#and I've read so many different versions

[poorly-drawn-mdzs]

Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

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[fiepige]

Hobie Brown variant OC:

I finally decided to make Symbiote!Hobie (nicknamed SH by Hobie, which over time turned into Sage) his own thing, cause I've made so many changes to him that I've decided he's just gonna be another version of Hobie from another dimension.

I basically came up with him when thinking about what it would take for Hobie to truly bond with a symbiote and this is what I came up with.

While he's technically Hobie too I'm gonna refer to him as Sage in this post to avoid confusion <3

Gonna start with his appearance and then move on to his origins and how he got involved with the Spider-Society:

Disclaimer: I cannot draw so I haven't even attempted at drawing his face cause I know I'd never be able to draw him in a way I'd like- So I did the next best thing:

(He has a normal face I just tried to find a way for me to draw him without drawing his face lol)

Pictured above is Sage and his symbiote K.A.T (and their symbiote form- yeah it's the same as Venom!Hobie cause I like the design lol)

He looks like Hobie but younger- he's around 11 when he's bitten by the spider and fused with K.A.T - he's around 12 when he gets introduced to the Spider-Society

He's got short hair as it was completely shaved off when he got caught by Oscorp - more about this under his origins - he wants to let it grow out after meeting Hobie and being inspired by his approach to his looks (he really looks up to Hobie but don't tell anyone I said that!)

His left iris is white as a result of the symbiote DNA being fused to him. He can make it match his right eye if he concentrates but only really bothers to do so if he feels it draws too much attention

After meeting Hobie he helps Sage get a few piercings of his own

He usually wears a hoodie and/or a mask to hide his face - he's super paranoid and does his best to hide himself from others

Never goes anywhere without his noice cancelling earmuffs - he's got enhanced senses due to his spider powers but they can be a bit of a nuisance since he's also sensitive to loud noises due to his symbiote...

He also usually wears sunglasses to shield himself from sensory overload as he was subjected to it a lot as part of the experiments he was put through at Oscorp - and thus getting his senses overstimulated can result in panic attacks, so he does what he can to avoid it + it hides his eyes as well

K.A.T (Killing Authority-opposing Targets) is Sage's symbiote

It usually stays hidden unless they're alone or around people they trust/already knows about its presence.

If it does show itself it'll usually stay on Sage's shoulder or sit in his lap, it's still tethered to him so it can't go that far without him - not that it really wants to anyways

The reason K.A.T takes this form is that Sage is a cat person and it used it as a method to make him like it more when they first "met" + petting it helped Sage calm down and still does

K.A.T is still made of the same goo as regular symbiotes so it does not feel like petting a cat at all- Sage doesn't mind but most other people get suprised when they first touch it

If it likes someone it'll rub itself against their legs and mimic purring noises - if it dislikes someone it'll hiss and arch its back at them

K.A.T is a more animalistic symbiote and mainly communicates with Sage by letting him feel its emotions instead of speaking to him

To avoid making the post even longer than it's already gonna be I'll link to this post where I go into more detail about the design of thier Symbiote form instead of describing it here too ^^'.

This was originally supposed to be a short summary but I've realised I'm incapable of making short posts when it comes to stuff like this:

Origin:

Sage is a younger version of Hobie Brown. (11 years old when bitten by the spider and fused with his symbiote)

Sage and K.A.T "met" at one of Oscorp's labs

He was living as a homeless kid (having escaped an abusive household a few months prior)

He was bitten by a radioactive spider while looking for a place to spend the night.

He got very sick from the bite and was easily captured by Oscorp goons looking for new test subjects in the streets

Despite his young age Sage is a more ruthless Hobie variant, in part due to his upbringing and due to his symbiote (and the trauma they both go through at the hands of Oscorp)

K.A.T was a new kind of experimental symbiote that was set to be terminated due to it killing all its previous hosts - Sage was their last attempt at fusing it with someone

They decide to fuse it with Sage as he was deemed indisposable due to him seeming more dead than alive - suffering from the venom of spider bite at the time - and thus it wouldn't be a problem if the symbiote killed him too

Since the spider bite was still changing his DNA as he got fused with K.A.T some of its DNA got fused with him as well as a "side effect" during the process

Due to this it's incredibly hard (if not impossible) to seperate the symbiote from Sage without severely hurting them both

His body develops organic web shooters when it fuses with K.A.T - the webs are black and can be shot from either of his 4 arms when in his symbiote form (they can also be shot regularly while in his human form)

Sage develops enhanced senses and a taste for human flesh after being fused with K.A.T - he also has enhanced senses from the spider bite - making it easy to overstimulate his senses and overwhelm him before he learns to get it more under control

Since Sage's gotten powers from both the spider bite and the symbiote they quickly become the subjects for many inhumane and painful experiments as the scientists futilely try to figure out how to replicate the symbiote (as they're unaware of the spider bite, thinking the symbiote alone is behind Sage's new powers)

The main scientist behind the experiments is this dimension's version of Peter Parker!

Sage eventually manages to escape the lab during one of their many tests- killing as many guards and scientists on his way out as possible - and eating some of them as well

As a result of their treatment at the lab + his past with his abusive foster family, both Sage and K.A.T have developed a deep distrust to other people - at this point they both consider the other their only friend

Sage goes back to living as a homeless kid, avoiding people as best as he can, but he's also got an insatiable taste for human flesh as well!

He will usually target anyone associated with Oscorp when he's hungry (if none are available cops are the next best thing- his dimension is just as corrupt as -138 Hobie's dimension)

He doesn't feel bad about killing but will still try not to harm civilians (emphasis on try- sometimes the hunger gets the best of him)

Due to his senses being extra sensitive + his paranoia from his experiences at the lab and his foster homes, he tries to avoid crowded and noisy places - This all leads to him being more active at night while he usually tries to lay low and hide during the day.

He lived like this for months until a certain event changed that:

First encounter with the Spider-Society

Sage's dimension is blacklisted meaning people from the Spider-Society aren't allowed to go there (cause a spider-person who's embracing their symbiote instead of resisting it is deemed unsafe by Miguel and thus best to be avoided)

Sage does still get introduced to the spider-society albeit through a rather unconventional way:

- One day a portal opens up and pulls Sage through it, sending him to another dimension as an anomaly

Having no idea about what's going on, and being scared and confused about the whole situation, he does his best to lay low and avoid other people.

Because of this he spends a lot of time in the other dimension before the society discovers signs of an anormaly - glitched objects like seen when Kingpen uses the collider in itsv, or the museum that the Vulture appears in in atsv

Sage eventually has his first run in with other spider people when his hunger gets the best of him and he becomes more careless as he turns into his symbiote form to go look for prey

Here he encounters Gwen and Peter B as they're looking for the anomaly causing things to glitch out in the dimension

Not knowing he's a spider person and an actual child, Peter and Gwen attack him as they always do with anomalies - it also doesn't help that Sage doesn't exactly look friendly when in his symbiote form.

He fights back cause these masked people attacked him for no reason so they must be bad guys and of course he's gonna defend himself - it also doesn't help that he's starving and thus not thinking clearly at this point.

Unfortunately for him, these guys have high frequency equipment to deal with symbiotes and thus they manage to subdue him, but not before he manages to fight back, revealing his organic webbing which tips Gwen and Peter off to him having spider powers as well

He's subdued and forced into an electric cage (which brings back a lot of unpleasant memories from his time at Oscorp) and sent to the Spider-Society afterwards

When he arrives at the Society he quickly gets overstimulated and has a panic attack and lashes out in a desperate attempt at escaping his electric cage - also seeing the face of the scientist who tortured him for months everywhere certainly didn't help

Gwen then uses a high-frequency device made to combat symbiotes to force him to revert back to his human form

She immediately recognises him as a young version of -138 Hobie

Her and Peter both panic cause 1. They realise they basically beat up a kid and locked him up. 2. That kid has a symbiote! 3. That kid is a younger version of another spider-person they both know (and who they both know has a very long and strained history with symbiotes!)

Miguel gets involved and a discussion begins about whether they should try and seperate Hobie (Sage) and his symbiote

- The other spiders mean well by this but Sage and K.A.T both panic at the thought of being separated - at this point they really view the other as their only friend as it's been them against the world ever since they fused

Sage, still panicking, tries to protest but they won't listen as they view him as a kid who doesn't know what's best for him

Sage is taken to the room with all the villains while they discuss what to do with him

Here Margo sees Sage and K.A.T comforting each other, K.A.T manifesting physically in Sage's lap, being hugged tightly by Sage as he promises it he'll never let anyone separate them

Seeing this, Margo takes pity on them and 'accidentally' sends them home before the other spiders get a chance to try and remove K.A.T from Sage.

Relationships with other spider-people

Some time later Sage has an encounter with Hobie who found out about the whole mess - despite Miguel ordering Gwen and Peter not to tell him

While Hobie isn't exactly a fan of symbiotes he first and foremost sees Sage as a traumatised homeless kid in need of safety and stability

Hobie offers Sage to stay at his boat whenever he wants (as long as he promises not to eat anyone while he's there), he also gives him one of his bootleg watches so he can come and go as he pleases (and explains that he can also use it to get home to his own dimension if he's ever unwillingly sent to another dimension again)

Sage declines at first but over time he slowly opens up to Hobie and begins to trust him

(He also secretly looks up to Hobie once he trusts him, cause who doesn't? He's an older version of himself who's got a place to call his home, one that he opens up to strangers in need such as himself, he uses his powers for good and not just to survive. He's not afraid to be who he is and draw attention to himself - something Sage has been too afraid to do ever since his time at Oscorp. He's got friends and people he trusts. - all things that Sage wants too but doesn't believe he'll ever have) Also he'll never admit that he looks up to Hobie but he can tell anyways

Hobie's the one that gives Sage his nickname, it started as SH but over time it turned into Sage instead, though he doen't mind being called Hobie as well, it's just easier to go by Sage when both he and Hobie are present.

He still doesn't trust people, especially not the Spider-Society after their first meeting, which made it very awkward when Gwen showed up to visit Hobie while Sage was there - luckily Hobie managed to interfere before they beat each other up too much...

(He trusts Margo a bit as well since she 'saved' him from the Spider-Society - also it's nice to be around someone who doesn't smell like food since she's an avatar and not made of flesh and blood)

He currently lives at Hobie's boat, switching between it and his own dimension as he pleases

Hobie did his best to hide it but he was rather freaked out by K.A.T's presence in the beginning, he did his best to supress it cause he genuinely wants to help Sage

Hobie mentors him in how to use his Spider Powers and tries to give him a moral compass to at least prevent him from eating civilians when he gets too hungry - He usually targets cops or people working for Oscorp but the hungrier he gets the less picky he is

Another reason Hobie took him in is because he knows ostracising someone won't make them a better person and while Hobie doesn't believe in deciding what's best for others he still knows life will be a bit easier for Sage if he doesn't just kill whoever he wants whenever he wants - impulse control is important when you have a cannibalistic symbiote in your body.

- Hobie still dislikes symbiotes but he respects Sage's choice to keep his and does his best to help him control some of the more violent urges that come with a symbiote.

Hobie introduces Sage to his punk ideologies and slowly introduces him to the punk community

Hobie also introduces him to some of his friends but it's a slow process due to Sage having a hard time trusting people - especially spider-people after his Spider-Society encounter

Some of the spider-people also have a hard time opening up to him because of his symbiote

But Hobie's good at making a safe space for Sage to feel like he can slowly start to open up to others

For the first time in years Sage feels like he has someone (besides K.A.T) he can trust and over time he starts to view Hobie as his older brother

And that's that folks! (at least for now)

To the one person who actually bothered to read all of this - know that I'm infinitely grateful that you took your time to read about my boy <3

- I initially tried to keep this short but I gave up cause Sage has been living rent free in my head for weeks and it feels so nice to finally flesh him out and write about him!

