#american music awards 2019

[leslie057]

Misty Copeland and Craig Hall’s pas de deux to “Lover” at the 2019 AMAs

[world-of-celebs]

2019 American Music Awards at the Microsoft Theater in Los Angeles.

[cmonbartender]

Kesha at the 2019 AMAs

[doyoulikethissong-poll]

Smash Mouth - All Star 1999

"All Star" is a song by the American rockband Smash Mouth, released as the first single from their second studio album, Astro Lounge (1999). It was one of the last tracks to be written for Astro Lounge, after the band's record label Interscope requested more songs that could be released as singles. In writing it, guitarist Greg Camp drew musical influence from contemporary music by artists like Sugar Ray and Third Eye Blind, and sought out to create an "anthem" for outcasts. In contrast to the more ska punk style of Smash Mouth's debut album Fush Yu Mang (1997), the song features a more radio-friendly style.

It received generally positive reviews from music critics, who praised its musical progression from Fush Yu Mang as well as its catchy tone. It was nominated for the Best Pop Performance by a Duo or Group with Vocals at the 42nd Annual Grammy Awards. Subsequent reviews from critics have regarded "All Star" favourably, with some ranking it as one of the best songs of 1999. The song charted around the world, ranking in the top 10 of the charts in Australia, Canada, and on the US Billboard Hot 100, while topping the Billboard Adult Top 40 and Mainstream Top 40 charts.

The song's accompanying music video features characters from the 1999 superhero film Mystery Men, which itself prominently featured "All Star". The song became ubiquitous in popular culture following multiple appearances in films, most notably in DreamWorks Animation's 2001 film Shrek. It received renewed popularity in the 2010s as an internet meme and has ranked as one of the most-streamed rock songs from 2017 to 2021 in the US. In June 2019, the music video was remastered in high definition and received subtitles in commemoration of its 20th anniversary. By that point, it had received over 219 million views on Youtube. In 2020, The New York Times listed the song as #1 in their top ten climate change songs.

"All Star" received a total of 90,9% yes votes!

[stylestream]

Ciara | Alessandra Rich dress | American Music Awards | 2019

[workbtch]

TAYLOR SWIFT American Music Awards (2019)

[allamericansbitch]

We were both young when I first saw you I close my eyes and the flashback starts, I'm standin' there...  TAYLOR SWIFT: ARTIST OF THE DECADE - American Music Awards 2019

[d-criss-news]

See an exclusive first look at Darren Criss’ return to Broadway in Maybe Happy Ending

The "Glee" actor stars as a Helperbot named Oliver, opposite Helen J. Shen making their Broadway debut as Claire.

There’s nothing new about an awkward meet-cute turning into a love story… But what if that love story is between two robots?

That’s the question posed by Maybe Happy Ending, a new musical coming to Broadway this fall, starring Emmy-winning Glee and The Assassination of Gianni Versace: American Crime Story actor Darren Criss. The show also marks the Broadway debut of Helen J. Shen (The Lonely Few) and Dez Duron (The Voice). Featuring a book by Will Aronson and Hue Park, with music by Aronson and lyrics by Park, Maybe Happy Ending is helmed by Tony Award winner Michael Arden (Parade, Once on This Island), with scenic design by Dane Laffrey (A Christmas Carol).

Ahead of its debut, Entertainment Weekly has your exclusive first listen to the show, with a music video of Criss and Chen’s emotional duet, "When You’re in Love.”

Darren Criss and Helen J. Shen in "Maybe Happy Ending". MAYBE HAPPY ENDING THE MUSICAL/YOUTUBE

The musical — a big hit in its native South Korea, winning six 2016 Korean Musical Awards and the Richard Rodgers Production Award for the English-language version — made its American debut at Atlanta’s Alliance theater in 2019. Now the show is coming to the Great White Way with Criss and Shen as Oliver and Claire, two outcast HelperBots whose initial awkward encounter evolves into an unexpected relationship.

“There's a real pathos that kind of snuck up on me with these two,” Criss told EW of the HelperBot romance. “You think, 'Oh, cute, like androids falling in love, that sounds sweet.' But there's a lot more to that when you start to examine what it is to not only love something or someone, but the inexorable, unavoidable back end of love, which is loss.” Oliver is living the simple life of an outdated HelperBot when the story begins, tending to plants and listening to jazz in his one-bedroom apartment on the outskirts of Seoul. Then Claire comes by to borrow a charger, and changes everything. The video finds the HelperBots united by emotion, yet far apart as they process the swirling feelings of being in love for the first time. “When you’re in love, you’re never satisfied,” they lament. “The thing you want is always out of reach.”

