and stood at the edge of the boat with his hands behind his back as though he were a tied up damsel in distress for her to hold captive. The sun setting behind them laid a picturesque backdrop that made the scene all the more vivid to their imaginative young minds.
The boat floated in the afternoon current as John B approached the pair with his best pretend face of worry for the fair Princess Maybank, who had the sharp sword of the pirate queen pressing into his throat with the threat of death should he have tried to escape.
Sometimes, she'd let John B advance on them and tie make believe rope around her wrists and ankles while he and Princess Maybank claimed their victory. Other times, they'd get backed up until the heels of her sneakers hung off the edge of the slippery deck. One move from her brother would have her yell something along the lines of not taking either of them alive, then she'd let her and JJ fall back into the marsh together with gleeful laughs infiltrating the humid air upon their return to the surface.
On the day he didn't show up, none of that happened. She and John B rode their bikes together along sidewalks until they pulled into a driveway marked with the address number he remembered from the other time he sought him out to play before.
Y/N didn't understand what they were hearing when they pushed their kickstands down and called out for their friend, but John B's little face blanched at the sound flooding out of the opened windows of the dilapidated yellow house. It was a combination of banging against the walls, glass shattering, and childlike shouts of frustration and pain. Her big brother placed himself in front of her protectively when the front door opened and smacked against the side of the house, but it wasn't his dad storming out of the house, it was JJ.
His eyes widened at the sight of the siblings standing there, and his heart dropped to his stomach at the realization that they heard it. Maybe not all of it, but based on how the girl peeking out around John B's shoulder looked at him, they heard some.
The van is parked in the exact same place their bikes once were, the exact place she and John B stood years ago when they were first confronted with the harsh reality about their best friend's home life, and he looks like he has fully backpedaled into the state of mind his childhood self inhabited. Even when he turns the key in the ignition and lets the rumbling engine sputter down in silence, he sits in the driver's seat with his lip drawn between his teeth in thought.
Yet as soon as she summons the courage to say something, he takes a deep breath and opens the door without a warning or the typical instruction for her to stay in the car. He doesn't tell her to follow him in, nor does he order her to stay out as he used to when his dad still lived inside. He gives her the choice to make on her own, and, when faced with the opportunity to support him or stay outside like the confused little girl she once was, she chooses the first option.
Her swift steps kick dirt up from the earth onto her ankles as she follows him out of the van to the front steps of the house. She tries not to make her concern for him as evident as it'd be without her intervention on her way up the porch, but it's impossible to erase every sign of it from her face.
It isn't a particularly special or scary house. It's a normal home that'd likely look more inviting if JJ were still living here to mow the lawn and tend to the household upkeep his father saddled him with since he was old enough to be put to work. But she knows better than to trust the street appeal. As he takes her hand to lead them through the threshold of the haunted structure, she is overcome with a sense of creeping trepidation that she can't shake.
"You're sure he isn't here?" she asks.
The entryway is crowded with stacks of mail his father wasn’t bothered to open, as well as empty cardboard boxes that once held cans of beer that are scattered, empty, in various places around the house. Her question is answered by the state of the rooms they breeze past in the direction of his bedroom, but she needed something to say to fill the silence. With them, they usually don’t feel uncomfortable not speaking to each other, but this feels different.
The way he stares out in front of him with his hand squeezing hers hard enough to cut off circulation unnerves her more than the tainted energy of the house itself. He isn't himself. He's a shell of the JJ they know and love, the JJ who is most comfortable tucked away in the safe walls of the Chateau with their friends, not here. If anything, how he is while he's here is the antithesis of his behavior while living with her.
Ever since John B died, he's practically moved in with her. When they're hidden away in her house without the reminders of his home life in sight, he's usually the caretaker of the relationship. It comes naturally to their dynamic, both with him being slightly older and his promise to take care of her, but everything is flipped here. It's an alternate reality for him, or, perhaps, actual reality smacking him in the face after a carefully constructed two months in utopia with her.
They come to a stop in front of his closed bedroom door.
"He's gone," he says, not even sparing a glance at her for reasons she can't decipher, "He texted me a few days ago to say goodbye."
With that, he turns the doorknob and lets the door swing open to reveal the bedroom she only saw one other time.
The second time, she was thirteen years old.
It was a Friday.
Since his dad was supposed to be at work, they stopped at his house on their way home from school exactly like they did today so he could share with their friends what he got from his cousin the night before. Being the good girl she was, she didn't even know what he was showing her when he dug it out of the backpack in the bottom of his closet.
Her brows furrowed at the ziploc bag, more specifically the contents inside of it. She was knelt down on the floor in front of the opened closet door with her shoulder pressed up against his to inspect it. The dried green cluster of a plant didn't look like anything she'd seen before, and she couldn't help but ask him what the hell it was rather than react the way he knew the others would.
"What is it? It looks like dried up moss."
JJ laughed and pulled another bag with rolling papers and a grinder stowed inside.
"It's weed. My cousin Ricky gave me a discount since—"
He halted mid-sentence abruptly enough to startle her, his head turning in the direction of where he heard a trunk pulling up to the front of the house. Her stare was still set on where he was holding the plastic bags in his hands, and she noticed, after he stopped speaking in reaction to his dad coming home, that his hands began trembling. It was so minimal, she almost didn't catch it until she saw the bag wavering under the light coming in from his window.
Before she could open her mouth to say anything more, she felt his hands on her shoulders shoving her into the closet. He followed in closely behind her and crawled in until they were both crammed into the confined space together. With the closet doors shut in front of them, he clamped a hand over her mouth, whispering in her ear for her to be quiet.
She stands with her arms crossed over herself in the center of his room, and though nothing has yet to be said or done to convince her anything is wrong, that's the exact reason why she feels so unnerved by the entire experience of coming here.
He's silent.
The closet doors are wide open as he stuffs the rest of the clothes he had yet to bring to the Chateau into the biggest bag he could find. He rips through his belongings in a fit of melancholy driven anger. His thoughts are swirling with similar memories to the ones she conjures from being here again, but his are tinged with a darkness hers don't have, even with hearing him crying in pain as a child and hiding in the closet with his hand smothering her mouth to evade his dad.
JJ visibly grimaces at the memories he's forced to relive in flashes with every glimpse he gets of the room he spent so much time hiding in. It used to be more tolerable to be here, or at least easier to suffer through. At least he was used to it before, but he got so accustomed to life somewhere else that the second he was confronted with coming back, he started to fall apart.
Whatever he can't live without, he finds space for it in the bag and prepares to leave the rest behind. But every object he touches and step he takes around the room brings him back to the person who he spent his adolescence simultaneously fleeing and wanting more from. More notably, it brings him back to the train of thought that has been nagging him ever since he texted him over the weekend.
The third and final time she came here was over the summer.
It happened right before Hurricane Agatha waged war on the island, when none of the Pogues heard from JJ for two days after he said he had to go home to help his dad with something. She didn't want to track him down to his house after they went over twenty-four hours without a single message. She didn't want to have to go back to the house that gave her chills to think about, let alone go to again after they hid in his closet when they were younger, but he gave her no other choice.
What was she supposed to do except go check on him where he last said he'd be? After all, if she lived in the hazardous environment he did, he'd do the exact same for her. If their friends were involved in her thoughts at the time, they would've gone out on a limb to say he would've gone beyond what she did to protect her if the situation were flipped. If he knew someone was hurting her, he would've come in swinging first and asked questions later, but, in her defense, he strictly told her to never come back to his house. By walking over in the first place, she was breaking one of the fundamental rules of their friendship.