You know I couldn't resist making my first oc angsty - but at least he ends up doing better than where he started.

Hopefully you guys like him too! If you have any questions please let me know, I could talk about him forever <3

[moinsbienquekaworu]

I thought I'd keep my Emotional Support Fic Yearly Reread for september/october when I'll be stressed out of my mind living alone with paperwork and schoolwork to do but actually I think right now is a good time

[watchmakermori]

deeply glad I persisted with attack on titan. the first half of season 3 was a bit of a mixed bag for me but the second half was fantastic. I knew bits and pieces about the lore but I’m genuinely surprised that the truth about the titans and the world beyond the walls was so satisfying

[allisonreader]

The frustration of not being able to find a fic that suits the vibe and desire of what you want to read, while also not wanting to write anything yourself that would fill in that niche that you're looking for.

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[prismit]

<- their ass has NOT been shiny hunting mew (23 days remain)

[princesssarisa]

In the past I've shared other people's musings about the different interpretations of the myth of Orpheus and Eurydice. Namely, why Orpheus looks back at Eurydice, even though he knows it means he'll lose her forever. So many people seem to think they've found the one true explanation of the myth. But to me, the beauty of myths is that they have many possible meanings.

So I thought I would share a list of every interpretation I know, from every serious adaptation of the story and every analysis I've ever heard or read, of why Orpheus looks back.

One interpretation – advocated by Monteverdi's opera, for example – is that the backward glance represents excessive passion and a fatal lack of self-control. Orpheus loves Eurydice to such excess that he tries to defy the laws of nature by bringing her back from the dead, yet that very same passion dooms his quest fo fail, because he can't resist the temptation to look back at her.

He can also be seen as succumbing to that classic "tragic flaw" of hubris, excessive pride. Because his music and his love conquer the Underworld, it might be that he makes the mistake of thinking he's entirely above divine law, and fatally allows himself to break the one rule that Hades and Persephone set for him.

Then there are the versions where his flaw is his lack of faith, because he looks back out of doubt that Eurydice is really there. I think there are three possible interpretations of this scenario, which can each work alone or else co-exist with each other. From what I've read about Hadestown, it sounds as if it combines all three.

In one interpretation, he doubts Hades and Persephone's promise. Will they really give Eurydice back to him, or is it all a cruel trick? In this case, the message seems to be a warning to trust in the gods; if you doubt their blessings, you might lose them.

Another perspective is that he doubts Eurydice. Does she love him enough to follow him? In this case, the warning is that romantic love can't survive unless the lovers trust each other. I'm thinking of Moulin Rouge!, which is ostensibly based on the Orpheus myth, and which uses Christian's jealousy as its equivalent of Orpheus's fatal doubt and explicitly states "Where there is no trust, there is no love."

The third variation is that he doubts himself. Could his music really have the power to sway the Underworld? The message in this version would be that self-doubt can sabotage all our best efforts.

But all of the above interpretations revolve around the concept that Orpheus looks back because of a tragic flaw, which wasn't necessarily the view of Virgil, the earliest known recorder of the myth. Virgil wrote that Orpheus's backward glance was "A pardonable offense, if the spirits knew how to pardon."

In some versions, when the upper world comes into Orpheus's view, he thinks his journey is over. In this moment, he's so ecstatic and so eager to finally see Eurydice that he unthinkingly turns around an instant too soon, either just before he reaches the threshold or when he's already crossed it but Eurydice is still a few steps behind him. In this scenario, it isn't a personal flaw that makes him look back, but just a moment of passion-fueled carelessness, and the fact that it costs him Eurydice shows the pitilessness of the Underworld.

In other versions, concern for Eurydice makes him look back. Sometimes he looks back because the upward path is steep and rocky, and Eurydice is still limping from her snakebite, so he knows she must be struggling, in some versions he even hears her stumble, and he finally can't resist turning around to help her. Or more cruelly, in other versions – for example, in Gluck's opera – Eurydice doesn't know that Orpheus is forbidden to look back at her, and Orpheus is also forbidden to tell her. So she's distraught that her husband seems to be coldly ignoring her and begs him to look at her until he can't bear her anguish anymore.

These versions highlight the harshness of the Underworld's law, and Orpheus's failure to comply with it seems natural and even inevitable. The message here seems to be that death is pitiless and irreversible: a demigod hero might come close to conquering it, but through little or no fault of his own, he's bound to fail in the end.

Another interpretation I've read is that Orpheus's backward glance represents the nature of grief. We can't help but look back on our memories of our dead loved ones, even though it means feeling the pain of loss all over again.

Then there's the interpretation that Orpheus chooses his memory of Eurydice, represented by the backward glance, rather than a future with a living Eurydice. "The poet's choice," as Portrait of a Lady on Fire puts it. In this reading, Orpheus looks back because he realizes he would rather preserve his memory of their youthful, blissful love, just as it was when she died, than face a future of growing older, the difficulties of married life, and the possibility that their love will fade. That's the slightly more sympathetic version. In the version that makes Orpheus more egotistical, he prefers the idealized memory to the real woman because the memory is entirely his possession, in a way that a living wife with her own will could never be, and will never distract him from his music, but can only inspire it.

Then there are the modern feminist interpretations, also alluded to in Portrait of a Lady on Fire but seen in several female-authored adaptations of the myth too, where Eurydice provokes Orpheus into looking back because she wants to stay in the Underworld. The viewpoint kinder to Orpheus is that Eurydice also wants to preserve their love just as it was, youthful, passionate, and blissful, rather than subject it to the ravages of time and the hardships of life. The variation less sympathetic to Orpheus is that Euyridice was at peace in death, in some versions she drank from the river Lethe and doesn't even remember Orpheus, his attempt to take her back is selfish, and she prefers to be her own free woman than be bound to him forever and literally only live for his sake.

With that interpretation in mind, I'm surprised I've never read yet another variation. I can imagine a version where, as Orpheus walks up the path toward the living world, he realizes he's being selfish: Eurydice was happy and at peace in the Elysian Fields, she doesn't even remember him because she drank from Lethe, and she's only following him now because Hades and Persephone have forced her to do so. So he finally looks back out of selfless love, to let her go. Maybe I should write this retelling myself.

Are any of these interpretations – or any others – the "true" or "definitive" reason why Orpheus looks back? I don't think so at all. The fact that they all exist and can all ring true says something valuable about the nature of mythology.

[strangesmallbard]

hey so. i’ve seen many people reblogging some variation of “israel spent millions on a superbowl ad to distract everyone from the airstrikes on rafah” and decided to do some fact-checking. the ad was produced by the kraft foundation to stop jewish hate, founded by robert kraft, who owns the patriots. kraft also partnered with dr. clarence b. jones—who advised dr. martin king luther jr and helped him write the i have a dream speech—to create this ad. according to tara levine, the fcas president, this ad was made in response to rising antisemitism on social media platforms, which her team tracks.

here’s a link to the foundation’s about page on their website. their mission statement solely focuses on combatting antisemitism and does not mention i/p or the ongoing war. the ad itself does not mention i/p or the ongoing war. it’s pretty ironic, and yet not surprising, that an ad created to stop antisemitism is currently the eye of the antisemitic storm on social media. if you sincerely believe netanyahu secretly funded this ad campaign to “distract everyone” from the idf’s airstrike attack in rafa, then you have bought into two different antisemitic conspiracy theories: that jews control the media and that diasporic jews have dual loyalty to israel. while political zionists have used accusations of antisemitism to invalidate pro-palestinian efforts, that’s not what’s happening here. all this information is obtainable via google. please learn to fact check yourselves before posting. thanks!

(bonus: here’s a 20-minute video where kraft and dr. jones discuss the civil rights movement, anti-black racism, antisemitism, and the history of solidarity between black and jewish activists during the civil rights movement.)

EDIT 2/23/24:

after publishing this post, i researched robert kraft and fcas' funding source and pro-israel efforts more deeply, then analyzed my findings in a reblog, which you can read here. tl;dr version - in 2019, kraft was given the genesis prize, a $1 million dollar award. the awarding foundation has direct ties to the israeli government. kraft used part of these funds to finance fcas. this additional information does not negate my original post, however; i can't find any conclusive evidence that the israeli government directly funded kraft's superbowl ad. there is also no evidence that kraft is targeting anti-israel sentiment in the ad rather than antisemitism overall. assuming this connection is still evidence of antisemitic conspiratorial thought, as i detail above.

i'm including this information because i believe it's important to acknolwedge wider context. i don't share kraft's politics re: israel and believe his stance compromises his foundation's overall messaging. i also condemn any efforts to silence pro-palestinian efforts with accusations of antisemitism, but that is still not what's happening here. i also want to clarify that i'm only discussing responses i've seen to kraft's ad, not the ads produced by the israeli government. thanks again!

[erwinsvow]

𝐜𝐨𝐟𝐟𝐞𝐞, 𝐛𝐥𝐚𝐜𝐤, 𝐭𝐰𝐨 𝐬𝐮𝐠𝐚𝐫𝐬

summary: aaron hotchner is a lot of things. in love with you is one that you never saw coming.

word count: 7.1k

author's note: bau!reader + hotch is my favorite combo ever. i haven't written and posted in, like, two years so please be nice :) i've written so many other versions of hotch but this one just wrote itself. inspired by the amazing @luveline and so many breathtaking hotch stories and isabel (alisdas on ao3, not on here anymore i think :( ) who wrote of terrible coffee and late-night rides which i think started all of this and my immense aaron brain rot when i read that fic, like, three years ago. enjoy!

This was wrong, Aaron thought to himself. He seldom committed acts that others might say were wrong, or argue they could potentially be wrong, but this was different. Aaron felt wrong, a feeling he was not used to.

“I’m worried about you, that’s all,” you had said quietly on the jet early one morning. You two were sitting across from each other on the flight back from the team’s latest solved case, an excruciating long ride home from the coast of Oregon.

Your book laid open on your lap, unread and a bookmark tucked between the earlier pages. The spine was cracked, like you’d read it a hundred times before. He knew that wasn’t true though, it was just a used novel probably from the thrift store around the corner of your apartment.

You had told him once, back when you first started—back when he was still married and you were less affected by this job—that you liked finding used (pre-loved, you call it) books and picking the most worn out ones to take home. You said it means that someone used to love this book.

It felt wrong because you were too young for him, and too innocent to be mixed up in his life. What could you know about his thoughts? About the love of his life that divorced him and his son he only sees once in a while.

The rest of the team makes jokes with you, in particular JJ and Penelope. He’s even heard Emily pitch in, about your not-so-secret fondness for your boss. For him. 

Back when you had first started, it was nothing. Passing glances, working extra hard to please him and earn his praise—which was never given out generously. He hadn’t even taken the time to notice, never paid more attention than any other member of the team. What he did notice was your work ethic.

Being among the youngest of the team had instilled a drive in you to prove your worth. You always stayed an hour extra, came early, and spent  nights working the case even when you were yawning every few minutes. The most attention he’d given you back then was commenting that you’d had a good insight into the unsub, commending you on well-written reports and briefs, and offering you a cup of coffee when it was just you and him left in the sheriff’s office. He’d be rereading seemingly endless pages of the case reports and you’d be diving headfirst into the victim’s lives.

Your specialty was always understanding why the victims did what they did, figuring out their routines and ascertaining important details from their personal belongings. He was used to you flicking through diaries and boxes of mementos that were once treasured by another young girl, not so much older than yourself. 

He’d be lying if he hadn’t thought it was impacting you—reading through the journals of dead women who had been very similar to yourself, with similar hopes and dreams. It was depressing, he knew, and yet if you were bothered by it, you didn’t show it in the slightest. At least not to him. 

