#and a nightingale sang in berkeley square

[firelikestars]

have a 40 second cover where @katspause and myself harmonize!

call it a siren song to bring our ineffables back to us ♥️

[a-love-like-yours]

Good Omens S2 SPOILERS

So we all saw Crowley realize what Aziraphale meant when he said that nothing lasted forever and so he resigned himself and put his glasses back on, building that wall back up after 6000 years to hide again, to retreat, to block out every hurtful thing. For s3, I want to see that he never takes of his glasses again, not for anyone, or anywhere. I want to see him never let his guard down or him get comfortable again. Until he and Aziraphale eventually make up again (cause we know they will) AND I WANT AZIRAPHALE TO BE THE ONE TO TAKE OFF HIS GLASSES FOR HIM

[halcyonfawn]

[heohl-art]

A Nightingale sang in Berkeley Square🔥✨ (page 1)

Am I insane? Yes.

But we deserve the ✨leg thing✨ (at the VERY least)

Notes: omg this one took my life, took me all day long😭🔥 (the details, the books) I started to cry

Can I just say that... more to come?🫢🔥

[but-sometimes-im-not]

phoenix, 2024 post-s2. the Bentley has been left untouched for so long that a nightingale family has made a nest under her grille. nothing will ever be as it was, but something new will be reborn.

[biceratops7]

Y’ALL I JUST FOUND SOMETHING WILD:

I figured this out by pure accident because musically, I’m not a big fan of Tori Amos’s singing style (I’m sorry 🙁, besides the point though!), so I pulled up the original instead to put on my playlist.

And GUYS. I don’t think “A Nightingale Sang in Berkeley Square” is about them at the Ritz together in the 21st century, or at least not at first…

It’s about this.

“A Nightingale Sang in Berkeley Square” originally came out in 1940 by Vera Lynn, one year before Crowley pulled the most romantic ass stunt Aziraphale had ever seen and, let’s be honest, the vibes uh… changed. I mean there was a reason the rumor of them being an item spread in hell around this time.

And that’s not all, the song was actually meant to be part of a musical, on the West End. The place where they made a fond memory together for the first time in nearly a hundred years, took care of each other, trusted each other. Hell, where Crowley and Aziraphale, both friends of the theatre in different ways, probably heard this song about causing the impossible and falling in love just a year prior for the first time.

Yah so I’ve FULLY drank my own koolaide and completely believe that they already associated this song with each other. Not only saw it as a fond reminder of that night in 1941, but the quiet, gentle reality they might have together someday. But they wouldn’t DARE say that out loud, wouldn’t be ridiculous enough to let themselves hope for it.

I think this was Aziraphale breaking the unspoken rules and acknowledging this thing they share. Him saying “I know, I see you. I hope so too.”

[fuckyeahgoodomens]

[livhowlett]

I think the Ineffable Husbands' Song tells us something about S3.

S1 Ends with the first Verse:

"That certain night

The night we met

There was magic abroad in the air

There were angels dining at the Ritz

And a nightingale sang in Berkeley Square"

S2 is the reverse of the 2nd Verse:

"I may be right

I may be wrong

But I'm perfectly willing to swear

That when you turned and smiled at me

A nightingale sang in Berkeley Square"

The finale verse is:

"The streets of town

Were paved with stars

It was such a romantic affair

And as we kissed and said goodnight

A nightingale sang in Berkeley Square

I know 'cause I was there

That night in Berkeley Square"

I think S3 will end with this part of the song playing with the husbands kissing under the stars.

[vavoom-sorted-art]

Angels don't dance

As an (almost) final strike in the Angst War on the @goodomensafterdark subreddit, have this 1941 scene inspired by @acheemient's post! (don't worry, part 5 of my comic is going up today as well!!)

[most-normal-eccles-cake-ignorer]

while I was looking for gabriels in the intro, I noticed this redheaded person w dark clothing and lighthaired person w light clothing that appear to kiss in the theatre:

i'm making this about the 1941 kiss theory

---

edit oct 7: a few kind people have mentioned that they remember a post from the official good omens account (possibly on twitter) that said the two people kissing are War & Pollution, and the shadow beside them is Famine. (If you have the link please send it this way! I have done a fair bit of searching but with no luck and it's haunting me bc it must be real but i can't find it)

@0owhatsamsays also pointed out that in the X-Ray bonus video "Title Sequence Easter Eggs" Peter Anderson says there are specific characters from season 1 in the highlighted boxes, and as you can see, the kissing booth (top level, far right) is one with a little trail of stars coming off of it.

