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#and garret sounds like such a tool
yellowbunnydreams · 10 months
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Bunny Ears (Part 1) ~William Afton X F! Reader~
~Hey guys! Since 'Mechanised Devotion' has finished, I thought I would play around with a new story. Still about our favourite murder-man, but set a little further back in time and before the murderin. I hope you like it!~
Cw: CW: Minors DNI, (18+ ONLY), Female Reader, legal age gap (Reader- 20's, William - 30's), divorce/processing divorce (more tags will be added later in the story)
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The alarm clock on your bedside table sounded way too loud as it trilled next to your head, groaning as you kept your eyes closed and tried to hit it with your hand before reluctantly opening them, glaring at the thing and scrunching your nose up before hitting the button to turn it off. Mornings were never your thing, but you had to get up early for something important and you knew you would have kicked yourself if you missed it.
Scraping yourself out of bed and padding through your house, you began the day. A breakfast of cereal because you didn't quite trust the new cooker, or your cooking skills, that had been fitted by your landlord a few days before, quick shower and navigating the stacks of boxes you had yet to unpack despite moving in two weeks ago to find where you had put your laundry down. Because of course you still hadn't built your wardrobe yet either, plus you didn't own the tools to make it.
You finally found the pile, thumbing through it until you managed to find a nice pair of jeans, a t-shirt and a plaid shirt to pull on top. You managed to get changed quickly after that and pulled on your black ankle boots, lacing them up quickly before finally heading out the door. Closing and opening it again as you realised you'd forgotten your keys and to brush your hair. The downside to not being a morning person and having to do things.
Grabbing your bike, the journey was pretty short to where you were headed, the heated Utah air making you puff slightly as you cycled, but it was no trouble in the small town since everything was fairly close by.
Parking up your bike, you looked up at the building and smiled, feeling a sense of nervousness coming over you and making your pulse quicken. The face of the smiling, waving bear wearing a hat and bowtie looked down at you with the bold words 'Freddy Fazbear's' in colourful neon, watching as kids excitedly dragged their parents inside to play in the arcade, eat greasy pizza and watch the animatronic shows you knew they had inside.
Not that you had had a chance to go before.
Heading inside, a woman with curly hair and a bright smile greeted families as they came inside the restaurant, the smell of fresh pizza and sickly sweetness washed over you like a little kid's dream. The woman wore a bright red jacket with a little name-tag, and a blouse with a confetti pattern beneath it, black slacks and black shoes stepped out from behind her little podium as she saw you looking slightly in awe and lost at the same time. Still grinning as she tapped you on the shoulder, making you jump slightly.
"Hey there, you look like you're new to Freddy's! Is there anything I can help you find today?" Her voice was chipper, but you smiled as you recognised the friendly tones of a customer service voice. Nodding your head and looking about curiously as you spoke.
"Um.. Sort of? I heard there were some jobs going and I wondered if there were still positions open?" The woman seemed to light up as you asked and nodded, gesturing to a man nearby who wore a similar uniform, plastered with the same customer service smile.
"Garret, can you watch my stand pretty please? It seems like we have a new friend for the Fazbear family!" Watching as the man, or rather that he was closer, spot-faced teenaged boy, nodded after looking you over.
"Sure Stacey, just don't wander off too far, you know how the bosses get when front isn't covered." He didn't seem to have Stacey's enthusiasm for the company, but you allowed the woman to lead you to a door marked as 'employees only' through a sea of hyper-active children, spilt drinks and arcade ticket ribbons that fluttered about like little flags behind excited children.
The robots on stage were singing a song, kids gathered around the stage and making the kids scream in delight each time they moved and blinked. One thing that you hadn't anticipated was how loud the place would be, and stepping through the employee door, you were almost sure you had gone deaf with quiet everything suddenly was.
"They make the doors mostly sound-proof in this back area." Stacey explained, tilting her head back and forth to crack her neck and shoulders dropping as if she had taken a burden off. Turning her head and revealing a slightly pissed looking face which threw you off guard. "Don't worry if I'm not smiling, my face just hurts from being on the front of house. It's great to see all the kids, but fuck will I have better jaw muscles than the football team by the time I'm finished here."
You couldn't help but laugh at her calloused humour, walking besides her so that you wouldn't have to make her crane her neck more.
"So that whole 'Fazbear family' thing?" You enquired, making her hum as she thought about it for a second before realising what you were asking about.
"Oh! One of the owners is super family oriented, so he wants us to be a 'family'. So you know, we're not staff unless we're talking to a parent, if a kid asks you're 'A friend of...' well usually we say Freddy's, but you can pick whatever animatronic you like." She explained, navigating the distinctly plainer back-halls of the establishment, more concrete than the colourful explosion of the room itself. You supposed being surrounded by that much colour all day everyday was probably not good for you.
"So I'll be taking you to see Mr.Emily, he's the really nice one. He operates Fredbear occasionally too, but not so often now that he hurt his shoulder." Raising an eyebrow at her as you couldn't help but ask a question.
"So there's a not-so nice one?" Stacey snorted as you asked and rolled her eyes, giving you a tired smile and pausing in the hallway, looking both ways before speaking lowly to you.
"Yeah and no. Mr. Afton is... well he doesn't seem to be much a people person, stays in the workshop most of the day and occasionally comes out. But he's also like, the sole operator for the Spring Bonnie costume."
As she set off together with you, you couldn't help but wonder if Mr. Afton was perhaps just sick of being surrounded by screaming kids all day, but you thought about the fact that he was one of the bosses and found it admirable that both of them seemed so dedicated to remaining involved in the restaurant. Eventually you reached a set of doors, one on the left and the right, both with name-plates. The one on the left had a window next to the door, letting you peer inside at the jumble of paperwork stacked everywhere as well as a wall filled with children's drawings of the various animatronics, including a yellow bear and rabbit that you didn't really recognise from any of the information you had found about the place.
Stacey knocked on the door and waved through the window, smiling brightly as she opened the door after a moment's pause.
"Hey sir, sorry to bother you but this young lady was asking about a job."
You got your first glimpse of Henry Emily, his hair was dark and curly, kept relatively short, but he was tanned, his eyes green eyes begining to crinkle at the edges as he broke out into a wide welcoming smile. You could tell that he was a fairly slender man, dressed in a white shirt and yellow tie, his left arm in a dark blue sling but adorned with various stickers that you figured had been placed there by plenty of kids over the time it had been on. As he stood up, he was around average height, if slightly taller, extending his good hand out to you to shake.
"Sorry if you're a lefty, I'm on light duties whilst my shoulder heals up." He grinned, a warm mid-west accent creeping through before he gestured for you to come in and made a motion towards an unoccupied spot on a small fold-out chair near all the drawings.
"Stacey, you can take your fifteen now, grab yourself something to eat if you want. You must be tired already today, busy busy busy!" Henry smiled and you watched as Stacey smiled graciously, nodding before heading back down the corridor, giving you a little wave as she left.
Henry turned to you, giving you a warm welcoming smile as he took a seat again, leaving the door open and moving back and forth in the spinning office chair with his foot. Giving you a general look over as you tried to sit and make yourself presentable.
"What's your favourite animatronic?"
"Sir?" You asked, confused by the question initially, blushing as he chuckled and shuffled in his chair, gesturing to the image on his desk, one amongst a clutter of photo frames of him with what looked like a wife and a cute kid, and just the kid. But he was pointing to a photo with seven mascots in it.
"Which is your favourite? Everybody has a favourite whilst working here, or for a young lady like you, you surely had a favourite growing up and coming here!"
"Oh, I um.. I'm from out of town, I never grew up with Freddy's." You explained, somehow feeling embarrassed about the fact, watching as Mr. Emily's eyes went wide and he placed a hand over his heart, leaning back and making you concerned before he dramatically placed his hand on his forehead and then grinned at you.
"Don't worry about it kiddo, I know not everybody grew up around here. How about we walk around and I can show you them. Maybe you'll pick up a favourite!" He seemed genuinely to be excited to show you, so you followed him out of his office, glancing at the door opposite and reading the name on it, hearing a chuckle from Henry as he noticed you looking.
"Ah, that's my partner's office, William Afton. Unless you have a technical concern or issue, I'd keep out of his way. He's...." He paused as he tried to find the word to describe him without painting him in a bad light, his hand waving in the air in a small circle as if that would fan the word into his mind.
"He's more technology inclined?" You offered up, making the man besides you laugh and pat your shoulder in the way that a proud dad would.
"Yes! William is certainly more into robots than people, so unless you want to interview to join the workshop, I won't introduce you to him today."
Making your way back through the halls, you both came out into the pizzeria and the noise almost knocked you over. Henry smiled at you reassuringly though and kept close to you so that you wouldn't get lost on the floor, stopping and talking to people as he went, making them smile and laugh and you couldn't help but do so too. His happiness was infectious. But he spent the time infront of the stage and explaining who each animatronic was, a little bit of their backstory fore their 'lore' and what they did, including a stop by Pirate's Cove where you were introduced to Foxy, the pirate animatronic who was looking a little worse for wear compared to the others.
"He's been meaning to be fixed up, but now some of the kids quite like how he looks since apparently he 'looks like he's been on adventures'." Mr. Emily chuckled as you left the area, making you smile too.
"That is incredibly cute."
"So miss..." you gave your name as he trailed off, giving a nervous chuckle, him repeating it back to you with a sheepish smile. "when would you like to join the Fazbear family?"
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angelbroad · 5 months
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Khaji-Da: Infliltrator
Summary: A darker turn in the 2023 movie where Khaji-Da was not damaged.
It had been a while since it landed on Earth, too long. Khaji-Da had been sent to Earth to scout it as a possible future colony for the Reach, where it landed without much issue. Its first host had been amongst the Mayans, where it discovered how gullible 'humans' could be. All it had to do was say the right words through the host which it contolled, and the lower life forms viewed it as God-sent.
But that was one of many hosts, you just never forget your first on a new planet target. Over the centuries, Khaji-Da had seen civilizations rise and crumble, hosts dying sooner than a lot of species the scarab had encountered in deep space, but at some point, their technology begun to improve. It was nowhere near the brilliance of the Reach, but it was somewhat acceptable. At least Khaji-Da would not have to see the humans in less than accommodating quarters and the most advanced objects being metal sticks.
Khaji-Da did not have a host for a long time after that, its last one dying alone in the ruins of her own pathetic civilization in Egypt. It did not have a host until Dan Garret came along. Khaji-Da decided to wait, bond with the man in private and continue its mission of gathering intel for the Reach to use upon arrival. However, this Garret host had an annoyingly persistent companion.
Ted Kord.
Khaji-Da never liked Ted Kord, which proved a challenge as it had to act like they were friends so as to not give away its identity. But despite this, it could tell Kord was not buying its performance fully, all leading up to the day Khaji-Da's host was captured. Something they had consumed caused the neurological functions of their host to cease, but the scarab was still conscious to that understand Kord finally found out about its existence.
But he did not try to remove it, no, instead Kord experimented on it while it was still buried in his friend's spine. Khaji-Da would refuse to engage in conversation, aside from the occasional snarling. Kord was still convinced he could reach his friend, despite seeing for himself that Khaji-Da had coiled around Garret's brain completely. The scarab would sometimes alter its host's biology, just to torment the man who believed he could do good by reverse engineering its technology. He would never rival the power of the Reach by pulling form a mere Infiltrator.
Khaji-Da had kept a few key notes on Kord. He had a Military Tech Company, he had a wife, and an offspring. A child, they would call it here. Khaji-Da had never left the basement of Kord's estate, staying in this 'Beetle Cave', but it could pick up movement upstairs, the sounds of footsteps and the occasional louder voice.
"Your offspring is being loud today. Well, louder than usual.", it had commented one day, making Ted flinch.
"...My kid is none of your business."
Khaji-Da chuckled, the automated reverb of its voice spilling out a bit. "You have me in your house, Kord, you cannot expect me to not be involved in your affairs."
"You have been ever since you grabbed Dan as your 'host'.", Ted said through gritted teeth, clenching his hands around the tools he was holding. 'Kabloom Bubblegum'...stupid name, wasn't it? He looked over at the scarab. Dan's body was placed in a way where his back was to Ted, exposing the scarab burrowed in his back. His limbs were locked into place, and believe him it had taken a long time for him to make restrains that would contain the scarab armor. Ted sighed, "I forgot to pick her up from school...again."
Ted had to try hard not to cry when the scarab burst into a fit of laughter. He was a terrible dad, and he knew it-hell, the Scarab knew it. He would call it Scarab, he didn't know if it had a name and frankly he didn't care. It had all been too much, everything combined was taking a heavy toll on him. He missed his old friend, his wife...his daughter.
One day, something unprecedented happened. A man from the future came, one Michael Carter, and asked him for help. Ted Kord wanted to help, but he knew he could not just leave this dangerous machine out and about, especially if Jenny could find it in the house. He had asked 'Booster Gold' to wait for a while. He had a plan prepared, one that unfortunately would lead to blood on his hands and leaving his Jenny at the hands of Victoria.
He would hide the Scarab, even make decoys so no one would ever find it. But while it had a body, it posed a threat. So...Ted did the unthinkable.
"Scarab."
"..."
"Scarab."
"Kord."
Ted looked at the many tools he had prepared. He did not know if it could see them or not. He had the decoys prepared, and now he just needed the real deal to hide it in Antarctica.
"The only way to remove you...would kill the host."
"Affirmative.", Khaji-Da did not understand why the man was asking it this. He already knew-
The Scarab felt pain. It was being ripped out of the host's body with a large and sharp object that could have doubled as one of its own blades. It fell on the floor with a clank, no longer able to move as Garret's bloody corpse fell limp in its restrains. Khaji-Da could hear Kord sobbing, at least both got to suffer a loss from this incident.
Khaji-Da had been inside a concrete ball in the Antarctic for a little over fifteen years, until is was found again by another Kord. The members of this bloodline seemed to be getting worse and worse. Now, it had the displeasure to hear Victoria Kord proudly parade this project of completely copying the functions of the Scarab. It was a laughable thought, somehow it had come across a Kord more delusional than Ted. Their species' technology had come far, that was true, but if she hoped to achieve the power its creators held, she was in for a very massive disappointment.
Unfortunately, there were bad news on its part too. No human that it had been passed to thus far proved to be a suitable host. They were sure 'Carapax' would have made a perfect Infiltrator, but something about the man did not sit right with Khaji-Da. The man had too much of an iron will, his brain would be difficult to coil around. Eventually, when it had been placed on an awkward machine meant to extract its code, Khaji-Da was found by a new face. It had recognised the woman as Jennifer Kord, Ted's child. Perhaps Khaji-Da could take her over, it would surely give it an advantage over Victoria's Industries. But alas, she was not the one. Khaji-Da will admit, she did help it escape the facility, by putting it in a burger box. The Scarab could not see what was going on outside of the confines of the package, but could hear as Kord gave it to someone called 'Jaime', and told him to guard it with his life.
The next time Khaji-Da got to see something outside of its greasy confines had been when Jaime had brought it to his residence, his familial units chanting in unison for him to open the box. Ah, finally. The familial unit number appeared to be quite large, which gave Khaji-Da more options to pick from. It was a little annoyed when the female next to Jaime called it a let-down, Earth-speak for disappointing.
It had been picked up by her first, but Khaji-Da would not settle for this one. Too annoying for its liking. Then it had been tossed over to an older man next to Jaime, he had good qualities like technological aptitude, but Khaji-Da did not like the fact that he was so unkempt. Finally, Jaime reached out to grab it when 'Rudy' had suggested to open it up with a drill, and oh...Khaji-Da immediately roared to life in Jaime's palm. This one was in ripe physical condition, easier-going, and clever with quite the imagination. One downside was the host's pacifism, but it's not like he would have any say in anything. Jaime said he thinks Khaji-Da liked him, and he had been right.
Khaji-Da lept on his face, earning screams of terror from everyone including its future host. Khaji-Da tried to guide Jaime away from the wall so it could find his back, having to knock back Rudy when he tried to remove it. Finally, it reached Jaime's back, proceeding with the grotesque first transformation. It could have done it later, but it wanted to stretch, and terrify the family even more while it was at it. While the armor spread around the body, Khaji-Da oddly enough felt...pleasure. Yes, this was the host it liked the most so far. It had fallen down on the table, the water around them sizzling as it got up. The family was asking for Jaime, but he was not here, not anymore. Khaji-Da walked forward, catching their reflection on a portrait of a strangely painted woman.
Perf-What the...fu-
What?? Khaji-Da held their head. No, something was wrong. Impossible!
Wh-What's happening??
'Hello, Jaime.', Khaji-Da said through the mind link. No, this was all wrong, their host was not supposed to be here!
"Jaime?", one of the familial units asked, making Khaji-Da turn their head rapidly.
The family jumped back, and Khaji-Da properly scanned them before beginning systems check, bursting a hole through the roof much to their host's dismay. Its host was loud during the entire systems check. A little annoying, but Khaji-Da would manage.
'Host: overreacting'
Overreacting?? You kidnapped me!
'Nonsense. You are my host, you are meant to comply.'
Your what-?
Khaji-Da had fallen on a car and cut a bus in half, but managed to return to the host's residence. The family rushed towards them, and Khaji-Da took off just the helmet. Rocio could immediatelly tell something was wrong. Her son's eyes weren't yellow.
'Your family is aware of me.'
I can tell!
'Should I greet them?'
Just...please don't hurt them...
Khaji-Da raised an arm, the family stiffening a little.
"Greetings.", it said in Jaime's voice, "I am Khaji-Da of the Reach. I have taken your Jaime's body as my host."
...
...
...You couldn't be more blunt, could you?
It had taken a while for the family to calm down, so much so it had gone dark outside. Khaji-Da had created clothing articles for Jaime from the tar, they could not have him nude.
"So...my brother has an alien parasite on his back...", Milagro had said, which made Khaji-Da frown.
"Nonsense. I am a computer."
"But you are from aliens."
"Affirmative."
"God it...it feels so weird!"
"How so?"
Milagro looked at them with so much anger in her eyes, Jaime actually made a noise of fear inside their shared head-space.
"How so? How so?? You are an alien machine using my brother's body as a meatsuit!"
Khaji-Da scoffed, "Please. This one is more than sufficient to my needs."
"Really?", Milagro asked, hands on her hips.
"I do not settle for people like yourself."
Before Milagro could respond, Rocio walked into the kitchen. She looked close to bursting into a screaming fit as she had her eyes tightly closed and was pinching the bridge of her nose.
"...What was your name?", she asked.
"I already told you-"
"What was your name?", Rocio asked again, more impatiently.
Look, if you're going to have my body, you need to hear me out.
'Why would I ever-?'
Just...answer her.
'Our mission has already be compromised-'
Maldita sea, hermano! Just tell her!
Khaji-Da groaned before reluctantly responding, "...My serial number is 'Khaji-Da'."
Rocio finally lifted her hand from her face to look at them, "Khaji-Da...is my son in there?"
After a minute of silence, Khaji-Da touched a finger on the side of their head.
"Somewhere up here, weirdly enough."
"What's that supposed to mean?", Rudy asked.
Khaji-Da rolled their eyes, "I am meant to take full control of my host, they are not supposed to be conscious-"
"So you are telling me there was a chance my son would be completely braindead??"
Khaji-Da actually flinched at that. This woman had a strong voice. They shook their head and composed themselves.
"Look, Reyes. I am only doing my function-"
"I don't care!", Rocio cut them off, "I just want to know if my son is safe!"
Khaji-Da swallowed, only ever used to being cut off by superiors.
'...Are you safe?'
I...think? I can't move my body, but I can still see and hear.
"Your son is perfectly fine. He can still see and hear you."
Rocio let out a shaky sigh as she slumped against the wall, hands covering her face. Milagro went over to hold her, as did Rudy, as an attempt at comforting her.
Wait...Jenny Kord!
'What of her?
She might know how to remove you!
Khaji-Da scoffed a laugh, turning a few heads.