And back then, he’d never notice the sweet smile that always graced your face when he was asking you if you’d like coffee. You’d shake your head no, and take sips of water between your yawns. You didn’t even tell him that you don’t drink coffee until a few months later, after he asked if you’d ever like a cup when he offered. He can remember it clearly even now.

“Actually, Hotch, I don’t drink coffee.” Your cheeks were tinged with color like you were embarrassed to even be admitting this to him.

“Why didn’t you say anything sooner? I would have stopped asking three months ago.” If he sounded stern, he didn't mean to. The burning on your face deepened.

“I didn’t want to be rude. I drink tea though, but I didn’t think to mention it. It’s not as easy to make.”

“Well, let me know if you need a cup of hot water then.”

You had smiled at that, and he had turned around to take another picture on the bulletin board. He smiled a little too.

“You don’t need to worry about me,” he said, maybe a little too gruffly. He didn’t mean it, again, but it just came out that way. He thinks some part of him is trying to warn you to stay away before you get too close.

“We’re all worried. You went through something really big and didn’t tell any of us and even if you don’t care about us like that, I care about you. I just want to make sure you’re okay.” 

Aaron’s gaze casts around the rest of the jet.  Derek has his headphones in, staring out the window and trying to resist sleep. JJ and Emily are playing cards—they should be sleeping, but they had a little too much espresso a few hours before. They’re too far away to hear you and Aaron speaking, but he notices JJ’s eyes darting over every once in a while. Spence is asleep, and he realizes that’s why it’s so quiet. Dave is reading a book, too, but he’ll stop and interject into JJ and Emily’s conversation.

He looks back at you, sleepy-eyed and wrapped in a warm, boxy pullover from your alma mater. He thinks a little bit too much about you these days, and he can’t get it to stop. He shouldn’t profile anyone on the team, they have a strict moratorium on that, but especially not you.

You, who never fails to try to make anyone feel better when they’re down. You, who doesn’t make it seem like you’re analyzing their behavior, but rather observing and offering comfort in hard times. You remember everything the team tells you about their likes and dislikes, never forgetting a birthday or special occasion. He can distinctly recall fresh chocolate chip cookies on Derek’s birthday, carrot cake from the Italian bakery Rossi loves to celebrate when his latest book became a bestseller, and a new knick knack for Penelope’s office after a particularly brutal case.

You say it’s all in passing, but he knows it’s not. You’re trying your hardest to keep the team together in the little ways, strengthening bonds that extend beyond coworkers. You want to fit in and be accepted, and you worry so much that you won’t. This is your way of trying to show that you’re a part of this team too, not just the new girl and one of the young ones. 

Aaron blinks twice. You’re looking at him expectantly, and he wishes you wouldn’t. All he’ll do is disappoint you. 

“You don’t need to worry,” he repeats. “I’ll be fine.” 

“I wish you wouldn’t say that. Why is it so bad for us to worry about you?” You look like you’re starting to get upset—it hurts Aaron more than he realized it would. It’s not bad for the others to worry, it’s bad for you. If you get attached, if he lets this get unprofessional, he doesn’t think he’ll ever forgive himself. Hurting himself is one thing; hurting you is another entirely.

“Let it go, Agent. Try to get some rest.” He looks out the window. He can see the sun coming up, and realizes he hasn’t slept since the night before last. He still needs to drive home—not really home, he remembers sadly, his empty apartment— and work on reports before he can even see Jack. He doesn’t think resting now is a good idea, and yet his body is so tired.

When he looks back, you’re reading your book again but your eyes are really paying attention to the words on the page. You’re just skimming, and blinking rapidly, and he realizes then he’s made you tear up.

His phone goes off—Haley, and he feels guilt building up in his chest, almost overwhelming him. He steps away to answer and talks quietly. He doesn’t want you to overhear and worry even more. When he comes back to his seat, you’ve fallen asleep. He takes the book from your hands gently and puts the bookmark in, closing it and resting it on the seat beside you. He watches you sleep and wonders if he’s making a mistake trying to hide from you. He thinks, and not for the first time, that you see right through him.

The plane lands an hour and a half later, and everyone is beyond exhausted. Even Spencer, who normally doesn’t need much energy or caffeine to start talking fast about something interesting he noticed about this case and this unsub, is unusually quiet. They’re all running on fumes, staying up two nights in a row profiling and then catching the unsub with the latest victim at one in the morning, and then boarding the jet soon after.

Aaron makes a decision, everyone can work on their notes from home and the report is due no later than day after next. Derek pats him on the shoulder and says no one is to call him for the next twenty-four hours. JJ and Emily exchange a laugh. Y

ou, he notices, though he wishes he wouldn’t, go up to Spencer and talk with him quietly. When you’re done, he beams at you and you at him. He wonders what you two talked about when they’re all heading out, listening to Spencer ramble about how the unsub’s use of his childhood spots as disposal sites offers insight into the abuse of his youth. Prentiss tells him to save it for the report. 

He and Rossi are walking back to their cars when Dave speaks up for the first time.

“You’re wondering what she said to him, aren’t you?”

Aaron stops for a moment. 

“You should know better than to profile me.”

“Oh, I’m not profiling. This is just me being observant. You should stop fiddling with your ring finger when you talk to her. It’s a dead giveaway.”

“Dave, I don’t need to tell you that this conversation—“

“I know, I know. I won’t mention it again if you don’t want me to.”

“Thank you. I’ll see you tomorrow, then.”

“See you tomorrow, Aaron. And by the way, she offered to write his notes for him if he wanted. He said it’s hard for him to write about unsubs with schizophrenic tendencies and she said she can try to help, if he wants. That’s all. Let me know when you’re ready to talk about this.”

Aaron gets in his car and doesn’t stop thinking about you the entire ride home.

-

You wish you could make it stop. The way you feel about your boss. It started so long ago, it’s almost a part of you now. Aaron is stern and his disposition is frightening, to the say the least. But only at first, you’ve realized, after so many late evenings spent discussing the case with him, breaking down the tiniest details, and him paying attention to your every word when you discuss the victim’s demeanor and behavior to try to figure out what had really happened.

It wasn’t supposed to be like this, you thought. You had gone to the overpopulated state school with the hopes of entering the medical field. You were a true empath, and there was no one’s suffering you couldn’t relate to, no one that you wouldn’t try to make feel better. All your life, people cried on your shoulder while you offered up words of comfort. And because of this, everyone thought you were a shoo-in for nursing or medical school, where you could help people through the worst days of their life.

All it took was a few days at the hospital where you had been working, a string of murder victims being wheeled in one after another, for you to reconsider your life’s work. None had survived the incident, but the killer let them live just long enough to be seen by the doctor, who then had to declare them legally dead.

Something about the victims seemed familiar to you, how they’d all come from wealthy families and were sliced up in their expensive clothing, expensive jewelry and watches smashed to bits instead of being stolen. You mentioned it to one of the officiers, who told someone else, and somewhere in that chain of events, your insight helped them catch the killer.

It was then, you thought, that maybe you should be working on the other side of these situations. Stopping the killer before it ever got to this. 

Then you’d done a one-hundred and eighty degree spin on your career, electing to pursue becoming an agent. You had been young, and motivated, and you chose to overlook when everyone told you this job might become your whole life, leaving no time for a husband and kids and a family.

You had ignored it all, working your way up from the local field office to child crimes in just a year and a half. The transition out of sex crimes to homicide was disturbingly hard, because at least before you’d had a victim to interview. You were no expert, not yet, but a unique asset altogether, combining a true mission to uncover the best in each victim, and figuring out their behavior patterns from bedrooms and diaries.

It was a unique skill-set, acquired mostly because a lot of traumatized children didn’t offer much to go off of. You had to turn to their childhood homes, toys, and scribbles to figure out what had been going on in the first place.

You reflect often on why you decided to leave child homicide when news spread that the BAU had an opening for one more agent. Truthfully, you hadn’t considered it at all, since you were more than happy with your current position and coworkers. You were solving cases, delivering justice, and bringing whatever comfort you could bring to grieving families.

In fact, you had been requested specifically. You, out of a hundred or more well-established, intelligent agents that could be a huge asset to the team. You were never special, and you didn’t like to think of yourself in that way either, but you couldn’t deny how good it felt to hear that the team wanted you. 

And when you transferred over, everyone was so nice. The team was inviting, they respected your opinion, and especially in cases with younger victims, they revered your knowledge. You felt included, and invaluable, and as hard as you worked, you wanted to work even harder. 

Your boss was a brilliant agent and profiler, and so hardworking that you wanted to do anything you could to make his workload a little easier. You wrote the most detailed reports, so he would have to edit them as much.. You offered to pick up extra briefs, so he took home a couple less papers. And no matter what you did, acknowledged or not, you knew you were making the kind of difference you’d always dreamed you would. 

Aaron—he was only ever Aaron in your head, and Hotch the rest of the  time—liked you as an agent, and it made you happy. A little happier than you should be, considering he was happily married with a toddler and a perfect life outside of work. It was almost wrong, but it didn’t stop you from trying to impress him with your work ethic.

You always put aside your other feelings and focused on the team, and somehow in all of that, you felt like you were finally making your difference. You were close with the team and close enough with Aaron, that you hadn’t been worried to start that conversation on the jet now that all these circumstances were changing. Haley had asked for a divorce and he hadn’t muttered a word of it to anyone.

He’s so tired, you can see. You wonder if everyone else notices it too, or if it’s just you observing so closely. He has dark circles now, because he never sleeps, always working, and the furrows on his forehead are seemingly etched in and permanent. He misses his wife and his son, and you know it, and maybe it’s wrong to care about your boss so much that your heart hurts when you see him glancing at the framed photos of his family on his desk, or the tiny polaroids in his wallet, but you do. You think you’re in love with Aaron Hotchner, and you don’t know how to make it stop. 

You’re gonna get hurt, you remind yourself every now and then. 

Aaron and Spence have just come back from the prison, where they had an encounter with Chester Hardwick that they won’t really talk about. You’d been with the rest of the team in Indiana, and then two days later in Oregon. 

Aaron and Haley were divorcing, and it hurt him so much, you knew, because it wasn't for a lack of love. It was a lack of time, a shortness of hours in the day. He couldn’t be the husband Haley wanted and the father he thought Jack needed while being an agent for eighteen hours a day. It hurt you too, seeing him like this. You wish he felt better. 

The days and weeks seemed to blend into months. Somewhere in between Hotch’s divorce and JJ’s pregnancy, you had become complacent with your relationship with Aaron. Walking in together from the parking lot, leaving together at the end of a long day—usually alone and sometimes joined by Emily or David. Sometimes you’d have a frothy drink from a nearby coffee shop in your hand—to which you always hear, “My coffee’s not better than that stuff?”

“It’s not coffee, remember-”

“I know, you don’t drink coffee. That stuff is full of sugar. I don’t need you bouncing off the walls like Reid and Garcia too.”

You laugh, and then you wonder if it’s because he really cares or if it was just a passing comment. You share a lot of little moments like that. 

When his eardrum was nearly blown out after New York, you almost offered to drive back with him from Ohio to Virginia. It was instinct, because you just didn’t want him to be alone. You had exchanged a glance when he handed you the plate of brownies from the victim’s mother, and you knew he had read your mind. But he didn’t say anything, and you left it at that. You’re not nearly stupid enough to think that your boss reciprocates your feelings for him. Hell, most days you don’t even know what feelings you have for him.

Your seats on the jet are almost permanently fixed; near the coffee machine towards the cockpit. You sit across from each other, and sometimes you don’t even speak. He’ll bring you a cup of hot water, and he doesn’t ask if you need a tea bag from the make-shift coffee station, because knows they’re in your go-bag. 