Nevertheless, she found herself crouching around the side of his house to find his bedroom window and check if he was in there. Kie and Pope weren't aware of what was happening with his dad yet, but she and John B accidentally found out years ago, so she wasn't wondering why he wasn't answering them, she was wondering if he was alive.
Part of her truly thought underneath it all that Luke might've killed him. He might've been too drunk or high and went too far when beating him, too far to the point where he didn't want to risk going to jail to take him to the hospital for help. She couldn't live with herself if she didn't check, and if he got pissed at her for showing up against his wishes and didn't want to speak to her ever again, she could live with that.
She knocked on his window in a cadenced beat loud enough for it to heard through the room but not any further. After the first series of knocks, no one came to the window. It ripped her heart to pieces to wonder if she'd see him again as she continued to knock and allowed the sound to increase in volume in hopes that maybe he was asleep, but it didn't bring anyone to the window.
It wasn't until she turned back around to go to the front of the house again that she bumped right into the solid wall of his chest and was pushed back up against the house. The question of what she was doing there was on the tip of his tongue, but she said something that stopped him from asking it.
Her arms were thrown around his shoulders in a desperate bear hug.
"Oh God, JJ, you scared me half to death!" she cried into the front of his shirt, "I thought he killed you!"
He can't help but think of it as he packs his belongings away for a final time to bid his hellish childhood home goodbye: What kind of life are they going to have together if they can't get off this island? Running away may have been an idealistic drunken fantasy for him to entertain after his conversation with Pope got him to admit his true feelings for her, but they both know his consistency can't be trusted.
One moment, he's planning to tell her. The next, a day like today comes along, sweeps his legs out from beneath his body, and he's questioning whether it's worth it to force her to put up with his fickle commitment to her. It isn't fair to her, is it?
Right now is just about when he'd normally start to hyperventilate with an oncoming wave of panic, and he does, but he can't let it fully sweep into him with her here. He fights the urge to smack his head with the heel of his palm, as if that'd forcibly remove the poisonous thoughts infiltrating his mind and ruining the careful work they've done together to remedy their issues with communicating their feelings.
Just like you ruin everything, a thought whispers in the corner of his mind. What made you think this would be any different?
His actions around the room have turned somewhat aimless and distracted, which she notices as soon as he starts to disintegrate into a mess of heavy breaths and self-sabotaging thoughts. She picks up on the shift in his energy as soon as the anxiety starts to wash over him, and she'll be damned if she continues to stand here quietly to let it happen.
It's one thing if he's being silent because being here upsets him, or if he simply doesn't know what to say, but she refuses to let him tailspin into a mental breakdown without doing something to stop it. Whether he knows it or not, after what they went through with him trying to push her away last week, she knows what's occurring within his mind right now.
He flinches at the feeling of her hand grabbing his shoulder to turn him to face her at first, and when she reaches again with her other hand to try to hold his hand as he cries, he shrugs off her touch.
"JJ..." she lets the solemn sound of her own voice murmuring his name trail off, "it's just me."
His head shakes at her consoling words. Everything else inside of his mind is so earth-shatteringly loud, he can't drown it out with logic or reason to bring himself away from the memories of his dad. Those intrusive thoughts keep attacking him with doubled, then tripled force the harder he tries to resist them, and he's so exhausted from it. All of it—the memories, his dad going to jail, and his inability to accept her love to its fullest extent without convincing himself she'll abandon him—is exhausting.
This time, when she rests her hand on his shoulder, he swats it away as the frustration of today crushing him with the force of an avalanche. Not to hurt or scare her, but to get her hands off of him before he bursts out of his skin with the sickness it stirs in his stomach. So detached from himself, he anticipates pain from every touch she gives him, and he knows it hurts her.
JJ hardly recognizes his own voice as he backs away from her a step and says, "Don't."
He can tell it hurts her based on how she looks at him immediately after, but he can't handle being touched right now. How did this happen so quickly? It was overwhelming when they first parked outside, but as soon as he stepped foot inside, it was as if a switch was flipped inside of him and all of the buried feelings he kept hidden over the past two weeks exploded into this.
"I'm sorry, I didn't mean to—"
"You need to leave. I just-I can't breathe and"—He still refuses to look up from the ground or see her face as he paces around the room with no real intent in mind—"You can't see me like this."
That is what breaks her out of her soft spoken, timid attitude to handle the situation the way it needs to be handled. Their natural dynamic worked best for him to take charge when she had her panic attack because JJ acts first and thinks later. He saw that she was in distress and jumped in to help her before things got worse rather than allowing her to keep him at an arms length where he couldn't do anything about it.
Taking a page from his rule book, she takes action.
The room surrounding them is in a state of disarray from him searching through it for the items of clothing and objects now stashed in his duffel bag. There are multiple obstacles in her way as she steps between them like navigating a minefield to reach him after he backed away in instinctual fear, but they don't stop her from reaching him. Nothing could.
Y/N walks right up to him and reaches to grasp his face between her hands, forcing him to stop pacing around and actually look at her for the first time since they arrived her so he hears what she says. To say the least, the way he looks right now is enough to make her cry. There are tears welled up to the brims of his blue eyes, his lips are downturned with his sobs, and he's staring at her like she's about to strike him.
She says it as slowly and clearly as she needs to get it through his head, "He's not here," and before he manages to squeeze out another word of doubt between his rapid inhalations, she cuts in, "Take deep breaths."
He isn't listening to her.
The movement of his chest that hits hers from how close they stand to each other has yet to settle into the familiar pace she remembers from nights of falling asleep with the rhythm of his breaths beneath her head.
Her eyes search his face frantically, from left to right and top to bottom, for any sign of the person she's known for years, but she doesn't see him. Instead, she sees the same panicked child her and John B saw the first time they visited this house. It's uncanny how similar the expression in his face is. It feels to her as if she's been hurled back in time to the moment itself, and when she tries to think about what would've worked with him back then, she doesn't know what else to do except help him escape.
So, with the helplessness of having to watch him turn into a sobbing, incoherent mess, she decides to step into the darkness with him and do what seven year old Y/N would've done. Just like their games of make believe, of pirates and princesses, she assumes the role John B would have and rescues him from what holds him captive. It’s his own mind in this case, but, in the physical sense, it's the house.
She drops her hands from his face and takes his hand in hers to drag him out of the room. The packed bag sits on the floor in their wake as she pulls him back through the bedroom door and into the living room, not caring about what they came here to do.
It doesn't matter anymore.
The various rooms of his dad's house pass by them in a blur as she leads him down the hallway to the front door with one sole objective in mind: get him out of here. If he wants his stuff to bring back to the Chateau, she'll go back inside and get whatever he needs her to, but she isn't letting him inside of this house again. Not under her watch.
Thankfully, since he is undeniably stronger than her and she wouldn't have stood a chance, he doesn't fight it. He stumbles after her guiding hand the same way he always has, just like how he followed her back to the Chateau after she and John B saw him that day when they were kids. She led the way as he sat on the handlebars of her brother's bike, and he watched her hair flutter in the wind with the momentum of their bicycle spokes until the tears dried up.