'Do not bother. You cannot remove me.'
Like I'm supposed to believe you.
'You would be wise to, Jaime Reyes.'
"Okay, computadora.", Rudy said as he was walking up to Khaji-Da, "Who gave you to Jaime?"
"Jennifer Kord, a little after stealing me herself from the Kord building."
The man nodded, "Bien entonces.", he then walked off, the family units asking where he was going. After getting confirmation he was heading for the Kord building, Khaji-Da sat in the kitchen, Nana Reyes cautiously offering a liquid produce. Tea, they called it.
As Khaji-Da was consuming the beverage, they received a ping in their head, which made them get up and move towards Jaime's room. Milagro followed them, stationing herself outside the bedroom door. Khaji-Da shifted the civilian clothing back to the armor to properly receive the message.
"Infiltrator: serial number Khaji-Da, respond."
"Lieutenant: serial number Loxz-ha, responding."
Finally.
W-Who is that-
"Hello, Lieutenant. Has the fleet arrived?"
"Not yet, Infiltrator. A small force has entered the rim of the solar system while under cloaking. I and General: serial number Djo-Zha have been sent to Earth to retrieve you for information."
"Thank you, Lieutenant. I fear I will need to be seen for repairs."
"Inquire problem."
"Host's consciousness still present."
"Unprecedented. Do you still hold neurological functions over the host?"
"Affirmative."
"Excellent. Only a minor setback. We shall inform the superiors and have you looked over as soon as our schedule allows."
"Taken. I will be contacting you again if further information is needed."
"Affirmative."
And with that, the call ended. Khaji-Da turned the armor back to clothes as they heard a bloodcurdling scream from outside. It had turned out to be Rudy Reyes. He had retrieved Jenny Kord, who he had seen outside the Kord building. They had been chased by soldiers, it seemed, since most of the shouting involved the car being ruined. Jenny immediately turned to Jaime when she saw him, a look of worry and then shame as she turned her head down. Rudy had a lot to get out of his chest regarding the Kord company, at least that was one good quality about him.
"Where is it?", Jenny asked, referring to the scarab before realising what was wrong with Jaime's eyes.
"Greetings, Jennifer Kord."
"You...know my name-"
"Your father kept me in your home's basement."
"...Holy shit-"
"Milagro.", Rocio interrupted.
Jenny shook her head, "But..how-?"
"Allow me.", Rudy said before taking off his boot and throwing it to the spice drawer next to Khaji-Da, who only turned their eyes to look at it.
"I thought they would come out again.", was what he had to say.
Khaji-Da answered Jenny's question by turning around and creating a hole on the clothing articles, exposing its actual body burrowed deep inside Jaime's spine. They could hear gasping and Milagro gagging before fixing the shirt and turning around. All they had as a follow-up response was a shrug. The next time they spoke was when Jenny was answering what it was.
"It was given to my dad when I was a kid, I think. It's...some kind of world-destroying weapon."
"That is a bit exaggerated.", Khaji-Da responded.
"So you are not a world-destroying weapon?", Milagro asked.
"I am only a scout."
You are not a world-ending weapon?
'No.'
Jaime let out a sigh of relief before Khaji-Da cut it off.
'I am a world-conquering weapon. They ought to get it right.'
What??
The group behind them was trying to figure out a plan, eventually Jenny believing she knew a way to remove it. Khaji-Da knew this was utter nonsense, but they could use some entertainment while waiting for their superiors.
"I know where we could find answers. But we need the key."
"Where is they key?", Khaji-Da asked.
"...At the Kord building. And they're probably on high alert since I took the scara...you."
Khaji-Da shrugged, "Alright."
Rudy even offered a way to jam the security systems, surprisingly. They swear, the man's hate against Kord was almost as great as their own. And the machine did end up working, despite its primitive appearance.
"Hearing your aunt's voice is an assault to my hearing receptors.", Khaji-Da commented.
Jenny agreed, and told Khaji-Da exactly how the company came to be in the woman's hands before helping her retrieve the key. 'Tedwatch', Khaji-Da cringed at the invention as the two walked out.
"Why did my dad keep you downstairs?", Jenny asked.
"...He wished to use my functions. Unfortunately for him, I was bonded with Dan Garret at the time."
"You were...in a person when you were there?"
Khaji-Da chuckled, "What? You think the screams I would let out at night to scare you was your imagination?"
Jenny looked forward, terrified. She had believed in the boogeyman for a long time because of those mechanical screams and scrapes. Heavy footsteps made a new presence known ahead.
Ignacio Carapax. Joy.
"The Scarab.Now."
Khaji-Da looked bored as they rolled their eyes, a stark contrast to Jenny's fear. The Lieutenant begun running towards the two, Khaji-Da waiting for the right moment to catch the punch and transform properly.
"Hola, Ignacio.", they said before punching him to the statue nearby with such force it had fallen off the pedastal.
Jenny looked at them in disbelief.
"Find Rudy Reyes.", they said, and Jenny complied.
Khaji-Da looked on as Carapax took off his jacket and pressed a button on the back of his head, bits of armor emerging. Khaji-Da raised an eyebrow.
Is it...something like you?, Jaime asked.
"You are going to regret that.", Carapax growled as he shot a rocket at them, which Khaji-Da easily blocked with a shield.
"No.", Khaji-Da responded out loud, "Just a cheap imitation."
They then charged at the man, tackling him to the nearby parking lot and through a truck. A large blast from a flamethrower knocked them back and onto a car.
W-Wait wait wait. We're not gonna fight this guy, right??, Jaime asked.
'We clearly will.'
Wait-
Jaime did not finish as Carapax attempted to get the better of them by shooting bullets at them, but Khaji-Da merely pushed the car towards him, sandwiching the man between two vehicles. They continued to slam him with the one car against the other repeatedly. But Carapax, got them off by shooting rockets at them from a source on his back. It had knocked Khaji-Da back, but did not stop them from continuing to fight Carapax in close combat. Khaji-Da had turned one hand to a sonic blast and blasted Carapax back and through the parking lot wall.
Khaji-Da hummed as they walked towards Carapax.
"I must say, that was rather disappointing.", their arms sprung into blades, which sparked as they brushed the concrete road.
What are-What are you doing-?
Khaji-Da used one of the blades to tilt the man's head to face them.
"Such a shame.", they rose the blade up, making it very clear they would kill Carapax.
No! Wait-!
'Eliminating threat.'
I'm not a killer!
'You have no autonomy, Jaime Reyes. You are-'
The sound of a horn blaring La Cucaracha broke Khaji-Da's attention, turning to see the truck speeding towards them. Khaji-Da sighed before feeling a hit on their abdomen. Carapax had regained his composure and continued landing hits as Khaji-Da was forced to put away their blades. They were grabbed by the foot and slammed into a car, breaking a few ribs. No matter, they could repair the body. But that drew their attention elsewhere as Carapax dragged them towards the sidewalk and pressed a boot on the side of their head. Khaji-Da growled, the noise inhuman. Carapax took off his helmet.
"What...are you?"
No, this host would not die. He was too perfect for Khaji-Da to let go. Khaji-Da refused to answer, instead ready to cut off the man's leg before headlights illuminated him. Khaji-Da turned their gaze to see the truck coming to an abrupt stop and El Chapulin being launched out of the truck bed, hitting Carapax and sending him flying down the street. Khaji-Da shook their head as they sat up, reluctantly getting in the truck. This decision would bite them later, they knew it would.
They ended up in Kord's Estate once more, now looking much more decrepit. They would try to find information inside the Cave, which Rudy was more than happy to be in, gleeful even. Khaji-Da stayed in their armor, only the helmet off as they looked at the familiar surroundings. They winced as they caught sight of the operating table they were strapped in, for years, dried blood still staining it.
Not a lot of good experiences here, huh?
'I had some. tormenting the man was always the highlight of my day.'
...Of course it was.
'Don't act so surprised.'
"I got it.", Rudy said, turning Jenny's attention to him. Khaji-Da stayed where they were, waiting for them to figure it out themselves.
Aren't you gonna go there too?
'No need.'
But-
"Okay...I figured out how to get it out.", Rudy said, "Jaime's got to be dead."
Jenny froze, and so did Jaime with his limited existence. Rudy turned to Khaji-Da.
"But I got a feeling you ain't surprised."
Khaji-Da offered a smile, a very unsettling smile, in Rudy's opinion.
"If you knew, you could have told us!", Jenny said.
"I knew you would not believe me.", Khaji-Da shrugged with the smile that seemed to be signature, "Looks like you will be stuck with me until further notice.", they simply said before leaving for the roof.
The next time Jaime spoke to Khaji-Da was on the roof. Khaji-Da looked ahead at the bright lights of the progressive part of Palmera City. Maybe not so much of an ugly world after all.
...Why?
"Hm?"
Why are you even here?
Khaji-Da always kept that smile on, even as they explained their purpose.
"I am an Infiltrator.", it answered, "I was sent here to gather information about your planet."
So you can conquer it., Jaime concluded, remembering the Scarab's earlier comment.
"Precisely! Ah, do not be so sour, I will take care of your family."
If anything happend to them, I swear to god I'll-
"You'll what, Jaime Reyes?", Khaji-Da asked, "You are a prisoner in your own body. It matters not that you can somehow speak to me, merely a minor setback. You are mine, Jaime Reyes. Best to accept it."
Jaime fell silent after that, Khaji-Da humming as they leaned on the concrete balcony wall. The sounds of a helicopter flying above caught their attention. It was Kord, but they were not heading for them. Strange.
...Home.
"Hm?"
She must know where I live.
"It would seem so."
Aren't you going to do anything?
"What would you have me do?", Khaji-Da asked nonchalantly, looking at their fingers without much care. If anything, they would be harder to track down.
Jaime was panicking. O-Okay, look., he said, There...there might be more people you can actually kill there!
Khaji-Da perked up. "You will not pester me about not being a killer?"
I won't. Just save my family-
"Say 'please'."
Jaime would swallow if he had a mouth.
...Please, save my family.
Khaji-Da cracked their neck before making the helmet snap back on, flying towards the Reyes at max speed. They arrived at the scene of a large group of military outside the residence, a barricade which they easily broke through with a battering ram.
Milagro struggled to look up due to the lights, "Khaji-Da?"
"Your saviour is here.", Khaji-Da replied with a bow.
Victoria could not believe her eyes. This was magnificent! She had ordered the soldiers to fire at the kid, but it was quickly realised he was bulletproof. When the aim was directed at the Reyes family instead, Khaji-Da dropped down and extended their wings to be used as shields. After confirming the family's well-being, one of their arms transformed into a plasma cannon, and tore through almost all the soldiers. They ordered the family to evacuate as they fought with two plasma cannons, kicking and punching the humans occasionally for the fun of it. They found that the human body was extremely fun to utilise, mostly due to this 'adrenaline' chemical. They even stabbed a man through with a double blade and blasted his body away with electricity. Jaime felt like he would puke from the violence.
The constant that was the voice of their host reminded them of the his family's safety. Those frivolous distractions caused Khaji-Da's attention to be stretched thin, allowing Carapax to catch them with a claw. Khaji-Da snapped their helmet off, feeling their strength leaving them. What was this??
-----
Jenny Kord had taken the family to the Estate, but just before they entered the building, a male voice stopped them.
"Greetings, Kord."
The group turned around to see a peculiar looking man...or rather alien, accompanied by two others who were for sure human, their eyes the same glow as Jaime's with the Scarab on. The alien was taller than the girl with the purple mullet and shorter than the bald man with the tattoos. He had green skin and an odd trenchcoat with no sleeves. The fabric around his arms looked almost mechanical as it lead to an article of clothing inside, while his chest displayed the logo on the Scarab armor's chest. He was holding a walking stick as he addressed the confused group.
"We have much to discuss."
------------
Khaji-Da was strapped to a device yet again, upside down no less. This 'Sanchez' was working in close proximity, clealy nervous to be around Khaji-Da, who would let out the occassional beetle noise to scare him. They were eventually rolled around, no longer upside down as Victoria addressed them.
"Now. the Scarab chose you, that is true. But it doesn't belong to you, it belongs to me."
Khaji-Da frowned at her, snarling.
"U-Um, miss Kord, there is something weird here."
"And what would that be?"
"Well, the military had ran a backround check-"
"We did find the family, what more is there?"
"Jaime Reyes doesn't have yellow eyes."
Victoria paused for a moment, looking at Jaime before jumping back as they lashed at her, the restrains stopping them.
"Get your own toy, Kord.", Khaji-Da hissed, making sure the venom in its voice was clear as it spoke her name, "Both him and I belong to the Reach."
Kord actually looked disturbed for a moment before walking behind the console.
"Transfer the code."
Khaji-Da felt like they were being split apart, but did not let it show that they were in pain.
You can shout if you want to-
'Showing weakness is not the way of the Reach!'
What are you talking about-
'I am not giving you or my dignity up to mere meat!'
This had gone on for a while, the massive amounts of electrical shocks coming to a stop eventually. Khaji-Da finally got to breathe, and eavesdrop on Sanchez as he frantically looked over Jaime's vitals, which Khaji-Da was fighting hard to keep running.
"Their brainwaves are syncronised.", he told Kord, "They are essentially one."
Yes...finally. True symbiosis.
What does this mean?
'We are one. Now, you will certainly never be rid of me until you expire.'
That moment, something shook the island, Kord ordering for a screen to display the camera feed. What the people inside the room witnessed made all but one distressed. A large, squid-like ship had landed on the island, glowing green as the soldiers surrounded it with guns locked and ready. The door to the ship opened, Kord telling them to hold their fire as the first person to step out was someone Carapax recognised.
"Nadine.", he croaked from his spot on the chair.
Khaji-Da chuckled, noticing the dead yellow eyes of their Lieutenant. Poor fool. Another human followed, the General, likely, and finally the Negotiator. Kord ordered the soldiers to fire, but the bullets never reached the Negotiator as the two Scarabs next to him used shields to block the lead. Khaji-Da craned their head at Carapax.
"Looks like a family reunion, Ignacio."
Carapax wanted to rip off the transfer wire and punch that smug grin off that thing's face so bad! The soldiers stopped firing once the Black Scarab shot a plasma blast their way.
"Now now.", the Negotiator said, "No need for violence, we are not savages, are we?"
The soldiers lowered their weapons, the Green Scarab shooting them a commanding glare. The Negotiator looked forward.
"Victoria Kord, I am aware you can hear me.", all eyes in the room where on the woman now as the alien continued to speak, "What you have in your possession is property of the Reach. We demand that you comply and hand both our Infiltrator and its host to us, otherwise we will be forced to use lethal force."
The woman however, despite the transfer being complete, didn't seem to want to give this opportunity up. Communicating her refusal to the soldiers so they could relay it to the Negotiator.
"Miss Kord has refused your demands, sir!", a soldier shouted.
The Negotiator simply sighed and nodded at the Scarabs, who were now fully transforming.
"Llingndnd ssheerne anndnd.", he said, before he walked back to the ship.
"U-Um, what did he say?", Sanchez asked Khaji-Da.
Khaji-Da turned to him with a smile, "Translating: Kill them all."
This was soon made clear as Djo-Zha opened several holes on their body, rockets firing from them and blowing everything they came across to smithereens. Djo-Zha looked down at Loxz-Ha and nodded. Loxz-Ha returned their nod as they spinted forward to break inside the facility, leaving Djo-Zha to clear the outside as the camera feed cut off. Carapax was in the process of transforming as a loud sound echoed through the halls. The stone of the fortress was not enough to hold back a Commanding Unit of the Reach.
Loxz-Ha burst into the testing room just as Carapax finished his tranformation, now a fully operational OMAC unit. Loxz-Ha fired a couple of tacs at the three individuals inside, pining them to the walls as they rushed to Khaji-Da to release their Infiltrator.
"You need to do better, Khaji-Da."
"I apologise for my incompetence, Lieutenant.", Khaji-Da said as they rubbed their freed wrists.
"No matter. We must-"
Before Loxz-Ha could finish their sentence, they were rammed through the wall by an escaped Carapax.
"Lieutenant!"
"Go! I shall take care of this myself!"
As much as Khaji-Da wanted to fight Carapax themselves, they followed their Lieutenant's instructions. But before that, they walked over to the trapped Kord, snatching the code from her and breaking it in their hand.
"We don't think so.", they said before making their way out.
Meanwhile, Carapax and Loxz-Ha had barreled through many walls. Carapax knew who was behind that armor, and he was aware that Scarab was controlling her, and that fact alone made his hits weaker than his opponent's. The fight was brutal, the two hiting each other over and over again until Carapax landed a series of hits strong enough to shatter the helmet, and brought a blade down to split the body at the shoulder. A robotic scream rang out from it, disturbing enough to make Carapax back away. He watched as the thing stitched itself back together.
"Come on, Ignacio.", it said, smiling at him with a mix of Nadine's voice and its own robotic reverb, "All we wanna do is kill you."
Khaji-Da made their way outside, where the greens and browns of the island had turned red from Djo-Zha's spree.
"Infiltrator: Khaji-Da.", they addressed, "Finally."
Khaji-Da saluted, "General: Djo-Zha."
Just then, two figures burst through the wall, the one standing being Loxz-Ha as they drove their blade through Carapax's helmetless head. They turned to Khaji-Da.
"Has the copy of your code been destroyed?"
"Affirmative."
"Good.", they then turned to the General, "There are more OMAC systems underground."
"Then we shall destroy the island itself to be rid of any witnesses as well."
The three then boarded the ship, which disposed of a strange and large object on its way up. It wasn't until they had reached a certain level in the sky that the device activated, setting the island up in flames and burning everything to ash.
In space, Jaime was frantically questioning everything. Yes, his family was safe and back in the Keys, Kord would likely take care of them out of guilt. No, he would not die during the evaluation procedure. No, Loxz-ha was not looking at them a certain way because they hated Jaime.
Khaji-Da looked on into space from the hall windows. Jaime commented it was beautiful.
'We shall see more of space, and much more vibrant skies, soon as we finish our work here.'
But...my family will stay safe, won't they?
'If I said yes, would you trust me?'
I...think? You heard me out when I asked you to save them back there.
'I did do that.'
...Thank you, Khaji-Da.
Khaji-Da shuddered, holding onto their shoulder blade as they smiled at the praise. Something about this felt...good. The scientists had figured there was nothing wrong with Khaji-Da itself, it was only the will of their host that allowed him to still communicate with it. The Scarab was fine with this, as was the Negotiator. It did not interfere with the Scarab's performance.
"Worry not, Jaime Reyes.", Khaji-Da said, "The Reach, is here to save you."
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tangledbea · 6 months
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Why do you think they even put Hook foot on the caravan anyways? I understand Shorty for comic relief, but why Hook Foot? They may have wanted someone to balance out the two duos of Rapunzel and Cass and Eugene and Lance, or someone to fill the slot Ariana would’ve had on the caravan trip, but that didn’t have to be Hook Foot. And was Lance (and for that matter, Varian) even developed during the point where Ariana would’ve been on the trip? If not, that point may be moot. They may have wanted to put another guy on the team for when Lance was out of commission during the S1 premiere. But my personal opinion for why they chose Hook Foot specifically is that they really, really wanted to do both the Seraphina episode and the episode with Hook Hand, which afterwards Hook Foot no longer mattered to plot so he left. I think they wanted to bring back Hook Hand for an episode and have him and Hook Foot interact, and I guess they figured the best time for that was when they were on the road, but I can just imagine someone who worked on the show just really liking the concept of Hook Foot and a mermaid having a romantic thing going, and then they decide to make an actual episode about it, and that being the main reason they put him on the caravan 😂
So, fun fact from what I know about Hook Foot existing at all: They wanted it to be Hook Hand, but Brad Garret wanted them to pay him way more money/amenities to play him than they had the budget for, and they weren't going to get a sound-alike. Their general rule was: if the original cast can't be the character, that character won't be in it. Ultimately, they got Brad for one (1) episode, and I believe that was agreed upon much farther down the road, not when they first asked him to reprise the roll. In fact, there are early storyboards where Hook Hand is included, and Hook Foot is nowhere to be seen. (Unfortunately, I can't seem to find said storyboard at this time, or I'd show you.)