When it’s his weekend with Jack after two weeks of back-to-back cases, Aaron is always working on the reports on the jet. It’s because he’s trying to reduce how much work he has to do at home, and even when everyone’s fallen asleep and your eyes are close to shutting, you get up and make him a cup of coffee. He’s never once told you how he takes it, and he doesn’t know if you’ve seen him make it either, but somehow you know, and it’s always right. When you offer him the steaming paper cup, he looks up at you with an entirely new look—something you’ve never seen before. You two don’t exchange so many words.

He says it all with his eyes, sometimes, even when you’re not looking. It’s gratitude. (When you get off the jet a few hours later, you tease Morgan about his snoring. Derek asks you where his cup of coffee is, and you shove his arm so hard he almost drops his bag.

In the end, it was you who had figured out there was something wrong with the Reaper’s last few victims. 

“Why would a nineteen year old girl date her teaching assistant?” You had questioned, looking through a file that everyone’s eyes had already seen. “An honors student, a freshman, I mean, none of this points to an illicit affair with faculty. She knew it was against the rules and her roommates said she’s never so much as skipped class.”

“That could have been because she wants to see him,” Derek interjects. “If they were truly in love like Foyet said, she’d take every opportunity to be with him.”

“But in an environment where no one can know you two are together? I mean, if she was in love and close to getting engaged, wouldn’t she tell her best friends? Her parents? How many teenage girls keep something like that just to themselves?”

The pieces of the puzzle that had once fit together so nicely were coming undone. It felt like the blink of an eye, from catching Foyet to him escaping. Everyone was on edge, no one more than Aaron, and your empathy still knew no bounds. Where you had once been able to focus on work and dedicate all your thoughts to the cases, you now were distracted and distant. Every other thought was about Aaron, as wrong as that might be. 

Canada had been something else entirely. It was difficult for the entire team to fathom, but nearly impossible for you. You had lost your temper twice—something you’d never done before— and thrown up when the team discovered all the shoes. JJ had run after you but in the end, Aaron was the one who found you outside.

“I’m sorry, JJ, I’ll be fine—I-I just need a minute,” you breath out, chest heaving and tears brimming. 

“It’s okay,” Aaron says, “take your time.” 

You turn around so fast, your breath catching, and you hate this situation. You could never hate Aaron but you hate this, you hate that he followed you and that he’s seeing you like this. You look weak, after two and a half years of trying to prove to him that you’re strong—strong enough to handle this job, do what needs to be done, and not cry at a crime scene.

“I-I’m sorry, I-” 

“Why are you apologizing?” He doesn’t sound mad, or like he’s belittling you, and you don’t know why that’s what you expected. This is Aaron, your Aaron, and even though he’s not really yours it doesn't seem to matter much right now.

“I’m making a scene. I-I shouldn’t be throwing up on the job or screaming at those unsubs or anything else-”

“It’s okay. It happens.” Aaron says it so concisely, you almost feel better for a second. Isn’t this what it’s always come down to? You need Aaron like air, and somehow he always knows what you need to hear. He doesn’t treat you any differently compared to the others but it feels different today. You can’t describe it in words. If JJ or Morgan had followed you out here, you would have said the same things, but you wouldn’t have felt this way. Like if you crumble here today, Aaron will be there to pick you up.

“Take your time, please,” he repeats. “I know you think you have something to prove to me, but you don’t. You’ve proven it already, to all of us. Admitting that all of this gets to you isn’t a bad thing. That’s what separates us from them.”

At that moment, a dam bursts. Tears flow down your face like they haven’t in so long, as long as you can remember. You think you should feel embarrassed, crying in front of your boss, but Aaron takes you into his arms and you can’t remember the last time you felt this safe. Cheesy, you think, but this is everything I thought it would be and more.

You’re not sure how long he holds you there, but eventually once the front of his shirt is covered in your tears and he offers you a tissue (Does he just carry this around waiting for one of us to cry?) and you head back together. This is the embarrassing part, you think, bracing yourself and biting your inner cheek. But if the team is judging you at this moment, they certainly don’t show it.

You join JJ and Emily inside the house, who ask you if you’re okay when you sniffle for the last time. Spencer asks you later, on the way home. Derek tells you to call him if you need anything. Dave tells you, “You’ll be okay, kid,” and somehow, you believe him. Penelope texts you once on your phone, checking in and promising a distracting, gossip filled girl’s night out soon.

Aaron walks you to your car, and says goodnight. You’re delusional, you think, once you're back at home. You’ve taken the longest, hottest shower imaginable and your record player is emitting the scratchy sound of your favorite Beatles album. You’re in a big shirt that’s getting wet while you brush your freshly cleaned hair and all you can think about is how it felt to be wrapped in Aaron’s arms a couple hours ago. 

You are delusional, you remind yourself. You’re checking your phone every couple minutes like a love-sick teenager. You think Aaron’s going to call you to check in, you almost feel it in your bones. You leave the ringer on incase he calls later—maybe he showered and sat down to work on some reports before sleeping. You fall asleep thirty minutes later, exhausted down to your bones, and wake up startled by your phone going off. In your sleepy delirium, you answer without looking who it is—assuming it’s Aaron.

“Hotch?” 

“Hey, sorry it’s JJ. We have another case, I’m sorry.”

“Oh, JJ, um, okay, I-I’ll be there in ten. Text the address, okay?” Your cheeks burn at the slip.

“I sent it just now. Listen, I’m sorry, but can you try Hotch’s cell? I called and texted and he’s not answering.” You feel your stomach turn, first because Aaron isn’t answering and he always answers, and second because JJ thinks he’ll answer if you call.

“I’ll try him now. I’ll call you back.”

You try him twice while changing and another time in the car. Your only explanation is that maybe he went to see Jack and put his phone away, but even that doesn’t check out. 

When you get to the scene, you inform the others about Aaron not answering.

“Alright, let’s split up for now and I’ll keep trying Hotch,” Derek says. They don’t seem that worried, and maybe that lulls you into not worrying either. After all, they’ve known him a lot longer than you have.

You end up with Spencer and Emily at the doctor’s house, combing through patient files Garcia sent over. There’s tens of dozens, and even though you want to go with Emily to Aaron’s place to get him, you know your experience with kids and in the hospital is vital. You and Spencer start working, but something feels off. You just can’t place it. 

In the end, you attribute it to your nerves from the last case. Your fear of embarrassing yourself carried into today, and even though you know no one judged you for losing it in Canada, the feeling lingers. Spencer answers the phone from Emily and says that Hotch was busy with something at the bureau that now requires Emily too. In the end, you and Spence figure it out just in time. Your body is so tired, it hurts, and then on top of that, Spencer gets hurt. You can barely process what’s happening, and you don’t feel better until the doctor says it’s through-and-through.

“God, Spencer, never do that again,” you say, your hands wet with the blood from his wound. You wipe it on your clothes, thinking you’ll change soon. 

“Guys, guys listen to me, something’s happened to Hotch.” The blood drains from your face and your breath stops in your throat. 

“What?” 

“Emily told me not to say anything until we got the unsub, but he’s in the hospital.”

The next hour is a blur. You all show up to the hospital, and Emily is talking to a bunch of agents. Their faces are blurred because you can hardly think straight. 

“Em? Is he okay?” your words must be coming out frantically because everyone’s looking at you like you’re about to crumble. 

“I’m sorry, I couldn’t say anything because I knew we wouldn’t be able to think straight about the case, I know it’s wrong but-”

“Is he okay?” You didn’t mean to cut her off, it just happened like that. Your mind is so clouded right now with a petrifying vision of Aaron dying alone on the floor of his new apartment that he hates so much, while you were waiting for a call for him.

“He-he hasn’t woken up yet.” 

You sit on a chair by Aaron’s bed. He looks like he’s sleeping, and a part of you had always wanted to see him like this. It would be comforting, if he actually was sleeping. You’d imagined it a little differently—you thought for sure he snores and sleeps on his side. You always notice sleep lines only on one arm when you guys have just woken up and continue working on the case. You stare extra hard when he rolls up the sleeves of his dress shirt on particularly hot days. Everyone would moan and groan about another case in the heat of Texas or Arizona, but not you.

It seems like those memories were a million years ago. 

When he wakes up, everyone pours in and it distracts you for a few heartbeats. When they realize what Foyet is actually after, the terror is apparent on everyone's faces. You realize how long it’s been since you last saw Haley and Jack when they finally step into the room. You and Emily leave to give them privacy. 

Later that night, you’re back in that chair. Aaron wakes up for a few minutes at a time, and when he finally stays awake, he notices you.

“How long have I been out?” 

“Thirty minutes. Give or take.”

“Is there water?”

“Yeah, yeah.” You scramble up to get the pitcher and pour him a glass. There’s a straw too, which you put in the cup and hold still for a second so he can drink.

“Thanks.”

“Yeah.” He can see all your emotions on your face. It doesn’t take him long at all, not anymore. You’ve been crying and your clothes have blood on them. He’s alarmed again.

“Is that your blood?” he asks, swallowing hard.

“No, no, Hotch. We had a case, the-the unsub shot Spence. He’s okay though, it just got on me and I haven’t been back home to change yet.”

“Why don’t you? Go home?”

“I didn’t want to leave you.”

“I’ll be fine.”

“I let you go home alone yesterday and look what happened.” You smile meekly at your own joke, hoping he appreciates it. He lies still though, not smiling. 

“I think you should go home. Get some rest after everything.”

“You know, Hotch, only you would tell me to go home and rest up when you’re the one who’s currently in the hospital.” 

“I just think-”

“Do you want me to leave? If you do, I will. I swear.” There’s silence between you two for a moment.

“No.” 

“Good, because I wasn’t going to.” The corners of his mouth turn up a little. You barely even notice it. “I can’t leave now. I don’t want you to sit alone here.” You should stop talking, you think to yourself. But you don’t. “You know yesterday, I got home and the whole time I sat there wondering if you were gonna call my cell. I even turned the ringer up all the way so I didn’t miss it. And I know that’s stupid because why would you call me? But I had this feeling. And now all I can think is why didn’t I call you?”

“Don’t think like-”

“Don’t think like that? Yeah, I knew you would say that. But if I had called you like I wanted to, and asked you to come over like I wanted to, maybe this wouldn’t have happened. But I didn’t because I was scared and I don’t want to be scared anymore. And I know this is the last thing you need to hear right now, but I guess I can’t hold it in any longer.” 

You want to clamp your hand over your mouth. Your favorite cheesy rom-coms have infiltrated your brain, and you can’t fathom how stupid you must sound right now to Aaron. He’s just almost died and the kid who was the last to join his team is declaring love for him on his hospital bed. But it won’t stop coming out.

“Can I tell you something Aaron? I mean, more than I already have? Emily said she didn’t tell me you were hurt because she knew I wouldn’t be able to think straight about the case anymore. About anything, anymore, if I knew you were missing or that you were hurt or dead. And I’ve been trying to hide it for so long, because I know you don’t need any more complications in your life right now, but, I think I have feelings for you, Aaron.” Hot tears stream down your face. You try to stop them but you can’t. They’ve been building up for two years.

“Please don’t cry. I don’t have a tissue for you this time.” You smile through your tears, but your entire body is still tense. It’s because you’re still expecting bad news, still waiting for the other shoe to drop. 

“Do you want me to leave? I can call Emily, she’ll sit with you if you don’t want to be alone.”

“I don’t want you to leave. And you don’t have to tell me these things, I already knew them.” Another few tears drip down your face. Aaron’s chest hurts more than it has ever before. He thinks back to your conversation on the jet that day, when you told him you cared about him and he hadn’t said much of anything at all. “I hope you know that I have feelings for you, too.” 

“You mean you care about me and the team?” you question half-heartedly. You think you’ve already gotten your answer. “I mean I care about the team a lot. And I care about you more than I should, more than what’s right. More than a superior should care about one of their agents. And I think if this hadn’t happened, I would have called you last night. Not because of the case, because of you. Because I need to make sure you’re okay.”