He watches her drag him out of the home until they've reached the safety of the yard at the bottom of the porch steps, and as soon as the soles of her shoes meet the dirt, she feels his hand slipping out of hers.
"JJ?"
She turns around to see him clutching his chest, rubbing his hand along the front of his shirt over his heart as though it'll loosen up the tightened muscles preventing him from catching his breath. His body weight is leaned onto the railing of the porch steps for support. He's partially slumped on it, looking at her desperately, like she somehow knows the answer to every question screamed inside of his head, and she has never felt as useless.
"You're gonna leave," JJ says through the gasps and cries that leave his cheeks stained with tears.
When she reaches out again to help him remain upright without leaning over the railing, he doesn't shove her hands away as he did inside of his bedroom. It's a small battle won, but she takes it as a win nonetheless.
"What are you saying? I'm right here, I'm not going anywhere—"
"You're gonna leave! Everybody does! My mom, John B, my dad, and you"—his head falls to look at the ground instead of her, and she watches him work through it in his head—"I mean, look at me. You don't want this."
"Don't tell me what I want," she says.
Her voice remains as steady and calm as she can force it to be amidst the turbulent situation, but the way he said it...It takes her right back to sitting in the back of the Twinkie with him at the Cherry Bowl, except it's ten times worse. That felt like a break up, but based on what he's saying, this is one. She hasn't prepared herself for the heartache she feels in response to it.
"You don't want me, you just think you do 'cause I was there after John B died, but you don't. You're gonna go off, find some perfect guy that isn't as fucked up as me, and have a great life somewhere else, but it ain't here," JJ says, his breathing evening out with the distraction of the argument to keep him tethered tor reality, "And it won't be with me."
He can see it every time he's looked at her and debated saying those three titular words that have been floating around in his head since he first met her.
How could she want someone who can't walk into his childhood bedroom without breaking down, or someone who still has years-old scars from cigarette burns on his skin when she touches him? Her bright future contrasted with his pre-designated fate on the Cut, her personality better matched with someone more similar to her, her life continuing on whether he's there or not—it's his worst nightmare, but he's prepared to see it through.
What he doesn't expect is for her to hold her ground.
"You honestly think I'm buying into that bullshit?" she asks.
"What?"
She doesn't put it softly, she states facts with as much harshness as his cruel fantasy had, "You're trying to push me away and I won't let you."
Her typically sweet, soft features have hardened into a bitter expression he's sure he mirrors. The arms holding his waist to keep him upright move to climb up his chest and cup his face between her hands with all of the gentleness her face and voice don't have right now.
She sees right through him.
When he tries to look away again, to avert his eyes to make what he's trying to do easier on himself by not having to look at her when he does it, her grasp on his face holds firm. Her hands guide his chin back up so they're face to face, and he realizes what a mistake everyone makes in assuming her this dainty, broken girl whose only source of strength came from the brother she lost. She's a forest fire.
"You're not hearing what I'm saying—"
Y/N interjects, "I am hearing what you're saying, I'm just saying it's bullshit."
She refuses to let him off the hook, and though it frustrates him on the surface, deep down, it makes him fall in love with her all over again. Her insistence against his speech about her leaving him proves him wrong more than anything else could, 'cause he gave her the perfect chance to dip and she shot it down instantly.
The house looms behind them as a menacing presence that threatens to take control of him again, but she doesn't let it. She keeps his eyes on her no matter how many times he tries to look away and doesn't let anything get in the way of what she says next.
"You think that if you push me away and get me to leave you right now, it'll hurt less than it would if I did it later, and I don't accept that. I won't take the bait and let you torture yourself anymore, okay? I can't speak for anyone else, but I know I'll never leave you. Not willingly, anyway."
She looks into his eyes, and this time its softer, more loving, and he's never felt as understood as he does when she continues to speak.
"I'm in love with you. Whether it scares you or not, it's the truth, and I'll never stop saying it. If you think that your issues with your dad are gonna change that for me, you've officially lost your mind." Their noses brush as she leans in to ghost a kiss over his mouth and pulls away a second later to whisper, her forehead pressed to his, "I love you, JJ. Stop being so stubborn and just let me."
His next breath in trembles as he lets her words sink in, and he's stuck at a crossroads inside of himself without a clue of what to do.
The breeze blows her hair away from her face, the afternoon sunshine painting her golden, and when he sees her hair flutter in the air like it did so many years ago, he can't help but feel as calm as he did during their bike ride home. The further away he got from his dad and the house where it all happened, the calmer he grew, and it hits him at this moment that he's so taken aback by her confession to him, he forgot why he was so upset.
It's sobering. The intoxication of his panic hurtled him back in time to the frightened, childlike state of mind his dad's violent abuse often sent him to, but it was hearing her say those words he's feared for weeks that brought him back. Like the jolt of a defibrillator, he's roused back to life with more clarity than before.
She loves him, but, perhaps more importantly, she said she'd never leave him, and that is what he needed to hear more than anything. That is the statement worth more to him than the four letter word he has agonized over endlessly. No one else every attached the promise of "I love you" with the stipulation of it lasting forever. They said the empty words and contradicted it with their actions, but she hasn't done that. Her actions spoke the words long before her mouth did.
He sighs.
It's a deep, yearning sigh that sends him melting into her with the acceptance of what he's denied for too long. He savors the hands cradling his head, as well as the body pressed up against his that he has memorized down to every beauty mark and imperfection, and makes the right choice.
It isn't like it was the night at the Cherry Bowl, or the night he spoke to Pope about it. It still takes more bravery than he possesses to form the words, but there isn't a physical incapability stopping him anymore. It's just him against the trauma beckoning him into its trap again, and he won't let it lure him back into that house.
"Alright," JJ says to her through a sniffle in acceptance to her command, as if he were agreeing on afternoon surfing plans rather than something as monumental as allowing someone to love him, then continues onto with a timid tone, "I love you too."
Before he can watch for her reaction, she's surging forward through the few inches of space left between them to connect their lips in a kiss.
It's vastly different to the kiss they shared in the hallway at school last Friday. In contrast to that one, the reigning emotion within him that drives the kiss after the hesitant beginning doesn't lead them into increased intensity, it gets gentler. It doesn't explode into chaos and passion, it's a tired kiss that he never wants to retreat from. It's the physical manifestation of his feelings for her underneath the guarded exterior he uses to protect himself: gentle and yielding, yet undeniably powerful.
He feels her smiling through her tears against his mouth. In the face of everything that happened this afternoon, he doesn't feel like he should be smiling back at her, but he does. He smiles while kissing her with tears streaming down his face, still reeling from his traumatic response to coming home for the final time, and wonders how a person can feel such contradicting emotions all at once.
Y/N is the one who starts to pull away first, though it's only to check in on him. If she had it her way, she could stay here with him until the sun sets, but he did just come back from the brink of a full-blown panic attack, so she can't in good conscience ignore his well-being for the momentary bliss of their love confessions.
Her thumb brushes over his bottom lip, her smile drooping with worry as she asks, "Wanna spend the rest of the day on the boat? You always say being on the water makes you feel better. Maybe it'll make it easier to talk about it."
His Adam's apple bobs with how he swallows the lump in his throat.
"Can we maybe take baby steps for now? I don't think I can handle telling you all that shit yet."
