#and butcher getting to save him

[ex0rin]

Protective Butcher | The Boys S02E05: We Gotta Go Now

+BONUS:

[queenerdloser]

i just finished dark heir

[teastainedprose]

How about something like Homelander at a meeting with the seven and his wife.

"Wait, wait. I thought we were meeting your wife?" The Deep bursts out, gaze flicking between the two men already within the conference room as the rest of The Seven and Ashley file in. Homelander's smile is strained at best, while Butcher? He's as stone faced as ever. This isn't exactly a spot he ever considered he'd ever be in.

"Bit of an inside joke, ya see." Butcher mutters, stepping up to where Homelander sits to grasp the supe between neck and shoulder. As he tightens his grip, the gold band on his ringer finger catches the light. "Ain't that right, luv?"

Homelander tilts his head up, catching Butcher's eye as he smiles. There's no affection in it, more a predator barring his teeth at a rival. Nothing of the interaction screams that these two are lovers in any sense of the word, let alone a happy couple introducing themselves to The Seven.

An uncomfortable silence follows as everyone else in the room watches the couple. The expressions range from incredulous to utterly baffled. Well, Noir's is blank on account of his mask.

"Homelander- Are you gay?" The Deep sputters out, face pinched in clear confusion as his eyes flick between the two men. "No, you fucking-" A-Train cuts himself off, then takes a breath. "He's bi, like Maeve was." His attention shifts back to Butcher, "Aren't you trying to kill all of us?" Butcher inclines his head, white teeth flashing as he smirks but before he can spit out some British wit The Deep cuts in. "Maeve was bi!?" The Deep's eyebrows jumping up as he turns to stare at A-Train. He leans closer, voice a conspirital whisper. "I thought she was like- A lesbian, ya know?" Homelander has to take a steading breath, squelching the urge to lean over and casually crush The Deep's windpipe. "Boys, boys- Just, stop." Homelander raises a hand to cut off any further conversation as he sighs. He has to take a moment, eyes closing as he rubs at the bridge of his nose. Butcher's hand on his shoulder seems to be half to restrain him and half to keep the supe anchored. "Just- Uh. Don't worry about the labels and yes, we were enemies but- Let's just say we've worked it out."

"Okay, great. Fantastic!", Ashley chirps out in faux cheerfulness while trying not to love her absolute shit. Her mind is spinning with the sheer PR nightmare of introducing the world to the fact that Homelander, Christian ideal supe that he is happens to be a bisexual man and now married to a pardoned terrorist.

[oldtvandcomics]

I know that it is silly nonsense, but part of me seems to not have given up all hope yet regarding a repeat of the 2020 US Election Miracle, complete with random ships that no-one in their right mind would expect to go canon to actually go canon. Except that things really seem quite desperate, regarding the levels of apathy I keep seeing here. So, like, maybe Destiel is not strong enough to save us from this one.

No, we need something even more powerful. We need Stucky.

CAN YOU IMAGINE HOW FUNNY THAT WOULD BE?!

Save us, Captain America.

[thecruellestmonth]

Yo, Bat-family comic loreheads. Has Jason ever been shown "whining" or otherwise talking to the Batfam about how he woke up buried alive in his grave?

Other than that time in Nightwing 1996 when he had his Nightwing suit and was in decent physical condition—was there a time when Dick had to dig his way out of his own grave? With his bare fingers? What was his physical and mental condition afterwards?

I'm sure it sucked, and he deserves compassion without his experience being compared to others—but was it so bad that he'd smugly mock Jason for selfishly whining about his own trivial experience?

An inquiring mind would like to know.

[mariocki]

The Headless Eyes (1971)

"You've tried to alienate yourself but, Mal, I'm here, you -"

"Why? For two years I have been trying to live alone and to be able to accept this. Why are you here?"

"Because you haven't convinced me."

"Of what?"

"That you're incurable."

[cosmic-walkers]

stephen, wolsey and thomas being in proximity to one another is always interesting because they all essentially started from nothing and made something of themselves. like i just realized they were all co-workers and were dealt bad hands in life, but still, they all essentially ran the country at a point.