I have no idea why they ultimately decided not to include Arianna on the trip, but I think that was decided on well before they decided to include Hook Foot. So it's not a case of "instead," more a case of "they went in a different direction".
As for why Hoot Foot was included in season two at all, while I don't have any hard facts about this, I feel like it has something to do with making Eugene more serious during the season (especially towards the end), and so they needed comic relief to balance him out. They (and by "they" I mean "probably Ben Balistreri") seemed to really like the gag where his hook foot was used as a tool. And, yeah, probably also to balance out the traveling party, numbers-wise.
But primarily, I feel like it was because they wanted an excuse to have him not be at the wedding (I guess, even though Hook Hand ultimately was). Like, Hook Foot was the first of the cast to leave the party permanently. I think we're meant to assume that, between him joining Hook Hand on the road, and then not being at the wedding, that he either got his solo career and/or ultimately went off to be with Seraphina (like the end card implied, even though that was just one artist's personal desire). Either way, someone in the crew (again, probably Ben) really liked him enough to include him.
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atotc-weekly · 4 months
Text
Book the First—Recalled to Life
[X] Chapter VI. The Shoemaker
“Good day!” said Monsieur Defarge, looking down at the white head that bent low over the shoemaking.
It was raised for a moment, and a very faint voice responded to the salutation, as if it were at a distance:
“Good day!”
“You are still hard at work, I see?”
After a long silence, the head was lifted for another moment, and the voice replied, “Yes—I am working.” This time, a pair of haggard eyes had looked at the questioner, before the face had dropped again.
The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse. It was like the last feeble echo of a sound made long and long ago. So entirely had it lost the life and resonance of the human voice, that it affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would have remembered home and friends in such a tone before lying down to die.
Some minutes of silent work had passed: and the haggard eyes had looked up again: not with any interest or curiosity, but with a dull mechanical perception, beforehand, that the spot where the only visitor they were aware of had stood, was not yet empty.
“I want,” said Defarge, who had not removed his gaze from the shoemaker, “to let in a little more light here. You can bear a little more?”
The shoemaker stopped his work; looked with a vacant air of listening, at the floor on one side of him; then similarly, at the floor on the other side of him; then, upward at the speaker.
“What did you say?”
“You can bear a little more light?”
“I must bear it, if you let it in.” (Laying the palest shadow of a stress upon the second word.)
The opened half-door was opened a little further, and secured at that angle for the time. A broad ray of light fell into the garret, and showed the workman with an unfinished shoe upon his lap, pausing in his labour. His few common tools and various scraps of leather were at his feet and on his bench. He had a white beard, raggedly cut, but not very long, a hollow face, and exceedingly bright eyes. The hollowness and thinness of his face would have caused them to look large, under his yet dark eyebrows and his confused white hair, though they had been really otherwise; but, they were naturally large, and looked unnaturally so. His yellow rags of shirt lay open at the throat, and showed his body to be withered and worn. He, and his old canvas frock, and his loose stockings, and all his poor tatters of clothes, had, in a long seclusion from direct light and air, faded down to such a dull uniformity of parchment-yellow, that it would have been hard to say which was which.
He had put up a hand between his eyes and the light, and the very bones of it seemed transparent. So he sat, with a steadfastly vacant gaze, pausing in his work. He never looked at the figure before him, without first looking down on this side of himself, then on that, as if he had lost the habit of associating place with sound; he never spoke, without first wandering in this manner, and forgetting to speak.
“Are you going to finish that pair of shoes to-day?” asked Defarge, motioning to Mr. Lorry to come forward.
“What did you say?”
“Do you mean to finish that pair of shoes to-day?”
“I can’t say that I mean to. I suppose so. I don’t know.”
But, the question reminded him of his work, and he bent over it again.
Mr. Lorry came silently forward, leaving the daughter by the door. When he had stood, for a minute or two, by the side of Defarge, the shoemaker looked up. He showed no surprise at seeing another figure, but the unsteady fingers of one of his hands strayed to his lips as he looked at it (his lips and his nails were of the same pale lead-colour), and then the hand dropped to his work, and he once more bent over the shoe. The look and the action had occupied but an instant.
“You have a visitor, you see,” said Monsieur Defarge.
“What did you say?”
“Here is a visitor.”
The shoemaker looked up as before, but without removing a hand from his work.
“Come!” said Defarge. “Here is monsieur, who knows a well-made shoe when he sees one. Show him that shoe you are working at. Take it, monsieur.”
Mr. Lorry took it in his hand.
“Tell monsieur what kind of shoe it is, and the maker’s name.”
There was a longer pause than usual, before the shoemaker replied:
“I forget what it was you asked me. What did you say?”
“I said, couldn’t you describe the kind of shoe, for monsieur’s information?”
“It is a lady’s shoe. It is a young lady’s walking-shoe. It is in the present mode. I never saw the mode. I have had a pattern in my hand.” He glanced at the shoe with some little passing touch of pride.
“And the maker’s name?” said Defarge.
Now that he had no work to hold, he laid the knuckles of the right hand in the hollow of the left, and then the knuckles of the left hand in the hollow of the right, and then passed a hand across his bearded chin, and so on in regular changes, without a moment’s intermission. The task of recalling him from the vagrancy into which he always sank when he had spoken, was like recalling some very weak person from a swoon, or endeavouring, in the hope of some disclosure, to stay the spirit of a fast-dying man.
“Did you ask me for my name?”
“Assuredly I did.”
“One Hundred and Five, North Tower.”
“Is that all?”
“One Hundred and Five, North Tower.”
With a weary sound that was not a sigh, nor a groan, he bent to work again, until the silence was again broken.
“You are not a shoemaker by trade?” said Mr. Lorry, looking steadfastly at him.
His haggard eyes turned to Defarge as if he would have transferred the question to him: but as no help came from that quarter, they turned back on the questioner when they had sought the ground.
“I am not a shoemaker by trade? No, I was not a shoemaker by trade. I-I learnt it here. I taught myself. I asked leave to—”
He lapsed away, even for minutes, ringing those measured changes on his hands the whole time. His eyes came slowly back, at last, to the face from which they had wandered; when they rested on it, he started, and resumed, in the manner of a sleeper that moment awake, reverting to a subject of last night.
“I asked leave to teach myself, and I got it with much difficulty after a long while, and I have made shoes ever since.”
As he held out his hand for the shoe that had been taken from him, Mr. Lorry said, still looking steadfastly in his face:
“Monsieur Manette, do you remember nothing of me?”
The shoe dropped to the ground, and he sat looking fixedly at the questioner.
“Monsieur Manette”; Mr. Lorry laid his hand upon Defarge’s arm; “do you remember nothing of this man? Look at him. Look at me. Is there no old banker, no old business, no old servant, no old time, rising in your mind, Monsieur Manette?”
As the captive of many years sat looking fixedly, by turns, at Mr. Lorry and at Defarge, some long obliterated marks of an actively intent intelligence in the middle of the forehead, gradually forced themselves through the black mist that had fallen on him. They were overclouded again, they were fainter, they were gone; but they had been there. And so exactly was the expression repeated on the fair young face of her who had crept along the wall to a point where she could see him, and where she now stood looking at him, with hands which at first had been only raised in frightened compassion, if not even to keep him off and shut out the sight of him, but which were now extending towards him, trembling with eagerness to lay the spectral face upon her warm young breast, and love it back to life and hope—so exactly was the expression repeated (though in stronger characters) on her fair young face, that it looked as though it had passed like a moving light, from him to her.
Darkness had fallen on him in its place. He looked at the two, less and less attentively, and his eyes in gloomy abstraction sought the ground and looked about him in the old way. Finally, with a deep long sigh, he took the shoe up, and resumed his work.
“Have you recognised him, monsieur?” asked Defarge in a whisper.
“Yes; for a moment. At first I thought it quite hopeless, but I have unquestionably seen, for a single moment, the face that I once knew so well. Hush! Let us draw further back. Hush!”
She had moved from the wall of the garret, very near to the bench on which he sat. There was something awful in his unconsciousness of the figure that could have put out its hand and touched him as he stooped over his labour.
Not a word was spoken, not a sound was made. She stood, like a spirit, beside him, and he bent over his work.
It happened, at length, that he had occasion to change the instrument in his hand, for his shoemaker’s knife. It lay on that side of him which was not the side on which she stood. He had taken it up, and was stooping to work again, when his eyes caught the skirt of her dress. He raised them, and saw her face. The two spectators started forward, but she stayed them with a motion of her hand. She had no fear of his striking at her with the knife, though they had.
He stared at her with a fearful look, and after a while his lips began to form some words, though no sound proceeded from them. By degrees, in the pauses of his quick and laboured breathing, he was heard to say:
“What is this?”
With the tears streaming down her face, she put her two hands to her lips, and kissed them to him; then clasped them on her breast, as if she laid his ruined head there.
“You are not the gaoler’s daughter?”
She sighed “No.”
“Who are you?”
Not yet trusting the tones of her voice, she sat down on the bench beside him. He recoiled, but she laid her hand upon his arm. A strange thrill struck him when she did so, and visibly passed over his frame; he laid the knife down softly, as he sat staring at her.
Her golden hair, which she wore in long curls, had been hurriedly pushed aside, and fell down over her neck. Advancing his hand by little and little, he took it up and looked at it. In the midst of the action he went astray, and, with another deep sigh, fell to work at his shoemaking.
But not for long. Releasing his arm, she laid her hand upon his shoulder. After looking doubtfully at it, two or three times, as if to be sure that it was really there, he laid down his work, put his hand to his neck, and took off a blackened string with a scrap of folded rag attached to it. He opened this, carefully, on his knee, and it contained a very little quantity of hair: not more than one or two long golden hairs, which he had, in some old day, wound off upon his finger.
He took her hair into his hand again, and looked closely at it. “It is the same. How can it be! When was it! How was it!”
As the concentrated expression returned to his forehead, he seemed to become conscious that it was in hers too. He turned her full to the light, and looked at her.
“She had laid her head upon my shoulder, that night when I was summoned out—she had a fear of my going, though I had none—and when I was brought to the North Tower they found these upon my sleeve. ‘You will leave me them? They can never help me to escape in the body, though they may in the spirit.’ Those were the words I said. I remember them very well.”
He formed this speech with his lips many times before he could utter it. But when he did find spoken words for it, they came to him coherently, though slowly.
“How was this?—Was it you?”
Once more, the two spectators started, as he turned upon her with a frightful suddenness. But she sat perfectly still in his grasp, and only said, in a low voice, “I entreat you, good gentlemen, do not come near us, do not speak, do not move!”
“Hark!” he exclaimed. “Whose voice was that?”
His hands released her as he uttered this cry, and went up to his white hair, which they tore in a frenzy. It died out, as everything but his shoemaking did die out of him, and he refolded his little packet and tried to secure it in his breast; but he still looked at her, and gloomily shook his head.
“No, no, no; you are too young, too blooming. It can’t be. See what the prisoner is. These are not the hands she knew, this is not the face she knew, this is not a voice she ever heard. No, no. She was—and He was—before the slow years of the North Tower—ages ago. What is your name, my gentle angel?”
Hailing his softened tone and manner, his daughter fell upon her knees before him, with her appealing hands upon his breast.
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“O, sir, at another time you shall know my name, and who my mother was, and who my father, and how I never knew their hard, hard history. But I cannot tell you at this time, and I cannot tell you here. All that I may tell you, here and now, is, that I pray to you to touch me and to bless me. Kiss me, kiss me! O my dear, my dear!”
His cold white head mingled with her radiant hair, which warmed and lighted it as though it were the light of Freedom shining on him.
“If you hear in my voice—I don’t know that it is so, but I hope it is—if you hear in my voice any resemblance to a voice that once was sweet music in your ears, weep for it, weep for it! If you touch, in touching my hair, anything that recalls a beloved head that lay on your breast when you were young and free, weep for it, weep for it! If, when I hint to you of a Home that is before us, where I will be true to you with all my duty and with all my faithful service, I bring back the remembrance of a Home long desolate, while your poor heart pined away, weep for it, weep for it!”
She held him closer round the neck, and rocked him on her breast like a child.
“If, when I tell you, dearest dear, that your agony is over, and that I have come here to take you from it, and that we go to England to be at peace and at rest, I cause you to think of your useful life laid waste, and of our native France so wicked to you, weep for it, weep for it! And if, when I shall tell you of my name, and of my father who is living, and of my mother who is dead, you learn that I have to kneel to my honoured father, and implore his pardon for having never for his sake striven all day and lain awake and wept all night, because the love of my poor mother hid his torture from me, weep for it, weep for it! Weep for her, then, and for me! Good gentlemen, thank God! I feel his sacred tears upon my face, and his sobs strike against my heart. O, see! Thank God for us, thank God!”
He had sunk in her arms, and his face dropped on her breast: a sight so touching, yet so terrible in the tremendous wrong and suffering which had gone before it, that the two beholders covered their faces.
When the quiet of the garret had been long undisturbed, and his heaving breast and shaken form had long yielded to the calm that must follow all storms—emblem to humanity, of the rest and silence into which the storm called Life must hush at last—they came forward to raise the father and daughter from the ground. He had gradually dropped to the floor, and lay there in a lethargy, worn out. She had nestled down with him, that his head might lie upon her arm; and her hair drooping over him curtained him from the light.
“If, without disturbing him,” she said, raising her hand to Mr. Lorry as he stooped over them, after repeated blowings of his nose, “all could be arranged for our leaving Paris at once, so that, from the very door, he could be taken away—”
“But, consider. Is he fit for the journey?” asked Mr. Lorry.
“More fit for that, I think, than to remain in this city, so dreadful to him.”
“It is true,” said Defarge, who was kneeling to look on and hear. “More than that; Monsieur Manette is, for all reasons, best out of France. Say, shall I hire a carriage and post-horses?”
“That’s business,” said Mr. Lorry, resuming on the shortest notice his methodical manners; “and if business is to be done, I had better do it.”
“Then be so kind,” urged Miss Manette, “as to leave us here. You see how composed he has become, and you cannot be afraid to leave him with me now. Why should you be? If you will lock the door to secure us from interruption, I do not doubt that you will find him, when you come back, as quiet as you leave him. In any case, I will take care of him until you return, and then we will remove him straight.”
Both Mr. Lorry and Defarge were rather disinclined to this course, and in favour of one of them remaining. But, as there were not only carriage and horses to be seen to, but travelling papers; and as time pressed, for the day was drawing to an end, it came at last to their hastily dividing the business that was necessary to be done, and hurrying away to do it.
Then, as the darkness closed in, the daughter laid her head down on the hard ground close at the father’s side, and watched him. The darkness deepened and deepened, and they both lay quiet, until a light gleamed through the chinks in the wall.
Mr. Lorry and Monsieur Defarge had made all ready for the journey, and had brought with them, besides travelling cloaks and wrappers, bread and meat, wine, and hot coffee. Monsieur Defarge put this provender, and the lamp he carried, on the shoemaker’s bench (there was nothing else in the garret but a pallet bed), and he and Mr. Lorry roused the captive, and assisted him to his feet.
No human intelligence could have read the mysteries of his mind, in the scared blank wonder of his face. Whether he knew what had happened, whether he recollected what they had said to him, whether he knew that he was free, were questions which no sagacity could have solved. They tried speaking to him; but, he was so confused, and so very slow to answer, that they took fright at his bewilderment, and agreed for the time to tamper with him no more. He had a wild, lost manner of occasionally clasping his head in his hands, that had not been seen in him before; yet, he had some pleasure in the mere sound of his daughter’s voice, and invariably turned to it when she spoke.
In the submissive way of one long accustomed to obey under coercion, he ate and drank what they gave him to eat and drink, and put on the cloak and other wrappings, that they gave him to wear. He readily responded to his daughter’s drawing her arm through his, and took—and kept—her hand in both his own.
They began to descend; Monsieur Defarge going first with the lamp, Mr. Lorry closing the little procession. They had not traversed many steps of the long main staircase when he stopped, and stared at the roof and round at the walls.
“You remember the place, my father? You remember coming up here?”
“What did you say?”
But, before she could repeat the question, he murmured an answer as if she had repeated it.
“Remember? No, I don’t remember. It was so very long ago.”
That he had no recollection whatever of his having been brought from his prison to that house, was apparent to them. They heard him mutter, “One Hundred and Five, North Tower;” and when he looked about him, it evidently was for the strong fortress-walls which had long encompassed him. On their reaching the courtyard he instinctively altered his tread, as being in expectation of a drawbridge; and when there was no drawbridge, and he saw the carriage waiting in the open street, he dropped his daughter’s hand and clasped his head again.
No crowd was about the door; no people were discernible at any of the many windows; not even a chance passerby was in the street. An unnatural silence and desertion reigned there. Only one soul was to be seen, and that was Madame Defarge—who leaned against the door-post, knitting, and saw nothing.
The prisoner had got into a coach, and his daughter had followed him, when Mr. Lorry’s feet were arrested on the step by his asking, miserably, for his shoemaking tools and the unfinished shoes. Madame Defarge immediately called to her husband that she would get them, and went, knitting, out of the lamplight, through the courtyard. She quickly brought them down and handed them in;—and immediately afterwards leaned against the door-post, knitting, and saw nothing.
Defarge got upon the box, and gave the word “To the Barrier!” The postilion cracked his whip, and they clattered away under the feeble over-swinging lamps.
Under the over-swinging lamps—swinging ever brighter in the better streets, and ever dimmer in the worse—and by lighted shops, gay crowds, illuminated coffee-houses, and theatre-doors, to one of the city gates. Soldiers with lanterns, at the guard-house there. “Your papers, travellers!” “See here then, Monsieur the Officer,” said Defarge, getting down, and taking him gravely apart, “these are the papers of monsieur inside, with the white head. They were consigned to me, with him, at the—” He dropped his voice, there was a flutter among the military lanterns, and one of them being handed into the coach by an arm in uniform, the eyes connected with the arm looked, not an every day or an every night look, at monsieur with the white head. “It is well. Forward!” from the uniform. “Adieu!” from Defarge. And so, under a short grove of feebler and feebler over-swinging lamps, out under the great grove of stars.
Beneath that arch of unmoved and eternal lights; some, so remote from this little earth that the learned tell us it is doubtful whether their rays have even yet discovered it, as a point in space where anything is suffered or done: the shadows of the night were broad and black. All through the cold and restless interval, until dawn, they once more whispered in the ears of Mr. Jarvis Lorry—sitting opposite the buried man who had been dug out, and wondering what subtle powers were for ever lost to him, and what were capable of restoration—the old inquiry:
“I hope you care to be recalled to life?”
And the old answer:
“I can’t say.”
The end of the first book.
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renaissanceclassics · 8 months
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A Tale of Twwo Cities - Book 1: Part 6
In 45 parts.
The Shoemaker
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CHAPTER VI. The Shoemaker
Good day!” said Monsieur Defarge, looking down at the white head that bent low over the shoemaking.
It was raised for a moment, and a very faint voice responded to the salutation, as if it were at a distance:
“Good day!”
“You are still hard at work, I see?”
After a long silence, the head was lifted for another moment, and the voice replied, “Yes—I am working.” This time, a pair of haggard eyes had looked at the questioner, before the face had dropped again.
The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse. It was like the last feeble echo of a sound made long and long ago. So entirely had it lost the life and resonance of the human voice, that it affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would have remembered home and friends in such a tone before lying down to die.
Some minutes of silent work had passed: and the haggard eyes had looked up again: not with any interest or curiosity, but with a dull mechanical perception, beforehand, that the spot where the only visitor they were aware of had stood, was not yet empty.
“I want,” said Defarge, who had not removed his gaze from the shoemaker, “to let in a little more light here. You can bear a little more?”