It was already enough to allow her to follow him into the house, watch him break down into a fit of panic no one else has seen him in, and tell her he loved her, but it'd cross the line into uncharted territory to talk about everything between him and his dad so openly. Between the minor annoyance of dealing with Kacey to this hellish visit home, he thinks he's reached his quota on feeling uncomfortable today.
She nods in agreement.
"Baby steps."
Drawn back to each other by a force stronger than gravity, they collide again, but it isn't a kiss this time. It's a hug charged with all of the previously unspoken emotions they've buried inside of themselves for years, the same hug she gave him the last time she came to this house with the fear of his potential death lingering in her thoughts.
She throws herself at him with the same desperation she did that day and relishes the feeling of his muscular arms returning the embrace until their bodies are tangled together. She'd usually never refer to something as inherently affectionate as an embrace as violent, but it's the closest she can come to capturing how it feels as their bodies meet. It makes her lose her footing on the bottom step they stand on together, teetering on the edge she'd surely slip off of with the force if not for him keeping her steady.
He's about to say something, a thank you to her for calling him out on his bullshit and not letting him go that easily, when the grating sound of her ringtone blares from the back pocket of her denim shorts.
The contact popping up on the screen along with a series of frantic messages when she pulls away from him to answer shows Pope's name.
Pope You and JJ need to get back to the Chateau ASAP!!
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The van doors slam shut behind Y/N and JJ as soon as it rolls to a stop in front of the Chateau.
Under the assumption that something dire happened, as in injury or death or catastrophic damage to the house itself, they bolted off of that porch faster than they knew they could move. She only turned back when she remembered the packed back of JJ's things they abandoned on his bedroom floor and, not wanting him to reenter the house, she brought it back to the Twinkie in record time.
They're preparing to trample up the porch into the house like a stampede of animals when they hear Kie calling them over to the backyard and change direction.
"No one's hurt!" she shouts, knowing that was likely where their minds went after everything they went through during the summer, "You have to see this though, I don't know who did it!"
Sticks and fallen leaves crunch beneath her feet on her way around the side of the house. Her mind races with the possibility of what could've happened that didn't hurt their friends but necessitated a series of texts and calls as frantic as the ones she received at JJ's house. She drove over here in defiance of the speed limit, something she rarely does, and prayed nothing terrible was happening.
It gave her flashbacks to when she found out John B and Sarah died in the storm. The pedal beneath her foot brought the van to an uncomfortably swift speed, then she remembered the sound of Shoupe's voice when he gave them the news. JJ warned her to slow down, then she remembered how it took multiple people to help her restrain him from attacking the new sheriff for letting his men drive their friends into their deaths.
At first, she doesn't realize what's wrong.
Kiara and Pope are standing and waiting for them across the grass near the large tree that sits as a centerpiece to their yard. Based on the body language screaming their frustration and the tears in their eyes, she can tell something bad did happen, but it's not clear what it is until she looks past them to the tree. More specifically, until she looks at what's on the tree.
"Oh my god," she whispers to herself.
Her hand is already up to cover her mouth and conceal the instantaneous frown besmirching her previously relaxed face. They both are stopped in their tracks halfway to where their friends are standing, and she can’t hear JJ's reaction over the rising volume of her hysterical thoughts.
Spray painted in red on top of their memorial for John B are the words "COP KILLER" in bold letters that conceal what they burned into the tree trunk for his gravestone. It sticks out from the beauty of the greens, browns, blues, and swathes of other earthy tones composing the scenery around the Chateau like a thorn amongst flowers, so much so that she wonders how she didn't instantly see it when they rounded the corner to come back here.
Yet that isn't the only thing amiss in the peaceful sanctuary they call home, there are random things strewn around the ground around the tree. An old t-shirt spray painted with the word "murderer" on the front, four ripped up envelopes, and a gorgeous mahogany jewelry box...broken on the grass.
The freshly turned dirt they had the contents of the box buried beneath is scattered around the trashed area as well. It clicks with her a few seconds late that whoever came here to do this must have seen the pinwheel she put in the ground to mark the "grave" and dug it up to add insult to injury.
She moves forward without consciously realizing it and stumbles until she reaches the first object of the debris field. Before this, she was doing a masterful job of holding in her cries, but as soon as she crouches down to pick up the pieces of the jewelry box, the lid snapped clean off the hinges to separate it from the bottom section, it comes rushing out of her against her will. The first unrestrained keen is the first thing to snap JJ out of his shell shocked trance.
He walks after her as fast as his legs will take him without breaking into a run, but she isn't letting him get close before she puts the box back down and shuffles forward to collect the torn letter remains. She doesn't want them to get blown away by the wind anymore than they already might have been, so she scrambles to gather the pieces until they're cupped in her hands to protect them.
"Why?" she asks and looks up at Kie and Pope with tears dripping down her face, "Why would anyone do this? Who would do this?"
Pope says, "My guess is as good as yours. We didn't see anyone leaving when we got here, so it must've happened before school ended. This is all we saw before we called you guys."
For a second or two, JJ is grasping at straws for why this happened and who did it like the rest of them are, but then something Pope said makes it click into place. It sets off a domino effect in his mind as he brings back the memory of a certain offspring of satan being absent from gym this afternoon despite being at school earlier, since his encounter with her before Physics made him, unfortunately, aware of her existence again.
His face is set in anger, jaw clenching with the tension of him grinding his teeth together, and he takes his hat off to fidget with it between his hands for a second. Their friends are too focused on her crying to see him contemplating it, but as soon as he speaks, they look up to see him setting his hat back onto his head in preparation to leave and track Kacey down.
Y/N's head snaps up from the torn letters in her hands to the sight of him storming off across the yard with his only goodbye being the words, "I'm gonna kill that bitch."
Her and Pope stare after him in shock, unable to put the pieces together about who that "bitch" is, but Kie doesn't miss a single beat. While Y/N is crumpled over on the ground in tears, she's rushing after JJ before he can approach the bike parked in front of the house. He doesn't even make it five steps before he feels her hands latching onto his wrist to stop him.
She asks, "Who the hell are you talking about? And why would they do this?"
His eyes narrow at her. His unreleased frustration for the situation in general and having to watch Y/N cry after an emotional afternoon together comes rushing out when he snaps at her.
"Kacey. She talked shit at school and I put her in her place. Now, if you don't mind, I'm gonna pay her a little visit."
He yanks his arm sharply towards himself to free it from her grip, but she's a step ahead of him. Quicker than he can think to stop her, Kie swipes the keys hanging out of his back pocket away and throws them to Pope, who, bless his heart, can't catch to save his life. The key ring jingles with its contact at the dead center of his chest, and she mouths an apology to him before turning back to face JJ.
"What the fuck, Kie?"
He makes to stomp past her and retrieve the keys from Pope only to be stopped by her hands reaching out to grab his shoulders.
"Listen to me, you can't go anywhere. Look at her," she whispers lowly enough to keep Y/N from hearing, pointing behind her to where she sits on the ground with Pope knelt beside her, "I wouldn't put it past Kacey to pull a stunt like this. I'm just as mad as you, but revenge can wait and you know it. She needs you."
The fury visible in his expression is subdued by looking past Kie's shoulder to see Y/N crying softly to Pope about the vandalized memorial.
The last time he saw her so distraught over something, it was the day they made the memorial and buried the box in the first place. She sits on her knees with her mom's broken jewelry box between them, shuddering with the sobs she has no control over, and pours the torn paper into the empty bottom half of the box. Exhausted to the core, she looks more like a sullen, kicked puppy than she does herself.