[mejomonster]

I finished final fantasy vii rebirth and. Some mixed opinions.

The main good points: as a Sequel to original FF7? Its good. The women are all written well (which was a concern considering Kairi and Lunafreya in past games), and everyone was in character just fleshed out more (with 2 slight exceptions). What the game did best was accomplish an open world game, world spanning adventure, stick fairly well to some main highlights from original ff7 (which is what people wanted for ages) and with new stuff thats fun if you like the world, very little wasting of player time (so much better than ff7 remake). It did open world well, pacing well, side quests and mini games well, characters well, combat well, and overall gave the feel of what square enix was maybe Hoping and Wishing to successfully accomplish in a mainline game for years but either hasnt been able to achieve on a technical level or fumbled in the past. (So no time wasting dungeons like ff7 remake, fleshed out open world with stuff you enjoy doing so more than ff15, open world so more than ff13, and combat that feels like things theyve learned and improved on well). How it feels to play? Great, fast paced, no dead time, all enjoyable game you came to play. (With the exception maybe of Cait Siths box mandatory mini game and the aerith in ancient temple magic platforms thing but they both werent too difficult to push through if you dont enjoy them).

The bad? Mostly... if you treat Rebirth as a SEQUEL to original ff7, these arent major issues. They just annoy me as a player of the original ff7 game. Because i know plenty of people will ONLY play ff7 Remake and Rebirth etc, and never know the original characterizations. So 2 characters were slightly unlike their original ff7 selves, and instead more like their Advent Children (and general non ff7 appearances) selves: aerith and sephiroth. Sephiroth's character being NOT like ff7 originals is more irritating personally. Because yeah... i get it. As a sequel to original ff7, this Remake/Rebirth Sephiroth might be from the future (so he is Advent Children esque version of himself), hes had time post losing his way to really get all mysterious and hyperfocus on cloud and be a looming vague pest. But the thing is... in the original ff7 the reason we learn hes used to be a SOLDIER war hero, is so the cast and you are confused why he kills Shinra people. Then you and the casy figure: well cloud remembers sephiroth finding out hes a monster cause of shinra, justifiable for sephiroth to hate shinra. Unflrtunately Sephiroth also decided to hate ALL HUMANS. Then you later find out maybe Jenovas controlling Sephiroth/one with him etc. But the key here is you find out at some point in original ff7 that sephiroths goal is mainly Destroy World because Hes not Human. Rebirth... does not clarify this very important and very BASIC point ever. Maybe it assumes its so basic that as a ff7 fan you should know.. but plenty of new players wont. Rebirth clarifies yes sephiroth may be Jenovas kid... but the whole MOM, im an ancient like Jenova! Oh Jenova isnt an ancient oh well fuck humans anyway! Either way fuck humans ill kill them all! None of those Very basic sephiroth motives are clarified much. I felt Rebirth did good explaining the Gi and the black materia. But to make Sephiroths motives so vague, why he wants to end the world SO VAGUE, why hes in clouds head (the black robes are everywhere but the game HINTS theure sephiroth clones but never actually spells it out eevn though its a BASIC KEY DETAIL). Now... because Rebirth is a sequel, it makes sense... if hes Advent Children Sephiroth he already knows he isnt an ancient, knows hes Jenovas kid, knows he wants to fuck with Cloud specifically now and the world generally but not necessarily so singlemindedly desperate to just kill all humans. So yes, Sephiroth is in character for his future self... but i feel like even with him less SINGLE MINDED and freshly with Jenova, clarifying some basics of his Original old timeline motives... would be helpful to new fans. So it annoyed me. I think the biggest Not Good writing decision in Rebirth was to never fucking clarify Sephiroths original basic goal: im not human like mom, hate humans, kill world. I suspect the writers either thought players KNEW so hinted instead of being on the nose (but to new players theyll just be CONFUSED), or they plan to explain those basic things in game 3. Which seems stupid to me and shouldve been explained earlier.