[br43lyn]

Oh My Goodness

[neil-gaiman]

Hello! I was wondering if you could explain what Crowley meant by “…no nightingales.” Aziraphale seemed to not be happy to have Crowley point that out.

I think it must have something to do with the song that played in his car, and I remember the narrator mentioned a nightingale singing, but that no one heard it, at the end of season 1 as well. However I didn’t understand why it was mentioned by Crowley right at that moment, nor at the end of season 1 actually.

If it won’t spoil anything coming in future would you mind explaining that line please? (Ps. I am completely smitten with this show and the characters. powerful television, bravo.) Thank you

The song is from Season 1. It was playing in the Ritz when they dined:

And the lyrics of the song may help to explain things.

[a-love-like-yours]

So if I don’t get an ending to season three with a cottage in the South Downs I will never ever recover.

I need a small little unassuming cottage surrounded by the most beautiful and well tended gardens with plants that grow unbelievably well, almost by some miracle maybe? But just rows and rows of the most beautiful and most verdant plants in all of England.

Stepping inside it will be just full of beautiful golds and yellows and greys and greens and reds.

There’s a small closet just down the hall that appears to be a coat closet, but when opened is a large library full of rows and rows of books. Whatever book you could ever possibly want can be found in this room. Collections of classics, the rarest books of prophecy, hand written poems seem to have a place on the shelves as well. And drawings. So many sketches and portraits of all the mundane and perfect moments of domestic life. Maybe of a certain demon tending the garden, or drinking wine by candlelight (maybe real, maybe battery operated), or sleeping curled up seemingly in the most uncomfortable position in the armchair, with his legs thrown over the armrests and his hair all flattened to one side (this is the angel’s favorite, though Crowley pretends to hate it).

And in the sitting room there is a large desk, maybe like the one that could be seen at one bookshop in Soho, with a seemingly out of place Magic for Dummies book half opened and a notepad full of notes laying out.

And across, nestled just past the armchair with the demon lazed across it, is the (infamous) love seat definitively from the bookshop in Soho. There are small comfortable windows with a beautiful fireplace nestled between them, though it does not get much regular use, and of course, not very far away and nestled into a corner, is a fire extinguisher always at the ready.

Then as you move further down the hall you’ll see beautiful art along the walls. And places for Crowleys beloved statues.

At the end of the short hallway you’ll find a beautiful kitchen. There is always delicious food and it never goes bad. Always fresh baked bread and tea at the ready, always small sweets and a home cooked meal waiting for friends.

Then down the stairs to the cellar, where is somehow never gets musty, or full of cobwebs, but always has cases of delicious wine and bottles of single malt scotch at the ready.

Then is you travel back up the stairs and to the other end of the small cottage you get to the bedroom.

A beautiful mix of gold and grey, seemingly something that might not go together, but works miraculously for the space. A small cozy and private place.

There are shelves of books and plants all throughout the home, with comfortable rugs and seating as well.

It is a retreat, a Heaven, a home.

And shared by an Angel and Demon who have pined and pained for over 6000 years and deserve the best of it all.

And I want it for them.

[actual-changeling]

Welcome back to Alex's unhinged meta corner, and today I have something surprisingly not kiss-related—though it is still about the final fifteen because hey, gotta keep the brand image.

I read this post by @goodoldfashionednightingale and began typing a small response. Then I made the mistake of drinking half a litre of coffee on an empty stomach right after taking my adhd meds and my brain began vibrating at the speed of light.

But oh, have I discovered parallels. This, my friends, is about the nightingale, where it comes from, what it means, and what the fuck happened in part 3 of 1941.

Ready? Let's go.

Now, as OP said in her post, s1e3 is important. In the script book, Neil himself says that these flashbacks are where the producers would tell him to cut scenes to save money. They suggested every single one—except for the one he ended up taking out, which was the bookshop opening scene set in 1800. The others are building blocks, you need them to see how their relationship progressed and what kind of important milestones they had.

(side note: author is very miffed that english does not have a separate subjunctive form like german which makes quoting lines way more confusing than it has to be)

The one I want to mention is neither 1941 nor 1967. No, what I want to talk about is 1601. This might be about to get a bit rambly but I will do my best to keep it tidy.