Your heart thumps uncomfortably in your chest. Aaron reaches out his hand a little, and you take it into yours. You sit like that for a long time, and you know there’s so much else going on, but a small part of you sighs in relief. Aaron is okay, and he feels about you how you do about him, and maybe everything will be okay in the end. 

The months after Haley’s funeral are tough for everyone. It’s weird going to work and not seeing Aaron. Sometimes you inadvertently make a cup of coffee how he likes it and have no one to give it to. You started drinking some, even though it tastes bitter and terrible, it makes you feel close to him.

How stupid is that, you wonder one day, sipping the coffee and looking over files with JJ. If the rest of the team thinks you're stupid, they haven’t shown any signs of it yet. You’re sure they mostly feel bad for you and your pathetic behavior. You’ve gotten sloppy because you can’t stop thinking about how Aaron is doing. 

You and the team will go visit him and Jack at his new place. You make cookies, snickerdoodle for Aaron and oatmeal raisin for Jack.

“What kind of a kid are you?” you questioned, helping Jack scribble in his Captain America coloring book. He’s munching on a cookie while you try to figure out what part of the shield is blue and what part is red. “I mean, who likes oatmeal raisin cookies at the tender age of 5?” 

“I did,” Spencer says, taking another one out of the tin. 

“You don’t count, genius,” Morgan says, and then directs his gaze at you. “And I mean come on, no chocolate chip for me? None at all? That hurts.”

“I made you some like two weeks ago! I have a job, you know,” you fire back. Aaron laughs, eating the snickerdoodle after dipping it in milk. It’s so domestic, you feel yourself staring. You only turn away when he catches you looking. 

When he comes back, you wonder if it’ll ever feel normal again. That silly routine you two had, the chairs on the jet near the coffee machine that you still sit in, walks to your car. 

At first, it just feels strange. So much has changed yet the team’s dynamic remains the same. You get through cases with the same ferocity you had when you first started, eager to prove your worth again. Your reports detail every detail and then some, and you stay even later than Aaron some nights. You need something to focus on, and your cases seem like the best option. The other option is to have another conversation with Aaron about your feelings and you think you might die if that happens.

When it finally does happen, it’s plenty embarrassing. You were so sure about your theory about this unsub, so sure that he would confess if he was confronted about his crimes and reminded of the humanity of his victims—three little kids, all under ten. Maybe that’s why it bothered you so much, and that’s why you stormed into the residence even though the rest of the team was screaming at you not to. In the end, you talk him down, but Aaron runs in behind you anyways and nearly spooks the unsub into suicide.

“You do not have the authorization to make calls like that,” Aaron yells at you, and though you had once thought you would die if he yelled at you, it’s all too easy to yell back. 

In that moment, when you had known what would happen, dealing with your area of expertise, he stormed in and questioned you and your abilities as an agent and as a profiler.

“I don’t need authorization, I knew what would happen, and I knew how to talk him down without this ending in gunfire—”

“I don’t care what you think you knew. This is a team, and we don’t make decisions that jeopardize a case without agreeing on it!” “You mean you have to agree with every decision I make? I had it handled, Hotch, you almost blew that whole thing up because you didn’t believe in me!”

“That’s not what this is about,” he fires back, and it feels strange to be yelling at you. He can’t recall the last time he’s ever done this. The rest of the team is just packing up in the police station, trying not to overhear but not really having any choice in the matter.

“Yes it is! You don’t trust me! Not to make decisions for this team and for our cases, or for anything. You just proved that back there. You don’t trust me.” It’s happening again. Tears brew in your eyes. They spill down before you can stop it. Aaron softens before your very eyes at the sight of them. “Stop! Stop feeling bad just because now I’m crying, they’re not tears for you, they’re angry tears and I can’t control it-”

“Of course, I trust you.” His voice has dropped from a yell to just above a whisper. “How could you think that I don’t?”

“I’m not stupid, Aaron. I know what I’m doing. My plan was going to work and you shot me down in front of everyone because you didn’t believe in me,” you say between tears. “Nothing’s changed.”

“And what do you think would happen if you stormed in there and I lost you too?” His voice is gentle. You hadn’t noticed that he was so close to you now. You can see the eyelash on his cheek and feel the heat radiating from his body. 

“That’s not what this is about.”

“That is exactly what this is about. You think I don’t trust you, so I won’t let you walk into a confrontation alone? That I think you don’t know how to profile, how to handle these unsubs, so I get into a screaming match outside a crime scene? Tell me, does that check with any of my behavior in the years I’ve known you?”

“I don’t know, Hotch, I don’t profile you.”

“You call me Hotch in front of everyone, and especially when you’re upset with me. When it’s just us you use Aaron. You know how I take my coffee even though I’ve never told you, because you pay attention even when no one else is looking. Cases with children affect you the most, especially when it takes us longer to work them, because you think you should be quicker and figure out the unsub faster since you worked with kids before joining the team. You remember the little things everyone says because you don’t want them to think you’re not paying attention to them. You cry about cases when you feel like there’s something more you should have done, even though there’s nothing else any of us can do. And you cry about me the most of all, that time on the jet, in the hospital, and just now because you think I don’t share your feelings. You think I know all this because I’m profiling you, but it’s not. It’s because I pay attention to those whom I love.” 

Shell shocked. You are shell shocked at Aaron’s speech, eyes wide and mouth open. You’re sure the rest of the team, hidden behind a bulletin board and the conference table is much the same. 

“I’m going to kiss you now. And that’s the end of the conversation about me not trusting you, okay?” You nod dumbly. Aaron’s lips are sweet and taste like his coffee—black, with two sugars. You feel another tear falling but it’s only because you hadn’t expected any of that. 

“That took long enough,” David says from behind the partition. 

and voila <3

[inkskinned]

oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.

oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.

oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.

which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.

but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.

which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.

and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!

and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.

the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!

and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -

what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.

and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.

[0sbrain]

here's a list of mozilla add-ons for all of you tumblrinas out there to have a better internet experience

also, if you like my post, please reblog it. Tumblr hates links but i had to put them so you adhd bitches actually download them <3 i know because i am also adhd bitches

BASIC STUFF:

AdGuard AdBlocker / uBlock Origin : adguard is a basic adblock and with origin you can also block any other element you want. for example i got rid of the shop menu on tumblr

Privacy Badger : this add on will block trackers. if an element contains a tracker it will give you the option to use it or not

Shinigami Eyes: this will highlight transphobic and trans friendly users and sites using different colors by using a moderated database. perfect to avoid terfs on any social media. i will explain how to use this and other add-ons on android as well under the read more cut

THINGS YOU TUMBLINAS WANT:

Xkit: the best tumblr related add on. with many customizable options, xkit not only enhances your experience from a visual standpoint, but provides some much needed accessibility tools

bonus: if you are into tf2 and wanna be a cool cat, you can also get the old version to add cool reblog icons

AO3 enhancer: some basic enhancements including reading time and the ability to block authors and tags

YOUTUBE

Return of the YouTube Dislike : pretty self explanatory

Youtube non-stop: gets rid of the annoying "Video paused. Continue watching?" popup when you have a video in the background

SponsorBlock: gives you options to skip either automatically or manually sponsors, videoclip non music sectors and discloses other type of sponsorships/paid partnerships

Enhancer for YouTube: adds some useful options such as custom play speed, let's you play videos in a window and most important of all, it allows you to make the youtube interface as ugly as your heart desires. I can't show a full image of what it looks like because i've been told its eye strainy and i want this post to be accessible but look at this <3

PocketTube: allows you to organize your subscriptions into groups

YouTube Comment Search: what it says

FINDING STUFF

WayBack Machine: you probably know about this site and definitely should get the add on. this allows you to save pages and access older versions with the click of a button. while you can search wayback using web archives, please get this one as well as it allows you to easily save pages and contribute to the archive.

Web Archives: it allows you to search through multiple archives and search engines including WayBack Machine, Google, Yandex and more.

Search by Image: allows you to reverse image search using multiple search engines (in my experience yandex tends to yield the best results)

Image Search Options: similar to the last one

this next section is pretty niche but... STEAM AND STEAM TRADING

SteamDB: adds some interesting and useful statistics

Augmented Steam: useful info specially for browsing and buying games

TF2 Trade Helper: an absolute godsend, lets you add items in bundles, keeps track of your keys and metal and your recent trades, displays links to the backpack tf page next to users profiles and more. look it tells me how much moneys i have and adds metal to trades without clicking one by one oh may god

IN CONCLUSION: oooooh you want to change to firefox so badly, you want to delete chrome and all the chrome clones that are actually just spyware and use firefox

HOW TO USE MOZILLA ADD-ONS ON YOUR PHONE

if you already use firefox on android, you'll know there are certain add-ons compatible with the app, some of them even being made just for the mobile version such as Video Background Play FIx. while most of them are pretty useful, some more specific ones aren't available on this version of the browser, but there's a way of getting some of them to work

you need to download the firefox nightly app, which is basically the same as the regular firefox browser but with the ability of activating developer mode. you can find how to do that here. once you've enabled it, you need to create a collection with all the add ons you want. i wouldn't recommend adding extensions if the creators haven't talked about phone compatibility, but XKit and Shinigami Eyes should work

also, don't tell the government this secret skater move, but you can try using both the regular firefox browser and nightly so you can have youtube videos in a floating box while you browse social media.

see? i can block this terf while Rick Rolling the people following this tutorial. isn't that tubular?

[generalsmemories]

hiii for your event (CONGRATS BY THE WAY!!!) I'd like to request

"hey, no crying... I thought we said we wouldn't cry" with jing yuan please and thank you

Warmth of the living

✧ jing yuan x gn!reader

✧ prompts used: "hey, no crying... I thought we said we wouldn't cry" || 1k event

✧ content: established relationship, hurt/comfort, spoilers for xianzhou storyline, we are still stuck in the jing yuan recovery era after phantylia fight

✧ a/n: istg if this man goes into the next patch half beat up and ready to intervene i'm actually sentencing him to a house arrest cause GODDAMN. in a way this can be seen as an alt version of my other fic 48 hours tbh. i just can't imagine any other scenario where that sentence specifically is used by itself than the recent events - so sorry for the same sorta events, i'll make sure it's the last one though!

NOT BETA-READ CAUSE I LITERALLY WROTE THIS ALL IN 30 MINUTES THE MOMENT I GOT SOME MOTIVATION FOR IT HAHA

"Lady Bailu is taking care of him as we speak, [Name]. Please excercise some patience and believe in her - she's not titled the best healer of Luofu for no reason," Fu Xuan tries to comfort as you pace back and forth at the Seat of Divine Foresight - a hand massaging her temples as she looks towards the mountains of unopened scrolls needing to be read through within the day, "... If it helps, I've also foreseen that he won't be in any immediate danger. He's fine and he's going to recover."

That diviner noticed that her assurance seemed to ease you to the point you let out a long shaky exhale before sitting down at one of the steps leading to the grand desk, combing a hand through your hair for the nth time, "You haven't rested either with helping both me and Qingzu arrange documents and various meetings with the Six Charioteers. Why don't you try to take a walk outside the Exalting Sanctum?" Fu Xuan suggests, but you merely shake your head with a chuckle.

"If I leave you'll be more overwhelmed than you already are. Qingzu is even starting to pity you, lady Fu Xuan," you start, taking a deep breath in before standing up again, "Besides, if I leave the Seat, I just know I'll go running to where he is, I don't think that would help any of us now, would it?" you say with a light-hearted chuckle.

Fu Xuan didn't comment on the fact that your voice was trembling slightly as you spoke.

You can visit the general now. Please bring me some tuskir wraps, I'm hungry.