The shoemaker stopped his work; looked with a vacant air of listening, at the floor on one side of him; then similarly, at the floor on the other side of him; then, upward at the speaker.
“What did you say?”
“You can bear a little more light?”
“I must bear it, if you let it in.” (Laying the palest shadow of a stress upon the second word.)
The opened half-door was opened a little further, and secured at that angle for the time. A broad ray of light fell into the garret, and showed the workman with an unfinished shoe upon his lap, pausing in his labour. His few common tools and various scraps of leather were at his feet and on his bench. He had a white beard, raggedly cut, but not very long, a hollow face, and exceedingly bright eyes. The hollowness and thinness of his face would have caused them to look large, under his yet dark eyebrows and his confused white hair, though they had been really otherwise; but, they were naturally large, and looked unnaturally so. His yellow rags of shirt lay open at the throat, and showed his body to be withered and worn. He, and his old canvas frock, and his loose stockings, and all his poor tatters of clothes, had, in a long seclusion from direct light and air, faded down to such a dull uniformity of parchment-yellow, that it would have been hard to say which was which.
He had put up a hand between his eyes and the light, and the very bones of it seemed transparent. So he sat, with a steadfastly vacant gaze, pausing in his work. He never looked at the figure before him, without first looking down on this side of himself, then on that, as if he had lost the habit of associating place with sound; he never spoke, without first wandering in this manner, and forgetting to speak.
“Are you going to finish that pair of shoes to-day?” asked Defarge, motioning to Mr. Lorry to come forward.
“What did you say?”
“Do you mean to finish that pair of shoes to-day?”
“I can’t say that I mean to. I suppose so. I don’t know.”
But, the question reminded him of his work, and he bent over it again.
Mr. Lorry came silently forward, leaving the daughter by the door. When he had stood, for a minute or two, by the side of Defarge, the shoemaker looked up. He showed no surprise at seeing another figure, but the unsteady fingers of one of his hands strayed to his lips as he looked at it (his lips and his nails were of the same pale lead-colour), and then the hand dropped to his work, and he once more bent over the shoe. The look and the action had occupied but an instant.
“You have a visitor, you see,” said Monsieur Defarge.
“What did you say?”
“Here is a visitor.”
The shoemaker looked up as before, but without removing a hand from his work.
“Come!” said Defarge. “Here is monsieur, who knows a well-made shoe when he sees one. Show him that shoe you are working at. Take it, monsieur.”
Mr. Lorry took it in his hand.
“Tell monsieur what kind of shoe it is, and the maker’s name.”
There was a longer pause than usual, before the shoemaker replied:
“I forget what it was you asked me. What did you say?”
“I said, couldn’t you describe the kind of shoe, for monsieur’s information?”
“It is a lady’s shoe. It is a young lady’s walking-shoe. It is in the present mode. I never saw the mode. I have had a pattern in my hand.” He glanced at the shoe with some little passing touch of pride.
“And the maker’s name?” said Defarge.
Now that he had no work to hold, he laid the knuckles of the right hand in the hollow of the left, and then the knuckles of the left hand in the hollow of the right, and then passed a hand across his bearded chin, and so on in regular changes, without a moment’s intermission. The task of recalling him from the vagrancy into which he always sank when he had spoken, was like recalling some very weak person from a swoon, or endeavouring, in the hope of some disclosure, to stay the spirit of a fast-dying man.
“Did you ask me for my name?”
“Assuredly I did.”
“One Hundred and Five, North Tower.”
“Is that all?”
“One Hundred and Five, North Tower.”
With a weary sound that was not a sigh, nor a groan, he bent to work again, until the silence was again broken.
“You are not a shoemaker by trade?” said Mr. Lorry, looking steadfastly at him.
His haggard eyes turned to Defarge as if he would have transferred the question to him: but as no help came from that quarter, they turned back on the questioner when they had sought the ground.
“I am not a shoemaker by trade? No, I was not a shoemaker by trade. I-I learnt it here. I taught myself. I asked leave to—”
He lapsed away, even for minutes, ringing those measured changes on his hands the whole time. His eyes came slowly back, at last, to the face from which they had wandered; when they rested on it, he started, and resumed, in the manner of a sleeper that moment awake, reverting to a subject of last night.
“I asked leave to teach myself, and I got it with much difficulty after a long while, and I have made shoes ever since.”
As he held out his hand for the shoe that had been taken from him, Mr. Lorry said, still looking steadfastly in his face:
“Monsieur Manette, do you remember nothing of me?”
The shoe dropped to the ground, and he sat looking fixedly at the questioner.
“Monsieur Manette”; Mr. Lorry laid his hand upon Defarge’s arm; “do you remember nothing of this man? Look at him. Look at me. Is there no old banker, no old business, no old servant, no old time, rising in your mind, Monsieur Manette?”
As the captive of many years sat looking fixedly, by turns, at Mr. Lorry and at Defarge, some long obliterated marks of an actively intent intelligence in the middle of the forehead, gradually forced themselves through the black mist that had fallen on him. They were overclouded again, they were fainter, they were gone; but they had been there. And so exactly was the expression repeated on the fair young face of her who had crept along the wall to a point where she could see him, and where she now stood looking at him, with hands which at first had been only raised in frightened compassion, if not even to keep him off and shut out the sight of him, but which were now extending towards him, trembling with eagerness to lay the spectral face upon her warm young breast, and love it back to life and hope—so exactly was the expression repeated (though in stronger characters) on her fair young face, that it looked as though it had passed like a moving light, from him to her.
Darkness had fallen on him in its place. He looked at the two, less and less attentively, and his eyes in gloomy abstraction sought the ground and looked about him in the old way. Finally, with a deep long sigh, he took the shoe up, and resumed his work.
“Have you recognised him, monsieur?” asked Defarge in a whisper.
“Yes; for a moment. At first I thought it quite hopeless, but I have unquestionably seen, for a single moment, the face that I once knew so well. Hush! Let us draw further back. Hush!”
She had moved from the wall of the garret, very near to the bench on which he sat. There was something awful in his unconsciousness of the figure that could have put out its hand and touched him as he stooped over his labour.
Not a word was spoken, not a sound was made. She stood, like a spirit, beside him, and he bent over his work.
It happened, at length, that he had occasion to change the instrument in his hand, for his shoemaker’s knife. It lay on that side of him which was not the side on which she stood. He had taken it up, and was stooping to work again, when his eyes caught the skirt of her dress. He raised them, and saw her face. The two spectators started forward, but she stayed them with a motion of her hand. She had no fear of his striking at her with the knife, though they had.
He stared at her with a fearful look, and after a while his lips began to form some words, though no sound proceeded from them. By degrees, in the pauses of his quick and laboured breathing, he was heard to say:
“What is this?”
With the tears streaming down her face, she put her two hands to her lips, and kissed them to him; then clasped them on her breast, as if she laid his ruined head there.
“You are not the gaoler’s daughter?”
She sighed “No.”
“Who are you?”
Not yet trusting the tones of her voice, she sat down on the bench beside him. He recoiled, but she laid her hand upon his arm. A strange thrill struck him when she did so, and visibly passed over his frame; he laid the knife down softly, as he sat staring at her.
Her golden hair, which she wore in long curls, had been hurriedly pushed aside, and fell down over her neck. Advancing his hand by little and little, he took it up and looked at it. In the midst of the action he went astray, and, with another deep sigh, fell to work at his shoemaking.
But not for long. Releasing his arm, she laid her hand upon his shoulder. After looking doubtfully at it, two or three times, as if to be sure that it was really there, he laid down his work, put his hand to his neck, and took off a blackened string with a scrap of folded rag attached to it. He opened this, carefully, on his knee, and it contained a very little quantity of hair: not more than one or two long golden hairs, which he had, in some old day, wound off upon his finger.
He took her hair into his hand again, and looked closely at it. “It is the same. How can it be! When was it! How was it!”
As the concentrated expression returned to his forehead, he seemed to become conscious that it was in hers too. He turned her full to the light, and looked at her.
“She had laid her head upon my shoulder, that night when I was summoned out—she had a fear of my going, though I had none—and when I was brought to the North Tower they found these upon my sleeve. ‘You will leave me them? They can never help me to escape in the body, though they may in the spirit.’ Those were the words I said. I remember them very well.”
He formed this speech with his lips many times before he could utter it. But when he did find spoken words for it, they came to him coherently, though slowly.
“How was this?—Was it you?”
Once more, the two spectators started, as he turned upon her with a frightful suddenness. But she sat perfectly still in his grasp, and only said, in a low voice, “I entreat you, good gentlemen, do not come near us, do not speak, do not move!”
“Hark!” he exclaimed. “Whose voice was that?”
His hands released her as he uttered this cry, and went up to his white hair, which they tore in a frenzy. It died out, as everything but his shoemaking did die out of him, and he refolded his little packet and tried to secure it in his breast; but he still looked at her, and gloomily shook his head.
“No, no, no; you are too young, too blooming. It can’t be. See what the prisoner is. These are not the hands she knew, this is not the face she knew, this is not a voice she ever heard. No, no. She was—and He was—before the slow years of the North Tower—ages ago. What is your name, my gentle angel?”
Hailing his softened tone and manner, his daughter fell upon her knees before him, with her appealing hands upon his breast.
“O, sir, at another time you shall know my name, and who my mother was, and who my father, and how I never knew their hard, hard history. But I cannot tell you at this time, and I cannot tell you here. All that I may tell you, here and now, is, that I pray to you to touch me and to bless me. Kiss me, kiss me! O my dear, my dear!”
His cold white head mingled with her radiant hair, which warmed and lighted it as though it were the light of Freedom shining on him.
“If you hear in my voice—I don’t know that it is so, but I hope it is—if you hear in my voice any resemblance to a voice that once was sweet music in your ears, weep for it, weep for it! If you touch, in touching my hair, anything that recalls a beloved head that lay on your breast when you were young and free, weep for it, weep for it! If, when I hint to you of a Home that is before us, where I will be true to you with all my duty and with all my faithful service, I bring back the remembrance of a Home long desolate, while your poor heart pined away, weep for it, weep for it!”
She held him closer round the neck, and rocked him on her breast like a child.
“If, when I tell you, dearest dear, that your agony is over, and that I have come here to take you from it, and that we go to England to be at peace and at rest, I cause you to think of your useful life laid waste, and of our native France so wicked to you, weep for it, weep for it! And if, when I shall tell you of my name, and of my father who is living, and of my mother who is dead, you learn that I have to kneel to my honoured father, and implore his pardon for having never for his sake striven all day and lain awake and wept all night, because the love of my poor mother hid his torture from me, weep for it, weep for it! Weep for her, then, and for me! Good gentlemen, thank God! I feel his sacred tears upon my face, and his sobs strike against my heart. O, see! Thank God for us, thank God!”
He had sunk in her arms, and his face dropped on her breast: a sight so touching, yet so terrible in the tremendous wrong and suffering which had gone before it, that the two beholders covered their faces.
When the quiet of the garret had been long undisturbed, and his heaving breast and shaken form had long yielded to the calm that must follow all storms—emblem to humanity, of the rest and silence into which the storm called Life must hush at last—they came forward to raise the father and daughter from the ground. He had gradually dropped to the floor, and lay there in a lethargy, worn out. She had nestled down with him, that his head might lie upon her arm; and her hair drooping over him curtained him from the light.
“If, without disturbing him,” she said, raising her hand to Mr. Lorry as he stooped over them, after repeated blowings of his nose, “all could be arranged for our leaving Paris at once, so that, from the very door, he could be taken away—”
“But, consider. Is he fit for the journey?” asked Mr. Lorry.
“More fit for that, I think, than to remain in this city, so dreadful to him.”
“It is true,” said Defarge, who was kneeling to look on and hear. “More than that; Monsieur Manette is, for all reasons, best out of France. Say, shall I hire a carriage and post-horses?”
“That’s business,” said Mr. Lorry, resuming on the shortest notice his methodical manners; “and if business is to be done, I had better do it.”
“Then be so kind,” urged Miss Manette, “as to leave us here. You see how composed he has become, and you cannot be afraid to leave him with me now. Why should you be? If you will lock the door to secure us from interruption, I do not doubt that you will find him, when you come back, as quiet as you leave him. In any case, I will take care of him until you return, and then we will remove him straight.”
Both Mr. Lorry and Defarge were rather disinclined to this course, and in favour of one of them remaining. But, as there were not only carriage and horses to be seen to, but travelling papers; and as time pressed, for the day was drawing to an end, it came at last to their hastily dividing the business that was necessary to be done, and hurrying away to do it.
Then, as the darkness closed in, the daughter laid her head down on the hard ground close at the father’s side, and watched him. The darkness deepened and deepened, and they both lay quiet, until a light gleamed through the chinks in the wall.
Mr. Lorry and Monsieur Defarge had made all ready for the journey, and had brought with them, besides travelling cloaks and wrappers, bread and meat, wine, and hot coffee. Monsieur Defarge put this provender, and the lamp he carried, on the shoemaker’s bench (there was nothing else in the garret but a pallet bed), and he and Mr. Lorry roused the captive, and assisted him to his feet.
No human intelligence could have read the mysteries of his mind, in the scared blank wonder of his face. Whether he knew what had happened, whether he recollected what they had said to him, whether he knew that he was free, were questions which no sagacity could have solved. They tried speaking to him; but, he was so confused, and so very slow to answer, that they took fright at his bewilderment, and agreed for the time to tamper with him no more. He had a wild, lost manner of occasionally clasping his head in his hands, that had not been seen in him before; yet, he had some pleasure in the mere sound of his daughter’s voice, and invariably turned to it when she spoke.
In the submissive way of one long accustomed to obey under coercion, he ate and drank what they gave him to eat and drink, and put on the cloak and other wrappings, that they gave him to wear. He readily responded to his daughter’s drawing her arm through his, and took—and kept—her hand in both his own.
They began to descend; Monsieur Defarge going first with the lamp, Mr. Lorry closing the little procession. They had not traversed many steps of the long main staircase when he stopped, and stared at the roof and round at the walls.
“You remember the place, my father? You remember coming up here?”
“What did you say?”
But, before she could repeat the question, he murmured an answer as if she had repeated it.
“Remember? No, I don’t remember. It was so very long ago.”
That he had no recollection whatever of his having been brought from his prison to that house, was apparent to them. They heard him mutter, “One Hundred and Five, North Tower;” and when he looked about him, it evidently was for the strong fortress-walls which had long encompassed him. On their reaching the courtyard he instinctively altered his tread, as being in expectation of a drawbridge; and when there was no drawbridge, and he saw the carriage waiting in the open street, he dropped his daughter’s hand and clasped his head again.
No crowd was about the door; no people were discernible at any of the many windows; not even a chance passerby was in the street. An unnatural silence and desertion reigned there. Only one soul was to be seen, and that was Madame Defarge—who leaned against the door-post, knitting, and saw nothing.
The prisoner had got into a coach, and his daughter had followed him, when Mr. Lorry’s feet were arrested on the step by his asking, miserably, for his shoemaking tools and the unfinished shoes. Madame Defarge immediately called to her husband that she would get them, and went, knitting, out of the lamplight, through the courtyard. She quickly brought them down and handed them in;—and immediately afterwards leaned against the door-post, knitting, and saw nothing.
Defarge got upon the box, and gave the word “To the Barrier!” The postilion cracked his whip, and they clattered away under the feeble over-swinging lamps.
Under the over-swinging lamps—swinging ever brighter in the better streets, and ever dimmer in the worse—and by lighted shops, gay crowds, illuminated coffee-houses, and theatre-doors, to one of the city gates. Soldiers with lanterns, at the guard-house there. “Your papers, travellers!” “See here then, Monsieur the Officer,” said Defarge, getting down, and taking him gravely apart, “these are the papers of monsieur inside, with the white head. They were consigned to me, with him, at the—” He dropped his voice, there was a flutter among the military lanterns, and one of them being handed into the coach by an arm in uniform, the eyes connected with the arm looked, not an every day or an every night look, at monsieur with the white head. “It is well. Forward!” from the uniform. “Adieu!” from Defarge. And so, under a short grove of feebler and feebler over-swinging lamps, out under the great grove of stars.
Beneath that arch of unmoved and eternal lights; some, so remote from this little earth that the learned tell us it is doubtful whether their rays have even yet discovered it, as a point in space where anything is suffered or done: the shadows of the night were broad and black. All through the cold and restless interval, until dawn, they once more whispered in the ears of Mr. Jarvis Lorry—sitting opposite the buried man who had been dug out, and wondering what subtle powers were for ever lost to him, and what were capable of restoration—the old inquiry:
“I hope you care to be recalled to life?”
And the old answer:
“I can’t say.”
The end of the first book.
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wistfulwatcher · 7 years
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introvertguide · 4 years
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Movies and the Tracking Shot
In the language of film, there are many ways to place actors, props, or cameras in a way that conveys a message to the audience. The tracking shot is a specific way to include the audience into a situation on film and it really intensifies the experience. Some of the most anxiety inducing horror shots as well as introductions to a new world have happened with the tracking shot. Technically, any shot with camera movement could be described as tracking, but the really good ones tend to follow a character or group through a situation or world that is realistic but in some way other worldly because of the circumstances. Our current film under review for the AFI top 100, Goodfellas, has one of the most famous tracking shots, so I wanted to highlight it along with some other great tracking shots in film history:
THIS IS PRETTY SPOILER FREE, BUT SOME OF THE CLIPS ARE VERY VIOLENT AND INTENSE SO DON’T FOLLOW THE LINK IF YOU THINK IT WILL TRIGGER ANXIETY!!!