The focus of that flashback is on the Arrangement, yes, but it gives us a lot more information than that.

they both see Shakespeare's plays regularly, maybe even meet in the crowd

Crowley prefers the comedies

Aziraphale does not seem to have a preference, he enjoys the tragedies and presumably the comedies too

there is an oyster woman selling food -> reference to their meeting in Rome when Aziraphale tempted him to try some oysters

Aziraphale reflexively denies their relationship

Crowley might say he is not worried but circles Aziraphale the entire time, keeping watch

they both ask favours of each other and both agree to do them

What stands out to me in relation to what I am about to expand on is the line that Crowley delivers after Aziraphale's little 'buck up'—which Crowley finds adorable btw but that's a post for another time.

"Age does not wither nor custom stale his infinite variety."

Why would he say that? What exactly is prompting this? WHY say that specific line?

At first I thought it might be to tempt Shakespeare because he does commit art theft by just copying that line down, BUT I think there is more to that. So much more, in fact. I am wiggling now because I am very excited about this and my adhd meds are kicking in anyway.

First things first: the line itself.

It appears in Shakespeare's play Antony and Cleopatra, a romantic tragedy, which was first performed in 1607 aka six years after this meeting. Enobarbus is talking about Cleopatra and describing why Antony won't leave her. Her.

Ccrowley uses his—again, who is he even talking about? Hamlet? Shakespeare? Random poetic quote?

No, I think this line is about Aziraphale and it's a code. Right after, the next line from Aziraphale is "What do you want?", meaning that this is their code phrase for 'I have a favour to ask of you'.

Age does not wither nor custom stale his infinite variety

Age will not affect his appearance nor will he ever become boring to Antony. Crowley, who later chooses the name Anthony for himself, tells Aziraphale, an immortal, that he will never age and that he will never grow bored of him.

It's flattery, pure and simple, and it's code at the same time. This establishes the important fact that they might use more of Shakespeare's work as code/already have a system in place (even though he steals Crowley's line for later).

They play their little morality game of back and forth, Aziraphale agrees, Crowley probably manipulates the coin toss, and THEN we find out that the oyster woman is called Juliet.

Why? What is the meaning of that? Why give her a name and that name in particular? Why bring the sexy oysters back into it?

Romeo and Juliet premiered in 1597, so it is safe to assume they have both seen it by 1601, but this is mostly for the audience, not for us-or is it?

Aziraphale gives Crowley puppy eyes until he agrees to make Hamlet popular, and while I don't think Juliet itself is a code word, although it's very interesting that the OYSTER woman is the one with that name (especially adding what we now know about Job), Romeo and Juliet might be.

Yes, the Nightingale song came out in 1940 but the bird has been around for much, much longer, and, as many probably know by now, also shows up in Romeo and Juliet.

This is where I am starting to vibrate at the speed of light because listen to me. Listen.

Crowley is Juliet. Anthony J. Crowley. Antony Juliet Crowley.

(side note: I'm not saying that Crowley chose it based on that—though I am not not saying that—but that it is a clue for us at the audience.)

Why do I think that? In the play, Romeo spends the night with Juliet and then goes to leave as the night begins to end. Juliet tries to stop him and tells him that the birds they are hearing aren't larks, which sing at dawn, but nightingales, which sing at night.

Who is the one always pushing for more? Crowley. He is the one trying to convince Aziraphale it's safe, they're safe to spend time together.

Romeo disagrees with Juliet and says 'I must be gone and live, or stay and die'.

Leave and stay alive, or stay and hell/heaven will punish us. It gets even better though.

We all know how Romeo and Juliet ends: Romeo thinks Juliet is dead, kills himself, Juliet finds him and then kills herself too.

Hey, do you know how Antony and Cleopatra ends?

Antony thinks Cleopatra is dead, kills himself and dies in her arms, then Cleopatra also kills herself—by snake poison; Romeo also died by poison.

The parallels are THERE. They are jumping down our throats! Two tragedies, two sides, several familiar names and phrases, same fear, same ending.

I think by now you can guess how this ties back to 1941.

We do not see how that night ends, but we know it ends. One of them wants to stretch it out, maybe even quotes Romeo and Juliet because look at the setting!

Candlelight, wonderful night they spend together, the threat of Crowley's early demise, and, to quote the play once more, this time Romeo: I have more care to stay than will to go.