By the end, they’re piecing together both the joys and painful realities of their newfound feelings. They sing, “Now I’m hoping that you feel all the things I feel / Wishing that you want me to sit beside you /Wanting now to learn all the things you are / Waiting for a chance to invite you in my heart.” If the prospect of seeing two bots find love isn’t enticing enough, Criss jokes that empathizing with the characters will at least give audiences a leg up in the AI apocalypse. “If there's any incentive to come see the show — other than a wonderful theatrical experience with a lot of beautiful universal themes and all that great stuff and fantastic music, and hopefully good performances — if not that, it's at least to soften the punishment and wrath of the AI takeover,” he laughed. Maybe Happy Ending begins previews at the Belasco Theatre on Wednesday, September 18. Tickets will go on sale to the general public beginning on Thursday, June 6 at 10AM.

Watch the "When You're In Love" music video above and read more of Criss' thoughts on the HelperBot romance below.

ENTERTAINMENT WEEKLY: Can you start by telling me a little bit about Oliver and what's at the core of this character for you? Well, I'll tell you what, this is the first time I'm ever really doing any kind of talking about a show that I haven't had much familiarity with yet. And I'm not saying that to avoid talking about it so much as to highlight the unique nature of my involvement in this show because, at least if we're talking about the theater, specifically Broadway Theater, every show that I've ever done came with something of a legacy and was a show that I would have been very familiar with, and I think audiences at large, for the most part would've had a history with it.

How to Succeed in Business Without Really Trying was my Broadway debut, massively popular, classic Broadway show, people knew it. Second one was, Hedwig and the Angry Inch, I grew up as a teenager loving that show. And then the revival of American Buffalo, that's now a standard contemporary American classic and studied that in drama school and yada yada yada. So when talking about the show, I had a really good handle because the show had lived with me for most of my life. [Maybe Happy Ending] is a brand new show, which is wildly exciting. But I have yet to figure out that answer. I can tell you what his core is on paper, which is that Oliver is a Helperbot, something like a hundred years in the future where our technology helpers — in the way that we have our Alexas, and our Siris, and our digital systems, and our smart assistants — have evolved into more humanoid representations. He is a Model 3 in the world of Model 5's and is very much outdated, and kind of running the last of his powered up life in the world that we're watching him and coming to grips with the things that left him behind.

We got a little taste of it in the music video, but what do you think it is about the Oliver and Claire relationship that people will respond to? Or what did you respond to? There's nothing like being able to look at ourselves by looking through the eyes of things that aren't us. I find the most I'm ever moved about the human experience comes from animated films where you have non-human characters trying to figure out human emotions. It's a really great way for audiences to subconsciously look at their own experience objectively. It's funny that it takes inhuman characters to examine humanity in a way that feels somehow accessible. If you see yourself up there, it maybe hits too close to home. But you might think about it a little differently if you're suddenly looking at things through the objective lens of a true outsider — be it a cartoon fox or a mermaid wanting to be human.

So having said that, this is a story about two HelperBots, two robots “falling in love." Of course, they're not human, so they can't physically, literally intimately actually fall in love, but they have to sort of figure out what that means by way of how they've experienced human beings themselves, by cues they've gotten from their own owners and from the world around them. And when you start examining things like love, things like loss through the eyes of non-humanoid things that are trying to computationally analyze and synthesize those things, you sort of start to look at them in a different way. There are many things about the show — the premise was very interesting, and I think the design is exquisite, it's a wonderful theatrical experience. Getting to work with a longtime friend, Michael Arden is such a joy, and there's so many things about that that make this appealing to me. And of course the music is fun, and it's cute, and funny, and charming. But there's a real pathos that kind of snuck up on me with these two. You think, 'Oh, cute, like androids falling in love, that sounds sweet.' But there's a lot more to that when you start to examine what it is to not only love something or someone, but the inexorable, unavoidable back end of love, which is loss. And how do we deal with that? How and why do human beings willingly enter this contract if we know that on the other side of it, there is something that will hurt and that can hurt because love does come with loss, whether it's loss of self, loss of wholeness.