The message was sent as you had just placed a plate of food in front of Yanqing, almost dropping the contents entirely over the table if the young lieutenant didn't notice the grip you had on it falter and catching it in time, "Woah- [Name] I was looking forward to eating your food today! What would I do if you just suddenly do something like... that..." Yanqing's words died down when he saw your widened eyes, but a quick look at the sender of the message made him let out a relived sigh, only leaning back and picking up his chopsticks, "Why not visit the general instead of staring at your screen like that? It's not like you will be able to be able to teleport yourself to his location by doing that."

Yanqing's words made you snap out of your surprise, rushing towards the entrance, "Lock up after me! And give-"

"Mimi her food, I know! Just go!"

You knew that your worry was not needed. You knew that no matter how much you worried and that no matter how many times you wished for things to go differently that day that none of it would happen, "What happens and what has happened will inevitably stay like that no matter how much you try to alter it. And if my life can ensure that the rest of Luofu can stay safe then that is ultimately the best outcome in the long run, don't you agree, dear?" is what Jing Yuan had told you after the both of you had gone through his initial plan to handle the crisis.

You knew that he was right, which was why you bit your tongue and confirmed his plan. As the general of Luofu and as an official handling the lives of the people - you both knew that his plan, although reckless would yield the best results instead of sacrificing lives where it was not needed.

You knew.

But as you stand before him in person and get a thorough look at him you can't help but wish things had gone differently that day when he came to you with a final plan - a final play.

You wished that you had let your selfish mind overtake your logical mind for a second and beg him to come up with something else. Anything that didn't involve setting himself in danger.

But you didn't, and now you're seeing the very consequences of not doing so in front of you.

His skin is paler than usual, there's bandages wrapped around his torso, his forearms and even a few of his fingers. The usual spark in his eyes are dimmed slighty. There's an air of exhaustion around him, like he's trying his best to stay awake even though he desperately wants to sleep, but his smile is still the same.

The same reassuring, convinning and gentle smile he gives you when you greet him at the Seat of Divine Foresight, when you return home after work and he's home before you and when you run into each other on the streets of Luofu. And yet you can't find yourself to smile back, your fingers tightly twisting the material of your garments while you struggle to let out a word, a sound or anything at all to even try to match his own effort to reach out to you.

But you can't, you can't bring yourself to speak, and every time you open your mouth you can only make a tiny sound that sounds like a wheeze. But before you can try to recollect yourself, your eyes widen when Jing Yuan forces himself to sit in an upright position, snapping back to reality when you hear his quiet grunt of pain.

However you're not able to tell him to lay back down again (as Bailu had instructed he does) before he grabs a hold of your hands and pulls you into his arms with quiet coos and a low chuckle, "No crying... I thought we said we wouldn't cry over things like this?" he whispers, pulling slightly back to instead cup your cheeks, thumbs caressing the few tears that had managed to fall down from your eyes with a gentle gaze.

It tears you utterly apart how your wellbeing is still his priority than his own recovery.

"That... was a different... situation," you manage to squeeze out, bringing your hands up to rub the tears away yourself.

You didn't know when the tears began to form, nor when they began to fall.

"I know I'll lose you one day to the mara, as much as you're aware that you might lose me to it as well - and that's what we promised not to cry over! We never agreed to this sort of situation!" you croak out, trying your best to stop the tears from flowing. You know it's a silly comparison - Jing Yuan would much rather die out in the battlefield protecting the Luofu and the alliance than fall victim to the curse. You know, but your selfish self won't accept that outcome - even though you know such an outcome is the best for the general of Luofu.

"I agreed to this plan of yours, yes. I also agreed knowing that you're essentially putting your own life at risk yes, but still!" you sob, raising a closed fist to lightly beat down on his already battered body, "Knowing that you still came back safe just made every possible scenario of things that could go wrong and knowing they didn't and that you're here right now- scolding me of all things for crying in relief just makes this seem more surreal so you out of everyone can't fault me for actually crying because I was preparing a starskiff for the soul-soothing ceremony in the background for aeons sake," you rasp out, ending the whole rant with a saddened chuckle.

Jing Yuan merely laughs in return, one arm wrapping around your waist while his free hand pushes your head into his chest while gently patting your head, his body shaking with his soft chuckles when he feels your tears wet his garments again, "I'm fine dear, I just need to be in bedrest for a while. I'm not leaving anytime soon, so stop those tears, okay? You know I can't handle it when you cry," he whispers, bending his head down slightly to kiss the crown of your head softly.

"Just let me cry this one out, I don't think I've cried for a good couple of years," you murmur, burying yourself further into his chest, the arms you have wrapped around him squeezing a tiny bit - making Jing Yuan let out a small yelp of surprise from the force.

He's warm, you notice. His heart is beating and you can feel his chest rise up and down with every breath he takes. You can feel his fingers run through your head, you can hear the his nonchalant commets of his observations of the room in the commission amidst the otherwise silent room. And you can feel his whole body when he shuffles a bit to rest his back to the wall while he himself tries to squeeze you a bit tighter to reassure you.

Everything indicating that he's alive for another day.

And only after that do you finally feel like you can breathe again.

another request that had the same scenario in it!

[soracities]

what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds

I've answered this a few times so I'm going to compile and expand them all into one post here.

I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:

Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)

The Rattlebag (ed. Seamus Heaney and Ted Hughes)

The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)

The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)

A Book of Luminous Things (ed. Czesław Miłosz )

Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)

Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)

African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)

The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)

Lifelines: Letters from Famous People about their Favourite Poems

The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.

But in any case, for individual collections, I would try:

anything by Sara Teasdale

Devotions / Wild Geese / Felicity by Mary Oliver

Selected Poems and Prose by Christina Rossetti

Collected Poems by Langston Hughes

Where the Sidewalk Endsby Shel Silverstein

Morning Haiku by Sonia Sanchez

Revolutionary Letters, Diane di Prima

Concerning the Book That Is the Body of the Beloved by Gregory Orr

Rose: Poems by Li-Young Lee

A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri

Deaf Republic by Ilya Kaminsky

Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio

The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)

Crush by Richard Siken

Rapture / The World's Wife by Carol Ann Duffy

The War Works Hard by Dunya Mikhail

Selected Poems by Walt Whitman

View with a Grain of Sand by Wislawa Szymborska

Collected Poems by Vasko Popa

Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)

Bright Dead Things: Poems by Ada Limón

Teaching My Mother How to Give Birth by Warsan Shire,

Nostalgia, My Enemy: Selected Poems by Saadi Youssef

As for individual poems:

“Wild Geese” by Mary Oliver

[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"

"Good Bones" by Maggie Smith

"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib

"I Can Tell You a Story" by Chuck Carlise

"The Sciences Sing a Lullabye" by Albert Goldbarth

"One Last Poem for Richard" by Sandra Cisneros

"We Lived Happily During the War" by Ilya Kaminsky

“I’m Explaining a Few Things”by Pablo Neruda

"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost

"Tablets: I // II // III"by Dunya Mikhail

"What Were They Like?" by Denise Levertov

"Those Winter Sundays" by Robert Hayden,

"The Patience of Ordinary Things" by Pat Schneider

“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes

“The Mower” // "The Trees" // "High Windows" by Philip Larkin

“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón

“The Flea” by John Donne

"The Last Rose of Summer" by Thomas Moore

"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland

“My Friend Yeshi” by Alice Walker

"De Humanis Corporis Fabrica"byJohn Burnside

“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio

“Hummingbird” // "For Tess" by Raymond Carver

"The Two-Headed Calf" by Laura Gilpin

“Bleecker Street, Summer” by Derek Walcott

“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay

“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney

“Dulce Et Decorum Est”by Wilfred Owen

“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska

"Hour" //"Medusa" byCarol Ann Duffy

“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden

“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris

"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats

"The Thing Is" by Ellen Bass

"The Last Love Letter from an Entymologist" by Jared Singer

"[i like my body when it is with your]" by e.e. cummings

"Try to Praise the Mutilated World" by Adam Zagajewski

"The Cinnamon Peeler" by Michael Ondaatje

"Last Night I Dreamed I Made Myself" by Paige Lewis

"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)

"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz

"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye

"Slow Dance” by Matthew Dickman

"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel

"Mimesis" by Fady Joudah

"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert

"The Mermaid" // "Virtuosi" by Lisel Mueller

"Macrophobia (Fear of Waiting)" by Jamaal May

"Someday I'll Love Ocean Vuong" by Ocean Vuong

"Still I Rise" by Maya Angelou

I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:

Upstream: Essays by Mary Oliver

"Theory and Play of the Duende" by Federico García Lorca

"The White Bird" and "Some Notes on Song" by John Berger

In That Great River: A Notebook by Anna Kamienska

A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib

The Book of Delights by Ross Gay

"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky

"The Sentence is a Lonely Place" by Garielle Lutz

Still Life with Oysters and Lemon by Mark Doty

Paris, When It's Naked by Etel Adnan

[keyotos]

kiss the girl

summary ⎯ five times dan heng has thought about kissing you, and the one time he actually does.

tana's words ⎯ i've been recently listening to kiss the girl (ashley tisdale version) and its cute and made me think of dan heng. and idk if this follows canon story or not bc im not at xianzhou yet lolz.

also ik the title says 'kiss the girl' but that's only bc i was listening to the song. reader is gender neutral.

tags ⎯ friends to lovers. pining i think. hurt and comfort (at the end). flustered dan heng. fluff i think.

THE FIRST TIME dan heng thinks about kissing you, he immediately pushes away the thought. it was out of character; it was outrageous for him to think of a friend that way. it made him feel perverted for even thinking of the action.

it was a sunny day. you two (plus march and stelle) were in belobog at the time and you guys were witnessing bronya's speech. all of you agreed the speech was marvelous, and you all felt a sense of pride for bronya.

your eyes were sparkling in the sun as you watched bronya speak, and dan heng couldn't help but become enamoured by your face. he looked away from his paper to peek at your awed expression.

at that moment, dan heng thought you were the most beautiful person he's ever seen. but he can't think that. he cannot. not only were you a fellow trailblazer, but you were also his friend. he couldn't risk one of his greatest friendships over something as minimal as this.

so, he pushed the thought out of his brain. he thought that it would be gone forever, but he was deeply wrong.

THE SECOND TIME dan heng wanted to kiss you occured while you two were gazing in the astral express. by this time, you two have left belobog, and are awaiting your next journey.

you chose to pass the time by 'star-watching,' a new term you created as a substitute to cloud watching. the activity is similar to cloud watching as you point out shapes that make beings.

dan heng told you that you were just pointing out constellations, you said that you wanted to pass on the technicalities.

so now, you two were star-watching. you kept pointing out absurd patterns, such as, "this one looks like svarog," (it did not) and, "this one looks like balls." of course, none of the constellations looked like either of the comparisons (dan heng was thinking about taking you to the eye doctor), but dan heng played along anyway. anything to make you smile.

at one point, the absurdities stopped, and you began pointing out real constellations. so many beautiful creations in the sky, yet the real beautiful thing was right next to him, continuously pointing out constellations.

you rested your head on your hand, mindlessly gazing out at the empty field of stars in front of you, "it's beautiful."

"yeah," dan heng mindlessly replies, not even realizing what he's just said, "it is," he finally says, looking at you.

maybe it's the light from the stars hitting your face, or maybe it was just your radiant beauty, but the urge to kiss you came up once again. subconsciously, dan heng knew the feeling would arise sooner or later. but that didn't mean he liked the feeling.

he wants to preserve your friendship so bad; but sometimes, the line drawn alongside friendship and love begins to thin. sometimes, the line gets so thin that dan heng fears that he'll trip and fall into you.