Crowley thought it was his last night on earth and went with Aziraphale to his bookshop, to be with him, because he cares more about that than the fact that he will be dragged to hell come morning. Do you remember?

"Expect a legion to come for you first thing tomorrow" THAT is the threat. They have until dawn, just like Romeo and Juliet, which is why she is so desperate for the birds to be nightingales. Fortunately for them, Aziraphale saves the day, BUT there is NO SECURITY. They do not KNOW if a legion will still show up or not. If dawn is a deadline and they will need to fight.

Sure, they improved their chances, but who knows? Maybe they will come for him anyway, it's not like hell is all fair and square.

The best part: it gets even better.

Juliet eventually panics and tells him to go, and Romeo drops a line that huh, sounds oddly familiar, doesn't it?

'More light and light, more dark and dark our woes!'

Remind me, what does Aziraphale say again? Ah, yes. Perhaps there is something to be said for shades of grey.

There is more. Yes, even more. We know the whole rescue relies on a magic trick, a switch. Guess what Juliet yearns for while telling Romeo to go save himself?

Oh, now I would they had changed voices too. While they did not for Romeo and Juliet—they kiss and part—they did for our two. One fabulous switch and we're good.

(side note: Toads? Associated with hell. Larks? Associated with the dawn, yes, but also heaven since Romeo says 'Nor that is not the lark, whose notes do beat the vaulty heaven so high above our heads.')

So, this was a whole lot of information, let's see if I can summarize my thoughts.

I believe the nightingale is a code word that has existed even before 1941 and gained a lot of importance over the years. In 1941, the song is added to the meaning and whatever happened between the two that we have not seen yet, it fundamentally changed their relationship. Maybe they kissed, maybe one of them tried to convince the other to prolong the night but they parted on not-great terms.

The nightingale and the song become a symbol of hope, a goal to achieve, another uninterrupted night, maybe, or an uninterrupted life.

When they part in the final fifteen, it's morning. Crowley points at the sky and says "no nightingales", which at that point has several different layers to it.

No nightingales because their night is over, just like with Romeo and Juliet, and please, please allow me to add another detail, because I am frothing at the mouth over this. The scene I quoted, known as balcony scene, do you know what it is preceded by?

A ball.

Star-crossed lovers defying their sides, falling in love at a ball, getting a hurried, wonderful night together but torn apart by danger of punishment, the nightingale as a dream, as a wish for unhurried time together. Family rejection, torn apart by parents, willing to die for each other so they can reunite in death.

No nightingales. The ball, the romance, is over, their dancing is over, heaven is tearing them apart, and Aziraphale returns to heaven while they are both stuck in a pit of misunderstanding and miscommunication, all bound together by fear for each other.

The thing is, Crowley hates tragedies, he never liked the "gloomy ones", and he does not want them to end in one—luckily, this isn't the end. Yes, they kiss and part, but the play keeps going. We have an entire act 3 to fix what Romeo and Juliet couldn't, to ensure that this is a COMEDY, not a tragedy.

Both Antony & Cleopatra and Romeo & Juliet died out of fear, hurried into making bad decisions because they knew what would happen if their sides were to catch up with them.

Crowley and Aziraphale can reunite heaven and hell with love, not death. This is THEIR story and they are writing the ending. No more day and night, no more deadlines, no more hiding and sneaking about, no more fear of larks and sunshine.

Good Omens will end the way it began: In a garden with two no-longer-star-crossed lovers embracing the song of a lark as well as that of the nightingale.

I hope this made sense to everyone who was no present while my mind started to vibrate itself into a puddle because the thing is I can see Neil doing all of this completely on purpose.

Thoughts? Questions? Additions? Come and join me in my insanity and until next time I have a mental breakdown over this show (probably in like two hours).

[heohl-art]

The bookshop is going to be closed for a while🫢✨

• A Nightingale sang in Berkeley Square • (page 2)

I went crazy drawing all the books (again)😭 Why do I do this to myself?!

Btw, I've hidden so many easter eggs in the bookshelves! Can you spot them all?🤭✨

Bonus: close-ups to help you find them~

[beebopboom]

“while they were eating, for the first time ever, a nightingale actually did sing in Berkeley Square (they did feel safe and comforted by their love for the world and each other) nobody heard it over the noise of the traffic (nobody, not even themselves, noticed), but it was there right enough.”