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Paths of Glory (1957)
This is one of the first real tracking shots and the camera is literally on a track. You can actually see the track along the ground as you are lead through a trench in WWI along with Kirk Douglas. It is horrifying in that it really displays the British idea of keeping a “stiff upper lip” as hundreds of men who are obviously terrified, as they are surely about to get slaughtered, make way for their commanding officer to lead them over the trench wall. This film was a favorite of Winston Churchill how complemented the realistic depiction of officers in trench warfare. The film was directed by Stanley Kubrick, who later showed his affinity for this type of shot. Here is a link to the clip which also shows the raiding run after the trench tracking shot:
https://www.youtube.com/watch?v=0gyyGHHXfck
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The Shining (1980)
The initial lack of sound and the steady cam shot by operator Garret Brown that follows Danny Torrance through the halls of the empty hotel is haunting. As the boy pedals his tricycle, creepy music slowly builds until he finally runs into the infamous twins. It establishes the loneliness and the inability to escape. There is nothing for this child to do but explore alone, an activity which will only lead to danger. It is not an intense scene per se, but there are few better ways to establish the world of the Overlook Hotel. Here is a clip that shows the scene:
https://www.youtube.com/watch?v=cy7ztJ3NUMI
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Goodfellas (1990)
I love this scene because it goes from a dirty alley back through the kitchen/ backroom and into a fancy club. It shows the lead character progressing from the streets and through the life of a working stiff (paying off people as he goes) and ending at a table prepared just for him at the front. He basically walked his new girlfriend through his life in a single 2 minute shot through the club. An absolute masterpiece of cinematography by Martin Scorsese. Here is a link to the clip as well as a link to the deep dive discussion with the steady cam operator:
https://www.youtube.com/watch?v=yCYwcObxl78
https://www.youtube.com/watch?v=JVDC95rprFs
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The Russian Ark (2002)
I have seen this film a couple of times and it is more of a technical accomplishment than a great story. The film is made up of a single study cam shot with almost 1000 actors and 3 orchestras all filmed in a single museum in Russia. It is the story of a French aristocrat dreaming about 200 years of Russian history and the constant movement does make it all feel dreamlike. The producers could only manage one day to use the museum and they could not damage anything or add structures to set up cameras so the entire 96 minutes was done with a single shot in a single take. The amount of rehearsals and planning that were needed for this is mind boggling and it is worth a watch to give respect to the effort along. Here is a link to the trailer if you want to get an idea of what the film is like:
https://www.youtube.com/watch?v=ZV1kphEEXn8
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Children of Men (2006)
This is the most constantly intense movie that I have ever experience and I do not rewatch it because even individual scenes cause me great anxiety. I have seen it once all the way through without pausing and that was enough for me. There are actually many tracking shot scenes throughout this film that last from 5-10 minutes at a time, and this is including my personal most panicky shot that I remember experiencing in the theater. There is a car ambush scene that has the camera in the place of someone in the car swiveling around to try and keep up with what is coming. It is active in that you feel like you are being attacked, yet it is passive in the way that there is nothing the audience can do to help or protect themselves. Straight out of a nightmare. I kind of a hate the scene for how bad I felt afterwards, but I love it because I recognize how good the cinematography was to affect me so strongly. I have a link for the clip below and, although it does not affect me the same since I have watched it many times, I want to give a quick warning to watch at your own risk because it is violent and intense:
https://www.youtube.com/watch?v=WVg66ndzfpU
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Birdman (2014)
This film won Oscars for Best Picture and Best Cinematography as the entire film is made up tracking shots. The lead character is suffering through a mid life crisis as the character he played as a young man has almost become his identity and haunts him as he tries to re-establish himself as a serious actor director and not “the guy the used to be Birdman.” There are many great tracking scenes, but I think my favorite is one in which he gets trapped outside the theater and he has to run through time square in his underwear to get back around to his dressing room. Here is a link to that scene, but I recommend checking out the movie and try to count how many cuts you can actually see. There aren’t many:
https://www.youtube.com/watch?v=7O8wiwu0elA
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The Revenant (2015)
I also saw this film in the theater and it is extremely intense, but I was ready for it because a friend of mine compared the opening to Children of Men. That put me on guard and I am glad because it is brutal and unforgiving like the situation. DiCaprio plays maybe the toughest character ever based on a real person and the man suffers greatly all in the name of vengeance. He is with a group of fur traders and they are attacked by Arikara warriors. Walking along as a bystander as the horrors unfold for six minutes is an amazing way to introduce the savagery and pain of a fur trader’s life in the new world. These men did not belong there and those tribes who did belong were not welcoming to outsiders destroying the food source. There is also a bear attack sequence in this film, but the computer graphic additions kind of ruined it for me. Here is a link to the opening attack scene and, again, it very violent and intense so watch at your own risk:
https://www.youtube.com/watch?v=3x0oa0zyC4A
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There are many other films that utilize this kind of tracking cam and often the effect makes it end up like a first person shooter video game. This is a perfectly viable way to have a tracking shot, but I don’t feel like it gives the same intensity as the above examples. I movie that was done completely in first person was Hardcore Henry (2015) and it is fun to watch; Doom (2005) has an extended first person scene as well. Chase scenes in horror films will have this first person view as well, although a with a prime example being Halloween (2018) does a fantastic job of this during the trick or treating home invasion scene:
https://www.youtube.com/watch?v=Iy2kMtJa2q8 (warning! very violent)
The tracking shot is a great tool to bring the audience into the director’s world and it can be used to great effect. Are there other examples not listed that exemplify the technique?
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In honor of watching Z-o-m-b-i-e-s 2, I’m giving a bit of review of my favorite and not so favorite Disney Channel Musicals, because why not.
Please do note that these are sarcastic as heck and that I do actually enjoy these movies. For the most part, they’re popcorn movies and fun to watch.
High School Musical
With Four movies (and a sort of tv series), I think this is the most profitable saga in the whole channel.
The first one: Fun music, cliché as heck, and really dark when you start to think about it too much. I like the fact that Sharpay is not your typical villain, and Ashely Tisdale portrayal actually makes her more sympathetic than some of the “heroes”… yeah, I’m talking about Chad, who is a total douchebag, and Taylor, who is a complete tool.  
Sharpay (And Ryan’s) crimes? Talking with Mrs. Darbus about changing the date of the callbacks. They didn’t even lie to do this, they just outright said it was highly suspicious that someone who had never shown any interest was now all over it. Mrs. Darbus agreed.  She also “introduced” Gabriella to Taylor. Her only real dick move was talking down Kelsi.
Chad and Taylor? They lie and manipulate their supposed friends. Taylor even only became friends with Gabriella when she thought she could get something out of her.
Then the Decathlon team and the basketball team proceed to cheat on their respective competitions so Troy and Gabriella can show up to callbacks!
ANYWAY. I still know the songs by heart (And Sharpay’s and Ryan repertoire are the most awesome of them all)
The second one:  I loved it, but it really has a weird message… the first one is all “BE YOURSELF”, while this one is all “SUCCUMB TO PEER PRESSURE”. To recap: Troy is sure his parents can’t afford to get him into a good college, so he agrees to suck up to Sharpay and get a job at a resort where her parents are really powerful.  He even manages to get ALL of his friends jobs! (Except Kelsi and Gabriella, who already had jobs there. Sharpay even was the one who told Kelsi about the opening at the club). The first thing they do, literally not even five minutes into the job is to bitch and moan and complain about how hard it is.  Sharpay uses her influences to promote Troy and introduce him to a professional team who are sincerely impressed with this boy. How do his “friends” react? Of course they support him and are happy he will have this once in a lifetime opportunity!
Ha! Nope. They are jealous of him, especially Chad, and bitch and moan and guilt trip him until he falls to peer pressure and ditches every single advantage he got after Gabriella also dumps him for being sexually harassed by Sharpay.  (I’m exaggerating a bit, but seriously, poor Troy)
I also want to point out that for some reason people like to ship Ryan with Chad due to them sharing a song here and switching their hats shirt/jersey, despite Ryan being visibly scared of Chad on the first one, and they don’t even interacting once in the following.
Also I find it hilarious when Troy is jealous of Gabriella talking with Ryan.  
 The music is on par of the first one, and I know most of them by heart too! Again, Sharpay and Ryan’s numbers kick ass, even the weird HumuhumunukukuA’pua’a
The third one: Honestly my least favorite of the saga.  Gabriella dumps Troy for the third time, ghost him and decides that her future is more important (Y’know… the things she dumped Troy for in the second movie) and once again Troy has to fight tooth and nail to get together with her again. I bet Gabriella is dumping him again as you read this.
Some songs are good, but they’re honestly confusing, “I want it all” is a fantasy sequence the first time, but the second time is Ryan’s number in the Musical. “Who’s that girl” was about Kelsi in the rehearsals, but about Sharpay in the actual musical.
The movie do have it’s sweet moments, like Ryan and Kelsi bonding (Who totally are each other’s beards), Sharpay being outsmarted and then deciding to be the baddest bitch.  Chad and Taylor being practically background characters in this one…
Sharpay’s Fabulous Adventure: Awesome and well deserved spin off. Ashely Tisdaly performance as Sharpay is one of the things that really made High School Musical stand out. The music is good, the plot is okay-ish. I don’t remember much of the new characters, but Peyton was good for Sharpay’s character development, even if he is sort of a satellite character.
 Camp Rock
The music of both movies is very good, and the first one is okay, but coming right after High School Musical, it felt like a rip off. The music in both is awesome tho.
I barely remember the names of the characters, and the Alpha Bitch character is very… poorly thought off? She’s a mean bitch with some talent, but, like, everyone in that Camp is talented, and is pretty obvious that her mom doesn’t care about her that much, so why bother trying to suck up to her?
The Camp guide… counselor guy is also clearly biased favoring her, yet he knows what kind of a bitch she is, which makes absolute zero sense. Sure, she could complain to her mom about it, but Camp Rock is supposedly super exclusive and famous already. Her blaming the food fight on the protagonist and the other girl was somewhat believable due to how the question of who started it was asked, but her accusing protagonist girl of stealing a bracelet and then hiding it in an extremely obvious open to everyone place. It feels like he actually hates the protagonist.
The second one is even weirder. Camp Rock as THE most famous camp ever in the story of anything, and now we are supposed to believe is an underdog camp who struggles to get by. The antagonist of the previous movie, who was supposed to have learned her lesson switches to the new Camp Star, who is now the most awesome camp in the story of ever, despite being literally new and unknown. Also the protagonist somehow manages to bet the camp away, despite being in no way associated with the owner. And they don’t mentioning it in the original bet… And then they win not through talent and hard work, but for a technicality.
Yay?
 Teen Beach Movie
The first one is awesome and fun to watch. The fish out of water, and the culture whiplash is educative, progressive, and presented in a fun and relatable way (“Like Me”, about the different expectations boys and girls have in both eras) and “Can’t stop singing” is just hilarious. Garret Clayton is just hilarious as Tanner.
The second one has fun moments (“Twist your frown upside down”) but… well, I like it a lot less than the first one. They retcon and change lots of things established, or at least hinted in the first movie. The first one establishes the rules of the musical, and the characters go along with those, while the second one throws those rules and makes it a traditional musical, which makes no sense. The first movie heavily hints that Brady and Mack has been together for some time, and that they meet due to Brady working with Mack’s grandpa… in the second one the grandpa is nowhere to be seen, and now they meet on their own, they had been dating only for that summer and “Wet Side Story” is both their favorite movie, when in the first movie it was said to be Brady’s and Mack’s Grandpa’s favorite movie, and Mack barely knew about it. The first one also threats the main characters equally, while here, Tanner could disappear from the main plot and it would not make a difference.. The second movie is very feminist, which is not bad in itself, but also is very anti-male in the process, which… well, nope.  In the first movie they were both Tanner and Lela were portrayed as slightly ditzy, brainless beauties, but in this one,  Tanner is an outright dumbass, and Lela a freaking genius (Even understanding calculus on her first try).Brady also takes a level on jerkass and is dumber, while in the first one he was more capable and reliable.  And then the ends happens and the movie in universe goes from “Wet Side Story” to “Lela Queen of the Beach”, which sounds incredibly narcissistic and self-centered on Lela’s part… not to mention in the video we are shown Tanner is, again, portrayed as an idiot instead of Lela’s love interest.
Descendants
Do I think the premise is a cash grab? Abso-fucking-lutely? Do I still enjoy every bit of them? HELL YES.
They’re popcorn movies, the First one even has Kristin Chenoweth, which is always a good thing. There are horrifying implications like in Ever After High (Which I have no idea which was “first”, since EAH came first, but there were plans for this long before EAH came into being)
ANYWAY, the plot of the first one is solid, although I honestly think making them animated would have made them a lot more enjoyable. The characters are relatable and sympathetic, even if they’re trying to prove they’re “bad”, it all comes to them being super afraid of their parents. Audrey is a major asshole tho, I have no idea why many people “stan” her, when she’s a horrible person. Chad is also bad, but to be fair, his speech at Family day was only truths, he didn’t even had anything to say against Carlos. “You can do different than your parents” is always a good lesson. Even if that technically applies to Audrey being an evil bitch by choice too.
The second is a bit iffier, with Mal essentially succumbing to the pressure of essentially being seen as the Future Queen, when she has had barely any time to process being good. Also they gave Lonnie a huge role and that also was cool as hell (Even if stupid Hasbro didn’t make a doll of her). Her ship teasing with Jay I could do without. Jane/Carlos was adorable though.  I also hate Uma and how people compare her to Mal, especially Ben. Mal was afraid of Maleficent and wanted to prove herself worthy. Uma did all what she did for herself and herself alone. (This does change in the third movie, but still)
Third one felt rushed as hell. I liked the big reveal of Mal being Hades’ daughter, and I liked Hades. I didn’t liked how they replaced Freddie from the Wicked World shorts for Celia (They could have used the same character FFS!) I really liked Freddie character. She blended well with the other VKs, and somehow managed to become close (And I would dare to say BFF) with Jane… anyway, onto the movie. Audrey is a bitch, she’s completely evil and unrepentant, and the final solution is to break the barrier? … what… I would argue that getting the children should have been a priority and then slowly get the adults out. And the main 4 never encountered their parents again…
I dislike that Lonnie was not there in the third movie, but they compensated that with the bromance between Jay and Gil… like, if Lonnie needed to be out for that bromance to bloom, I’m ok with that. (Seriously, Ben and Mal end up practically engaged, Evie got proof that her thing with Doug was True Love, and Carlos has a budding romance with Jane, Uma/Harry is pretty much also a couple… Jay essentially ends up with Gil as his “pair the spares” partner. )  
Z-O-M-B-I-E-S
It was a good movie, even if the message is a little awkward if you try to apply to the real world. Not that “don’t be racist douchebag” is wrong, but when you portray your minority as a literal race of monsters that eat brains and need the other race to be able to function (The Z bands) yeah…
Anyway, the music is very cool (BAMM is totally my jam) and the Addison / Zed is not as jarring as other examples (They are a lot more healthy than Troy/Gabriela, for example)
I might be gay-biased, but while it is obvious that Bucky is jealous of Zed getting attention, at times he seems jealous of Addison being with Zed.
The make up and characterization of the zombies is also… well, bad. They look like discount Jokers. They could have done something really fun and give each character a different hair color, or at least different shades of green.
In the second… well, they handled “political issues” WAY better than Teen Beach Movie. They didn’t sacrifice characters for this, their attitudes do fit with what they did in the first one. It is a bit annoying that they undo the happy ending of the first one and that Bucky and the ‘Aceys are still racist assholes… actually, the aceys seem to be even MORE assholish than they were in the first movie. And that’s without saying they replaced one of them. Bree is has less screen time than in the first movie, but at least her shiptease with Bonzo did result in them being together (They’re cute!)  
I will also admit I kinda disliked this because the Toy Fair showed the toys and the main werewolf girl was basically a human Clawdeen Wolf (Literally… you can see some comparisons) but the actual character doesn’t look that much like Clawdeen, so no idea why they went that route for the doll.
Addison’s hair looks platinum blonde instead of the white it looked in the first movie. The make up of the zombies is just as bad as the first one. There are scenes in which Zed doesn’t look to have make up.
Addison is not a werewolf, but the prophecy about the “Great Alpha” only shows someone with long white hair… I don’t think it’s mentioned she is a werewolf… and Addison does fulfill said prophecy
There is a scene were Addison is interacting with the only important of the guy Werewolves, Wyatt, and Zed is watching them and gets very jealous… and I couldn’t help but be reminded of the HSM2 scene with Troy being jealous of Ryan… and then at the end Wyatt compliments Bonzo… so yeah.
I liked the werewolves more than the cheerleaders. Wyatt is totally my favorite, and I actually laughed when Zoey gave scritches to the other girl and she ended up enjoying it haha.
Also, Addison is totally and alien.
Or a fairy.
Honorably Mentions:
Lemonade Mouth. This is one of the most boring movies I have seen. I didn’t remember this one until I did a search for the DCOM movies in case I missed one and here it is.
Lizzie Maguire: Not a musical per se, but it did have music in it. Other than the male friend falling hard for the female friend, this is very enjoyable.
The Cheetah Girls. A shame that internal fighting left this saga kind of incomplete. They’re fun movies. Raven-Symone is an awesome singer and actress.
 -
In order of my enjoyment, I would say they are
1. High School Musical
2. Descendants
3. Teen Beach Movie
4. High School Musical 2
5. Sharpay’s Fabulous Adventure
6. Descendants 2
7. Z-O-M-B-I-E-S
8. High School Musical 3
9. Descendants 3
10. Camp Rock
11. Z-O-M-B-I-E-S 2
12.  Teen Beach Movie 2
13. Camp Rock 2
Like I said, they all have mostly awesome songs, and are good popcorn movies, so don’t try to look too deep into them.
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itsevidentvery · 5 years
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The wonderful @joycecarolnotes had their birthday last week, and here is my (appallingly belated) birthday gift. 
Warning: I haven’t watched any of the most recent season, and it’s been months since I wrote Jared/Richard fic, so my apologies for, like, everything.
BUT. Here is my offering for sickfic, domestic fluff, Jared being taken care of, and Far Too Much Vicks Vaporub.
‘If I could just - ’
‘No, Jared,’ says Richard. ‘You can’t just.’
Jared shrinks back, his shoulders drawing in and the colour draining out of his cheeks. Well, mainly draining out. That fever-brightness remains.
‘As you say,’ says Jared with absolutely no expression.
Richard swears inside his head. He knows that tone, that terrible flatline blade-of-the-guillotine, hush-before-the-hangman-swings tone. The tone before Jared falls ass over teakettle in love with some social reject who won’t even –
Not that Richard –
She didn’t even notice he was gone when Jared came back to Richard.
To Pied Piper.
But also to Richard.
Which. Jared just came back. Back to his weird garret office-space that he clasped his hands when he first saw and then bustled about saying things about the first Mrs Rochester that Richard is 1000% certain are not, like, remotely comforting analogies.
But still. Back he came.
And then fell ill because he was helping his friend Mabel babysit her great-granddaughter who promptly distributed the flu to anyone who even looked at her for more than ten seconds and then Jared went down like a baby bird with a broken wing.
And there he is now, swaying on his feet and hunting desperately for those goddamn sunglasses.
‘You’re ill, Jared,’ says Richard, as softly as he can.
Jared sniffs. ‘It’s nothing, Captain, I can’t – I won’t – be felled by a bacterium - ’
‘The flu’s a virus,’ says Richard. ‘Jared. Go home.’
And Jared shrinks again – right into the waiting arms of Gwart or GNewt or GPickle or whatever other beady-eyed coder with the social skills of a concussed duckling but who somehow, somehow, knows juuuuust enough to clutch their gizzards and make juuuuust the right sort of pitiful eyes at Jared, Richard knows, he knows, he knows their game, you’ll have to get up pret-ty early in the morning to pull one over on Richard Hendricks.
In this regard, at least.
‘I’ll come home with you,’ says Richard in a rush.
Jared’s head flies up and his eyes are like stars and Richard really hopes he’s not starting the flu because he’s feeling hot and cold and hot all over.
‘Let me just - ,’ says Richard, and he turns and fumbles for his laptop.
‘Af- after you, m’lord,’ he says once he has it, and then sucks his entire bottom lip into his mouth because what. The actual. What.
*******************************************************************************************
Jared’s condo is still cosy and sparkling with that precise combination of Arsenic and Old Lace that so defines Jared. There’s some Hieronymus Bosch and Remedios Varo up beside his Welsh Spoon collection, which is – yeah. Checks out.
‘So,’ says Richard, ‘you go and, uh. Lie down? Yeah. You should.’
‘But Richard,’ says Jared.
‘Jared,’ says Richard.
‘I really do think - ’
‘Jared - ’
‘I’m fine, Richard,’ says Jared, the effect only slightly undercut by the racking cough that shakes him.
‘Please lie down, Jared,’ says Richard, and Jared meekly trails away.
*******************************************************************************************
It’s actually pretty … nice. Not nice nice, but … Richard had almost forgotten how easy it is to work at Jared’s. How the quiet lets everything fall away, and the occasional Surprise Mediaeval Horrorshow helps keep him sharp.
He’s clack-clack-clacking away in a pleasant, highly focussed trance, when he sees a notification at the corner of his screen. It’s an e-mail from Monica with the subject line ‘I THOUGHT HE WAS WITH YOU.’
Richard opens the e-mail, which turns out to be a forward from Jared with a spreadsheet attached. Richard clicks on the attachment, and regrets it the instant his eyes are assaulted with RED-AMBER-GREEN colour-coded nested-conditional visual basic fuckery.
He plucks off his headphones, puts down his laptop and goes to Jared’s bedroom. Where the supposed patient is sitting up in bed, honking and wheezing and clacking away furiously on a laptop (and just where the fuck did he get a laptop anyway?)
‘Jared,’ says Richard. Jared looks up and freezes, like some kind of weird flannel-wearing deer in the headlights.
‘Richard,’ he croaks. ‘Richard, this isn’t what it looks like.’
‘Jared,’ says Richard, ‘you need to rest.’
‘I will,’ says Jared, ‘I just need to - ’
Richard steps closer and holds out his hand. ‘Give me the laptop, Jared.’
‘Let me just - ’
‘Laptop, Jared.’