THE THIRD TIME dan heng wanted to kiss you was when you two were hanging out in his room. over the span of months, dan heng has learned to appreciate your being, and sometimes (he will never admit this) he feels calmer around you.

usually, dan heng didn't let other people be in his room, but it was different with you. for some reason, he liked it when you were in his room. sometimes, he finds himself wanting you to be in his room.

he was quietly sorting through his data bank while you were reading. it was such a calm and quiet moment; dan heng felt peace for once. there was music playing softly in the back, the room was silent, and the air was just right. it felt nice.

dan heng was too tuned into his data bank that he didn't hear footsteps coming up closer to him. it was only when he turned his head to check on you, that dan heng noticed you were right next to him.

you were right next to him, head nearly leaning on his shoulder, and you were so close to him. dan heng's heart was about to beat out of his chest, and he began to worry about the warmth that was rapidly spreading to his neck.

when you noticed dan heng's reaction, you thought you'd surprised him. you moved a little bit back, "sorry, did i scare you?"

"no, not at all. i was just a little startled," dan heng replied while rubbing the back of his (reddening) neck.

"that's like, the same thing as scared," you gave a low chuckle and moved closer to him once again, "you would know this."

"dunno," dan heng paused, "maybe i was too frightened to remember." when you laughed at that, dan heng swore he blushed all the way up to his ears.

"you are not funny," you gave him a slight shove that didn't really affect him. you leaned closer into the database, "what are you doing?"

you didn't realize how close you were to dan heng, your faces nearly touching. you were scrolling around his data bank while dan heng was trying to hide his rampant blush from your eyes.

dan heng stared at you while you browsed, taking in your close presence. you didn't seem nearly as tense as he did. you were relaxed, comfortable, you leaned into him. dan heng found himself staring longer than normal.

then, the thought, came in. the same recurring thought he'd been having for a long time: the thought to kiss you. he wanted to take you by the hands and pull you closer to him. he wanted to feel your palms and he wanted to feel you closer to him.

and this is the moment were dan heng realizes that he wants to be more than friends. dan heng realizes that he likes you; he wants you to be with him, he wants to feel you by his side. he wants endless star-watching nights; he wants to see you constantly.

and that is dangerous. not only would that ruin your friendship, but it would also endanger you. there's so much that would put you at risk.

"you should go back to your room," dan heng puts a gentle hand on your shoulder, causing you to look back up at him. your confused expression almost shatters dan heng's resilience, but he goes on, "it's late. go get some rest."

you keep the hand on your shoulder, "you too. don't stay up too late, okay?" the soft tone of your voice makes dan heng melt, and he almost wants to pull you back and ask you to stay. almost.

dan heng nods and you leave. he leans back on his desk and puts his head in his hands. what is he going to do?

THE FOURTH TIME dan heng wanted to kiss you was the night you arrived in the xianzhou. you (and march and stelle) were exploring the city and it's wonders while dan heng was treading carefully behind you.

you haven't had a full conversation with dan heng for days. you assume it was probably because you were snooping around his data bank, but he has never minded that before. you haven't got an actual chance to apologize either, because for some reason, dan heng is now constantly busy.

the four of you decided that you would split up to look around. march immediately went to stelle, so that left you with dan heng.

dan heng knew this would happen. he couldn't avoid you for too long anyway, even if he tried. he would always end up gravitating back towards you.

it pained him to not talk to you. he missed your voice, your jokes, your little touches. he missed your book talks, he missed the way you'd always be in his room, he even missed your nosiness.

you and dan heng were aimlessly strolling around the streets until you found a lively street parlor. they were selling food, and the aroma was absolutely divine. dan heng knew you immediately caught your mind on something when he saw your beaming face.

you still haven't found a correct time to apologize to dan heng, but that can wait for later. you just wanted to talk to him. "dan heng! we should try some," you beamed.

"okay. i'll wait over here," dan heng monotonously replied. your smile slightly faltered, dan heng thought the sight to be excruciating.

he couldn't still be mad at you, right? you had to apologize soon, because this silent is agonizing. you couldn't help the fact that you missed dan heng. you missed late nights and his warm touch. you missed his sarcasm and his gentle nature.

when you returned, you brought back one giant kebab that dan heng knew you couldn't finish. you'd probably have enough to share with the entire express.

when you took a bite of the kebab, you moaned with delight, and dan heng forgot how much he missed your smile. it all came rushing back to him, all the things he missed about you. you are right here, in his grasp, yet he still cannot have you.

after your first bite, you offered a second bite to dan heng. etiquette was all out of the picture when you were there.

originally, dan heng wasn't planning to eat. there were lots of problems at hand, and dan heng could not relax now. but you were an obstacle in his equation. how could he refuse you when you were practically bouncing on your toes, smiling, and looking at him with such mirthful eyes. saying no to you was like refusing a blessing from the aeons.

he took a bite out of the kebab, to which he nodded in delight. dan heng finished chewing with a delighted expression on his face, and your smile appeared once again. dan heng felt his lips creep up, and sooner or later, he was smiling as well.

he looked down at your happy expression, and he noticed that you had food on the corner of your mouth. dan heng usually scolded you for being slightly messy, but in this tender moment, there was no need.

dan hen grabbed a napkin from a nearby table and wiped the corner off your mouth off. he wiped the food off so tenderly that you would think he was tending to something delicate and fragile. and the gaze he gave you after. you nearly passed out. dan heng looked at you with such fondness and love that you gripped the kebab harder.

his mind hadn't registered what he just did before you quietly said, "thank you."

dan heng nearly malfunctioned. what he just did was criminal. it was a simple thing, however it was most criminal to dan heng. during that moment, all he could think of was your lips on his. the tenderness of his touch was his mind projecting how he would cup your face when you two kissed. all of it felt so wrong, but so right.

"no problem," dan heng blushed and avoided your eyes. "do you... do you think we should meet back up with march and stelle?"

"yeah," you looked down at the ground, slightly flustered, "yeah. let's go."

things were awkward. but at least things were okay. and that was all that mattered to you.

MARCH 7TH HAD speculations. you and dan heng were like a pair. you two were a dynamic duo, second to march and stelle, of course. you would always be seen with each other. when march "accidentally" stumbles into dan heng's room, you'd be somewhere in there as well.

so, why is it that whenever march barges into dan heng's room, you aren't there? why are you not with him? why is he "constantly busy" when he there is nothing to store in the data bank? something was up, and march was determined to find out what was happening.

"don't you think it's weird that we never see dan heng and yn together anymore?" march asked stelle while sipping on juice.

stelle huffed, "i mean, it's a little weird. but maybe they're both exhausted. we just got out of belobog and now we're facing more conflict in another world."

"yeah, but," march paused for dramatic effect, "i saw them together in dan heng's room a few days ago."

stelle furrowed her eyebrows, "are you stalking them or something?"

"what?!" march exclaimed, nearly jumping out of her seat. the scene caused stelle to laugh, "no. of course not, i can't believe you accused me of that!"

"so... you don't think it's weird that we never see them together anymore?" march continued.

"okay. i'll answer. it's a little weird. but whatever it is i'm sure they have a reasonable explanation for it," stelle said. "why are you asking about them anyway?"

"because," march drew out the syllables, "they're cute. i've been shipping them. and plus, dan heng hasn't really been acting like himself recently."

"yeah, but what are we gonna do about it? he hasn't really opened up to us about his problems... like... ever..." stelle trailed off, as if she tried to remember how many times dan heng has ever spoken about himself.

"don't worry stelle," march grinned, "i have a plan."

"i can't believe we fell for this," you grimaced in the closet you were stuck in.

march and stelle split up and told both of you that there was a group meeting in march's room. obviously, because the both of you thought there was something urgent, you rushed in there. you were prepared, only to be ambushed and pushed in a closet by march and stelle as a ploy to "make up."

alas, you knew you needed to talk things out sooner or later.

dan heng, on the other hand, was freaking out. you're close. you're so close that he can feel every time you exhale out of your nose. this closet had no space, so you were practically pressed up on dan heng.

the one thing he couldn't see though, was your face. dan heng wanted to see your face. he wanted to study you up close: he wanted to your skin with his hands, wanted to pull you closer so he can observe the way your mouth lifts when you smile. he wants so much, but he can have none of it.

"i think i can break us out," dan heng offered.

"do you think they're guarding the doors?" you chuckled. dan heng gave a small smile after hearing your laugh. it's ironic that you're laughing in this situation while dan heng's heart is about to burst.

"i think the both of us can take them," dan heng answered.

this is the most you two have ever spoken to each other in days. you missed his voice and you missed being so close to him. unconsciously, you leaned closer to dan heng. you would know his warmth from anywhere.

as you two try to find a good point to hit, your hands brush against dan heng's. the way his hand feels on top of yours just feels right. the way his touch is still so gentle; oh how badly you missed his touch against yours.

"i'm sorry!" dan heng quickly removed his hands from yours. he moved away from you as well. you wanted so badly to chase him: you wanted to come closer, to place your hands with his one more time.

but you didn't. you doubted the fact that dan heng wanted to be near you. with his recent actions, you were wondering if the two of you were still on good terms or not. you could mess everything up with one action; dan heng was the very last thing you wanted to lose.

when you two finally found a good breaking point, you both put all your body strength into prying the doors open. it took a few tries, but the doors finally opened. however, there were consequences. the closet fell down with the combined force of both your bodies shaking it.

before you two fell to the floor, dan heng grabbed your arm and pulled you underneath him in a quick motion. your heart raced against your chest; you were so close that you could feel dan heng's heartbeat as well. and to your surprise, his heart was beating just as fast as yours.

the closet fell on top of you, and dan heng shoved it off of the two of you in one motion. seeing him do that just made your heart beat faster, and you were sure that you were breathing faster as well.

dan heng looked down to check on you, but doing so brought him much closer to you. closer than he had ever been. if dan heng moved down a little bit more, he would be able to close the distance between your lips. the urge was tempting: he was on top of you, your faces were both so close to each other, and your breathing was rampant and quick.

"are you alright?" dan heng asked. his breath fanned your face and you stared right into his eyes.

"i should be asking you that," you breathlessly whispered. he was so close and you were about to burst.

"i'm alright," he leaned down closer, "don't worry about me."

you two were both in a daze when you found yourselves leaning closer to each other. dan heng cupped your face; he couldn't wait any longer. all resilience went out the window, because right here, right now, you were here. you were in front of him, looking as radiant as ever, and dan heng could close the distance right now.

his hands treaded carefully across your face, as if you were one-of-a-kind. finally, his hands rested against your cheeks, and he leaned closer. dan heng was so close to kissing you before a commotion entered the room.

"OH MY GOD!" march exclaimed before running out of the room.

you startled, and accidentally pushed dan heng off of you. you frantically apologized while dan heng brushed himself off and helped you up. you were shaking at what almost just happened. you almost kissed your best friend.

the distance between you and dan heng was wide. he made sure to stand exactly five feet away from you. his hands were crossed and he refused to look at you. dan heng was worried that if he got even the slightest glance at you, he wouldn't be able to stop himself from what would happen next.

you both quickly left the room with racing hearts, confused thoughts, and a realization that whatever just happened was a mistake.

WHENEVER DAN HENG NEEDS SOMEONE to help him with his wounds, you are always that person.

at first, it was for team bonding. before stelle came, you all would take turns patching wounds to build team trust. however, with dan heng, the only person that he'd let patch up his wounds was you. you used to tease him and tell him that he was like a dog in that way, but he always brushed it off.

you were always gentle with him; carefully touching up on cuts and bruises with bandages or rubbing alcohol. by no means were you any doctor, but you were tender and calm.

dan heng was wounded again. there was no reason for him to be wounded. the fight was tame; the enemies weren't extremely powerful or anything. but for some reason, dan heng surpassed the rest of the team with more cuts.

now, you two were in a small room together. luckily, it's more spacious than the closet, but it wasn't as big as dan heng's room. you and dan heng were both sitting on a table; you sitting criss-cross-applesauce while dan heng was sitting properly.

the both of you haven't talked ever since the closet incident. instead, you two have been sharing gazes, brushing past each other in halls, and staying five feet away from each other.

this was the closest you have been in a while.

you are focused on banadaging dan heng's cuts. your eyes are glued to his arms and torso; you refused to look up at dan heng. you couldn't look at him for two reasons: you were slightly mad at him for obtaining so many injuries and you still couldn't look him in the eye after the past situation.

dan heng sat in silence as you tended to him. he knew you were mad at him, and he felt awful. dan heng knew that he didn't need to sustain as many injuries has he had. the only reason why he had so many injuries was that he was trying to distract himself from his feelings. the closet situation had him questioning himself. given the chance, would he hold himself back or would he let his urges win?