It makes his anger-fueled instincts that urge him to hunt Kacey down and do something, anything he can to make her feel the pain they do right now bubble down into sorrow. It's visible in his eyes when he looks at her.
Kie knows she's gotten under his skin when he sighs, sparing a parting glance to the bike in the driveway, and nods once at her before setting off back to where they're sitting in the grass.
Meanwhile, Y/N is stuck staring down at the disarray of her backyard with nothing but pain aching through her to the bone.
Her brother did wrong things sometimes as a consequence of being human, but never this, never something worthy of having his name dragged through the mud and being branded a murderer after his death. He stole scuba gear from Ward and broke dozens of laws in their hunt for the gold, but he never crossed that line into moral bankruptcy. Rafe did, and it kills JJ to see someone like Kacey do this to his best friend while hanging off of Rafe and his friends like a leech.
The fabric of his worn t-shirt is tarnished by the dried paint clinging to the front of it to the spell the lie written there, and her vision blurs with tears for what feels like the millionth time in the span of an hour. First, it was JJ. Now, it's John B, and she can't help but wonder if the heartache will ever end. It began to feel better over the course of the week, her grief for him slowly beginning to slip from her mind until now. Until the storm clouds converged again to batter her with another wave of it.
Through the deafening volume of her mind racing with thoughts and feelings to process what's happened, she hears Pope shuffling around to stand on his feet. Then, another person sits down in his place and scoots closer until their bodies are touching, and she knows it's him. She doesn't have to wait to hear his voice or look to see his face, she can tell based on the feeling of his touch and the smell of him she's so intimately familiar with, yet couldn't describe it aloud if she tried.
He doesn't smother her. He sits close enough to touch her and doesn't push it any further.
The background of the pale, cloudless sky frames him in the foreground like the subject of a painting—a living, breathing painting that she could study endlessly. The other trees planted in the yard's leaves flutter distantly behind him and try to draw her gaze away, but she keeps her eyes on him.
Maybe that's how it is, she thinks.
Maybe it'll get better and worse in a dance that'll only stop when they're no longer here to agonize over it. Maybe this is what moving on from John B will always be like. It'll feel like they've made strides in the right direction, then something will come along to shatter it to sharp pieces that'll reopen their stitched up wounds. If that's the case, at least the four of them have each other to lean on when it gets worse again.
JJ sits with her and lets her crawl onto his lap, resting her head on his shoulder, until the sun sinks below the horizon.
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The gentle bobbing of the HMS Pogue at the surface of the water steadies her amidst her eddying thoughts. It keeps her present to the moment the way the ropes tying the boat to the dock keeps it from floating adrift into the marsh. It's a motion engrained in her from the start of her life until now from countless days spent on the water. Whether it be for fishing, swimming, or playing make believe with her boys all those years ago, it's as much a part of her as her personality or body itself.
JJ was right about one thing: being out on the water makes it easier to think.
He hasn't followed her out since she woke up before sunrise and snuck out of bed to come here. Despite her efforts not to wake him, he woke up when she disentangled her body from his, silently cursing the fact that they always cuddle so closely, and he tried to pull her back to him with a whine of displeasure in his groggy, half-asleep state. Sleep finally found them after hours of staying up together to talk about what Kacey did, unable to relax from the chaos of yesterday, so he wasn't prepared to wake up that soon.
"Go back to sleep, angel," she whispered as she hovered over him, brushing a chaste kiss to his lips that he was too tired to return.
That was the last time she saw him since this morning, and now that the sun has risen to its peak in the sky without her moving an inch from her perch atop the bow of the boat, she's begun to wonder if he's awake yet. It isn't uncommon for them to sleep in for half of the day when there isn't school or work, so it isn't surprising to her that he's just now waking up when she hears the back door to the Chateau opening and closing.
Unbeknownst to her, JJ has been awake the entire morning since she left bed.
They were so attached to each other yesterday night, he didn't have the time to put it together without her seeing and ruining the surprise, but once he heard the door to the porch close to signify her leaving, he kicked the blankets off of himself and got to work. He wasn't originally planning on starting so early, since they stayed up late into the night together, but once he woke up to the feeling of her sneaking out of his arms, he was too awake to fall back asleep.
The sound of his footsteps on the dock warns her of his approach, but she doesn't raise her head from where she rests it in her palms to stare out at the water.
"I was wondering when you'd finally wake up," she says.
There's another few steps, then the boat jostles with his weight stepping onto it.
He doesn't say anything to her in response. The only clue she gets as to what he's doing are the footsteps on the deck that lead closer to her until she feels him sitting down on the bow next to where she is. And she's about to open her mouth to ask if he's okay when he sets something down in front of her.
It's a shoe box.
Y/N turns to see him, eyes flickering over his tired face, and looks back at the box with furrowed brows.
"What is this?"
His hair is messy, exactly how it was when she left him in bed this morning, and if she weren't more focused on the mysterious box he plopped down in front of her, she'd be combing through it with her fingers. He's gotten used to those casual displays of affection from her; how she runs her hands through his hair on mornings before school when he forgets to brush it, or when she fixes a button on his flannel that he missed.
JJ's lips are tipped in a smile, and she can't help but blush with how he looks at her. She never used to see it, but he has always looked at her like this. Like he's hopelessly, utterly in love with her. Even before they lost John B, back when he'd expend all of his romantic and sexual attention on girls he hardly knew, he still looked at her this way.
He gestures at it and says, "Open it."
The lid of the box is coated in a freshly dried layer of blue paint to match the shade of the sky overhead. She knows instantly that he must have dug through the arts and crafts box she specifically labeled with a warning for him and John B to stay out. It's painted with aimlessly sloppy brushstrokes and stickers placed at every corner of the cardboard box, all of which she recognizes from the stash she kept under her bed alongside the India ink he borrowed last Friday.
As she gives him a skeptical look and reaches to lift the lid off of the shoe box, she makes a mental note to rewrite the label on the arts and crafts box without the warning for him to keep out. Since John B isn't here to steal anything from it and JJ never follows that rule anyway, it's redundant at this point.
Any skepticism is washed away from her face as soon as she flips the lid open to reveal what's inside. It leaves her speechless as she looks down at it all.
"JJ..." she murmurs in awe.
Sitting at the bottom of it is a folded up t-shirt she saw JJ wear multiple times, but never again since John B died. He refused to glance at the shirt his best friend gave him the year before they never saw him again, let alone dig it out of the corner of her closet where he keeps his things...until now.
But that's a scratch on the surface of all of the things about his gift that stuns her to silence. The next thing to catch her immediate attention is a picture she hasn't seen in years.
It's one that Big John took of the three of them together right where she and JJ are sitting. She was much younger in it, flashing a toothy grin with her arms thrown over both boys' shoulders. To her left, John B was leaning his head on her shoulder. To her right, JJ was wearing an eyepatch they crafted out of an old black shirt he stole from his dad. It was cut with the kitchen scissors and tied around the back of his head in a knot.
She brushes her thumb over John B's face, then sets the crinkled photograph back down atop the folded shirt and moves her attention to the last surprise.
Letters.