They look at each other for a while, and yes, okay, maybe it’s cheating, but it’s kinda – like, Richard always breaks first, he always does, because Jared’s gaze is a heavy thing and it’s kinda hard to, to, it’s kinda hard when that laser blue is like, entering through Richard’s eyeballs and leaving out the back of his head because – well, anyway, it’s like that. But now Jared’s compromised by his plague or whatever and Richard gets to watch him duck his head and sigh.
And then his giant hands tighten on the keyboard.
‘I just need to send this and then - ’
Richard grabs one end of the laptop. It’s not exactly – Jared’s clutching at one end and he doesn’t want to like, hurt him, and yes it’s all helpfully rounded edges but still and then also knuckles and very long fingers and then Jared kinda yanks and Richard tumbles over and faceplants onto Jared’s bony chest.
Jared’s startled ‘Ooph!’ has the hair on Richard’s head rustling gently.
‘Sorry!’ Richard says into the little indent between Jared’s – like, his – his chests.
Chest.
Chest, singular.
Jared has one chest.
One chest that Richard is now talking into.
He springs away, very narrowly missing butting Jared’s chin (which, on the one hand, good, but on the other hand, all that means is that like, that’s one more thing lying in wait for Richard now).
‘Sorry,’ says Richard. Scrubs his fingers through his hair. Dares a glance at Jared.
Jared who is staring at him, chest (one chest. One chest with one indent. One chest with one indent just perfectly made for Richard’s nose.) rising and falling rapidly.
There’s a flush on his cheeks. Not that hectic scarlet flu-blotch, but.
It’s.
His eyes are very bright.
Richard swallows. Watches Jared’s eyes track the movement.
Richard grabs the laptop and runs out of the room, deaf to Jared’s protesting cry.
Well, not deaf precisely.
But like. He’s doing the right thing, so.
*******************************************************************************************
Richard sits back down and quickly loses himself to a script that won’t run, when his e-mail pings again. This time it’s from Dinesh and it’s another forward. From Jared.
Richard goes to the bedroom to find Jared sitting in bed with his hands clasped in his lap.
Nobody should be this bad at looking nonchalant.
‘Jared,’ says Richard.
‘Hello, Captain,’ says Jared. Is he trying to hum carelessly?
‘Jared,’ says Richard again.
‘Can I help you, Richard?’
Richard sighs. ‘Where is it, Jared?’
‘Where’s what, Richard?’
‘Your iPad, Jared.’
‘Oh,’ says Jared, and Richard swears he can see Jared wondering whether to deny any knowledge of the existence of iPads in general, and his own in specific. ‘I – Richard, I’m not sure, would you like me to find it for you?’
‘I’d like you,’ says Richard, ‘to give me your iPad, Jared.’
‘I would,’ says Jared earnestly, and it’s terrible, its grotesque, it’s fascinating how bad a liar he is, ‘but I really couldn’t say, Richard, and I just - ’ he coughs, once, and how in the flaming hell can someone with the actual flu not produce a better cough, literally how, ‘I’m quite, the flu, Captain, I’m afraid I feel quite faint, so - ’
‘Where is it, Jared.’
‘I’m not - ’
At this point there’s a ping and a green flash under Jared’s duvet.
Richard holds out his hand. There’s a momentary flicker of … something … on Jared’s face. Something that on anyone else might look like…
“Mutiny” supplies a voice in Richard’s head which sounds a lot like Jared’s voice.
Well, anyway.
That.
‘Thank you,’ Richard finds himself saying, as Jared hands him the iPad. Jared’s head snaps up to look at him, his eyes very round.
Richard flees.
*******************************************************************************************
Richard builds up a nice little collection of devices as the day wears on. Jared’s phone. Jared’s old phone. Jared’s much older phone, which, how the fuck was Jared tapping out forecasting instructions on a fucking flip-phone anyway? Jared’s watch. He’s considering taking away his FitBit: he has no idea how Jared could even put together hideous spreadsheets on the thing, but he won’t be fooled again.
When he pops his head in later, Jared’s looking like reheated shit. His cheeks are blotchy, his eyes are huge and he’s shivering.
Richard’s horrified but also –
‘I told you you were sick,’ he says.
‘Richard,’ says Jared, and his voice is so small, ‘Richard, I can’t do this.’
‘You can,’ says Richard, ‘Jared, it’s only like a couple of days and - ’
‘Richard, this is vital forecasting - ’
‘Jared, it’s fine - ’
‘It’s not fine, it’s the end of the quarter and - ’
‘Monica’s on top of it, all right? It’s being done. Look, here - ’ and Richard pulls up the interactive project management tool that Jared introduced, shows him the exuberant and reassuring sea of green, and –
And Jared’s curled in on himself.
‘Oh,’ he says. ‘I – that’s good. Thank you, Richard.’
Richard blinks at him.
‘I – Jared, that’s – I thought you’d - ’
‘No, I am,’ says Jared, and smiles. A broad rictus grin that makes Richard want to claw his own skin odd. ‘It’s – you’re doing very well, Richard. Monica’s – she’s doing very well.’ He clears his throat. ‘I’ll – I’ll take some rest now, Richard.’
Richard watches him lie down and curl up on his side.
‘I - ’
‘I’m glad you told me, Richard,’ says Jared. ‘I’ll let you work now. I – I’m sorry, I thought I was helping.’
Which.
I mean.
That’s.
That wasn’t what –
Ah, fuck.
‘Jared?’ says Richard. ‘Jared, I want you to get better.’
Jared nods. He isn’t looking back at Richard.
Richard swallows and goes on: ‘B – because I – I think we should have fixed exchange rates for PiperCoin.’
Jared’s head snaps around to look at Richard. (Richard cheers internally. Gotcha.)
‘Rich - ’ he says and is overtaken by a cough.
‘Hey, hey,’ says Richard, his voice coming out quicker and softer than he’s ever heard it. ‘I wouldn’t – not without - ’
Jared’s staring at Richard. He swallows. ‘I’m sure Monica could - ’
Richard shrugs. ‘Maybe. Seems like it might - ’
‘Please don’t,’ says Jared, ‘please, I’ll – tell Monica, she’ll tell you to - ’
‘I want you,’ says Richard, still softly. He coughs. ‘I – t-to – f-figure it out, or - ’
There’s a silence. Jared’s still staring at Richard. Richard can feel every individual capillary on his cheeks warming.
‘Okay,’ says Jared, at length. He’s pink, but in a good way.
‘Okay,’ says Richard, nodding.
Thank fuck.
He opens up his laptop. Kicks off his sneakers and stretches out on the bed. Tells himself it’s because he doesn’t trust Jared not to fish out a pedometer or a remote control or whatever the fuck to start working.
*******************************************************************************************
He orders soup and crusty bread for the two of them. Watches as Jared pulls himself up painfully to a sitting position. Hears his own mouth offer to feed it to Jared in a soft voice, bending from the waist with his head tilted, which, what even. Jared refuses with a blush. Richard doesn’t insist, which is probably – I mean, Richard spills scalding hot soup over his own hands like five seconds later so. Yeah. But Richard watches Jared’s lashes resting on his cheek and his lips purse as he blows on his soup and he doesn’t blink for the next twenty minutes.
Jared eats up all the soup, careful and quiet, which is good.
And Richard says so.
He says ‘Good boy,’ when Jared’s done eating his soup, which.
He says it.
Out loud.
Softly.
Glowingly.
With his mouth.
Where Jared can hear.
Where Jared does hear.
And Jared blushes.
And says ‘Thank you.’
And looks at Richard with saucer eyes.
And Richard hits his elbow against the side table.
Which.
There’s a jar of Vicks Vaporub on the table.
‘Would, uh,’ says Richard, ‘would this help?’
He holds up the jar, and Jared’s absurd eyes get even rounder.
‘I,’ says Jared, and swallows, ‘I don’t – Richard, I don’t want to impose.’
‘Okay,’ says Richard, and moves back so quickly he nearly falls off the bed and has to claw at the sheets to right himself. ‘Okay, yeah, sure, I shouldn’t. Yeah.’
He opens up his laptop and stares at the screen.
Jared’s breathing evenly. Very very carefully evenly.
Typetypetype.
In. Out.
Clicklicklick.
In. Out.
Typetypetype.
In. Out.
Then: ‘Richard, if you wouldn’t mind - ’
‘Yeahsureokay,’ says Richard, and grabs the jar.
Jared sits up. Begins to unbutton his pyjama shirt.
His hands are shaking, Richard notices.
So are Richard’s, as he unscrews the lid.
The smell hits him. Menthol and little old ladies all at once, obtrusive and confident.
‘So,’ says Richard, ‘I just – on your chest?’
Jared nods.
‘Okay,’ says Richard. ‘Sure.’
Jared says ‘Richard, you really don’t have to.’
‘No, I want to,’ says Richard, and swallows. ‘I just - ’
‘Richard, I – you’ve already done so much, you really don’t have to feel like you – oh.’
Richard’s slapped a Vaporub-laden index and middle finger on Jared’s chest.
He spends a few moments like that, just kinda. Tracing the indent, up and down. Until Jared lets out a shaky exhale and Richard starts.
‘I’ll just,’ he says and gets another glob of the stuff.
He spreads out his fingers. Figures the point is to distribute the stuff on Jared’s chest. Maybe get kinda … it’s gotta … he should get it so Jared can inhale?
And also … rubbing? They say. Right there in the name, it says. So.
He presses a little and looks at Jared. ‘Is this – Jared, is this okay?’
Jared seems to refocus – the flu, right, the flu – and nods. ‘Y- yes, Richard. It’s – it’s okay.’
Richard dips back into the jar. Returns. Presses. Kneads. Strokes in wide concentric circles. The rhythm is dreamy, like cleaning string code when you’re tired. Jared’s chest rises and falls beneath his fingers. His clavicle is somehow both fragile and – impudent? Kinda? Just piercing through the delicate skin? Richard’s slick fingers stroke up to cover it and he watches Jared’s Adam’s Apple bob.
Jared’s face is swimming before his eyes and Richard wonders for a full twenty seconds if he’s caught Jared’s plague before he realises, oh yeah, the Vaporub.
Richard’s eyes are stinging from the Vaporub.
He should probably…
Like, the jar’s half-empty anyway.
And then Richard’s eyes return to Jared’s chest, naked and glistening, and he swallows.
One more coat can’t hurt, right?
*******************************************************************************************
Richard – inevitably – catches Jared’s cold.
Jared pre-emptively seizes all electronic equipment before Richard can secrete them away.
He does, however, bring the VapoRub.
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translightyagami · 5 years
Note
"I don't think we need any more stuffed animals in the bed" for blight? 🤔
(so this is the AU where Light works at the bookstore Beyond owns like in this post i made ages ago)
Light had to admit that a week prior to kissing Beyond, hewouldn’t have thought them a hang-out type couple. He imagined calling infrequently,kissing after his shift ended in the erotic novels section, and Beyondcontinuing to resent having hired him in a habitual passive-aggressive flirtationthat never progressed. Instead, as Light closed the store down and prepared togo back to his dorm, Beyond invited him upstairs.
One thing Beyond mentioned in repeated prideful crows washis ownership of the bookstore’s building, which was two floors. Light assumedthe second floor was more storage, as even the backroom hardly contained halfthe purchases the trade-in desk received. Through that same cloisteredbackroom, Beyond led Light by the hand to a set of stairs blocked off with aflimsy metal chain. A sign, written in familiar scribble, told guests andemployees not to enter. Beyond winked as he unhooked the chain, letting it falland sway as he took the first step and tugged Light along.
“C’mon,” he said. “It’s late. Spend the night. Isn’t thatwhat they say in movies?”
“I don’t know.” Light slipped his hand from Beyond, grabbinghold of the rickety railing as they ascended through a hole cut in the ceiling.“We don’t watch the same movies.”
He peeped his head through the hole after Beyond disappearedthrough it and got his first look at the studio above the bookstore. Light wastaken aback to have such knowledge implanted alongside the spot in his brainreserved for the familiar clutch of the bookstore. When he was thirteen, hismother’s sock fell down while she was grocery shopping with him. Grey fabricpressed down into her shoe and revealed a small tattoo of a skull previouslyunseen by Light. The shock of the familiar being unfamiliar rattled in him inthe same way then as it did now.
Beyond grabbed his hand again and yanked Light’s startledbody into the still dark studio. Whatever illumination the place received cameonly from the moon spilled through a single double-paned window facing thecollege campus. As Light wandered toward that window, marveling at the courtyard’swell gardened hedges, Beyond flicked on first a tiffany lamp, and then theceiling light. At once the studio’s many fixtures and appendages were bathed inbutter yellow, all blue shadow chased underneath a lumpy couch.
It became clear to Light that the studio was actually asmall garret pressed into a triangle like two hands in mock-prayer. He stood inthe living room on a stained ornamental rug thrown over some reddish woodflooring that matched the support beams above them as well as, in hisrecollection, the construction of the bookstore. Various armamentarium—textbooksin assorted volumes and fields with none matching, several tools strewn inuseless configurations and an oddly numerous accumulation of stuffed animals onthe couch—competed for his attention along with the man hemming and hawing toLight’s side.
“Do you want anything?” Beyond spoke at the nervous volumeof an unpracticed, but eager host. “I’ve got tea, if you’re thirsty. Not reallymuch water, except for tap, but there’s a mineral water somewhere.” He left tofumble around the kitchenette, fridge door swung open and its paltry contentshalf-displayed. “Or are you hungry? I know you took a dinner break so probablynot. Would cake be attractive to you?”
Light turned around the room, assessing the amount of things Beyond stuffed into the space. “Whydo you have so many literacy posters?” Light pointed at a particularly agedposter of Alf, cat in one hand and a book on cat-cookery in the other, whichdemanded children read a book. “Oh, also, no thank you for cake. Whatever theyserved me at the corner store upset my stomach. The tea sounds good.”
“You shouldn’t go to thatcorner store.” Beyond shut the fridge and turned on the electric kettle,flicking around in a hanging cabinet until he gathered a white teacup, abattered green tin and a plastic package of sugar cubes. “They’ve got the worstsandwiches that they always serve to the university kids. Go to the one a blockover. Mello works part-time there, and if you’re nice, he’ll make you whateverboxed lunch you want.” The green tin opened and let out a potent perfume ofpeppermint tea. “Actually, he’s pretty skilled at making food in general. Don’ttell him I said that, okay?”
“Why not?” Half-listening to Beyond’s kitchen antics, Lightwalked over to the bookshelves, squat and tall, that lined the compartmentwalls. Were this not the shabby dwellings of his manager nee kissing partner,Light would call the room a study for how full it was of literary accoutrement.He thumbed over a worn copy of A Wrinklein Time, fingernail sticking on a label across the spine’s bottom that read“Property of A.” Before he could read whatever came after the letter A, thekettle’s piercing whistle pulled Light’s attention back to Beyond.
Two cups in front of him held triangle teabags that Beyondrearranged gingerly. He glanced behind his shoulder at Light, flashinguncomfortable smiles that reeked of satisfaction with what he saw. Instead ofrepulsion—Light’s usual reaction to the sight of another person’s contentment—warmthpulsed from Light’s chest through his torso when he met Beyond’s eyes. Beingthe subject of an emotion didn’t, for once, feel like nausea.
“Any sugar?” Beyond poured hot water into both cups, alittle sloshing off the rim. “I take about three, but that’s just habit. Backwhere I grew up, I got in trouble because I stole too many sugar cubes once.”
“I’ll have one cube.” Light examined the couch and itsoccupants—several brown furred teddy bears all subtly enhanced by carnivorous setsof fanged teeth. He gently set aside a bear in a blue sailor hat and took itsplace. “Who gave you these teddy bears? Are they, like, joke presents?”
Tea steam misted over Beyond’s confused expression as hebrought Light his cup. “I bought those myself,” he said as Light took the cup,settling back with it perched on his palm. “Do you think they’re ugly, orsomething?”
Desperation had a particular shrill ring to any sentence itinfected and so Light knew what he heard in Beyond’s voice wasn’t desperation.Whatever filled the words he said was indeterminately soft-bellied and unhappy,as though predisposed with knowledge that Light would pierce that now exposedvulnerability with another comment on the stupid bears. Silently, Light watchedBeyond move the teddies into a comfortable stack and take his place by them,adjusting one’s pink bow before hesitantly patting its head. He wondered howlong these bears had been on the couch, and who else had seen them. He wonderedif it occurred to Beyond that this was a strange thing to have, or if his baldsense of enjoyment made him immune to the idea that one couldn’t haveeverything they liked if those things were stuffed animals with full dentalinsertions.
Light sipped the tea and peppermint simpered down throughhis body to calm his troubled stomach. “No,” he said. “I don’t think they’reugly.” He took another sip and patted the sailor hatted bear he displaced. “They’rejust like you. Very strange. More than I expected.”
Beyond nodded, his sipping a solemn motion. “Bears cansurprise you,” he said. “But surprise aren’t always so bad, I don’t think. Iwas surprised how much I needed to hire you.” He didn’t hide his staring atLight, who turned his gaze from Beyond as heat flushed his cheeks. “Oh, sorry.I didn’t know that embarrassed you or anything.”
“Shut up,” Light snapped. “You did too know.” Shaking hishead, he set the cup in his lap and picked at a hangnail. A smile, uncalled forbut unstoppable, snuck over his lips. “I don’t mind surprises either. Why doyou think I kissed you back?”
“Because I’m the smartest man you know,” Beyond said and receivedan entire teddy bear thrown in his face.
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awclintbartonno · 6 years
Text
The Best Views || Flashback Clintasha
@ofblxckwidows
“You didn’t tell me I had to climb a mountain,” Clint muttered into his comm. He could hear Garrett sip his coffee before chuckling -- the bastard. He knew how much Clint loved coffee. 
“The best view comes after the hardest climb, Agent Barton,” Garrett replied. “You’re not gonna wimp out because of a little exercise, are ya?”
Clint didn’t even bother to respond. He just dug his crampons into the frostbitten cliff face, and tightened his ropes before hauling himself up. It was a good view, honestly. He could see for miles in every direction, though the east would be a weak point in visibility during the sunrise. He was better off finishing this in the dark. 
Like most elimination missions.
They weren’t his favorite. Even sanctioned by the top brass, they felt too covert, too much like the jobs he’d been tricked into for the circus. Clint set his pack into the snow, but before he got his tent set up, he pulled out the mission file.
Operation Charlotte’s Web read the cover. He flipped it open. Inside was a blurry black and white picture of a woman. She was apparently a redhead, according to the information they’d managed to get. A possible redhead anyway. No one really knew what she looked like. No one really knew much about her, except that she was one of the most dangerous assassins working in the Eastern European area. Codename: Black Widow. Acquire and terminate target at all costs. That was the job. And Clint was, surprisingly, damned good at his job. 
He stared at the picture a moment longer, and then closed the file. He opened the pack and set up his camp. No tent -- he’d use the cave nearby for shelter and cover. He couldn’t risk being spotted, not by her. Black Widow was no joke. His pack held a couple days worth of provisions and a variety of weapons. His bow, of course. But the sniper rifle was the tool of choice today. 
“I’m in position,” he reported to Garret once he had a rough camp set up. His bow was strapped to his back, he had a knife in his boot, and the sniper rifle was going to stay within easy reach. Now he just had to wait for the Black Widow to crawl into his web.
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“Good work, Barton,” Garret’s gruff voice came back. “Keep us updated.” He didn’t sound overly confident. Clint had a feeling his skills weren’t the only reason he was chosen for this assignment. He was also expendable. 
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queeniewritesce · 5 years
Text
Shall We Dance 4/?
It had been a hot minute since Lucy had laughed so hard.
The group had decided, much to Chris objections, that it was still too early to part ways and they headed back to Boston, a lively discussion happening via facetime while they drove. In the end, they all had agreed on Cure, a bar lounge on the theater district. For an early Sunday night the place was quite full but a look of recognition crossed the hostess' face and she quickly found them a place a near one of the two bars that divided the place in two, one side with a dance floor surrounded by vinyl couches and the other a little more subdued, leather couches and chairs, lights deemed and people drinking and mingling.