And this show really shows a really beautiful balance of these beings trying to suss out thousands of years of human meditation — of all the hundred thousand songs and poems and stories that have tried to help us understand this balance of love and loss, and the highs and the lows of it are pretty profound. er. In “When You’re In Love” there's the sentiment that being in love is the loneliest you can be. Is that something that you immediately connected with, or was that surprising?

I think that song's very interesting because it's them putting the pieces together. Many lines in the song that talk about how being loved does just constantly leave you with a sense of longing. Which I think goes back into the main thesis, which is love in many ways is loss. They kind of coexist in this yin-yang. It's just one's much more fun and more accessible to talk about, but they kind of come hand in hand. Again, the systematic exploration of all of the ones and zeros of what love is — it's a lot of ones, but it is also a lot of zeros, and one of those things is being lonely and the feeling of not being whole without a certain thing. Which I think is a really good connector to what this show talks about, which is the function of the things in our life that we lose. It is funny that we are getting closer and closer to the realities of what this show presents and suggests. The idea that Siri could be a person in a hundred years isn't absurd, it's not a crazy idea. Even talking about things like robots or artificial intelligence, it's an immediate thing that is part of the cultural fabric and a continual discussion about how and where and why it's going to be part of our life.

But even without talking about those sort of more sci-fi leaning things, technology is in many ways, like people in our life. I mean, people treat their phones like babies. We have attachments to our phones and the way that we need them in our lives and the way we care for them and the reliance we have on them. And the idea of shelf life and things being outdated, we're pretty comfortable with. It's more comprehensible with tech and objects. But it's funny that we have this cognitive dissonance between that and the idea of things being outdated and out of its prime is harder to grasp and a harder pill to swallow with people, and it's a harder journey to go on with people. But what happens when our objects become closer in likeness and experience to people? How are we going to wrap our brains around that and how will they wrap their brains or their programming around that? And how will they feel? Will they feel at all? How will they feel about their impermanence as it relates to ours and vice versa? So there's a lot of really, really nice questions being asked in this show.

Are you finding that it's changing your relationship to Siri and Alexa and your technology? As of now, absolutely not. Well, maybe in the future. Maybe. I'll bite my tongue… In a few years, who knows? She's listening. I'll be nice to you Siri, I promise. As long as you're nice to me when you decide to take over the planet. Well, after you've played a Helperbot, you've got an in. Hopefully that'll soften the AI takeover, they'll let us loose. If there's any incentive to come see the show — other than a wonderful theatrical experience with a lot of beautiful universal themes and all that great stuff and fantastic music, and hopefully good performances — if not that, it's at least to soften the punishment and wrath of the AI takeover. This interview has been edited and condensed for clarity.

[katnisspeetaprim]

I'll Sort It out

Word Count: 1323 M.list

Warnings: Getting hate, crying, swear word. (P.S This is a bit of a mess and the ending isn't great!)

You and Jungkook had been together since early 2019 after meeting at the BBMA’s. It was both your first times at an American awards show, so you naturally felt a little out of place. Since you spoke a little Korean (having since improved greatly) you took a chance and introduced yourself to the group.

You and Jungkook stayed in contact after finding you had a natural connection and finally began dating in 2019, after a lot of pushing from each of your friend groups.

Whilst BTS only got bigger as the days went by, your audience mainly stayed the same. Not that you minded. You enjoyed playing smaller and more intimate venues. It allowed you to be closer to the fans and interact with them more easily, plus you could do meet and greats without all the pressure of disappointing people who couldn’t get in.

Jungkook always made it his mission to go to as many of your shows as possible, and cheer you on from the side or somewhere in the back of the crowd.

Ultimately, that’s how the two of you got found out. Him being spotted at one too many of your shows when he had no other reason to be in the city.

Neither of you had wanted to stay secret anymore, so with the go ahead from BigHit, you made the relationship public.

It felt good to be able to make posts with and about your boyfriend on social media after having to hide it for so long, you felt proud and wanted to show him off because you loved him... But then the hate started. On every picture you posted, even ones that had nothing to do with Jungkook, there would be hate. Even on posts promoting your albums, they would be accusing you of using him to stay relevant, since you needed all the help you could get, according to them anyway.