Torn up pieces of paper painstakingly taped back together sit one on top of the other, some missing pieces here or there, and it makes her mouth part in shock. Her hands shuffle the letters apart to see each one and recognize the handwriting: Kie's bubbly, swirling letters, Pope's neat cursive, hers, and JJ's chicken scratch writing that she's able to decipher from years of proofreading his essays.
She pictures him at her desk all morning while she was sitting out here, ripping tape off of the roll and arranging the puzzle pieces of the ripped letters until he was sure he got it right. It made him want to rip the hair from his scalp, but he sat there and pushed through the frustration to make it as perfect as he could for her. The missing pieces were primarily from Kie's letter, which fluttered away on a balmy breeze when Kacey tore it up and threw it to the ground, but the one he wanted her to have the most wasn't missing more than a single piece.
Y/N looks up from the letters held like a precious treasure in her hands to see him watching her with that same classic JJ smile on his face, but he doesn't let her get a word in yet.
"Go on," he says, leaning closer to pull his letter to John B out and place it on top of the pile for her to read, "I want you to read it."
"You didn't let me read it when I asked before though, are you sure you—"
He interrupts her before she can worry herself over it, "Dude, just read it. I promise I'm fine with it. I want you to."
The letters crinkle under her touch as she looks back down and smooths them out on the deck enough to read through the clear tape. With one last confirming glance to him for permission, she takes a deep breath and reads the first line.
Dear John B,
You really know how to keep a guy on his toes, don't you? You really outdid yourself on this one. I was so sure we were gonna make it, but I guess you had to go all Romeo and Juliet on us, huh? As long as you and Sarah are happy macking on each other in heaven, it's okay.
In all seriousness, I fucking miss you, bro. I miss you more than I realized a person could miss another person. Whenever I need to talk to you again, I don't know what to do. I guess that's why it's good that Y/N made me write this.
Also, I'm really sorry for—
"What does it say there? There's a whole chunk missing," she murmurs.
He scoots close enough to her that she can feel his body warmth radiating onto her through the shoulder of his flannel. Sunlight reflects on the silver rings decorating his fingers as he holds one side of the paper to tilt it enough for him to squint at.
"Macking, I think. It's supposed to say "I'm sorry for macking on your sister."
—macking on your sister. You can totally kick my ass for it, but before you come back from the grave to murder me, let me defend myself, okay? She isn't just another girl for me, John B.
I think you knew it before I did.
Last summer, you asked me straight up if we were hooking up behind your back after I kissed her in front of you on the porch. I laughed in your face, but you were right.
You saw everything before me, man. You knew I loved her since we were kids and waited for us to come to you about it, so that's gotta mean something, right? I hope it means you wouldn't be mad at me for this.
I swear I won't fuck it up with her, but you already know that. That's why you asked me to take care of her,. I didn't know why at the time but I do now. I won't let you down.
I'm keeping my promise.
- JJ
P.S. Don't miss me too much. We'll be shotgunning beers together up there before you know it.
There are tears blooming in her eyes when she lifts her gaze from the tattered paper to look at him again, but they aren't sad. For once, the tears slipping down her cheeks are happy tears, not born from grief, sadness, and pain, but bittersweet happiness.
They're caught staring at each other for a second before he asks her shyly, "It isn't too sappy or anything, is it? 'Cause I thought it—"
"C'mere," is the only thing she can get out before she's tugging him forward by the front of his shirt to kiss him.
JJ stumbles a little with the unexpected force of her pulling him to her, but he takes it in stride. He steadies himself and lets his hands shoot out to grapple for purchase on her waist, keeping her pressed up against him tightly as he kisses her back.
And it doesn't get much better than this, does it? This is it for him. He meant what he wrote to John B, he won't fuck it up with her, especially not because of his trauma with his dad getting inside his head and sabotaging his relationship with her. This is what makes everything worth it.
It brings happy tears to his eyes too.
She can taste the salt of them where their lips meet in the middle. It makes her smile, wrapping her arms around his neck and clenching the letters he mended for her in her fist to keep them from blowing away in the wind, and they both start to laugh into each other's mouths at the poignant feeling they both share but can't quite place.
They pull away from each other to catch their breath after another moment of it, and she can't help but stare. How could she not when she feels like this? It’s less like he’s her boyfriend and more like a piece of her soul has attached itself to his with no hope of letting go in the near future.
"You're the best thing that ever happened to me," she whispers to him.
Plain and simple. No room for disagreement or a bashful rejection of the compliment. She's pulled back from him enough to hold his gaze and make sure he sees her seriousness, and there isn't anything he can do to refute her statement.
He brushes his nose against hers affectionately, dipping down to kiss her again, but when he leans back to see her face, he can't help himself.
"Ditto."
The rest of the day after their moment on the boat, locked away in their own little world where none of the monsters chasing them could sneak through and ruin it, melts away peacefully. After another half hour spent looking through the box together, of her thanking him over and over again, he hops off of the HMS Pogue onto the dock and extends his hand to her in the most gentlemanly manner possible.
His lips are curved into a smirk as he kneels down on one knee as though she's a revered royal and bows his head in subservience, "Princess Routledge."
Her hand fits in his warm, calloused palm as a perfect match, and she steps off of the boat onto the dock beside him with an expression to match his.
"Captain Maybank," she says in her most regal royalty voice.
Her stellar performance breaks into a laugh they share as he stands and throws his arm around over her shoulder to walk back to the yard. The cardboard box is tucked beneath one of her arms while the other slips around his side to hold him back, and her heart feels full with both the presence of JJ and John B alongside her.
They bury it together.
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Tag List: @gabiatthedisco, @fangirlvoice, @black-syren, @apparrio, @particularcth, @planetdemon, @idk-ijustworkhere, and @krisphann
Also, now that it’s over, let me know what your favorite part was in the comments or tags if you’d like to :) I’m curious.
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disgruntledspacedad · 3 years
Text
in defense of Din’s subdued reaction to losing the kid...
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gif by @quantam-widow
I know we were all thinking it. We got a 2 second reaction shot to the destruction of the Razor Crest (may she forever rest in peace), but then, Grogu gets taken, and... nothing?
What the fuck, Din? we all protest. That’s your baby on that ship! Don’t you care? Scream, curse, kick a rock, cry, make a fist, something!!
I will acknowledge that so far, the show has been excellent with giving us emotional payoff, am I right? I mean, just today we got Din laughing, twice. Twice in a row. I honestly never thought we’d see that. There have been so many excellent, precious soft!Din moments this season, and they all feel deliciously earned.
So, from a meta POV, I guess I’m saying that I have faith in the writers to get it right, and in Pedro to deliver. Duh.
In universe, though, I think it’s fair to point out the obvious - that Din is a pretty reserved guy. He’s much more of a thinker than a feeler. He’s used to keeping things bottled up, and I would even argue that his life often depends on his ability to dissociate from his emotions. Din’s entire journey so far has been about how one little baby yodito shakes his worldview to its very foundations. He’s getting there, but it’s a slow process. 
And also, consider this - we haven’t seen Din alone yet, not since Grogu was taken. For a guy who lives a guarded life literally encased in fucking armor, any display of emotion is going to be carefully protected until he’s in private.
But anyway, Din is detached, rational, a little emotionally constipated, and definitely comfortable in a stressful situation. A true ISTP if you ask me (yeah, I know you didn’t, but whatever). Often, it seems that these cool headed, logical types who have never ruffled a feather over anything in their lives are the least adept at handling genuine fear. In other words, when panic does strike, it strikes them hard. 