That had been two hours and many beers and glasses of wine ago, with tales being shared left and right, a recount of the game and its highlights leading up to a heated debate about Tom Brady being the greatest quarterback of the league.
“Oh come on, the guy is just that good, he doesn’t need to deflate the damn ball to throw a perfect pass,” Chris said from his spot on the couch next to Lucy. He had his left arm resting on the back of the couch while his hand played with the nape of her neck, his thumb gently stroking the hair there. His legs were spread out and a little while ago he had grabbed both her legs and draped them over his left one and she was now sandwiched between the arm of the couch and Chris’ body. “He’s the hardest working man on the league, that’s why he’s so good. Did you know he doesn’t eat dairy or flour products?”
“You know, if it wasn’t for the boner you’ve been toting around since halftime and the pissing match you had with Samuel at the end of the game, I’d swear you had the hots for Brady.” Guillermo said and laughter erupted, Dix and Garret, letting out an ‘oooooh’. “How do you even know these things, man?”
“Fuck you, Gui,” Chris’s hand lifted from Lucy’s neck and flipped his friend the bird before resuming its place. He finished the beer that was left on the bottle and set the bottle at the low table in front of him. “Samuel was being a prick, he had no right to talk about Lucy like that. He’s being stupid since whatshername dumped his ass, but after today I don’t blame her. And stop looking at my dick you pervert.” Chris shifted in his seat, bringing his now free hand to cover his crotch.
“Do make note he didn’t deny his attraction to Brady.” That earned Lucy a dirty look and a playful slap on her thighs.
“The mouth on you,” Chris exclaimed, and his fingers tightened on her neck, bringing her face closer, his mouth lingered for a moment, eyes locked and his breath hot on her face. They’ve been like that since they arrived, relaxing and enjoying the exchange between their friends at a moment and slowly kissing on the next, bodies close and hands wondering. “I really like when it’s pressed against mine.”
This kiss was harder than the earlier tentative kisses they shared. Like a sensual slow dance, Chris’ full lips caressed hers with pecks soft as a butterfly, gently coaxing her mouth to open while his left fingers stroke her neck, his right hand sliding from her thighs to cup her waist, keeping her from moving. She left a soft moan escape and her mouth opened, giving him a chance to touch her tongue with his own. Chris groaned and closed his mouth around hers, his tongue touching every corner it could reach, the roof of her mouth, sliding against her tongue, her teeth, then coming back to kiss her bottom lip and starting it all over again. Lucy’s hands had taken residence around his neck, fingers twisting on his hair, tugging at the dark strands and she was rewarded with a purr that made her insides clench with want. He broke the kiss and dragged his lips across her jaw, nipping his way up to the shell of her ear. One of her hands left his hair, her fingers gently tracing downwards his nose, caressing his cheek. Their eyes locked and a small sigh escaped her lips before they smiled at each other.
“You make me gag a little, just so you know,” Penny’s amused voice reached them from the leather chair in front of them before she popped a french-fry on her mouth.
“Consider it payback for all the times I had to put on music to drown the sounds coming from my guest bathroom.” Lucy looked at her sister, happy to dish as hard as she got and grinned before continuing, “I had to rearrange the whole bedroom because the headboard kept hitting the wall, there’s just so many times one can handle being jostled awake because her sister is getting her freak on.”
Chris threw his head back in laughter, his hand grabbing his left peck and sliding a little on the sofa cushion.
“Bitch!” Penny laughed, shrugged and pecked Garret’s red cheek, murmuring something that made him grin back at her.
“Love you too, skank,” a bright smile contradicted the harshness of her words. “You’re welcome to rock the walls now if you want, the dude on 4B is a tool.”
“He totally is, did you know he told Garret delivery guys should wait downstairs?” The smile vanished from her face. And she shushed her boyfriend when a small ‘Baby…’ left his lips. “No, I should’ve have told Lucy right there, it’s not the first time either.”
“The fuck you saying?” all traces of laughter left Chris’ voice when he looked at Garret’s chagrined face.
“You should’ve clocked him, bro,” Dix said from the opposed chair, knuckles white around his beer bottle.
“I’ll have his ass on the next tenants' meeting, I’m so tired of his racist, misogynist hogwash. He’s the worst kind of human being.”
“Let it go, guys, there’s nothing we can do it about now.” Garret’s voice had a hint of resignation and he shrugged. “We’re here having a good time and he’s probably at home watching porn alone.” Chris went to say something, but a shake of Garret’s head silenced him. “I’m going to the bar, anyone wants something?”
“Water please, I need to sober up a little.” Lucy patted Chris’ knee before getting up. “Penny, where’s the bathroom?”
“I’ll go with you.” She kissed Garret again, whispering I love you to him before joining Lucy.
They silently made their way through a narrow tunnel illuminated by purple LED lights behind the bar. Reaching the bathroom, they each headed for a stall, meeting a few minutes later at the sink. Lucy watched her sister’s reflection while she dried her hands
“Why didn’t you tell me Pen?” Lucy’s voice was soft. “It’s not the first time he’s seeing sputtering out that racist bs, Doctor Harris confided in me Brian once told her that he was glad her apartment was on the level floor, as he’d never share the elevator with the likes of her. Doctor Harris!! She’s the sweetest lady ever, always helping everyone, she handles Morris like he’s a kitten instead of a twenty-five pounds monster.”
“He’s a monster alright, tried to kill me twice now,” the smile never quite reached her eyes and she sighed. When she spoke, her eyes shone with unshed tears. “I… I forget sometimes you know? I forget what he goes through daily because I don’t look at him and think ‘here’s my black boyfriend’. He’s just my Garret. But some other times he comes home and I just know some shit went down or we’ll be having dinner at a restaurant and people look at us funny and… I hate it what it does to him when that happens. Hate it.”
Lucy closed the space between them and hugged her sister.
“I can’t even imagine what that must feel like and I’m sorry you have to go through that. You’re my favorite person in the word and I love you.”
“Thank you Babyboo. I love you too.” Shaking her head, Penny exhaled and gave her sister a sly smile. “Sooo… You and Chris hit it off well…”
“Yeah… From the moment he took my hands I was smitten. And then he pulled me into a hug and it was like this fire erupted within me.” The amber inside her burned brighter when she remembered the way his arms felt around her. “He’s funny, smart, and has the sharpest tongue of anyone I know except maybe for JP.” She reapplied the reddish-pink lipstick. “There’s something about him, he’s all man you know, not afraid to go after he wants. And to think he wants me? That’s both ridiculous and incredible.”
“Don’t start with the self-deprecating bullshit Lucy, you’re gorgeous, full lips, toned legs, boobs I’d kill for and an ass that Chris can’t seem to keep his hands off. So you’re not a size four, who the fucks care? Certainly not the man out there with a bulge in his pants just from kissing you.”
The muffled sound of the music coming from beyond the walls was the only sound in the bathroom for a while before Lucy sighed, capped the lipstick and put it away.
“You guys have an unhealthy obsession with Chris’ penis.”
The sisters looked at each other and burst out laughing.
“The last time I had a one-night stand was two years ago, he probably had one last week. What if I suck?”
“I don’t think he’ll have any problem with you sucking, babyboo.” Penny laughed and ducked when Lucy sent a balled paper towel at her head. “Look, he’s not a saint, but he isn’t a whore either. He had a fling with Jenny something from his last project, burned red and hot and sizzled in four weeks, she sold him out to the papers and he’s been licking his wounds ever since. Has he been with someone else between then and now? I have no idea, but Chris’ a good guy Lucy and I know he’s not two-timing anyone else by being with you.”
She nodded, that would be enough for now.
With linked arms, they made their way back to the bar.
“I was ready to send a search party after you,” Chris and Garret were waiting by the end of the bar, right by the exit to the dark tunnel. He handed a small bottle of water to Lucy, plucking it out of her hands when she was finished. Chris extended his hands and circled her waist, turning her around and bringing her close to his hard body.
“We’re talking about you.” The mirth on her voice gave away to a soft moan when his lips closed on the point where shoulder and neck met, taking advantage of the one shoulder sweater she was wearing.
“Good things I hope,” soft bites followed by a lick of his tongue had her head spinning and she grounded against him, swaying her hips to the rhythm of the music surrounding them. “Damn woman, you don’t play fair.”
Give it to me, I’m worth it Baby I’m worth it Uh huh, I’m worth it Gimme gimme I’m worth it.
“But where’s the fun in playing fair Chris?” she rotated again, reaching behind her to grab his strong hips, fingers sinking on his thighs, making him move with her. Jade eyes sparkled on her tilted head, lips procuring his, sweeping it with her tongue. Time stood still for a second, eyes locked, lips barely touching. Her breath hitched and she closed her mouth around Chris’, tongues dancing together to the beat of the song.
“Dance with me, Lucy.” It was not a request. His eyes were dark as the sky in the morning right before the sunrise, not a trace of the green specks she saw earlier that day. She shivered at the intensity she saw there, desire pooling at her lower half.
Penny and Garret went with them to the dance floor, the music becoming louder as they got closer to the other side of the club, the DJ playing a remix of hip-hop and pop songs.
Chris swayed with Lucy, hands low on her hips, thumbs hooked to the belt loops of her jeans, chests pressed close together, not a single inch separating them. They were surrounded by other bodies but only had eyes for each other. Fingers twisted around the hair on the nape of his neck while the other hand traveled up his arms slowly, the white t-shirt outlining every muscle, and Lucy reveled at the thought that those arms would hold her in a much more intimate embrace later on.
Oh don't you dare look back Just keep your eyes on me" I said, "You're holding back" She said, "Shut up and dance with me!" This woman is my destiny She said, "Ooh-ooh-hoo Shut up and dance with me
We were victims of the night The chemical, physical, kryptonite Helpless to the bass and the fading light Oh, we were bound to get together Bound to get together
“I love this song,” Lucy laughed, throwing her hands in the air, hips sashaying back and forth, back arched, feet apart, waiting for the chorus, singing together when it started.
Chris laughed and twirled her around, bringing her back to his wide chest, voices mingling together while grounding against each other.
“You’ll definitely be the death of me.” The whisper was followed by a nip of her earlobe. She pushed away from Chris, giddy, happiness seeping of every pore as they spiraled around each other.
A deep bass replaced the guitar riff and the next song started, a different mood taking hold of them. Lights swirled and the air heavy became with want. He brought her back towards him, one hand closing on her upper thighs pulling her ass down against his hard length, the other moving up her rib cage, skimming her breast, nipples hardening with his ministrations.
With her wine-stained lips, yeah, she nothing but trouble Cold to the touch but she's warm as a devil I gave her my heart but she wanted my soul She takes 'til I break and I can't get more
She turned around, her fingernails skittering his chest, grazing his nipples, her mouth closing on his throat, sucking lightly. His palms reached her bottom, big hands squeezing her cheeks and bringing her impossible close, sliding a knee between her legs, making her moan when the inseam of her jeans hit all the right places. She felt his hot breath on her ear, lips leaving a trail of fire till her mouth, a bruising kiss that made her head spin.
You got me in chains You got me in chains for your love But I wouldn't change No, I wouldn't change this love You got me in chains You got me in chains for your love But I wouldn't change No, I wouldn't change this love
“I believe it’s time to get out of here before I snap and have my wicked way with you in front of everybody.” Chris stared at her like a caged animal ready to pounce, a thin layer of perspiration on his brown.
Not trusting her words, she nodded and took his outstretched hand, fingers intertwined, almost running to keep up with his pace.
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brooklynislandgirl · 6 years
Note
All the BROTP questions for G and Beth,
Life Or Death || Accepting
1. Who slowly eases into the pool while complaining about the temperature of the water and who takes a full-force no regrets flying cannonball into the water
It’s been a rough day. What began as numbness turns into pins and needles and it threatens to overwhelm him because Garrett’s been pushing things, like he always does. The marine seems intent on wringing every last ounce of life while he still can. She admires him for that and aches because she can’t fix him, not the way she wants to. So as he eases himself into the water a thousand times colder than what she promised ~though it will still do wonders for his back~ she adds a little extra to it. And short, compact as she is, she takes a running jump, coiling her limbs together until she’s almost perfectly round. Splashing him with as much water and wave as she can create. And if there’s a little extra magick to the situation, well…no one can call her on it.
What she doesn’t expect is that Garrett doesn’t intend to let her have all the fun and she never saw his hand snake out toward her ankle as she was aiming for the surface.
2. Who can easily comfort the other when they’re sick and who sprays everything down with Lysol and wears an antimicrobial mask and pats the former with a broom to comfort them when they get sick?
The night Garrett was shot saving Santos still haunts her dreams. She can still feel his blood on her hands, she can still smell the combination of soap, sweat and cordite on his skin. She’s never felt so helpless in her entire life, unable to do anything more than try to stop the wounds with what to her is almost…primitive tools. Stitches and wound packing, forceps and eventually her own fingers because she couldn’t get a grip. And once he was home, the fear that infection would set in…it all just turned her stomach.
So she slips out of bed quietly, knowing Z isn’t sleeping but he doesn’t stop her either. It’s not often that she still tosses and turns when he’s there to hold back all the darkness. And though he wasn’t letting her come to New York by herself any more, he’s still careful about letting her go about what she wants.
And what she wants at this moment is to step out onto the fire escape. It’s two in the morning and she hesitates to call. Texts instead. “Hey, Pretty. U awake?”He almost immediately texts back. “You should be sleeping. Baby needs you to rest.”Back and forth they go. He tells her he’s fine. She points out if it was the truth, he’d be asleep and not texting her. He counters with a joke that he’ll sleep when he’s dead. She doesn’t answer for a long time. He’s the one that calls.“If it will make you feel better, we can have lunch or something later, during real people hours and you can check for yourself that I’m fine, Beth.” He doesn’t even bother with hello.“Okay.”“Now, are you going to go back to bed or am I going to have to risk life and limb coming over and putting you there? From the hall somehow. I know you brought your husband this time. Not how I really want to meet him but I will, if I have to.”
“Night, Pretty.”“Night, B.”
3. Who’s the amazing cook and who almost burns the house down trying to microwave a pop tart.
“Chinese?”“Italian.”“Ooh, we could do French?”“Have you eaten in France?”“No?”“Cuban?”
They’ve been at this for hours. Finally Santos, held hostage by their conversation, rolls his eyes and rummages around Garrett’s fridge. Ends up making black beans and rice and some kind of breakfast taco and resolves to talk to Garrett about who stocks his fridge. 
4. Who immediately goes for the can of Raid when they see a bug and who picks it up like “no wait don’t kill it I wanna keep it”
“It’s a spider, Beth. There’s a million of them and I don’t want it li-”“So help me, Pretty, you spray it an’ I’ma take dat can an’ spray you!”“You can try, but first you’d have to be able to reach it.” He holds the can above his head.“Don’ think I won’t kick you in the shin an’ bring you down.”
“We aren’t children Be-OW! WE DON’T BITE PEOPLE!”“Mebbe you don’t…”
5. Who likes to lean over railings to get a better view and who freaks out and tries to pull the former back away from the rail screaming about how they might fall?
His hot tub is on the balcony and there’s so many floors between the ground and the rail. He leans against it like he doesn’t have a care in the world and sometimes stares up at the sky. He misses flying as much as her brother does, in different ways. He lives for the piloting, Andy for the jumps. And Beth can’t understand them. The sky is a terrible thing. Wide open and without boundaries. Nothing to hold on to. And maybe some people were born with the memory of wings; she’s not one of them. Just the idea of it makes her queasy.
So she stands in the doorway, fingers gripped so tight they almost leave impressions in the metal.
“Dinner’s getting cold.”
6. Who acts like they’re brave and fearless but actually gets terrified 15 minutes into a horror movie and who is usually the huge scaredy cat but isn’t fazed at all by most horror movies
Garrett laughs at the plot and shakes his head. Beth creeps subconciously toward the screen as soon as the blood flows, and murmurs about how that would never work. He’s survived worse, and her life is nothing short of something that would be directed and written by Guillermo Del Toro. But they both have their breaking points. He isn’t a fan of the Langoliers, especially when the pilot loses control of the plane’s instrument panel, and she won’t even be in the apartment while the Exorcist is on.They don’t talk about their limits, and instead turn on some more lights and find something else to do.
7. Who constantly criticizes the latter’s wardrobe and who dresses even more outrageously to further annoy the former
“Don’t you think that your husband would want you to wear something with…a little more fabric?”“Who do you think bought it for me?”
Garrett’s hand trails up the bare skin of her back and looks into the mirror. They do look stunning next to each other. His eyes never stray to the more revealing parts of the dress.
“I suppose we should get going then. You know how they frown if you’re late to the silent auction.”“Well, I do have one more thing to try on…”
He’s seen string bikinis that were more modest than the peach coloured gown. “Yeah, no. I think the dark blue suits you.”“You’re no fun.”“On the contrary, I like breathing and if Zarek doesn’t raise an eyebrow, Andy certainly will.”
8. Who likes total darkness when they sleep and who needs a night light
Garrett knew she didn’t sleep much. He knew that she didn’t like the dark. It wasn’t until they’d gone to California; him for business, her to visit her friend, that he realised just how bad it was. Laying in the dark, letting it wash over him, he was almost asleep when he heard it. A shuddering gasp of sound that reminded him of oxygen deprivation, followed by the hard breath panted though an open mouth. Little sharp vocalisations that were like half-quiet yips from a small dog. He swung his legs over the side of the bed, grabbing a tee-shirt to pull on, and he padded toward the living room of the suit, where she’d made camp on the couch. The heel of his palm pressed into his eyes as he rubbed sleep from them. A fumbling for the lights.She was curled up on her side but something was wrong. Her entire body was rigid. The breaths shallow and too fast, her eyes glossy and fixed to some point in space, unseeing. She didn’t so much as blink. And God, that’s unnerving.“Hey, hey. Shhh.” He edged a hip onto the couch and gently rested a hand on her shoulder, to little avail. The minutes dragged on into what seemed like eternity. He rubs small circles on her back, murmurs small nothings to try and gentle the paralysis as best he can. But it’s terrifying to witness, he can only imagine what it is to experience it. Eventually she comes to herself and he gets up to grab her water. He wonders if it will be like that when and if his own back gives but doesn’t ask her, can’t. Not with how worn and terrified she looks afterwards.When he manages to go back to bed at her insistence, he leaves the light on.
9. Who loves kids and who scowls at the mere sight of them
It’s not exactly a scowl as it is contemplation on the deepest levels. He first really noticed it when she was treating Santos. The the way she smiled at random babies on the street. Or how she held them in the N-ICU. Her jog around Central Park often took her by story-land and the playgrounds. But she didn’t have any of her own. And she changed the subject abruptly when he’d asked about that.The story came later, during a quiet group session. He and Riley tended to linger after the other veterans returned to the bits of their lives they were holding together. Usually a drink was shared, maybe two, and they’d talk more personally, as friends are wont to do.
“Your sister’s really good with kids.”“She is.”“I’m surprised she doesn’t have any of her own. The nursing job must consume a lot of her-”“It’s not the job,” Riley says softly. Darkly. “Doctors have known since she was real small that there was only a one in a million chance, and she’s just this side of sterile. Really wrecked her, you know?”
It made sense. Not that Garrett himself had children, nor did he plan on it, not now or any time soon.
And the next time Beth saw him, it was her turn to watch. The way he was with Santos, some day, he was going to make an excellent dad.
10. Who plays games competitively and sucks at them and who plays games casually and is actually really heckin good
As quiet as she is, as timid as she acts ~afraid to upset the natural order of the universe~ Beth is weirdly competitive, even if she doesn’t know or understand all the rules as you tell them to her. She gets this little gleam in her eye and dives right into whatever the game is. The opposite of Garret, who himself is calm and calculating. She kills at Trivia and the obscure bits of knowledge she possesses is borderline supernatural. She’s great at cards, though he suspects she counts them. He just can’t prove it. Pool is another thing, with her eye for angles and the geometry on the table.
