I'm still not over the fact that in the book, Aziraphale and Crowley are supposed to look 30 and 24 years old...
This is what they would look like
That's David in 1995 in The Bill and Michael in 1997 (not quite 99 like it's supposed to be) in Wilde.
Those are children! Mere babies!
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I wrote out how to watch Good Omens in chronological order if for some reason you wanted to do that.
I miss-typed for hell in the 1970s. It’s supposed to be Episode 5 21:27 - 22:26
Edit: I’ve made a Youtube Playlist with this all recorded and put into order, it took me a week of solid work but I got there. The link is in the pinned post on my profile and is in my bio.
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Okay, so!!!! This post will have spoilers for the very end of Good Omens season 2, but I have a theory about that ending and I'll explain--
Something was bothering me, so I just went back and watched the ending like actually 30 times and I am fully 99.999999% certain they switched places
As they're pulling away after the kiss, they lock eyes and Aziraphale's expression shifts in the teeniest tiniest way, like a confirmation glance, before they shift back (and Michael Sheen is a master, so no chance it's not on purpose)
(Like really, go back and watch how Aziraphale's expression shifts literally *a second* before "I forgive you" cuz the change is SO minute, but entirely different emotionally.)
Aziraphale's hands -stay by his sides- after that, he doesn't clasp them at all, and it's particularly noticeable while he's walking to the elevator with Metatron.
The Bentley only ever plays other music for Aziraphale, but also Crowley drives away slowly, but ALSO Crowley's collar is fully turned down but you -can- see bits of the red underside in several scenes (particularly before he changes in heaven), but you don't see it -at all- after the kiss
And Aziraphale's face IS weird in the elevator like everyone says, BUT. after going back and watching both, I'm pretty darn sure that's cuz it's Michael Sheen's Crowley, it's the SAME as during Aziraphale's trial in season 1.
This also explains why they're on opposite sides than they're usually shown while the end credits roll.
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you paint your walls the colour of your beloved’s eyes you invite him into your home and keep the rest of hell out you fill your shelves with books for both the serpent of knowledge and the angel who fell for only asking questions you stock your liquor cabinet with the same alcohol you drank the night you realised you loved him and almost died for it and when all else fails, you give away everything youve ever loved for even the chance to keep him—to keep the both of you—safe. together.
he kisses you, and leaves the bookshop.
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a little thought experiment:
it can be argued that both aziraphale and crowley present two types of queer "masculinity" on the show, so i wanted to see how it can translate to queer "femininity" while maintaining their core character.
aziraphale:
-kept the prim and proper vintage look
-bowtie>suspenders
-gay energy>butch energy
-looks vaguely based on Kaz Rowe (check them out on YT! a wonderful queer historian)
crowley:
-kept the edgy dark look with snake accents
-skintight outfits, with a mix of feminine cuts thrown in > a boxy wide suit with figure-hugging turtleneck and vest
-looks wise think Cate Blanchett & Esther Quek
disclaimer gender is a made up thing but also a very real thing so trying to tightrope the line between those two facts isn't easy in a couple of dozen words.
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