God forbid Jungkook dared to talk about you or your music on one of his live streams... That would only add more fuel to the fire. He would be blissfully unaware of the hate geared towards you, th chat moving too fast for him to notice.

But you knew.

They’d recently gone from just nasty comments on your posts, to messaging you actual death threats.

When that first happened, you stopped posting pictures with Jungkook and made private all the ones already up on your page. Jungkook was confused as to why you suddenly did that but he didn’t bring it up after all, he had stopped using Instagram so maybe you were going to do the same thing?

Recently, Jungkook had been in talks to collaborate with other artists from America in preparation for the release of his first solo album, and when he bought up the idea of the two of you also doing a song together, it caused you to hit your breaking point.

‘What do you mean, no?’ He’d cornered you in his dance studio during a break. All the backing dancers had gone out so it was just the two of you left in the room.

‘It means no, Kook. It’s not a good idea.’ He stared at you like he suddenly couldn’t understand Korean, and he couldn’t stop the hurt flashing across his face. It hurt your heart to turn him down like that, but you had no other choice.

‘You can’t just say no without giving me a reason!’ he started to argue, now getting more angry than upset.

‘We can talk later.’ You mumbled, gathering your things to leave, hoping to escape this conversation until later.

‘No! You can’t just leave like that- hey!’ As soon as he reached out to grab your arm to stop you, you span round and unleashed your emotions onto him for the first time since this all started.

‘You don’t know what it’s like!’ You practically screamed in his face. Your cheeks had become red with rage and fat tears stained your face. Jungkook flinched at your sudden emotional state and went quiet, his anger drifting away into confusion as you continued.

‘-To constantly have people telling me I’m not good enough, and I’m just using you to stay relevant! It’s going to be ten times worse if we do a song together! Don’t you see!?’ You span round and cried into your hands, embarrassed that he was seeing you like this.

‘Baby... I-I had no idea...’ How could he not have known something was wrong. He felt so stupid that he’d apparently been blind to this whole situation. Just then, a thought struck him.

‘Is this why you made all those pictures of us private a while ago?’ You nodded without turning round and sniffled. You heard him curse under his breath and suddenly his arms were round you, cradling you from behind.

‘Why didn’t you say something sooner?’ He spoke against the skin of your neck.

‘I didn’t want to put you in that position.’ You shook your head and tried to calm your sobs.

‘Hey, don’t talk like that.’ He circled round to stand in front of you, gently sliding his hands up your neck to cup your face.

‘You will always be my top priority, ok?’ You nodded sadly and subconsciously reached up to grasp onto his forearms, more to comfort yourself than anything.

‘please don’t cry. I’ll sort it all out.’ He wiped your tears with the pads of his thumbs and pulled you into a hug, flush against his chest.

‘We’re also definitely doing that song together, by the way.’ You pulled back sharply, almost in disbelief.

‘Have you not been listening to anything I said!?’

‘And I told you I’d sort it! Please... Just trust me on this.’ He pleaded, almost begging you to trust him with his eyes. You sighed deeply and rubbed at your sore eyes.

‘Ok... I trust you.’

What Jungkook meant by sort it, was to basically threaten legal action to everyone who sent you death threats or tried to defame you, in the form of a very stern letter released through BigHit.

Hello, this is BigHit.

Please find below a statement directly from Jungkook.

Hello.

First of all I want to say that this letter isn’t targeted towards the fans who have shown nothing but support for me and Y/N. Please know we both appreciate you all and are grateful for everything you do for us.

This letter is in direct response to the people who think it’s appropriate to send Y/N death threats and try to defame her, by claiming she’s using me for fame. Unbeknownst to me, this has been going on for a long time, which has caused Y/N  a great deal of mental stress.

Death threats aren’t something we take lightly.

Np, Y/N isn’t using me for fame.

No, we aren’t breaking up.

Yes we are going to continue making public appearances together, and YES, we will be taking legal action.

We already have a large number of names and accounts which have been handed over to our lawyers. If the threats and accusations don’t stop immediately, then we have no problem taking whatever legal action is necessary.

In future, please understand that we don’t have to share out lives with you. We share what we are comfortable with being public, but when you act like this? It only makes us want to close off completely.

I hope my words have made you realise that actions and words can have consequences.

-JJK.

The statement Jungkook released caused a real storm online. Most real ARMY immediately rallied around you to create a support network and the threats mainly stopped. You guessed that most of them were probably just teenagers, scared of being caught out.