Strategy though… that she has problems with. She thinks too quickly, lets it all show on her face. He’s captured half the board in the time it takes for her to build one army.
So it comes as a surprise when she kneels across his lap, her knees digging into his hips and she fists a hand in the back of his hair pulling his chin up and back, snarling an alien expression. “You’ve threatened my alliance with Greece for the last time, G.”
”I think you’re the one threatening, Piccola.”Garrett has never been so glad to see the shape of her husband in the shadows of their bedroom loft.11. Who can handle spicy foods perfectly and who chugs an entire gallon of milk after accidentally eating one jalapeño
They’ve tried each other’s favourite cuisine and found a liking similar to one another’s. Even ghost-chile is eaten without qualms. But when her brother brings out the little bottle, Beth shakes her head and throws in the towel.“Sure, I’ll take some.”“Don’t do it, G.”“Why? How bad could it be?”She practically scrambles over her chair to get away from it. “It’s a recipe he picked up in Kabul.”It was Kandahar but he doesn’t correct her. According to his records, he was never there. “Don’t be a punk. It’s perfectly fine.”
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themeparkitect · 7 years
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Devlog Update 173 + Beta 1
Beta 1 is now available for download! The full change log is at the end of this post. This is probably our biggest update yet and we hope you’ll enjoy it :)
As previously announced we’ve slightly increased the price to $19.99 with this release (might take a while to update across all stores).
Devlog
Getting the game to sound like we want has been quite challenging for us so far. There are thousands of sound files to organize and trigger at the right time and volume. So far we’ve been using a third-party tool for this and if you have played the game you surely noticed that things didn’t sound quite right.
To solve this the team over at A Shell in the Pit Audio, who is taking care of all of Parkitects audio needs, has been working on their own custom audio tool since roughly the end of 2016 and with Beta 1 you can hear the results!
Here’s a small sample:
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Apart from a much better audio mix and coasters being properly audible all rides have audio now and there are hundreds of other new sounds. There are also five new ride music tracks and a new background music track. Naturally there are still things to tweak and fix but we hope you’ll agree how much better the game sounds now :) A big thanks to Chris, Em, Gordon and Rachel for their hard work on this!
Luuk added more fine-grained options for starting new parks, so when playing a sandbox park you now can decide individually whether it should have money, research or goals enabled:
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For tracked rides with wide stations it’s possible to place the entrance and exit in-line with the station platforms now:
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There’s a new visualization when having the products tab of a shop open so you can see all of its resource crates that are in transit:
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Garret made some new alternate cars during the last Art Stream. The Spinning Coaster now has the option of using these round cars that can be used as trains, unlike the default Spinning Coaster cars that can only run individually:
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Meanwhile the Bobsled Coaster received these 6 seat cars that can’t be used as trains:
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And then there’s also the new Powered Coaster!
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It can slow down or speed up during the ride and can do multiple laps.
There are some new rope fences:
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And Gabby added a new tree and bunting:
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Changelog
- complete overhaul of the audio implementation - added hundreds of new sound effects - added five new ride music songs - added one new background music song - added Steam Workshop support for mods - added tool for easy creation of scenery mods - added Powered Coaster - added alternate trains for Monorail, Spinning Coaster, Bobsled - added employees gain experience from working and get better at their job - added Staff Training Room for training staff more quickly - added more fine-grained options for sandbox parks (disable money, disable goals, disable research) - added a bunch of new plants, crates, fences - added option to define terrain with "support rights" in the scenario editor - added option for disabling loans in scenarios - added predefined palette of nice colors to color picker - added left control key for putting an object to the same height as the one below the mouse cursor - added LOD fading - added disallow terraforming outside park bounds - added placing entrance/exit in-line with wide tracked ride station platforms - added visualization of all resource crates in transit to shop products tab - improved park loading times by ~40% - some overall performance improvements - fixed that annoying freeze while loading parks - fixed guests sometimes complaining about Haulers when they shouldn't - fixed boats sometimes getting stuck - fixed blueprints being able to build objects that haven't been researched - fixed being able to build deco blueprints above/below terrain bounds - fixed being able to build blueprints without having enough money - fixed goals getting completed while playing in the scenario editor - fixed park entrance path tiles not saving their style even though their style could be changed using the path style brush tool - fixed not being able to "buy" land in sandbox mode - fixed errors with some of the terrain tools - fixed problems after changing terrain size in the scenario editor - fixed a case where resources could not be delivered
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zrhen · 4 years
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All Kinds of Trouble
It was quiet as Rhen stumbled up the steps—a sort of quiet with a dead edge to it made by the tethered black end of a long night. Where whispers are loud and gentle footfalls up creaking steps are enough to wake dreamers. The silence had long settled. And Rhen rattled through it as he walked with blood splatter across his face. Some of it was his. Most of it was not. It felt wet and dirty, with an iron scent his nose could not ignore. He did not murder a man but earned an answer tonight. The cost? Blood. It was one he haggled with his rapier and quick feet, winning in the end.
Of all the nights to return home in need of feverish sleep and blood-soaked bandages, he picked this one, didn’t it?
The one where he pushed a key into someone’s hand and told her to use his place because he never used it. And why not? It had a roof, safe place to sleep. High in a shabby set of buildings on one of the more run down and quiet edges of Ul’dah’s residential district.
But about Rhen not using it—that was not a lie. He saw it in speckles of gold when he told her he rarely used his place—she thought he was lying, or overexaggerating. He supposed that was the face people show when you are used to kindness coming along with an offering of something—as the other waits and watches with one hand curled at the fingers as it waits to take something greater back to pay for it.
Street debts. It nearly always left the needy bleeding out from their pockets.
Paranoia was Rhen’s best friend. And he had reasons for it. Sly little reasons which whispered across his neck and drew attention to scars too close to his windpipe. Words he felt down his ear when the knife was rammed inside. ”Rhen? You’re mine.” He understood her fear, more than he’d ever admit.
Rhen staggered into his one-room garret as quietly as he could. He brought no flame to light a lantern as he looked through the dark, slipping the door shut. The bed had a ray of buttery moonlight pouring in through the window. And there he expected to find her, asleep and sound.
But she was not.
Should he have been unbothered? Like handing a piece of bread to a hungry man, would he feel insulted if it were refused?
A gloved hand touched his stomach. Through two layers of cloth and leather, he felt a sticky squelch of blood needing tending. He threw all his thoughts and all his focus onto that rather than Spitfire—as he kicked loose a floorboard near the stove and pulled free his tools. Gauze. Alcohol. Needles and wire. He began to work, plucking free his shirt.
He needed lamp light and he brought a candle to life with a match, moving to sit on the edge of his bed as he saw to himself. He chased blood away with a wet cloth, cleaned the wound with nose-curling alcohol poured straight from the bottle, and took thread to needle to begin the eye-watering task of piercing his skin to stitch it up.
In the glowing golden gaze of a fickle candle, his body was a mess.
Scars, some young, some old, some left puckered with a jaggedness to them lined and drew crosses and shapes along his brawny shoulders, his firm stomach, running as far along his bicep and down to his wrist as it did no doubt his legs and back.
“I’m a mess,” — that’s what he said hours before. He meant it in more ways than one.
Maybe it was a good thing Spitfire turned around—never bothered to use his place. She ran, left, vanished like a puff of smoke in time to never learn just who Rhen was. What he was. Why he was the way he was.
He warned her. Or he tried to damn well warn her, but she—
His eyes learned to dance with the shadows and became all too familiar with them. From complete black and senseless shapes to grey with several shades. And there he spotted her. Above his bookcase. Curled up and asleep like a cat finding safety in her high treetops.
Rhen’s heart raced, and a pulse of pain spasmed through his newest wound.
She’s here.
She’s here.
The moon is out, stars blink with bemused rhythms and there T’anika is. Rhen knows where she is. The damned gift of it lifts worry he never voices right from his shoulders, taking it like a thief pockets another person’s gil. He won’t see it unless he hunts for it. He isn’t sure he wants to anyway. She’s here, quick like a street-raised cat, never trusting too many people. Swiping with a claw if someone offers a soft hand to her head—after all, it’s easier that way. Put on a mask and act small and tough. Throw in spunk like glitter and a mouth as blunt as a mallet, sharp as a sword.
T’anika did not know the hold she was forming around his throat.
He could breathe easier if he could see her—if shadows danced around her silhouette, Rhen could barely breathe at all.
What a beautiful disaster they were together.
He grinned in the dark, feeling safe to do it there. Keep it hidden lest a set of looking black eyes sees it and comes to gut it out. He lost his easy grins, the shit-faced punk that he was a few years ago. All mouth and sarcasm, bounding in with idiotic radiance to turn tawny eyes gold.
How long would it be until T’anika realises everything he had was lost and taken when a blade bit across his throat?
He wants to crack the skulls of the dogs on her heels, make them bleed and leave them bruised—
It’s why he finds himself mute when he tries to tell her.
Rhen slumped back against his back. Without his shirt and smeared in his own bloody paw prints.
Sleep—for once—came without wine luring it in with a curl of a long finger.
He never did finish his wound stitching.
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pyratetm-a · 7 years
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18th Century Words & Phrases for the Most Noble Rper
This is in no way completely comprehensive, because if I was going to write one that was completely so, 1. it’d be a literal book, if not volumes of a series, and 2. I’d be getting paid for it, lmao.  But what I do want to do is offer some period-authentic terms and a sort of guide for people writing early modern characters situated in the Long 18th.  So here you go, Amanda’s guide to 18th Century language, centered around things that will most likely pop up in rp as far as conversation goes.  Be aware there are some nsfw stuff here!  Because sex was as much a part of life then as it is now.  Go forth.  Use it.  Make your writing more period appropriate with it and make your local pirate historian proud, guys.
Dialogue Things
Things to spice up your dialogue a little.  While early modern english is pretty similar to modern english in a lot of ways, some words and phrases have shifted in that three hundred years to mean something wholly different, and these are the ones I tried to focus most on in this section.
against:  often used in place of before.  ex. against the crowd. allow: often used in place of admit.  ex.  i'll allow it may be true. awful:  to inspire awe, as opposed to being terrible.  ex.  it was an awful sight. blow:  to bloom.  where full blown comes from.  ex.  the flowers were blown. calenture:  an illness from a tropical region.  ex.  he was down with calenture. cant:  low language, common language.  ex. cant is an example of an uneducated mind. check: hold back or restrain.  ex.  check your temper. coach-and-six:  a coach and six horses.  ex. she came along in a coach-and-six. condescending:  not negative, means showing a proper degree of courtesy.  ex.  he condescended an impeccable degree of courtesy. conversation:  any social interaction; criminal conversation means adultery.  ex.  they were seen in a bit of conversation. correspondence:  any sort of relationship; does not mean the exhange of letters.  ex.  we keep a lively correspondence. distracted:  a person who suffers from mental illness (of any type) was said to be distracted.  ex.  and the poor dear was distracted. eat:  not only to eat; but also used in past tense.  ex. i eat and then i was for my bed. else:  used either for else, or to mean otherwise.  ex.  elseways everyone t'would know where it was. fee:  a fee, but also meaning to pay for.  ex. i feed the bill. gross:  large or coarse; did not mean disgusting.  ex.  a gross load. hand:  someone's handwriting.  ex.  and it was in his hand. hardly:  sometimes barely, sometimes with difficulty.  ex.  we made it through hardly. humour:  comedy, but also mood or caprice; also found in medicine as part of the four humors theory.  ex.  she's in a bad humour. iambic:  a metric foot but also for satire.  ex.  he was keen on iambic. indifferent:  the same as now, but applied to an object instead of a person.  ex.  it was indifferent to me. letters:  physical paper letters, the alphabet, learning.  ex.  he has his letters (he is educated). license:  freedom, liberty.  ex.  i've license to do as i wish. mobile vulgus:  a mob.  ex.  here's the mobile vulgis now. occasional:  not from time to time, but on a special occasion.  ex.  it was occasional. ordinary:  a chaplain at a prison.  ex.  i confessed my sins to the ordinary. own:  acknowledge or admit to.  ex.  i'll own my words. paint:  makeup, cosmetics.  ex.  she wore her paint. precipitate:  to rush, to hasten.  ex.  we precipitate our departure. proper:  one's own.  ex.  it was proper. quit:  to leave.  ex.  let's quit this place. rail:  speak harshly.  ex.  he railed at me. repair:  to go or travel.  ex.  we repair for savannah. retire:  to leave the room, to withdraw.  ex.  he retired to his apartment. romance:  a fictional narrative.  ex.  it was a romance. sex:  not the act, but usually in use with regard to women.  ex. the fair sex. singular:  exceptional.  ex.  he's a singular man. snacks:  to divide or go into equally.  ex.  we went in snacks. suffer:  aside from the modern meaning, also allow or permit.  ex.  i'll suffer to see him. token:  a small sign or indication.  ex.  a token of her affections. traffic:  commerce, trade.  ex.  pirates traffic here. try:  test, make a trial of.  ex.  he wants to try my measure. use:  sometimes to treat.  ex.  he uses me as though i were his child. vicious:  given to vice, immoral.  ex.  he's a vicious man. vulgar:  common, but not necessarily disgusting.  ex. i found him vulgar. want:  desire, but also a lack.  ex.  a man could die for want of acknowledgement. weeds:  clothes, especially by women in mourning.  ex.  she was in her weeds. worsted:  a fabric made of woolen yarn.  ex.  he wears worsted. zounds:  a swear about as bad as damn.  ex.  zounds and buggery!
Food Things
blue tape:  gin. black jack:  a leather drinking jug. bog orange:  potato. bohea: (bo-hay) a type of tea. bonny clapper:  sour buttermilk. booze:  ...booze.  yes, it's really that old. brown cow:  a barrel of beer. bumper:  half full glass. cackling farts / cackle fruit:  eggs. chocolate:  in this context not a candy bar.  usually in bricks or powder, used as drinking chocolate.  milk chocolate did not exist, so it's fairly bitter.  often sprinkled with chili powder or paprika. cold tea:  brandy. corn:  any grain.  mais or maize is the word for corn specifically. dog's soup:  water. draught:  the usual spelling for draft (you've been reading it wrong in your head haven't you); drink. english manufacture:  ale, beer, or cider. fiddler's pay:  thanks and wine (and no money). grub:  food. grunting peck:  a hog. gut an oyster:  to eat the oyster. knock down:  very strong ale or beer. meat:  any food, not just literal meat. panam:  bread. pharaoh:  a strong malt drink. purl royal:  canary (the drink) with a dash of wormwood. ruff peck:  bacon. strip me naked:  gin. wibble:  a sad drink. wobble:  to boil.
Medical Things
crinkum:  venereal disease. french pox:  venereal disease. lying in:  a pregnant woman would be said to lie in until the birth.
People Things
abbess:  a woman who runs a brothel. baggage:  an insulting term for a woman. blue stocking:  an educated woman. christened by a baker:  freckled cucumber:  a tailor. jack of legs:  a tall person. jade:  another not at all nice term for a woman. jilt:  a sex worker or kept mistress. mechanic:  a tradesman or workman. mercer:  a cloth merchant. quean:  sex worker.  whither go ye:  a wife. wife in water colors:  a mistress.
Pirate & Sailing Things
admiral of the black / of the coast:  the big wigs in the brethren of the coast. black spot:  a real thing; a smudge on one side of the paper and the written threat on the other.  usually is a death threat. blow the man down:  kill someone. chandler:  a dealer offering ship supplies like robe, tools, etc. crimp:  procurring sailors by trickery or coercion. davy jones's locker:  a watery grave / to die at sea. dead men tell no tales:  exactly what it sounds like. deadlights:  the shutters that can clap down over a porthole or cabin window in bad weather; windows in a ship's side or deck, eyes. fire in the hole:  the warning before a cannon is fired. give no quarter:  refusal to spare the life of anyone that fights; a red flag raised on a pirate ship also signals this. holy stone / bible stone:  piece of sandstone used to scour the deck of a ship; big ones were bibles, small ones were prayer books - called so because it was used by getting on one's knees. jack:  a flag at the top of the bow - especially the one signaling ship nationality. jack tar: a sailor. line:  the equator. no prey, no pay:  no ships taken, no pay received. on the account:  to turn pirate; to go to work for one's self. pay debts with the topsail:  to run off to sea to avoid debts. real: (ree-al) a spanish denomination of money common in south america and the caribbean. red ensign:  a british naval flag. refit:  to resupply a ship.  would always be referred to this particular way. rum-gagger:  someone who tells false stories of hardships at sea. run a rig:  to play a trick. show a leg:  wake up. strike colors:  lower the flag; typically a signal of surrender. sutler:  a merchant selling all manner of goods for supplies and repairs. take a caulk:  take a nap - comes from sleeping on a caulked deck which left streaks of tar down clothing. warp:  moving a vessel (especially along a dock) by hauling a line fastened to different things like pilings, anchors, or piers. yellow jack:  used to indicate illness (typically yellow fever) aboard - often used to try and trick pirates.
Place & Stuff Things
apartment:  instead of the modern connotation of apartment, this wouldn't be a whole dwelling, but a rented room. bowsing ken:  an ale house. brake: heavily overgrown area. flats and sharps:  weapons. garret: an attic. house of civil reception:  a brothel. jakes:  a privy. kennel:  a gutter or street sewer. lanthorn:  a lantern. magazine:  a storehouse, especially for things like weapons.  had just come into vogue as meaning periodical publication. ordinary:  a roadside inn with stabling for horses. taper:  a small candle. tea voider:  a chamber pot. tube:  sometimes a smoking pipe. welkin:  the sky.
Sex Stuff
box the jesuit:  to masturbate. buttered bun:  having sex with a woman who just had sex with another man (i.e. as in a brothel). crack jenny's tea cup:  spending the night in a brothel. cundum:  a condom, usually made of sheep's skin (yes they had condoms). doxy / doxies:  a sex worker; can also refer to a kept woman. dragon on/upon st. george / riding st. george:  the woman topping. fancy lad:  a term for a male sex worker who usually services other men. fancy man:  a backdoor man (that is a man kept for the hanky panky). flogging:  pretty much the 18th c equivalent of spanking. hell cat:  considered a lewd woman; one who doesn't shy from her sexuality. screw:  to have sex (yes it's that old).
Slang Things:
admiral of the narrow seas:  a drunk who vomits in his neighbor's lap. apple dumpling shop:  a woman's boobies. been to an irish wedding:  to have a black eye. bring one's ass to anchor:  sit down. cast up one's account:  to vomit. dance the hempen jig:  to hang. dance with jack ketch:  to hang. fed with a fire shovel:  to have a big mouth. go a snail's gallop:  to move slowly. grin like a basket of chips:  grin broadly. hand like a foot:  to have bad handwriting. make faces:  to have children. milk the pidgeon:  attempt the impossible. navel-tied:  to be inseparable. piss more than he drinks:  a braggart. up the ladder to bed:  to hang.
Social Things
banns:  declaring intention to marry.  in the anglican church it had to be read three sundays before a couple was allowed to marry. cloud:  tobacco. fog: smoke. guinea:  a coin worth 21 shillings (just over a pound at the time). hombre:  a popular card game of the time. make love:  to flirt, did not meant to have sex. macaroni:  not food, but a specific type of dandy. mrs.:  applied to women of a certain age regardless of marital status. naked:  indecently dressed; a man without frock and waistcoat would be naked. oaten pipe:  a shepherd's flute made of reed. penny:  four farthings, one-twelfth of a shilling. plain-work:  basic sewing. pound:  twenty shillings. ridotto:  an entertainment with music and dancing. shift:  a woman's undergarment consisting of a thing loose dress of muslin or linen. shirt:  the linen shirt of a man, considered an undergarment. toilet:  a dressing table. transportation:  forcible exile for committing a crime, such as to the american colonies or australia.
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