And guys, Din was definitely panicking during this episode. 
He’s clearly unsettled from the jump - that outburst of “dank farrik!” in the cockpit sells it, and his distress only becomes more obvious from there. Talking out loud, trying to convince himself that the best thing for Grogu is for him to be trained as a Jedi. Reminding himself of the creed. His overt caution as they approach the seeing stone. His impatience, “Are you seeing anything??”
Then there’s the effects of long term stress. Sure, a bounty hunter in the outer rim doesn’t exactly live an easy life, but Din is definitely used to the drama being on his terms. Compare Din’s body language in the opening scene of season one to when Boba confronts him in chapter fourteen. You can just feel the anxiety, the weariness, the frustration. Din has been on the run for months now, constantly looking over his shoulder, sleeping with one eye open. Notice how he even startles at Fennec’s voice? Season one Din would never have given that much away, regardless of the situation. Long term stress has clearly taken a toll on him.
So we have unsettled, stressed out Din in an emotionally charged situation. He’s exhausted, he’s scared, he’s desperate. This scenario is a recipe for even the most level-headed of adrenaline junkies to loose their cool, and that’s exactly what happens to Din. He panics, and he makes some pretty big fuckups because of it. Leaving Grogu unprotected, twice. Trying three different times to break through that “force field,” even when he knew he couldn’t. Dropping that jetpack and then just forgetting about it (I know we were all screaming about that one, or at least, I was).
So, fear is a positive feedback loop. Those neurotransmitters that do us good in a bad situation - raising heart rate, narrowing focus, shunting blood to the muscles - can also be detrimental if we get too high of a dose - tachypnea and tachycardia, inability to think critically and see the big picture, lack of blood and oxygen to the brain. Epinephrine, in particular, even inhibits the laying down of new memory pathways. In other words, stress leads to poor performance, and poor performance leads to more stress, which leads to... you get the idea.
Then, in the middle of all this chaos, they fucking blast the Razor Crest.
More epinephrine, more cortisol, more stress. 
By the end of it all, Din is a fucking shitstorm of stress hormones and pent up emotions. Notice how he seems to be on autopilot in the immediate aftermath, robotically scanning the ashes of the Crest for anything that might be left intact. Notice how empty his voice is when he says, “the child is gone.” This is a dead man walking. Din has nothing left. His whole life has just gone up in smoke, and he can do nothing about it. 
Guys, Din is holding onto his sanity by a fucking thread in this scene. “The child is gone,” he says, like he’s reminding himself, grounding himself in his shitty reality. He’s stunned. 
And helpless. There’s literally nothing he can do for Grogu. He has no ship, no credits, no resources, nothing to bargain with, nothing to offer. Din literally cannot allow himself the luxury of feelings right now. He’s just got to focus on surviving this very shitty day.
Then, Boba Fett upholds his end of the deal, and suddenly, Din has something to hold onto. An ally, a badass friend, some hope. I don’t think Boba shows Din that chain code in order to verify his claim on the armor - he’s already wearing it, for godssake. I think Boba shows him the code in order to catch Din’s attention - hey friend, I know you’re hurting, but I’m a man of my word. When I make a vow, I keep it. Let’s regroup and go find your kid.
And Din would totally latch onto that. A fighting chance? Din fucking leaps at it. There’s a job to do. A kid to save. All of those stress hormones are going to keep on stewing, because Din has never really come down from his adrenaline high. 
It’s like this in real life, too. There isn’t time to be afraid. There isn’t time to be sad, or second-guess, or say, oh how terrible, or wonder what if it doesn’t work? There’s just you and the job, and if you are the only thing standing between life and death, you will put everything else aside and do what you have to do, for as long as you have to do it.
And that’s where Din is at this moment. He’s running on the fumes of his adrenaline, all tempered focus, all strategy and no bullshit.
Emotional shock, my therapist buddy calls it. Apparently, it’s normal. Expected, even.
But guys, the fallout of this kind of crazy ass adrenaline high is insanely intense. I’m talking collapse to the floor, legs won't hold you, trembling, crying so hard you sling snot, shuddering breaths, stare dead-eyed and spent at the ceiling because you’re just too wiped out to even sleep kind of intense. 
And then, after the breakdown comes the angst. The detailed thinking. The oh god, what if this had happened, or, should I have done that instead? It seems like every emotion that gets put on the back burner in the moment comes back to bite you with twofold intensity when all is said and done. 
In other words, Din is definitely going to feels some things .A lot of very intense things. A reckoning is coming, my dudes. Trust me. It’s just not quite here yet.
That being said, here’s what I can expect from Din going forward:
Just like he’s is slow to acknowledge his growing parental feelings for Grogu, I think Din’s going to be slow at processing his grief at Grogu’s loss. In the next episode, he’s got plenty to distract him - getting together his hit team to take back the kid and coordinating an attack on the empire. 
However, I do think we’ll get a slow moment with Din, probably sometime at the beginning of next week’s episode if the pattern holds. I doubt it’s the full-blown breakdown that we’re all needing, but I’m willing to bet money that we’ll see Din grappling with the fact that his kid is gone. I also think that badass beskar murder machine Din from chapter three will resurface. Stress and desperation make us do irrational things, and anger is one of the stages of grief that Din will inevitably have to work through (I think he’s flickering between denial and bargaining for now).
But then, after Din gets Grogu back? I think that’s we’ll have our big, dearly earned emotional payoff. 
For one thing, Din won’t be able to deny his feelings anymore. He wants to keep this kid, it’s so very obvious. Losing him just forces it all to the forefront. 
And then the relief/joy/regret/guilt that Din is going to feel once he’s got Grogu back? Not to mention the physical exhaustion? All of the fear/terror/angst/grief that he ignored in favor of just going pedal to the metal, guns blazing, get the kid or die trying? That shit’s going to crash into him with all the subtly of a fucking tsunami. I guarantee you, we’re going to get some sort of confession, or adoption vow, or face revel, or other sort of profound softness from Dad!Din in the falling action of this season (At least, I hope we get it at the end this season but I wouldn’t put it past them to kick it into the premier of season three, just for pacing reasons, but then again, I obviously have trust issues).
Personally, I would love to see Din grappling with the long-term fallout of losing Grogu - night terrors, guilt, paranoia, etc. That’s probably the stuff of fanfiction - mandalorians don't have nightmares on screen, surely - but still, some lingering effects Grogu’s kidnapping would be realistic, and I would absolutely live for it.
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supertransural · 3 years
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My Bloody Valentine, what the hell
Okay. I know I'm probably not writing a hot take with this one, but I just needed to get all my tangled up thoughts out in the form of coherent strings of words ("coherent" is debatable as you'll probably find out if you read this entire thing).
So here I was, watching a random commentary video, and this scene from 5x14 My Bloody Valentine was included in it:
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Now that. That's a bi flag. We know how much care set designers put into the details of the scenes we see. This is an episode centered around love. The cupid here talks about "Love", as in, the broad term. The "all-encompassing" term, if you will. He also says he "loves love", which I personally interpret as "in all its shapes and forms", and I don't believe that interpretation of what the cupid is saying is that far-fetched, after all, he kind of is Love (with a capital L). So what does that scene mean?
Let's find out.