The song you and Jungkook released together was a massive hit too. It was basically a big fuck you to all the haters and you couldn’t wait to perform it live.

[pandorasword]

Chaeri as the 8th and youngest member of BTS

CHAERI'S MASTERLIST

CHAERI'S LOVE LIFE IN A TIMELINE

Love interests - 2015 to present

A summary of dating, rejections and any romantic interaction between Chaeri and others

The night market - april 2013

In which Chaeri and Jungkook sneak out of the dorms during the trainee period

Chaeri and Jungkook as babysitters - march 2017

In which a little girl is asked to keep Chaeri and Jungkook's biggest secret

Isn't it wrong so good? - April 2017

In which Chaeri and Jungkook need some time alone

A love letter - summer 2017

In which Chaeri and Jungkook have a sneaky little date

Red gardenias - october 2018

In which a bouquet of flowers can be worth more than a thousand words

Chaeri's Bodyguard Betrayal - early 2019

In which we learn why Chaeri's bodyguard betrayed her

Silver lips 1/2 | Silver lips 2/2 - november 22, 2021, American Music Awards

In which Chaeri has an incredible urge to be the first to kiss her ex-boyfriend, Jungkook, who has just had his lip pierced

2 a.m. decisions - december 2021

In which a kiss leads Chaeri to a forced hiatus and, when she returns to Korea for New Year's Eve, Jungkook decides to visit her

A look through Chaeri and Hoongjoong's relationship - 2022 to present

Chaeri and Hongjoong first times - january/february 2022 to june 2022

Hongjoong and Chaeri caught in intimate moments - june 2022

In which Chaeri and Hongjoong end up on the front pages of local gossip papers

Fire mouth - june 2022

In which Hongjoong finds himself addicted to something he dislikes, only because he tastes it from Chaeri's lips (+ a video about them parenting Ateez)

The Price of Love in the Public Eye - july 2022

In which Hongjoong experiences being in a public relationship as a kpop idol

How Hongjoong and Chaeri's relationship broke all the logics of the KPOP industry - second half of 2022

In which Hongjoong and Chaeri break all the logic of KPOP by being overly public with their relationship

When night comes - July/August 2022

In which Chaeri stays overnight at Hongjoong's for the first time

If by Chance - august 2022

Snippets of Jungkook's perspective on the relationship between Hongjoong and Chaeri

Checkered Flag for Love - september/october, 2022

In which Chaeri takes Hongjoong to a GP

Trip Vlog - Stockholm - october 2022

In which Chaeri and Hongjoong go to Stockholm for a vacation

Jungkook's 03.03.2023 live - live moments recalling January/February 2023

In which fans, during the live, notice obvious references of Chaeri and Jungkook during January and February 2023

Jungkook's 14.03.2023 live - live moments recalling January/February 2023

In which Jk's live on 14.03.23 is nothing more than a summary of his time with Chaeri at the beginning of the year

Eden's wedding - late january, 2023

In which Hongjoong cannot help but notice the way Jungkook looks at Chaeri

Calvin Klein 1/3 | Calvin Klein 2/3 | Calvin Klein 3/3 - march 2023

In which posing for Calvin Klein turns out to be a more challenging job than she'd ever thought it would be

Seoul Love On tour 1/2 | Seoul Love On Tour 2/2 (Two Ghosts) - march 20, 2023

In which Harry Styles' post-concert doesn't go as planned for Chaeri, as Jungkook has something to tell her

Calvin Klein Event - may 10, 2023

In which fans receive informations about Chaeri and Jungkook's argument

A Break-up? Speculation and theories - june, 2023

In which medias speculate about a possible breakup between Chaeri and Hongjoong

K-talk: More speculations about a possible Break-up - july 2023

In which a podcast talks about a possible breakup between Chaeri and Hongjoong

Seven - july, 2023

In which Chaeri is the guest star in Jungkook's new MV

You came - december 11, 2023

The night before Jungkook's enlistment

[blackhistoryalbum]

Princess Diahann | Vintage Black Glamour & Grace

Diahann Carroll (born Carol Diann Johnson; July 17, 1935 – October 4, 2019) was an American actress, singer, model, and activist. She rose to prominence in some of the earliest major studio films to feature black casts, including Carmen Jones (1954) and Porgy and Bess (1959). In 1962, Carroll won a Tony Award for Best Actress in a Musical, a first for an African-American woman, for her role in the Broadway musical No Strings. In 1974 she starred in Claudine alongside James Earl Jones for which she was nominated for an Academy Award for Best Actress.