And Aerith. As a sequel? She remembered the other timeline which explained some moments she was calmer than original ff7. She forgot, then toward the end of Rebirth she seems to have remembered the other timeline again and that she needs to die and X happens etc. So her being calmer based on the plot they wrote for Rebirth? Makes sense. However... i deeply miss her Original FF7 personality where as an Ancient she freaks out a bit LIKE sephiroth, paralleling him, that shes not human, a freak, that it all rests on her as only one ancient left. Their overwhelm parallels each other. Aerith is more scared in original ff7 of being the only ancient, of what it means, of finding out more. That fear is slightly there in Rebirth but WAY LESS. its only a little in cosmo canyon and almost gone in the Ancient Temple. In ff7 expanded universe theyve changed her character over time to a calmer wiser goddess type like in Advent Children, and so yes in Rebirth when she remembers the alrernate timeline it makes sense she'd be calmer like her future self. However... i miss original ff7 aerith. I miss her initial shock, loneliness, fear of the weight on her shoulders, not being sure what to do. Her and Sephiroth, because of Rebirth writing them to know more, act more like their future selves and so. While it is in character and logical to the Rebirth plot. Its also sad to me that anyone who only plays Remake and Rebirth simply wont see what they were like WHEN these revelations were brand new shocks to them, forcing them to react and grow and fear. I dont think Aerith is written bad, i just think because this game is in reality is a Sequel im just personally mourning that it didnt have that as much of the original Aerith's personality who was afraid and discovering. Mostly her Rebirth personality is similar to original ff7s. But in some high tension moments shes way calmer and wiser than in the original. I miss getting to see some of that before to after character growth.

Oh and. The aerith dies scene. Does it make sense in context of Rebirth written as a sequel? Sure. Is it impactful? Not as much as the original. In Rebirth, theres a scene where Cloud is losing control and listening to Sephiroth and attacks Tifa, causing Tifa to fall into mako. That scene is high stakes and emotional and lands WELL. Later in Rebirth, when Aerith actually dies, Cloud has not lost control and isnt the one who killed her. Its fine, as a sequel to ff7 i get the choice to make him able to stop himself from hurting her. But it does make the scene less impactful: now cloud will NOT be blaming himself for her death, will not be struggling with the guilt and fear, and will not be as terrified of losing control again. Since he wasnt the one who attacked her. And since he saw her ghost/something post death, hes not even sad or grieving her. He thinks shes fine. These 2 things will result in a WILDLY DIFFERENT cloud moving forward than the original ff7 one who very much was distraught and horrified he did that. So like... as a sequel its fine these changes were made. But death wise... i wouldve prefered like, cloud drops her from up high qhile struggling with whispers, or doesnt get to her in time and sephiroth stabs her when shes too far away. The way Rebirth did it, cloud was near her, she gets stabbed anyway. It seemed to me almost like the writing was trying to vaguely or softly kill her, like somehow making it vague would make it hurt less. Yeah it did hurt less... but id rather if a character i love dies that its a Worthy Scene for them to die in. A strong meaningful scene that makes me cry, that felt like the loss it is. The Rebirth scene... couldve done its plot as intended and just make Cloud farther away or something and it wouldve been better to me. Maybe the writing point was Cloud thinks its fine, and its still not, and he cant even feel distaught because he cant tell if she died or if things are fine? Thats the only angle i can see where maybe the death scene did what the writers wanted? Anyway. Aeriths moms death made me sob, Aeriths death did not. It is what it is. I feel like Tifa, crying in my heart off screen, the game acting like Cloud like its fine and it looks fine to him but im confused like Tifa aa to why hes (the game) treating it that way. Lol.