"i'm done," you let go of his arms and started putting bandages away. dan heng didn't know you'd be done so quickly. he wanted to bask in your grace for a little longer. dan heng thought about pulling a stitch in order to get you to stay longer, but that just seemed weird.

dan heng knew he couldn't let you leave like this. there was too many unspoken words between you two; most of them, partially his.

during this, dan heng realized something. he realized that, even though you are still mad at him, you stayed with him. you didn't ask for march or stelle to help him, but you did it yourself. dan heng could be reading too much into it, but dan heng is tired. he's tired of longing for you.

and maybe, just maybe, if you'll stay when it gets difficult (like right now), maybe you'll stay when it gets hard as well.

dan heng decides to leave all resilience behind. for once, he doesn't calculate the consequences nor does he hold himself back.

you're about to slide off the table until dan heng pleads, "wait." he grabs your arm and holds you there with a gentle grip. you could slip out of it if you wanted to, but this may be the first actual conversation the two of you will have in a while.

dan heng takes your silence as an answer. "thank you," he says. he curses at himself at the simple response. it was anti-climatic. "i appreciate you," he adds on.

the compliment made you blush, even though it was very simplistic. you avoid looking at him and rather focus on tapping your fingers on the table. "no problem. it was nothing anyway."

you two remain silent for a few moments; you didn't want to leave in fear that this may be one of your few conversations. dan heng was trying to find the right words to say.

"i really do appreciate you. for being here. for always being here," he continues. dan heng realizes he sounds redundant, and he wants to slap his palm across his face. with you, he couldn't find the right words to convey his actions. saying, "i'm sorry," wasn't enough and saying, "i miss you," was too little.

"i told you. it's nothing. i'd do the same for everyone else," and you wanted to chide yourself for saying the last sentence. not true, because the only person who'd you really do all of this for was only dan heng.

"i think this is the longest conversation we've had in a while," you murmur to yourself.

"i know," dan heng replies. you jump back on the table, almost falling off. if it wasn't for dan heng catching you (yet again), you would've fell off. his touch sends electricity through your veins; his touch brings warmth to your body.

"hey! you need to watch your stitches," you automatically scolded him. your nagging was a normal occurrence, but this time, it felt rare. dan heng hasn't heard you nag at him for years (days), and he feels as though he can breath normally now.

"sorry," he pulls back. you're left shuffling closer to dan heng, not that you notice, due to your almost fall. you two were facing each other now; the distance was a lot closer than before.

you let out a small laugh at the situation. practically falling of a table was not a laughing matter, but you always found joy in those situations. sometimes, dan heng thought it was a bit strange, but he always valued your optimism.

"i'm sorry dan heng," you look back down on the table, "i didn't know going through your data bank would make you ignore me for days," you let out dry chuckle.

dan heng furrows his eyebrows in shock, "don't apologize. i don't mind you looking through the data bank."

you looked up after his reply, expression shadowed with confusion, "wait? really? so... why the radio silence? did i have something to do with it?"

"no! no, it wasn't you," dan heng quickly reassured. "it was me. i was the problem."

"don't have to tell me that," you smiled and bit the inside of your cheek to keep yourself from laughing.

"i'm gonna let that slide," dan heng smirked. it was nice, the way you two fell back into your normal routines once again. it was like all the tension that was previously there, simply dissipated.

"i missed you," you crossed your legs on the table, moving back to the criss-cross applesauce position.

"me too," dan heng replied. "i missed you a lot." he looked straight into your eyes.

you flustered underneath his gaze, "i probably missed you more. sometimes i dunno if i can survive without you," you joked. it was a joke, but occasionally, you find it to be true.

"for me, it's the other way around," dan heng mumbled beneath his breath. "i really missed you. and our late nights. and star-watching."

"you missed star-watching?" you astonishly asked. dan heng wished he could take a picture of your grin when he told you that he missed star-watching.

"i missed a lot of things," dan heng paused, "but i missed you the most."

"i'm sorry for pushing you away yn. i was just⎯ scared," time to rip off the band-aid, "when i'm around you, i just get so messed up. you're the only thing on my mind sometimes. everything about you just makes me⎯ breathless? speechless? you amaze me to the point where i can't even think of a word to describe you."

dan heng pauses and his heart is racing. you're looking at him as if you want him to continue, as if you want him to finally say what he wants. dan heng doesn't know that you want it too.

"yn," dan heng looks straight at you, "i have feelings for you. feelings that i think will overwhelm me at one point if i keep it all together. i never stop thinking about you, longing for you. i want you and i think i really want to kiss you," dan heng finishes. he fumbled on his words back there, because he doesn't think he wants to kiss you, he wants to.

"dan heng..." your face is hot. your body is hot. your breathing is fast-paced and you feel like you are about to be on fire. adrenaline rushes through your veins and you are sure you are not thinking straight.

you pull him in for a kiss, tugging him closer by his chin and kissing him passionately. you take that fire from your body and you pour it all into this kiss. dan heng is surprised at first, but then reciprocates your actions. while your hand is on his face, his hands slide to your hips, tugging you closer and holding you tighter.

you two kiss until you have to stop for air. when you breathe, the whole world feels like it's on fire as well.

"i feel the same. i can't stop thinking about you," you lean in for another kiss, "i miss you," another kiss, "i missed being with you," another, "i missed being close to you," another, this time a little longer, "but i really hope i don't miss this."

"don't worry," dan heng pauses, "you won't. i promise."

and after all of that, dan heng finally got to kiss you.

[deadliestgalaxy]

SPOILERS FOR GOTG VOL. 3 - DON'T READ IF YOU HAVEN’T WATCHED IT YET!

I have a feeling that everyone (who calls themselves fans) that didn't get the meaning of the ending in GOTG Vol. 3 has never read a single comic of them or is only a fan of some characters/relationships. Many complaints I've seen are about the end and Gamora and Peter’s romance, which sounds kind of childish. You don't need to agree with me, but I’d like to elaborate on that.

James Gunn's writing is always about the detail of things and he is not afraid to do something “bad” if it is the best for the STORYTELLING. This is what most of these people don't get: the most important part of these movies is the story they are telling. The characters help the movie tell the story, it's their story after all — but there's no protagonist or greater good that puts them above the narrative.

(This is different from Gamora’s death in IW btw. It was not the only way they had to make the story flow; they just wanted to “humanize” Thanos and by that, they chose to kill her character. It was an action ADDED not CRUCIAL to the story.)

Vol. 3 is about found-family and growing up; finishing cycles. They will always be family, as we will always be part of their story (that’s why we understand Groot now). However, life chapters end just like in real books, and these Guardians as a TEAM “chapter” has ended for them and for us.

This is very common in the comics. Most times they are all separated, doing solo missions, until something goes wrong and they reunite again. They never stop being friends, why would it be different in the movie universe?

But the end suggests they are not family anymore.

Did we see the same film? No, it doesn't. We can see that in James’ subtle writing: the way they all still respect each other, their understanding of one another, and how they all would die for themselves if needed. That won't change just because they are not physically together — just like when you finish school you won't ignore your best friends, even if you create new relationships (which you will).

But Gamora is not part of the family anymore.

Well, if you see it this way, I can't change your mind. What I can say is that the story IMPLIES that she still is, in fact. And the number one clue is that she (in 2 days) understands Groot. Remember, we also understand him because the fans are now part of the Guardians family — so understanding him and being family are correlated.

Anyhow, I know this is not enough for most people, so hear me out: Gamora’s arc is about respect and healing. She starts the movie skeptical about working with the guardians — she just wants the money— when in reality, she acts like this because she is AFRAID and feels PRESSURED to be around her “old” family.

Imagine: you died but then another version of you comes back without knowing anything of your present life. People will expect you to act in a certain way that maybe you started to act after you met them; they will expect you to like certain things you don't know of; people will EXPECT you to attend to their needs. It is a lot to swallow at once. You are afraid because you don't know them, you don't think you deserve all this love and commitment out of nowhere. So you run away. You run away to find things on your own, to grow out of this pressure you feel and discover the whole universe of possibilities you have ahead.

That's what Gamora did. But then, the mission went south and now she is stuck with her “old” team. The film shows us her character exploring the ship, listening to music... trying to understand them. At one point she even says to Rocket “You must be a very loyal pet for them to do all this for you” (or something similar). This is her way of putting into words how she visualizes the current scenario she was put in. Slowly she recognizes that they are a family, and by the way they act she finally gets how and why she also must have loved them in the past.

She goes from “I don't give a fuck”, not open to them, afraid and pressured to “I bet we were fun”, understanding and respecting them, even fighting for their family to survive.

(If she still didn't give a fuck she wouldn't have fought for them and with them when she could have just run away again.)

But she has already created new relations, so she goes back to those for now. It is what she is familiar with in this timeline. Does that mean she will never contact the guardians ever again? NO. Remember: James’s writing is about DETAILS, nuance. She is open to them again, and the final part of the movie shows this to us, especially her last interaction with Groot, Peter, and Nebula being friendly.

Oh, but Peter and Gamora will never be a couple again, their romance ended when she went back to the Ravengers.

… Again, if you see it this way I can’t change your mind. What I can confirm is that she doesn’t close herself to the team — especially to Peter — in the end.

When she says “I bet we were fun” it's the first time she acknowledges their former relationship without distancing herself from it. She could've said “I bet you were fun” or “I bet she was fun”, but instead she prefers to include herself with “we”. She pauses before letting go of Nowhere, stopping before entering her ship — what moves her forward is Nebula, who can see her sister’s changed attitude but still encourages her to take a step forward and go explore the galaxy, because she knows Gamora is not mature and ready yet for those feelings; just like she wasn't ready to be openly sentimental when Gamora joined the Guardians back in 2014.

And Peter is also not ready. Just like Gamora needs to find herself again and discover who she is, Peter needs too. He is lost without her after IW, we can see it during Holiday Special and in the beginning of Vol. 3 when he passes out because of alcohol abuse. Both don't know who they are in this new reality — and they will only find out with time. Time heals and reveals.

In the end, Peter doesn't have the same thought as in the begging: he doesn't want her to be who he once knew, he wants her as she is, this new version whom he still loves so much and wants to know more of. Although he wishes she could stay, he knows that she has her own time and while she learns about herself he will go do the same.

So yes, they’re not explicitly together as a couple in the final scene — neither they kiss nor make out, whatever you believe a relationship is made of — but they’ve changed and are open to one another. The last scene does not appear to me as an “I’ll never see you again”, but as a “Goodbye, see you soon”.

(Aside from all the small bits we had through the movie of a developing relationship between them; my favorite one being when Peter activates the auto-destruction code and Gamora smiles at him.)

Besides, you can't force anyone to fall in love in 48 hours!!

Yes, I also have some minor complaints about the story, but I can recognize that — with all the turbulence the characters and the production faced in the last few years — it was a satisfying end with a limited amount of time to a badass trilogy. The end is definitive but also open to future possibilities for all our favorite characters in their universe — some we might never see and it will only be to our imagination.

Again, you don't need to agree with me, but I had to do this, or else I would implode with thoughts. Thank you if read up here! My ask box is open if you want to talk more <3