Her title role in Julia, for which she received the 1968 Golden Globe Award for Best TV Star – Female, was the first series on American television to star a black woman in a non-stereotypical role, and was a milestone both in her career and the medium. In the 1980s, she played the role of Dominique Deveraux, a mixed-race diva, in the prime time soap opera Dynasty. Carroll was the recipient of numerous stage and screen nominations and awards, including her Tony Award in 1962, Golden Globe Award in 1968, and five Emmy Award nominations. She died on October 4, 2019, from breast cancer.

Black History Album “The Way We Were”  Find us on Tumblr | Pinterest | Facebook  | Twitter  

[dua-source]

DUA LIPA arriving at the American Music Awards (November 24, 2019)

[doyoulikethissong-poll]

Green Day - American Idiot 2004

"American Idiot" is a protest song by the American rockband Green Day. The first single released from their seventh studio album American Idiot, the song received positive reviews by critics and was nominated for four 2005 Grammy Awards: Record of the Year, Best Rock Performance by a Duo or Group with Vocal, Best Rock Song, and Best Music Video. It is considered one of the band's signature songs. In advance of Donald Trump's visit to the UK in July 2018, a campaign to get "American Idiot" to the top of the UK song charts was launched. On the Official UK Charts dated 13 July 2018, the song re-entered the UK Singles Chart at 25 and the UK Singles Downloads Chart at number 2. In 2019, Billie Joe Armstrong began changing the lyric "I'm not a part of a redneck agenda" to "I'm not a part of a MAGA agenda" during live performances.

The single peaked at number 61 on the Billboard Hot 100, becoming Green Day's first Billboard Hot 100 chart entry. The appearance of "American Idiot" on the US singles charts occurred just prior to Billboard's inclusion of Internet download purchases into their Billboard Hot 100 chart data, which would have made a significant difference in the song's peak had it benefited from the new chart tabulation system. "American Idiot" became Green Day's first top-five single in the UK, peaking at number 3, and it debuted at number 1 in Canada, their only #1 single there. In Australia, the song reached number 7. At MTV's Video Music Awards, the music video won the Viewer's Choice Award and was also nominated for Best Art Direction. "American Idiot" was ranked the number 13 Single of the Decade by Rolling Stone magazine in 2009. VH1 also placed the song at number 13 on its Top 100 Songs of the 2000s in 2011.

"American Idiot" received a total of 94% yes votes!

[stylestream]

Carrie Underwood | Stello By Stephanie Costello gown • Giuseppe Zanotti sandals | American Music Awards | 2019

[scotianostra]

Happy Birthday Scottish actor Richard Madden born June 18th 1986 in Elderslie.

Richard was raised by his mother, Pat, a classroom assistant and his father, Richard, who worked for the fire service. He also has two sisters, Cara and Lauren.

His parents were “hippies”, he says, and their house was pretty open, with friends always piling in for big vegetarian meals. Madden spent a lot of time outside, in the woods behind their house. He has several injuries: he shows me where he shot his dad’s old air pistol and blew off part of his finger, then managed to wreck the same finger when he nailed a wooden plank to his skateboard, then crashed it, so apart from the Hippie parents it was much like most of our own days as bairns.

Despite growing up wanting to be an actor, Richard was very shy during his childhood. To overcome this, at age 11, he joined Paisley Arts Centre’s youth theatre program. In 1999 he was given the lead role as Sebastian Simpkins in BBC1’s children’s TV comedy series Barmy Aunt Boomerang, that’s him aged 12 in the first pic with co-star Toyah Wilcox.. By 2000, he’d made his feature film debut in the Iain Banks adaptation, Complicity.

After high school he was accepted to the Royal Scottish Academy of Music and Drama in Glasgow, Scotland and in 2007, he graduated.

Less than two years later, Richard had a recurring role as Dean McKenzie on the 2009 BBC series Hope Springs. Soon after, he landed the role of Ripley in the 2010 movie Chatroom, a film about a group of teenagers who encourage each other’s bad behaviours after meeting online. In the same year, Richard played punk band Theatre of Hate singer Kirk Brandon in Worried About the Boy, a TV film about the life of British singer-songwriter Boy George.