First of all, I just feel like I should mention that I think pansexuality would be a better way to "represent" that sort of sentiment around what Love is, but if I'm not mistaken, the pansexual flag was created after this episode aired, and even if the word "pansexual" has existed for a pretty long time in various studies and areas (usually in psychology, if I understand correctly?), and has been used in LGBTQ+ spaces for a while too, it's still not as "commonly known" in the day-to-day life of cishet people, at least not in the same way that being bi is.
That being said, here's one more little nugget before I do a quick analysis of the scene. The idea of being bi is probably the closest thing that any not-very-informed-but-supportive-ish cishet person could think of if they wanted to relate the concept of "love for the sheer sake of love, having love for anyone, love of the masses" to actual characters and how they're able to love their peers (or more accurately, which peers). It's not so surprising to me that this would be the flag chosen by set designers when trying to pass on the message of "this interaction is about love as a general concept, this cupid is love, this cupid loves everyone, and will bless any couple, and yeah in that scene two out of the three characters (other than the cupid himself) stand in front of that light, no reason haha". It makes sense.
Now, onto the actual substance of this.
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First of all, because it's funny, Dean why are you literally staring at this cupid's dick, honestly, what the fuck, Sam is averting his eyes (good call), Cas looks like he's only interested in analyzing the cupid's face (more on that later) and nothing else, why are you staring downwards why why why and why (hello, jacting choices). Second of all, because it's funny too, why do you look slightly flustered, in an oh-god-this-is-not-a-drill-shit-oh-god-fuck-embarrassed way? I mean Sam looks like he's been to hell and back, but not flustered.
It's also specifically interesting to see both Cas and Dean being the ones standing together in front of that light. It happens just a little while before, right here:
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They're. Staring at a cupid, whose job it is to bless couples, who's Love incarnate, he hugged these two idiots first before getting to Sam, which means something and I'm not exactly sure what but, if you still have braincells (unlike me) please tell me what you conclude of those facts compiled together.
In this particular scene, I don't think the flag is actually a pointer to specific characters being bi, I think it's more of a broad "yeah these guys love a little different" kind of thing. For example, we see Cas in front of that light a lot.
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This is season 5, he's barely starting to understand what emotions are, but he's already faithful to Dean and his cause, he's beginning to get what liking things, what caring means. He doesn't figure it all out until way later (in my personal opinion, that is. And I mean... 15x18 anyone?) no, at that point he's driven by things like want, need, yeah, I'll say it, lust, or simple candid curiosity. But that ties into the idea that right now, in that episode, Cas' understanding of "Love" is very broad. He doesn't understand details yet, the only detail he knows is Dean vs the World, and all he gets about that is "the world matters to Dean, there's probably a reason for that, if I follow him around enough I'll probably discover it, and I trust him enough to lead me there". He's still an angel, fairly through and through. He's curious, though.
Refer back to that previous gif, Cas is watching with acute interest what that cupid is doing. Prior to this scene, he's known the "mission" that cupids uphold for thousands of years, but I doubt he's ever really looked at it with the help of the lens of actual humans (read: Dean). He's interested, this cupid's job is to create love, and that seems to be something inherently tied to what makes his charge... himself. That much he knows. Again, probably not in detail, probably not that precisely, but he's got a sense that this cupid represents something he doesn't know and hasn't felt before, yet something Dean and Sam are accustomed to, and driven by. So yeah, he's curious.
Now here's the thing. We see Dean standing in front of that light, both alone, with the cupid, and with Cas. On several occasions.
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(something something something bi flag in the background something something something character centered around love something something something the word "dick" something something something what the fuck CW)
We see the cupid standing in front of the light (scroll back up), and we see Cas in front of the light, with the cupid, alone, and with Dean. What about Sam?
...Yeah, no. I replayed that scene several times and I didn't find one instance where we see Sam even remotely lighted by that flag. And when I say remotely, I mean like this:
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The light being somewhat noticeable in the background. Even when we see Sam after he moves a bit, like so:
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The light is nowhere to be seen. That's after the cupid's left too, so it makes sense the flag wouldn't be relevant anymore: the entity that it represents isn't there to give it meaning anymore. I mean, during that entire scene Sam's a bit (gross understatement, I know) of a background character, but that's simply because he's not the main focus of what the cupid and the flag mean.
Dean though. Dean's a focus alright. No one can ever convince me otherwise, he's bi. That's just a fact at this point. But that's not all the flag and the cupid mean when relating to him here. He's beginning to form a type of bond with Cas, albeit small. He's starting to open up a door that he's never really noticed before: the one that lets people other than blood relatives (or close runner-ups like Bobby) in. And he's facing that head on, like how he's facing the cupid. Both he and Cas do that actually, in their own way. They're looking straight into the eyes of the unknown (Cas literally looks into the eyes of the cupid): for Cas it's this strange foreign thing called emotion, and for Dean it's letting a known emotion be directed at someone new. They're the ones that talk to the cupid, not Sam, because they have things to be curious or apprehensive about, in the context of love (or different love).
They stand in the highlight of that flag, because they're the ones discovering new things (hello, 10x16 speech, yes I'm relating a random scene with a funny light to a speech 5 seasons later, leave me be, I'm insane) and not Sam, who's for one: human, so he already knows what love is, and two: way more in touch with his feelings than his brother. Basically, the concept of Love being something strange, unknown, new, different, scary, worth punching it in the face for, deserving of focused study, take your pick, doesn't really apply to him.
How could I relate this to destiel you ask? Very easily, I say. This, theydies and gentlethems, is a representation of the first step both Cas and Dean take towards each other. A toe in the waters of a frightening and captivating new thing. And again, they face it in a really direct manner.
That is... Right up until the cupid mentions John and Mary. That's when it goes downhill and we understand that whatever Dean and Cas have going on is about to take years of work and a million steps still need to be taken.
Exhibit a:
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Look at Cas' face, when the cupid mentions the Big Plan. He starts by studying the cupid (again, curiosity), then looks at Dean, then Dean briefly looks back (perhaps back at Cas but that's debatable), and that's when Cas looks down, embarrassed. I read that as: "Ah yes, as interesting of a concept this cupid is, as fascinating as these two humans' perspective on his mission is, it's still dictated by Heaven, and they're not going to like that. I'm still dictated by Heaven (as I should (???)) and... He's not going to like that. (???)".
Annnnd then Dean punches the cupid in the face, which... Good point, Cas, he indeed doesn't "like that".
So what are those steps highlighted by the ending of that scene? Well, Cas is an angel. Dean is clueless about so many things. He doesn't have faith. Cas isn't exactly free. It's just always about the plan and the mission, whatever comes up in their tumultuous adventures together, it always brings them right back to the core of why there's still such a long way to go: who they are.
All in all, that scene is just. Imagery there, imagery here, reference after reference, big red arrows (yes, I'm using "arrows" in the context of a cupid episode, I fully intend this sentence to have a double meaning) pointing at Dean and at Cas and at them both together. It's not necessarily a direct reference at either of them being bi, although for obvious reasons that's not exactly off the table either, it's sort of a piece of foreshadowing for what's to come, both in that season itself, and the rest of their relationship (here I use "relationship" as a term meaning something like "friendship-that-evolves-into-something-more-later-on").
In short, I'd like to conclude (you can use that as a TL;DR) by quoting my brain when I first saw that flag and connected a couple dots:
"lol bi".
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