Overall? Um 4/5. 8/10? Really solid square enix game, Amazing as far as final fantasy 7 SEQUELS go. It has one main weak spot in treating Sephiroth fully mysterious when a few clarifying details could help the game stand on its own Better (and make Sephiroth a stronger enemy character instead of a vaguer one). The other weak spots are more my personal preference and mourning the parts of ff7 original i miss and had wished were in this, but as this is a Sequel in a parallel timeline i dont feel the parts effect Rebirth on its own merit. It IS the best Square Enix game ive played in ages, at least since Final Fantasy X or XII. I thought it was better than FF13, FF15, definitely better than ff7 remake (i hate time wasting dungeons and bad pacing its a dealbreaker), and than kh3 (although kh3 was quite good for a kh sequel). I get to play FF16 next, which will hopefully be as good as Rebirth or better! Since its also on the PS5 and clearly from Rebirth, the square enix main team can do excellent combat, open world, level design, mini games, side quests, and good pacing now. So i'll just have to see if ff16's story is better. And i am guessing it hopefully will be, since Rebirth as an ff7 sequel has some weirdness to its plot quite typical of ff7 extended universe stories like Crisis Core and Dirge of Cerberus. Whereas ff16 is a brand new plot, so they have nothing preventing them from a tight excellent written story except themselves. I am curious how BIG ff16s world will be though. Because ff7 Rebirths world was MASSIVE and very full of stuff, tons of mini games, cool stuff to find or do or little character side quests. If ff16 also takes me 60 hours to beat the main story its gonna be thw longest final fantasy main title ive ever played.

Rebirth is very replayable if you enjoyed it. I will probably replay ff7 original soon.

[spacediddly]

The thoughts I am having about Butchie and villain arch Hughie based on The Chain by Fleetwood Mac

[c0rpsedemon]

fate is, for the most part, a good arthurian adaptation, but somehow fgo manages to be so godawful when it comes to everything round table that it single-handedly manages to cancel that out and make fate as a whole a kinda bad adaptation

[lxchlan]

Not to be un-fucking-hinged but the way Butcher doesn't take his eyes off of Hughie after the "Get out of here - No fucking way" exchange has me feeling some type of way. Hughie flinches and closes his eyes but Butcher's still watching him

[weirdbabs]

i am currently trying to scour thru whatever tag grimm (the show) lives in to see if theres a gif of the “im nothing” scene adalind had in season one and i dont think im gonna find it but it got me so invested in her character when i saw it in 2012 and i just rewatched it and i still love it so much

[awkwardcourage]

silly little tag dump pls ignore.

roleplay tags

i don't want to go to a second location with you | threads

thank you for an extremely weird conversation | answered asks

with poise and willingness to improvise | nsfw

just when you think this shit can't get any more horrible | dead dove content

it is weird it's scary you wind up just saying shit | starters and memes

you wanna know what's really messed up? | wishlist and ideas

oh no i'm good i'm full of cocaine | open starter

hughie tags

i’m not an infiltrator! | visage

i am so angry i can't even breathe | musings

i can be that person who nobody thinks is awesome but actually they're kind of fucking awesome | headcanons

that was joel at the garden | aesthetics

i wanna be someone who saves his family | about

i've been meaning to clean up the supe stuff for a while now | interests

will you stop calling me that? i’m like six feet tall | it him

oh my god is that a threat or a promise? | wants and desires

misc

that was- that was so good that was really good i enjoyed that | compliments and gifts

don't you dare besmirch billy joel | out of character

where’d you get this stuff circuit city? | resources

you're my second wind | promo

then who the fuck are you?! | about the mun

you know what's insane? | psa

we gotta go in there don’t we? | queue

main verses

you're only human | main verse

you’re having a hard time and lately you don’t feel so good | main verse: first season

you’re getting a bad reputation in your neighbourhood | main verse: second season

you're allowed to make your share of mistakes | main verse: third season

it's not always easy to be living in this world of pain | main verse: fourth season

slow down you crazy child | childhood verse

alternative verses

simon & garfunkel | alternative verses

keep the customer satisfied | martyr verse

america | hunter verse

baby driver | hacker verse

the only living boy in new york | vampire verse

the tower coven | alternate vampire verse

CHARACTERS

the boys

like you're starring in porn version of the matrix | billy butcher

i don’t think now is the time for a major hallucinogen | frenchie

that’s a… nickname? | mother’s milk

she wants to know where you've been | kimiko miyashiro

family

every other nice person can fuck off and go home | annie

i have never told you everything | dad

your promise isn't worth the paper it's written on | mom

other characters

big fan | queen maeve

i'm totally comfortable | homelander

every single thing you say is so gross | soldier boy

RELATIONSHIPS

my mom left when i was six | relationships

the boys

you always were my canary | hughie and butcher

don’t be scared petit hughie | hughie and frenchie

you ain't going... i ain't going | hughie and mother's milk

i thought it sounded great | hughie and kimiko

family

you saved my life | hughie and annie

my wee hughie | hughie and dad

i don’t wanna be like her | hughie and mom

dude i had to ask you out! | hughie and robin

[leoktzchen]