In 2011 Richard landed his breakthrough role as Robb Stark in the HBO fantasy-drama series Game of Thrones. Also in 2011, he played gay paramedic Ashley Greenwick on the short-lived British comedy-drama Sirens. During hiatus from filming Game of Thrones in 2013, Richard was cast to star as Prince Charming in the 2015 Disney film Cinderella.

Richard won his first Screen Actors Guild award in 2014 for the Discovery Channel mini-series, Klondike. He played Bill Haskell, one of two adventurers who travel to Yukon, Canada during the Klondike Gold Rush in the 1890s. He further enhanced his reputation as a good actor when he appeared in the BBC drama Bodyguard in 2018, the following year he played Lieutenant Joseph Blake in the film 2017 and was Elton John’s manager/lover in the biop of the star Rocketman.

In January 2019 Madden won a prestigious Golden Globe for his role as war veteran David Budd in the BBC show Bodyguard. He also appeared in the 2019 war movie 1917.

We last saw Richard in the movie, Eternals, which was okay, but nothing great, he is one of several actors being touted as the next James Bond,

Last year Richard starred in the Amazon Prime series Citadel, I've watcheit and was not really impressed with it,I think he does pull of the American accent well, but I noticed there have been people saying he doesnt, Madden revealed he spoke in the accent for two years straight to prepare for the series. The show has been earmarked for a second series. Richard is set to appear in the feature film Killer Heat next, it is in post production.

In July 2019, Madden received an honorary doctorate from his alma mater, the Royal Conservatoire of Scotland. When asked about his personal life during a New York Times interview following speculation about his relationships and sexuality, Madden stated: “I just keep my personal life personal.”

Madden was recently named one of ‘Scotland’s Sexiest Men' following a new study that identifies the most attractive features for men, he has competition though, also in the running are Bathgate’s David Tennant and Glasgow’s James McAvoy,

Richard, quizzed on what he would like to do next he sad “I’d like to do something in comedy. It’s nice to not… I mean we go to work every day and we’re like, ‘You’re gonna die today,’” he said, adding that he wanted to “do something fun for a minute.”

[cartermagazine]

The Incomparable Michale K. Williams

Michael K. Williams brought a hard-edge charisma to his portrayal of Omar Little, the sawed-off-shotgun-wielding stickup man on the pioneering HBO series “The Wire.”

He grew up in the East Flatbush neighborhood of Brooklyn, and in his words, he had never envisioned a life outside the borough. But before he was 30, he parlayed his love for dance into dancing roles with singers George Michael and Madonna, and choreographed and performed in the music video for Crystal Waters’s hit single “100% Pure Love.” He landed his first acting opportunity when he caught the eye of Tupac Shakur.

When Mr. Shakur saw a Polaroid photo of him in a production office, he decided that Mr. Williams was the person to play his character’s brother in the 1996 film “Bullet,” in which Mr. Shakur starred opposite Mickey Rourke.

Williams also played Albert “Chalky” White on the HBO series Boardwalk Empire from 2010 to 2014. He earned five Primetime Emmy Award nominations for his performances in the HBO television biopic Bessie (2015), the Netflix drama series When They See Us (2019), and the HBO series The Night Of (2016) and Lovecraft Country (2020). He had a recurring role in the NBC sitcom Community from 2011 to 2012. He also had supporting roles in a number of films including Gone Baby Gone (2006), The Road (2009), 12 Years a Slave (2013), Inherent Vice (2014), and Motherless Brooklyn (2019).

Michales most personal project came with the series BLACK MARKET with VICE television. Michael K. Williams journeys into the dangerous world of illicit trade.

Michael K. Williams used his celebrity status to promote several causes, most notably criminal justice reform, both in the United States and in the Bahamas. He was the American Civil Liberties Union’s ambassador for ending mass incarceration, appearing in an ad campaign.

His legacy will forever live in the hearts of love ones, friends and fans like CARTER™️ Magazine.

A true loving and amazing human being.

CARTER™️ Magazine carter-mag.com #michaelkwilliams #wherehistoryandhiphopmeet #cartermagazine #carter #rip #sip #blackhistory #blackhistorymonth #history #staywoke