I think I’ve seen some similar takes on this already but the whole lila and five get stuck in the time line subway subplot had a lot of potential actually but they just BUTCHERED it with the whole romance thing

imo the could have just done this:

- show them bickering and arguing, fighting over wich station/line to chose next in a sibling like manner

- show lila falling asleep on fives shoulder as she keeps mumbling about some stupid thing Diego has done while five tops that story with an even more stupid anecdote from their childhood

- show five trying to shave himself without a mirror and failing miserably until lila rolls her eyes and goes “give it here you absolute imbecile” and then helping him out BUT STAYING AT A REASONABLE DISTANCE AND NOT BREATHING ALL OVER HIS FACE

- show them freezing on the subway floor, five mentioning how they could save body heat by staying close to each other, visibly uncomfortable, and lila pulls a face but they end up falling asleep shoulder to shoulder NOT CUDDLING

- show them at the greenhouse timeline, covering the walls with self-drawn maps and complicated calculations, brooding night after day after night, trying to figure this out with lila drawing little hearts on the paper with her kids initials in it

- show five finding the map on the subway, immediately rushing to tell lila whose face lights up like a supernova and as she exclaims “fuck, we’re going home!” she tries to high five him (it doesn’t really work, because five does NOT do high fives) and then pulls him in for a hug. five just about lets that happen, but he smiles a tiny smile and they arrive just in time for Christmas

basically instead of the romance that gave everyone the ick, they could have just gone for the whole sibling like dynamic between the two of them that I adored a lot in the previous season(s)!!!!

[asidian]

A little heartbroken by the news, not going to lie.

But I'm going to keep creating for this fandom, because the characters have made a place in my heart, and I suspect they'll stay there for a good long while. This show and the fandom have been such a joy to partake in during a really rough time in my life, and I appreciate that more than I can say. I appreciate all of you who make the fandom what it is, too.

I guess in the end, Season 2 gets to be whatever we make it. So you know what? Let's all share our Season 2s. Nobody's going to stop us or tell us we're wrong.

So here we go. The Season 2 in my heart, in no particular order:

Desire shows up and puts Charles Rowland through the absolute wringer. He is losing his entire mind, he wants Edwin so bad. This boy has 17 different crises and finally a realization that he has been head over heels for some decades and he is just an idiot, actually

Payneland confession and a first kiss

They get Niko back from the Neitherlands. She's some flavor of undead, and she is having a grand old time, actually

Jenny sets up a butcher shop in London and goes on a date that doesn't try to kill her. With the Night Nurse

Crystal has a corruption arc with David buried in her soul-tree soil and at first they don't realize what's going on, but in the end the boys find a way to go into her heart-space and help her resolve the problem

The boys dance on-screen with some of those skeleton choreography dances

Mick mysteriously also has a shop in London. It straddles time-space and also realms. The characters are all ????? but no one ever figures out wtf is going on with that

Tragic Mick saves the day like a big damn hero with a bazooka like in the comics

The Cat King is around, generally being his trickster self, causing problems for funsies. He dies again and comes back as a fluffy white cat with glam white fur clothes

Charles gets kidnapped somewhere and Edwin has to go and save him. It's very dramatic and parallels S1 Ep7

Monty makes a showing in crow form. He has so many cute bird mannerisms. He gets fluffy in the London cold

The boys return to St. Hilarion's. They find their respective remains and come to terms with their deaths. They decide that, however tragic their deaths were, it led them to the only place they'd want to be: together

Crystal and Niko lay the boys to rest side by side, under the same headstone

[shotmrmiller]

simon isn't a man you take home. he's for the literal streets. dresses like he's homeless because all that matters is that his throwing knives and handguns are pristine. the only reason his home is spotless is because he doesn't live in it, it's all for show. his pantry has only salt and mouse traps, his fridge a long expired bottle of ketchup and something that if anyone ate, they'd gain superpowers.

he's got a crazy look in his eye, and who can blame him after all that shit he's been through? gut-wrenching betrayal, unimaginable torture, then buried alive shoulder to shoulder with his ol rotting buddy, ol decaying pal? he joined the military a butcher's apprentice, and now he's an echo of what simon riley used to be, a fading silhouette that wanders the corridors in base. a ghost.

he has to play music whenever he's not at work just to keep the screaming voices in his head at bay, and it has to be loud enough to drown out the incessant high-pitched ringing in his ears. a cacophony of noise that wears his thin string of patience into in-existence.

he's a killer, he's a man who's donned his skull mask for so long that he's forgotten the face underneath.

you don't bring a man like him home. and when you eventually did, even your parents had agreed.

he looks one clown short of a circus.

he hovers over you like a ghost. (ha)

possessive, obsessive, paranoid.

he'll kill you if you try to leave him.

simon heard everything, not like they had tried to keep their voice down. it hadn't really mattered to him, empty words pelting knotted flesh only a sharpened knife could cut through. but you hadn't taken any of it.

his little hero, coming to his defense. it'd been the first time- in a long time- that his icy cold, tiny heart skipped a beat.

simon's always been his own savior. he saved himself from the shit life he had with his family by joining the army. he'd clawed his way out of his own grave, freshly turned soil stuck under his fingernails for weeks. he'd gone after the head of roba, in the name of vengeance. even now, he's a part of the justice league, the task force 141.

unsung heroes.

and here you were, standing in your parent's kitchen, all bared teeth and scalding temper- over him.

simon's so aroused that when he rises from where he's seated, he sways on his feet. there's no stopping him from briskly walking over to you and hoisting you up and over his shoulder, heading for the door.

there's no stopping him from throwing you into the backseat, and climbing in after.

you weakly try to stop him with stammered words, just wanting to know what the fuck he's doing but when simon starts to impatiently undo the button of your jeans, his confined manhood pushing up underneath you, it clicks.

you don't want him to stop when the calloused pad of his thumb rubs your slippery clit with expertise, thick fingers curling inside your swollen cunt.

you definitely don't want him to stop when his cock slides through your slick folds, his hand wrapped around his thick base. his tip pushes inside, mild discomfort already flaring. gravity then does the work, slowly sinking you onto him until his thighs are flush against your arse. the sweet, decadent burn of him splitting you in half sparking your nerve endings alight, from the waist to your knees.

you beg him not to stop when he fucks you in earnest; desire, sticky and wet, dampening the coarse trimmed hair of his cock. the air inside the truck muggy, heavy and thick with sex. he places his hand under your navel, right when he knows he is, and grunts when he gently presses down. the noises coming from you and your sodden pussy are obscene, lewd, downright vulgar and he wonders if you'd let him record it- to replace the banal music he usually listens to.

your breath hitches beautifully, and simon makes sure to watch how you let go of his shoulder to weave that hand downward to take yourself over the edge.

"impatient little pet, can't even wait f'me to get ya there, eh?" the low chuckle he lets out is cut short at the feeling of your slick walls fluttering around him, making him groan. he keeps his sharp gaze on you when your body tenses, back arching as you jerk fast, little circles over your pearl. he plants his feet and begins to thrust upward, your weight nothing to his strength and-

how beautiful you look in the pleasure he brings you.

it's cliche, truly, that he comes when you do, but he couldn't care less in this instance. your cunt squeezes him like a silken fist, a tight vice that milks his cock almost painfully so. his grip around your waist is bruising, but it only adds to the sensation- the delightful bite of pain prolonging your pleasure.

the base of his spine tingles from his climax, and his breathing is ragged. alive. your hands skim the wide breadth of his chest, as if brushing off the dirt he'd once been buried under.

his little hero.

you took him home, so now he takes you to his.

(...don't look in the kitchen, pet.)